Podcasts about Like Minds

Episode #330 | Big Strange Vacation Week 2! Greg Hess (MEGA, Like Minds) returns to discuss the time he visited CERN and Massachusetts' window of High Strangeness: “The Bridgewater Triangle.” Plus: was Bigfoot recently spotted in Michigan? And just who is in charge of the accents on this show?? Listen Ad-Free:⁠ Patreon.com/bigfootcollectorsclub⁠ Watch This Episode on YouTube: https://www.youtube.com/@bigfootcollectorsclub⁠ Bigfoot in Michigan? ⁠New BCC Merch ⁠ ⁠Michael's eBay Shop⁠ BCC is Brought to You by... Remi - Go to shopremi.com/BCC and use code BCC at checkout. Miracle - Go to https://trymiracle.com/BCC and use the code BCC to claim your FREE 3 PIECE TOWEL SET and SAVE over 40% OFF Hims - Start your free online visit today at hims.com/BCC — SHOW INFORMATION Bigfoot Collectors Club is produced by Riley Bray. Patreon - BCC The Other Side: https://bit.ly/3CGjYcd YouTube Channel: https://www.youtube.com/@bigfootcollectorsclub Merch:https://bigfoot-collectors-club-podcast-shop.fourthwall.com/collections/all Listener-Files Submissions: BigfootCollectorsClub@gmail.com. Instagram: https://bit.ly/3W7izlL | Blue Sky: https://bsky.app/profile/bccpodcast.bsky.social Our theme song is “Come Alone,” by Suneaters, courtesy of Lotuspool Records. Follow Suneaters on Spotify https://bit.ly/3XnD4vS Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode of Fright Mic, join Sam and Liz as they attempt to understand the meanings and symbolism behind 2006's LIKE MINDS- a psychological mystery thriller with confusing lore, a badass Toni Collette, cults and weird family dynamics.Want more fright-fully good content? Join our Fright Club at http://patreon.com/frightmicpodcast and get access to tons more episodes, discussions, rankings, watch parties and more!Fright Mic is an independent horror podcast. We would love to have you join our Fright Fam by following us on all our socials!MERCH- https://frightmic.creator-spring.com/Facebook- https://www.facebook.com/frightmicghouls/FRIGHT CLUB- https://www.facebook.com/groups/1023194868477050Instagram- https://www.instagram.com/frightmicpodcast/Twitter- https://twitter.com/frightmicpod?lang=enTiktok- https://www.tiktok.com/@frightmicpodcastDiscord- https://discord.com/channels/1121544578999275520/1121544579448045693Support the show

11e émission de la 60e session...Cette semaine, une pensée pour trois grands du bop dernièrement disparus... En musique: Roy Haynes sur l'album Roy Haynes Modern Group  (Swing, 1955); Lou Donaldson sur l'album Swing and Soul  (Blue Note, 1957); Lou Donaldson with The Three Sounds sur l'album LD+3  (Blue Note, 1959); Benny Golson & The Philadelphians sur l'album Benny Golson & The Philadelphians  (United Artists, 1959); Benny Golson Quartet sur l'album Free  (Argo, 1963); Lou Donaldson sur l'album Alligator Boogaloo  (Blue Note, 1967); Roy Haynes sur l'album Senyah  (Mainstream, 1972); The Jazztet sur l'album Moment to Moment  (Soul Note, 1983); Gary Burton, Chick Corea, Pat Metheny, Roy Haynes, Dave Holland sur l'album Like Minds  (Concord, 1998)...

Actrice, schrijfster en theatermaakster Dilan Yurdakul speelt haar solovoorstelling ‘Alter'. Ze onderzoekt de diepe wonden van migratie en de pijn die, hoewel vaak verzwegen, doorwerkt in volgende generaties. Eerder maakte Yurdakul in samenwerking met Likeminds de solovoorstellingen ‘Door de schaduw heen' en ‘Niet gezien, niet gehoord'. Afgelopen jaar debuteerde ze ook als romanschrijver met ‘Maskerziel'. Presentatie: Andrew Makkinga

Episode 6-679: Connecting with Like-Minds SAVE THE DATE: ⁠Authentic Alignment Retreat ⁠- Saturday, November 9th The Power of Connection Petrina discussed the importance of connecting with like-minded individuals to enrich our lives and amplify our ideas. She highlighted the benefits of employee resource groups or affinity groups in larger organizations, where people with common interests or situations can provide support and engage in conversation. Petrina emphasized that such connections not only provide emotional support but also help validate our alignment with our goals and aspirations. She encouraged her listeners to seek out opportunities to engage actively with others and share their experiences.   SAVE THE DATE: Authentic Alignment Retreat - Saturday, November 9th, 8:00 a.m. – 4:30 p.m. PT at The Rowan Hotel, Palm Springs, CA – Registration Now Open and Limited to 22 Participants  Click to Learn More And Register Do You Have a Couple of Minutes - Inspiring Topics to Help You Think, Learn, Grow, and Live Fulfilled ⁠⁠⁠www.petrinagooch.com⁠⁠⁠ Book Publications: Leading Self, Leading Others – 20 Inspiring Topics for Personal and Team Leadership and Professional Growth – available on Amazon and Kindle LiftOff to Landing – Revealing Stories of Strangers in Flight – Flight 2023 – available on Amazon, Kindle and Audible ⁠⁠⁠https://www.amazon.com/author/petrinagooch⁠⁠⁠ #DoYouHaveACoupleOfMinutes #Inspire #Think #Learn #Grow #Fulfilled #LiveFulfilled #Liberate #Illuminate #Amplify #PositiveChange #Leadership #Mentor #Coach #Develop #Lead #Listen #Encourage #Feelings #Intent #Expectations #PetrinaGooch #Petrina #TakeTheGoodTakeTheBad #Perfection #Imperfections #decisionmaking #relevance #approachable #collaboration #understanding #progress #BeNice #BeRespectful #BuildOthersUp #confidence #Courage #help #change #vision #Choice #Change #TakeAction #Burnout #RediscoverYou #AuthenticAlignment

Extra aandacht voor vreselijke afko's als roi, klantroutes en crm heeft het Holland Festival een frissere uitstraling en nieuw publiek gegeven. Blijkt uit deze podcast.Daarom dus eerst aandacht voor persberichten van enkele leden!

SURPRISE! We're back with you for some bonus episodes of ArtCurious this spring! First up: we're thrilled to announce an all-new tour this September with Like Minds Travel. Today on the show, we're welcoming LMT's Laura Hart to chat about group travel: how she puts together these incredible, special excursions, making friends all over the world, and all the details on our can't-miss trip to Venice! Don't forget to mark your calendars and register to join us in Venice - it's going to be an art-filled trip you won't want to miss!

Annemieke Bosman in gesprek met schrijvers Max Wind en Joeri Heegstra. Het auteursduo won de eerste Open Call van Theater Bellevue en het Nationale Theater met de politieke satire Exit Poll. Exit Poll heeft als intrigerend uitgangspunt: wat als tachtig procent van de Nederlanders bij de volgende Tweede Kamerverkiezingen blanco zou stemmen? Het is verkiezingsavond. In feestlocaties wachten de politieke partijen op de exit poll. De nieuwkomer, een partij van jonge techno-optimisten, mag zich volgens de peilingen klaarmaken voor  het bordes. De partij van de langstzittende premier bereidt zich juist voor op een historische nederlaag; hun nummer twee loopt zich al warm in de coulissen. Maar dan blijkt de kiezer een historisch signaal heeft afgegeven: een overweldigende meerderheid stemde blanco. Wat te doen? Wat als partijleiders, partijtijgers, spindokters en analisten de wapens uit handen wordt geslagen? Exit Poll is een spannende what if? voorstelling. Max Wind (1992) was na de performanceopleiding van de Toneelacademie Maastricht werkzaam bij het internationale performance collectief Ontroerend Goed. Met Peter Missotten en Casper Wortmann maakte hij Dear Lollipop, een voorstelling exclusief toegankelijk voor smartphones. In 2022 was Max artist in residence bij De Balie in Amsterdam en maakte hij meerdere voorstellingen geïnspireerd op het publieke debat. Joeri Heegstra (1993) maakte na dezelfde performanceopleiding van de Toneelacademie Maastricht met theatercollectief Opening Statement Class Warfare Forever, We doen ons best en Horizon, en bij Likeminds de klimaatactivistenmonoloog Power. Terugkerende thema's in zijn voorstellingen zijn klimaatcrisis, klasse en hoe macht verdeeld wordt.

Episode Summary This week Nat & Jesse nepotism in the music industry! Edited by Nat Show notes by Jesse Show Links Behind the Backlash Against Bud Light Zach Bryan Nepotism in indie music industry leads to unequal footing 11 Nepo-Baby Musicians Who Prove It Isn’t Just Hollywood That Has A Nepotism Problem It Runs in the Family: Nepotism in the Music Industry EDITORIAL: TikTok perpetuates nepotism in the music industry Nepo babies: what are they and why is Gen Z only just discovering them? Why Don’t Swedes Feed Their Guests? - Scandinavia Facts Halloween Horror Nights at Universal Studios Picks Nat: “Dénouement” by Respire Jesse: “Like Minds” by Gary Burton, Chick Corea, Pat Metheny, Roy Haynes, & Dave Holland (Recorded on IDK)

Happy Thanksgiving! Lala, Jess and Easton share Thanksgiving plans, Ocean and Lisa stories, and then answer your questions about dating & relationships, live podcast touring in the future, and baby names! GTL video episodes available Fridays at 9am Pacific on YouTube: https://youtube.com/@GiveThemLalaPodcast?si=9oETguBpysJbttBz Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bio's: Bio:Debrianna Mansini is an actor, writer, and activist who is known for her role as Fran in AMC's Breaking Bad and Better Call Saul, and playing opposite Oscar winner Jeff Bridges in Crazy Heart. Debrianna has worked off-Broadway in New York and has toured on stage throughout the United States in her critically acclaimed show The Meatball Chronicles. Debrianna and her husband, David Forlano, won the Earth Keepers Award for Best Sustainable Video for their documentary short Earth Ships of Taos, which was shown at the Downtown Los Angeles Film Festival, and several of their documentary shorts have aired on Al Gore's cable network, Current TV. In 2010, Debrianna's children's short, Picking Up Feets, was selected for the International Women in Film Festival. In 2020, Debrianna and Lisa Lucas launched Corona Kitchen, an unscripted nightly cooking show on Facebook/YouTube Live. She lives in Santa Fe, New Mexico.Lisa Lucas, is a professional writer/producer/actor. She graduated from Bowdoin College with a degree in French Literature and Theater Arts. For the last 25 years, Lisa has produced, written and developed over 37 TV series which include the popular ABC series The Bachelor, Work of Art on Bravo and the Emmy winning My 1st Time on NBC. She has also produced several feature documentaries with Silver Bullet Productions including the Emmy Award winning, However Wide the Sky, in 2022. She is a principal Partner/Executive Producer in LikeMinds, a production company based in Santa Fe, New Mexico. Lisa also stars in the upcoming comedy indie feature, The Stress is Killing Me, slated to premiere in 2024. She currently hosts and writes Corona Kitchen, a weekly Facebook/Youtube Live cooking show with her dear friend and co-host Debrianna Mansini. Their debut cookbook from Apollo Publishers, That Time We Ate Our Feelings, drops August 2023. Her children's book based on her real life pets, Monty & Edgar Best Furry Friends, is the first in a series about these delightful canine companions. That Time We Ate Our Feelings: 150 Recipes for Comfort Food From the Heart Hardcover – November 21, 2023 https://amzn.to/46faJvs Corona Kitchen (YouTube) https://www.youtube.com/c/CoronaKitchen ________ If you follow my podcast and enjoy it, I'm on @buymeacoffee. If you like my work, you can buy me a coffee and share your thoughts

Today we've got small business social media drama involving a broken Big Game Hunter game cabinet ALSO: we discover proof of Hunter Biden being a California Weed Kingpin plus our final, devastating topic: THEY'RE ARRESTING YOUR GRANDPARENTS FOR VOTING FOR TRUMP Music: Annapura - Picos Power Trip - If Not Us Then Who

On today's drive around Houston, we introduce Hou to some of Sesh's longest standing clients - Bianka & Morgan. Bianka & Morgan began their memberships at Sesh in the fall of 2020 and became fast friends when they realized they both covered the walls at Sesh in post-it notes for content planning. On the drive to visit Tenfold Coffee on Yale we discuss whether hustle & grind culture is an internal or external influence, living by our calendars, the energy draining task switching and stretchy mindsets. Please note that later in today's episode we do discuss personal trauma with being attack and domestic abuse. We have a trigger just ahead of that portion, so if it's not for you today you can pause and take care.  --- Send in a voice message: https://podcasters.spotify.com/pod/show/sesh-coworking/message

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In this episode, Alexis Reid and Dr. Gerald Reid are joined by Peter Savos, the CEO of LikeMinds, a brain health company in Boston, MA. Peter shares his lifelong journey that laid the path and foundation to build and lead companies and ultimately seek to address Parkinson's Disease (and others). Peter discusses how his experiences, relationships, and internal growth played a significant role in his development starting in childhood. We are honored for Peter, who is beloved by so many in the office space he shares, to join us and share his stories.PETER G. SAVASCHAIRMAN AND CEOMr. Savas brings over 30 years of experience in executive leadership positions across life sciences. He was CEO of Alseres Pharmaceuticals, Inc., Chairman and CEO of Aderis Pharmaceuticals, developer of the Neupro® transdermal patch marketed worldwide to treat Parkinson's disease and Restless Legs Syndrome and Chairman and CEO of Unisyn, a cGMP contract manufacturer of biologics forclinical trials. Peter also held executive and operating leadership positions with Bristol Myers, Waters, Millipore, Genex and Zymark. With a personal mission for entrepreneurism and pursuing advancement in neurologic science, Peter bridges strategic and operational healthcare experience with broad access to industry, academia, regulatory and capital markets leaders. Peter holds a BS in Chemistry from Syracuse University and is credentialed as a Professional Director by the American College of Corporate Directors.

Hello, family! Thank you for being a part of the Trust the Journey family. Whether you're a new listener or long time family member, we appreciate you and your support of this show. Today, we are reflecting on community. Mel and Jay talk about blood family vs chosen family, the benefits of joining supportive communities […]

This week, on the podcast, host Eva Hartling speaks with April Pride, Founder of cannabis brand Van der Pop, which April sold to the world's largest cannabis company, Canopy Growth, in 2018. Following her successful exit, April launched Of Like Minds, which develops brands for women who are changing their lives thanks to altered states of consciousness — a topic April also explores as host of The High Guide podcast. A serial entrepreneur who has been developing brands and products for 20 years, April now invests exclusively in women entrepreneurs and innovative businesses that serve women consumers. April is also a brand consultant in the legal cannabis space. In this conversation we explore the challenges and opportunities that exist for women in the cannabis space, and we talk about what business is starting to enter the field of psychedelics, an area April is exploring through Of Like Minds.........This season of our podcast is brought to you by TD Canada Women in Enterprise. TD is proud to support women entrepreneurs and help them achieve success and growth through its program of educational workshops, financing and mentorship opportunities! Find out how you can benefit from their support! Visit: TBIF: thebrandisfemale.com // TD Women in Enterprise: td.com/ca/en/business-banking/small-business/women-in-business // Follow us on Instagram: instagram.com/thebrandisfemale

We're excited to feature Casey Lopez, a dedicated husband and father, and a successful entrepreneur. Casey wears many hats in his professional life - he's the owner, founder, and CEO of Delta Solar Power, an industry-leading solar energy solutions provider and the founder/creator of LoneStar Xpeditions.In this episode, we dive deep into Casey's journey from being a security installation technician to becoming a successful solar sales CEO. We explore his vision for his business and the legacy he wants to leave behind, with a focus on empowering his team to take on any ventures they may find to the point where they all no longer have to sell solar and Delta Solar closes down.Additionally, Casey shares his insights on door-to-door sales recruitment and training strategies that have proven successful for him and his team.There is something to be said about like minds getting together. Iron really does sharpen iron in this impactful conversation between 2 door-to-door sales pros, that is bound to yield value to anybody looking for it.Connect with Casey:Instagram - https://www.instagram.com/cosmo0404/

Edson Hato is an award winning executive who transforms multi-billion global companies, start-ups and scale ups through a process called “rehumanisation”. He has 20 years experience of helping businesses transform their culture to promote talent, leadership and organisational development, performance, diversity and inclusion.  He started his career at Price Waterhouse Cooper but has since worked as Senior Vice President of Human Resources at Astra Zeneca, UBS, Philip Morris and ING group. Transcript of conversation can be found here: https://open.substack.com/pub/lockedupliving/p/edson-hato-transcription?r=216eb0&utm_campaign=post&utm_medium=web   He founded LikeMinds, a board and people advisory company to share his vision and help companies implement change.  Among his many achievements, Edson is Chairman of the Advisory Board for Corporate Queer a network organisation for LGBT+ professionals to challenge the hetero-normative culture of the corporate world.   An advocate of lifelong learning, Edson is currently studying for a PhD focused on the subject of critical leader behaviours that are necessary for transformation. https://edsonhato.nl/en

Transient Marshlands, Permanent Progress – Geographies of Uncertainty by Kyveli Mavrokordopoulou & Agnès Villette SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands On the shores of France, Belgium, and the Netherlands lie three nuclear installations forming an eclectic nuclear geography. Gravelines, Doel and Borssele nuclear power stations started operating in the 1970s on the unstable marsh soils of reclaimed land – that is new land created out of the water. Today, rising sea levels due to global warming threaten the power plants imminently, requiring the construction of dykes and elevated buffers, which are currently being implemented. We explore these swampy geographies as places where the future-oriented temporality of the nuclear sector crumbles. Both nuclear reactors, as the cathedrals of the 20th century, and polders, as the epitome of hydraulic engineering, are archetypal figures of modernity. Both symbolise the conquest of natural environments and consolidate national identities. Yet, despite their ‘solidity', the existence of these three nuclear infrastructures is under threat. As examples, they confirm the importance of countering progress and linear historical narratives of nuclear progress, and help us understand how atomic technologies permeate our lives. Rather than an undefined, deep nuclear future, we are interested in how these nuclearised polders leave the vast temporal scales of nuclear waste behind, offering an opportunity to consider how such technologies are already and urgently affecting the present. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Atlas Otherwise by Nishat Awan SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands While there have been many attempts to think and make maps differently, the atlas is usually understood as a compendium of maps rather than a form of knowledge production. How can we rethink and remake the atlas otherwise to tell stories that do not follow the logic of colonisation and of property? The recent forensic or evidentiary turn in the arts has been ushered in through the scopic view of satellites and the ubiquity of image material across digital platforms. Such practices of digital witnessing allow us to ‘see' further and deeper into places that are at a distance from us, but at the same time they create the conditions that make certain subjects recede from view. The empty geometric volumes of digital cartography also intensify the absence of materiality and the removal of experience from traditional atlases. How might we rethink notions of testimony and evidence in relation to the digital, knowing also that the witnessing of violence requires forms of empathy and affectivity that are not always readily available within computational forms of knowing? How can we think of the digital not as a tool or a method, but as a realm of possibility that may allow certain lives and worlds to become (il)legible, mourn-able and addressable on their own terms? This presentation is an attempt to rethink the atlas as an archive that is produced through the entanglements of matter, moisture and our own and other's inhabitation. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://nishatawan.me Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Spatial Acts: Geographies of Absence and Waithood by Ola Hassanain SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands Architecture situates ‘building' as an ecological ‘emptying' of territories and an infrastructure for continuous cycles of ‘catastrophe', such as forced migration. One thing that remains in the wake of catastrophe in this day and age is the continuation of building as a marker for the end of catastrophe. This implies that we should all wait while building finishes, that our problems and the imposed difficulties are never urgent enough, thus constituting 'building' as the suspension of time for some, an imposed waiting as the infrastructure for the built environment. This talk shows an essayistic video titled ‘The Line That Follows', which challenges conventional linear perspectives on time – vantage points still used today for the representation of built forms as induction of future realities – by including practices of space-making rooted in other sensibilities. An analogous constellation, composed of manipulated perspective drawings derived from routes taken in Khartoum, abstracted forms, text, sound, and ritualistic practices – all placeholders for propositions of an unemptied space and an aspiration for an architecture that listens. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

ISLAND by Thomas Lamers (Collectief Walden) SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands Resisting or allowing, the sea floods the land sooner or later. Not more than 250 years from now, the drowning of Amsterdam is going to be a fact, performance collective Walden foretells. Their performative installation EILAND, or Island, speculates how future inhabitants of the capital will deal with that ‘end-time'. Water here becomes an ‘ending force', a moving border pushing back the geographical coastline, but also a potential source of imagination for how one might want to deal with this near future. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://thomaslamers.nl https://collectiefwalden.nl Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Five Stories on Heat by Kent Chan SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands ‘Five Stories on Heat' is a storytelling performance by Kent Chan that ruminates upon art's shared histories and futures with heat. The performance blends narratives of artmaking during the Vietnam War, Malayan and Hopi myths, with potential film plotlines and the first exhibition of Singaporean art in Europe. Like a mosaic, Chan's storylines skip from East to West, from the past to the future. His work engages with the concept and representation of ‘the tropics' in relation to colonialism, politics and identity, and highlights that ‘the tropics' are not just solely defined by meteorology and geography, but also by Western narratives about aesthetic and cultural superiority. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 http://kentchan.info Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Dirt, Debt, Death, Data by Maryam Monalisa Gharavi SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands Oil, the 20th century's most important non-renewable resource, lies at the centre of discourses on ecological peril and financial oppression, though its colonialist history has faded from view. In a lecture performance enacting a liquidation of Mideast history, speculative exploration, extractive economics, and fictional representation, the artist debuts a one-person collective called Oil Research Group (ORG). ORG is propelled by the concept that ‘data is the new oil', coined in 2006 by British mathematician (and customer loyalty card inventor) Clive Humby. Oil is a finite source at the very core of both global financial markets and #nofuture petroleum wars; information, seemingly infinite, also ‘leaks' into the collapsing tripartite structures of governance, markets, and society. The digital self is sticky, like a bird after an oil spill. Moving along the axis of four Ds: dirt, debt, death, and data, ORG traces the finitude and preciousness of our dominant technologies, along the way testing assumptions about the material and immaterial ways in which we are connected, addicted, fossilised, and one hopes, liberated in their wake. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

The Right to Water by Daphina Misiedjan SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands Following that question of our (Western) attitude towards water, Daphina Misiedjan explores its being as a right. As researcher of environmental justice and human rights, she looks at drinkwater as a fundamental life source and its unequal distribution in the world. What does our abundant use of drinkwater here mean elsewhere in places where there is little, to none? Does access to water mean one has the right to use it? And, what about nature's rights? Who has got the right to water? Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

The Future Waters of the Storm Surge by Aura Satz SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands From the perspective of the Oosterscheldekering – a protective barrier that connects the Zeeland islands and is designed to protect the Netherlands from flooding from the North Sea – water is a threat, a potential source of disaster, an alarming sound. By exploring such sites visually and sonically, filmmaker Aura Satz is reimagining emergency sirens in an age of intersecting human-made and ecological disasters. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Watch the ‘The Future Waters of the Storm Surge' trailer here: https://www.youtube.com/watch?v=vDWxEJGDW68&t=0s Find out more at https://sonicacts.com/archive/biennial2022 https://iamanagram.com Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Maritime Imagination by Mikki Stelder SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands Thinking of the future imaginary of water invites a journey back into its unsettled past. In 1609, Dutch East India Company lawyer and state ideologue Hugo de Groot crafted the notion of ‘mare liberum', or the free sea, turning the ocean into a commodity ready to be exploited. Tracing the colonial undercurrent of our maritime imagination across time, interdisciplinary researcher and writer Mikki Stelder is interested in how the ocean's very materiality actively resists notions of commodification perpetuated by today's legal narratives. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Sensing Polluted Airs by Nerea Calvillo SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Geoengineering projects sustain a state of affairs. But how can we think about infrastructures designed to deal with polluted air in the world we all share? Maybe by testing other modes of paying attention, treating or engaging with it; through infrastructures that acknowledge a broken world, but might trigger other ways of living in it; or with infrastructural experiments to test if collectively sensing pollution, rather than simply seeing information about it, can produce new responses and affects. To sense air physically, as well as emotionally, culturally, poetically… Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Performing the Sublime Sea of Co-Mattering by Mary Maggic SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Through years of research through public ‘workshopologies' on the project Open Source Estrogen, biohacking methodologies have proven to serve far more than spreading didactic knowledge. These protocols, which produce an existential knowing in our bodies and environments, inevitably lead to a form of collective worlding and knowledging – strategies that may help us out of ecological ruins. Combining biohacking with performance in a new dramaturgical workshop, ‘Performing the Sublime Sea of Co-Mattering', participants embody the very agency of toxic molecules and their ongoing process of worldbuilding, emerging on the other side with a radical breakage from the past. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://maggic.ooo Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Sunlight Doesn't Need a Pipeline by Dani Admiss SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Dani Admiss looks at how a collaborative climate justice project Sunlight Doesn't Need a Pipeline initiates a collective rethink about what forms of repair are needed in the art sector and beyond. The current solutions of climate repair are flawed; carbon accounting and offsetting practices reiterate a narrative where one party repairs for another and scarcity narratives such as the half-Earth ‘solution' propose a redistribution that imposes violence for many and a feeling of loss for others. In her talk, Admiss talks about commissioned projects by Luiza Prado and Chanelle Adams within the context of the Sunlight project. She also thinks about how repair can be meaningful to people in their own lived experiences and communities, as well as within environments that are shaped by humanity but exist far beyond them. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://daniadmiss.com https://sunlightdoesntneedapipeline.com Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Public Experiments in Chemical Regulation by Angeliki Balayannis SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Industrial chemicals form the infrastructure of modern life. The regulation of these chemicals – in particular the dominant permission-to-pollute regime – is built on logics that produce environmental and epistemic injustices. In light of this, what kind of interventions might enable different ways of ‘doing' regulation; regulatory experiments that instead foreground justice? Regulation remains dominantly imagined as the work of civil servants and regulatory scientists. This talk invites a cultural and political expansion of the regulatory imaginary. Attending to regulatory geographies beyond the work of regulators opens up new sites for intervening in toxic legacies. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://angelikibalayannis.com Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

when we image the earth, we imagine another by Sophie Dyer & Sash Engelmann (open-weather) SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands ‘As the weather image grew, Miel's consciousness expanded, bending to the curvature of the Earth. Far from an out-of-body experience, the feeling was one of being profoundly situated: sandwiched between the sun-warmed Land, particle-laden air, cloud, satellite and cosmos.' (S. Dyer, S. Engelmann, ‘When I image the earth, I imagine another', Ecoes #3, Sonic Acts Press, 2022) Last year, on the first day of the COP26 climate conference in Glasgow, a network of people operating DIY satellite ground stations around the world captured a collective snapshot of the Earth and its weather systems: a ‘nowcast' for an undecided future. Tuning into transmissions from three orbiting National Oceanic and Atmospheric Administration (NOAA) satellites, volunteers collected imagery and submitted field notes from their geographical locations. Combined, these contributions generated a feminist and fractal image of the Earth, and a record of conditions of climate crisis from Buenos Aires to Kinshasa to London. As open-weather, we ask: What does it mean to collectively image the Earth, and in doing so, reimagine the planet? Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://open-weather.community Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

‘Everywhere is a here, isn't it?' On Toxic Entanglements by Antonia Alampi SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands ‘Human actors strive to interpret, define, or contain the toxic, but how are they also acted upon? Or [...] what happens when the dump is in us? What is the duality of contamination that emerges when we think of toxicity as an ongoing and morphing process?' (Chloe Taft, ‘What is TOXIC?', TOXIC: A Symposium on Exposure, Entanglement, and Endurance, 2016, New Haven) Practitioners from various disciplines have long been engaged in exposing experiences of toxicity. At the heart of many such endeavours is the necessity of finding ways to make visible the complex entanglements of toxicity: of seemingly distant geographies and places; of the different reasons and interests that lie behind the manufacturing of toxicity; of the ways found to bypass national and transnational legislations; of the forms of collaboration between state apparatuses and organised crime in facilitating corporate interests at the expense of people. This talk starts with the toxic events in Alampi's hometown, in a little village in Calabria, and moves on to discuss platforms such as Toxic Commons and the exhibitions ‘Deadly Affairs' at Kunsthal Extra City in Antwerp and ‘The Long Term You Cannot Afford' at SAVVY Contemporary in Berlin. What may emerge are similarities, more than differences, and proximity, more than distance. Everything being closer, way closer than one may think. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution's invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces' not just as the material act of spreading toxicity, but as art's potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/

Napalm Death • Unseen Terror • Benediction • Fall of Because • Cathedral Meathook Seed • Blood from the Soul • Scorn • Jesu • Head Of David Menace • Extreme Noise Terror • Lock Up • Venomous Concept Corrupt Moral Altar • Defecation • Carcass • Terrorizer Napalm Death: "Retreat to Nowhere" taken from the album "From Enslavement to Obliteration" Unseen Terror: "Garfield For President" taken from the album "Human Error" Benediction: "Experimental Stage" taken from the album "Subconscious Terror" Fall of Because: "Malewhoreslag" taken from the album "Life Is Easy" Cathedral: "Soul Sacrifice" taken from the EP "Soul Sacrifice" Meathook Seed: "Forgive" taken from the album "Embedded" Blood from the Soul: "Suspension of My Disbelief" taken from the album "To Spite the Gland That Breeds" Scorn: "Walls of My Heart" taken from the album "Vae Solis" Jesu: "Star" taken from the EP "Silver" Head Of David: "Roadkill" taken from the album "Dustbowl" Menace: "I Wont See The Sun" taken from the album "Impact Velocity" Extreme Noise Terror: "Jesus on My Side" taken from the album "Damage 381" Lock Up: "Leech Eclipse" taken from the album "Pleasures Pave Sewers" Venomous Concept: "Life's Fine" taken from the album "Retroactive Abortion" Corrupt Moral Altar: "Destroying Everything You Believe In" taken from the album "Eunoia" Defecation: "Recovery" taken from the album "Intention Surpassed" Carcass: "Empathological Necroticism" taken from the album "Symphonies Of Sickness" Terrorizer: "Nightmare" taken from the album "Darker Days Ahead" Thanks for listening! Interviews, reviews, and more at www.dreamsofconsciousness.com

En JazzX5 suena la versión del clásico "Yardbird Suite" que aparecen en el disco de Alan Broadbent Trio Like MInds (Savant, 2022). JazzX5 es un podcast de Pachi Tapiz.

Like Minds Have you ever known someone in your life that was always on the same page as you. Someone who helps you think outside the box for solutions to problem. Someone who can finish your thought or sentence? Isn't that encouraging? Tune in for today's Episode.

One of my favorite parts of this podcasting journey is the opportunity to engage with other professionals who share my passion points. Pam Holland is one of those kindred spirits on this decluttering path. I reached out to her on a whim after finding her on the internet and have been following her since. I was so pleased when she agreed to share her time, her wisdom and grounded approach so generously. It's always a treat to connect with likeminded peers in your niche who value a similar approach, and I look forward to more conversations on the consequences of clutter with Pam in the future. You can find Pam at https://clutterfreenow.com/. Please join the conversation at https://www.facebook.com/groups/625330825260625/?ref=share. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/kira-rodenbush/message

Being around people with like minds enhances your creativity.

In this like minds episode, Josh and Adam sit down with Luis Gusto to talk about everything and anything Chicago. Luis is a YouTuber, a software engineer, and a Chitown native. Check out Luis's YouTube Channel! https://www.youtube.com/c/GoLuisGusto #LikeMindsPodcast #Chicago #Podcast

In this Like Minds episode, Josh and Adam talk with Joe Riley about his podcast Musically Meditated. #LikeMindsPodcast #Podcast #Entrepreneurship Check out Musically: https://open.spotify.com/show/24mQjnuCjLqMHepe9isJGy

In this Like Minds Podcast, Josh and Adam sat down with Eric Zosso, an entrepreneur from the Colorado. Eric is an air force member, a co-working space owner, and an entrepreneur. He is currently pursing his idea, Provito, which he describes in detail in the podcast. Enjoy! #LikeMindsPodcast #Startups #Entrepreneur

In this Like Minds Podcast, Josh and Adam sit down with Jason Jacobsohn to talk about everything startups. Jason is the managing director of the Founder Institute, where he facilitates its Chicago chapter. He is very knowledgable on startups and what it takes for an early stage company to become successful. Check out the Chicago Founder Institute at: https://fi.co Chicago Institute Meetup Group: https://www.meetup.com/Chicago-Startu... #LikeMindsPodcast #LikeMindsClips #FounderInstitute

In this Like Minds Podcast, Josh and Adam discuss some of the complexities 2020 has brought with it when it comes to racial inequality, viruses, and the overall fabric of society.

In this Like Minds episode Josh and Adam talk to Frankie Fabre on what it takes to start a business, be a freelancer and build a relationship with clients. Frankie Fabre is a Chicago creative with a media company, Fabre Media.

In this Like Minds episode, Josh and Adam talk to Mahin Islam. Mahin is an engineer, podcast host, and aspiring entrepreneur.

In this Like Minds Podcast, Calvin Steele, a good friend of both Josh and Adam talks about his upbringing and how his positive mindset lead him to success. Calvin is currently an entrepreneur who own his own barber shop business in Hammond, Indiana. #LikeMindsPodcast #LikeMindsClips #Entrepreneurship

Jake works for a startup in Chicago, IL and has a great deal of global experience from his travels abroad. In this like minds podcast, Jake Schario explains what it is like working for a startup, and touches on the importance of networking.

In this episode of the Like Minds Podcast, like minds talk to Carlos Pereira on what it was like to grow up in 7 different countries. We also got into economic, societal systems, and even robotics and AI.