Podcasts about comparative literary studies

You've read Maggie Nelson's The Argonauts but have you heard of the scholar who puts the auto in theories? Meet Alex Brostoff, my new favourite autotheorist. Alex is here to clear up common misconceptions about autotheories and tell us more about biomythography, teoría de la noche, and reading beside. I was also intrigued to learn about intertextual kinship and hear Alex's (beautifully phrased) thoughts on co-writing and co-translating. References:Alex Brostoff and Lauren Fournier (eds) Autotheory (special issue of ASAP/Journal, 2021)Alex Brostoff and Vilashini Cooppan (eds) Autotheories (MIT Press, 2025)Alex Brostoff's Unruly Relations: A Critical Reframing of Autotheory (Columbia University Press, forthcoming)Alex Brostoff and rl Goldberg (eds) Trans Literature (special issue of College Literature, 2025)Alex Brostoff and rl Goldberg (eds) Reassignments: Trans and Sex from the Clinical to the Critical (Fordham University Press, forthcoming)Stryker, Susan. "Transgender studies: Queer theory's evil twin." GLQ: A journal of lesbian and gay studies 10.2 (2004): 212-215.Intertextual kinship in Brostoff's “An Autotheory of Intertextual Kinship: Ambivalent Bodies in the Work of Maggie Nelson and Paul Preciado.” Special issue, “Dissident Self-Narratives: Radical and Queer Life Writing,” ed. Aude Haffen. Synthesis: An Anglophone Journal of Comparative Literary Studies 14 (2021): 91-115.Kai Minosh Pyle trans*temporal kinshipMaggie Nelson's The ArgonautsRoland BarthesPaul Preciado's Testo JunkieOn the Eve of This DeathFreccero, Carla. "The ‘Auto' of Theory." in Autotheories (MIT Press, 2025) FoucaultDerridaGloria AnzaldúaThis Bridge Called My Back Borderlands/La FronteraTheory in the flesh Autohistoria-teoríaAudre Lorde's ZamiBiomythographyMaría Moreno's teoría de la noche (theory of the night)Sedgwick's reading besideLauren Berlant and Kathleen Steward's The HundredsHeather LoveJohn MoneyRichard GreenJudith Butler's Who's Afraid of GenderCameron Awkward-RichStephanie BurtLiz RoseNat RivkinJordy RosenbergTrish Salahtorrin a. greathouseCole RizkiTSQ@alextakesfotos (on Instagram)@AlexBrostoff (on X)@alexbrostoff.bsky.social (on Bluesky)TravestiAmara Moira, “Loose Tongues,” a selection from Neca (2021), translated by Jesse Rothbard and edited by Cole Rizki, TSQ: Transgender Studies Quarterly (forthcoming, 2025).Questions you should be able to respond to after listening:What is autotheory and why might Alex prefer the plural autotheories?What are some related concepts or theories?Which thinkers do we commonly associate with autotheories?Name at least two texts that Alex posits as central to autotheories.Alex speaks a lot about co-writing. Have you ever experienced “being deep in the trenches of someone else's sentences”? How do you co-write?

Summer is here, and many graduates are looking into the college application process. If you're not sure where to start, a college consultant can help make this stressful period much easier for students and parents alike. Today, we dive into everything about independent college consultants. What exactly are they? What is their role, and how do they help our students? We'll explore who might benefit from hiring an independent consultant and address the specific needs of students with learning and thinking differences, such as dyslexia and ADHD. I'm joined by independent college consultant Matthew Hayutin, Founder and Partner at Hayutin Education. Matthew began his career as a classroom teacher and private educational therapist, working with students of all ages and learning profiles. He has extensive experience as a college consultant and homeschool teacher. If you're not familiar with the role of a college consultant, Matthew breaks it down with insights into how the consultant's role can be customized to meet the individual needs of students and their families. College consultants can assist with researching and vetting schools and programs, helping to ensure students find the best fit, and navigating the application and admissions process. Matthew is passionate about his position and emphasizes the importance of helping students find ways to contribute and become active citizens. He discusses using targeted questions to understand students' needs and explore options that facilitate a smooth transition from high school to college. This episode is a must-listen for anyone navigating the complexities of college admissions. Tune in and discover why investing in an independent college consultant could be the game-changer your learner needs. Show Notes: [00:03] -  Public School students may have a student counselor with 500 students, and the connection points are far and few between. Having someone who could work individually with the student and get to know them is very valuable. [05:19] -  Another reason that a consultant could be helpful is that they are available in the summer when your counselor isn't. A lot of work can get done in the summer to build momentum and create a runway for the fall. [08:17] -  Having someone who can really drill into what will help the student and assist with the process.  [09:19] -  Why would someone seek out an independent college consultant? There are multiple reasons including access and availability, especially over the summer, expertise, skill set, and bandwidth. [10:28] -  The role of the college consultant. A strong consultant can help students create a list of schools that will accept them with open arms and ones that might be a bit of a stretch but worth the effort. [13:53] -  They also help build executive functioning instead of doing everything for the student. [14:12] -  The goal isn't just to get in. It's to find a place where the students thrive. A consultant can help find a good match for an environment where the student will thrive and ultimately graduate. [16:54] -  Asking questions is part of the process of working with an independent consultant. [19:47] -  What can we expect in terms of accommodation for students who have unique needs.  [23:11] -  One of the advantages of working with a college consultant is they spend time with the student and get to know their individual needs. [25:58] -  Questions to ask when trying to determine if a consultant is a good fit is the amount of access, feedback, and timeline.  [30:02] -  Working with an independent college consultant can be a valuable investment for many families trying to work through the complexity of future college.  About Our Guest: Matthew Hayutin is a Founder & Partner at Hayutin Education, a company that he founded with his sister, Amy Hayutin Contreras. Hayutin is your partner in education offering executive functioning, educational therapy, independent study, tutoring, test prep, and college consulting. They assist students and parents in making good choices in education and having a wide array of educational possibilities.  Matthew earned his advanced B.A. from Occidental College in English and Comparative Literary Studies in 1992 and his Master of Education with high honors from Pepperdine University in 1997. He also pursued additional studies in English, film, and creative writing at the University of Pennsylvania, NYU and UCLA. Matthew began his career as a classroom teacher and private educational therapist in 1997, working with students of all ages and learning profiles. Matthew also has extensive experience as a college consultant and homeschool teacher. Connect with Matthew: Hayutin Education College Consulting (310) 829-7505 Matthew Hayutin LinkedIn Links and Related Resources: Episode 15: From High School to College: Steps to Success for Students with Disabilities with Elizabeth C. Hamblet Episode 126: Why Self-Awareness and Self-Determination are Important for College Success with Elizabeth Hamblet Episode 190: Should Your Teen Take a Gap Year? with Julia Rogers Connect with Us: Get on our Email List Book a Consultation Get Support and Connect with a ChildNEXUS Provider Register for Our Self-Paced Mini Courses for Parents Who Want to Better Understand Their Child's Dyslexia, ADHD or Anxiety.  The Diverse Thinking Different Learning podcast is intended for informational purposes only and is not a substitute for medical or legal advice, diagnosis, or treatment. Additionally, the views and opinions expressed by the host and guests are not considered treatment and do not necessarily reflect those of ChildNEXUS, Inc or the host, Dr. Karen Wilson.  

Harris Feinsod joins the podcast to talk about William Carlos Williams, his great book of 1923, Spring and All, and one of its strange and unforgettable poems, "To Elsie."Harris is an associate professor of English and Comparative Literary Studies at Northwestern University. He is the author of The Poetry of the Americas: From Good Neighbors to Countercultures (Oxford UP, 2017) and the co-translator (with Rachel Galvin) of Oliverio Girondo's Decals: Complete Early Poems (Open Letter, 2018). Harris's articles and essays have appeared in such publications as Comparative Literature, American Literary History, English Language Notes, Modernism/modernity, The Baffler, In These Times, Los Angeles Review of Books, n+1, and Post45. You can follow Harris on Twitter.If you're enjoying the podcast, please leave a rating and review, and share it with a friend! Follow my Substack to get a newsletter with each episode.

Ryan Dohoney is a historian of U.S. and European modernism and experimentalism. He is associate professor of musicology in the Bienen School of Music at Northwestern University where he is also core faculty in Comparative Literary Studies and Critical Theory. He has writes on interdisciplinary modernism and religion as well as Black queer asceticism (focused on Julius Eastman). He has published two books: Saving Abstraction: Morton Feldman, the de Menils, and the Rothko Chapel (Oxford 2019) and Morton Feldman: Friendship and Mourning in the New York Avant-Garde (Bloomsbury 2022). He holds degrees from Rice University (B.Mus.) and Columbia University (Ph.D.).

W.H. Auden (1907-1973) was one of the twentieth-century's greatest poets - and also one of the most engaged. As he struggled to make sense of the rise of fascism, two world wars, and industrialized murder, his focus turned to the poet's responsibility in the face of unthinkable horrors. How does a poet begin to address these subjects? In this episode, Jacke talks to Professor Susannah Young-ah Gottlieb, author of the new book Auden and the Muse of History, about Auden's use of the past to help him come to grips with the present. Susannah Young-ah Gottlieb is Associate Professor of English and Comparative Literary Studies, Northwestern University. She is the author of Regions of Sorrow: Anxiety and Messianism in Hannah Arendt and W.H. Auden (Stanford, 2003) and editor of Hannah Arendt: Reflections on Literature and Culture (Stanford, 2007). Additional listening suggestions: 467 T.S. Eliot and The Waste Land (with Jed Rasula) 363 William Butler Yeats 464 Percy Bysshe Shelley - The Mature Years Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hannah Feldman talked about her research, teaching, and advising that center on late modern and contemporary art and visual culture. Hannah is a core faculty in Middle Eastern and North African Studies as well as Comparative Literary Studies.Hannah Feldman is author of From a Nation Torn: Decolonizing Art and Representation in France, 1945-1962, she was an Andrew W. Mellon Foundation New Directions Fellow for the years 2015-2017, and is currently working on a new manuscript about temporality and historiography in and about art from the Levantine Middle East.Created by Mikey Muhanna, afikra Hosted by Aya NimerEdited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About the afikra Conversations:Our long-form interview series features academics, arts, ‎and media experts who are helping document and/or shape the history and culture of the Arab world through their ‎work. Our hope is that by having the guest share their expertise and story, the community still walks away with newfound curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into headfirst. ‎Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. Under the Rainbow: Voices from Lockdown will feature the author James Attlee in discussion with Marina Warner and Professor Pablo Mukherjee (Warwick University). Chaired by Professor Wes Williams, TORCH Director. This event is also in collaboration with Blackwell's of Oxford. Blackwell's of Oxford has been selling books on Broad Street for over 140 years making it Oxford's oldest bookshop. With over five miles of books in the Broad Street flagship, Blackwell's booksellers' passion for the putting right book into the right reader's hands is undiminished after over a century. Under the Rainbow: Voices from Lockdown is for sale at Blackwell's Bookshop on Broad Street. Call 01865 792792 for a copy signed by James Attlee and if you live within the Oxford ring road, Blackwell's will deliver it to you by bike. Alternatively, you can place an order online at Blackwells.co.uk. Speaker Panel: James Attlee is the author of Under the Rainbow:Voices from Lockdown; Isolarion: A Different Oxford Journey; Guernica: Painting the End of the World; Station to Station, shortlisted for the Stanford Dolman Travel Book of the Year 2017, and Nocturne: A Journey in Search of Moonlight, among other titles. His digital fiction The Cartographer's Confession won the 2017 New Media Writing Prize. He works as an editor, lecturer and publishing consultant and his journalism has appeared in publications including The Independent, Tate Etc., Frieze and the London Review of Books. Marina Warner is an acclaimed polymath: a writer of fiction, criticism history, and mythography; her works include novels and short stories as well as studies of art, myths, symbols and fairytales. She has written for many publications, from The London Review of Books, through the New Statesman, to Vogue, and is a Distinguished Fellow at All Souls College, Oxford. Professor Pablo Mukherjee teaches on the English and Comparative Literary Studies program at Warwick University, and is an expert on Victorian as well as contemporary imperial/colonial and anti-imperial/colonial cultures.

TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. Under the Rainbow: Voices from Lockdown will feature the author James Attlee in discussion with Marina Warner and Professor Pablo Mukherjee (Warwick University). Chaired by Professor Wes Williams, TORCH Director. This event is also in collaboration with Blackwell's of Oxford. Blackwell's of Oxford has been selling books on Broad Street for over 140 years making it Oxford's oldest bookshop. With over five miles of books in the Broad Street flagship, Blackwell's booksellers' passion for the putting right book into the right reader's hands is undiminished after over a century. Under the Rainbow: Voices from Lockdown is for sale at Blackwell's Bookshop on Broad Street. Call 01865 792792 for a copy signed by James Attlee and if you live within the Oxford ring road, Blackwell's will deliver it to you by bike. Alternatively, you can place an order online at Blackwells.co.uk. Speaker Panel: James Attlee is the author of Under the Rainbow:Voices from Lockdown; Isolarion: A Different Oxford Journey; Guernica: Painting the End of the World; Station to Station, shortlisted for the Stanford Dolman Travel Book of the Year 2017, and Nocturne: A Journey in Search of Moonlight, among other titles. His digital fiction The Cartographer's Confession won the 2017 New Media Writing Prize. He works as an editor, lecturer and publishing consultant and his journalism has appeared in publications including The Independent, Tate Etc., Frieze and the London Review of Books. Marina Warner is an acclaimed polymath: a writer of fiction, criticism history, and mythography; her works include novels and short stories as well as studies of art, myths, symbols and fairytales. She has written for many publications, from The London Review of Books, through the New Statesman, to Vogue, and is a Distinguished Fellow at All Souls College, Oxford. Professor Pablo Mukherjee teaches on the English and Comparative Literary Studies program at Warwick University, and is an expert on Victorian as well as contemporary imperial/colonial and anti-imperial/colonial cultures.

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I'm looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I’m looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I'm looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I’m looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I’m looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I’m looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I’m looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I’m looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of Knowing Animals, we are joined by Nora Castle. Nora is a PhD student in the Department of English and Comparative Literary Studies at the University of Warwick. We talk about her chapter “‘You Eat or You Die’: Sixth Extinction Cannibalism in Contemporary Speculative Fiction”, from the Routledge collection Interdisciplinary Essays on Cannibalism, edited by Giulia Champion. This episode of Knowing Animals is brought to you by AASA (the Australasian Animal Studies Association) and the Animal Publics book series (Sydney University Press).

Hoda El Shakry’s book The Literary Qurʾan: Narrative Ethics in the Maghreb (Fordham University Press, 2019) was awarded the ACLA’s 2018 Helen Tartar Book Subvention Award and the MLA’s 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies. It examines the influence of Qurʾanic textual, hermeneutical, and philosophical traditions on twentieth-century novels from the Maghreb (Tunisia, Algeria, and Morocco). Placing canonical Francophone writers into conversation with lesser-known Arabophone ones, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, the study extracts a model of ethical narratology from the Qurʾan. Hoda El Shakry is a scholar of twentieth- and twenty-first century cultural production from North Africa and the Middle East, with an emphasis on the relationship between aesthetics and ethics. Specializing in Arabic and Francophone literature, visual culture, and criticism, her interdisciplinary research explores aesthetic theory, Islamic philosophy, comparative literary criticism, as well as gender and sexuality. El Shakry received her Ph.D. from UCLA. Before joining the University of Chicago as Assistant Professor of Comparative Literature, she was an Assistant Professor of Comparative Literature at Penn State University and a Faculty Fellow at the Gallatin School of Individualized Study at New York University. Her current book project is a critical history of twentieth-century cultural journals and periodicals from the Maghreb. She is also working on a study of speculative and science fiction from the Middle East and North Africa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hoda El Shakry’s book The Literary Qurʾan: Narrative Ethics in the Maghreb (Fordham University Press, 2019) was awarded the ACLA’s 2018 Helen Tartar Book Subvention Award and the MLA’s 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies. It examines the influence of Qurʾanic textual, hermeneutical, and philosophical traditions on twentieth-century novels from the Maghreb (Tunisia, Algeria, and Morocco). Placing canonical Francophone writers into conversation with lesser-known Arabophone ones, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, the study extracts a model of ethical narratology from the Qurʾan. Hoda El Shakry is a scholar of twentieth- and twenty-first century cultural production from North Africa and the Middle East, with an emphasis on the relationship between aesthetics and ethics. Specializing in Arabic and Francophone literature, visual culture, and criticism, her interdisciplinary research explores aesthetic theory, Islamic philosophy, comparative literary criticism, as well as gender and sexuality. El Shakry received her Ph.D. from UCLA. Before joining the University of Chicago as Assistant Professor of Comparative Literature, she was an Assistant Professor of Comparative Literature at Penn State University and a Faculty Fellow at the Gallatin School of Individualized Study at New York University. Her current book project is a critical history of twentieth-century cultural journals and periodicals from the Maghreb. She is also working on a study of speculative and science fiction from the Middle East and North Africa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Hoda El Shakry’s book The Literary Qurʾan: Narrative Ethics in the Maghreb (Fordham University Press, 2019) was awarded the ACLA’s 2018 Helen Tartar Book Subvention Award and the MLA’s 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies. It examines the influence of Qurʾanic textual, hermeneutical, and philosophical traditions on twentieth-century novels from the Maghreb (Tunisia, Algeria, and Morocco). Placing canonical Francophone writers into conversation with lesser-known Arabophone ones, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, the study extracts a model of ethical narratology from the Qurʾan. Hoda El Shakry is a scholar of twentieth- and twenty-first century cultural production from North Africa and the Middle East, with an emphasis on the relationship between aesthetics and ethics. Specializing in Arabic and Francophone literature, visual culture, and criticism, her interdisciplinary research explores aesthetic theory, Islamic philosophy, comparative literary criticism, as well as gender and sexuality. El Shakry received her Ph.D. from UCLA. Before joining the University of Chicago as Assistant Professor of Comparative Literature, she was an Assistant Professor of Comparative Literature at Penn State University and a Faculty Fellow at the Gallatin School of Individualized Study at New York University. Her current book project is a critical history of twentieth-century cultural journals and periodicals from the Maghreb. She is also working on a study of speculative and science fiction from the Middle East and North Africa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hoda El Shakry’s book The Literary Qurʾan: Narrative Ethics in the Maghreb (Fordham University Press, 2019) was awarded the ACLA’s 2018 Helen Tartar Book Subvention Award and the MLA’s 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies. It examines the influence of Qurʾanic textual, hermeneutical, and philosophical traditions on twentieth-century novels from the Maghreb (Tunisia, Algeria, and Morocco). Placing canonical Francophone writers into conversation with lesser-known Arabophone ones, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, the study extracts a model of ethical narratology from the Qurʾan. Hoda El Shakry is a scholar of twentieth- and twenty-first century cultural production from North Africa and the Middle East, with an emphasis on the relationship between aesthetics and ethics. Specializing in Arabic and Francophone literature, visual culture, and criticism, her interdisciplinary research explores aesthetic theory, Islamic philosophy, comparative literary criticism, as well as gender and sexuality. El Shakry received her Ph.D. from UCLA. Before joining the University of Chicago as Assistant Professor of Comparative Literature, she was an Assistant Professor of Comparative Literature at Penn State University and a Faculty Fellow at the Gallatin School of Individualized Study at New York University. Her current book project is a critical history of twentieth-century cultural journals and periodicals from the Maghreb. She is also working on a study of speculative and science fiction from the Middle East and North Africa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Hoda El Shakry’s book The Literary Qurʾan: Narrative Ethics in the Maghreb (Fordham University Press, 2019) was awarded the ACLA’s 2018 Helen Tartar Book Subvention Award and the MLA’s 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies. It examines the influence of Qurʾanic textual, hermeneutical, and philosophical traditions on twentieth-century novels from the Maghreb (Tunisia, Algeria, and Morocco). Placing canonical Francophone writers into conversation with lesser-known Arabophone ones, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, the study extracts a model of ethical narratology from the Qurʾan. Hoda El Shakry is a scholar of twentieth- and twenty-first century cultural production from North Africa and the Middle East, with an emphasis on the relationship between aesthetics and ethics. Specializing in Arabic and Francophone literature, visual culture, and criticism, her interdisciplinary research explores aesthetic theory, Islamic philosophy, comparative literary criticism, as well as gender and sexuality. El Shakry received her Ph.D. from UCLA. Before joining the University of Chicago as Assistant Professor of Comparative Literature, she was an Assistant Professor of Comparative Literature at Penn State University and a Faculty Fellow at the Gallatin School of Individualized Study at New York University. Her current book project is a critical history of twentieth-century cultural journals and periodicals from the Maghreb. She is also working on a study of speculative and science fiction from the Middle East and North Africa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Melvyn Bragg and guests discuss the Portuguese poet Pessoa (1888-1935) who was largely unknown in his lifetime but who, in 1994, Harold Bloom included in his list of the 26 most significant western writers since the Middle Ages. Pessoa wrote in his own name but mainly in the names of characters he created, each with a distinctive voice and biography, which he called heteronyms rather than pseudonyms, notably Ricardo Reis, Alberto Caeiro, Álvaro de Campos and one who was closer to Pessoa's own identity, Bernardo Soares. Most of Pessoa's works were unpublished at his death, discovered in a trunk; as more and more was printed and translated, his fame and status grew. With Cláudia Pazos-Alonso Professor of Portuguese and Gender Studies and Senior Research Fellow at Wadham College, University of Oxford Juliet Perkins Visiting Senior Research Fellow in Portuguese Studies at King’s College London And Paulo de Medeiros Professor of English and Comparative Literary Studies at the University of Warwick Producer: Simon Tillotson

Melvyn Bragg and guests discuss the Portuguese poet Pessoa (1888-1935) who was largely unknown in his lifetime but who, in 1994, Harold Bloom included in his list of the 26 most significant western writers since the Middle Ages. Pessoa wrote in his own name but mainly in the names of characters he created, each with a distinctive voice and biography, which he called heteronyms rather than pseudonyms, notably Ricardo Reis, Alberto Caeiro, Álvaro de Campos and one who was closer to Pessoa's own identity, Bernardo Soares. Most of Pessoa's works were unpublished at his death, discovered in a trunk; as more and more was printed and translated, his fame and status grew. With Cláudia Pazos-Alonso Professor of Portuguese and Gender Studies and Senior Research Fellow at Wadham College, University of Oxford Juliet Perkins Visiting Senior Research Fellow in Portuguese Studies at King’s College London And Paulo de Medeiros Professor of English and Comparative Literary Studies at the University of Warwick Producer: Simon Tillotson

This podcast features a conversation Profs. Carole Boyce Davies, Yomaira Figueroa and Bedour Alagraa on Sylvia Wynter, Caribbean philosophy and the intellectual contributions of Black women to the Americas. It was recorded during the Black Women’s Intellectual Contributions to the Americas: Perspectives from the Global South (Lozano Long) Conference at The University of Texas at Austin in February 2020. Carole Boyce-Davies, Cornell University Carole Boyce-Davies, a native of Trinidad, is professor of Africana Studies and English at Cornell University. She has held distinguished professorships at a number of institutions, including the Herskovits Professor of African Studies and Professor of Comparative Literary Studies and African American Studies at Northwestern University. Boyce-Davies was the recipient of two major awards in 2017: The Franz Fanon Lifetime Achievement Award from the Caribbean Philosophical Association and the Distinguished Africanist Award from the New York State African Studies Association. She is the author of the prize-wining Left of Karl Marx: The Political Life of Black Communist Claudia Jones (2008); Black Women, Writing and Identity: Migrations of the Subject (1994); Caribbean Spaces: Escape Routes from Twilight Zones (2013); and a bilingual children’s story Walking/An Avan (2016/2017), in Haitian Kreyol and English. In addition to over one hundred journal essays, articles and encyclopedia entries, Dr. Boyce-Davies has also published twelve critical editions on African, African Diaspora, and Caribbean literature and culture. Her current research and writing is for a contracted manuscript titled “African Women’s Rights: Writing Black Women’s Political Leadership.” Yomaira Figueroa, Puerto Rico Yomaira Figueroa is assistant professor of Global Diaspora Studies at Michigan State University. A native of Puerto Rico, she was raised in Hoboken, NJ, and is a first-generation high school and college graduate. She earned her PhD and MA degrees in the Department of Ethnic Studies at the University of California, Berkeley, and her BA in English, Puerto Rican & Hispanic Caribbean Studies, and Women’s and Gender Studies at Rutgers University, New Brunswick (DC ’07). She works on 20th-century US Latinx Caribbean, Afro-Latinx, and Afro-Hispanic literature and culture, and her current book project, “Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature,” focuses on diasporic and exilic Puerto Rican, Cuban, Dominican, and Equatoguinean texts in contact. @DrYoFiggy Bedour Alagraa, Canada / Sudan Dr. Bedour Alagraa is assistant professor of Political and Social Thought in the African and African Diaspora Studies Department at The University of Texas at Austin. Alagraa received her PhD from the department of Africana Studies at Brown University, and was an Andrew W. Mellon graduate fellow during her time at Brown. She is interested in Black Political Thought, especially Caribbean political thought, African anti-colonial thought, and Black Marxism(s). Alagraa has been published in Critical Ethnic Studies, Contemporary Political Theory, The CLR James Journal of Caribbean Philosophy, and Souls: A Critical Journal of Black Politics, Culture, and Society, among other journals. She is the co-editor of a volume on Black Political Thought, forthcoming from Pluto Press, and recently completed work on archiving Sylvia Wynter’s literary and academic archive. Alagraa is also co-editor, alongside Anthony Bogues, of the Black Critique book series at Pluto Press. Her book manuscript is titled “The Interminable Catastrophe: Fatal Liberalisms, Plantation Logics, and Black Political Life in the Wake of Disaster.”

The Formative Influence of Shakespeare on Freud and the Development of Psychoanalysis. A sold out event recorded at the Anna Freud Centre Library on 16 January 2013. Behind Sigmund Freud's desk chair in the Freud Museum London sits the central section of his library, his volumes of Shakespeare and Goethe. Shakespeare's plays occupied a significant place on Sigmund Freud's bookshelf for most of his life. He began reading Shakespeare when he was eight years old and quoted from the plays in letters to his friends, his colleagues and his beloved. He used lines from the plays to help him grasp difficult issues in his life such as failure and death. Most significantly, Shakespeare's plays are part of the raw material from which Freud constructed psychoanalysis. Themes, images, plots, and lines from the plays are woven throughout the foundational texts of psychoanalysis in a way that suggests their formative influence. Freud's intertextual relationship with Shakespeare took many forms including quotation, allusion and literary interpretation. Some of the allusions are deeply embedded in Freud's texts in a manner that even Freud may not have been aware of.  This talk will explore the influence of Shakespeare on Freud and on the development of psychoanalysis. Christian Smith has recently completed his doctoral studies at the University of Warwick in the Department of English and Comparative Literary Studies. His thesis explores the formative influence of Shakespeare on Marxism, psychoanalysis and Frankfurt School Critical Theory.

Our guest in this episode is Elizabeth Nolte, Marie Skłodowska-Curie COFUND Postdoctoral Fellow at the University of Warwick in the Institute of Advanced Study and the Department of English and Comparative Literary Studies. We talked about her new research on children’s literature and educational publishing, in which she explores how the state is attempting to consolidate culture within state institutions such as the ministries of culture and education and also pro-government corporate holdings, and how this is being opposed by the publishing industry and the affiliated NGOs. Who is defining Turkish culture and cultural literacy for youth in Turkey? How do the practices of censorship today compare to the censorship of the previous periods such as the years following the 1980 coup d’état when most of the publishing houses were founded? How could should we understand the antagonistic existence of severe censorship alongside the simultaneous explosion of cultural production? Elizabeth Nolte's broader research focuses on literature and politics, censorship, and bureaucracy in modern Turkey and the post-Ottoman region. She recently completed a PhD in Near and Middle Eastern Studies at the University of Washington and holds an MA from Columbia University. Her current project, “Fighting Words: Censorship and Literature in Contemporary Turkey,” investigates the antagonistic coexistence of censorship and literature and how cultural production draws on transnational writer-activist networks. https://warwick.academia.edu/ElizabethNolte https://warwick.ac.uk/fac/cross_fac/ias/people/wirl/nolte/

Dr Preti Taneja is the author of 'We That Are Young', published by Galley Beggar Press. We that are young was listed as one of the Sunday Times' 'Books of 2017'. She is also the author of a novella 'Kumkum Malhotra' which was published in 2015 and won the Gatehouse Press New Fictions Prize. As well as being a writer, Preti is a Leverhulme Early Career Reseach Fellow at Warwick University working in the department of English and Comparative Literary Studies, and the Centre for Human Rights in Practice. She is also the co-founder and editor of Visual Verse, an anthology of art and words. Preti's Book Choices: A Spy In The House of Love by Anaïs Nin Everybody Loves a Good Drought by P. Sainath Citizen by Claudia Rankine You can find out more about Preti by visiting her website. And you can follow her on Twitter @PretiTaneja.

2017.09.11 The global circulation of Donald Trump’s political rhetoric during the presidential campaign of 2015-16 produced international dismay, bewilderment, and apprehension, particularly in the Middle East and North Africa (MENA). It also effected a rupture of the crucial divide between American popular culture and US politics—a distinction that allowed American cultural products, massively popular in the Middle East and elsewhere, to proliferate in places where U.S. politics were unpopular or rejected. During the Bush II and Obama administrations, a new generation in the MENA region differentiated between the cultural products and political system of the U.S. and creatively recoded, incorporated, and localized a global American culture. The breach of the divide between American popular and political culture, or its blurring, portends the winter of the American empire and the postscript to the “American century,” an influential formation which held that the popularity and attractiveness of American culture had positive political benefits for the United States. In the age of Trump and Twitter, the American political system itself has become a horrible form of global entertainment. How devastating the effects will be remains to be seen. Brian T. Edwards Crown Professor in Middle East Studies and Professor of English, Comparative Literary Studies and American Studies, Northwestern University

The encounter between the self and the other as understood through Jean Laplanche’s psychoanalytic theory set in the Hegelian dialectic will be explored using three instances of the word threshold in Shakespeare. Two instances occur in Coriolanus – between Virgilia and Martius and between Aufidius and Martius – and one occurs in The Merchant of Venice – between Antonio and Shylock. The circulation of libido across the threshold, and its distortion into the death-drive and the drive for the accumulation of profit will be explored in these scenes. The role of the threshold as the site for the implantation of enigmatic signifiers or the violent intromission of trauma will be explored for its role in the distortion of libido into death-drive and profit-drive. This is a preliminary experiment (for me) in thinking through Laplanchian psychoanalysis as theory in conversation with Marxism and set in the dialectic. Bio: Christian Smith is a Teaching Fellow in the Department of English and Comparative Literary Studies at the University of Warwick. His doctoral research looked at the influence that Shakespeare had on Marx, Freud and the Frankfurt School Critical Theorists. In his postdoctoral work, he is investigating the possibility that the ground through this influence traveled may have been the historical development of the dialectic. This talk was part of a one-day conference 'Shakespearean Thresholds' organised by KiSSiT (Kingston Shakespeare Seminar in Theory) held at the Rose Theatre, Kingston on April 2, 2016. The session was chaired by Ildiko Solti. See video here: https://www.youtube.com/watch?v=Pr8kBXCK0Ks