Podcast appearances and mentions of carl czerny

Carl Czerny (1791-1857) – Sinfonia n. 1 in do minore Op. 7801.       Allegro2.       Andante sostenuto3.       Scherzo4.       FinaleFrankfurt Brandenburg State OrchestraNikos Athinaos, conductor

Carl Czerny (1791-1857) – Grande Sinfonia n. 2 in re maggiore, op. 7811.      Andante maestoso ma con moto. Allegro vivace     [00:05]2.      Andantino grazioso un poco moto                            [15:11]3.      Scherzo e Trio. Molto vivace                                    [25:57]4.      Finale. Allegro vivace                                                [32:18]SWR Rundfunkorchester KaiserslauternGrzegorz Nowak, conductor

In part one of our series on classical composer and pianist, Franz Liszt, we examine the earliest parts of the young prodigy's life. Though he was born the son of a humble bookkeeper, by age seven Franz would demonstrate such unbelievable skill on the piano that he would be accepted as a pupil in Vienna under the tutelage of the legendary composers Carl Czerny, and Antonio Salieri. But that was just the beginning of his rise to superstardom, as before he reached the age of 15, Franz would perform concerts in front of nearly every King and Queen in Europe, stir his audiences into a screaming frenzy, and stun his orchestras into silence... mid-performance. Buckle your seatbelts, everyone: we're just getting warmed up with the birth of the world's first rockstar. Tune in for part one of our series on Franz Liszt to learn more! (Ep. 030)

Antonio Salieri havia alcançado uma elevada posição social, sendo frequentemente associado com outros celebrizados compositores, como Joseph Haydn ou Louis Spohr. Desempenhou um papel importante na música clássica do século XIX e ensinou compositores famosos como Ludwig Van Beethoven, Carl Czerny, Johann Nepomuk Hummel, Franz Liszt, Giacomo Meyerbeer, Ignaz Moscheles, Franz Schubert e Franz Xaver Süssmayr. Ensinou também ao filho mais novo de Mozart, Franz Xaver Apresentado por Aroldo Glomb com participação especial de Aarão Barreto, nosso padrinho! Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto e Aldo França.

Carl Czerny - Piano ConcertinoRosemary Tuck, pianoEnglish Chamber OrchestraRichard Bonynge, conductorMore info about today's track: Naxos 8.557690Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Carl Czerny (1791-1857) - Sinfonia n. 1 in Do minore, op. 780I. Allegro II. Andante Sostenuto III. Scherzo IV. Finale Staatsorchester Frankfurt (Oder)Nikos Athinäos, direttore*********Johann Baptist Cramer (1771–1858) - Piano Concerto No. 2 in d minor, Op. 16 (c. 1796)1. Allegro non tanto2. Andante cantabile (12:38)3. Rondo. Allegretto (18:38)London Mozart PlayersHoward Shelley, pianoforte

Un Día Como Hoy 15 de Julio: Nace: 1606: Rembrandt, pintor neerlandés (f. 1669). 1892: Walter Benjamin, escritor y filósofo alemán (f. 1940). 1930: Jacques Derrida, filósofo francés (f. 2004). Fallece: 1857: Carl Czerny, pianista y compositor austriaco (n. 1791). 1904: Antón Chéjov, dramaturgo ruso (n. 1860). 2003: Roberto Bolaño, escritor y poeta chileno (n. 1953). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

17th-21st Centuries We hear works by Francisco Correa de Arauxo, Johann Jakob Walther, Antoine Dauvergne, Carl Czerny, Emmanuel Chabrier, Victor de Sabata, and Kaija Saariaho. 130 Minutes – Week of 2023 June 26

Un día como hoy, 21 de febrero. Nace: 1791: Carl Czerny, compositor y pianista austríaco (f. 1857). 1817: José Zorrilla, dramaturgo y poeta romántico (f. 1893). 1836: Léo Delibes, compositor francés (f. 1891). 1903: Anaïs Nin, escritora franco-estadounidense (f. 1977). 1933: Nina Simone, cantante estadounidense (f. 2003). 1962: David Foster Wallace, novelista estadounidense (f. 2008). Fallece: 1677: Baruch Spinoza, filósofo neerlandés (n. 1632). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Carl Czerny (1791-1857) – Grande Sinfonia n. 2 in re maggiore, op. 7811.      Andante maestoso ma con moto. Allegro vivace     [00:05]2.      Andantino grazioso un poco moto                            [15:11]3.      Scherzo e Trio. Molto vivace                                    [25:57]4.      Finale. Allegro vivace                                                [32:18]SWR Rundfunkorchester KaiserslauternGrzegorz Nowak, conductor

Our Spring concert series begins with the vibrant Kaha Trio, all students from the University of Auckland School of music. They start with Bach's unique and beautiful fifth cello suite. They follow with Beethoven's piano sonata no 24 in F# major which, according to Carl Czerny, Beethoven singled out along with the “Appassionata” as one of his favourite sonatas. Chopin‘s Andante spianato et grande polonaise brilliante op. 22 for piano will draw the listeners in with its dreamy opening movement contrasted with the dramatic dance movement.

Carl Czerny - Concertino Rosemary Tuck, piano English Chamber Orchestra Richard Bonynge, conductor More info about today's track: Naxos 8.573998 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Carl Czerny (1791-1857) – Grande Sinfonia n. 2 in re maggiore, op. 781 1.      Andante maestoso ma con moto. Allegro vivace    [00:05]2.      Andantino grazioso un poco moto                            [15:11]3.      Scherzo e Trio. Molto vivace                                     [25:57]4.      Finale. Allegro vivace                                                 [32:18] SWR Rundfunkorchester KaiserslauternGrzegorz Nowak, conductor

Carl Czerny - Romantic Fantasy on Sir Walter Scott's Rob Roy Samuel Gingher, piano Pei-I Wang, piano More info about today's track: Naxos 8.579099 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Beethoven war 27 Jahre jung, als er seine Klaviersonate op. 7 drucken liess. Er nannte sie «Grande Sonate», was einmal ihrem Umfang angemessen ist, dann aber auch Beethovens eigenem Anspruch entspricht. Beethovens Schüler Carl Czerny nannte sie später sogar «eine frühe Appassionata». Trotzdem ist diese Nummer 4 von Beethovens insgesamt 32 Klaviersonaten keine sehr bekannte Sonate geworden; Pianistinnen und Pianisten spielen sie meist erst dann, wenn sie eine Totale der Sonaten planen und in ihre Übersicht auch dieses Werk mit einbeziehen. Das Stück lohnt aber natürlich den genauen Blick bzw. das genaue Hinhören, denn was besonders spannend ist an dieser Musik: Wie der junge Beethoven es schafft, die vier Sätze, die jeweils sehr unterschiedlich sind, zu einem Ganzen zusammenzufassen und Entwicklungen genauso wie Kontraste zu gestalten. Gäste von Norbert Graf sind der Pianist Manuel Bärtsch und der Musikwissenschaftler Hans-Joachim Hinrichsen.

Molts pianistes han "patit" els estudis d'un compositor que va ser alumne de Beethoven i professor de Liszt. "Els homes cl

Carl Czerny - Concertino Rosemary Tuck, piano English Chamber Orchestra Richard Bonynge, conductor More info about today's track: Naxos 8.573998 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording AmazonArkivMusic

Carl Czerny - Introduction and Rondo Brillant Rosemary Tuck, piano English Chamber Orchestra Richard Bonynge, conductor More info about today's track: Naxos 8.573688 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording AmazonArkivMusic

Un Día Como Hoy 15 de Julio: Nace: 1606: Rembrandt, pintor neerlandés (f. 1669). 1892: Walter Benjamin, escritor y filósofo alemán (f. 1940). 1930: Jacques Derridá, filósofo francés (f. 2004). Fallece: 1857: Carl Czerny, pianista y compositor austriaco (n. 1791). 1904: Antón Chéjov, dramaturgo ruso (n. 1860). 2003: Roberto Bolaño, escritor y poeta chileno (n. 1953). Una producción de Sala Prisma Podcast 2021

It's the series 3 finale so it's time for a big one - settle in for an epic adventure as we read Little Snow White!

 Filicide, attempted cannibalism, talking mirrors, seven little helpers, a very poisonous apple - it's the story you know and love but even more unpleasant and violent. Chatting with her mirror, a queen learns that her step-daughter is grown beautiful than she is. So she decides to kill her and eat the girl's heart. But Little Snow White escapes and finds shelter in a strange cottage, home to seven unexpected tenants. When the queen discovers Snow White is alive, she beings to weave dastardly plots, determined to put an end to Snow White for good. After the story we ask the important questions, including why would you drink wine from a mug? And is Snow White really a shoe? We then compare the story with other incarnations of the folktale, speculate on the validity of the “real-life” Snow White, hear tell of the incredible connection to Alan Turing, and finally explore the true meaning of the tale.  We've had a total blast this series, we hope you've enjoyed it as much as we have. Stay safe and keep it grimm!  -- Twitter Facebook Instagram Patreon   grimmreadingpodcast@gmail.com Theme music: Bicycle Waltz by Goodbye Kumiko Other Music: Beethoven's Allegretto in B-flat Major, WoO. 39 performed by the Claremont Trio // Chopin's Étude Op. 10, no. 5 in G flat major - 'Black Keys' // Carl Czerny's Variations on a popular Viennese Waltz by Franz Schubert

Comincio oggi con un personale omaggio a Venezia, ricordando il profumo della mia giovinezza, trascorsa al Conservatorio Benedetto Marcello. Qui ho avuto modo di incontrare dei grandi maestri, come Ugo Amendola, Gino Gorini ed Eugenio Bagnoli. Ad Amendola va il mio primo caro ricordo, colmo di gratitudine: pianista, compositore, e grande direttore del Conservatorio. La puntata, però, verrà dedicata ai duetti di pianoforte eseguiti in primis dal maestro Gino Gorini e dal maestro Sergio Lorenzi, sodalizio durato più di trent'anni. Alla morte del maestro Lorenzi, si compone un altro legame artistico fra i maestri Gorini ed Eugenio Bagnoli. Le capacità e le rispettive personalità si fondevano e diventavano preziosamente complementari. Questi sodalizi pianistici si sono esibiti in tutto il mondo. Ascolteremo un omaggio eseguito dal primo duo: Gorini - Lorenzi, in Debussy, “Lindaraja”. Successivamente, il piano concerto in do maggiore, opera 153, di Carl Czerny: concerto live del 1985 eseguito dal duo Gorini - Bagnoli. Per finire, ancora Gorini - Bagnoli che eseguono Bach - corale 147. Il finale è pura poesia. Buon ascolto da Lorella Turchetto Michieli. --- Support this podcast: https://anchor.fm/radio-nostra/support

A cura di Massimiliano SamsaCarl Czerny (1791-1857) - Sinfonia n. 1 in Do minore, op. 780I. Allegro II. Andante Sostenuto III. Scherzo IV. Finale Staatsorchester Frankfurt (Oder)Nikos Athinäos, direttore*********Johann Baptist Cramer (1771–1858) - Piano Concerto No. 2 in d minor, Op. 16 (c. 1796)1. Allegro non tanto2. Andante cantabile (12:38)3. Rondo. Allegretto (18:38)Prima esecuzione: 18 febbraio 1796 London Mozart PlayersHoward Shelley, pianoforte

Stuudios on muusikateadlane Tiia Järg.

Un día como hoy, 21 de febrero. Nace: 1791: Carl Czerny, compositor y pianista austríaco (f. 1857). 1817: José Zorrilla, dramaturgo y poeta romántico (f. 1893). 1836: Léo Delibes, compositor francés (f. 1891). 1903: Anaïs Nin, escritora franco-estadounidense (f. 1977). 1933: Nina Simone, cantante estadounidense (f. 2003). 1962: David Foster Wallace, novelista estadounidense (f. 2008). Fallece: 1677: Baruch Spinoza, filósofo neerlandés (n. 1632). Una producción de Sala Prisma Podcast. 2021

A cura di Massimiliano SamsaCarl Czerny (1791-1857) - Sinfonia n. 1 in Do minore, op. 780I. Allegro II. Andante Sostenuto III. Scherzo IV. Finale Staatsorchester Frankfurt (Oder)Nikos Athinäos, direttore*********Johann Baptist Cramer (1771–1858) - Piano Concerto No. 2 in d minor, Op. 16 (c. 1796)1. Allegro non tanto2. Andante cantabile (12:38)3. Rondo. Allegretto (18:38)Prima esecuzione: 18 febbraio 1796 London Mozart PlayersHoward Shelley, pianoforte--------------------Carl Czerny era figlio di un pianista che lo introdusse nel mondo della musica, studiò pedagogia ed all'età di 15 anni era già un insegnante molto apprezzato. Visse a Vienna insegnando pianoforte (tra i suoi allievi Franz Liszt) e fu allievo di Antonio Salieri, Johann Georg Albrechtsberger e di Beethoven, dal 1801 al 1803, che dopo averlo sentito suonare, propose appunto di dargli lezioni private. All'età di dieci anni nel suo repertorio erano presenti la maggior parte delle opere per pianoforte di Mozart, Clementi e di altri compositori dell'epoca. Fu un musicista dotato di una memoria stupefacente, che gli consentì di suonare l'opera integrale delle sonate di Beethoven. Si dedicò con interesse alla didattica pianistica per la quale scrisse numerosi Studi (più di 1000) che da allora vengono considerati alla base dell'insegnamento del pianoforte.Compose anche sinfonie, ouverture, cantate e musiche da camera. Alla morte di Beethoven trascrisse alcune sue importanti opere, come le nove sinfonie, per pianoforte a quattro mani, su incarico di Heinrich Albert Probst.La sua revisione del Clavicembalo ben temperato di Johann Sebastian Bach ebbe un'enorme influenza sull'interpretazione bachiana dei secoli successivi e la pubblicazione parziale delle sonate di Scarlatti sarà fondamentale per la diffusione delle opere di un compositore allora ancora poco noto presso il grande pubblico.Testo tratto da: https://it.wikipedia.org/wiki/Carl_Czerny----------Figlio di Wilhelm Cramer, famoso violinista e direttore d'orchestra londinese, fratello di Franz Cramer, compositore e direttore d'orchestra londinese e proveniva da una famiglia numerosa, Johann Baptist Cramer venne portato a Londra quand'era ancora piccolo e fu proprio lì che si svilupparono le sue capacità musicali. Dal 1782 al 1784 studiò pianoforte con Muzio Clementi e presto divenne noto come pianista professionista sia a Londra che in tutta Europa. Ebbe una reputazione mondiale e fu anche molto apprezzato da Beethoven.Cramer fu anche un importante compositore e fondò nel 1824 la London music-publishing house of Cramer & Co. Ha scritto diverse sonate per pianoforte e altre composizioni, ma gli studi sono il lavoro che più l'hanno reso noto e per cui è conosciuto tuttora. Questi studi sono apparsi in numerose edizioni e sono diventati pezzi fondamentali per lo studio del pianoforte.Testo tratto da: https://it.wikipedia.org/wiki/Johann_Baptist_Cramer

A magic well, a prickly spindle, talking bread, and snowy beds - this week’s tale is our latest patron story poll winner, Mother Holle (Frau Holle)! An evil step-mother and wicked step-sister force a young maiden into a parallel universe. When she reaches an enchanting cottage, she finds a scary old lady waiting. Will she pass the test of Mother Holle? And what will her nasty family do if she returns? After this festive tale, we hear from German listeners about what Mother Holle means to them to today, and we trace Holle’s origins all the way to her ancient roots as a pagan goddess. Our competition is still in full swing too! Let us know which story you think deserves a different score and you could win some awesome prizes! Story leaderboard: https://grimmreading.podbean.com/p/2020-competition-story-scores/  Pook Press bookshop: http://ow.ly/7VRY50Bau0z  Twitter Facebook Instagram Patreon grimmreadingpodcast@gmail.com Theme music: Bicycle Waltz by Goodbye Kumiko Other Music: Vivaldi's Four Seasons "Winter" Violin Concerto in F minor, RV 297 // Carl Czerny's Variations on a popular Viennese Waltz by Franz Schubert, Op. 12 // Grieg’s Peer Gynt Suite No. 1 Op. 46 III. Anitra's Dance, recorded at Omega Studios, Edward S. Petersen conducting

貝多芬，徹爾尼，李斯特，到拉赫曼尼諾夫，原來是一脈相傳的師徒！？ 他們包辦了學鋼琴孩子們從小到大的惡夢XD 但其實，我們都誤會徹爾尼了！為什麼他的練習曲這麼重要呢？ Spotify playlist: https://spotify.fi/3a51cMg Instagram: https://bit.ly/30CbOz5 [背景音樂（背景）] 徹爾尼. 作品740號：靈活手指的華麗練習50首（Fumecri Himecri) [BGM（background）] Carl Czerny. The Art of Finger Dexterity, Op.740 (Fumecri Himecri) Powered by Firstory Hosting

最近勺子有两个朋友都买了电钢琴，开始了成人学琴者生涯。练钢琴，最痛苦的事，莫过于枯燥无味的练习曲——从入门到放弃，就靠它了。 而对于大多数古典音乐爱好者来说，练习曲却又是肖邦的《离别》《革命》，李斯特的《钟》《马捷帕》，如果喜爱炫技流，那听到这些华丽的练习曲，简直有如吃到了东坡肉中油汪汪的大肥肉。 其实练习曲对于钢琴艺术的发展一直起到了很重要的作用，从枯燥无味的劝退神器，到无数爱乐人的心头好，练习曲到底是如何起源、如何发展，就让勺子用两期节目的时间好好跟大家聊聊。 阿 D, 卡尔·车尔尼 Carl Czerny - 钢琴初级教程，作品 599 Erster Wiener Lehrmeister im Pianoforte-Spiel, Op.599: 第 60 首 LXX 格伦·古尔德 Glenn Gould, 约翰·塞巴斯蒂安·巴赫 Johann Sebastian Bach - 第 1 号降 B 大调帕蒂塔，BWV 825 Partita No. 1 in B-Flat Major, BWV 825: 第 1 首，前奏曲 I. Prelude / 第 2 首，阿拉曼德舞曲 II. Allemande / 第 3 首，库朗特舞曲 III. Courante / 第 4 首，萨拉班德舞曲 IV. Sarabande / 第 5 和 6 首，小步舞曲第 1 和 2 首 V & VI. Menuett I & II / 第 7 首，吉格舞曲 VII. Gigue 格伦·古尔德 Glenn Gould, 约翰·塞巴斯蒂安·巴赫 Johann Sebastian Bach - 第 13 首 A 小调二部创意曲，BWV 784 Invention No. 13 in A Minor, BWV 784 / 第 14 首降 B 大调二部创意曲，BWV 785 Invention No. 14 in Flat B Major, BWV 785 / 第 6 首 E 大调三部创意曲，BWV 792 Sinfonia No. 6 in E Major, BWV 792 皮埃尔·瀚代 Pierre Hantaï, 多梅尼科·斯卡拉蒂 Domenico Scarlatti - 大键琴练习 Essercizi per gravicembalo: B 小调奏鸣曲，K.27 Sonate en Si Mineur, K.27: Allegro 达尼埃尔·拉法尔 Danielle Laval, 穆齐奥·克莱门蒂 Muzio Clementi - 名手之道，作品 44 Gradus ad Parnassum, Op.44: 第 2 首，C 大调，流畅而快速地 II. Pièces en ut Majeur: Veloce 郎朗, 克劳德·德彪西 Claude Debussy - 儿童园地，L. 113 Children's Corner, L.113: 第 1 首，博士练习曲 I. Doctor Gradus ad Parnassum 江崎昌子, 卡尔·车尔尼 Carl Czerny - 钢琴流畅练习曲，作品 849 30 Études de mécanisme, Op.849: 第 13 首 XIII / 第 26 首 XXVI 马西米利亚诺·杰诺特 Massimiliano Génot, 卡尔·车尔尼 Carl Czerny - 钢琴快速练习曲，作品 299 The School of Velocity, Op.299: 第 26 首 XXVI / 第 37 首 XXXVII / 第 39 首 XXXIX / 第 36 首 XXXVI 帕斯卡·罗杰 Pascal Rogé, 克里斯蒂娜·欧提兹 Cristina Ortiz, 夏尔·迪图瓦 Charles Dutoit, 乐团：伦敦小交响乐团 London Sinfonietta, 卡密尔·圣桑 Camille Saint-Saëns: 动物狂欢节，R. 125 Le carnaval des animaux, R.125: 第 3 首，野驴 III. Hémiones (animaux véloces) / 第 11 首，钢琴家 XI. Pianistes 玛格丽特·奥特维尔 Margaret Otwell, 弗里德里希·布格缪勒 Franz Burgmüller - 钢琴进阶练习 25 首，作品 100 25 Études faciles et progressives, Op.100: 第 2 首，阿拉伯风 II. L'arabesque / 第 5 首，天真烂漫 V. Innocence / 第 7 首，清澈的溪水 VII. Le courant limpide 弗拉基米尔·菲尔兹曼 Vladimir Feltsman, 罗伯特·舒曼 Robert Schumann - 少儿曲集，作品 68 Album für die Jugend, Op.68: 第 1 首，旋律 I. Melodie / 第 2 首，士兵进行曲 II. Soldatenmarsch / 第 8 首，粗犷的骑士 VIII. Wilder Reiter / 第 10 首，快乐的农夫 X. Fröhlicher Landmann, von der Arbeit zurückkehrend 伊沃·波格雷里奇 Ivo Pogorelich, 弗雷德里克·肖邦 Frédéric Chopin - 第 2 号钢琴奏鸣曲，作品 35 Piano Sonata No.2, Op.35: 第 4 乐章，终曲，急板 IV. Finale. Presto 巴拉兹·索科莱 Balazs Szokolay, 穆齐奥·克莱门蒂 Muzio Clementi - 六首小奏鸣曲，作品 36，第 1 首，C 大调小奏鸣曲 6 Piano Sonatinas, Op.36, No.1, Sonatina in C major: 第 1 乐章，快板 I. Allegro

Er war nicht nur ein genialer Komponist, sondern ein ebenso virtuoser Pianist und Improvisator. Reflexionen über Ludwig van Beethovens Arbeitsweise mit der Musikwissenschaftlerin Corinne Holtz und dem Jazzpianisten Hans Feigenwinter. Beethovens Fantasie für Klavier op. 77 lässt erahnen, wie der Komponist improvisiert hat. Sein Schüler Carl Czerny sagte über dieses Stück: «Diese sehr geistreiche Fantasie gibt ein getreues Bild von der Art, wie er zu improvisieren pflegte. Wenn er kein bestimmtes Thema durchführen wollte und sich daher seinem Genie in Erfindung immer neuer Motive überliess.» Und Beethovens zum Teil sehr chaotische und mehrfach überarbeitete Autographe zeigen, mit wie viel Beharrlichkeit und Sorgfalt er an seinen Ideen arbeitete. Bis jeder Ton auch wirklich an seinem richtigen Platz war.

1996 gewann das Klavierduo Liuben Dimitrov und Aglika Genova den zweiten Preis beim Internationalen Musikwettbewerb der ARD. Seither kann das Künstlerehepaar auf eine steile Karriere zurückblicken, auch auf die Einspielung von mehr als einem Dutzend CDs. Die vorliegende präsentiert Konzerte von Carl Czerny und Max Bruch. "Höchst überzeugend", sagt Oswald Beaujan.

Ulrich Möller-Arnsberg stellt mit dem Pianisten Christoph Hammer die Fantasie für Klavier op.27 von Czerny vor.

 Polkastra from "Apolkalypse Now" (Ancalagon LLC) Buy at iTunes Music Store More On This Album Polkastra An eclectic and international cast of characters including a Canadian folk fiddler, the Met's contrabassoonist, an Israeli accordionist and percussionist, a jack-of-all-trades bassist, a French Horn playing record store clerk and an internationally renowned violin soloist met in a New Jersey studio to record a polka album just for fun. An idea that began as a lark quickly grew into an eccentric, virtuosic and energetic exploration of the roots of polka: folk, country, classical and jazz. Polkastra is a unique world music project that celebrates both the joy of music and the power of dance to unite cultures. From the American Midwest and the North of Canada to the mountains of Bohemia and the deserts of Israel - Apolkalypse Now poses the important question "Would you like sauerkraut, poutine, goulash or hummus with that?" http://www.facebook.com/pages/Polkastra/85797268829 http://www.polkastra.com Ama Deus Ensemble, Valentin Radu from "Beethoven: Symphony No. 9 & Die Ruinen von Athen" (Lyrichord) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This Album The Symphony No. 9 in D minor, Op. 125 “Choral” The last complete symphony composed by Ludwig van Beethoven. Completed in 1824, the Ninth Symphony is one of the best-known works of the Western repertoire, considered both an icon and a forefather of Romantic music, and one of Beethoven's greatest masterpieces. The composer struggled for more than ten years before completing the work, and turned to the mighty Missa Solemnis while he considered his final symphony. Using voices in an orchestral symphony had never been attempted before. Beethoven finally decided to incorporate part of the Ode an die Freude (“Ode to Joy”), a poem by Friedrich Schiller, with text sung by soloists and a chorus in the new symphony's last movement. It is, indeed, the first example of a major composer using the human voice on the same level with instruments in a symphony, creating a work of a grand scope that sets the tone for the Romantic symphonic form. Ludwig van Beethoven (1770-1827)  Smetana Quartetfrom "Beethoven: String Quartets Nos 11-16 incl. Grosse Fuge / Smetana Quartet" (Supraphon Music a.s.) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This Album Album Notes Smetana Quartet Plays Late Beethoven (3 CDs) L. van Beethoven: String Quartets No. 11 in F minor, Op. 95, No. 15 in A minor, Op. 132, No. 14 in C sharp minor, Op. 131, No. 12 in E flat major, Op. 127, No. 13 in B-flat major, Op. 130, Grosse Fuge in B flat major, Op. 133, No. 16 in F major, Op. 135 The Smetana Quartet (1945-1989) played Beethoven's quartets 1490 times over the course of their career! The recordings which make up this complete collection are from the years 1961-70, and the performances were played from memory! The recordings glow with youthful energy and tireless searching. The Smetana Quartet has been called perhaps the best ensemble of the years 1960-80. London Symphony Orchestra, Bernard Haitink from "Beethoven: Symphonies Nos. 4 & 8" (LSO Live) Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Symphony No. 8 in F Major, Op. 93 The work was begun in the summer of 1812, immediately after the completion of the Seventh Symphony. At the time Beethoven was 41 years old. As Antony Hopkins has noted, the cheerful mood of the work betrays nothing of the grossly unpleasant events that were taking place in Beethoven's life at the time, which involved his interference in his brother Johann's love life. The work took Beethoven only four months to complete, and was dedicated to the banker Count Moritz Fries, who, according to Karl Holz, paid Beethoven a regular subsidy for some years until his bankruptcy in 1825. The premiere took place on February 27, 1814, at a concert at which the mighty Seventh Symphony (which had been premiered two months earlier) was also played. Beethoven was growing increasingly deaf at the time, but nevertheless led the premiere. Reportedly, "the orchestra largely ignored his ungainly gestures and followed the principal violinist instead". Critics immediately noted that the Eighth did not reach the heights of its predecessor, launching a long tradition of complaining that the Eighth Symphony is not something different (more heroic, more emotive) from what it is. However, many listeners seem to be able to enjoy the symphony anyway, and it appears frequently today on concert programs as well as on recordings. When asked by his pupil Carl Czerny why the Eighth was less popular than the Seventh, Beethoven is said to have replied "because the Eighth is so much better." A critic wrote that "the applause it [the Eighth Symphony] received was not accompanied by that enthusiasm which distinguishes a work which gives universal delight; in short-as the Italians say-it did not create a furor." Beethoven was angered at this reception because he considered the Eighth "much better" than the Seventh. Source: http://en.wikipedia.org/wiki/Symphony_No._8_(Beethoven) http://www.lso.co.uk