Podcasts about evening standard award

One of a handful of new productions of plays opening this week in London is ELEKTRA, the Sophoclean tragedy as translated by Anne Carson in a bold new staging from director Daniel Fish. Brie Larson (Room, Lessons in Chemistry, Captain Marvel), is making her West End debut. The cast also includes internationally renowned Stockard Channing (The West Wing, The Good Wife), Marième Diouf (Romeo and Juliet, The Globe), Greg Hicks (Grapes of Wrath, The National Theatre, Coriolanus, The Old Vic) and Patrick Vaill (Stranger Things: The First Shadow, Evening Standard Award winner for his role in Oklahoma!). Check out this review to find out what struck Mickey-Jo about this production, and what he ranked as its biggest mistake... • 00:00 | introduction 01:56 | context / overview 08:39 | the production 14:58 | performances 21:10 | final thoughts • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

It's 2010. Becky's a marathon runner, who's blind. She's after a new guide. Mark's a former 'Olympic Hopeful'. He's after a fresh chance at a medal.Together, they start training for the Paralympics…Tether, by Evening Standard Award-winner Isley Lynn, travels the miles and years of their partnership. It stars Mared Jarman and Tommy Sim'aan.Becky – Mared JarmanMark – Tommy Sim'aanNews Reporters – Cellan WynGemma and News Reporter – Anna SpearpointAccess Consultant – Margo CargillProduction Coordinator – Eleri McAuliffeSound Design by Nigel LewisDirected by Fay LomasA BBC Audio Wales production for Radio 4With thanks to Robert Matthews, Noel Thatcher, Nick Gleeson, George Ferguson, Carla Lever, Mike Lloyd, Metro Blind Sport, East London Vision, British Paralympic Association, British Blind Sport, Extant Theatre Company, Gareth Burrell, British Athletics, Irina Khapugina, International Paralympic Committee, Rafael Maranhao, Bethany Pitts, Lee Drage, Maisie Greenwood, Jon McLeod, Bruce Lynn.

Come meet one of The Young and the Restless's newest cast members, Kelsey Wang in The Locher Room.Kelsey joined the cast in March of this year as Allie Nguyen, the granddaughter of Jack Abbott (Peter Bergman).Kelsey was born in Beijing, China. She lived in Beijing and Singapore before moving to the United States at the age of seven. She is a graduate of Duke University and attended the Yale School of Drama's YSD Summer Conservatory. Her theater credits include the role of Liuli in the U.S. Premiere of “Chimerica” (2014 Olivier and Evening Standard Award for Best Play) at the Studio Theater in Washington, D.C. and the lead role of Daiyu in in Pan Asian Repertory Theater's production of “A Dream of Red Pavilions”. Television credits include the recurring role of Daisy Kwan on “General Hospital”, Netflix's “Daredevil” and the dual language pilot, “Journey to the East”.Kelsey and I go back a few years when we worked together at On Location Tours, a TV & movie tour in NYC. I'll let Kelsey tell you what tour she hosted and have a little fun to see if she remembers her trivia questions from the tour. Don't miss the chance to meet Y&R's newest Abbott.Original Airdate: 8/4/2022

Gilman was the first American playwright to win an Evening Standard Award. She serves on the advisory board for Chicago Dramatists. She has received the 2008 Harper Lee Award. Her most widely known works are Spinning Into Butter, a play that addresses political correctness and racial identity, and Boy Gets Girl, which was included in Time Magazine's List of the Best Plays and Musicals of the Decade.

Michelle Dockery is an English actress best known for her leading performance as Lady Mary Crawley in the ITV television period drama series Downton Abbey for which she was nominated for a Golden Globe and Primetime Emmy Awards for Outstanding Lead Actress in a Drama Series.Dockery made her professional stage debut in His Dark Materials in 2004. For her role as Eliza Doolittle in the 2007 London revival of Pygmalion, she was nominated for the Evening Standard Award. For her role in the 2009 play Burnt by the Sun, she earned an Olivier Award nomination for Best Supporting Actress.The music for the podcast is Twiggy's version of "Waterloo Sunset" by the Kinks and can be found on Apple Music at this link https://music.apple.com/gb/album/romantically-yours/693460953If you've enjoyed listening to “Tea With Twiggy” please give take a moment to give us a lovely 5 STAR rating on Apple Podcasts. It really helps other people to find the show. If you haven't done so already please subscribe to this podcast so you auto-magically get the next episodes for free and do tell all your friends and family about it too. If you want to connect with me I'd love to hear from you.You can find me on Twitter @TwiggyOr you can find me on Instagram @TwiggyLawsonMy thanks go to all the people that have helped this podcast happen:● Thanks to all the team at Stripped Media including Ben Williams, who edits the show, my producer Kobi Omenaka and Executive Producers Tom Whalley and Dave CorkeryIf you want to know more about this podcast and others produced by Stripped Media please visit www.Stripped.media or email Producers@Stripped.Media to find out! See acast.com/privacy for privacy and opt-out information.

Playwright and actor David Ireland does not hold back from dealing with controversial and difficult topics. Born in Northern Ireland, his experiences of living in that troubled country inevitably informs his work. His plays create a stir, with no holds barred, often shockingly hilarious, dialogue. As black comedies they expose the raw nerves of identity politics, sexual and family relationships, and contemporary political tensions and polarisations which can drive people to violence and push them to do mad things. Among his most recent work is the award-winning Cyprus Avenue, performed at the Royal Court in 2016, with Stephen Rea in the lead role, focused on a unionist convinced his new born grandchild is Gerry Adams and has to be killed. Ulster American, performed at the Edinburgh Festival in 2018, focuses on the challenges of writing a play about Irish identity and had audiences laughing in horror. Sadie, due to be premiered in Belfast in early 2020 but cancelled due to lockdown, was recently screened on BBC4, is a disturbing dissection of a middle-aged working-class woman's frustration and anger. In this special Arts&Society Forum for the Battle of Ideas festival, Wendy Earle talks to David Ireland about truth and politics in theatre, artistic survival in a climate of intolerance and cancel culture, and the comedic possibilities of not holding back – and how he gets away with it! David Ireland is a Northern Irish-born playwright and actor most known for his award-winning plays Cyprus Avenue and Ulster American. He won the Stewart Parker Award and the Meyer-Whitworth Award in 2012 and was shortlisted for the Evening Standard Award for Most Promising Playwright 2016. More recently, Sadie was screened on BBC4 and his play YES SO I SAID YES is due to be performed at the Finborough Theatre, Earl's Court from 23 November to 18 December. Wendy Earle is the convenor of the Academy of Ideas Arts&Society Forum, and writes on culture and the arts.

Javier De Frutos, Spanish Director, Choreographer and designer (born in Caracas, Venezuela in 1963) was named by the Evening Standard as one of 2016 most influential people in the UK. He is one of only three artists in the history of the Olivier Awards to have received nominations in all of the dance categories. His awards include the Olivier Award for Best Theatre Choreography for Cabaret, The Evening Standard Award for The Most Incredible Thing in collaboration with Pet Shop Boys, Critics' Circle Awards for Milagros with Royal New Zealand Ballet and Elsa Canasta with Rambert and Scottish Ballet, The South Bank Show Award for Grass and The Time Out Award for Sour Milk with Candoco Dance Company. Further credits include the National Theatre production of London Road - winner of the Critics Circle Award for Best Musical and for which he received an Olivier nomination for the stage version and The 2017 Chita Rivera Award for best choreography in a feature film for the screen adaptation. His work Fiction for BalletBoyz was named Best of Dance by The Arts Desk and Top 10 by the Guardian in 2016.   From Here to Eternity, the Tim Rice musical which he premiered on the West End, was nominated for the WhatsOnStage award for Best Choreography and The Anatomy of a Passing Cloud for Royal New Zealand Ballet was nominated for both an Olivier Award and a National Dance Award.He has received further recognition in the field of music video with a nomination for best choreography in the UK music Video awards for his collaboration with Jake Nava in Delilah's Inside My Love and also received the Prix de Auteur in the 1996 Concours de Seine-Saint Denis in Paris.His work has been the subject of several documentaries. The South Bank Show in 1998 dedicated an hour king feature. Only a handful of Dance Artists have received that Honour.In 2011 the BBC broadcasted in prime time The Most Incredible Thing in collaboration with Pet Shop Boys, and the US premiere took place in Charlotte North Carolina in March 2018.He was invited by the McColl Center for Arts and Innovation to be the same years's Artist in Residence. Their first Choreographer and Director in their History.in 2000 De Frutos became one of the first Fellowship recipients The Arts Council of England, through which he studied extensively the works of Tennessee Williams for more than two years. He also represented Britain at the internationally prestigious Venice Biennale in 2006.

Career Q&A with Eddie Redmayne. Moderated by Jenelle Riley, Variety. Eddie Redmayne was nominated for BAFTA's Rising Star Award in 2012 for his continuing body of work. Subsequently, he shared a Screen Actors Guild Award nomination with his fellow actors from Tom Hooper's Les Misérables for Outstanding Performance by a Cast in a Motion Picture. The Working Title movie was nominated for eight Academy Awards including Best Picture, winning three; and won three Golden Globe Awards including Best Picture. For his performance as Marius, Mr. Redmayne was nominated for an Evening Standard British Film Award and an MTV Movie Award. He has starred in several other films, including Simon Curtis' My Week with Marilyn, starring as the “my” part of the story as Colin Clark opposite Michelle Williams as Marilyn Monroe; Tom Kalin's Savage Grace, opposite Julianne Moore; Shekhar Kapur's Elizabeth: The Golden Age, also for Working Title, opposite Cate Blanchett as Queen Elizabeth I; Gregory Read's Like Minds, with Toni Collette and Tom Sturridge; Udayan Prasad's The Yellow Handkerchief, opposite Kristen Stewart; Justin Chadwick's TheOther Boleyn Girl; Stephen Poliakoff's Glorious 39; Timothy Linh Bui's Powder Blue; Christopher Smith's Black Death; Derick Martini's Hick; Robert De Niro's The Good Shepherd, as the son of the characters portrayed by Matt Damon and Angelina Jolie; and Andy and Lana Wachowski's upcoming sci-fi epic Jupiter Ascending. The London native has also attracted attention on stage. For his Broadway debut starring as Ken opposite Alfred Molina as painter Mark Rothko in John Logan's Red, directed by Michael Grandage, he won the Tony Award for Best Featured Actor in a Play; the production won six Tonys overall, including Best Play. Mr. Redmayne also received a Theatre World Award and a Drama Desk Award nomination; for the production's previous staging in London, at the Donmar Warehouse, he won the Olivier Award for Best Supporting Actor. His other U.K. stage work includes starring as Shakespeare's Richard II, again directed by Michael Grandage at the Donmar Warehouse; in Christopher Shinn's Now or Later, at the Royal Court Theatre, directed by Dominic Cooke; and in Anthony Page's Almeida Theatre staging of Edward Albee's The Goat or Who is Sylvia? The latter production earned Mr. Redmayne the Critics' Circle Theatre Award and the Evening Standard Award for Outstanding Newcomer. His notable television credits include starring in the BBC miniseries Birdsong, directed by Philip Martin; Tess of the D'Urbervilles, directed by David Blair; and The Pillars ofthe Earth, directed by Sergio Mimica-Gezzan. His first miniseries appearance was in Elizabeth I, also his first project with director Tom Hooper. Mr. Redmayne's next movie, The Danish Girl, reunites him with director Tom Hooper.

Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. 'Liveness'. Biographies: Katie Mitchell is a British theatre director whose unique style and uncompromising methods have divided both critics and audiences. Though sometimes causing controversy, her productions have been innovative and groundbreaking, and have established her as one of the UK’s leading names in contemporary performance. She was born in Berkshire in 1964, grew up in the small village of Hermitage and read English at Magdalen College, Oxford. She began her theatre career in 1986 with a job at the King’s Head Theatre as a production assistant. She became an assistant director at Paines Plough a year later, and then took the same post at the Royal Shakespeare Company in 1988. In 1990, she founded her own company, Classics on a Shoestring, where she directed a number of pioneering and highly acclaimed productions including the House of Bernada Alba and Women of Troy. In the decades with followed, Mitchell worked as an associate director with the Royal Court Theatre, the Royal Shakespeare Company and the National Theatre. Whilst at the RSC, she was responsible for programming at the now defunct black box space, The Other Place, and her production of The Phoenician Women earned her the Evening Standard Award for Best Director. Her numerous theatre credits include 2071 and Night Songs for the Royal Court, The Cherry Orchard for the Young Vic, The Trial of Ubu for Hampstead Theatre, Henry VI Part III (to date her only Shakespeare production) for the RSC and A Woman Killed with Kindness and The Seagull at the National Theatre. She has also directed opera, working with the Royal Opera House and English National Opera. An exponent of Stanislavski techniques and naturalism, her style was strongly influenced by the time she spent working in Eastern Europe early in her career. Her work is characterised by the creation on stage of a highly distinctive environment, the intensity of the emotions portrayed and by the realism of the acting. Mitchell’s work has pushed boundaries and explored technique and, not just confined to the stage, has also taken her into other creative mediums. She has directed for film and television with work including The Widowing of Mrs Holroyd and The Turn of the Screw. In 2011, together with video maker, Leo Warner, Mitchell devised an immersive video installation called Five Truths for the Victoria and Albert Museum which explored the nature of truth in theatrical production. Ben Whishaw is a multi-award winning English actor in film, television, and theatre. He trained at RADA, and his work in theatre quickly brought acclaim including a much-lauded Hamlet at the Old Vic with Trevor Nunn in 2004. He has been directed by Katie Mitchell multiple times, including The Seagull at the National Theatre in 2006, and Norma Jeane Baker of Troy at the Shed in New York last year. In television his work ranges from BAFTA-winning performances in Rupert Goold's Richard II for the BBC in 2012 to A Very English Scandal in 2018. Among many film roles, he is perhaps best known for taking on the part of Q in the Bond films since 2012’s Skyfall and for delighting audiences young and old as the voice of Paddington in the hit movies in 2014 and 2017.

Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. 'Liveness'. Biographies: Katie Mitchell is a British theatre director whose unique style and uncompromising methods have divided both critics and audiences. Though sometimes causing controversy, her productions have been innovative and groundbreaking, and have established her as one of the UK’s leading names in contemporary performance. She was born in Berkshire in 1964, grew up in the small village of Hermitage and read English at Magdalen College, Oxford. She began her theatre career in 1986 with a job at the King’s Head Theatre as a production assistant. She became an assistant director at Paines Plough a year later, and then took the same post at the Royal Shakespeare Company in 1988. In 1990, she founded her own company, Classics on a Shoestring, where she directed a number of pioneering and highly acclaimed productions including the House of Bernada Alba and Women of Troy. In the decades with followed, Mitchell worked as an associate director with the Royal Court Theatre, the Royal Shakespeare Company and the National Theatre. Whilst at the RSC, she was responsible for programming at the now defunct black box space, The Other Place, and her production of The Phoenician Women earned her the Evening Standard Award for Best Director. Her numerous theatre credits include 2071 and Night Songs for the Royal Court, The Cherry Orchard for the Young Vic, The Trial of Ubu for Hampstead Theatre, Henry VI Part III (to date her only Shakespeare production) for the RSC and A Woman Killed with Kindness and The Seagull at the National Theatre. She has also directed opera, working with the Royal Opera House and English National Opera. An exponent of Stanislavski techniques and naturalism, her style was strongly influenced by the time she spent working in Eastern Europe early in her career. Her work is characterised by the creation on stage of a highly distinctive environment, the intensity of the emotions portrayed and by the realism of the acting. Mitchell’s work has pushed boundaries and explored technique and, not just confined to the stage, has also taken her into other creative mediums. She has directed for film and television with work including The Widowing of Mrs Holroyd and The Turn of the Screw. In 2011, together with video maker, Leo Warner, Mitchell devised an immersive video installation called Five Truths for the Victoria and Albert Museum which explored the nature of truth in theatrical production. Ben Whishaw is a multi-award winning English actor in film, television, and theatre. He trained at RADA, and his work in theatre quickly brought acclaim including a much-lauded Hamlet at the Old Vic with Trevor Nunn in 2004. He has been directed by Katie Mitchell multiple times, including The Seagull at the National Theatre in 2006, and Norma Jeane Baker of Troy at the Shed in New York last year. In television his work ranges from BAFTA-winning performances in Rupert Goold's Richard II for the BBC in 2012 to A Very English Scandal in 2018. Among many film roles, he is perhaps best known for taking on the part of Q in the Bond films since 2012’s Skyfall and for delighting audiences young and old as the voice of Paddington in the hit movies in 2014 and 2017.

Tarell Alvin McCraney is an acclaimed writer. His script IN MOONLIGHT BLACK BOYS LOOK BLUE is the basis for the Oscar-winning film MOONLIGHT directed by Barry Jenkins, for which McCraney and Jenkins won an Oscar for Best Adapted Screenplay. He wrote the film HIGH FLYING BIRD which premiered on Netflix directed by Steven Soderbergh. McCraney’s plays include MS. BLAKK FOR PRESIDENT (co-written with Tina Landau), THE BROTHER/SISTER PLAYS trilogy, HEAD OF PASSES, WIG OUT!, and CHOIR BOY which was nominated for four Tony Awards. McCraney is the recipient of a MacArthur "Genius" Grant, the Whiting Award, Steinberg Playwright Award, the Evening Standard Award, the New York Times Outstanding Playwright Award, the Paula Vogel Playwriting Award, the Windham Campbell Award, and a USA Artist Award. He is currently Chair of Playwriting at Yale School of Drama; an ensemble member at Steppenwolf Theatre Chicago; and a member of Teo Castellanos/D-Projects. McCraney is currently working on an original scripted TV series, DAVID MAKES MAN, for Oprah Winfrey’s OWN Network, produced by Michael B Jordan and Page Fright Productions. Screen Heat Miami Screen Heat Miami (SHM) is hosted by veteran Miami based producers Kevin Sharpley and JL Martinez and each week covers the latest trends in the film, tv, and entertainment industry, including interviews with global and local industry leaders, all told from a "Miami" point of view.

Tarell Alvin McCraney is an acclaimed writer. His script IN MOONLIGHT BLACK BOYS LOOK BLUE is the basis for the Oscar-winning film MOONLIGHT directed by Barry Jenkins, for which McCraney and Jenkins won an Oscar for Best Adapted Screenplay. He wrote the film HIGH FLYING BIRD which premiered on Netflix directed by Steven Soderbergh. McCraney’s plays include MS. BLAKK FOR PRESIDENT (co-written with Tina Landau), THE BROTHER/SISTER PLAYS trilogy, HEAD OF PASSES, WIG OUT!, and CHOIR BOY which was nominated for four Tony Awards.McCraney is the recipient of a MacArthur “Genius” Grant, the Whiting Award, Steinberg Playwright Award, the Evening Standard Award, the New York Times Outstanding Playwright Award, the Paula Vogel Playwriting Award, the Windham Campbell Award, and a USA Artist Award.He is currently Chair of Playwriting at Yale School of Drama; an ensemble member at Steppenwolf Theatre Chicago; and a member of Teo Castellanos/D-Projects. McCraney is currently working on an original scripted TV series, DAVID MAKES MAN, for Oprah Winfrey’s OWN Network, produced by Michael B Jordan and Page Fright Productions. http://www.oprah.com/app/david-makes-man.html

In 2012, London’s Donmar Warehouse opened an all-female production of Julius Caesar, starring Dame Harriet Walter as Brutus and directed by Tony Award-nominated director Phyllida Lloyd. The production was set in a women’s prison, and it was the first of a trilogy of all-female productions, all starring Walter, that The Guardian would call “one of the most important theatrical events of the past 20 years.” Julius Caesar was featured on PBS’s Great Performances on March 29, which made it the perfect time to call up Dame Harriet to discuss her decades-long career. We asked her about gender in Shakespeare, playing Ophelia, Portia, and Brutus, and her 2016 book, Brutus and Other Heroines: Playing Shakespeare’s Roles for Women. Harriet Walter is one of the most acclaimed performers on the British stage. She won the 1988 Olivier Award for Best Actress, the Evening Standard Award for her work as Elizabeth I in the 2005 London revival of Mary Stuart, and has starred in Twelfth Night, Macbeth and Antony and Cleopatra at the Royal Shakespeare Company. She is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published April 2, 2019. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Say to All the World ‘This Was a Man’” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California, and Dan Sterling at The Sound Company in London.

This week's show was a very busy one, starting off with the one and only Levi Roots joining Ian in the studio to promote his Christmas track 'Reggae Reggae Christmas', followed by Andrew Polec and Christina Bennington from Bat Out of Hell The Musical on the phone after their recent Evening Standard Award win. Finally, Jennifer Kirby popped in to talk all about Call The Midwife, and her eyes.

This week’s show was a very busy one, starting off with the one and only Levi Roots joining Ian in the studio to promote his Christmas track 'Reggae Reggae Christmas', followed by Andrew Polec and Christina Bennington from Bat Out of Hell The Musical on the phone after their recent Evening Standard Award win. Finally, Jennifer Kirby popped in to talk all about Call The Midwife, and her eyes.

Nora Maccoby is an energy strategist and an award-winning filmmaker who trained in theater directing and playwriting at Oberlin College and earned an MFA in Film Directing from The American Film Institute, where she won numerous awards. She co-wrote "Bongwater" and "Buffalo Soldiers" which was nominated for 6 Independent Spirit Awards and won the Evening Standard Award for Best Screenplay in 2003. In 2002, while researching a film on the 1983 U.S. invasion of Grenada, West Indies, she began working with the local government to develop clean energy solutions and later worked with leaders to create Nature's Partners, a bipartisan energy literacy initiative and common ground for a national energy conversation. Nora is a champion of clean energy technologies and a strategist for bringing them to the public. She has appeared on C-Span, led workshops internationally, and brought together leaders in the investment world with green technology experts. http://www.maccoby.com/nora Get the Off the Grid Into the Heart CD by Sister Jenna.  Like America Meditating on FB & follow us on Twitter.  Visit our website at www.meditationmuseum.org.  Download our free Pause for Peace App for Apple or Android.

Sinead Cusack was born in Ireland into a acting dynasty. Her first ambition, whilst at convent school, was to be a saint. But her behaviour didn't match her early aspiration: as a teenager she was nearly expelled from school for dramatising the Profumo affair for the headmistress's feast day. Her first professional part was at the age of eleven when her father, the actor Cyril Cusack, cast her in an adaptation of Kafka's The Trial at the Olympia Theatre in Dublin. She played a deaf mute - she says perhaps he did it to keep her quiet, because he wasn't keen for her to pursue acting and said she would never be a classical actress. Sinead's first roles were at the Abbey Theatre in Dublin, whilst she was still at university. She came to London, where she took over from a pregnant Judi Dench in London Assurance in 1975. She joined the Royal Shakespeare Company which, she says, taught her all she knows. For Our Lady of Sligo (1998), in which Sinead played the lead role of Mai O Hara and showed in Ireland, on Broadway and at the National, she received the 1998 Evening Standard Award for Best Actress and 1998 Critics Drama Award for Best Actress. She was also nominated for Best Actress/Drama Desk Award and for Best Actress for Olivier Award.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Pie Jesu from Faure's Requiem by Gabriel Fauré Book: Collected plays by Anton Chekhov Luxury: A big hat with a lot of muslin

Sinead Cusack was born in Ireland into a acting dynasty. Her first ambition, whilst at convent school, was to be a saint. But her behaviour didn't match her early aspiration: as a teenager she was nearly expelled from school for dramatising the Profumo affair for the headmistress's feast day. Her first professional part was at the age of eleven when her father, the actor Cyril Cusack, cast her in an adaptation of Kafka's The Trial at the Olympia Theatre in Dublin. She played a deaf mute - she says perhaps he did it to keep her quiet, because he wasn't keen for her to pursue acting and said she would never be a classical actress. Sinead's first roles were at the Abbey Theatre in Dublin, whilst she was still at university. She came to London, where she took over from a pregnant Judi Dench in London Assurance in 1975. She joined the Royal Shakespeare Company which, she says, taught her all she knows. For Our Lady of Sligo (1998), in which Sinead played the lead role of Mai O Hara and showed in Ireland, on Broadway and at the National, she received the 1998 Evening Standard Award for Best Actress and 1998 Critics Drama Award for Best Actress. She was also nominated for Best Actress/Drama Desk Award and for Best Actress for Olivier Award. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Pie Jesu from Faure's Requiem by Gabriel Fauré Book: Collected plays by Anton Chekhov Luxury: A big hat with a lot of muslin