Podcasts about gallatin school

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.

The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference.  Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference.  Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference.  Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference.  Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference.  Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Glowing Older, host Nancy Griffin interviews Paul Nagle, Executive Director of Stonewall Community Development Corporation. They discuss the unique challenges faced by LGBTQ seniors, including discrimination in housing and the need for innovative community-driven solutions. Paul shares his personal journey as a survivor of AIDS and his activism in creating supportive housing and care systems for LGBTQ older adults. The conversation highlights the importance of resilience, community, and advocacy in addressing the needs of this marginalized population as traditional long-term care systems face collapse.About Paul Paul has over 30 years in both nonprofit administration and LGBTQ+ activism and currently serves as the Founding Executive Director of Stonewall Community Development Corporation (Stonewall CDC) since 2015.  Before joining Stonewall CDC, Paul was the Executive Director of Cultural Strategies Initiative Inc. (CSI), a program of Demos, established with a major grant from the Rockefeller Cultural Innovation Fund.  The mission of this project was to strengthen art's central role in civic life, to enhance cultural, community, and environmental sustainability.   Before that, as Director of Communications & Cultural Policy for NYC Councilmember Alan Gerson (2002-2010), Paul organized the hard-hit cultural community in District 1 and engaged them in crafting strategies to help preserve and revitalize the arts in Lower Manhattan in the wake of the 9/11 attacks. His community-generated plan, Campuses & Corridors, served as the blueprint for a partnership between the Mayor, the Council Speaker and the Councilmember that was very successful in providing targeted capital and programmatic investments to restore the sector and convince the Lower Manhattan Development Corporation to grant $70 million to small to mid-sized arts organizations.   Paul earned both of his degrees from the Gallatin School at New York University, graduating summa cum laudefrom the bachelor's program.  He earned his masters' degree at age 49 in 2007. An abridged version of his master's thesis, Room for Creativity – the Role of Artists' Live/work Space in the New Economy, was published in The International Journal of the Arts in Society.Key Takeaways Stonewall Community Development Corporation focuses on housing and care for LGBTQ older adults. The organization has successfully placed over 1,400 families in permanent housing.Discrimination against LGBTQ individuals in housing isprevalent and often overlooked. Community generated systems of care are essential for LGBTQ seniors.The traditional long-term care system is collapsing due to outdated policies and low wages. Building networks of care is crucial for community resilience.

As our centennial series continues, Victoria Rosner, dean of the Gallatin School at NYU and the author of Machines for Living: Modernism and Domestic Life (Oxford University Press, 2020), talks about the post-World War I development of modernism (and post-modernism) across the arts and beyond.

Cherry Lou Sy is a writer and playwright originally from the Philippines and currently based in Brooklyn, NY. She received her BA at the Gallatin School of Individualized Study at NYU and her MFA in playwriting from Brooklyn College, where she has been an adjunct lecturer in the English and American Studies departments. Cherry is also a teacher with PEN America's DREAMing Out Loud. She has received fellowships and residencies from VONA, Tin House, and elsewhere. Love Can't Feed You is her debut novel.

Ep 58: Hosting with Heart: Breaking the Rules of Traditional Entertaining“The heart of hospitality isn't about impressing others but making them feel welcome.”— Saanya AliSummary of the episodeWelcome back to episode 58 of nosyAF!In this episode of nosyAF: Conversations About Art, Activism, and Social Change, host Stephanie sits down with Saanya Ali, founder of Soiree, to discuss how she is hosting with heart and redefining hospitality through her creative and joyful approach to gatherings. Saanya shares how hosting can move beyond stress and formality, focusing instead on connection and generosity. From her international upbringing to her passion for food and community, Saanya highlights how hospitality can be as simple as pizza on the floor with friends, emphasizing that the experience is about people, not perfection.Topics discussed:

A year ago, the world was shaken when Hamas militants entered Israel, resulting in the deaths of approximately 1,200 people and the kidnapping of hundreds more. It was one of the most devastating days for Israelis and Jewish communities around the world in decades. In the immediate hours after that attack, Israel launched an invasion of Gaza, resulting in the deaths of at least 42,000 Palestinians and counting.Early on in the escalation of the war, two women came together to start having difficult dialogues in a moment of high emotions. Najla Said is an actor, author, activist and the daughter of renowned Palestinian intellectual Edward Said. Judith Sloan is an actor, radio producer and adjunct professor at New York University's Gallatin School of Individualized Study. They collaborated on a project they call “Imperfect Allies: Children of Opposite Sides.” In this episode, they join Notes from America guest host Suzanne Gaber to talk about their year-long work in progress that started as a discussion between two longtime-friends and evolved into a series of listening sessions around the country about the ongoing war in the Middle East. Plus, they give listeners advice on how to navigate difficult conversations about the conflict while managing immense trauma.Notes from America is a 2024 Signal Awards finalist! Community voting is now open for the show to earn a Listener's Choice honor for Best Live Podcast Recording, and we would be honored for you to take a minute to cast a vote our way. Click here to vote through October 17, and thank you for listening and supporting Notes from America! Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

Matthew Friend is an old soul living inside a 23-year-old comedian/actor/impressionist's body. Matthew graduated from NYU's Gallatin School in 2020, but his love of comedy and entertainment was sparked when he was four years old. He had watched Austin Powers (yes, as a four-year-old) and started mimicking the characters' voices-and the rest was history. To date, Matthew has over 400K followers on TikTok. He has appeared on the Today Show, Jimmy Kimmel Live, NBC's New York Live TV, Good Day LA, Good Day NY, Good Morning Washington, and WGN. In 2019, Matthew won Kenan Thompson's Ultimate Comedy Experience at Carolines on Broadway. His professional experience includes hosting HQ Trivia, performing at corporate events, and doing stand-up comedy throughout the country. Matthew's repertoire includes more than 250 impressions ranging from Rami Malek to Timothee Chalamet. His favorite to do right now is Jennifer Coolidge. Go to lumen.me/BEAT to get 15% off your Lumen. SAVE THIRTY PERCENT SITEWIDE, RIGHT NOW during Tommy John's BIG Labor Day Sale, at TommyJohn.com/COHEN. Learn more about your ad choices. Visit megaphone.fm/adchoices

In podcast 51, I have a personal and intimate conversation with Dani Beinstein about navigating significant life transitions through the lens of Astrology. We delve into the beauty of change, embracing age, and the unexpected life.Danielle Beinstein, MA, is a psychological and intuitive counseling astrologer based in Nashville. Born and raised in NYC, she received BA from NYU's Gallatin School of Individualized Study, where she crafted a major in Humanities, Literature and Art History in 2003. After moving to Los Angeles and working in Hollywood and Tech, she returned to school, completing her Masters in Spiritual Psychology with an Emphasis in Consciousness, Health and Healing in 2014. She offers ongoing private and group consults and facilitation, as well as circles and retreats. You can connect with Danielle and learn more about her offerings at www.daniellebeinstein.com and for more regular astrological musings, you can follow her on Instagram @DaniBeinsteinSeeking to deeply ground in nutrition through the various transitions in your life? I offer a 12 week group for ladies - the last one of the year starts in Sept. More info here www.youregreat.com/the-bean-protocoland follow me on IG @uniquehammond

Over more than half a century as an editor at Knopf, Judith Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. But although I was an English major, I first learned of Judith Jones years later, when I realized that Edna Lewis, M.F.K. Fisher, Claudia Roden, Madhur Jaffrey, James Beard, and, most famously, Julia Child, all had the same editor -- her. Judith celebrated the art and pleasures of cooking and culinary diversity, and in the process changed the way Americans think about food. Sara Franklin's new book, The Editor, is a highly anticipated biography of Judith that details her astonishing career, and it is my suggestion for a perfect summer read. Sara is a writer and editor in her own right with bylines including The New York Times, The Washington Post, and The Nation. In this conversation, we delve into the nature of serious cookbooks, the art and craft of recipe writing, and the cultural significance of writing about food. Sara writes and teaches at New York University's Gallatin School for Individualized Study, so this conversation with me was via zoom from her home in Kingston, NY.   Other episodes related to this one: Jacques Pépin, Chef, Author & Television Personality (Madison, CT) Southern Fork Sustenance: A Conversation with MacArthur Fellow J. Drew Lanham about SC Barbecue & Beyond

You may not know the name Judith Jones, but you've certainly felt this dynamic woman's impact and influence on culture. Judith Jones was the editor behind books like The Diary of Anne Frank and Mastering the Art of French Cooking by Julia Child; she was also behind authors like Sylvia Plath, John Updike, Langston Hughes, Sharon Olds, and so many others. Her work, as our guest today writes in her new book, was “unrivaled in the industry.” Book editors are kind of shadow figures—they're behind-the-scenes, unsung heroes, who, as Sara B. Franklin writes in her book The Editor: How Judith Jones Shaped Culture in America, which came out on May 28, are people who “work in the service of their authors, not themselves, and their touch is meant to be difficult, if not impossible, for readers to see”—a bit of an invisible hand, if you will. Judith Jones rose through the ranks of publishing when it was very much an industry still dominated by men; one of her gifts was the ability to see talent in women writers, especially women writers many had overlooked. It's hard to believe that, for example, publishers weren't chomping at the bit for the works of Anne Frank or Julia Child, but they weren't; it was Judith who saw their books through to the finish line. She is most associated with cookbooks, and Sara writes that Judith may never have fully gotten the respect she so deserved because “books about food were (and to some extent still are) treated with an air of condescension by the literary world.” Sara and I talk about that on the show today, as well as topics like Judith's portrayal in the 2009 Nora Ephron film Julie & Julia—which Judith didn't like so much—and some of Judith's misses, like with the aforementioned Sylvia Plath and The Bell Jar. Through Sara's book, Judith emerges from the shadows to the spotlight—the amount of passion and dedication Sara put into this bestselling book is remarkable. I can't wait for you to meet Sara and, through her, meet Judith. A little about Sara: she is a writer, teacher, and oral historian who teaches courses on food, writing, embodied culture, and oral history at NYU's Gallatin School of Individualized Study. In addition to writing The Editor, she also edited Edna Lewis, co-authored The Phenicia Diner Cookbook, and holds a PhD in food studies from NYU and studied documentary storytelling at both the Duke Center for Documentary Studies and the Salt Institute for Documentary Studies. Take a listen to our conversation.   The Editor: How Judith Jones Shaped Culture in America by Sara B. Franklin

How Publishing Legend Judith Jones Shaped Culture in America Sarah B. Franklin Come join us as food historian and author Sara Franklin gives insight into Judith Jones, the visionary behind some of the most important authors of the 20th century, including Julia Child, Anne Frank, John Updike and Sylvia Plath. This iconic editor finally gets her due in Ms. Franklin's newly released book, The Editor. Ms. Franklin recounts that when Judith Jones began working at Doubleday's Paris office in 1949, the then twenty-five-year-old spent most of her time wading through manuscripts in the slush pile and passing on projects—until one day, a manuscript caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of Jones' culture-defining career in publishing. Jones moved to Knopf publishing, and during her more than fifty years at that company, she published the who's who of food writing, including Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, Joan Nathan, and, most famously, Julia Child. Jones helped turn these authors into household names and changed the way Americans think about food, cooking, and culinary diversity. Ms. Franklin became friendly with Ms. Jones, conducted numerous interviews with her and studied her personal papers. And now she wants to share the life of one of our country's most influential tastemakers. Biography: Sara B. Franklin received a 2020–2021 National Endowment for the Humanities (NEH) public scholars grant for her research on Judith Jones and teaches courses on food culture, writing, and oral history at NYU's Gallatin School for Individualized Study and via the NYU Prison Education Initiative at Wallkill Correctional Facility. She is the author of Edna Lewis and The Phoenicia Diner Cookbook. She holds a PhD in food studies from NYU and studied documentary radio and nonfiction at both the Duke Center for Documentary Studies and the Salt Institute for Documentary Studies. SaraBFranklin.com. Recorded via Zoom on June 10, 2024 CONNECT WITH CULINARY HISTORIANS OF CHICAGO ✔ MEMBERSHIP https://culinaryhistorians.org/membership/ ✔ EMAIL LIST http://culinaryhistorians.org/join-our-email-list/ ✔ S U B S C R I B E https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ F A C E B O O K https://www.facebook.com/CulinaryHistoriansOfChicago ✔ PODCAST 2008 to Present https://culinaryhistorians.org/podcasts/ By Presenter https://culinaryhistorians.org/podcasts-by-presenter/ ✔ YOUTUBE https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ W E B S I T E https://www.CulinaryHistorians.org

Glenn Kurtz is the author of Three Minutes in Poland: Discovering a Lost World in a 1938 Family Film (Farrar, Straus & Giroux 2014), which was named a "Best Book of 2014" by The New Yorker, The Boston Globe, and National Public Radio. The Los Angeles Times called the book " breathtaking, " and it has received high critical praise in The Wall Street Journal, The Washington Post, The San Francisco Chronicle, The Chicago Tribune, and many other publications. A Dutch translation appeared in 2015. A documentary film based on Three Minutes in Poland is in production.A 2016 Guggenheim Foundation Fellow, he is a graduate of Tufts University, the New England Conservatory of Music, and holds a PhD from Stanford University in German studies and comparative literature. He has taught at Stanford University, San Francisco State University, and is currently on the faculty at The Gallatin School at New York University. He lives in New York City and is at work on a novel and a nonfiction project, both about the Empire State Building.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how photographs and film, specifically candid or vernacular documentation, captures history, the emotion of a moment before devastation, in the midst of tragedy and triumph, and in the common day-to-day of days long forgotten. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the project, Through Internees Eyes: Japanese American Incarceration Before and After.Guest: Glenn KurtzHosts: Jon-Barrett IngelsProduced by: Past Forward

Raymond P. Hammond is the editor-in-chief of both The New York Quarterly and NYQ Books. He holds an MA in American Poetry from NYU's Gallatin School and is the author of Poetic Amusement, a book of literary criticism. He lives in Beacon, NY with his wife, the poet Amanda J. Bradley, and their dog Hank. Find more information on Raymond, visit: https://raymondhammond.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a short poem that explores someone else's awe. Next Week's Prompt: Write a poem from the perspective of one of your childhood toys. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

CJ LEEDE is a horror writer based in Los Angeles. Her debut novel, Maeve Fly, won this year's Octavia E. Butler 2023 Golden Poppy Award. CJ has an MFA in Creative Writing from Columbia University, and a BA from NYU's Gallatin School, where she studied Mythology and the Middle Ages. When she is not driving around the country, she can be found in LA with her boyfriend and rescue dogs.  Village Well Books & Coffee is an independent book- and coffee-shop in the heart of downtown Culver City. Come through, grab a drink, and read a book! Check out our events! SHELF TALKERS is a podcast from Village Well Books & Coffee in downtown Culver City, CA, where we interview authors on their books, writing process, and what they are themselves reading. We release bi-weekly. The hosts are Village Well booksellers Julia Elizabeth Evans and Jared Kassebaum. Mentioned by CJ Leede in the episode: Story of the Eye by Georges Bataille Camp Damascus Night's Edge by Liz Kerin   Jeff Morrical as our Culver & Duquesne community member recommendation: Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin

Dive into an electrifying journey of mind-bending possibilities with Matt, Gaby, and Philip on the latest episode of "What The If." This rollercoaster of intellectual exploration was sparked by a fascinating suggestion from Dean Victoria Rosner of the Gallatin School at NYU. Imagine a world where mind swaps are not just a sci-fi fantasy but a mind-twisting reality. Delve into the intriguing intricacies and ethical dilemmas posed by such an extraordinary concept. The trio navigates through a labyrinth of questions like the nature of identity, the relationship between mind and body, and the potential societal chaos in a world where mind-swapping is possible. Whether you're a science aficionado or simply love pondering the 'what-ifs' of our universe, this episode is a thrilling blend of humor, science, and imaginative speculation that will leave you questioning the very essence of self! --- Find out more about Gaby's science fiction short story! Here are the links for the anthology. The physical copy can be ordered here : https://www.neonhemlock.com/books/luminescent-machinations-queer-tales-of-monumental-invention The ebook can be ordered here: https://www.neonhemlock.com/ebooks/luminescent-machinations-queer-tales-of-monumental-invention

Bio: SCOTT HIGHTOWER is the author of four books of poetry in the US. He has published two bilingual collections in Spain. He is also the editor of the bi-lingual (English/Spanish) poetry anthology 2012 Women Rowing: Mujeres A Los Remos, Mantis Editores, Guadalajara, Mexico. Hightower's awards include a Hayden Carruth Book Award and a Barnstone Translation Prize. Originally from Texas, he has itinerantly sojourned in India, Italy, Spain, and now lives in Manhattan where he teaches at NYU's Gallatin School of Individualized Study. Scott will have his seventh book of poetry, Imperative to Spare, published by Rebel Satori Press in November of this year. It is a stunning portrait of grief prompted by the loss of his partner of over 40 years. It is his best collection yet and a remarkable contribution to contemporary American and LGBT poetry. Fellow poet and author of instead, it is dark Cynthia Hogue praised: “By turns poignantly honest and sardonically defiant, Hightower chronicles with rare brio the harrowing challenges of navigating the daily after his ‘worst fear' has happened…This necessary volume blazes a trail through despair to wisdom.” Email: shightower@nyc.rr.com Social Media https://wInstagram.com/shightower2018 https://www.facebook.com/es.torrealta https://en.wikipedia.org/wiki/Scott_Hightower

We discuss the fascinating world of psychotherapy, identity, and performance art with our guest, Sara London, M.A. Sara is a freelance journalist and author with a graduate degree from New York University's Gallatin School, specializing in psychoanalytic research.In an age where therapists are more public-facing than ever, Sara offers a unique perspective on the therapist's evolving role. In her debut book, "The Performance Therapist and Authentic Therapeutic Identity," Sara explores the intricate relationship between therapeutic identity and performance art.The Performance Therapist and Authentic Therapeutic Identity: Coming into Being - Sara LondonSara London | SubstackSara J. LondonNote: This podcast episode is designed solely for informational and educational purposes, without endorsing or promoting any specific medical treatments. We strongly advise consulting with a qualified healthcare professional before making any medical decisions or taking any actions.*If you are in crisis or believe you have an emergency, please contact your doctor or dial 911. If you are contemplating suicide, call 1-800-273-TALK to speak with a trained and skilled counselor.RADICALLY GENUINE PODCASTDr. Roger McFillin / Radically Genuine WebsiteYouTube @RadicallyGenuineDr. Roger McFillin (@DrMcFillin) / X (Twitter)Substack | Radically Genuine | Dr. Roger McFillinInstagram @radicallygenuineContact Radically Genuine—-----------FREE DOWNLOAD! DISTRESS TOLERANCE SKILLS—----------ADDITIONAL RESOURCES2:30 - APA Guidelines for the Optimal Use of Social Media in Professional Psychological Practice4:00 - Sara London and Stephanie Winn: A Moderated Discussion w/Heterodorx13:30 - Authenticity | Psychology Today18:00 - Psychoanalysis vs. psychodynamic therapy20:00 - Six Levels of Validation in DBT: From Awareness to Radical Genuineness30:30 - Jonathan Shedler, PhD: The 7 Principles Of Psychoanalytic Psychotherapy32:00 - Jonathan Shedler 2010: The Efficacy of Psychodynamic Psychotherapy35:00 - A randomized controlled trial of psychoanalytic psychotherapy or cognitive-behavioral therapy for bulimia nervosa39:00 - Accelerated Experiential Dynamic Psychotherapy (AEDP) | Psychology Today42:30 - Extremist - Definition, Meaning & Synonyms | Vocabulary.com48:30 - What is Tone of Voice? Social Media Marketing Definitions - SocialBee58:30 - 30 Best Hugo Ball Quotes With Image | Bookey59:00 - VOICE PIECE FOR SOPRANO & WISH TREE at MoMA, Summer 2010 by yoko ono1:05:00 - Why I Do Not Attend Case Conferences: Paul Meehl1:16:00 - Help, My Therapist Is Also an Influencer! | WIRED

Peder Anker is a historian of environmental sciences, specializing in the history of ecology and ecological architecture and design. Anker is currently a Professor of History of Science at the Gallatin School of Individualized Study at New York University. Book PDF Link: https://www.cambridge.org/core/services/aop-cambridge-core/content/view/7070AC66999C30D35EAE07F0A290963A/9781108477567AR.pdf/The_Power_of_the_Periphery.pdf?event-type=FTLA --- Become part of the Hermitix community: Hermitix Twitter - https://twitter.com/Hermitixpodcast Support Hermitix: Patreon - https://www.patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpod Hermitix Merchandise - http://teespring.com/stores/hermitix-2 Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

Bradley Lewis works at the intersections of medicine, psychiatry, philosophy, the psychological humanities, mad studies, and disability studies, balancing roles as both a humanities professor and a practicing psychiatrist. Lewis earned degrees in psychiatry (MD) and Interdisciplinary Humanities (PhD) from George Washington University, and he currently holds an associate professorship at New York University's Gallatin School of Individualized Study. He also has affiliations with NYU's Department of Social and Cultural Analysis, the Department of Psychiatry, and the Disability Studies Minor. Additionally, he serves on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry, Narrative Psychiatry: How Stories Shape Clinical Practice, and Depression: Integrating Science, Culture, and Humanities. He has two books forthcoming: Experiencing Epiphanies in Literature and Cinema and a co-edited Mad Studies Reader. His writing offers unique insights into the hegemonic foundations of mental health and champions the role of narrative in therapy. His work also actively bridges the gap between academia and on-the-ground initiatives. A founding member of the Institute for the Development of Humane Arts (IDHA), Lewis champions a paradigm shift in mental health by facilitating collaboration between advocates, service users, and clinicians. His profound appreciation for the humanities guides his exploration of mental health, often through the lens of art and literature. By analyzing the lives of figures like Vincent Van Gogh or dissecting Chekhov's narratives, Lewis encourages us to rethink and expand our understanding of psychological experiences. Join us as we explore the philosophical foundations, practical implications, and transformative potential of his work. *** Thank you for being with us to listen to the podcast and read our articles this year. MIA is funded entirely by reader donations. If you value MIA, please help us continue to survive and grow. Mad in America podcasts and reports are made possible, in part, by a grant from the Thomas Jobe Fund. To find the Mad in America podcast on your preferred podcast player, click here

Join me as I talk with the lovely Bryanna Gary, creator of The Angry Noodle blog! Bryanna is a neurospicy rockstar who creates "silly little guys." She's a streamer, gamer and a badass. She is an alumna of NYU's Gallatin School of Individualized Study, where I also went. We love Bryanna, who also goes by Brie or Brioche. Here's more about The Angry Noodle: The Angry Noodle is a blog for all things writing, science fiction, fantasy, horror, worldbuilding, and more. I intended it to be a space for writers and readers of speculative fiction alike. On this little noodle site of mine, you'll find a wide range of speculative fiction content: worldbuilding, magicbuilding, writing advice, writing inspiration, science fiction and fantasy-themed personality quizzes, and more! https://theangrynoodle.com/ Support The Angry Noodle on Patreon! https://www.patreon.com/theangrynoodle

Jordan Scott is a decision-making entrepreneur and the female founder and CEO of Cobble, an app designed to help people make better, faster decisions together. On this episode of the Second Act Success Career Podcast, Jordan shares how she trusted her gut to leave the job she thought she wanted in TV News to take a leap of faith and pursue a career as a female founder. If you have had that dream, then listen on my friend!Jordan graduated from NYU's Gallatin School of Individualized Study in 2015. She began her career as a news associate at CBS This Morning before launching her startup. Jordan took an idea for a way to bring people together while they make plans together and turned it into a blog. From the blog, she designed an app and started crowdsourcing to bring Cobble to life. To date, Jordan has raised $3.3 million in seed funding, growing Cobble to tens of thousands of users who have swiped over 2M times on curated places and experiences in-app. Cobble is quickly expanding to new cities, optimizing decision-making functionality, and more. Jordan shares how she trusted her gut to leave the job she thought she wanted in TV News to take a leap of faith and pursue a career as a female founder. Listen to Shannon and Jordan's discussion on Episode #95 of the Second Act Success Career Podcast. SHOW NOTEShttps://secondactsuccess.co/95Connect with Jordan Scott:LinkedIn: https://www.linkedin.com/in/jordan-scott-354aa458/Website: https://www.trycobble.com/Twitter: https://twitter.com/trycobbleInstagram: https://www.instagram.com/trycobble/-------TAKE THE QUIZ!Is Now The Right Time To Change Careers? Take the Quiz! https://secondactsuccess.co/quizBook a FREE Discovery Call with host/career coach Shannon Russell - https://www.calendly.com/second-act-success/coaching-strategyBe a Guest For an On-Air Coaching Episode of the Podcast -https://airtable.com/shr3X7F3kHTi28G8ULET'S CONNECT!Instagram - https://instagram.com/secondactsuccessFacebook - https://www.facebook.com/secondactsuccess.coTikTok - https://www.tiktok.com/@secondactsuccessAll the latest - https://secondactsuccess.co/links REVIEW & SUBSCRIBE: https://podcasts.apple.com/us/podcast/second-act-success/id1617274364 JOIN THE NEWSLETTER:https://secondactsuccess.co Career Coaching with Shannon Russell - https://secondactsuccess.co/coaching

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 730 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more 13 mins Matthew Friend is an old soul living inside a 24-year-old comedian/actor/impressionist's body. Matthew graduated from NYU's Gallatin School in 2020, but his love of comedy and entertainment was sparked when he was four years old. He had watched Austin Powers (yes, as a four-year-old) and started mimicking the characters' voices—and the rest was history. To date, Matthew has over a million followers across all social platforms: TikTok, Snap, Instagram, Twitter, and Facebook. He has appeared on The Howard Stern Show, the Today Show, Jimmy Kimmel Live, NBC's New York Live TV, Good Day LA, Good Day NY, Good Morning Washington, and WGN. In 2019, Matthew won Kenan Thompson's Ultimate Comedy Experience at Carolines on Broadway. Matthew performs at corporate events and does stand-up comedy throughout the country. Matthew's repertoire includes more than 250 impressions ranging from Rami Malek to Timothee Chalamet. His favorite impression at the moment is Jennifer Coolidge. Matt headlined a sold out crowd at Carolines on Broadway as part of Carolines' Breakout Artist Series. Matt has voiced two characters for The Simpsons and is currently in the process of recording original characters for Family Guy. Matt headlined at The Stand Comedy Club as part of the 2022 New York Comedy Festival. Matt is also a Snap Star, one of the fastest rising creators on Snapchat.  42 mins David Daley is a senior fellow for FairVote and the author of Ratf**ked: The True Story Behind the Secret Plan to Steal America's Democracy, which helped spark the recent drive to reform gerrymandering. Dave's second book, Unrigged: How Americans Are Battling Back to Save Democracy, chronicles the victories and defeats in state efforts to reform elections and uphold voting rights. A frequent lecturer and media source about gerrymandering, he is the former editor-in-chief of Salon.com, and the former CEO and publisher of the Connecticut News Project. He is a digital media fellow at the Wilson Center for the Humanities and the Grady School of Journalism at the University of Georgia. His work has appeared in the New Yorker, The Washington Post, The Guardian, New York magazine, the Atlantic, the Boston Globe, Rolling Stone, Details, and he's been on CNN and NPR. When writing for the Hartford Courant, he helped identify Mark Felt as the "Deep Throat" source for Bob Woodward and Carl Bernstein.  Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe

Join host Susan Sly, a tech Co-Founder and mother of 4, as she interviews some incredible Mompreneurs who have defied the odds to build successful companies while raising their children. Learn the delicate balance they've struck between nurturing their businesses and their children. In this captivating compilation show, we bring you the best moments from previous episodes, featuring extraordinary women like Jordan Scott, the visionary Founder of Cobble, a groundbreaking decision-making tool to help teams collaborate. Also, prepare to be inspired by Bernadette Butler, the Co-Founder of StoryTap, who has harnessed the power of video storytelling to revolutionize the marketing world. And don't miss the insights from Estelle Giraud, the Co-Founder of Trellis Health, a company building smart, comprehensive health record systems. Whether you're a seasoned entrepreneur, a budding businesswoman, or simply seeking inspiration, this compilation show celebrates the strength, resilience, and unwavering spirit of Mompreneurs.   About Jordan Scott: Jordan graduated from NYU's Gallatin School of Individualized Study in 2015. Before launching her startup, she began her career as a news associate at CBS This Morning. To date, Jordan has raised $3.3 million in seed funding, growing Cobble to tens of thousands of users who have swiped over 2M times on curated places and experiences in-app. Cobble is quickly expanding to new cities, optimizing decision-making functionality, and more.   Connect with Jordan: Website: https://www.trycobble.com/ LinkedIn: @jordan-scott-354aa458/ Twitter: @trycobble Instagram:  @trycobble/   About Bernadette Butler: Bernadette Butler is the co-founder of StoryTap Technologies, a video production company which has created and placed brand inspired videos that amass MILLIONS of views. She has been in the industry for 25 years and she brings a focus of empathy to her company culture. After creating a financial book club that grew to 500 members across 6 countries, Bernadette created StoryTap Technologies to be the first agency of its kind to make videos for brands, companies, and social media that share perspectives and experiences from across the world.  Connect with Bernadette: Website: - https://storytap.com/ LinkedIn: - @butlerbernadette/ Twitter: - @storytapvideo Instagram: - @storytapvideo   About Estelle Giraud: Estelle is a PhD scientist who has worked at the front line of emerging technologies in healthcare and genetics.  She has always been passionate about improving human health and health data systems.   It was while navigating her own pregnancy that she experienced frustrating gaps in her prenatal care as she was treated by different physicians.    She co-founded Trellis Health, an all-in-one platform that leverages technology while restoring the sacred relationship between the physician and patient.   Connect with Estelle: Instagram: @mytrellishealth/ Twitter: @mytrellishealth LinkedIn: @estelle-giraud/ Website: https://www.jointrellishealth.com/   About Susan Sly: Susan Sly is the Co-founder and Co-CEO of RadiusAI, a tech investor, best-selling author, keynote speaker, entrepreneur, and host of the highly acclaimed podcast – Raw and Real Entrepreneurship. Susan has appeared on CNN, CNBC, Fox, Lifetime Television, The CBN, The Morning Show in Australia and been quoted in MarketWatch, Yahoo Finance, Forbes, and more. She holds Certificates in Management and Leadership, Technology and Operations, and Strategy and Innovation from MIT. Susan is the author of 7 books. Her book project with NY Times Best Selling Author, Jack Canfield, made six Amazon Best Selling lists.   Connect With Susan: Twitter @Susanslylive Twitter @rawandrealentr1 LinkedIn @susansly Facebook @susanslylive Website https://susansly.com/ Join the Insider's List: https://susansly.com/insider/  

The third episode of the special season of Khosh Bosh with Anita focuses on the subtheme Social Arrangements and Structures from the Evaporating Suns exhibition. I am joined by Mashael Alsaie and my co-host for this episode, Dania Al Tamimi. Tune in to hear more about Mashael's practice in general and her commissioned work for Evaporating Suns, titled Barren Spring, in specific. In this episode, Dania and I explore how social structures and dynamics are affected by the myths we hear and how the myths we tell shape those social dynamics in turn, as well as how people are introduced to myths in her work, creating an experience of maintaining various perspectives and narratives around the same event or place, at the same time. Mashael Alsaie holds a BA in Urban Studies from UC Berkeley and is currently pursuing an MA in Photography, Video, and Media Arts from the Gallatin School of Individualized Study at New York University. She is a Bahraini photographer and video artist whose work forms fractured narratives that reflect critical thinking about femininity, ritual, and representation. Her work has been featured in group exhibitions at Misk, Riyadh (2020), PS122, New York (2019), and the Bahrain Annual Fine Arts Festival (2020). She completed a residency at Residency Unlimited in Brooklyn, New York, and is a fellow at Salama Bint Hamdan Al Nahyan Foundation (2021). Her work has featured in such publications as Vogue Arabia and Vogue Italia, Al Ja- zeera Plus, Emirates Woman, MinaaZine, Harper's Bazaar Arabia, Mille, Nasi, and GirlGaze Dania Al Tamimi is an artist, curator, and researcher. Al Tamimi co-founded Rummān Collective, an online platform for emerging artists, and is currently the Curatorial Planning Coordinator at Dirwaza Curatorial Lab. Al Tamimi curated her first independent show with 421 Biography of a Passage, 2023 at Art Dubai. Al Tamimi views her practice as an exploratory journey focusing on questioning definitions and binaries. This special season of Khosh Bosh consists of four hour-long episodes that discuss the works from the exhibition, Evaporating Suns, in-depth with the artists and curators, as well as a myth library that showcases the different myths that the the KBH.G and Dirwaza teams grew up hearing. The thirteen artists showcased in this exhibition are Maitha Abdalla, Mays Albaik, Fatema Al Fardan, Moza Al Matrooshi, Abdullah Alothman, Farah Al Qasimi, Mashael Alsaie, Zuhoor Al Sayegh, Asma Belhamar, Alaa Edris, Saif Mhaisen, Fatima Uzdenova, and Bu Yousuf. The exhibition is presented by KBH.G in Basel, Switzerland and is curated by Dirwaza Curatorial Lab with the support of Verena Formanek. Presented by Kulturstiftung Basel H. Geiger I KBH.G. Season sponsored by the Foundry in Downtown Dubai. Music by Ronald Ekore.

This week we have great guests including: Andy Cohen, Donald Trump, Andy Puddicombe... kidding it's all Matt Friend. He does impressions... and they're good btw!xoxoMatthew Friend is an old soul living inside a 23-year-old impressionist's body. Matthew graduated from NYU's Gallatin School in 2020, but his love of comedy and entertainment was sparked when he was four years old. He had watched Austin Powers (yes, as a four-year-old) and started mimicking the characters' voices—and the rest was history. To date, Matthew has almost 350K followers on TikTok. He has appeared on the Today Show, Jimmy Kimmel Live, NBC's New York Live TV, Good Day LA, Good Day NY, and WGN. In 2019, Matthew won Kenan Thompson's Ultimate Comedy Experience at Carolines on Broadway. His professional experience includes hosting HQ Trivia, performing at corporate events, and doing stand-up comedy throughout the country. Matthew's repertoire includes more than 250 impressions ranging from Rami Malek to Timothee Chalamet. His favorite to do right now is Jennifer Coolidge.

This book announces the new, interdisciplinary field of critical disaster studies. Unlike most existing approaches to disaster, critical disaster studies begins with the idea that disasters are not objective facts, but rather are interpretive fictions--and they shape the way people see the world. By questioning the concept of disaster itself, critical disaster studies reveals the stakes of defining people or places as vulnerable, resilient, or at risk. As social constructs, disaster, vulnerability, resilience, and risk shape and are shaped by contests over power. Managers and technocrats often herald the goals of disaster response and recovery as objective, quantifiable, or self-evident. In reality, the goals are subjective, and usually contested. Critical disaster studies attends to the ways powerful people often use claims of technocratic expertise to maintain power. Moreover, rather than existing as isolated events, disasters take place over time. People commonly imagine disasters to be unexpected and sudden, making structural conditions appear contingent, widespread conditions appear local, and chronic conditions appear acute. By placing disasters in broader contexts, critical disaster studies peels away that veneer. With chapters by scholars of five continents and seven disciplines, Critical Disaster Studies (U Pennsylvania Press, 2021) asks how disasters come to be known as disasters, how disasters are used as tools of governance and politics, and how people imagine and anticipate disasters. The volume will be of interest to scholars of disaster in any discipline and especially to those teaching the growing number of courses on disaster studies. Contributors include: Dr. Scott Gabriel Knowle and Dr. Zachary Loeb, Dr. Ryan Hagen, Dr. Dara Z. Strolovitch, Dr. Claire Antone Payton, Dr. Aaron Clark-Ginsberg, Dr. Pranathi Diwackar, Dr. Rebecca Elliott, Dr. Susan Scott Parrish, Dr. Kerry Smith, Dr. Chika Watanabe, and Dr. Kenneth Hewitt. Dr. Jacob Remes is clinical associate professor in the Gallatin School of Individualized Study at NYU. Trained as a labor and working-class historian of North America, he is the author of Disaster Citizenship: Survivors, Solidarity, and Power in the Progressive Era (University of Illinois Press, 2016) and the editor, with Andy Horowitz, of Critical Disaster Studies (University of Pennsylvania Press, 2021). He is a founding member of the editorial collective of the new Journal of Disaster Studies and a series co-editor of the University of Pennsylvania Press book series Critical Studies in Risk and Disaster. Dr. Andy Horowitz is an Associate Professor of History at the University of Connecticut, and he also serves as the Connecticut State Historian. A historian of the modern United States, his research has focused on disasters and the questions they give rise to about race, class, community, trauma, the welfare state, extractive industry, metropolitan development, and environmental change. He is the author of Katrina: A History, 1915–2015 (Harvard University Press, 2020), which won the Bancroft Prize in American History. Anna Levy researches and teaches on emergency, crisis, and development practice & politics at Fordham & New York Universities. She is the founder and principal of Jafsadi.works, a research collective focused on advancing structural and participatory accountability in non-profit, movement, multilateral, city, and policy strategies. You can follow her @politicoyuntura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Episode 171 Notes and Links to Danielle Prescod's Work       On Episode 171 of The Chills at Will Podcast, Pete welcomes  Danielle Prescod, and the two discuss, among other things, Danielle's voracious reading as an adolescent and beyond, issues of body image in school and in the fashion world, her work in the fashion publishing world and how her personal experiences as recounted in her enthralling and enlightening Token Black Girl can be seen as microcosmic in relation to larger societal issues of racism, fatphobia, and misogyny.        Danielle Prescod is an author, content creator, and journalist. She is also a fifteen-year veteran of the beauty and fashion industry and a graduate of NYU's Gallatin School of Individualized Study. A lifelong fashion obsessive, she was most recently the style director of BET.com. Her book, Token Black Girl, is part memoir, part narrative nonfiction and an exploration of the ways that modern media can influence one's self-esteem. Buy Token Black Girl   Danielle Prescod's Website   From Marie Claire: #Read with MC Review of Token Black Girl At about 7:00, Danielle talks about her prodigious reading and love of reading as a kid.    At about 8:50, Danielle describes the feeling of seeing her book out in the world   At about 10:00, Danielle charts some of that early reading-a lot of YA-Judy Blume, Pascal, V.C. Andrews, etc.   At about 11:30, Pete asks Danielle about how she sees her childhood reading in hindsight, and she talks about ideas of representation and references a powerful quote from Tracee Ellis Ross   At about 13:25, Danielle highlights Marley Dias and her incredibly impressive #1000blackgirlbooks project   At about 16:20, Danielle talks about 2020 and the high amount of anti-racism books that came to prominence and how the white mainstream as an audience    At about 17:55, Danielle speaks to the seeds for her career in fashion, and her love of writing and magazines   At about 19:35, Pete lays out the book's introduction and he and Pete and Danielle discuss her focus on a 2003 magazine cover that was emblematic of ideas of erasure of women of color   At about 21:20, The definitions and explanations of a “token white girl” are explained; Danielle speaks to assimilation and indoctrination as described in the book; Danielle talks about the “limiting” binary of racism   At about 23:40, Danielle explains a “pretty naive concept” she had as a younger person    At about 25:25, Danielle talks about racism when falsely viewed through a “nice/mean” dichotomy and the injurious effects of this mindset   At about 28:40, Pete cites moving examples of racism experienced by Danielle's grandfather and asks her about how his experiences and her parents' experiences led to the ways she and her sister were raised and taught   At about 30:10, Danielle responds to Pete's questions about racism and the ostensibly liberal environments she grew up in   At about 33:45, Pete highlights Danielle's poetic language with a few examples regarding white supremacy and a fitting citing of Dubois; Danielle speaks to ideas of pressures in “representing” Black people   At about 35:10, The two discuss Danielle's early environment at NYLON-and the greater societal environment- and how it affected her   At about 38:00, Danielle speaks to allure of fashion and its attendant issues    At about 40:00, Danielle gives an standout explanation of “fashion theory” and connects it to human history    At about 43:20, Danielle and Pete discuss a pivotal scene from the book that deals with discussions on body image in a college class of hers   At about 44:50, Danielle responds to Pete's questions about connections between problematic societal body image issues and features and media coverage and ideas of stakeholders    At about 48:00, Pete compliments Danielle's depictions and personal story   At about 49:10, Pete refers to a particularly egregious example of racism experienced by Danielle   At about 49:55, Danielle speaks to the “psychological warfare” of the publishing/fashion worlds, and its similarities to high school dramas, and she Pete discuss how society and these worlds often mirror each other   At about 51:00, Pete is highly complimentary of Danielle's honesty in her book and Danielle speaks about what she might tell her younger self and other younger people about ways to find more peace   At about 54:40, Pete and Danielle reflect on ideas of perpetuating racism through societal norms   At about 55:55, Danielle shares edifying reader feedback she's gotten regarding the book   At about 56:35, Danielle shares an exciting future project she's working on   At about 58:20, Danielle provides social media and contact info  You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   Please tune in for Episode 172 with Robert Lopez. He is author of three novels, including Kamby Bolongo Mean River—named one of 25 important books of the decade by HTML Giant, All Back Full, two story collections, and a novel-in-stories, A Better Class Of People. The LA Times wrote, "Lopez has the ability to give readers whiplash with his unconventional and bewitching stories."  The episode will air on March 24.

Episode 170 Notes and Links to Richard T. Rodriguez's Work       On Episode 170 of The Chills at Will Podcast, Pete welcomes  Richard T. Rodriguez, and the two discuss, among other things, Richard's childhood full of voracious reading and master wordsmiths in his family, books and media and music that spoke to him and speaks to him, evolving ideas of Chicanismo, masters of Chicanx literature and music and cultural studies, and the seven songs/chapters that constitute his stellar book and build upon ideas of “touch” and a “kiss across the ocean.”      Richard T. Rodríguez is Professor of Media and Cultural Studies and English at the University of California, Riverside. He specializes in Latina/o/x literary and cultural studies, film and visual culture, and gender and sexuality studies, and holds additional interests in transnational cultural studies, popular music studies, and comparative ethnic studies. The author of Next of Kin: The Family in Chicano/a Cultural Politics (Duke University Press, 2009), which won the 2011 National Association for Chicana and Chicano Studies Book Award, and A Kiss across the Ocean: Transatlantic Intimacies of British Post-Punk and U.S. Latinidad (Duke University Press, 2022), he is currently completing Undocumented Desires: Fantasies of Latino Male Sexuality. The 2019 recipient of the Richard A. Yarborough Mentoring Award, granted by the Minority Scholars' Committee of the American Studies Association, he is the co-principal investigator on a University of California MRPI grant titled "The Global Latinidades Project: Globalizing Latinx Studies for the Next Millennium." His show, "Dr. Ricky on the Radio," can be heard weekly on KUCR.  Buy A Kiss Across the Ocean:  Transatlantic Intimacies of British Post-Punk and U.S. Latinidad   Richard T. Rodriguez's University of California at Riverside Page   Razorcake Review and Summary of A Kiss Across the Ocean     At about 8:00, Richard talks about growing up and his relationship with language and the written word, including the impacts from his parents, who were “wordsmiths” and bilingual    At about 9:45, Richard shouts out Phuc Tran's Sigh, Gone in describing his own reading and childhood experiences   At about 10:45, Richard discusses his college years at Cal Berkeley, and the huge impact June Jordan and Yusef  Komunyaaka had on him   At about 13:00, Richard responds to Pete's question about ideas of representation in what Richard read growing up-he points out Victor Villaseñor and Alfred Arteaga, among others   At about 14:40, Pete and Richard discuss the power of Villarreal's Pocho   At about 16:20, Pete asks Richard about evolving ideas/definitions for “Chicano”   At about 18:35, Richard responds to Pete asking about any “ ‘Eureka' moments” and how James Clifford in grad school helped him with a “reassessment of language”   At about 20:25, Richard talks about who and what he's teaching as a college professor, including work by Alex Espinoza, Phuc Tran, and James Spooner    At about 24:05, Pete lays out some of the power of the beginning of the book and asks Richard about how he “saw the world anew” through Boy George and other musicians; he mentions how the music informed his reading and art intake   At about 27:10, Richard describes what spoke to him about Johnny Rotten's quote about hanging out with Chicanos in SoCal   At about 28:30, Francesca Royster and Carl Stanley and others are referenced as Richard describes what was going on in the world and in his life as impetus for writing the book   At about 30:45, the two discuss teenage years and why they are such “prime” years for music celebration and exploration    At about 33:20, Melissa Mora Hidalgo, with Mozlandia, and Gustavo Arellano are shouted out as models for Richard's work   At about 35:50, Richard explains “post-punk” and “new-wave” and how he wanted to “reclaim ‘post-punk' ”   At about 38:15, Pete lays out the structure of the book, compliments its melding of academic and poetic writing, and asks about “goth”-its definition(s) and connections to the focus of Chapter One-Siouxsie and the Banshees   At about 41:40, Richard comments on Kid Congo Powers and his important connections to SoCal Chicano culture and to the Cramps/Siouxsie   At about 43:00, Pete asks Richard to explain his specific use of “touch” in the book   At about 45:20, Richard describes how Latinx writers have been touched by Siouxsie and the Banshees, often referencing the band in their work   At about 46:20, Richard describes his meeting with/touch by Siouxsie   At about 46:45, Richard describes Adam Ant and his connection to Chapter Two's “Prince Charming,” with both being “two-sided”   At about 49:40, Chapter Three, Bauhaus, and ideas and possibilities of “goth” as racially diverse; the two discuss Myriam Gurba's work on the general topic and Love and Rockets as a mutual   At about 54:15, Chapter Four is discussed with “Latina queer sensibilities” as a main focus and Marc Almond's connections to John Rechy's work   At about 59:10, The two talk about “othering” and exoticization that comes from    At about 1:01:00, Ideas of “secondhand” and history and zoot suits and masculinity are discussed, topics from the book's Chapter Five   At about 1:04:45, Richard examines conversations around cultural appropriation and Chris Sullivan's work with the zoot suit and “Latin” music   At about 1:07:05, The two talk about Chapter Six and Pete compliments Richard's melding of personal and cultural; the chapter deals with “Mexican Americanos” and Frankie Goes to Hollywood, in addition to lead singer Holly Johnson's solo work   At about 1:12:30, Richard gives background on The Pet Shop Boys and their work with hip hop and freestyle music and the connections between freestyle music and Latinx artists   At about 1:15:50, Pete uses an example of “authenticity” that Richard analyzes so skillfully as an example of ignorance   At about 1:16:50, Richard speaks to the book's conclusion and the greatness possible through tribute bands in “translating” and “regenerating” music   At about 1:20:10, Richard calls attention to Orange County's Ghost Town   At about 1:21:45, Richard talks about future projects   At about 1:22:50, Tainted Love shoutout!   At about 1:23:45, Richard recommends LibroMobile, City Lights Bookstore, and other places to buy his book and gives his social media info      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   Please tune in for Episode 171 with Danielle Prescod. Danielle is an author, content creator, and journalist. Danielle Prescod is a fifteen-year veteran of the beauty and fashion industry and a graduate of NYU's Gallatin School of Individualized Study. A lifelong fashion obsessive, she was most recently the style director of BET.com. Her book, Token Black Girl, is part memoir, part narrative nonfiction and an exploration of the ways that modern media can influence one's self-esteem.    The episode will air on March 21.

Join Susan as she interviews Jordan Scott, the founder of a revolutionary new decision-making tool for individuals and teams called Cobble. In this episode, Jordan shares her journey of growing her audience to 50,000 people and how she raised money for her company by pitching a big idea with passion and a relatable problem statement. Jordan also shares valuable insights on how to approach VCs and the importance of having a strong runway and being in a position of power during fundraising. This episode is a must-listen for entrepreneurs looking to raise capital and grow their businesses.   About Jordan: Jordan graduated from NYU's Gallatin School of Individualized Study in 2015. Before launching her startup, she began her career as a news associate at CBS This Morning. Jordan has been profiled in the New York Times, Forbes, FOX 5 Good Day New York, and more. She has won the NYU & New York Jets No Huddle Challenge and Entrepreneur Magazine's LIVE 5-minute pitch competition. To date, Jordan has raised $3.3 million in seed funding, growing Cobble to tens of thousands of users who have swiped over 2M times on curated places and experiences in-app. Cobble is quickly expanding to new cities, optimizing decision-making functionality, and more.   Connect With Jordan: Website: https://www.trycobble.com/ LinkedIn: https://www.linkedin.com/in/jordan-scott-354aa458/ Twitter: https://twitter.com/trycobble Facebook: https://www.facebook.com/trycobble Instagram: https://www.instagram.com/trycobble/   About The Host:  Susan Sly is the Cofounder and Co-CEO of RadiusAI, a tech investor, best-selling author, keynote speaker, entrepreneur, and host of the highly acclaimed podcast – Raw and Real Entrepreneurship. Susan has appeared on CNN, CNBC, Fox, Lifetime Television, The CBN, The Morning Show in Australia and been quoted in MarketWatch, Yahoo Finance, Forbes, and more. She holds Certificates in Management and Leadership, Technology and Operations, and Strategy and Innovation from MIT. Susan is the author of 7 books. Her book project with NY Times Best Selling Author, Jack Canfield, made six Amazon Best Selling lists.   Connect With Susan: Twitter: https://twitter.com/Susanslylive LinkedIn: https://www.linkedin.com/in/susansly

Nzingha Stewart is an NAACP Image Award-nominated director. A graduate of NYU, she started her career in music videos, shooting for artists like Common, Eve, Jay-Z, and 50 Cent, before going on to a successful career as a commercial director. Then transitioned to film and television where her work includes the Emmy-Nominated limited series Inventing Anna, Maid, and Little Fires Everywhere as well as Grey's Anatomy, Scandal, How to Get Away with Murder, and Netflix's Tall Girl. She is the producing director and co-executive producer on From Scratch. Nzingha is someone I admire for her vision, sublime creative sensibilities, her leadership as a female producer, and her big heart. There is no one you'd rather go to dinner with than Nzingha, she will make you try everything and order double desserts. I love her “yes, and” approach to life. You can see her vision and heart all over the first episode of From Scratch. About the Guest: Nzingha Stewart attended NYU's Gallatin School and upon graduation went on to shoot over a hundred music videos for artists like Common, Eve, Jay-Z, and 50 Cent breaking down barriers for women of color in the music video world along the way. An equally in-demand commercial director, Nzingha has also filmed clips for ESPN, McDonald's, and Coors Light among others. Having recently directed episodes of Little Fires Everywhere, Black Monday, Greys Anatomy, A Million Little Things, Good Girls, Scandal, How To Get Away With Murder, the Netflix hit feature film Tall Girl, and Shonda Rhimes upcoming series Inventing Anna, she has also proven herself as a writer, having written With This Ring and The Tenth Date (Lifetime/ A+E Networks) which she also directed. Both movies were ratings hits for the network and With This Ring went on to be nominated for three NAACP awards and won the Women In Film Award for Best Television Movie. Nzingha is the executive producer of Netflix's From Scratch. Recently, she was the executive producer of Daisy Jones and the Six for Amazon and Hello Sunshine.  She sold her co-written script, Bad Ass Biker Chicks of Marrakech to Wayfarer for which she is also set to direct. Next up on the directing front is the feature film Life in Motion, a biopic about powerhouse prima ballerina Misty Copeland. http://www.nzinghastewart.com Stay in Touch: IG: @liftedpod @tembilocke Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today's guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University's English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare's England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University's English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare's England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today's guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University's English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare's England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

You are going to love hearing the story of how Alice's Farm, A Rabbits' Tale came to life through the imagination of Maryrose Wood!  I'm absolutely over the moon in love with the imagery in this story.  The theme of the interconnectedness we share between humans, animals, and nature is beautiful.  This book is a great reminder that even the most vulnerable have the capability of making big changes.  And whether we see eye to eye in real life, we can all set our differences aside to make positive strides toward the common good.You can enter for a chance to win a signed copy of Alice's Farm by signing up for the email list at TeamKindHumans!According to maryrose.com, "Maryrose's latest book is Alice's Farm, A Rabbits' Tale, a critically lauded middle-grade novel which the New York Times called “delightful and quirky and full of good will…necessary for some kids right now.” This tale of a wild rabbit who joins forces with a human boy in order to save their shared farmland home was named a Charlotte Huck recommended book by the NCTE. Newbery medalist Rebecca Stead called it “tender and wonderful. It's a fantasy, it's real, it's just a joy. And absolutely a book for our times."Maryrose is best known as the author of The Incorrigible Children of Ashton Place, the acclaimed middle-grade series about a teenaged governess and her three raised-by-wolves pupils, published by Balzer + Bray. Titles in the six-book series have appeared on “Best Children's Books of the Year” lists from NPR, Christian Science Monitor, Kirkus, and others. They've been Junior Library Guild selections and received multiple starred reviews from Publishers Weekly, Kirkus Reviews, School Library Journal, and Booklist. (The fun with Miss Penelope Lumley and her wolfish pupils continues at The Swanburne Academy, an online community for incorrigibly curious families who love to learn and grow, together.)Maryrose has published seven novels for young adults, including My Life: The Musical (Delacorte) and Why I Let My Hair Grow Out (Berkley Books). Her personal essays and short fiction appear in Recycle This Book: 100 Top Children's Book Authors Tell You How to Go Green (Random House), Dear Bully: Seventy Authors Tell Their Stories (HarperCollins), Who Done It? (Soho Teen), and Starry-Eyed (Running Press).She started her creative career in the theater, appearing in the original Broadway cast of Merrily We Roll Along, the cult flop-turned-beloved Stephen Sondheim/George Furth musical featured in the 2016 documentary, Best Worst Thing That Ever Could Have Happened (now streaming on Netflix). She studied acting and film and television writing at NYU, and comedy writing and improv with the Groundlings. Her work as a lyricist/librettist for musical theatre has made her a three-time winner of the Richard Rodgers Award, administered by the American Academy of Arts and Letters.An unabashed story structure nerd, Maryrose is a deep believer in the power of well-structured, gorgeously written narratives to have a lasting impact. She offers training and mentorship for writers through her own program, called Path of the Storyteller. She's taught fiction writing at CUNY-Lehman College and NYU's Gallatin School, and is proud to serve on the faculty of the Stony Brook Children's Literature Fellows program.Maryrose is a native New Yorker with Long Island roots who now lives and writes in Southern California, delightfully near the beach. She has two grown offspring, two Bronx-born cats, and is working on something new. "

Darrel Alejandro Holnes is the author of the poetry collection Stepmotherland (University of Notre Dame Press). It is the winner of the Andres Montoya Poetry Prize. Holnes is an Afro-Panamanian American writer and is the recipient of a National Endowment for the Arts Literature Fellowship in Creative Writing (Poetry). His poems have previously appeared in the American Poetry Review, Poetry, Callaloo, Best American Experimental Writing, and elsewhere. Holnes is a Cave Canem and CantoMundo fellow who has earned scholarships to the Bread Loaf Writers' Conference, Fine Arts Work Center in Provincetown, Postgraduate Writers Conference at Vermont College of Fine Arts, and residencies nationwide, including a residency at MacDowell. His poem "Praise Song for My Mutilated World" won the C. P. Cavafy Poetry Prize from Poetry International. He is an assistant professor of English at Medgar Evers College, a senior college of the City University of New York (CUNY), where he teaches creative writing and playwriting, and a faculty member of the Gallatin School of Individualized Study at New York University. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this edition of Parallax Views, Hannah R. Gurman, historian and Clinical Associate Professor at New York University's Gallatin School of Individualized Study, joins us to discuss her Responsible Statecraft piece "‘Rambo' rides again? Switching roles and purifying souls in Ukraine". Said piece deals with the return of counterinsurgency in the post-War on Terror/post-Iraq War context of the Russian invasion of Ukraine and the U.S. response to it. Hannah analyzes this using the popular action film Rambo III, which infamously saw Sylvester Stallone's iconic John Rambo joining Afghanistan freedom fighter (or... the mujahadeen?) fight the Soviet Union and save his friend Col. Sam Trautman by joining a secret CIA mission. Hannah argues that Rambo III is is a piece of pop culture that relevant in understanding how Americans processed the Vietnam War in the decades following its failure. She then uses this to examine how counterinsurgency has returned with none other than the neoconservative hawk Eliot Cohen, a co-founder of the Project for American Century, as a proponent thanks to the Ukraine crisis. All that and much more in this fascinating conversation! In the second segment of the show, Jacobin staff writer and Yesterday's Man: The Case Against Joe Biden author Branko Marcetic joins me to discuss his article "We Have New Evidence of Saudi Involvement in 9/11, and Barely Anyone Cares". Branko covers how newly released FBI documents point towards some level of Saudi complicity in the September 11th, 2001 terrorist attacks. The prime figure that come up in the latest documents? Omar al-Bayoumi, a man who provided assistance to 9/11 hijackers in California and that is believed to have been associated with Saudi intelligence, and Prince Bandar bin Sultan, whose close relationship with President George W. Bush led to him being nicknamed "Prince Bandar Bush". In this conversation we discuss the seemingly explosive revelations in these documents as well as the media blackout on coverage of the topic, crisis in Yemen, why despots can get away with violations of international law and the mocking of its allies in a world driven by oil and gas, and much, much more.

This is the audio version of a panel discussion hosted on March 24 that explores the importance of physical mail in prison and how the prison industrial complex works to undermine imprisoned people's ability to meaningfully communicate with their loved ones. You can watch video of the panel here: https://www.beyond-prisons.com/home/video-why-physical-mail-matters Physical mail is a layered issue, and policies that eliminate physical mail are violent and cruel. They seek to destroy the loving and caring connections that people have. They “pile on” more separation than that which already exists and makes it even harder for people to remain in relationship and community with their support systems. They disproportionately affect poor people. They add another cost onto the already long list of things that prisoners and their loved ones pay for. They expand the surveillance mechanisms of the carceral state in ways that I'm not sure we have begun to grapple with. Letter writing has always been an important form of communication between prisoners and their loved ones. Eliminating physical mail reveals the inhumanity of this system and illustrates that incarceration has NOTHING to do with rehabilitation or preparing people to return to their communities, and EVERYTHING to do with using incarcerated people and their loved ones as revenue streams.   Letters exchanged between prisoners and loved ones offer a counter to the dehumanization that we experience. Letters, cards, drawings, and ephemera serve as proof of life in a system that seeks our erasure and death. These documents are how we build or rebuild relationships, how we share news (good, bad, and mundane), how we learn about the conditions inside, how prisoners are able to stay connected to the children and families that are outside, and how we prevent more harm.  Hosted by the Beyond Prisons Podcast, NYU Prison Education Program and Study and Struggle.  Introduction by Kim Wilson. Kim Wilson is an educator, self-taught artist, and cohost and producer of the Beyond Prisons podcast. Moderated by Charlotte Rosen. Charlotte Rosen is a PhD Candidate in History at Northwestern University and a member of Study and Struggle, which organizes against criminalization and incarceration in Mississippi through mutual aid, political education, and community building. Panelists: Monica Cosby. Monica describes herself as a “gramma trying to do liberatory stuff,” subscribing to an abolition feminist mode of thinking, being and moving in the world. Her life and work have been shaped and informed by  the communities to which she belongs, including the community of artists, scholars, moms with whom she was incarcerated, and whose survival was/is an act of resistance against a system that would dispose of them. As an advocate and activist, she has collaborated, organized, and worked with Westside Justice Center, Moms United Against Violence and Incarceration, Chicago Metropolitan Battered Women's Network, Unitarian Universalist Prison Ministry of Illinois, Women's Justice Institute, Uptown People's Law Center, and others. Monica is a scholar, thinker, and writer, having essays published or reprinted in TruthOut and In the Long Term (published by Haymarket Books). She also wrote Solitary Confinement is Used to Break People; On Leaving Prison: A Reflection on Entering and Exiting Communities; And, Restorative Revelations by Monica Cosby and Analise Buth–published in the St. Thomas Law Journal.   Lawrence Posey (He/Him). Lawrence is 44 years old and originally from Camden, New Jersey. He currently lives in the Bronx. He is a father of two children who are 18 and 15. He was previously incarcerated. Since his  release, he works as a manager at a company called Reserve Inc which is a covid-19 coalition. He is also a student at New York University studying at The Gallatin School of Individualized Study, majoring in Film and Business. He recently started his own publishing and production company called Legacy Works Enterprises. In addition to publishing, Legacy Works Enterprises focuses on youth educational programs and social justice. Lawrence is part of a social justice cohort At the Center for Employment Opportunities (CEO Works) where he organizes with the Participant Advocacy Council (PAC for short). The PAC cohort has lobbied with Communities Not Cages (CCA) which has fought to eliminate mandatory minimum sentencing,  and advocated for Second Look Act, the Earn Good Time Act, and the Clean Slate Act. Finally, PAC also is in association with Treatment Not Jail (TNJ), lobbying for mental health programs instead of prison.  Mychal Pagan. Mychal Pagan (BA '24) is a student at NYU, and  is curious about the relationships between perception, memory, and narration. He is fascinated by the process of merging poetry with filmmaking, and the art of social photography with data-driven storytelling. His writing and photography have been featured in NYU publications including The Gallatin Review, Confluence, Fire in the Lake, and Missives. And his short documentary series Afternotes can be viewed at the NYU's Prison Education Program website. Sergio Hyland (He/Him). Sergio recently returned to society after serving nearly 21 years straight. He is an abolitionist, and Editor-in-Chief of THE MOVEMENT Magazine, the official magazine of the Human Rights Coalition in Pennsylvania. He also works for the Abolitionist Law Center. Andre Pierce. Andre is a Black man that spent the last 25 years caged in Connecticut State prisons. He earned a Bachelor's Degree with a concentration in Philosophy. He writes,  “my strenuous efforts took place alongside my fight to maintain my sanity in a soul-crushing carceral institution.” He asserts that his extraordinary growth and development cannot be understood as rehabilitation but instead as Black Liberation. Dre, uses his intimate experience of suffering in prison to fuel his passion for prison abolition. Ellis Maxwell. Ellis Maxwell is an educator and community member in Fort Worth, Texas. They believe in making organic political education available to people of all ages, and seek to work with anyone willing to look at their conditioning and try to move differently. Ellis is the editor of the Beyond Prisons podcast. Maya Schenwar (She/Her). Maya is the editor-in-chief of Truthout. She is the co-author (with Victoria Law) of Prison by Any Other Name: The Harmful Consequences of Popular Reforms and author of Locked Down, Locked Out: Why Prison Doesn't Work and How We Can Do Better. She is also the co-editor (with Joe Macaré and Alana Yu-Lan Price) of Who Do You Serve, Who Do You Protect? Police Violence and Resistance in the United States. Maya is a co-founder of the Chicago Community Bond Fund, and she organizes with the abolitionist collective Love & Protect.  Episode Resources & Notes Watch video of the panel: https://www.beyond-prisons.com/home/video-why-physical-mail-matters Learn more about this issue and campaign: https://www.beyond-prisons.com/home/say-no-to-eliminating-physical-mail-in-delaware-prisons Credits Created and hosted by Kim Wilson and Brian Sonenstein Edited by Ellis Maxwell Website & volunteers managed by Victoria Nam Theme music by Jared Ware Support Beyond Prisons Visit our website at beyond-prisons.com Support our show and join us on Patreon. Check out our other donation options as well. Please listen, subscribe, and rate/review our podcast on Apple Podcast, Spotify, and Google Play Join our mailing list for updates on new episodes, events, and more Send tips, comments, and questions to beyondprisonspodcast@gmail.com Kim Wilson is available for speaking engagements and to facilitate workshops. Please contact beyondprisonspodcast@gmail.com for more information Twitter: @Beyond_Prison Facebook:@beyondprisonspodcast Instagram:@beyondprisons

About the guestInspired by sacred geometry, Jordann Wine draws on classical forms and patterns in her work to reference mathematical concepts that reflect the wonders of the universe. Working with the golden ratio, fractals, and gradients these geometric abstract paintings, drawings and murals connect to notions of deep space in time, as well as deep space found in meditation. Floating, falling, fading and unfolding patterns of triangles and circles mesmerize the viewer, evoking contemplation of the infinite. Seeking order out of chaos, and interrupting rigidity of order with slight imperfections in the repetition is central to the meditative nature of her practice and to the solace it intends to bring out in the hand-drawn imagery.  Along with her work in drawings, paintings and murals, Jordann has evolved her practice by introducing glitter. Glitter, commonly dismissed as an ordinary craft material, is elevated to a painterly standard as she foregrounds the material's inherent qualities of holding and releasing light. Making use of the medium's full range of iridescent, opaque, and translucent color qualities, she transforms the childish or garish reputation of glitter into a reflective cosmic field. Reflective surfaces instinctually remind people of water, the element most critical to survival. Glitter's shimmering surfaces, reminiscent of light hitting water, attracts the viewer into the work, evoking the appeal of both the movement of water as flow and the introspective quality of water as stillness. She holds a Bachelor of Arts from New York University; where she studied Sustainable Entrepreneurship in the Gallatin School of Individualized Study and minored in Studio Art. She continued her education at the Aegean Center for Fine Arts in Paros, Greece. Currently, based in Washington, DC, she has had solo exhibitions at Honfleur Gallery, George Mason University, and Strathmore Arts Center, as well as many national and international group exhibitions. She has murals throughout DC, Maryland, New York and Jamaica, working with among others: Facebook, the DC Commission of Arts and Humanities, POW! WOW! DC, Conrad Hotel, lululemon, and JBG. Her work has been purchased for private collections, including recent acquisitions for the permanent collections of the Kennedy Center, Capital One Café, DC Commission on the Arts and Humanities Art Bank, Lockheed Martin, Fairmont Hotel, Montefiore Hospital, and Booz Allen Hamilton.  She was a 2021, 2020 and 2019 recipient of the DC Commission on the Arts and Humanities Artist Fellowship grant.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture.Mentioned in this episode:Jordann WineTo find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode★ Support this podcast ★