Podcasts about Compton Verney

After 150 episodes exploring engagement in museums and cultural organisations – including 101 solo episodes and 49 guest conversations – host Claire Bown shares 10 of the most powerful insights that have emerged over four years of thinking deeply about engagement principles and practices.For this milestone episode, Claire revisited the entire back catalogue, re-listening to past episodes and looking for patterns. What she found were 10 essential insights about engagement that can shift how we think, plan, and work in museums today.What comes through again and again is the power of simple, intentional adjustments. These are practical strategies you can try out straight away.Four years and 150 episodes of exploring what really works in museum engagement – distilled into 10 essential principles for anyone working in museum and heritage education.The Art Engager is written and presented by Claire Bown. Editing is by Matt Jacobs and Claire Bown. Music by Richard Bown. Support the show on Patreon.SHOWNOTESEvery single episode of The Art Engager podcast webpage: https://thinkingmuseum.com/every-single-episode-of-the-art-engager-podcast/‘The Art Engager: Reimagining Guided Experiences in Museums‘ is now available worldwide through your favourite online platforms and retailers. Buy it here on Amazon.com: https://tinyurl.com/buytheartengagerThe Art Engager book website: https://www.theartengager.com/Support the show with a simple monthly subscription on Patreon: https://www.patreon.com/c/TheArtEngagerMake a one-off donation: https://buymeacoffee.com/clairebownAll of the mentioned episodes:149 Art, Play and Joy at Compton Verney with Geraldine Collinge144 6 ways to create powerful connections in museum experiences137 How to use The Universal Questioning Practice136 What are Questioning Practices?131 Stimulating...

In this episode host Claire Bown talks with Geraldine Collinge, Chief Executive at Compton Verney, about their bold approach to creating genuinely engaging cultural spaces through play, accessibility and joy.Geraldine shares how this unique 'art space in a park' in Warwickshire brings together a historic Robert Adam mansion, 120 acres of Capability Brown landscape, and six distinctive collections ranging from Chinese bronzes to British folk art. She explains how Compton Verney's core values - particularly their inclusion of 'fun' - guide everything from exhibition design to community engagement initiatives.Listen to discover their multisensory approach to gallery spaces that incorporates touch, smell and sound, doubling visitor numbers to their Naples collection. Learn about their 'play first' philosophy that encourages visitors of all ages to engage meaningfully with art through creative exploration, and hear about their 97% discounted community passes that are breaking down barriers to access. Geraldine also shares insights into how they're connecting art and nature through immersive experiences like 'Breathing with the Forest,' creating what she describes as a restorative experience that ultimately delivers on their promise: giving visitors 'a day full of joy.'The Art Engager is written and presented by Claire Bown. Editing is by Matt Jacobs and Claire Bown. Music by Richard Bown. Support the show on Patreon and find more resources at thinkingmuseum.comSHOWNOTES https://www.comptonverney.org.uk/Breathing with the Forest (now closed) - https://www.comptonverney.org.uk/whats-on/breathing-with-the-forest/What we do - https://www.comptonverney.org.uk/our-story/what-we-do/Geraldine Collinge on LinkedIn: https://www.linkedin.com/in/geraldinecollinge/ ‘The Art Engager: Reimagining Guided Experiences in Museums‘ is now available worldwide through your favourite online platforms and retailers. Buy it here on Amazon.com: https://tinyurl.com/buytheartengagerThe Art Engager book website: https://www.theartengager.com/Support the show with a simple monthly subscription on Patreon: https://www.patreon.com/c/TheArtEngager

Laura dives into a case sent in by listener Emily, who works at Compton Verney in Warwickshire. This beautiful, historic manor was once the scene of a grisly murder involving two young lovers. Plus Iain has unearthed an unusual e-fit and a robbery involving 20,000 bees.Murder They Wrote with Laura Whitmore and Iain Stirling is available twice a week on BBC Sounds. Subscribe now so you never miss an episode. Email us at lauraandiain@bbc.co.uk.

Mark Hearld is an artist and designer who has a fascination with flora and fauna and has worked in a range of different media – including lithographic and linocut prints, painting, ceramics, textiles and tapestry. However, he is best known for his collage pieces. A graduate of Glasgow School of Art and the Royal College of Art, he has curated installations and exhibitions at York Art Gallery and Compton Verney and is an avid collector of objects. Over the years, he has been a huge advocate for the importance of mid-Twentieth century British artists such as Edward Bawden and Eric Ravillious and the role of craft in the fine art world. Another edition of Mark's book, Raucous Invention – The Joy of Making, will be published by Thames and Hudson in 2025. In this episode we talk about: his fascination with paper; his need to be around other people when he works; collaborating with Edinburgh's Dovecot Studios on a new series of tapestries; the process behind his collage work; the ‘mystery, poetry, joy and darkness' of Hans Christian Andersen; why collage is like stepping onto a dance floor; writing a collage manifesto; how edges contain exuberance; having imposter syndrome at the Royal College of Art; and swimming against the art world's tide for many years. Support the show

Artist and sculptor Permindar Kaur moves between the Black British Arts Movement, the Young British Artists (YBAs), and Barcelona in the 1990s, exploring the ambiguities of Indian and South Asian cultural identities, Nothing is Fixed is an idea that has grown from ⁠Permindar Kaur's 2022 exhibition at The Art House in Wakefield⁠. For their latest, in Southampton, the artist brings together the public and the private, transforming the various gallery spaces into bedrooms of a home. Beds, chairs, tables, and teddy bears - ambiguous, often unsettling, domestic objects - populate the space, as well as never-before-shown works on paper, which underline the role of drawing in their sculptural practice. Born in Britain to Sikh parents of Indian heritage, Permindar is often exhibited in the context of the Black British Arts Movement, showing with leading members of Blk Art Group like Eddie Chambers. The artist also describes their wider interactions with the ⁠YBAs, exhibitions in Japan, and influences from their formative years of practice in Barcelona, Spain, Canada, and Sweden. We discuss encounters with artists like Mona Hatoum and Eva Hesse, Helen Chadwick and Félix González-Torres, and more surrealist storytellers like Leonora Carrington and Paula Rego, alongside the material-focussed practices of Arte Povera. We trouble the category of ‘British Asian artists', exploring Permindar's work with and within particular Indian and Punjabi diasporic communities in Nottingham, Sheffield, and Glasgow, in Scotland. With series like Turbans, Permindar describes how their practice has changed over time, navigating questions of identity, representation, and the binary of non-/Western/European art practices. They share their research on a site-specific public sculpture for Southampton's yearly Mela Festival, a long-established event which represents, rather than ‘reclaims' space for, different South Asian cultures - and lifelong learning, from younger artists. Permindar Kaur: Nothing is Fixed ran at John Hansard Gallery in Southampton until September 2024, closing with the launch of an exhibition book of the same name, supported by Jhaveri Contemporary in Mumbai. Sculpture in the Park is on view at Compton Verney in Warwickshire until 2027. Kaur also presented work in A Spirit Inside, an exhibition of works from the Women's Art Collection and the Ingram Collection, at Compton Verney until September 2024. Bloomberg New Contemporaries 2024 opens in venues across Plymouth on 28 September 2024, and travels to the Institute of Contemporary Arts (ICA) in London from 15 January 2025. For more, you can read my article in gowithYamo. Hear curator Griselda Pollock, from ⁠Medium and Memory (2023)⁠ at HackelBury Fine Art in London: pod.link/1533637675/episode/37a51e9fab056d7b747f09f6020aa37e Read into Jasleen Kaur's practice, and the Turner Prize 2024, in gowithYamo: gowithyamo.com/blog/jasleen-kaur-interview And other artists connected to Glasgow, including Alia Syed (instagram.com/p/C--wHJsoFp6/?img_index=1), and ⁠Ingrid Pollard, in the episode from Carbon Slowly Turning (2022)⁠ at MK Gallery in Milton Keynes, the Turner Contemporary in Margate, and Tate Liverpool, and Invasion Ecology (2024): pod.link/1533637675/episode/4d74beaf7489c837185a37d397819fb8. For more about toys and unsettling ‘children's stories', hear Sequoia Danielle Barnes on Br'er Rabbit and the Tar Baby (2024) at Edinburgh Sculpture Workshop: pod.link/1533637675/episode/2b43d4e0319d49a76895b8750ade36f8 And listen out for more from Bloomberg New Contemporaries 2024 - coming soon. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠ And Twitter: ⁠twitter.com/jelsofron/status/1306563558063271936⁠ Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines

Artist Louise Bourgeois became a household name late on in her seven-decade long career, and is known best by many for her iconic spider sculptures. However, her body of work explores themes such as life cycles, nature, motherhood, and relationships. As part of its 20 Years of Compton Verney programme, the Warwickshire art gallery and stately home is showcasing Bourgeois' work in a new exhibition Louise Bourgeois: Nature Study. Jen caught up with CEO of Compton Verney, Geraldine Collinge, to chat about Bourgeois' life, work, and why she's so important, as well as how the venue is celebrating the 20th anniversary of opening its doors to the public. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mellany Robinson and Amy de la Haye are two of the trio responsible for the Making Mischief exhibition. Along with designer Simon Costin, they came up with the idea of bringing folk costumes together from all over the UK, first at Compton Verney in Warwickshire and then at the London College of Fashion's new building in Stratford for a second London-orientated show. In this interview they discuss their backgrounds and how they met and collaborated. Both have a particular interest in costumes worn by ordinary people for special events, particularly important days in the seasonal calendar. They also champion and value worn, mended and perished clothes.

Making Mischief Oral History Project Interviewee: Simon Costin Interviewer: Jessica Lloyd (+ questions from 4 other project volunteers) Recorded with volunteer group during an event at Compton Verney. Simon Costin discusses the exhibition from the Jack in the Green festival.

The Light of Asia: A History of Western Fascination with the East is the new book from New Generation Thinker and historian Christopher Harding. In Passions of the Soul, the former Archbishop of Canterbury Rowan Williams looks at the classics of Eastern Christian writing. At Compton Verney in Warwickshire, the artist Gayle Chong Kwan is preparing to unveil ‘shrines' made up of newly cast bronze offerings, incorporating references to Chinese, Taoist and Buddhist cultures, as well as focusing on ideas around food, soil and the body. Rana Mitter hosts the conversation.Producer: Julian SiddleThe Taotie runs at Compton Verney from 21 March 2024 – 31 March 2026 On the Free Thinking programme website you can find more collections of conversations exploring religious belief, and South and East Asian culture

Get comfy and lock in as we talk creativity, revolution and evolution with multifaceted performer and creator Akeim Toussaint Buck. Akeim is an interdisciplinary performer and maker, born in Jamaica and raised in England. His intention is to create moving, thought provoking, accessible and free-spirited projects calling on multiple art forms to tell the story. Audiences are invited to not just observe they are implicit in the experience. His work aims to reflect on reality, looking at ongoing socio- political issues, with a humanitarian intention. Mentions: Connect with Akeim: Website: toussainttomove.com FB, IG, Twitter: @toussainttomove   Element Arts: https://elementdance.co.uk/   Ecological Beings: https://www.instagram.com/p/CeqUMjgIaLt/?utm_source=ig_web_copy_link ‘Art is not a mirror to reflect reality, but a hammer with which to shape it.' Bertolt Brecht Beverley Thomas episode: https://open.spotify.com/episode/1rjHZ5Muz1iheyqUwSFN8I?si=a8de7be34b00472b The Arts Foundation Fellowship: https://artsfoundation.co.uk/ Compton Verney: https://www.comptonverney.org.uk/ Making Mischiefs Exhibition: https://www.comptonverney.org.uk/event/making-mischief-folk-costume-in-britain/ Isaac Ouro Gnao episode: https://open.spotify.com/episode/6C2fkbkBWNwjGgYTxS2GX6?si=2bae24aac8604355   Connect with us: Ama Rouge Website: www.wearewildwithin.com IG: @powerup.podcast @ama.rouge @wearewildwithin  LinkedIn: linkedin.com/in/ama-rouge-870b60138 FB: AmaRougemoves Twitter: @podcastpowerup   Ella Mesma Website: www.ellamesma.co.uk, www.mayagandaia.com,  LinkedIn: https://www.linkedin.com/in/ella-mesma-b6071320/ IG: @powerup.podcast @Ellamesma  FB:@EllaMesma  Twitter: @podcastpowerup   Music by Tomo Carter IG: @tomocarter   Everything else brought to you by us, the PowerUp! power team

For centuries, the name of an accomplished and popular portrait painter in the court of Elizabeth I has remained unknown. The renowned art historian Sir Roy Strong dubbed this artist the ‘Master of the Countess of Warwick' but his identity has remained a mystery - until now. A fascinating new exhibition presents his works side-by-side - and it proposes a name for this mysterious artist.In this episode of Not Just the Tudors, Professor Suzannah Lipscomb visits the exhibition at Compton Verney in Warwickshire to meet curator Amy Orrock and to find out more about the work - and probable life - of a great, forgotten painter.This episode was edited and produced by Rob Weinberg.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store Hosted on Acast. See acast.com/privacy for more information.

Alex Forsyth presents political debate and discussion from Compton Verney, Warwickshire

In the first episode of 2022, Ed and Charlotte set out to discover who the mystery man is taking Hollywood by storm. They talk to Londoner Alexa Jago who has produced a BAFTA-nominated mockumentary about Gatsby Randolph's astonishing rise to celebrity status. How did he do it? Find out by listening in to her and to Gatsby himself, all the way from LA. See the trailer on YouTube here. We chat to writer of epic historical blockbusters Kate Mosse about her eagerly anticipated latest novel The City of Tears, the second in The Burning Chamber series. It's a gripping family saga set over 300 years and ranging from France to South Africa. Kate also tells us why women, from Hilary Mantel to Maggie O'Farrell, make such brilliant historical novelists. And we transport you to Compton Verney, a beautiful grand house in Capability Brown parkland in Warwickshire, which is staging a fabulous exhibition of portraits painted by people who took part in the Sky Arts Portrait of the Year series. Expect to see a host of famous faces from Graham Norton to Michaela Cole. Exhibition 19th February. Book here. Produced by Audio Coast

The dining room at Windsor Castle holds one of Grinling Gibbons's carvings, others are found at churches including St Paul's Cathedral and the sculptor developed a kind of signature including peapods in many of his works. As an exhibition at Compton Verney explores his career: Matthew Sweet is joined by the curator Hannah Phillip, the artist and film-maker Alison Jackson who is known for working with lookalike performers. We also hear from artist Lucy McKenzie who has over 80 works on show at Tate Liverpool and Curator and New Generation Thinker Danielle Thom who has been collecting craft for the Museum of London. Grinling Gibbons: Centuries in the Making runs at Compton Verney until January 30th 2022. https://www.alison-jackson.co.uk/ Lucy McKenzie's work is on show at Tate Liverpool until 13 March 2022 comprising 80 works dating from 1997 to the present which include large-scale architectural paintings, illusionistic trompe l'oeil works, as well as fashion and design. https://daniellethom.com/bio Producer: Sofie Vilcins

Everybody's Talking about Jamie is a feature film based on the stage musical of the same name, which in turn was inspired by the BBC Three documentary Jamie: Drag Queen at 16. It centres on Jamie, a gay teenager from Sheffield who wants to attend his prom in drag. Ellen E Jones reviews. We talk to another of the authors shortlisted for the BBC National Short Story Award 2021. Rory Gleeson's story is called The Body Audit and in it a group of teenagers carry out a revealing ritual, with surprising results. Rory Gleeson is a novelist, playwright and screenwriter. Woodcarver Hugh Wedderburn, discusses the genius of this art, Grinling Gibbons, whose tercentenary is celebrated in a new exhibition at Compton Verney in Warwickshire. Main image above: Limewood carvings by Grinling Gibbons Image credit: Abingdon Town Hall

Compton Verney in Warwickshire has one of the finest collections of folk art in the UK. In this episode Director Julie Finch tells Ploy Radford why 'Schooner approaching the harbour' by Alfred Wallis, which is painted on a tea tray, is a piece of folk art that particularly resonates with her during the 2020 coronavirus pandemic lockdown. You can view an image of the painting on www.ployradford.com.

Colnaghi Foundation's latest podcast is a conversation about making art under lockdown, nudity and censorship in the 16th century and today, and more. With Amy Orrocks, curator of the new CRANACH: ARTIST AND INNOVATOR exhibition at Compton Verney, and Ishbel Myerscough, Claire Partington and Wolfe von Lenkiewicz, three of the contemporary artists whose work features alongside Cranach's.

The Nest is the new Sunday night drama on BBC1 that raises questions around the ethics of surrogacy as a wealthy couple invite a young woman whose past is not known to them into their lives. The Truth is a French/Japanese production directed by Hirokazu Kore-eda who won the Palme d'Or at Cannes in 2018 for his film Shoplifters. It stars Catherine Deneuve and Juliette Binoche in the story of an ageing actress who publishes her memoirs and is confronted by her daughter. Evie Wyld was named as one of Granta's Best of Young British Novelists in 2013. Her new novel, The Bass Rock, tells the story of three generations of women whose fates are linked. Two exhibitions at Compton Verney that have sadly had to close because of coronavirus are kept alive by our critics: Cranach: Artist and Innovator and Fabric: Touch and Identity. And we suggest some culture that might already be on your shelves or on a screen near you to enjoy if you're stuck indoors. Tom Sutcliffe's guests this week are Charlotte Mullins, Bob and Roberta Smith and Laurence Scott. Podcast Extra recommendations Bob: Paul Klee, On Modern Art Certain Blacks, album by The Art Ensemble of Chicago The Letters of Van Gogh Charlotte: The Gallery of Lost Art - as she explains, what's left of it can be found at galleryoflostart.com and via Tate website The West Wing Laurence: Star Trek: the Next Generation, all 7 seasons Tom: Contagion and, as always, Call My Agent Presenter: Tom Sutcliffe Producer: Sarah Johnson Image: Emily (SOPHIE RUNDLE) in The Nest Credit: Mark Mainz / Studio Lambert / BBC

Literary critics Arifa Akbar and Toby Lichtig dissect the longlist of the 2019 Booker Prize longlist. For the full list see below. Tea is the most widely-consumed drink after water. Julie Finch, director the Compton Verney gallery, guides Julian May through their new exhibition A Tea Journey: From the Mountains to the Table. The show navigates the cultural history of the cuppa from the delicate bowls of Tang dynasty China to the British builder’s mug as well as new work made by artists in response to this history. Why have Fleabag’s black jumpsuit, the yellow coat from Keeping Faith and Villanelle’s pink dress all become firm favourites on the high street? Fashion historian Amber Butchart examines the long links between fashion houses, TV and Hollywood. Margaret Atwood (Canada) - The Testaments Kevin Barry (Ireland) - Night Boat to Tangier Oyinkan Braithwaite (UK/Nigeria) - My Sister, The Serial Killer Lucy Ellmann (USA/UK) - Ducks, Newburyport Bernardine Evaristo (UK) - Girl, Woman, Other John Lanchester (UK) - The Wall Deborah Levy (UK) - The Man Who Saw Everything Valeria Luiselli (Mexico/Italy) - Lost Children Archive Chigozie Obioma (Nigeria) - An Orchestra of Minorities Max Porter (UK) - Lanny Salman Rushdie (UK/India) - Quichotte Elif Shafak (UK/Turkey) - 10 Minutes 38 Seconds in This Strange World Jeanette Winterson (UK) - Frankissstein Presenter: Samira Ahmed Producer: Edwina Pitman

A history of orphans in Britain, fears about post war brainwashing, childrens' letters to C19 newspapers and portraits on show at Compton Verney. Anne McElvoy presents. New Generation Thinker and historian Emma Butcher is researching writing from children about the trauma of war. She visits Compton Verney. Jeremy Seabrook is researching the treatment of orphans from the 17th century onwards. Historian Sian Pooley reveals what children were writing to local papers about in the late 19th century and artist Emma Smith describes the post-war anxieties about children being brainwashed that inform her exhibition Wunderblock. Painting Childhood: From Holbein to Freud runs at Compton Verney from March 16th to June 16th 2019. Emma Smith's exhibition Wunderblock is at the Freud Museum in London until 26th May Orphans: A History by Jeremy Seabrook is out now. Producer: Torquil MacLeod

Chris Dunkley, for many years television critic of the Financial Times, discusses the impact and ongoing popularity of Dad's Army, which was first broadcast fifty years ago this week.Music streaming platforms have reported a rise people aged under 30 listening to jazz, with the genre's new sound also being produced by musicians in that age group. Music journalist Teju Adeleye and jazz musician Emma-Jean Thackray discuss why young people are responding to jazz now more than ever, if jazz was less accessible in the past and how has the sound evolved. The Marvellous Mechanical Museum, a new exhibition at Compton Verney in Warwickshire, looks back to the historical automata (or animated mechanical objects) museums of the 18th centuries and re-imagines them for the modern day. The exhibition includes 57 works, historical pieces dating back to 1625 and new commissions by contemporary artists, all of which explore the themes of life, creation, imitation, and our fraught relationship with technology.After WOMAD festival organisers complain about foreign artists being deterred by the "humiliating and difficult" process of applying for a British visa, David Jones, director of Serious, a company which produces over 800 events nationwide with over 2,600 artists and a broadcast reach of 44 million, discusses what foreign artists have to do when applying for a British visa, what has changed in the last couple of years and what might be done about it.Presenter : Samira Ahmed Producer : Dymphna FlynnMain image: Dad's Army Christmas Special 1975. Credit: BBC(Clive Dunn as L-Cpl Jack Jones, Ian Lavender as Pvt. Frank Pike, Arthur Lowe as Captain George Mainwaring, John Le Mesurier as Sgt. Arthur Wilson, John Laurie as Pvt. James Frazer and Arnold Ridley as Pvt. Charles Godfrey.)

Playwright Charlotte Jones, author Laurence Scott, New Generation Thinkers Lisa Mullen and Iain Smith join Matthew Sweet.Charlotte Jones discusses her new play set in a Quaker community during the Napoleonic Wars. Matthew Sweet visits Compton Verney Art Gallery with Lisa Mullen to see the exhibition, 'Marvellous Mechanical Museum' which re-imagines the spectacular automata exhibitions of the 18th century. Laurence Scott talks about the ideas in his book, 'Picnic Comma Lightning' which explores the way digital advances are changing the way we live and what we reveal about ourselves. And, from the Indian Superman to Batman in the Philippines, film historian and New Generation Thinker Iain Smith looks at the hidden history of unlicensed superhero films produced around the world.Iain Robert Smith is a Lecturer in Film Studies at King's College, London. Laurence Scott is a New Generation Thinker Lecturer in Writing at New York University in London and the author of 'Picnic Comma Lightning' which is to be broadcast as the Radio 4 Book of the Week from July 16-20th.The Marvellous Mechanical Museum is at Compton Verney until September 20th 2018.Charlotte Jones's drama The Meeting runs at the Minerva Theatre, Chichester from 13 July – 11 AugustNew Generation Thinkers is a scheme run by the BBC and the Arts and Humanities Research Council to select ten academics each year who can turn their research into radio.Producer Fiona McLean

Research into how books make us feel.

Research into how books make us feel.

Charlotte Rampling came to attention as an actress and model during the Swinging Sixties. She soon became associated with challenging roles such as Lucia the concentration camp survivor who develops a sadomasochistic relationship with a former SS officer in The Night Porter. After a period of depression in the Nineties she burst onto screens again with a best actress Oscar nomination for the film, 45 years, and for her parts in Dexter and Broadchurch on TV. She's now written a very personal and revealing memoir.Harlots is a new 8-part TV series set against the backdrop of 18th century Georgian London. It follows the career of Margaret Wells played by Samantha Morton as she struggles to reconcile her roles as mother and brothel owner. Creator and writer Moira Buffini discusses becoming seduced by the Georgians and how Harlots was inspired by stories of real women.The Clearing is a vision of how we might live if sea levels rise and petrol pumps run dry. Artists Alex Hartley and Tom James discuss the project, which is centred around a geodesic dome hand built from recycled materials in the grounds of Compton Verney gallery in Warwickshire. After Ukraine bans Russian singer Samoilova from this year's Eurovision Song Contest, William Lee Adams, founder and editor of Eurovision website wiwibloggs, talks about the contest's latest political controversy. Presenter: Kirsty Lang Producer: Jack Soper.

Daniel Kaluuya stars in Get Out, director Jordan Peele's racial satire about contemporary America. Already a hit at the US box office, the casting of a British actor in a film about US race relations has sparked debate about the number of roles for black actors. Film journalist Ashley Clark has the Front Row review. An experimental production at the National Theatre has no script and features a cast in their 70s and 80s. Director Phelim McDermott, actor Anna Calder-Marshall and Joan Bakewell discuss how issues facing older people can, and should, be shown on stage. Kirsty visits Compton Verney's exhibition Creating The Countryside, which examines how artists have represented the great outdoors, from Gainsborough to Grayson Perry. Also part of the new season is The Clearing, a vision of how we may have to live if sea levels rise and petrol pumps run dry. Artists Alex Hartley and Tom James explain. And Front Row continues to look at what the charts reveal about pop music today. Laura Snapes argues that streaming services are changing the music we hear.

Join the head gardeners of Stowe and Compton Verney to explore the challenges, changes and rewards of protecting and preserving Capability Brown's landscapes in his tercentenary year.

French film Dheepan won the 2015 Palme d'Or, with a tale of Tamil refugees fleeing Sri Lanka and arriving in France, finding a whole new set of opportunities and problems Alistair McDowall's newest play X is set on a space station on Pluto. It opens at London's Royal Court Theatre; will our reviewers think it's out of this world? David Szalay's was named as one of Granta's Best Young British Novelists in 2013. His new novel All That Man Is looks at 9 young men in modern Europe Shakespeare In Art is an exhibition at Compton Verney looking at the many ways that artists in different disciplines have depicted the work of The Bard. The Five is a new thriller TV series where a group of friends is reunited when one of them is implicated in a murder. Tom Sutcliffe's guests are Malorie Blackman, Kerry Shale and Alice Jones. The producer is Oliver Jones.

The film Suffragette looks at the campaign 100 years ago to gain women the right to vote. It was made with an all-star largely-female cast and crew. How broad is the appeal of this historical retelling? City On Fire by Garth Risk Hallberg has been hyped by the publishers and lauded by many critics. It's a 944-page novel about New York City in the mid 1970s; does it justify the hoopla? Wolf in Snakeskin Shoes is a modern reworking of Moliere's Tartuffe at London's Tricycle Theatre. Set in a black southern baptist church with a dissembling pastor, do the themes still resonate in the twenty-first century? 'Periodic Tales, The Art of the Elements" is an exhibition at Compton Verney in Warwickshire. It explores the way the elements of the periodic table have inspired and influenced artists over the centuries. Tom Sutcliffe's guests are Rowan Pelling, Geoffrey Durham and Linda Grant. The producer is Oliver Jones.

Author Hugh Aldersey-Williams, historian of science Jo Hedesan and chemist Peter Battle discuss the ways in which the elements continue to inspire us today The chemical elements, the fundamental ingredients of all matter, have fascinated people for centuries. Their stories have been richly described in Hugh Aldersey-Williams’ bestselling book, Periodic Tales, which forms the basis for a major exhibition curated by Compton Verney Art Gallery. Hugh Aldersey-Williams is joined by historian of science Jo Hedesan (Wellcome Trust Postdoctoral Fellow, University of Oxford) and chemist Peter Battle (Professor of Chemistry, University of Oxford) to discuss the ways in which the elements continue to inspire and fascinate us in an event supported by Compton Verney, the Department of Chemistry and TORCH.

Author Hugh Aldersey-Williams, historian of science Jo Hedesan and chemist Peter Battle discuss the ways in which the elements continue to inspire us today The chemical elements, the fundamental ingredients of all matter, have fascinated people for centuries. Their stories have been richly described in Hugh Aldersey-Williams’ bestselling book, Periodic Tales, which forms the basis for a major exhibition curated by Compton Verney Art Gallery. Hugh Aldersey-Williams is joined by historian of science Jo Hedesan (Wellcome Trust Postdoctoral Fellow, University of Oxford) and chemist Peter Battle (Professor of Chemistry, University of Oxford) to discuss the ways in which the elements continue to inspire and fascinate us in an event supported by Compton Verney, the Department of Chemistry and TORCH.

Film director Todd Solondz discusses his new suburban satire, Dark Horse. Marina Warner and Richard Cork explore man's desire for flight as a new exhibition, Flight and the Artistic Imagination, opens at Compton Verney. Susannah Clapp reviews Joe Penhall's new play, Birthday. And Josh Hall, the next of this year's New Generation Thinkers, examines the relationship between astronomers and the red planet.

Lancelot Capability Brown laid out the grounds of this grade one listed mansion house in the heart of Warwickshire not far from Stratford Upon Avon. This Talking the Walk takes us on a stroll round the lake with John Schumann - the head groundsman who took over from his father 30 years ago - and historian John Phibbs who has made a particular study of Capability Brown's work. When you 've done the walk why not visit the house which is now an art gallery housing the Peter Moore's Foundation collection.