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8 episodes with Profumo
8 episodes with Profumo
4 episodes with Profumo
4 episodes with Profumo
3 episodes with Profumo
2 episodes with Profumo
3 episodes with Profumo
4 episodes with Profumo
2 episodes with Profumo
The Profumo affair was one of the defining political scandals of post-war Britain, damaging the credibility of the Conservative government of Prime Minister Harold Macmillan, and was seen as contributing to the erosion of public trust in ...
Si consolida come appuntamento fisso al pari della fashion e della design week, la Milano Beauty Week, la settimana dedicata alla cultura della bellezza e del benessere, l'iniziativa di Cosmetica Italia, in collaborazione con Cosmoprof ed Esxence. La quarta edizione si terrà dal 17 al 21 settembre a Milano, lascerà il testimone due giorni dopo alla fashion week, a rimarcare una vera e propria eccellenza del Made in Italy. Con un palinsesto ricchissimo di iniziative sparse per tutta la città, e non solo, la Milano Beauty Week intende promuovere il valore sociale, scientifico ed economico del cosmetico e mettere in luce le peculiarità della filiera cosmetica italiana, come ci hanno raccontato Benedetto Lavino, presidente di Cosmetica Italia, Ambra Martone, vicepresidente di Cosmetica Italia con delega alla Milano Beauty Week e presidente di Accademia del Profumo, Antonio Bruzzone, CEO di BolognaFiere e Alessia Cappello, Assessora allo Sviluppo Economico e Politiche del Lavoro del Comune di Milano.Quanto spazio c'è ancora oggi per l'innovazione di prodotto? Quali margini di novità portano con sé le nuove istanze dei consumatori legate alla sostenibilità da una parte, ma anche alla velocità, all'accessibilità, alla praticità dall'altra? Quali sono le nuove leve di innovazione che i prodotti più all'avanguardia stanno declinando? Le risposte a queste domande nel focus sui trend della settimana.
Here we're focusing on the changes that took place in Britain after Supermac (Harold Macmillan) stood down as Prime Minister.A lot of how that went depended on the Opposition formed by the Labour Party. Initially it was led by Hugh Gaitskell from the right of the party, with Aneurin Bevan giving him a bad time from the left, while a serious threat was growing from Harold Wilson, formerly of the left which he'd deserted, now of the right which wasn't sure it could trust him. An object of suspicion across most of the parliamentary party, Wilson was nonetheless appreciated for his ability and for his excellent rapport with voters.Then two key figures died. Bevan, the man seen by so many, for so long, as the leader in waiting, died in 1960. Then, in 1962, it was the turn of Gaitskell himself. All of a sudden, the way was clear for Wilson to forge ahead. Though not fully trusted by either wing of the party, both saw him as something of a least bad option – the left felt he at least had roots amongst them, the right that he'd at least worked with Gaitskell. Wilson secured the leadership with exactly as many MPs voting against him and voted for him, winning only because neither of the other two candidates could take more votes than he did.Wilson showed his skill in the last months of Macmillan's government, giving him a bad time over such matters as the Profumo scandal. Over that row, Wilson played his cards with great intelligence, enhancing his stature while Macmillan lost his credibility and eventually stood down. He was succeeded by Alec Douglas Home (pronounced Hume), cheating RAB Butler of the prize yet again.As a result, both main parties went into the 1964 general election under new leaders. Home gave Wilson a heck of a run for him money, but in the end Labour won though by a painfully small majority in the Commons. So small that Wilson would be under constant threat of being brought down if a small number of his MPs turned against him.It was clear there would have to be another election pretty soon.Illustration: Harold Wilson by Walter Bird, 25 May 1962National Portrait Gallery x45598, and Alec Douglas Home, unknown photographer, circa 1955, National Portrait Gallery x136159Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License
Oggi avremo il piacere di fare un viaggio con Sergio Momo, un creativo, diventato poi imprenditore, che ha usato la sua visione per portare il lusso in un mondo che non aveva ancora destato l’interesse di molti: la profumeria di nicchia. Creerà Xerjoff, uno dei marchi di profumo nel panorama internazionale. Questa puntata è stata sponsorizzata da Xerjoff. Il dream team di One More Time è composto da: Giovanni Zaccaria, Samar Abdel Basset, Davide Tessari, Alice Gagliardi, Tommaso Galli, Gianluca Samblich.See omnystudio.com/listener for privacy information.
Il mercato dei profumi in Italia vale un miliardo e mezzo di euro ed è in crescita di oltre il 10%. Un mondo molto affascinante quello delle fragranze, che il premio di riferimento per il settore ci aiuta a conoscere meglio. Si tratta del Premio dell'Accademia del Profumo, realtà nata nel 1990 su iniziativa di Cosmetica Italia in collaborazione con Cosmoprof Worldwide Bologna. I profumi finalisti delle varie categorie sono individuati grazie al lavoro di diverse giurie in più fasi e ad eleggere il miglior profumo dell'anno concorrono anche i consumatori, come ci ha raccontato la Presidente di Accademia del Profumo Ambra Martone. Oltre alle varie categorie è previsto anche un riconoscimento speciale per il naso creatore della fragranza che ha registrato i migliori risultati di vendita nei primi sei mesi dal lancio sul mercato italiano. Una professione, quella del naso, che porta molto in alto la bandiera del Made in Italy, come ci ha confermato uno dei nasi italiani più famosi Luca Maffei.Profumi e olfatto protagonisti anche del focus sui trend per una tendenza emergente nel mondo dei consumi che fa della sinestesia, quindi della contaminazione fra più sensi, il proprio punto di forza.
Costanza DiQuattro"Il profumo del basilico"Gallucci Editorewww.galluccieditore.comÈ l'estate del penultimo anno di liceo e Otto e Sebastian partono dal Trentino per la loro prima vacanza da soli alla volta della Sicilia. Appena arrivati, fanno amicizia con Lighea e Gigi, due ragazze del posto, che li guidano alla scoperta del mare e dei tesori della loro affascinante isola. Tra Lighea e Seba scatta subito una scintilla, che ricorda però drammaticamente l'antica leggenda delle teste di moro, la storia di Elisabetta e Hassan, di un amore inebriante e della gelosia assassina della ragazza. Tra le due vicende corrono mille anni di distanza, ma a unirle c'è il profumo del basilico, una pianta all'apparenza innocua, ma in realtà molto pericolosa per i traditori…“Sebastian e Lighea continuavano a fissarsi, incuranti del mondo; lui ogni tanto accennava a un sorriso mentre lei si sistemava il ciuffo ribelle, tutta rossa in viso. Erano teneri, avvolti in quella sensazione di libertà e benessere che solo la meraviglia di un incontro inaspettato sa regalare”.Costanza DiQuattro è nata a Ibla, in Sicilia, dove vive nel palazzo di famiglia. Laureata in Lettere e in Filosofia, dirige il teatro Donnafugata e si occupa di drammaturgie. Scrive romanzi storici e con Gallucci ha già pubblicato La Baronessa di Carini.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
PALERMO (ITALPRESS) - “Se i dazi verranno messi possono portare a un rallentamento dell'economia e questo sarebbe un problema per tutti; se invece si considerano come una grande spinta al cambiamento, ricordando che coinvolgerebbero sia l'Europa sia altri territori, possono aumentare le opportunità di interscambio con altri paesi”. A dirlo è il manager Alessandro Profumo a margine di un tavolo di confronto organizzato, a Villa Igiea a Palermo, in sinergia da Banca Agricola Popolare di Sicilia (Baps) e Arca Fondi Sgr.xd8/tvi/mca1
PALERMO (ITALPRESS) - “Se i dazi verranno messi possono portare a un rallentamento dell'economia e questo sarebbe un problema per tutti; se invece si considerano come una grande spinta al cambiamento, ricordando che coinvolgerebbero sia l'Europa sia altri territori, possono aumentare le opportunità di interscambio con altri paesi”. A dirlo è il manager Alessandro Profumo a margine di un tavolo di confronto organizzato, a Villa Igiea a Palermo, in sinergia da Banca Agricola Popolare di Sicilia (Baps) e Arca Fondi Sgr.xd8/tvi/mca1
"La notte ha il suo profumo" è il romanzo di Marco Azzalini pubblicato da Laurana Editore che racconta una storia criminale che affonda le sue radici negli Anni di Piombo per poi deflagrare ai giorni nostri. Jacopo Pezzan e Giacomo Brunoro hanno approfittato dell'uscita del romanzo per fare una lunga chiacchierata con Marco Azzalini sugli Anni di Piombo, sul ruolo centrale della città di Padova in quel periodo difficile e complesso e, naturalmente, sul suo splendido romanzo (il nostro consiglio è molto semplice: leggetelo!).___________________________Qui trovi i nostri libri!
Max und Alex starten mit einem neuen Klang in die Podcast-Welt und geben euch einen tiefen Einblick in die aktuellen Dufttrends. In dieser Episode stehen spannende Duftproben im Fokus – darunter Neuerscheinungen von Kilian, Creed und Lattafa, aber auch ein Blick auf das neueste Release von Kai Porten. Besonders kontrovers: Supermilk von Lush – Gourmand-Traum oder olfaktorischer Albtraum? Außerdem gibt es einen exklusiven Test des neuen Aqua di Parma Colonia il Profumo, das zwar mit Performance überrascht, aber preislich eine Diskussion wert ist. Zum "Parfümwelt" Podcast von Luke (Spotify) Zum "Parfümwelt" Podcast von Luke (Apple Podcast) Ein Teil von Max' Auswahl: Beach Klub (Kai Porten) – Bubblegum trifft auf Räucherkammer – ultra-nischig! Supermilk (Lush) – Karamell-Vanille oder verbrannter Plastik? Uneinigkeit im Urteil. Aqua di Parma Colonia il Profumo – Klassische Zitrik mit viel Power, aber fragwürdigem Preis. Ein Teil von Alex' Auswahl: Angel's Share Paradise (Kilian) – Fruchtig, süß und opulent – vielleicht zu intensiv? Delfinus (Creed) – Mandel trifft auf Eleganz – ein gelungener Luxusduft. La Collection 1505 (Latafa) – Cherry Smoke für den Massenmarkt mit extremer Haltbarkeit. Oud for Highness (Krigler) – Animalisch, rauchig und absolut luxuriös. Folge uns auf Parfumo: • Parfumo-Profil von Max: parfumo.de/Benutzer/Parfumax Und verpasse keine Updates auf Instagram: • Instagram-Account von Alex: instagram.com/alexander_weisser_parfum/ • Instagram-Account von Max: instagram.com/scentotd/ Wir danken euch für eure Unterstützung und eure Treue – auf die nächsten 5 Jahre! Schaltet auch nächste Woche wieder ein, wenn wir unsere Duftreisen fortsetzen. Bleibt duftend, Alex & Max DISCLAIMER: In unserem Podcast teilen wir nur unsere persönliche Meinung. Es handelt sich nicht um bezahlte Werbung. Manchmal stellen wir gesponserte Produkte vor und sagen das auch klar.
You're in luck, diary fans, as this is one of the most enthralling episodes yet of Gyles's schoolboy diaries. It's the first half of 1963 and at school, Gyles is learning that relationships are complicated things, and that it's not usually OK to love two people at the same time. Outside school, the sexual revolution is beginning and Britain is gripped by the Profumo affair. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.
You're in luck, diary fans, as this is one of the most enthralling episodes yet of Gyles's schoolboy diaries. It's the first half of 1963 and at school, Gyles is learning that relationships are complicated things, and that it's not usually OK to love two people at the same time. Outside school, the sexual revolution is beginning and Britain is gripped by the Profumo affair. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Si parla di profumi particolari e si recuperano un bel po' di vostri messaggi vocali! Poi finiamo con un mega unboxing!Sostieni questo podcast: https://www.spreaker.com/podcast/space-valley-live--5686515/support.Live su Youtube: https://youtu.be/rIB5fARGnekSegui le LIVE su Twitch: https://www.twitch.tv/spacevalleyDal Lunedì al Giovedì alle ore 9:00!Shop Ufficiale Space Valley: https://spacevalley.shop/Canale Yakety-Yak: https://www.youtube.com/@YaketyYakSpace Valley: https://www.youtube.com/@vallespazialeInstagram: https://www.instagram.com/vallespazialeTelegram: https://t.me/vallespazialeAround the Valley: https://www.youtube.com/AroundtheValley
Piero Fassino, Pensione D'Oro: Ecco Quanto Percepisce Il Deputato!Piero Fassino mostra il cedolino del suo stipendio da deputato. Ecco di che cifre si parla!#breakingnews #ultimenotizie #notiziedelgiorno #notizie #cronaca #ellyschlein #lusso #partitodemocratico #patrimonio #pd #pensione #pierofassino #politica #profumo #soldi #stipendio #villa #casa #piscina
Harold Wilson is as central to the story of sixties Britain as the Beatles, Profumo and miniskirts. Admirers applauded the social reforms he introduced while in office; his critics accused the prime minister of being Machiavellian. Here, in conversation with Spencer Mizen, former home secretary Alan Johnson – who has just written a biography of Wilson – reveals how he rode the wave of the cult of youth sweeping the nation. (Ad) Alan Johnson is the author of Wilson: Twentieth Century Man/ (Swift Press, 2024). Buy it now from Amazon: https://www.amazon.co.uk/Harold-Wilson-Ministers-Alan-Johnson/dp/1800753322/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. Check out our series in which historians nominate who they think was Britain's greatest prime minister here: https://www.historyextra.com/membership/britains-greatest-prime-minister-historyextra-podcast-series/ The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Una sorta di recap in audio, una riflessione conclusiva. Buone feste a tutti. Learn more about your ad choices. Visit megaphone.fm/adchoices
Benvenuti ai 4 Vangeli-letture in 1 anno 5 gg a settimanaOggi: Il profumo costoso«Non resterò con voi ancora per molto…»12 Sei giorni prima di Pasqua, Gesù arrivò a Betania, dove abitava Lazzaro, lʼuomo che aveva resuscitato. 2 In onore di Gesù era stato preparato un banchetto. Marta serviva e Lazzaro sedeva a tavola vicino a Gesù. 3 Allora Maria prese un vaso di costoso profumo allʼessenza di nardo e lo versò sui piedi di Gesù, asciugandoli poi coi suoi capelli. Il profumo si sparse per tutta la casa.4 Ma Giuda Iscariota, uno dei discepoli, quello che poi lo avrebbe tradito, disse: 5 «Quel profumo valeva un patrimonio. Si sarebbe dovuto vendere per dare il denaro ai poveri!» 6 Non che glʼimportasse dei poveri, ma, siccome era lui che teneva la cassa dei discepoli, spesso ne approfittava per uso personale!7 Gesù rispose: «Lasciala stare. Maria lʼha fatto come preparativo per la mia sepoltura. 8 I poveri li potete sempre aiutare, mentre io non resterò con voi ancora per molto».9 Quando la gente seppe che Gesù era a Betania, accorse a frotte, non solo per lui, ma anche per vedere Lazzaro che Gesù aveva resuscitato. 10 Allora i capi sacerdoti decisero di uccidere anche Lazzaro, 11 perché, vedendolo, molti li abbandonavano e credevano a Gesù.lascia un commentoSupport the showlascia un commentoSupport the show
NOUVEAU - Abonnez-vous à Minuit+ pour profiter Espions - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Crimes - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.
NOUVEAU - Abonnez-vous à Minuit+ pour profiter Espions - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Crimes - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.
We have Mark and Nick Holmes, the father & son duo of Bianco Profumo — a new Chicago-based fragrance brand that captures the Italian-Americana of the '80s and '90s. In their words: "We do it big. Our hair is perfectly spritzed into place, we speak ten decibels louder than everyone else, we're the life of every party, and we smell f**king terrific." Their debut launch of three scents immediately grabbed our attention (not hard with these scent profiles: a black cherry leather jacket, a ripe tomato garden, and the modern Cool Water of today) and from what we learn in this episode, this is just the beginning for Bianco Profumo.We discuss:the food at the Glossier Yous launch eventa restroom perfume recthe secret Tsu Lang Yor launch event at Stéle we attendedMugler Angel Fantasm — just as punchy as the original, plus piña coladaSable smells like DS & Durga Murder Mystery set Prof. Newton Hay + PRof. RroseTynan smells like Pearfat Stomped On Bed Of Lettuce Find more info, episodes, and merch at Smellyalater.liveLeave us a voice message on the SYL Hotline at Speakpipe.com/smellyalater and we may respond on a future episode.Follow us on Instagram @smellyalater.mp3Leave a (nice) comment & (5-star) review wherever you stream, and if you feel so inclined, respond to our Spotify episode prompts please!
Cuochi e appassionati di cucina la conoscono bene: la reazione di Maillard. E' lei la responsabile del caratteristico aroma e dell'imbrunimento del chicco di caffè, durante la tostatura. In questo podcast, vediamo come si innesca questa reazione e cosa provoca al chicco di caffè, dal punto di vista chimico Learn more about your ad choices. Visit megaphone.fm/adchoices
Offerta di ESCLUSIVA NORDVPN: Vai su https://nordvpn.com/dentrolastoria per acquistare NordVPN + 4 mesi Extra + 6 mesi da regalare a chi vuoi +30gg soddisfatti o rimborsati Il nostro canale Youtube: https://www.youtube.com/channel/UC1vziHBEp0gc9gAhR740fCw Sostieni DENTRO LA STORIA su Patreon: https://www.patreon.com/dentrolastoria Abbonati al canale: https://www.youtube.com/channel/UC1vziHBEp0gc9gAhR740fCw/join Il nostro store in Amazon: https://www.amazon.it/shop/dentrolastoria Sostienici su PayPal: https://paypal.me/infinitybeat Dentro La Storia lo trovi anche qui: https://linktr.ee/dentrolastoria Ad oltre sessant'anni di distanza dall'affaire che fece cadere il governo conservatore in Gran Bretagna, la Storia pare riproporsi in Italia. All'epoca John Profumo, Segretario di Stato per la Guerra, commise un'imprudenza divenendo uno degli amanti di Christine Keeler, ballerina di night che frequentava nel privato anche l'addetto navale sovietico a Londra. Oggi il ministro della Cultura italiano ammette una relazione adulterina con una donna cui nel tempo ha consentito l'accesso tanto ai palazzi del potere quanto a documentazioni riservate. La doppia morale, il differente comportamento istituzionale dei due ministri, gli sviluppi di questi scandali inducono a delle doverose riflessioni: forse non sempre la Storia viene utilizzata come autentica maestra di vita. Learn more about your ad choices. Visit megaphone.fm/adchoices
Our friend Gerald Posner returns to the podcast this week to discuss the recent attempt to kill former President Donald Trump. As the author of the definitive book on the JFK assassination - Case Closed - and many other books and articles on political violence in the USA, Gerald knows a huge amount about how Presidents are meant to be protected, and the conspiracy theories that soon spread when they are not. So what does he think really happened in Butler, Pennsylvania, and how will it affect the Presidential race?Before that Phil reports on the latest American allegations about Prince Philip's sex life. Was he in some way linked to the Profumo affair, which we explored in episode 15? And does it matter if the husband of Queen Elizabeth II had love affairs anyway, and why should we care?You can buy Gerald's book on Kennedy case here... https://www.amazon.co.uk/Case-Closed-Harvey-Oswald-Assassination/dp/0751509248/ref=monarch_sidesheet_image***We now have a Thank You button (next to the 'three dots') for small donations that help support our work***Looking for the perfect gift for a special scandalous someone - or someone you'd like to get scandalous with? We're here to help.https://www.etsy.com/uk/shop/ScandalMongers...*** If you enjoy our work please consider clicking the YouTube subscribe button, even if you listen to us on an audio app. It will help our brand to grow and our content to reach new ears.THE SCANDAL MONGERS PODCAST is also available to watch on YouTube...https://www.youtube.com/@thescandalmongerspodcast/videosAndrew Lownie...https://twitter.com/andrewlowniePhil Craig...https://twitter.com/philmcraigThe Scandal Mongers...https://twitter.com/MongersPodcastYou can get in touch with the show hosts via...team@podcastworld.org(place 'Scandal Mongers' in the heading)Produced byTheo XKerem IsikPodcastWorld.org Hosted on Acast. See acast.com/privacy for more information.
Richard Davenport-Hines discusses with Ivan six things which should be better known. Richard Davenport-Hines is a British historian and literary biographer. His history of the Profumo scandal, An English Affair, was published in 2013. His book on espionage scandals, Enemies Within: Communists, the Cambridge Spies and the Making of Modern Britain was published in January. His other books include biographies of W. H. Auden, Marcel Proust and John Maynard Keynes. He was a Visiting Fellow at All Souls College, Oxford in 2016. His new book is History in the House: Some Remarkable Dons and the Teaching of Politics, Character and Statecraft. Anthony Quayle's novel Eight Hours from England https://thelastwordbookreview.com/2019/09/22/eight-hours-from-england-by-anthony-quayle/ Wrest Park in Bedfordshire https://www.english-heritage.org.uk/visit/places/wrest-park/ The Merlin app that can identify birdsong https://merlin.allaboutbirds.org/ Christopher Spence, founder of London Lighthouse hospice https://www.theguardian.com/society/2007/may/23/publicservicesawards29 Raccoons https://www.peta.org.uk/blog/13-astounding-facts-didnt-know-raccoon-dogs/ Feedback, the global campaign against food-waste & the ecological damage done by bad agricultural practices https://feedbackglobal.org/about-us/ This podcast is powered by ZenCast.fm
J. Edgar Hoover, the former head of the FBI, sensationally suggested that Prince Philip might have been “involved” with the two women central to the Profumo sex scandal.Princess Eugenie recently displayed her playful sense of humor during a conversation with British artist Jake Grewal as part of the "artists in conversation" series for the Yale Center for British Art.Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed! Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show! We now have Merch! FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get more info from Caloroga Shark Media
With the UK election a mere few days away (at time of release), what better time to look back at some of the biggest scandals in our political history?In this episode, Kate's exploring the notorious Profumo affair of the early 1960s and the Thorpe Affair of the 1970s.They had it all: sex, espionage and corruption at the highest level of society. It's no wonder they caught the attention of the world's media.Joining Kate today is Richard Davenport-Hines, author of An English Affair: Sex, Class and Power in the Age of Profumo to find out more about them.This episode was edited and produced by Stuart Beckwith. The senior producer was Charlotte Long.Voting is open for the Listener's Choice Award at the British Podcast Awards, so if you enjoy what we're doing, we'd love it if you took a quick follow this link and click on Betwixt the Sheets: https://www.britishpodcastawards.com/votingEnjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Sign here for up to 50% for 3 months using code BETWIXTYou can take part in our listener survey here.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast.
fWotD Episode 2611: Well he would, wouldn't he? Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Friday, 28 June 2024 is Well he would, wouldn't he?."Well he would, wouldn't he?", commonly referred to as Mandy Rice-Davies Applies (shortened to MRDA), is a British political phrase and aphorism that is commonly used as a retort to a self-interested denial.The Welsh model Mandy Rice-Davies used the phrase while giving evidence during the 1963 trial of the English osteopath Stephen Ward. Ward is considered to have been made a scapegoat for the Profumo affair, a scandal involving John Profumo, the Secretary of State for War. Profumo had an extramarital affair with Rice-Davies's friend, the model Christine Keeler, lied about that affair to Parliament, and then publicly admitted that he had misled the House. Ward was tried for living on the earnings of prostitution; the prosecution alleged that Rice-Davies and Keeler were paid for sex by members of the British elite, and that they then paid Ward from their earnings. During the trial, Ward's lawyer James Burge asked Rice-Davies whether she was aware that Lord Astor had denied having an affair with her; Rice-Davies replied "Well he would, wouldn't he?"Since its widespread adoption following the Ward trial, political commentators, communications experts, and psychologists have interpreted "Well he would, wouldn't he?" as a political phrase that is used to indicate that the speaker believes that another person is making a self-interested denial. They have also stated that the phrase functions as a commonsense retort to the lies of elite political figures. Linguistically, the phrase has been noted for its use of the modal verb "would" to create rhetorical effect. The phrase has been included in the Oxford Dictionary of Quotations since 1979.This recording reflects the Wikipedia text as of 00:30 UTC on Friday, 28 June 2024.For the full current version of the article, see Well he would, wouldn't he? on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Aria.
Benvenuti ai 4 Vangeli-letture in 1 anno 5 gg a settimanaOggi: Il flacone di costoso profumoGesù è tradito ed arrestato14 Due giorni dopo cominciava il rito della Pasqua, una festa annuale ebraica durante la quale non si mangia pane lievitato. I primi sacerdoti e gli altri capi giudei cercavano un modo per arrestare Gesù con lʼinganno, per poi ucciderlo.2 «Ma non possiamo durante la Pasqua», dicevano, «altrimenti ci sarà un tumulto!»3 Nel frattempo Gesù era a Betania, nella casa di Simone il lebbroso. Mentre erano a tavola, una donna entrò, portando un flacone di costoso profumo. Rotto il sigillo, la donna versò il profumo sul capo di Gesù.4-5 Alcuni dei commensali erano indignati per questo spreco, almeno così parve a loro.«Ma perché lo ha fatto? Avrebbe potuto vendere quel profumo per più di trecento monete, e poi dare il denaro ai poveri!» mugugnavano, e ce lʼavevano a morte con lei. 6 Gesù allora disse: «Lasciatela in pace! Perché la criticate per una buona azione? 7 Ci saranno sempre dei poveri fra voi, che avranno molto bisogno del vostro aiuto e che potrete soccorrere quando vorrete, mentre io non sarò qui ancora per molto.8 Questa donna ha fatto ciò che poteva: ha profumato il mio corpo anzitempo per la sepoltura. 9 E aggiungo questo in tutta verità, che ovunque il Vangelo sarà predicato nel mondo, ci si ricorderà di questa donna e di ciò che ha fatto».10 Allora Giuda Iscariota, uno dei discepoli, si recò dai capi sacerdoti per mettersi dʼaccordo con loro ed aiutarli ad arrestare Gesù.11 Quando i capi sacerdoti seppero perché era venuto, ne furono molto felici e gli promisero una ricompensa. Così Giuda cominciò a cercare il momento e il posto favorevole per tradire Gesù.Support the Show.Support the Show.
Parte oggi l'Europeo di calcio in Germania e l'attesa per l'esordio della Nazionale di Spalletti è tanta. La viviamo con le parole della vigilia del ct e con due grandi ospiti: Walter Veltroni e Marco Civoli, la voce del cielo azzurro sopra Berlino. Raggiungiamo anche il nostro inviato Dario Ricci per le ultime dal ritiro Azzurro. Intanto, c'è già chi un trofeo lo ha portato a casa ed è l'Olimpia Milano campione d'Italia. Convocato Pippo Ricci per raccontarci questo terzo scudetto consecutivo dei milanesi.
The Prime Minister unveils the Conservatives' General Election manifesto, with a promise to reduce the tax take by 17 billion pounds.Also in the programme:A US court has found Hunter Biden, the son of US president Joe Biden, guilty on all counts in his federal gun crimes case, will it influence how Americans vote in November?And, previously unseen diary of Christine Keeler, the woman at the heart of the Profumo affair, is to go up for auction. We spoke to her son Seymour Platt.
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pirate radio, Radio Caroline, Ronan O'Rahilly, Radio Luxembourg, Lord Haw-Haw, propaganda, John Amery, Julian Amery, Leopold Amery, MI5, William Joyce, 1964 General Election in UK, Harold Macmillan, Profumo scandal, Harold Wilson, Tory party, Lord Boothby, Kray Twins, organized crime, Mayfair Set, Clermont Club, Thomas Corbally, Philadelphia mob, Meyer Lansky, gambling, Caroline Kennedy, IRA, Herbert W. Armstrong, British Israelism, Christian Identity theology, Worldwide Church of God, The World Tomorrow, William Potter Gale, LA area, "The Puppets," oil rights, offshore drilling, Radio London, Radio Atlanta, Gordon McLendon, Jack Ruby, Candy Barr, Office of Naval Intelligence, Columbia pictures, John Peel, Association of Former Intelligence Officers, 1968 King/Mountbatten plot, MC5s, James Bond, The Beatles, Apple, Cool Britannia, rebranding of British EmpireMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/Additional Music: Albert Bouchardhttps://www.amazon.com/dp/B09DHX6JH7/ref=sr_1_1?crid=36R7HC0QEYY1A&dib=eyJ2IjoiMSJ9.o9R-tsCJXZyBV46YP1RAWrYWjMmVz8-WLQpDcHz06JD0wN3-C0TXj85XDXFLTj30-68sOqffWLxAzCD-e3akPN7oNVdBbhWKOZEwR-aTR6qwJFofIMDNvqcwV5WTizUSzHAHKJJDpFlLMVLJYKQqvs6O02X9qxtmLAiabbqDiJlN8osc8PrVLbS-3wBnXnKt1UFGEah7EqqlrrdjMNl8XXwqdxFG1nYC_tLeeRLx_Ms.M1Zp0mrAQp1xllebZQ3jvh58rfr05AQomIqVrZzcKOA&dib_tag=se&keywords=albert+bouchard&qid=1714960524&s=dmusic&sprefix=%2Cdigital-music%2C289&sr=1-1 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Macron e la guerra a Mosca - Fassino, il profumo e l’accanimento mediatico
#Tasse #bonus #imprese #dipendenti ; #Schlein #europee #Meloni #elezioni @AndreaBulleri ; #America #studenti #pro-gaza sospesi @AnnaGuaita ; #Fassino #profumo #inchiesta #video @ValeriadiCorrado ; #Europa #statopalestinese #Borrell @GabrieleRosana ; #Favino #Cannes #giuria @GloriaSatta
[originally published on Patreon Jul 18, 2022] Today I'm joined by Flipper (@moonbaseking) to discuss all things sus Beatles. We start by going through the Profumo Affair largely through the lens of the Beatles. Then we discuss my favorite topic, John Arthur Reid Pepper, dentists, LSD, MKULTRA and parallel programs, and so forth. I explore the Beatles' finances in an attempt to understand why they became the biggest band in the world. That's right - taxes, offshoring, capital gains, stock companies, and especially the shadowy financial figures behind the Beatles. We talk about the Maharishi (very interesting guy), Magic Alex, the Eastmans, Allen Klein, and anything Beatles must inevitably talk about Yoko Ono. Finally, we discuss Lennon's assassination. Songs: Sgt. Pepper's Lonely Hearts Club Band by EVE Can't Buy Me Love by the Korean Kittens Lucy in the Sky with Diamonds by Puffy AmiYumi Help by Let's Sing in Japanese! Within You Without You by the Strawberry Feel Run 4 Your Life by the Beetles
[originally published on Patreon Feb 16, 2022] Today's a fun one, I'm joined by Stephen Snider aka Recluse of the VISUP blog and the Farm podcast. I pick his brain on William Stephenson and the British Security Coordination for about an hour. We talk honeypots, intelligence, the Beatles and Britpop, the informal British intelligence network in the US before WWII, the networks afterwards like BACC/WCC, and so on. Then we get into Le Cercle and how it plugs into Gladio, the Profumo Affair, and how Epstein's operation ties into these broader orgs. Recluse's links: http://visupview.blogspot.com/?m=0 https://www.thefarmpodcast.com/ https://thefarmpodcast.store/ Songs: Career of Evil - Blue Öyster Cult Dominance and Submission - Blue Öyster Cult
L'infanzia da esule istriana in una famiglia che da benestante si ritrovò in miseria, l'aiuto essenziale del fratello e quell'incontro che le ha cambiato la vita con Phillip. La prima parte della storia della vita di Fiorella de Boos-Smith.
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People will do crazy things for desire. From the earliest human tales and histories to stories you can read in your newspaper today, there have been a never-ending number of crimes and betrayals committed because someone started getting hot under the collar. People will risk their relationships, their happiness, their lives for desire. Sometimes they'll even risk the safety of their nation. And that is the theory behind everybody's favorite spy tactic: The Honey Trap. A trap that ended up biting back against one government in the 60s. This is a spicy one, y'all: Spies, sex parties, knife fights in nightclubs...the whole shebang.Sources:The Secret Worlds of Stephen Ward by Anthony Summer and Stephen Dorrill Secrets and Lies by Christine Keeler with Douglas Thompsonhttps://spartacus-educational.com/SPYlewisJ.htmFollow us, campers!Patreon (join to get all episodes ad-free, at least a day early, an extra episode a month, and a free sticker!): https://patreon.com/TrueCrimeCampfirehttps://www.truecrimecampfirepod.com/Facebook: True Crime CampfireInstagram: https://gramha.net/profile/truecrimecampfire/19093397079Twitter: @TCCampfire https://twitter.com/TCCampfireEmail: truecrimecampfirepod@gmail.comMERCH! https://true-crime-campfire.myspreadshop.com/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4251960/advertisement
Benvenuti ai 4 Vangeli-letture in 1 anno 5 gg a settimanaOggi: Il profumo costoso«Non resterò con voi ancora per molto…»12 Sei giorni prima di Pasqua, Gesù arrivò a Betania, dove abitava Lazzaro, lʼuomo che aveva resuscitato. 2 In onore di Gesù era stato preparato un banchetto. Marta serviva e Lazzaro sedeva a tavola vicino a Gesù. 3 Allora Maria prese un vaso di costoso profumo allʼessenza di nardo e lo versò sui piedi di Gesù, asciugandoli poi coi suoi capelli. Il profumo si sparse per tutta la casa.4 Ma Giuda Iscariota, uno dei discepoli, quello che poi lo avrebbe tradito, disse: 5 «Quel profumo valeva un patrimonio. Si sarebbe dovuto vendere per dare il denaro ai poveri!» 6 Non che glʼimportasse dei poveri, ma, siccome era lui che teneva la cassa dei discepoli, spesso ne approfittava per uso personale!7 Gesù rispose: «Lasciala stare. Maria lʼha fatto come preparativo per la mia sepoltura. 8 I poveri li potete sempre aiutare, mentre io non resterò con voi ancora per molto».9 Quando la gente seppe che Gesù era a Betania, accorse a frotte, non solo per lui, ma anche per vedere Lazzaro che Gesù aveva resuscitato. 10 Allora i capi sacerdoti decisero di uccidere anche Lazzaro, 11 perché, vedendolo, molti li abbandonavano e credevano a Gesù.Support the show
The Evil Within, theurgy, theurgy in the ancient world, theurgy among the Harran Sabians, theurgy and Venice, theurgy post-Renaissance, talking statues, talking heads, the Getty family, J. Paul Getty, the Gettys in London, Getty links to the Profumo scandal, Thomas Corbally, Stephen Ward, elite sex rings, David Berkowitz, Long Island, the Hamptons, Andrew Getty, Andrew Getty's death, the decade plus production of The Evil Within, House on the Rock, references to House on the Rock in The Evil Within, geomancy, elite manors as temples, The Evil Within and basements, basements in LA, allusions to tunnels under LA?, Lookout Mountain, Stanley Kubrick, The Shining, "skin-face," "Wilson," Castaway, doubling in The Evil Within, alternate personalities, occult initiation in The Evil Within, The Evil Within as a depiction of possession, how The Evil Within toys with standard horror tropes, animatronics in The Evil Within, Andrew Getty's obsession with animatronics, amusement parks, Disney World, animatronics as a vehicle to be inhabited by an intelligence Music by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/Additional Music by: The Octopushttps://riseaboverecords.com/product/supernatural-alliance/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We finally complete our mini-series on the 1980s movies released by Miramax Films in 1989, a year that included sex, lies, and videotape, and My Left Foot. ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. On this episode, we complete our look back at the 1980s theatrical releases for Miramax Films. And, for the final time, a reminder that we are not celebrating Bob and Harvey Weinstein, but reminiscing about the movies they had no involvement in making. We cannot talk about cinema in the 1980s without talking about Miramax, and I really wanted to get it out of the way, once and for all. As we left Part 4, Miramax was on its way to winning its first Academy Award, Billie August's Pelle the Conquerer, the Scandinavian film that would be second film in a row from Denmark that would win for Best Foreign Language Film. In fact, the first two films Miramax would release in 1989, the Australian film Warm Night on a Slow Moving Train and the Anthony Perkins slasher film Edge of Sanity, would not arrive in theatres until the Friday after the Academy Awards ceremony that year, which was being held on the last Wednesday in March. Warm Nights on a Slow Moving Train stars Wendy Hughes, the talented Australian actress who, sadly, is best remembered today as Lt. Commander Nella Daren, one of Captain Jean-Luc Picard's few love interests, on a 1993 episode of Star Trek: The Next Generation, as Jenny, a prostitute working a weekend train to Sydney, who is seduced by a man on the train, unaware that he plans on tricking her to kill someone for him. Colin Friels, another great Aussie actor who unfortunately is best known for playing the corrupt head of Strack Industries in Sam Raimi's Darkman, plays the unnamed man who will do anything to get what he wants. Director Bob Ellis and his co-screenwriter Denny Lawrence came up with the idea for the film while they themselves were traveling on a weekend train to Sydney, with the idea that each client the call girl met on the train would represent some part of the Australian male. Funding the $2.5m film was really simple… provided they cast Hughes in the lead role. Ellis and Lawrence weren't against Hughes as an actress. Any film would be lucky to have her in the lead. They just felt she she didn't have the right kind of sex appeal for this specific character. Miramax would open the film in six theatres, including the Cineplex Beverly Center in Los Angeles and the Fashion Village 8 in Orlando, on March 31st. There were two versions of the movie prepared, one that ran 130 minutes and the other just 91. Miramax would go with the 91 minute version of the film for the American release, and most of the critics would note how clunky and confusing the film felt, although one critic for the Village Voice would have some kind words for Ms. Hughes' performance. Whether it was because moviegoers were too busy seeing the winners of the just announced Academy Awards, including Best Picture winner Rain Man, or because this weekend was also the opening weekend of the new Major League Baseball season, or just turned off by the reviews, attendance at the theatres playing Warm Nights on a Slow Moving Train was as empty as a train dining car at three in the morning. The Beverly Center alone would account for a third of the movie's opening weekend gross of $19,268. After a second weekend at the same six theatres pocketing just $14,382, this train stalled out, never to arrive at another station. Their other March 31st release, Edge of Sanity, is notable for two things and only two things: it would be the first film Miramax would release under their genre specialty label, Millimeter Films, which would eventually evolve into Dimension Films in the next decade, and it would be the final feature film to star Anthony Perkins before his passing in 1992. The film is yet another retelling of the classic 1886 Robert Louis Stevenson story The Strange Case of Doctor Jekyll and Mister Hyde, with the bonus story twist that Hyde was actually Jack the Ripper. As Jekyll, Perkins looks exactly as you'd expect a mid-fifties Norman Bates to look. As Hyde, Perkins is made to look like he's a backup keyboardist for the first Nine Inch Nails tour. Head Like a Hole would have been an appropriate song for the end credits, had the song or Pretty Hate Machine been released by that time, with its lyrics about bowing down before the one you serve and getting what you deserve. Edge of Sanity would open in Atlanta and Indianapolis on March 31st. And like so many other Miramax releases in the 1980s, they did not initially announce any grosses for the film. That is, until its fourth weekend of release, when the film's theatre count had fallen to just six, down from the previous week's previously unannounced 35, grossing just $9,832. Miramax would not release grosses for the film again, with a final total of just $102,219. Now when I started this series, I said that none of the films Miramax released in the 1980s were made by Miramax, but this next film would become the closest they would get during the decade. In July 1961, John Profumo was the Secretary of State for War in the conservative government of British Prime Minister Harold Macmillan, when the married Profumo began a sexual relationship with a nineteen-year-old model named Christine Keeler. The affair was very short-lived, either ending, depending on the source, in August 1961 or December 1961. Unbeknownst to Profumo, Keeler was also having an affair with Yevgeny Ivanov, a senior naval attache at the Soviet Embassy at the same time. No one was the wiser on any of this until December 1962, when a shooting incident involving two other men Keeler had been involved with led the press to start looking into Keeler's life. While it was never proven that his affair with Keeler was responsible for any breaches of national security, John Profumo was forced to resign from his position in June 1963, and the scandal would take down most of the Torie government with him. Prime Minister Macmillan would resign due to “health reasons” in October 1963, and the Labour Party would take control of the British government when the next elections were held in October 1964. Scandal was originally planned in the mid-1980s as a three-part, five-hour miniseries by Australian screenwriter Michael Thomas and American music producer turned movie producer Joe Boyd. The BBC would commit to finance a two-part, three-hour miniseries, until someone at the network found an old memo from the time of the Profumo scandal that forbade them from making any productions about it. Channel 4, which had been producing quality shows and movies for several years since their start in 1982, was approached, but rejected the series on the grounds of taste. Palace Pictures, a British production company who had already produced three films for Neil Jordan including Mona Lisa, was willing to finance the script, provided it could be whittled down to a two hour movie. Originally budgeted at 3.2m British pounds, the costs would rise as they started the casting process. John Hurt, twice Oscar-nominated for his roles in Midnight Express and The Elephant Man, would sign on to play Stephen Ward, a British osteopath who acted as Christine Keeler's… well… pimp, for lack of a better word. Ian McKellen, a respected actor on British stages and screens but still years away from finding mainstream global success in the X-Men movies, would sign on to play John Profumo. Joanne Whaley, who had filmed the yet to be released at that time Willow with her soon to be husband Val Kilmer, would get her first starring role as Keeler, and Bridget Fonda, who was quickly making a name for herself in the film world after being featured in Aria, would play Mandy Rice-Davies, the best friend and co-worker of Keeler's. To save money, Palace Pictures would sign thirty-year-old Scottish filmmaker Michael Caton-Jones to direct, after seeing a short film he had made called The Riveter. But even with the neophyte feature filmmaker, Palace still needed about $2.35m to be able to fully finance the film. And they knew exactly who to go to. Stephen Woolley, the co-founder of Palace Pictures and the main producer on the film, would fly from London to New York City to personally pitch Harvey and Bob Weinstein. Woolley felt that of all the independent distributors in America, they would be the ones most attracted to the sexual and controversial nature of the story. A day later, Woolley was back on a plane to London. The Weinsteins had agreed to purchase the American distribution rights to Scandal for $2.35m. The film would spend two months shooting in the London area through the summer of 1988. Christine Keeler had no interest in the film, and refused to meet the now Joanne Whaley-Kilmer to talk about the affair, but Mandy Rice-Davies was more than happy to Bridget Fonda about her life, although the meetings between the two women were so secret, they would not come out until Woolley eulogized Rice-Davies after her 2014 death. Although Harvey and Bob would be given co-executive producers on the film, Miramax was not a production company on the film. This, however, did not stop Harvey from flying to London multiple times, usually when he was made aware of some sexy scene that was going to shoot the following day, and try to insinuate himself into the film's making. At one point, Woolley decided to take a weekend off from the production, and actually did put Harvey in charge. That weekend's shoot would include a skinny-dipping scene featuring the Christine Keeler character, but when Whaley-Kilmer learned Harvey was going to be there, she told the director that she could not do the nudity in the scene. Her new husband was objecting to it, she told them. Harvey, not skipping a beat, found a lookalike for the actress who would be willing to bare all as a body double, and the scene would begin shooting a few hours later. Whaley-Kilmer watched the shoot from just behind the camera, and stopped the shoot a few minutes later. She was not happy that the body double's posterior was notably larger than her own, and didn't want audiences to think she had that much junk in her trunk. The body double was paid for her day, and Whaley-Kilmer finished the rest of the scene herself. Caton-Jones and his editing team worked on shaping the film through the fall, and would screen his first edit of the film for Palace Pictures and the Weinsteins in November 1988. And while Harvey was very happy with the cut, he still asked the production team for a different edit for American audiences, noting that most Americans had no idea who Profumo or Keeler or Rice-Davies were, and that Americans would need to understand the story more right out of the first frame. Caton-Jones didn't want to cut a single frame, but he would work with Harvey to build an American-friendly cut. While he was in London in November 1988, he would meet with the producers of another British film that was in pre-production at the time that would become another important film to the growth of the company, but we're not quite at that part of the story yet. We'll circle around to that film soon. One of the things Harvey was most looking forward to going in to 1989 was the expected battle with the MPAA ratings board over Scandal. Ever since he had seen the brouhaha over Angel Heart's X rating two years earlier, he had been looking for a similar battle. He thought he had it with Aria in 1988, but he knew he definitely had it now. And he'd be right. In early March, just a few weeks before the film's planned April 21st opening day, the MPAA slapped an X rating on Scandal. The MPAA usually does not tell filmmakers or distributors what needs to be cut, in order to avoid accusations of actual censorship, but according to Harvey, they told him exactly what needed to be cut to get an R: a two second shot during an orgy scene, where it appears two background characters are having unsimulated sex. So what did Harvey do? He spent weeks complaining to the press about MPAA censorship, generating millions in free publicity for the film, all the while already having a close-up shot of Joanne Whaley-Kilmer's Christine Keeler watching the orgy but not participating in it, ready to replace the objectionable shot. A few weeks later, Miramax screened the “edited” film to the MPAA and secured the R rating, and the film would open on 94 screens, including 28 each in the New York City and Los Angeles metro regions, on April 28th. And while the reviews for the film were mostly great, audiences were drawn to the film for the Miramax-manufactured controversy as well as the key art for the film, a picture of a potentially naked Joanne Whaley-Kilmer sitting backwards in a chair, a mimic of a very famous photo Christine Keeler herself took to promote a movie about the Profumo affair she appeared in a few years after the events. I'll have a picture of both the Scandal poster and the Christine Keeler photo on this episode's page at The80sMoviePodcast.com Five other movies would open that weekend, including the James Belushi comedy K-9 and the Kevin Bacon drama Criminal Law, and Scandal, with $658k worth of ticket sales, would have the second best per screen average of the five new openers, just a few hundred dollars below the new Holly Hunter movie Miss Firecracker, which only opened on six screens. In its second weekend, Scandal would expand its run to 214 playdates, and make its debut in the national top ten, coming in tenth place with $981k. That would be more than the second week of the Patrick Dempsey rom-com Loverboy, even though Loverboy was playing on 5x as many screens. In weekend number three, Scandal would have its best overall gross and top ten placement, coming in seventh with $1.22m from 346 screens. Scandal would start to slowly fade after that, falling back out of the top ten in its sixth week, but Miramax would wisely keep the screen count under 375, because Scandal wasn't going to play well in all areas of the country. After nearly five months in theatres, Miramax would have its biggest film to date. Scandal would gross $8.8m. The second release from Millimeter Films was The Return of the Swamp Thing. And if you needed a reason why the 1980s was not a good time for comic book movies, here you are. The Return of the Swamp Thing took most of what made the character interesting in his comic series, and most of what was good from the 1982 Wes Craven adaptation, and decided “Hey, you know what would bring the kids in? Camp! Camp unseen in a comic book adaptation since the 1960s Batman series. They loved it then, they'll love it now!” They did not love it now. Heather Locklear, between her stints on T.J. Hooker and Melrose Place, plays the step-daughter of Louis Jourdan's evil Dr. Arcane from the first film, who heads down to the Florida swaps to confront dear old once presumed dead stepdad. He in turns kidnaps his stepdaughter and decides to do some of his genetic experiments on her, until she is rescued by Swamp Thing, one of Dr. Arcane's former co-workers who got turned into the gooey anti-hero in the first movie. The film co-stars Sarah Douglas from Superman 1 and 2 as Dr. Arcane's assistant, Dick Durock reprising his role as Swamp Thing from the first film, and 1980s B-movie goddess Monique Gabrielle as Miss Poinsettia. For director Jim Wynorski, this was his sixth movie as a director, and at $3m, one of the highest budgeted movies he would ever make. He's directed 107 movies since 1984, most of them low budget direct to video movies with titles like The Bare Wench Project and Alabama Jones and the Busty Crusade, although he does have one genuine horror classic under his belt, the 1986 sci-fi tinged Chopping Maul with Kelli Maroney and Barbara Crampton. Wynorski suggested in a late 1990s DVD commentary for the film that he didn't particularly enjoy making the film, and had a difficult time directing Louis Jourdan, to the point that outside of calling “action” and “cut,” the two didn't speak to each other by the end of the shoot. The Return of Swamp Thing would open in 123 theatres in the United States on May 12th, including 28 in the New York City metro region, 26 in the Los Angeles area, 15 in Detroit, and a handful of theatres in Phoenix, San Francisco. And, strangely, the newspaper ads would include an actual positive quote from none other than Roger Ebert, who said on Siskel & Ebert that he enjoyed himself, and that it was good to have Swamp Thing back. Siskel would not reciprocate his balcony partner's thumb up. But Siskel was about the only person who was positive on the return of Swamp Thing, and that box office would suffer. In its first three days, the film would gross just $119,200. After a couple more dismal weeks in theatres, The Return of Swamp Thing would be pulled from distribution, with a final gross of just $275k. Fun fact: The Return of Swamp Thing was produced by Michael E. Uslan, whose next production, another adaptation of a DC Comics character, would arrive in theatres not six weeks later and become the biggest film of the summer. In fact, Uslan has been a producer or executive producer on every Batman-related movie and television show since 1989, from Tim Burton to Christopher Nolan to Zack Snyder to Matt Reeves, and from LEGO movies to Joker. He also, because of his ownership of the movie rights to Swamp Thing, got the movie screen rights, but not the television screen rights, to John Constantine. Miramax didn't have too much time to worry about The Return of Swamp Thing's release, as it was happening while the Brothers Weinstein were at the 1989 Cannes Film Festival. They had two primary goals at Cannes that year: To buy American distribution rights to any movie that would increase their standing in the cinematic worldview, which they would achieve by picking up an Italian dramedy called, at the time, New Paradise Cinema, which was competing for the Palme D'Or with a Miramax pickup from Sundance back in January. Promote that very film, which did end up winning the Palme D'Or. Ever since he was a kid, Steven Soderbergh wanted to be a filmmaker. Growing up in Baton Rouge, LA in the late 1970s, he would enroll in the LSU film animation class, even though he was only 15 and not yet a high school graduate. After graduating high school, he decided to move to Hollywood to break into the film industry, renting an above-garage room from Stephen Gyllenhaal, the filmmaker best known as the father of Jake and Maggie, but after a few freelance editing jobs, Soderbergh packed up his things and headed home to Baton Rouge. Someone at Atco Records saw one of Soderbergh's short films, and hired him to direct a concert movie for one of their biggest bands at the time, Yes, who was enjoying a major comeback thanks to their 1983 triple platinum selling album, 90125. The concert film, called 9012Live, would premiere on MTV in late 1985, and it would be nominated for a Grammy Award for Best Long Form Music Video. Soderbergh would use the money he earned from that project, $7,500, to make Winston, a 12 minute black and white short about sexual deception that he would, over the course of an eight day driving trip from Baton Rouge to Los Angeles, expand to a full length screen that he would call sex, lies and videotape. In later years, Soderbergh would admit that part of the story is autobiographical, but not the part you might think. Instead of the lead, Graham, an impotent but still sexually perverse late twentysomething who likes to tape women talking about their sexual fantasies for his own pleasure later, Soderbergh based the husband John, the unsophisticated lawyer who cheats on his wife with her sister, on himself, although there would be a bit of Graham that borrows from the filmmaker. Like his lead character, Soderbergh did sell off most of his possessions and hit the road to live a different life. When he finished the script, he sent it out into the wilds of Hollywood. Morgan Mason, the son of actor James Mason and husband of Go-Go's lead singer Belinda Carlisle, would read it and sign on as an executive producer. Soderbergh had wanted to shoot the film in black and white, like he had with the Winston short that lead to the creation of this screenplay, but he and Mason had trouble getting anyone to commit to the project, even with only a projected budget of $200,000. For a hot moment, it looked like Universal might sign on to make the film, but they would eventually pass. Robert Newmyer, who had left his job as a vice president of production and acquisitions at Columbia Pictures to start his own production company, signed on as a producer, and helped to convince Soderbergh to shoot the film in color, and cast some name actors in the leading roles. Once he acquiesced, Richard Branson's Virgin Vision agreed to put up $540k of the newly budgeted $1.2m film, while RCA/Columbia Home Video would put up the remaining $660k. Soderbergh and his casting director, Deborah Aquila, would begin their casting search in New York, where they would meet with, amongst others, Andie MacDowell, who had already starred in two major Hollywood pictures, 1984's Greystoke: The Legend of Tarzan, Lord of the Apes, and 1985's St. Elmo's Fire, but was still considered more of a top model than an actress, and Laura San Giacomo, who had recently graduated from the Carnegie Mellon School of Drama in Pittsburgh and would be making her feature debut. Moving on to Los Angeles, Soderbergh and Aquila would cast James Spader, who had made a name for himself as a mostly bad guy in 80s teen movies like Pretty in Pink and Less Than Zero, but had never been the lead in a drama like this. At Spader's suggestion, the pair met with Peter Gallagher, who was supposed to become a star nearly a decade earlier from his starring role in Taylor Hackford's The Idolmaker, but had mostly been playing supporting roles in television shows and movies for most of the decade. In order to keep the budget down, Soderbergh, the producers, cinematographer Walt Lloyd and the four main cast members agreed to get paid their guild minimums in exchange for a 50/50 profit participation split with RCA/Columbia once the film recouped its costs. The production would spend a week in rehearsals in Baton Rouge, before the thirty day shoot began on August 1st, 1988. On most days, the shoot was unbearable for many, as temperatures would reach as high as 110 degrees outside, but there were a couple days lost to what cinematographer Lloyd said was “biblical rains.” But the shoot completed as scheduled, and Soderbergh got to the task of editing right away. He knew he only had about eight weeks to get a cut ready if the film was going to be submitted to the 1989 U.S. Film Festival, now better known as Sundance. He did get a temporary cut of the film ready for submission, with a not quite final sound mix, and the film was accepted to the festival. It would make its world premiere on January 25th, 1989, in Park City UT, and as soon as the first screening was completed, the bids from distributors came rolling in. Larry Estes, the head of RCA/Columbia Home Video, would field more than a dozen submissions before the end of the night, but only one distributor was ready to make a deal right then and there. Bob Weinstein wasn't totally sold on the film, but he loved the ending, and he loved that the word “sex” not only was in the title but lead the title. He knew that title alone would sell the movie. Harvey, who was still in New York the next morning, called Estes to make an appointment to meet in 24 hours. When he and Estes met, he brought with him three poster mockups the marketing department had prepared, and told Estes he wasn't going to go back to New York until he had a contract signed, and vowed to beat any other deal offered by $100,000. Island Pictures, who had made their name releasing movies like Stop Making Sense, Kiss of the Spider-Woman, The Trip to Bountiful and She's Gotta Have It, offered $1m for the distribution rights, plus a 30% distribution fee and a guaranteed $1m prints and advertising budget. Estes called Harvey up and told him what it would take to make the deal. $1.1m for the distribution rights, which needed to paid up front, a $1m P&A budget, to be put in escrow upon the signing of the contract until the film was released, a 30% distribution fee, no cutting of the film whatsoever once Soderbergh turns in his final cut, they would need to provide financial information for the films costs and returns once a month because of the profit participation contracts, and the Weinsteins would have to hire Ira Deutchman, who had spent nearly 15 years in the independent film world, doing marketing for Cinema 5, co-founding United Artists Classics, and co-founding Cinecom Pictures before opening his own company to act as a producers rep and marketer. And the Weinsteins would not only have to do exactly what Deutchman wanted, they'd have to pay for his services too. The contract was signed a few weeks later. The first move Miramax would make was to get Soderbergh's final cut of the film entered into the Cannes Film Festival, where it would be accepted to compete in the main competition. Which you kind of already know what happened, because that's what I lead with. The film would win the Palme D'Or, and Spader would be awarded the festival's award for Best Actor. It was very rare at the time, and really still is, for any film to be awarded more than one prize, so winning two was really a coup for the film and for Miramax, especially when many critics attending the festival felt Spike Lee's Do the Right Thing was the better film. In March, Miramax expected the film to make around $5-10m, which would net the company a small profit on the film. After Cannes, they were hopeful for a $15m gross. They never expected what would happen next. On August 4th, sex, lies, and videotape would open on four screens, at the Cinema Studio in New York City, and at the AMC Century 14, the Cineplex Beverly Center 13 and the Mann Westwood 4 in Los Angeles. Three prime theatres and the best they could do in one of the then most competitive zones in all America. Remember, it's still the Summer 1989 movie season, filled with hits like Batman, Dead Poets Society, Ghostbusters 2, Indiana Jones and the Last Crusade, Honey I Shrunk the Kids, Lethal Weapon 2, Parenthood, Turner & Hooch, and When Harry Met Sally. An independent distributor even getting one screen at the least attractive theatre in Westwood was a major get. And despite the fact that this movie wasn't really a summertime movie per se, the film would gross an incredible $156k in its first weekend from just these four theatres. Its nearly $40k per screen average would be 5x higher than the next closest film, Parenthood. In its second weekend, the film would expand to 28 theatres, and would bring in over $600k in ticket sales, its per screen average of $21,527 nearly triple its closest competitor, Parenthood again. The company would keep spending small, as it slowly expanded the film each successive week. Forty theatres in its third week, and 101 in its fourth. The numbers held strong, and in its fifth week, Labor Day weekend, the film would have its first big expansion, playing in 347 theatres. The film would enter the top ten for the first time, despite playing in 500 to 1500 fewer theatres than the other films in the top ten. In its ninth weekend, the film would expand to its biggest screen count, 534, before slowly drawing down as the other major Oscar contenders started their theatrical runs. The film would continue to play through the Oscar season of 1989, and when it finally left theatres in May 1989, its final gross would be an astounding $24.7m. Now, remember a few moments ago when I said that Miramax needed to provide financial statements every month for the profit participation contracts of Soderbergh, the producers, the cinematographer and the four lead actors? The film was so profitable for everyone so quickly that RCA/Columbia made its first profit participation payouts on October 17th, barely ten weeks after the film's opening. That same week, Soderbergh also made what was at the time the largest deal with a book publisher for the writer/director's annotated version of the screenplay, which would also include his notes created during the creation of the film. That $75,000 deal would be more than he got paid to make the movie as the writer and the director and the editor, not counting the profit participation checks. During the awards season, sex, lies, and videotape was considered to be one of the Oscars front runners for Best Picture, Best Director, Best Screenplay and at least two acting nominations. The film would be nominated for Best Picture, Best Actress and Best Supporting Actress by the Golden Globes, and it would win the Spirit Awards for Best Picture, Soderbergh for Best Director, McDowell for Best Actress, and San Giacomo for Best Supporting Actress. But when the Academy Award nominations were announced, the film would only receive one nomination, for Best Original Screenplay. The same total and category as Spike Lee's Do the Right Thing, which many people also felt had a chance for a Best Picture and Best Director nomination. Both films would lose out to Tom Shulman's screenplay for Dead Poet's Society. The success of sex, lies, and videotape would launch Steven Soderbergh into one of the quirkiest Hollywood careers ever seen, including becoming the first and only director ever to be nominated twice for Best Director in the same year by the Motion Picture Academy, the Golden Globes and the Directors Guild of America, in 2001 for directing Erin Brockovich and Traffic. He would win the Oscar for directing Traffic. Lost in the excitement of sex, lies, and videotape was The Little Thief, a French movie that had an unfortunate start as the screenplay François Truffaut was working on when he passed away in 1984 at the age of just 52. Directed by Claude Miller, whose principal mentor was Truffaut, The Little Thief starred seventeen year old Charlotte Gainsbourg as Janine, a young woman in post-World War II France who commits a series of larcenies to support her dreams of becoming wealthy. The film was a modest success in France when it opened in December 1988, but its American release date of August 25th, 1989, was set months in advance. So when it was obvious sex, lies, and videotape was going to be a bigger hit than they originally anticipated, it was too late for Miramax to pause the release of The Little Thief. Opening at the Lincoln Plaza Cinemas in New York City, and buoyed by favorable reviews from every major critic in town, The Little Thief would see $39,931 worth of ticket sales in its first seven days, setting a new house record at the theatre for the year. In its second week, the gross would only drop $47. For the entire week. And when it opened at the Royal Theatre in West Los Angeles, its opening week gross of $30,654 would also set a new house record for the year. The film would expand slowly but surely over the next several weeks, often in single screen playdates in major markets, but it would never play on more than twenty-four screens in any given week. And after four months in theatres, The Little Thief, the last movie created one of the greatest film writers the world had ever seen, would only gross $1.056m in the United States. The next three releases from Miramax were all sent out under the Millimeter Films banner. The first, a supernatural erotic drama called The Girl in a Swing, was about an English antiques dealer who travels to Copenhagen where he meets and falls in love with a mysterious German-born secretary, whom he marries, only to discover a darker side to his new bride. Rupert Frazer, who played Christian Bale's dad in Steven Spielberg's Empire of the Sun, plays the antique dealer, while Meg Tilly the mysterious new bride. Filmed over a five week schedule in London and Copenhagen during May and June 1988, some online sources say the film first opened somewhere in California in December 1988, but I cannot find a single theatre not only in California but anywhere in the United States that played the film before its September 29th, 1989 opening date. Roger Ebert didn't like the film, and wished Meg Tilly's “genuinely original performance” was in a better movie. Opening in 26 theatres, including six theatres each in New York City and Los Angeles, and spurred on by an intriguing key art for the film that featured a presumed naked Tilly on a swing looking seductively at the camera while a notice underneath her warns that No One Under 18 Will Be Admitted To The Theatre, The Girl in a Swing would gross $102k, good enough for 35th place nationally that week. And that's about the best it would do. The film would limp along, moving from market to market over the course of the next three months, and when its theatrical run was complete, it could only manage about $747k in ticket sales. We'll quickly burn through the next two Millimeter Films releases, which came out a week apart from each other and didn't amount to much. Animal Behavior was a rather unfunny comedy featuring some very good actors who probably signed on for a very different movie than the one that came to be. Karen Allen, Miss Marion Ravenwood herself, stars as Alex, a biologist who, like Dr. Jane Goodall, develops a “new” way to communicate with chimpanzees via sign language. Armand Assante plays a cellist who pursues the good doctor, and Holly Hunter plays the cellist's neighbor, who Alex mistakes for his wife. Animal Behavior was filmed in 1984, and 1985, and 1987, and 1988. The initial production was directed by Jenny Bowen with the assistance of Robert Redford and The Sundance Institute, thanks to her debut film, 1981's Street Music featuring Elizabeth Daily. It's unknown why Bowen and her cinematographer husband Richard Bowen left the project, but when filming resumed again and again and again, those scenes were directed by the film's producer, Kjehl Rasmussen. Because Bowen was not a member of the DGA at the time, she was not able to petition the guild for the use of the Alan Smithee pseudonym, a process that is automatically triggered whenever a director is let go of a project and filming continues with its producer taking the reigns as director. But she was able to get the production to use a pseudonym anyway for the director's credit, H. Anne Riley, while also giving Richard Bowen a pseudonym of his own for his work on the film, David Spellvin. Opening on 24 screens on October 27th, Animal Behavior would come in 50th place in its opening weekend, grossing just $20,361. The New York film critics ripped the film apart, and there wouldn't be a second weekend for the film. The following Friday, November 3rd, saw the release of The Stepfather II, a rushed together sequel to 1987's The Stepfather, which itself wasn't a big hit in theatres but found a very quick and receptive audience on cable. Despite dying at the end of the first film, Terry O'Quinn's Jerry is somehow still alive, and institutionalized in Northern Washington state. He escapes and heads down to Los Angeles, where he assumes the identity of a recently deceased publisher, Gene Clifford, but instead passes himself off as a psychiatrist. Jerry, now Gene, begins to court his neighbor Carol, and the whole crazy story plays out again. Meg Foster plays the neighbor Carol, and Jonathan Brandis is her son. Director Jeff Burr had made a name for himself with his 1987 horror anthology film From a Whisper to a Scream, featuring Vincent Price, Clu Gulager and Terry Kiser, and from all accounts, had a very smooth shooting process with this film. The trouble began when he turned in his cut to the producers. The producers were happy with the film, but when they sent it to Miramax, the American distributors, they were rather unhappy with the almost bloodless slasher film. They demanded reshoots, which Burr and O'Quinn refused to participate in. They brought in a new director, Doug Campbell, to handle the reshoots, which are easy to spot in the final film because they look and feel completely different from the scenes they're spliced into. When it opened, The Stepfather II actually grossed slightly more than the first film did, earning $279k from 100 screens, compared to $260k for The Stepfather from 105 screens. But unlike the first film, which had some decent reviews when it opened, the sequel was a complete mess. To this day, it's still one of the few films to have a 0% approval rating on Rotten Tomatoes, and The Stepfather II would limp its way through theatres during the Christmas holiday season, ending its run with a $1.5m gross. But it would be their final film of the decade that would dictate their course for at least the first part of the 1990s. Remember when I said earlier in the episode that Harvey Weinstein meant with the producers of another British film while in London for Scandal? We're at that film now, a film you probably know. My Left Foot. By November 1988, actor Daniel Day-Lewis had starred in several movies including James Ivory's A Room With a View and Philip Kaufman's The Unbearable Lightness of Being. He had even been the lead in a major Hollywood studio film, Pat O'Connor's Stars and Bars, a very good film that unfortunately got caught up in the brouhaha over the exit of the studio head who greenlit the film, David Puttnam. The film's director, Jim Sheridan, had never directed a movie before. He had become involved in stage production during his time at the University College in Dublin in the late 1960s, where he worked with future filmmaker Neil Jordan, and had spent nearly a decade after graduation doing stage work in Ireland and Canada, before settling in New York City in the early 1980s. Sheridan would go to New York University's Tisch School of the Arts, where one of his classmates was Spike Lee, and return to Ireland after graduating. He was nearly forty, married with two pre-teen daughters, and he needed to make a statement with his first film. He would find that story in the autobiography of Irish writer and painter Christy Brown, whose spirit and creativity could not be contained by his severe cerebral palsy. Along with Irish actor and writer Shane Connaughton, Sheridan wrote a screenplay that could be a powerhouse film made on a very tight budget of less than a million dollars. Daniel Day-Lewis was sent a copy of the script, in the hopes he would be intrigued enough to take almost no money to play a physically demanding role. He read the opening pages, which had the adult Christy Brown putting a record on a record player and dropping the needle on to the record with his left foot, and thought to himself it would be impossible to film. That intrigued him, and he signed on. But during filming in January and February of 1989, most of the scenes were shot using mirrors, as Day-Lewis couldn't do the scenes with his left foot. He could do them with his right foot, hence the mirrors. As a method actor, Day-Lewis remained in character as Christy Brown for the entire two month shoot. From costume fittings and makeup in the morning, to getting the actor on set, to moving him around between shots, there were crew members assigned to assist the actor as if they were Christy Brown's caretakers themselves, including feeding him during breaks in shooting. A rumor debunked by the actor years later said Day-Lewis had broken two ribs during production because of how hunched down he needed to be in his crude prop wheelchair to properly play the character. The actor had done a lot of prep work to play the role, including spending time at the Sandymount School Clinic where the young Christy Brown got his education, and much of his performance was molded on those young people. While Miramax had acquired the American distribution rights to the film before it went into production, and those funds went into the production of the film, the film was not produced by Miramax, nor were the Weinsteins given any kind of executive producer credit, as they were able to get themselves on Scandal. My Left Foot would make its world premiere at the Montreal World Film Festival on September 4th, 1989, followed soon thereafter by screening at the Toronto International Film Festival on September 13th and the New York Film Festival on September 23rd. Across the board, critics and audiences were in love with the movie, and with Daniel Day-Lewis's performance. Jim Sheridan would receive a special prize at the Montreal World Film Festival for his direction, and Day-Lewis would win the festival's award for Best Actor. However, as the film played the festival circuit, another name would start to pop up. Brenda Fricker, a little known Irish actress who played Christy Brown's supportive but long-suffering mother Bridget, would pile up as many positive notices and awards as Day-Lewis. Although there was no Best Supporting Actress Award at the Montreal Film Festival, the judges felt her performance was deserving of some kind of attention, so they would create a Special Mention of the Jury Award to honor her. Now, some sources online will tell you the film made its world premiere in Dublin on February 24th, 1989, based on a passage in a biography about Daniel Day-Lewis, but that would be impossible as the film would still be in production for two more days, and wasn't fully edited or scored by then. I'm not sure when it first opened in the United Kingdom other than sometime in early 1990, but My Left Foot would have its commercial theatre debut in America on November 10th, when opened at the Lincoln Plaza Cinemas in New York City and the Century City 14 in Los Angeles. Sheila Benson of the Los Angeles Times would, in the very opening paragraph of her review, note that one shouldn't see My Left Foot for some kind of moral uplift or spiritual merit badge, but because of your pure love of great moviemaking. Vincent Canby's review in the New York Times spends most of his words praising Day-Lewis and Sheridan for making a film that is polite and non-judgmental. Interestingly, Miramax went with an ad campaign that completely excluded any explanation of who Christy Brown was or why the film is titled the way it is. 70% of the ad space is taken from pull quotes from many of the top critics of the day, 20% with the title of the film, and 10% with a picture of Daniel Day-Lewis, clean shaven and full tooth smile, which I don't recall happening once in the movie, next to an obviously added-in picture of one of his co-stars that is more camera-friendly than Brenda Fricker or Fiona Shaw. Whatever reasons people went to see the film, they flocked to the two theatres playing the film that weekend. It's $20,582 per screen average would be second only to Kenneth Branagh's Henry V, which had opened two days earlier, earning slightly more than $1,000 per screen than My Left Foot. In week two, My Left Foot would gross another $35,133 from those two theatres, and it would overtake Henry V for the highest per screen average. In week three, Thanksgiving weekend, both Henry V and My Left Foot saw a a double digit increase in grosses despite not adding any theatres, and the latter film would hold on to the highest per screen average again, although the difference would only be $302. And this would continue for weeks. In the film's sixth week of release, it would get a boost in attention by being awarded Best Film of the Year by the New York Film Critics Circle. Daniel Day-Lewis would be named Best Actor that week by both the New York critics and the Los Angeles Film Critics Association, while Fricker would win the Best Supporting Actress award from the latter group. But even then, Miramax refused to budge on expanding the film until its seventh week of release, Christmas weekend, when My Left Foot finally moved into cities like Chicago and San Francisco. Its $135k gross that weekend was good, but it was starting to lose ground to other Oscar hopefuls like Born on the Fourth of July, Driving Miss Daisy, Enemies: A Love Story, and Glory. And even though the film continued to rack up award win after award win, nomination after nomination, from the Golden Globes and the Writers Guild and the National Society of Film Critics and the National Board of Review, Miramax still held firm on not expanding the film into more than 100 theatres nationwide until its 16th week in theatres, February 16th, 1990, two days after the announcement of the nominees for the 62nd Annual Academy Awards. While Daniel Day-Lewis's nomination for Best Actor was virtually assured and Brenda Fricker was practically a given, the film would pick up three other nominations, including surprise nominations for Best Picture and Best Director. Jim Sheridan and co-writer Shane Connaughton would also get picked for Best Adapted Screenplay. Miramax also picked up a nomination for Best Original Screenplay for sex, lies, and videotape, and a Best Foreign Language Film nod for the Italian movie Cinema Paradiso, which, thanks to the specific rules for that category, a film could get a nomination before actually opening in theatres in America, which Miramax would rush to do with Paradiso the week after its nomination was announced. The 62nd Academy Awards ceremony would be best remembered today as being the first Oscar show to be hosted by Billy Crystal, and for being considerably better than the previous year's ceremony, a mess of a show best remembered as being the one with a 12 minute opening musical segment that included Rob Lowe singing Proud Mary to an actress playing Snow White and another nine minute musical segment featuring a slew of expected future Oscar winners that, to date, feature exact zero Oscar nominees, both which rank as amongst the worst things to ever happen to the Oscars awards show. The ceremony, held on March 26th, would see My Left Foot win two awards, Best Actor and Best Supporting Actress, as well as Cinema Paradiso for Best Foreign Film. The following weekend, March 30th, would see Miramax expand My Left Foot to 510 theatres, its widest point of release, and see the film made the national top ten and earn more than a million dollars for its one and only time during its eight month run. The film would lose steam pretty quickly after its post-win bump, but it would eek out a modest run that ended with $14.75m in ticket sales just in the United States. Not bad for a little Irish movie with no major stars that cost less than a million dollars to make. Of course, the early 90s would see Miramax fly to unimagined heights. In all of the 80s, Miramax would release 39 movies. They would release 30 films alone in 1991. They would release the first movies from Jean-Pierre Jeunet, Quentin Tarantino and Kevin Smith. They'd release some of the best films from some of the best filmmakers in the world, including Woody Allen, Pedro Almadovar, Robert Altman, Bernardo Bertolucci, Atom Egoyan, Steven Frears, Peter Greenaway, Peter Jackson, Neil Jordan, Chen Kaige, Krzysztof Kieślowski, Lars von Trier, and Zhang Yimou. In 1993, the Mexican dramedy Like Water for Chocolate would become the highest grossing foreign language film ever released in America, and it would play in some theatres, including my theatre, the NuWilshire in Santa Monica, continuously for more than a year. If you've listened to the whole series on the 1980s movies of Miramax Films, there are two things I hope you take away. First, I hope you discovered at least one film you hadn't heard of before and you might be interested in searching out. The second is the reminder that neither Bob nor Harvey Weinstein will profit in any way if you give any of the movies talked about in this series a chance. They sold Miramax to Disney in June 1993. They left Miramax in September 2005. Many of the contracts for the movies the company released in the 80s and 90s expired decades ago, with the rights reverting back to their original producers, none of whom made any deals with the Weinsteins once they got their rights back. Harvey Weinstein is currently serving a 23 year prison sentence in upstate New York after being found guilty in 2020 of two sexual assaults. Once he completes that sentence, he'll be spending another 16 years in prison in California, after he was convicted of three sexual assaults that happened in Los Angeles between 2004 and 2013. And if the 71 year old makes it to 107 years old, he may have to serve time in England for two sexual assaults that happened in August 1996. That case is still working its way through the British legal system. Bob Weinstein has kept a low profile since his brother's proclivities first became public knowledge in October 2017, although he would also be accused of sexual harassment by a show runner for the brothers' Spike TV-aired adaptation of the Stephen King novel The Mist, several days after the bombshell articles came out about his brother. However, Bob's lawyer, the powerful attorney to the stars Bert Fields, deny the allegations, and it appears nothing has occurred legally since the accusations were made. A few weeks after the start of the MeToo movement that sparked up in the aftermath of the accusations of his brother's actions, Bob Weinstein denied having any knowledge of the nearly thirty years of documented sexual abuse at the hands of his brother, but did allow to an interviewer for The Hollywood Reporter that he had barely spoken to Harvey over the previous five years, saying he could no longer take Harvey's cheating, lying and general attitude towards everyone. And with that, we conclude our journey with Miramax Films. While I am sure Bob and Harvey will likely pop up again in future episodes, they'll be minor characters at best, and we'll never have to focus on anything they did ever again. Thank you for joining us. We'll talk again soon, when Episode 119 is released. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
The pill, Profumo, pornography. Love, liberation and libido. Larkin, Lady Chatterley, Lolita, *No era in recent history has been both more celebrated and more vilified than the 1960s. *For some it was a time when music, fashion and drugs enabled young people to express their individuality and freedom and their hopes and dreams of a better world. For others, it marked the advent of the permissive society, the undermining of authority, family values and common decency. *And at the heart of this continuing controversy was ..sex. *PETER DOGGET, journalist, cultural critic and writer, whose book 'Growing Up: Sex in the 60s' takes an unflinching look at the dark underbelly of the sexual revolution, came into the Bureau to explain that while the orgiastic hedonism, ever-changing partners and polymorphous perversity of countercultural myth was enjoyed by a tiny minority, the vast majority of the British population could only gawp from the sidelines, still living in a world with a moral code that stretched back to the Victorian Age. We talk about the battle between two opposing forces: the urge to free the body from guilt, and the desire to control, cannibalise and exploit that liberation for profit or pleasure - plus VD, groupies, The Beatles miniskirts, Germaine Greer and Jane Birkin (RIP). *For more on Peter and his work *Get our Counterculture newsletter *The Bureau of Lost Culture Home #sex #counterculture #sexualrevolution #sexualliberation #libido #permissivesociety #thepill #miniskirt #hippie #commune #blowup #janebirkin #sergegainsbourg #nabokov #freelove #sohoradio
Benvenuti ai 4 Vangeli-letture in 1 anno 5 gg a settimanaOggi: Il flacone di costoso profumoGesù è tradito ed arrestato14 Due giorni dopo cominciava il rito della Pasqua, una festa annuale ebraica durante la quale non si mangia pane lievitato. I primi sacerdoti e gli altri capi giudei cercavano un modo per arrestare Gesù con lʼinganno, per poi ucciderlo.2 «Ma non possiamo durante la Pasqua», dicevano, «altrimenti ci sarà un tumulto!»3 Nel frattempo Gesù era a Betania, nella casa di Simone il lebbroso. Mentre erano a tavola, una donna entrò, portando un flacone di costoso profumo. Rotto il sigillo, la donna versò il profumo sul capo di Gesù.4-5 Alcuni dei commensali erano indignati per questo spreco, almeno così parve a loro.«Ma perché lo ha fatto? Avrebbe potuto vendere quel profumo per più di trecento monete, e poi dare il denaro ai poveri!» mugugnavano, e ce lʼavevano a morte con lei. 6 Gesù allora disse: «Lasciatela in pace! Perché la criticate per una buona azione? 7 Ci saranno sempre dei poveri fra voi, che avranno molto bisogno del vostro aiuto e che potrete soccorrere quando vorrete, mentre io non sarò qui ancora per molto.8 Questa donna ha fatto ciò che poteva: ha profumato il mio corpo anzitempo per la sepoltura. 9 E aggiungo questo in tutta verità, che ovunque il Vangelo sarà predicato nel mondo, ci si ricorderà di questa donna e di ciò che ha fatto».10 Allora Giuda Iscariota, uno dei discepoli, si recò dai capi sacerdoti per mettersi dʼaccordo con loro ed aiutarli ad arrestare Gesù.11 Quando i capi sacerdoti seppero perché era venuto, ne furono molto felici e gli promisero una ricompensa. Così Giuda cominciò a cercare il momento e il posto favorevole per tradire Gesù.Support the show
In this week's episode:Gustavo Petro calls for an end to free markets and laments the fall of the Berlin Wall – original video of his speech here. Berlin government information on the Berlin Wall and its victims here. Marta Lucia Ramirez implicated in unfolding Italian bribes scandal, while her husband's firm is involved in a legally imperiled construction project in San Andrés, Colombia. Original article where she went after an investigative journalist for exposing her family ties to accused paramilitary drug trafficker Memo Fantasma can be read here. Guerillas make fools of the Colombian government, building roads and acting as the de-facto government, even building roads and operating openly in Tibú, Colombia with no formal government presence or opposition.Update on the evolving scandal involving Petro's former chief of staff and ambassador to VenezuelaRumors of a possible resurrection of Ultra Air Thanks to our sponsors:Tecnoglass & ES Windows https://www.tecnoglass.com/ Lord Tailors & Custom Clothiers, Medellin (Whatsapp) +57 300 519-0302Lord Tailors promo music: Winter Winds by Dee Yan-Key
Eine wahre Geschichte wie ein Agententhriller: ein Callgirl-Ring, ein westlicher Kriegsminister, diverse Liebhaber und ein russischer Spion inmitten des Kalten Krieges. Am Ende steht ein Skandal, der in Großbritannien das Vertrauen in die Politik nachhaltig erschüttert. Autor: Ulrich Biermann Von Ulrich Biermann.
We've been flitting to-and-fro' fragrant happenings these past few days, and have all manner of exciting things to report back on, including the wonderful @roadsgroup showcase (where @fragrantmaven fell in love with two in particular…), then the pasta making lols (and amazing, layerable scents) we experienced @themerchantofvenice Accordi di Profumo evening. Next up, @outspokenbeautynicola had an awe-inspiring tropical breakfast while learning about @granadobrazil (and making a highly praised terrarium!) and Suzy got to visit the scented splendours of @therhs Chelsea Flower Show for the first time, thanks to a kind invite from @diptyque. All that, plus some of your Perfume Prescription questions. Phew!In this episode we mention…@themerchantofvenice Neroli Marocco / Vaniglia Madagascar@floralstreet_ Perfume School experience @lush Furze@jorumstudio Gorseland@laboratoryperfumes Gorse@thameenfragrance Fanfare@ruthmastenbroekperfume Dagian@roadsgroup Cloud 9@guerlain L'Art & La Matière Musc Outreblanc
The Profumo affair is the scandal that has everything: sex parties in high places, Soviet agents, political resignations, dramatic court cases, drugs, deaths, cover ups and endless tabloid excitement, all at a critical moment in the Cold War and when, in London, the sixties are beginning to swing.But after so many years how much is here still to learn about the tangled relationships between John Profumo, Christine Keeler, Stephen Ward, Mandy Rice-Davies and Yevgeny Ivanov? And were other very highly placed men protected by an Inquiry so opaque that key documents are still kept under lock and key and will be for many decades to come?Our guest Stephen Dorril has written The Secret Worlds of Stephen Ward: Sex, Scandal and Deadly Secrets in the Profumo Affair (with Anthony Summers), and is author of MI6: Fifty years of Special Operations, which remains the definitive account of the UK's post-war secret intelligence service.Purchase Stephen Dorill's book below...MI6: Fifty Years of Special Operations.www.amazon.co.uk/gp/product/1857027019/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i1Andrew Lownie.twitter.com/andrewlowniePhil Craig.twitter.com/philmcraigYou can get in touch with the show hosts via...team@podcastworld.org (place 'Scandal Mongers' in the heading please)This show is part of the PodcastWorld.org network. For your own show please get in contact via the email address above.Production byTheo XKerem Isik Hosted on Acast. See acast.com/privacy for more information.
Summary Henry Schlesinger (Rare Bird Books) joins Andrew (Twitter; LinkedIn) to discuss two of the most mysterious and alluring forces in human history: sex and spying. He is a journalist and author proudly based out of NYC. What You'll Learn Intelligence The impact of sexpionage on history Debunking common “honey trap” myths Examples of weaponized seduction and leveraged love Cyber honey traps and digital sexpionage Reflections Psychological implications of love and lies The relationship between pop culture myths and historical truth And much, much more … Episode Notes Sex. Espionage. Sometimes they both overlap by accident...but sometimes it's entirely intentional. From Samson and Delilah in the Bible to the Profumo Affair that rocked British society in the 1960's, they are a heady and dramatic combination. But how is sex used in modern espionage? How do the professionals combine them, if indeed they do? What myths surround the use of both? How have men and women used sex and seduction to spy? To answer these questions and more, Andrew sat down with Henry Schlesinger to discuss his newest book, Honey Trapped: Sex, Betrayal, and Weaponized Love, which explores the fascinating relationship between sex and spying. And… You know about Benjamin Franklin in Paris as a “bon vivant, wily diplomat and aging lion,” but read Henry's article about him as the “Founding Forger” engaged in disinformation and fake news during the Revolution! Quote of the Week “The thing about espionage is that it encompasses the best in human beings and the worst and everything in between.” – Henry Schlesinger. Resources SURFACE SKIM *Andrew's Recommendation* “Security Implications of Polygraph Derived Homesexual Fantasies” See how much social mores have changed since 1985 *Featured Resource* Honey Trapped: Sex, Betrayal, and Love, Henry R. Schlesinger (Rare Bird, 2022) *Beginner Resources* The Stasi Spies Who Traded Sex for Secrets, Oliver Moody, The Times (2022) [Article] Romeo Spies, CIA (2018) [Article] The Brilliant MI6 Spy Who Perfected the Art of the ‘Honey Trap', Hadley Meares, Atlas Obscura (2017) [Article] The History of the Honey Trap, Philip Knightly, Foreign Policy (2010) [Article] DEEPER DIVE *SpyCasts* Mata Hari, The Spy with Dr. Julie Wheelwright (2019) Sexpionage with H. Keith Melton (2009) *Books* The Last Goodnight: A World War II Story of Espionage, & Betrayal, H. Blum (Harper, 2017) In the Garden of Beasts, E. Larson (Crown, 2011) Stalin's Romeo Spy, E. Draitser (Northwestern, 2010) Femme Fatale: Love, Lies, and Mata Hari, P. Shipman (Harper, 2008) *Articles* MEA staffer ‘honey trapped': What's the role of sex in spying?, A. Bhaskar, The Indian Express (2022) The making of an iconic image: Christine Keeler, 1963, Victoria and Albert Museum (n.d.) Christine Keeler obituary: the woman at the heart of the Profumo affair, P. Sanford, The Guardian (2017) The Honeytrap That Ensnared One Marine in a Sexpionage Case, C. Burgess, ClearanceJobs (2022) How to Use Sex Like a Russian Spy, P. Sullivan, Foreign Policy (2010) *Video* Spy History: King Goujian and the Boiled Seeds (2021) [Short Story] Spies & Spymasters Happy Hour | Soviet Romeo Spy Dmitri Bystrolyotov (2020) [SPY Program] The Spy Who Loved Me: When East German Spies Broke Hearts In The Cold War (2017) [Documentary] *Primary Sources* Delilah Betrays Samson, Judges 16, The Bible Sexpionage: Why We Can't Resist Those KGB Sirens, M. Dobbs, The Washington Post (1987) CIA Cover Exposed in Ghana, S. Meddis, USA Today (1985) Spying Casts Shadow Over Talks, R. Beeston & B. Gertz, The Washington Times (1987) Soviets Still Employed at Embassy in Moscow, B. Gertz, The Washington Times (1987) Testimony of George Karlin aka Yuri Krotkov (1969) *Wildcard Resource* From Russia With Love (1963) Bond: Honey Trapped or Honey Trapper? A little bit of both!
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