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Picture it. You're about to dive into yet another strategy planning session with your team. You've got the flip charts, the markers, the frameworks, the best intentions… and a sinking feeling that this is going to end up just like last time—disconnected, circular, and unclear. Somewhere along the way, you've probably heard that storytelling can help. But not so fast. My guest today, Brett Davidson, is here to turn that idea on its head. He's the founder and principal of Wingseed, where he helps foundations and nonprofits around the world use narrative, storytelling, listening, and creativity for social justice. He also serves as the Narrative Lead at IRIS (International Resource for Impact and Storytelling), a donor collaborative advancing narrative strategies for impact. Brett brings a powerful reframe for how we think about storytelling in organizations—and it's one that will completely reshape how you approach strategy, identity, and meaning-making on your team. Before my conversation with Brett, I was an enthusiastic promoter of individual storytelling in organizations. But Brett helped me see the limits of that approach and the need to move from me stories to we stories—from storytelling to storylistening.
Today's guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University's English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare's England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today's guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University's English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare's England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University's English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare's England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Today's guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University's English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare's England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Today's guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University's English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare's England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's guest is Jenny Mann, who has a new book titled The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime (Princeton University Press, 2021). Jenny is Professor in both New York University's English Department and the Gallatin School, and her work has been supported by the Mellon Foundation and the Folger Shakespeare Library. She is the author of the previous monograph, Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare's England (Cornell University Press, 2012) and is the co-editor with Debapriya Sarkar of a special issue of Philological Quarterly on “Imagining Scientific Forms.” Additionally, Jenny works in collaboration with the Public Shakespeare Initiative at the Public Theater in New York. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
This week, Jann Arden welcomes media powerhouses Laura Brown and Kristina O'Neill, who discuss their new book, 'All the Cool Girls Get Fired.' The discussion revolves around the challenges women face in the workplace, particularly the stigma associated with being fired. They share personal stories about their career setbacks and reframe failure as an opportunity for growth. The conversation highlights the emotional impact of job loss, the significance of community support, and the need for women to own their narratives and embrace new opportunities. Ultimately, the episode serves as a reminder that setbacks can lead to new beginnings and that women are not alone in their struggles. They remind us all about the importance of self-worth, closure, and the power of experience. Laura Brown is the founder of LB Media, and the chair of (RED)'s Creative Council. She sits on the boards of (RED), The Fashion Trust US, and me too. Movement, and Foot Soldiers Park, Selma. Previously, she was editor-in-chief ofInStyle, executive editor of Harper's Bazaar, and senior editor at W. She earned her BA in arts and communication from Charles Sturt University in New South Wales, Australia. She lives in Manhattan with her husband. Kristina O'Neill is head of Sotheby's Media and editor in chief of Sotheby's Magazine. Previously, she served as editor in chief of WSJ. Magazine, executive editor at Harper's Bazaar, and worked at New York magazine and Time Out New York. O'Neill also serves on the board of Swedish fashion brand Toteme and is a City Meals ambassador. A graduate of NYU's Gallatin School of Individualized Study, she serves on the Gallatin Alumni Council. O'Neill lives in Brooklyn with her family. https://www.simonandschuster.ca/books/All-the-Cool-Girls-Get-Fired/Laura-Brown/9781668067451 Jann, Caitlin & Sarah take some time to debrief on the Toronto Blue Jays epic World Series run and Jann reminds us about the power of forgiveness as she spends a few minutes paying tribute to her former manager Neil, reflecting on the significance of mending relationships before it's too late. Chapters (00:00) Introduction to the Powerhouses (03:02) The Catalyst for Writing the Book (05:57) Navigating the Aftermath of Being Fired (08:49) Understanding Personal Value and Job Loss (12:00) Opportunities Arising from Setbacks (14:57) Reframing Work and Identity (18:03) Ageism and Career Transitions (21:04) The Parallel Between Work and Personal Relationships (22:05) The Tequila Soaked Goodbye Bash (24:02) The Importance of Closure in Layoffs (25:58) Dealing with Anger and Revenge (27:26) Removing Shame from Job Loss (30:05) A Moment to Celebrate the Toronto Blue Jays (40:28) Reframing Career Set Backs (43:36) Personal Growth Through Adversity (45:50) Remembering Neil McGonigal: A Tribute (50:25) The Importance of Closure and Forgiveness (51:26) Voicenotes & Patreon This Week This show is sponsored by BetterHelp. Give online therapy a try at https://betterhelp.com/jann and get 10% off your first month! #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! https://jannardenpod.com/voicemail/ Get access to bonus content and more on Patreon: https://patreon.com/JannArdenPod Connect with us: www.jannardenpod.com www.instagram.com/jannardenpod www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices
Join hosts J.D. Barker, Jena Brown, Kevin Tumlinson, and JP Rindfleisch as they discuss the week's entertainment news, including stories about Anthropic, Grok chats, and C-SPAN. Then, stick around for a chat with Brian McAuley!Brian McAuley grew up in Weird NJ on a steady diet of Goosebumps books and Are You Afraid of the Dark? episodes. He received his BA in Creative Writing and Horror Theory from NYU's Gallatin School of Individualized Study before getting his MFA in Film from Columbia University.As a WGA screenwriter, Brian has written five films for the Lifetime Network in addition to writing and producing the award-winning thriller Dismissed for BoulderLight Pictures. He sold his TV series pitch Affliction to Syfy Network in a pilot development deal and penned an episode of Fuller House for Netflix.Brian's debut novel Curse of the Reaper was named one of the Best Horror Books of 2022 by Esquire. His 2023 Christmas horror novella Candy Cain Kills received praise from Booklist, Library Journal, and Kirkus Reviews, leading to the 2024 sequel Candy Cain Kills Again: The Second Slaying.His new novel Breathe In, Bleed Out will publish on September 2nd, 2025 from Poisoned Pen Press. His short fiction and non-fiction have appeared in various magazines and anthologies.Brian teaches as a Clinical Assistant Professor of Screenwriting at the Sidney Poitier New American Film School of Arizona State University.
For this "Summer Best-Of" we've put together some of our favorite conversations our centennial series, 100 Years of 100 Things:Ashley Stimpson, Maryland-based freelance journalist who writes about science and conservation, takes us through the past 100 years of kids going to the woods for summer camp.Victoria Rosner, dean of the Gallatin School at NYU and the author of Machines for Living: Modernism and Domestic Life (Oxford University Press, 2020), talks about the post-World War I development of modernism (and post-modernism) across the arts and beyond.Maureen Corrigan, the book critic for Fresh Air, Georgetown professor and the author of So We Read On: How The Great Gatsby Came to Be and Why It Endures (Hachette, 2014), looks at the 1925 publication of the novel, The Great Gatsby, and why it continues to resonate with readers one hundred years later.Polo shirts, khaki shorts, and boat shoes: the classic uniform of elites on their days off. Avery Trufelman, host of the podcast Articles of Interest, delves into the last 100 years of preppies and their clothes. These interviews were polished up and edited for time, the original versions are available here:100 Years of 100 Things: Summer Camps (Aug 26, 2025)100 Years of 100 Things: Modernism (Jan 8, 2025)100 Years of 100 Things: The Great Gatsby (Jan 13, 2025)100 Years of 100 Things: Preppies and Their Clothes (Mar 26, 2025)
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.
The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference. Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference. Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference. Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference. Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology
The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference. Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives. Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University's Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming). Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press). Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Glowing Older, host Nancy Griffin interviews Paul Nagle, Executive Director of Stonewall Community Development Corporation. They discuss the unique challenges faced by LGBTQ seniors, including discrimination in housing and the need for innovative community-driven solutions. Paul shares his personal journey as a survivor of AIDS and his activism in creating supportive housing and care systems for LGBTQ older adults. The conversation highlights the importance of resilience, community, and advocacy in addressing the needs of this marginalized population as traditional long-term care systems face collapse.About Paul Paul has over 30 years in both nonprofit administration and LGBTQ+ activism and currently serves as the Founding Executive Director of Stonewall Community Development Corporation (Stonewall CDC) since 2015. Before joining Stonewall CDC, Paul was the Executive Director of Cultural Strategies Initiative Inc. (CSI), a program of Demos, established with a major grant from the Rockefeller Cultural Innovation Fund. The mission of this project was to strengthen art's central role in civic life, to enhance cultural, community, and environmental sustainability. Before that, as Director of Communications & Cultural Policy for NYC Councilmember Alan Gerson (2002-2010), Paul organized the hard-hit cultural community in District 1 and engaged them in crafting strategies to help preserve and revitalize the arts in Lower Manhattan in the wake of the 9/11 attacks. His community-generated plan, Campuses & Corridors, served as the blueprint for a partnership between the Mayor, the Council Speaker and the Councilmember that was very successful in providing targeted capital and programmatic investments to restore the sector and convince the Lower Manhattan Development Corporation to grant $70 million to small to mid-sized arts organizations. Paul earned both of his degrees from the Gallatin School at New York University, graduating summa cum laudefrom the bachelor's program. He earned his masters' degree at age 49 in 2007. An abridged version of his master's thesis, Room for Creativity – the Role of Artists' Live/work Space in the New Economy, was published in The International Journal of the Arts in Society.Key Takeaways Stonewall Community Development Corporation focuses on housing and care for LGBTQ older adults. The organization has successfully placed over 1,400 families in permanent housing.Discrimination against LGBTQ individuals in housing isprevalent and often overlooked. Community generated systems of care are essential for LGBTQ seniors.The traditional long-term care system is collapsing due to outdated policies and low wages. Building networks of care is crucial for community resilience.
As our centennial series continues, Victoria Rosner, dean of the Gallatin School at NYU and the author of Machines for Living: Modernism and Domestic Life (Oxford University Press, 2020), talks about the post-World War I development of modernism (and post-modernism) across the arts and beyond.
Cherry Lou Sy is a writer and playwright originally from the Philippines and currently based in Brooklyn, NY. She received her BA at the Gallatin School of Individualized Study at NYU and her MFA in playwriting from Brooklyn College, where she has been an adjunct lecturer in the English and American Studies departments. Cherry is also a teacher with PEN America's DREAMing Out Loud. She has received fellowships and residencies from VONA, Tin House, and elsewhere. Love Can't Feed You is her debut novel.
Ep 58: Hosting with Heart: Breaking the Rules of Traditional Entertaining“The heart of hospitality isn't about impressing others but making them feel welcome.”— Saanya AliSummary of the episodeWelcome back to episode 58 of nosyAF!In this episode of nosyAF: Conversations About Art, Activism, and Social Change, host Stephanie sits down with Saanya Ali, founder of Soiree, to discuss how she is hosting with heart and redefining hospitality through her creative and joyful approach to gatherings. Saanya shares how hosting can move beyond stress and formality, focusing instead on connection and generosity. From her international upbringing to her passion for food and community, Saanya highlights how hospitality can be as simple as pizza on the floor with friends, emphasizing that the experience is about people, not perfection.Topics discussed:
A year ago, the world was shaken when Hamas militants entered Israel, resulting in the deaths of approximately 1,200 people and the kidnapping of hundreds more. It was one of the most devastating days for Israelis and Jewish communities around the world in decades. In the immediate hours after that attack, Israel launched an invasion of Gaza, resulting in the deaths of at least 42,000 Palestinians and counting.Early on in the escalation of the war, two women came together to start having difficult dialogues in a moment of high emotions. Najla Said is an actor, author, activist and the daughter of renowned Palestinian intellectual Edward Said. Judith Sloan is an actor, radio producer and adjunct professor at New York University's Gallatin School of Individualized Study. They collaborated on a project they call “Imperfect Allies: Children of Opposite Sides.” In this episode, they join Notes from America guest host Suzanne Gaber to talk about their year-long work in progress that started as a discussion between two longtime-friends and evolved into a series of listening sessions around the country about the ongoing war in the Middle East. Plus, they give listeners advice on how to navigate difficult conversations about the conflict while managing immense trauma.Notes from America is a 2024 Signal Awards finalist! Community voting is now open for the show to earn a Listener's Choice honor for Best Live Podcast Recording, and we would be honored for you to take a minute to cast a vote our way. Click here to vote through October 17, and thank you for listening and supporting Notes from America! Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
Matthew Friend is an old soul living inside a 23-year-old comedian/actor/impressionist's body. Matthew graduated from NYU's Gallatin School in 2020, but his love of comedy and entertainment was sparked when he was four years old. He had watched Austin Powers (yes, as a four-year-old) and started mimicking the characters' voices-and the rest was history. To date, Matthew has over 400K followers on TikTok. He has appeared on the Today Show, Jimmy Kimmel Live, NBC's New York Live TV, Good Day LA, Good Day NY, Good Morning Washington, and WGN. In 2019, Matthew won Kenan Thompson's Ultimate Comedy Experience at Carolines on Broadway. His professional experience includes hosting HQ Trivia, performing at corporate events, and doing stand-up comedy throughout the country. Matthew's repertoire includes more than 250 impressions ranging from Rami Malek to Timothee Chalamet. His favorite to do right now is Jennifer Coolidge. Go to lumen.me/BEAT to get 15% off your Lumen. SAVE THIRTY PERCENT SITEWIDE, RIGHT NOW during Tommy John's BIG Labor Day Sale, at TommyJohn.com/COHEN. Learn more about your ad choices. Visit megaphone.fm/adchoices
In podcast 51, I have a personal and intimate conversation with Dani Beinstein about navigating significant life transitions through the lens of Astrology. We delve into the beauty of change, embracing age, and the unexpected life.Danielle Beinstein, MA, is a psychological and intuitive counseling astrologer based in Nashville. Born and raised in NYC, she received BA from NYU's Gallatin School of Individualized Study, where she crafted a major in Humanities, Literature and Art History in 2003. After moving to Los Angeles and working in Hollywood and Tech, she returned to school, completing her Masters in Spiritual Psychology with an Emphasis in Consciousness, Health and Healing in 2014. She offers ongoing private and group consults and facilitation, as well as circles and retreats. You can connect with Danielle and learn more about her offerings at www.daniellebeinstein.com and for more regular astrological musings, you can follow her on Instagram @DaniBeinsteinSeeking to deeply ground in nutrition through the various transitions in your life? I offer a 12 week group for ladies - the last one of the year starts in Sept. More info here www.youregreat.com/the-bean-protocoland follow me on IG @uniquehammond
Over more than half a century as an editor at Knopf, Judith Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. But although I was an English major, I first learned of Judith Jones years later, when I realized that Edna Lewis, M.F.K. Fisher, Claudia Roden, Madhur Jaffrey, James Beard, and, most famously, Julia Child, all had the same editor -- her. Judith celebrated the art and pleasures of cooking and culinary diversity, and in the process changed the way Americans think about food. Sara Franklin's new book, The Editor, is a highly anticipated biography of Judith that details her astonishing career, and it is my suggestion for a perfect summer read. Sara is a writer and editor in her own right with bylines including The New York Times, The Washington Post, and The Nation. In this conversation, we delve into the nature of serious cookbooks, the art and craft of recipe writing, and the cultural significance of writing about food. Sara writes and teaches at New York University's Gallatin School for Individualized Study, so this conversation with me was via zoom from her home in Kingston, NY. Other episodes related to this one: Jacques Pépin, Chef, Author & Television Personality (Madison, CT) Southern Fork Sustenance: A Conversation with MacArthur Fellow J. Drew Lanham about SC Barbecue & Beyond
You may not know the name Judith Jones, but you've certainly felt this dynamic woman's impact and influence on culture. Judith Jones was the editor behind books like The Diary of Anne Frank and Mastering the Art of French Cooking by Julia Child; she was also behind authors like Sylvia Plath, John Updike, Langston Hughes, Sharon Olds, and so many others. Her work, as our guest today writes in her new book, was “unrivaled in the industry.” Book editors are kind of shadow figures—they're behind-the-scenes, unsung heroes, who, as Sara B. Franklin writes in her book The Editor: How Judith Jones Shaped Culture in America, which came out on May 28, are people who “work in the service of their authors, not themselves, and their touch is meant to be difficult, if not impossible, for readers to see”—a bit of an invisible hand, if you will. Judith Jones rose through the ranks of publishing when it was very much an industry still dominated by men; one of her gifts was the ability to see talent in women writers, especially women writers many had overlooked. It's hard to believe that, for example, publishers weren't chomping at the bit for the works of Anne Frank or Julia Child, but they weren't; it was Judith who saw their books through to the finish line. She is most associated with cookbooks, and Sara writes that Judith may never have fully gotten the respect she so deserved because “books about food were (and to some extent still are) treated with an air of condescension by the literary world.” Sara and I talk about that on the show today, as well as topics like Judith's portrayal in the 2009 Nora Ephron film Julie & Julia—which Judith didn't like so much—and some of Judith's misses, like with the aforementioned Sylvia Plath and The Bell Jar. Through Sara's book, Judith emerges from the shadows to the spotlight—the amount of passion and dedication Sara put into this bestselling book is remarkable. I can't wait for you to meet Sara and, through her, meet Judith. A little about Sara: she is a writer, teacher, and oral historian who teaches courses on food, writing, embodied culture, and oral history at NYU's Gallatin School of Individualized Study. In addition to writing The Editor, she also edited Edna Lewis, co-authored The Phenicia Diner Cookbook, and holds a PhD in food studies from NYU and studied documentary storytelling at both the Duke Center for Documentary Studies and the Salt Institute for Documentary Studies. Take a listen to our conversation. The Editor: How Judith Jones Shaped Culture in America by Sara B. Franklin
How Publishing Legend Judith Jones Shaped Culture in America Sarah B. Franklin Come join us as food historian and author Sara Franklin gives insight into Judith Jones, the visionary behind some of the most important authors of the 20th century, including Julia Child, Anne Frank, John Updike and Sylvia Plath. This iconic editor finally gets her due in Ms. Franklin's newly released book, The Editor. Ms. Franklin recounts that when Judith Jones began working at Doubleday's Paris office in 1949, the then twenty-five-year-old spent most of her time wading through manuscripts in the slush pile and passing on projects—until one day, a manuscript caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of Jones' culture-defining career in publishing. Jones moved to Knopf publishing, and during her more than fifty years at that company, she published the who's who of food writing, including Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, Joan Nathan, and, most famously, Julia Child. Jones helped turn these authors into household names and changed the way Americans think about food, cooking, and culinary diversity. Ms. Franklin became friendly with Ms. Jones, conducted numerous interviews with her and studied her personal papers. And now she wants to share the life of one of our country's most influential tastemakers. Biography: Sara B. Franklin received a 2020–2021 National Endowment for the Humanities (NEH) public scholars grant for her research on Judith Jones and teaches courses on food culture, writing, and oral history at NYU's Gallatin School for Individualized Study and via the NYU Prison Education Initiative at Wallkill Correctional Facility. She is the author of Edna Lewis and The Phoenicia Diner Cookbook. She holds a PhD in food studies from NYU and studied documentary radio and nonfiction at both the Duke Center for Documentary Studies and the Salt Institute for Documentary Studies. SaraBFranklin.com. Recorded via Zoom on June 10, 2024 CONNECT WITH CULINARY HISTORIANS OF CHICAGO ✔ MEMBERSHIP https://culinaryhistorians.org/membership/ ✔ EMAIL LIST http://culinaryhistorians.org/join-our-email-list/ ✔ S U B S C R I B E https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ F A C E B O O K https://www.facebook.com/CulinaryHistoriansOfChicago ✔ PODCAST 2008 to Present https://culinaryhistorians.org/podcasts/ By Presenter https://culinaryhistorians.org/podcasts-by-presenter/ ✔ YOUTUBE https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ W E B S I T E https://www.CulinaryHistorians.org
Glenn Kurtz is the author of Three Minutes in Poland: Discovering a Lost World in a 1938 Family Film (Farrar, Straus & Giroux 2014), which was named a "Best Book of 2014" by The New Yorker, The Boston Globe, and National Public Radio. The Los Angeles Times called the book " breathtaking, " and it has received high critical praise in The Wall Street Journal, The Washington Post, The San Francisco Chronicle, The Chicago Tribune, and many other publications. A Dutch translation appeared in 2015. A documentary film based on Three Minutes in Poland is in production.A 2016 Guggenheim Foundation Fellow, he is a graduate of Tufts University, the New England Conservatory of Music, and holds a PhD from Stanford University in German studies and comparative literature. He has taught at Stanford University, San Francisco State University, and is currently on the faculty at The Gallatin School at New York University. He lives in New York City and is at work on a novel and a nonfiction project, both about the Empire State Building.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how photographs and film, specifically candid or vernacular documentation, captures history, the emotion of a moment before devastation, in the midst of tragedy and triumph, and in the common day-to-day of days long forgotten. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the project, Through Internees Eyes: Japanese American Incarceration Before and After.Guest: Glenn KurtzHosts: Jon-Barrett IngelsProduced by: Past Forward
Raymond P. Hammond is the editor-in-chief of both The New York Quarterly and NYQ Books. He holds an MA in American Poetry from NYU's Gallatin School and is the author of Poetic Amusement, a book of literary criticism. He lives in Beacon, NY with his wife, the poet Amanda J. Bradley, and their dog Hank. Find more information on Raymond, visit: https://raymondhammond.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a short poem that explores someone else's awe. Next Week's Prompt: Write a poem from the perspective of one of your childhood toys. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.
CJ LEEDE is a horror writer based in Los Angeles. Her debut novel, Maeve Fly, won this year's Octavia E. Butler 2023 Golden Poppy Award. CJ has an MFA in Creative Writing from Columbia University, and a BA from NYU's Gallatin School, where she studied Mythology and the Middle Ages. When she is not driving around the country, she can be found in LA with her boyfriend and rescue dogs. Village Well Books & Coffee is an independent book- and coffee-shop in the heart of downtown Culver City. Come through, grab a drink, and read a book! Check out our events! SHELF TALKERS is a podcast from Village Well Books & Coffee in downtown Culver City, CA, where we interview authors on their books, writing process, and what they are themselves reading. We release bi-weekly. The hosts are Village Well booksellers Julia Elizabeth Evans and Jared Kassebaum. Mentioned by CJ Leede in the episode: Story of the Eye by Georges Bataille Camp Damascus Night's Edge by Liz Kerin Jeff Morrical as our Culver & Duquesne community member recommendation: Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin
Dive into an electrifying journey of mind-bending possibilities with Matt, Gaby, and Philip on the latest episode of "What The If." This rollercoaster of intellectual exploration was sparked by a fascinating suggestion from Dean Victoria Rosner of the Gallatin School at NYU. Imagine a world where mind swaps are not just a sci-fi fantasy but a mind-twisting reality. Delve into the intriguing intricacies and ethical dilemmas posed by such an extraordinary concept. The trio navigates through a labyrinth of questions like the nature of identity, the relationship between mind and body, and the potential societal chaos in a world where mind-swapping is possible. Whether you're a science aficionado or simply love pondering the 'what-ifs' of our universe, this episode is a thrilling blend of humor, science, and imaginative speculation that will leave you questioning the very essence of self! --- Find out more about Gaby's science fiction short story! Here are the links for the anthology. The physical copy can be ordered here : https://www.neonhemlock.com/books/luminescent-machinations-queer-tales-of-monumental-invention The ebook can be ordered here: https://www.neonhemlock.com/ebooks/luminescent-machinations-queer-tales-of-monumental-invention
Bio: SCOTT HIGHTOWER is the author of four books of poetry in the US. He has published two bilingual collections in Spain. He is also the editor of the bi-lingual (English/Spanish) poetry anthology 2012 Women Rowing: Mujeres A Los Remos, Mantis Editores, Guadalajara, Mexico. Hightower's awards include a Hayden Carruth Book Award and a Barnstone Translation Prize. Originally from Texas, he has itinerantly sojourned in India, Italy, Spain, and now lives in Manhattan where he teaches at NYU's Gallatin School of Individualized Study. Scott will have his seventh book of poetry, Imperative to Spare, published by Rebel Satori Press in November of this year. It is a stunning portrait of grief prompted by the loss of his partner of over 40 years. It is his best collection yet and a remarkable contribution to contemporary American and LGBT poetry. Fellow poet and author of instead, it is dark Cynthia Hogue praised: “By turns poignantly honest and sardonically defiant, Hightower chronicles with rare brio the harrowing challenges of navigating the daily after his ‘worst fear' has happened…This necessary volume blazes a trail through despair to wisdom.” Email: shightower@nyc.rr.com Social Media https://wInstagram.com/shightower2018 https://www.facebook.com/es.torrealta https://en.wikipedia.org/wiki/Scott_Hightower
We discuss the fascinating world of psychotherapy, identity, and performance art with our guest, Sara London, M.A. Sara is a freelance journalist and author with a graduate degree from New York University's Gallatin School, specializing in psychoanalytic research.In an age where therapists are more public-facing than ever, Sara offers a unique perspective on the therapist's evolving role. In her debut book, "The Performance Therapist and Authentic Therapeutic Identity," Sara explores the intricate relationship between therapeutic identity and performance art.The Performance Therapist and Authentic Therapeutic Identity: Coming into Being - Sara LondonSara London | SubstackSara J. LondonNote: This podcast episode is designed solely for informational and educational purposes, without endorsing or promoting any specific medical treatments. We strongly advise consulting with a qualified healthcare professional before making any medical decisions or taking any actions.*If you are in crisis or believe you have an emergency, please contact your doctor or dial 911. If you are contemplating suicide, call 1-800-273-TALK to speak with a trained and skilled counselor.RADICALLY GENUINE PODCASTDr. Roger McFillin / Radically Genuine WebsiteYouTube @RadicallyGenuineDr. Roger McFillin (@DrMcFillin) / X (Twitter)Substack | Radically Genuine | Dr. Roger McFillinInstagram @radicallygenuineContact Radically Genuine—-----------FREE DOWNLOAD! DISTRESS TOLERANCE SKILLS—----------ADDITIONAL RESOURCES2:30 - APA Guidelines for the Optimal Use of Social Media in Professional Psychological Practice4:00 - Sara London and Stephanie Winn: A Moderated Discussion w/Heterodorx13:30 - Authenticity | Psychology Today18:00 - Psychoanalysis vs. psychodynamic therapy20:00 - Six Levels of Validation in DBT: From Awareness to Radical Genuineness30:30 - Jonathan Shedler, PhD: The 7 Principles Of Psychoanalytic Psychotherapy32:00 - Jonathan Shedler 2010: The Efficacy of Psychodynamic Psychotherapy35:00 - A randomized controlled trial of psychoanalytic psychotherapy or cognitive-behavioral therapy for bulimia nervosa39:00 - Accelerated Experiential Dynamic Psychotherapy (AEDP) | Psychology Today42:30 - Extremist - Definition, Meaning & Synonyms | Vocabulary.com48:30 - What is Tone of Voice? Social Media Marketing Definitions - SocialBee58:30 - 30 Best Hugo Ball Quotes With Image | Bookey59:00 - VOICE PIECE FOR SOPRANO & WISH TREE at MoMA, Summer 2010 by yoko ono1:05:00 - Why I Do Not Attend Case Conferences: Paul Meehl1:16:00 - Help, My Therapist Is Also an Influencer! | WIRED
Peder Anker is a historian of environmental sciences, specializing in the history of ecology and ecological architecture and design. Anker is currently a Professor of History of Science at the Gallatin School of Individualized Study at New York University. Book PDF Link: https://www.cambridge.org/core/services/aop-cambridge-core/content/view/7070AC66999C30D35EAE07F0A290963A/9781108477567AR.pdf/The_Power_of_the_Periphery.pdf?event-type=FTLA --- Become part of the Hermitix community: Hermitix Twitter - https://twitter.com/Hermitixpodcast Support Hermitix: Patreon - https://www.patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpod Hermitix Merchandise - http://teespring.com/stores/hermitix-2 Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74
Bradley Lewis works at the intersections of medicine, psychiatry, philosophy, the psychological humanities, mad studies, and disability studies, balancing roles as both a humanities professor and a practicing psychiatrist. Lewis earned degrees in psychiatry (MD) and Interdisciplinary Humanities (PhD) from George Washington University, and he currently holds an associate professorship at New York University's Gallatin School of Individualized Study. He also has affiliations with NYU's Department of Social and Cultural Analysis, the Department of Psychiatry, and the Disability Studies Minor. Additionally, he serves on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry, Narrative Psychiatry: How Stories Shape Clinical Practice, and Depression: Integrating Science, Culture, and Humanities. He has two books forthcoming: Experiencing Epiphanies in Literature and Cinema and a co-edited Mad Studies Reader. His writing offers unique insights into the hegemonic foundations of mental health and champions the role of narrative in therapy. His work also actively bridges the gap between academia and on-the-ground initiatives. A founding member of the Institute for the Development of Humane Arts (IDHA), Lewis champions a paradigm shift in mental health by facilitating collaboration between advocates, service users, and clinicians. His profound appreciation for the humanities guides his exploration of mental health, often through the lens of art and literature. By analyzing the lives of figures like Vincent Van Gogh or dissecting Chekhov's narratives, Lewis encourages us to rethink and expand our understanding of psychological experiences. Join us as we explore the philosophical foundations, practical implications, and transformative potential of his work. *** Thank you for being with us to listen to the podcast and read our articles this year. MIA is funded entirely by reader donations. If you value MIA, please help us continue to survive and grow. Mad in America podcasts and reports are made possible, in part, by a grant from the Thomas Jobe Fund. To find the Mad in America podcast on your preferred podcast player, click here
Join me as I talk with the lovely Bryanna Gary, creator of The Angry Noodle blog! Bryanna is a neurospicy rockstar who creates "silly little guys." She's a streamer, gamer and a badass. She is an alumna of NYU's Gallatin School of Individualized Study, where I also went. We love Bryanna, who also goes by Brie or Brioche. Here's more about The Angry Noodle: The Angry Noodle is a blog for all things writing, science fiction, fantasy, horror, worldbuilding, and more. I intended it to be a space for writers and readers of speculative fiction alike. On this little noodle site of mine, you'll find a wide range of speculative fiction content: worldbuilding, magicbuilding, writing advice, writing inspiration, science fiction and fantasy-themed personality quizzes, and more! https://theangrynoodle.com/ Support The Angry Noodle on Patreon! https://www.patreon.com/theangrynoodle
Jordan Scott is a decision-making entrepreneur and the female founder and CEO of Cobble, an app designed to help people make better, faster decisions together. On this episode of the Second Act Success Career Podcast, Jordan shares how she trusted her gut to leave the job she thought she wanted in TV News to take a leap of faith and pursue a career as a female founder. If you have had that dream, then listen on my friend!Jordan graduated from NYU's Gallatin School of Individualized Study in 2015. She began her career as a news associate at CBS This Morning before launching her startup. Jordan took an idea for a way to bring people together while they make plans together and turned it into a blog. From the blog, she designed an app and started crowdsourcing to bring Cobble to life. To date, Jordan has raised $3.3 million in seed funding, growing Cobble to tens of thousands of users who have swiped over 2M times on curated places and experiences in-app. Cobble is quickly expanding to new cities, optimizing decision-making functionality, and more. Jordan shares how she trusted her gut to leave the job she thought she wanted in TV News to take a leap of faith and pursue a career as a female founder. Listen to Shannon and Jordan's discussion on Episode #95 of the Second Act Success Career Podcast. SHOW NOTEShttps://secondactsuccess.co/95Connect with Jordan Scott:LinkedIn: https://www.linkedin.com/in/jordan-scott-354aa458/Website: https://www.trycobble.com/Twitter: https://twitter.com/trycobbleInstagram: https://www.instagram.com/trycobble/-------TAKE THE QUIZ!Is Now The Right Time To Change Careers? Take the Quiz! https://secondactsuccess.co/quizBook a FREE Discovery Call with host/career coach Shannon Russell - https://www.calendly.com/second-act-success/coaching-strategyBe a Guest For an On-Air Coaching Episode of the Podcast -https://airtable.com/shr3X7F3kHTi28G8ULET'S CONNECT!Instagram - https://instagram.com/secondactsuccessFacebook - https://www.facebook.com/secondactsuccess.coTikTok - https://www.tiktok.com/@secondactsuccessAll the latest - https://secondactsuccess.co/links REVIEW & SUBSCRIBE: https://podcasts.apple.com/us/podcast/second-act-success/id1617274364 JOIN THE NEWSLETTER:https://secondactsuccess.co Career Coaching with Shannon Russell - https://secondactsuccess.co/coaching
Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 730 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more 13 mins Matthew Friend is an old soul living inside a 24-year-old comedian/actor/impressionist's body. Matthew graduated from NYU's Gallatin School in 2020, but his love of comedy and entertainment was sparked when he was four years old. He had watched Austin Powers (yes, as a four-year-old) and started mimicking the characters' voices—and the rest was history. To date, Matthew has over a million followers across all social platforms: TikTok, Snap, Instagram, Twitter, and Facebook. He has appeared on The Howard Stern Show, the Today Show, Jimmy Kimmel Live, NBC's New York Live TV, Good Day LA, Good Day NY, Good Morning Washington, and WGN. In 2019, Matthew won Kenan Thompson's Ultimate Comedy Experience at Carolines on Broadway. Matthew performs at corporate events and does stand-up comedy throughout the country. Matthew's repertoire includes more than 250 impressions ranging from Rami Malek to Timothee Chalamet. His favorite impression at the moment is Jennifer Coolidge. Matt headlined a sold out crowd at Carolines on Broadway as part of Carolines' Breakout Artist Series. Matt has voiced two characters for The Simpsons and is currently in the process of recording original characters for Family Guy. Matt headlined at The Stand Comedy Club as part of the 2022 New York Comedy Festival. Matt is also a Snap Star, one of the fastest rising creators on Snapchat. 42 mins David Daley is a senior fellow for FairVote and the author of Ratf**ked: The True Story Behind the Secret Plan to Steal America's Democracy, which helped spark the recent drive to reform gerrymandering. Dave's second book, Unrigged: How Americans Are Battling Back to Save Democracy, chronicles the victories and defeats in state efforts to reform elections and uphold voting rights. A frequent lecturer and media source about gerrymandering, he is the former editor-in-chief of Salon.com, and the former CEO and publisher of the Connecticut News Project. He is a digital media fellow at the Wilson Center for the Humanities and the Grady School of Journalism at the University of Georgia. His work has appeared in the New Yorker, The Washington Post, The Guardian, New York magazine, the Atlantic, the Boston Globe, Rolling Stone, Details, and he's been on CNN and NPR. When writing for the Hartford Courant, he helped identify Mark Felt as the "Deep Throat" source for Bob Woodward and Carl Bernstein. Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe
Join host Susan Sly, a tech Co-Founder and mother of 4, as she interviews some incredible Mompreneurs who have defied the odds to build successful companies while raising their children. Learn the delicate balance they've struck between nurturing their businesses and their children. In this captivating compilation show, we bring you the best moments from previous episodes, featuring extraordinary women like Jordan Scott, the visionary Founder of Cobble, a groundbreaking decision-making tool to help teams collaborate. Also, prepare to be inspired by Bernadette Butler, the Co-Founder of StoryTap, who has harnessed the power of video storytelling to revolutionize the marketing world. And don't miss the insights from Estelle Giraud, the Co-Founder of Trellis Health, a company building smart, comprehensive health record systems. Whether you're a seasoned entrepreneur, a budding businesswoman, or simply seeking inspiration, this compilation show celebrates the strength, resilience, and unwavering spirit of Mompreneurs. About Jordan Scott: Jordan graduated from NYU's Gallatin School of Individualized Study in 2015. Before launching her startup, she began her career as a news associate at CBS This Morning. To date, Jordan has raised $3.3 million in seed funding, growing Cobble to tens of thousands of users who have swiped over 2M times on curated places and experiences in-app. Cobble is quickly expanding to new cities, optimizing decision-making functionality, and more. Connect with Jordan: Website: https://www.trycobble.com/ LinkedIn: @jordan-scott-354aa458/ Twitter: @trycobble Instagram: @trycobble/ About Bernadette Butler: Bernadette Butler is the co-founder of StoryTap Technologies, a video production company which has created and placed brand inspired videos that amass MILLIONS of views. She has been in the industry for 25 years and she brings a focus of empathy to her company culture. After creating a financial book club that grew to 500 members across 6 countries, Bernadette created StoryTap Technologies to be the first agency of its kind to make videos for brands, companies, and social media that share perspectives and experiences from across the world. Connect with Bernadette: Website: - https://storytap.com/ LinkedIn: - @butlerbernadette/ Twitter: - @storytapvideo Instagram: - @storytapvideo About Estelle Giraud: Estelle is a PhD scientist who has worked at the front line of emerging technologies in healthcare and genetics. She has always been passionate about improving human health and health data systems. It was while navigating her own pregnancy that she experienced frustrating gaps in her prenatal care as she was treated by different physicians. She co-founded Trellis Health, an all-in-one platform that leverages technology while restoring the sacred relationship between the physician and patient. Connect with Estelle: Instagram: @mytrellishealth/ Twitter: @mytrellishealth LinkedIn: @estelle-giraud/ Website: https://www.jointrellishealth.com/ About Susan Sly: Susan Sly is the Co-founder and Co-CEO of RadiusAI, a tech investor, best-selling author, keynote speaker, entrepreneur, and host of the highly acclaimed podcast – Raw and Real Entrepreneurship. Susan has appeared on CNN, CNBC, Fox, Lifetime Television, The CBN, The Morning Show in Australia and been quoted in MarketWatch, Yahoo Finance, Forbes, and more. She holds Certificates in Management and Leadership, Technology and Operations, and Strategy and Innovation from MIT. Susan is the author of 7 books. Her book project with NY Times Best Selling Author, Jack Canfield, made six Amazon Best Selling lists. Connect With Susan: Twitter @Susanslylive Twitter @rawandrealentr1 LinkedIn @susansly Facebook @susanslylive Website https://susansly.com/ Join the Insider's List: https://susansly.com/insider/
This week we have great guests including: Andy Cohen, Donald Trump, Andy Puddicombe... kidding it's all Matt Friend. He does impressions... and they're good btw!xoxoMatthew Friend is an old soul living inside a 23-year-old impressionist's body. Matthew graduated from NYU's Gallatin School in 2020, but his love of comedy and entertainment was sparked when he was four years old. He had watched Austin Powers (yes, as a four-year-old) and started mimicking the characters' voices—and the rest was history. To date, Matthew has almost 350K followers on TikTok. He has appeared on the Today Show, Jimmy Kimmel Live, NBC's New York Live TV, Good Day LA, Good Day NY, and WGN. In 2019, Matthew won Kenan Thompson's Ultimate Comedy Experience at Carolines on Broadway. His professional experience includes hosting HQ Trivia, performing at corporate events, and doing stand-up comedy throughout the country. Matthew's repertoire includes more than 250 impressions ranging from Rami Malek to Timothee Chalamet. His favorite to do right now is Jennifer Coolidge.
Episode 171 Notes and Links to Danielle Prescod's Work On Episode 171 of The Chills at Will Podcast, Pete welcomes Danielle Prescod, and the two discuss, among other things, Danielle's voracious reading as an adolescent and beyond, issues of body image in school and in the fashion world, her work in the fashion publishing world and how her personal experiences as recounted in her enthralling and enlightening Token Black Girl can be seen as microcosmic in relation to larger societal issues of racism, fatphobia, and misogyny. Danielle Prescod is an author, content creator, and journalist. She is also a fifteen-year veteran of the beauty and fashion industry and a graduate of NYU's Gallatin School of Individualized Study. A lifelong fashion obsessive, she was most recently the style director of BET.com. Her book, Token Black Girl, is part memoir, part narrative nonfiction and an exploration of the ways that modern media can influence one's self-esteem. Buy Token Black Girl Danielle Prescod's Website From Marie Claire: #Read with MC Review of Token Black Girl At about 7:00, Danielle talks about her prodigious reading and love of reading as a kid. At about 8:50, Danielle describes the feeling of seeing her book out in the world At about 10:00, Danielle charts some of that early reading-a lot of YA-Judy Blume, Pascal, V.C. Andrews, etc. At about 11:30, Pete asks Danielle about how she sees her childhood reading in hindsight, and she talks about ideas of representation and references a powerful quote from Tracee Ellis Ross At about 13:25, Danielle highlights Marley Dias and her incredibly impressive #1000blackgirlbooks project At about 16:20, Danielle talks about 2020 and the high amount of anti-racism books that came to prominence and how the white mainstream as an audience At about 17:55, Danielle speaks to the seeds for her career in fashion, and her love of writing and magazines At about 19:35, Pete lays out the book's introduction and he and Pete and Danielle discuss her focus on a 2003 magazine cover that was emblematic of ideas of erasure of women of color At about 21:20, The definitions and explanations of a “token white girl” are explained; Danielle speaks to assimilation and indoctrination as described in the book; Danielle talks about the “limiting” binary of racism At about 23:40, Danielle explains a “pretty naive concept” she had as a younger person At about 25:25, Danielle talks about racism when falsely viewed through a “nice/mean” dichotomy and the injurious effects of this mindset At about 28:40, Pete cites moving examples of racism experienced by Danielle's grandfather and asks her about how his experiences and her parents' experiences led to the ways she and her sister were raised and taught At about 30:10, Danielle responds to Pete's questions about racism and the ostensibly liberal environments she grew up in At about 33:45, Pete highlights Danielle's poetic language with a few examples regarding white supremacy and a fitting citing of Dubois; Danielle speaks to ideas of pressures in “representing” Black people At about 35:10, The two discuss Danielle's early environment at NYLON-and the greater societal environment- and how it affected her At about 38:00, Danielle speaks to allure of fashion and its attendant issues At about 40:00, Danielle gives an standout explanation of “fashion theory” and connects it to human history At about 43:20, Danielle and Pete discuss a pivotal scene from the book that deals with discussions on body image in a college class of hers At about 44:50, Danielle responds to Pete's questions about connections between problematic societal body image issues and features and media coverage and ideas of stakeholders At about 48:00, Pete compliments Danielle's depictions and personal story At about 49:10, Pete refers to a particularly egregious example of racism experienced by Danielle At about 49:55, Danielle speaks to the “psychological warfare” of the publishing/fashion worlds, and its similarities to high school dramas, and she Pete discuss how society and these worlds often mirror each other At about 51:00, Pete is highly complimentary of Danielle's honesty in her book and Danielle speaks about what she might tell her younger self and other younger people about ways to find more peace At about 54:40, Pete and Danielle reflect on ideas of perpetuating racism through societal norms At about 55:55, Danielle shares edifying reader feedback she's gotten regarding the book At about 56:35, Danielle shares an exciting future project she's working on At about 58:20, Danielle provides social media and contact info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 172 with Robert Lopez. He is author of three novels, including Kamby Bolongo Mean River—named one of 25 important books of the decade by HTML Giant, All Back Full, two story collections, and a novel-in-stories, A Better Class Of People. The LA Times wrote, "Lopez has the ability to give readers whiplash with his unconventional and bewitching stories." The episode will air on March 24.
Episode 170 Notes and Links to Richard T. Rodriguez's Work On Episode 170 of The Chills at Will Podcast, Pete welcomes Richard T. Rodriguez, and the two discuss, among other things, Richard's childhood full of voracious reading and master wordsmiths in his family, books and media and music that spoke to him and speaks to him, evolving ideas of Chicanismo, masters of Chicanx literature and music and cultural studies, and the seven songs/chapters that constitute his stellar book and build upon ideas of “touch” and a “kiss across the ocean.” Richard T. Rodríguez is Professor of Media and Cultural Studies and English at the University of California, Riverside. He specializes in Latina/o/x literary and cultural studies, film and visual culture, and gender and sexuality studies, and holds additional interests in transnational cultural studies, popular music studies, and comparative ethnic studies. The author of Next of Kin: The Family in Chicano/a Cultural Politics (Duke University Press, 2009), which won the 2011 National Association for Chicana and Chicano Studies Book Award, and A Kiss across the Ocean: Transatlantic Intimacies of British Post-Punk and U.S. Latinidad (Duke University Press, 2022), he is currently completing Undocumented Desires: Fantasies of Latino Male Sexuality. The 2019 recipient of the Richard A. Yarborough Mentoring Award, granted by the Minority Scholars' Committee of the American Studies Association, he is the co-principal investigator on a University of California MRPI grant titled "The Global Latinidades Project: Globalizing Latinx Studies for the Next Millennium." His show, "Dr. Ricky on the Radio," can be heard weekly on KUCR. Buy A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and U.S. Latinidad Richard T. Rodriguez's University of California at Riverside Page Razorcake Review and Summary of A Kiss Across the Ocean At about 8:00, Richard talks about growing up and his relationship with language and the written word, including the impacts from his parents, who were “wordsmiths” and bilingual At about 9:45, Richard shouts out Phuc Tran's Sigh, Gone in describing his own reading and childhood experiences At about 10:45, Richard discusses his college years at Cal Berkeley, and the huge impact June Jordan and Yusef Komunyaaka had on him At about 13:00, Richard responds to Pete's question about ideas of representation in what Richard read growing up-he points out Victor Villaseñor and Alfred Arteaga, among others At about 14:40, Pete and Richard discuss the power of Villarreal's Pocho At about 16:20, Pete asks Richard about evolving ideas/definitions for “Chicano” At about 18:35, Richard responds to Pete asking about any “ ‘Eureka' moments” and how James Clifford in grad school helped him with a “reassessment of language” At about 20:25, Richard talks about who and what he's teaching as a college professor, including work by Alex Espinoza, Phuc Tran, and James Spooner At about 24:05, Pete lays out some of the power of the beginning of the book and asks Richard about how he “saw the world anew” through Boy George and other musicians; he mentions how the music informed his reading and art intake At about 27:10, Richard describes what spoke to him about Johnny Rotten's quote about hanging out with Chicanos in SoCal At about 28:30, Francesca Royster and Carl Stanley and others are referenced as Richard describes what was going on in the world and in his life as impetus for writing the book At about 30:45, the two discuss teenage years and why they are such “prime” years for music celebration and exploration At about 33:20, Melissa Mora Hidalgo, with Mozlandia, and Gustavo Arellano are shouted out as models for Richard's work At about 35:50, Richard explains “post-punk” and “new-wave” and how he wanted to “reclaim ‘post-punk' ” At about 38:15, Pete lays out the structure of the book, compliments its melding of academic and poetic writing, and asks about “goth”-its definition(s) and connections to the focus of Chapter One-Siouxsie and the Banshees At about 41:40, Richard comments on Kid Congo Powers and his important connections to SoCal Chicano culture and to the Cramps/Siouxsie At about 43:00, Pete asks Richard to explain his specific use of “touch” in the book At about 45:20, Richard describes how Latinx writers have been touched by Siouxsie and the Banshees, often referencing the band in their work At about 46:20, Richard describes his meeting with/touch by Siouxsie At about 46:45, Richard describes Adam Ant and his connection to Chapter Two's “Prince Charming,” with both being “two-sided” At about 49:40, Chapter Three, Bauhaus, and ideas and possibilities of “goth” as racially diverse; the two discuss Myriam Gurba's work on the general topic and Love and Rockets as a mutual At about 54:15, Chapter Four is discussed with “Latina queer sensibilities” as a main focus and Marc Almond's connections to John Rechy's work At about 59:10, The two talk about “othering” and exoticization that comes from At about 1:01:00, Ideas of “secondhand” and history and zoot suits and masculinity are discussed, topics from the book's Chapter Five At about 1:04:45, Richard examines conversations around cultural appropriation and Chris Sullivan's work with the zoot suit and “Latin” music At about 1:07:05, The two talk about Chapter Six and Pete compliments Richard's melding of personal and cultural; the chapter deals with “Mexican Americanos” and Frankie Goes to Hollywood, in addition to lead singer Holly Johnson's solo work At about 1:12:30, Richard gives background on The Pet Shop Boys and their work with hip hop and freestyle music and the connections between freestyle music and Latinx artists At about 1:15:50, Pete uses an example of “authenticity” that Richard analyzes so skillfully as an example of ignorance At about 1:16:50, Richard speaks to the book's conclusion and the greatness possible through tribute bands in “translating” and “regenerating” music At about 1:20:10, Richard calls attention to Orange County's Ghost Town At about 1:21:45, Richard talks about future projects At about 1:22:50, Tainted Love shoutout! At about 1:23:45, Richard recommends LibroMobile, City Lights Bookstore, and other places to buy his book and gives his social media info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 171 with Danielle Prescod. Danielle is an author, content creator, and journalist. Danielle Prescod is a fifteen-year veteran of the beauty and fashion industry and a graduate of NYU's Gallatin School of Individualized Study. A lifelong fashion obsessive, she was most recently the style director of BET.com. Her book, Token Black Girl, is part memoir, part narrative nonfiction and an exploration of the ways that modern media can influence one's self-esteem. The episode will air on March 21.
Join Susan as she interviews Jordan Scott, the founder of a revolutionary new decision-making tool for individuals and teams called Cobble. In this episode, Jordan shares her journey of growing her audience to 50,000 people and how she raised money for her company by pitching a big idea with passion and a relatable problem statement. Jordan also shares valuable insights on how to approach VCs and the importance of having a strong runway and being in a position of power during fundraising. This episode is a must-listen for entrepreneurs looking to raise capital and grow their businesses. About Jordan: Jordan graduated from NYU's Gallatin School of Individualized Study in 2015. Before launching her startup, she began her career as a news associate at CBS This Morning. Jordan has been profiled in the New York Times, Forbes, FOX 5 Good Day New York, and more. She has won the NYU & New York Jets No Huddle Challenge and Entrepreneur Magazine's LIVE 5-minute pitch competition. To date, Jordan has raised $3.3 million in seed funding, growing Cobble to tens of thousands of users who have swiped over 2M times on curated places and experiences in-app. Cobble is quickly expanding to new cities, optimizing decision-making functionality, and more. Connect With Jordan: Website: https://www.trycobble.com/ LinkedIn: https://www.linkedin.com/in/jordan-scott-354aa458/ Twitter: https://twitter.com/trycobble Facebook: https://www.facebook.com/trycobble Instagram: https://www.instagram.com/trycobble/ About The Host: Susan Sly is the Cofounder and Co-CEO of RadiusAI, a tech investor, best-selling author, keynote speaker, entrepreneur, and host of the highly acclaimed podcast – Raw and Real Entrepreneurship. Susan has appeared on CNN, CNBC, Fox, Lifetime Television, The CBN, The Morning Show in Australia and been quoted in MarketWatch, Yahoo Finance, Forbes, and more. She holds Certificates in Management and Leadership, Technology and Operations, and Strategy and Innovation from MIT. Susan is the author of 7 books. Her book project with NY Times Best Selling Author, Jack Canfield, made six Amazon Best Selling lists. Connect With Susan: Twitter: https://twitter.com/Susanslylive LinkedIn: https://www.linkedin.com/in/susansly
Nzingha Stewart is an NAACP Image Award-nominated director. A graduate of NYU, she started her career in music videos, shooting for artists like Common, Eve, Jay-Z, and 50 Cent, before going on to a successful career as a commercial director. Then transitioned to film and television where her work includes the Emmy-Nominated limited series Inventing Anna, Maid, and Little Fires Everywhere as well as Grey's Anatomy, Scandal, How to Get Away with Murder, and Netflix's Tall Girl. She is the producing director and co-executive producer on From Scratch. Nzingha is someone I admire for her vision, sublime creative sensibilities, her leadership as a female producer, and her big heart. There is no one you'd rather go to dinner with than Nzingha, she will make you try everything and order double desserts. I love her “yes, and” approach to life. You can see her vision and heart all over the first episode of From Scratch. About the Guest: Nzingha Stewart attended NYU's Gallatin School and upon graduation went on to shoot over a hundred music videos for artists like Common, Eve, Jay-Z, and 50 Cent breaking down barriers for women of color in the music video world along the way. An equally in-demand commercial director, Nzingha has also filmed clips for ESPN, McDonald's, and Coors Light among others. Having recently directed episodes of Little Fires Everywhere, Black Monday, Greys Anatomy, A Million Little Things, Good Girls, Scandal, How To Get Away With Murder, the Netflix hit feature film Tall Girl, and Shonda Rhimes upcoming series Inventing Anna, she has also proven herself as a writer, having written With This Ring and The Tenth Date (Lifetime/ A+E Networks) which she also directed. Both movies were ratings hits for the network and With This Ring went on to be nominated for three NAACP awards and won the Women In Film Award for Best Television Movie. Nzingha is the executive producer of Netflix's From Scratch. Recently, she was the executive producer of Daisy Jones and the Six for Amazon and Hello Sunshine. She sold her co-written script, Bad Ass Biker Chicks of Marrakech to Wayfarer for which she is also set to direct. Next up on the directing front is the feature film Life in Motion, a biopic about powerhouse prima ballerina Misty Copeland. http://www.nzinghastewart.com Stay in Touch: IG: @liftedpod @tembilocke Learn more about your ad choices. Visit podcastchoices.com/adchoices
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