Podcasts about ghent altarpiece

What's the story of the painting of the Just Judges panel now on display in Ghent?

Where is the Just Judges panel of the Ghent Altarpiece?

In Psalm 85, we hear of the the graciousness of God toward Israel, and then a confession for a continual need for that grace and kindness from God. How does this reveal our need for Christ and his work? Where does salvations start? Does it start with me or does it start with the foundation laid by Christ's suffering, death, and resurrection?Image: Adoration of the Lamb from the Ghent Altarpiece, Hubert van Eyck, Public domain, via Wikimedia Commons.

What happened to the Ghent Altarpiece between 1566 and 1934?

What is the Ghent Altarpiece, how was it created, and what changes did it undergo in the first 125 years of its existence? 

Angelynn, the show host, speaks about the history of the Ghant Altarpiece while Quinten provides insight on the history of Berlin. 

What is the Ghent altarpiece, also known as the Adoration of the Mystic Lamb, by the Van Eyck brothers? Kathryn Laffrey and Alix Murray explore its history, intricate details, and symbolism. highlighting its artistic, historical, and spiritual significance. The post Ghent Altarpiece, Part 2 – Images and Restoration appeared first on StarQuest Media.

The Ghent Altarpiece, also known as the Adoration of the Mystical Lamb, is an incredible piece of sacred art. Kathryn Laffrey and Alix Murray tell us about the brothers who painted the altarpiece, Hubert and Jan van Eyck, their world, their other works, and religious themes in their art. The post Ghent Altarpiece, Part 1 – The Artists appeared first on StarQuest Media.

They call it the most stolen artwork in the world… Could this be true? Great interest has been generated throughout its six centuries of existence. It has been stolen, separated, almost burned, and to date is incomplete, although visible in the cathedral of Saint Bavo in Ghent. Join me to discover more about this work, attributed to Jan Van Eyck, which we can place in our Inclusive Art curiosity cabinet on the podcast! Image: Wiki Commons, The Ghent Altarpiece Charney, Noah, The Ghent Altarpiece: the truth about the most stolen artwork of all time, The Guardian, 2013 https://www.theguardian.com/artanddesign/2013/dec/20/ghent-altarpiece-most-stolen-artwork-of-all-time Encyclopedia Britannica https://www.britannica.com/story/the-most-stolen-work-of-art Calvinist Iconoclasm, Annanberg Learner https://www.learner.org/series/art-through-time-a-global-view/conflict-and-resistance/calvinist-iconoclasm/ El Comercio https://elcomercio.pe/mundo/europa/altar-de-gante-la-curiosa-historia-de-la-obra-de-arte-mas-robada-de-todos-los-tiempos-hubert-y-jan-van-eyck-flandes-belgica-narracion-historias-ec-noticia/ Arte INclusivo Podcast Social Media: INstagram: https://www.instagram.com/arteinclusivopodcast/ Facebook: https://www.facebook.com/arteinclusivopodcast Twitter: @inclusivo_arte Email: arteinclusivopodcast@gmail.com

Episode 90? Good lord. You know her, you love her, and today we finally talk about: The Ghent Altarpiece, or The Adoration of the Mystic Lamb. This magnificent masterwork is not only Jan Van Eyck's most prolific work of art, but also the world's most steal-able altarpiece. This was such a great episode to make, just wait until your hosts record in front of her live. Check out our website for all the Art Conservation related links that we talked about in this episode! Join us as we worship the horrific man-face of the lamb of God, discuss the numerology in relation to the Divine, bemoan the treatment of this centuries old painting, and ponder just how magical it would be to stumble into a decommissioned salt mines and found all of these magnificent European masterpieces. Tasty, tasty, tasty! Things have changed, but we're changing with it. Donate. Sign petitions. Support Black-owned businesses. Challenge racism. Educate yourselves. Listen. Speak. Repatriate. Stay Safe. Don't Touch Your Face. Wash Your Hands. If you like what we do, you can support BYWAP over on our ⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠! Find us online! NEW: We're on Youtube! Go check us out! You can follow BYWAP on ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠. You can also find us over on our ⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠! We want to hear from you, to share this time with you. We're in this together, and we're better together. Please leave us a review wherever you listen to podcasts. Every little bit helps as we grow, and we cannot wait to talk to you all again. This is global. Your voice matters. Systemic change is possible. It will not happen overnight—so keep fighting! We stand with you. Our music was written and recorded by Elene Kadagidze. Our cover art was designed by Lindsey Anton-Wood.

Would you believe me if I told you the story of the Ghent Altarpiece got even weirder? Well, there's a part 2 to this story to tell you how!

⚜THE CREOLE DIARIES

Who stole the Ghent Altarpiece? Well, basically everyone throughout its hundreds of years in existence.Inside the Ghent Altarpiece (Google Art & Culture): Click here to learn more.

Welcome to the "True Crime Gallery: The Dark Side of Art", the Season 3 mini series finale of The Art Career Podcast, where we are going to uncover the dark and twisted tales where art and crime intersect. In this 3 part series, we bring you bone-chilling stories that will leave you captivated. We begin this week with Dr. Noah Charney telling the tale of the cursed Ghent masterpiece. Next week we explore the horrifying use of modern art as an instrument of torture, to a crime hidden behind one of the Louvre's prized masterpieces, and the disturbing artistic endeavors of a notorious serial killer-clown. We'll end with the famous thefts of the Mona Lisa. Brace yourself for these haunting narratives. Dr Noah Charney is the internationally best-selling author of more than twenty books, translated into fourteen languages. He is a professor of art history specializing in art crime, and has taught for Yale University, Brown University, and American University of Rome He is founder of ARCA, the Association for Research into Crimes against Art. He writes regularly for dozens of major magazines and newspapers, including The Guardian, the Washington Post, the Observer and The Art Newspaper. He has recently fronted an influencer campaign for Samsung, and in 2022 he presented a BBC Radio 4 documentary, China's Stolen Treasures. He lives in Slovenia with his wife, children and their hairless dog. His work in the field of art crime has been praised in such international forums as the New York Times Magazine, Time Magazine, BBC Radio, National Public Radio, El Pais, Vogue, Vanity Fair, Playboy, Elle and Tatler among many others. This episode is sponsored by BetterHelp. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠BetterHelp.com/TAC ⁠⁠⁠⁠⁠⁠⁠⁠⁠today and get 10% off your first month. ⁠⁠⁠⁠⁠⁠⁠⁠⁠theartcareer.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartcareer⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcast host: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@emilymcelwreath_art⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music: Chase Johnson Editing: ⁠⁠⁠⁠⁠⁠⁠@benjamin.galloway Production: @ruby_sloan

This episode will be a little different than the others. It will include different opinions and may cause disagreement among listeners. Was the Ghent Altarpiece mistreated? Let's step into the mysteries of the Van Eych brothers´ masterpieces as we explore its hidden secrets. Don't forget to tune in! (Title: Springwood Single / Artist: Dusty Decks / Source: Epidemic Sound

Join Amanda and Yajaira on a journey of the history of the Ghent Altarpiece. Learn how this piece changed the way that religious art was portrayed. Discover new ways in which religion is represented in art.

Today we talk about what an altarpiece is. We also talked about Berlin. Lastly, we discussed the origin of the Ghent Altarpiece. Music Credit: Let it go by ItsWatR

n this episode, we explore the intriguing background of the Ghent Altarpiece as well as the moral issues surrounding the exhibition of sacred art in public spaces. We explore the question of who should own, restore, and make sacred works of art available to the public— discussing the issue of how museums can strike a balance between the preservation of holy items and outreach to the general population. Join us as we explore how art, religion, and cultural legacy connect in the setting of one of the most famous paintings in the whole world. INTRO/OUTRO MUSIC CREDITS TO SOUNDTRAP 

Come join us today in this interesting discussion about the Ghent Altarpiece. From the details on each of the panels of the piece to the rich history it has had all these years. We also touch on the controversial point of using religious object as art. You can't miss it!

The Ghent Altarpiece is an extensive and highly detailed polyptych or multi-paneled altarpiece, that was created by the Flemish artist Jan van Eyck and his brother Hubert van Eyck in the early 15th century. The altarpiece is considered to be one of the most important works of art from the Northern Renaissance. In the late nineteenth century, the Berlin Museum, which then owned part of the paintings belonging to the Ghent Altarpiece, separated the painted fronts of these panels from their backs, which were also painted, by sawing them apart. This harsh measure was intended to facilitate the exhibition of the panels and their inspection by an art-loving public. But it also served to obscure the fact that the panels were created as ecclesiastical objects for display in a church, and to stress their character simply as art.

In this episode, we discuss the Ghent Altarpiece that was created in 1432 by two brothers ,Jan van Eyck and Hubert van Eyck. This episode takes you on a journey on how the art piece was lost, stolen, and sought after by many because of its rich history and meaning that gave it value. But after being in so many hands throughout history, someone was bound to mistreat it. Berlin museum sawed it in half to and put it on display for the world. Here we will be discussing whether or not this controversial splitting is a mistreatment of a religious piece or if it was a necessary evil to portray the significance of the altarpiece.

The podcast was based on the conciliation that we can experience with the works such as, the Ghent Altarpiece, transporting the listener to a feel Western artistic and religious world.

Religious display as art has long been a contentious subject, and people's perspectives on it rely greatly on their cultural background, religious beliefs, and personal values. In this podcast, we talk about the highly controversial Ghent Altarpiece, also known as the Adoration of the Mystic Lamb. It has been the target of thefts, controversies, and a variety of ideas over the years. The theft of several of the panels by Nazi forces during World War II, which sparked a multidecade hunt for the missing pieces, is possibly the most well-known of these. Listen to this podcast to learn more about this extremely fascinating and rich work of art.

Today in our group we discussed the Ghent Altarpiece. We discussed what the art piece is, where it is located, other facts about the piece, whether religious art is okay to be displayed, and if the Berlin museum mistreated the altarpiece.

In this podcast, we touch the topic on the importance of art on display, regardless of religion and we go into detail about the Ghent Altarpiece and its very interesting story during the world war. We go into the details of the art piece and its symbolism.  FUNK GROOVE HORNS CATCHY_ adobe stock 

The Van Eyck Brother's 1432 Ghent Altarpiece, also known as "The Adoration of the Mystic Lamb" is widely regarded as a masterpiece and one of the most influential paintings ever created. This masterpiece was sawn out of its original place "The Ghent Cathedral" and was placed in the Berlin Museum. Today, we discuss whether religious art like this should be displayed and how we feel about its treatment.   

Our podcast will show how we don't agree on the fact whether the Berlin Museum mistreated the Ghent Altarpiece by displaying it in public.

Join Ignacia and Maria on an exciting exploration of the fascinating history of the Ghent Altarpiece. Learn how this European masterpiece catapaulted a new age of religious-inspired art. Discover new ways to conceptualize the role of religion in art. 

The Ghent Altarpiece is our case study, and we talked about the Berlin Museum and more detailed information about the Ghent Altarpiece.

Humans express their feelings and beliefs in multiple forms. Art is one of those. Some have been created exclusively for artistic purposes. Others have been intended to fulfill some specific function initially. But few of them have been created with such magnificence that they have become some of the most treasured pieces of art in history. Artworks such as the Ghent Altarpiece have immortalized the essence and culture of their time and have marked a turning point in arts history.

Two students at FIU describe evidence-based information about an exciting topic that embarks on several different categories: art. In this episode, the students summarize the Ghent Altarpiece and all other information associated with the piece. More importantly, they discuss whether religious art should be displayed like other art pieces. Listen in, and you will find more about the importance of art, religious roles in artwork, and much more.

The adoration of the mystic lamb, also known as Ghent Altarpiece, was begun in the mid-1420 and completed before 1432 by Jan van Eyck and his brother Hubert. Jan van Eyck was a Flemish painter who was one of the founders of Early Netherlandish painting, the medium that Jan van used was oil and oak wood to make this painting. There is no convincing information to determine artistic attribution. The Ghent Altarpiece is a large and complex 15th-century polyptych altarpiece in Saint Bavo's Cathedral chapel in Belgium, but it was moved for security reasons to the main cathedral chapel, where it is today. The altarpiece is considered a masterpiece of European art and one of the world's treasures. The Altarpiece has been the victim of 13 crimes since its installation, and seven thefts. Nearly 600 years old, the panels have been threatened by theft, war damage, peace settlements, outbreaks of iconoclasm , and have suffered fire damage. The idealization of traditional medieval art gives way to realistic representations of nature and humanity.

Join us for an artistic discussion of a masterpiece of Northern Renaissance art; the Ghent Altarpiece created by Jan Van Eyck. We discuss history, meaning, and, most notably, religious symbolism. What happens when a beautiful piece of artwork is coveted? Tune in to find out. Music: We used Imovie music. Ave. Collins (Long)

The Ghent Altarpiece is an essential Catholic artwork that holds religious and historical value. It had a turbulent history, especially during its time in Berlin when it was sawed in half to display its front and back. In this episode, we talk about The Ghent Altarpiece's background and discuss our opinions about religious pieces being displayed as art and how they should be treated.

Today, we will discuss the Ghent Altarpiece, which Jan Van Eyck and Hubert Van Eyck painted. They made this painting during the Northern Renaissance period, and the theme is based on Christianity. Ghent Altarpiece's meaning is the Biblical story of Jesus Christ and his sacrifice. You can see the significance of Christ's sacrifice when they show it with a lamb pouring blood into a chalice. This lamb is a depiction of Christ's sacrifice. In this painting, you can see how the lamb is an essential reference to Christ because next to the altar are angels holding a cross. The angels and cross depict his crucifixion, implying that the lamb in the image is about to get crucified. The Van Eyck brothers used oil paint for the Ghent Altarpiece to try and make the finest of details on this piece of work. For those who don't know what an altarpiece is, it is a work of art that decorated the space above and behind the altar in a Christian church. That is why the Ghent Altarpiece is in St. John the Baptist, now the Cathedral of St. Bavo.

Despite the fact that many priceless works are today carefully preserved and placed under heavy security and surveillance, there are numerous examples in history of thieves simply finding a way. Although the methods used to conduct art heists have evolved, sometimes it doesn't take an ingenious Hollywood-esque plan involving rappelling through a skylight to make your mark. Sometimes, thefts are opportunistic – say, someone didn't turn the security alarm on at night, or someone left the bathroom window open. And it wasn't just all about the heists. There were plenty of cocktails and mocktails to go around, too. Listen as Holly and Maria continue their tradition, and talk about their Top 3 favorite shows and favorite drinks of the season. See omnystudio.com/listener for privacy information.

Napoleon once stole several of its panels. The Nazis; they took the whole thing. The Ghent Altarpiece, also known as Adoration of the Mystic Lamb, has been the victim of more than a dozen crimes, including several thefts. Commissioned in the 15th century, it is, today, considered the most famous Flemish painting from the Renaissance period. Since it's completion, though, the work has been cut in half, nearly damaged in fire, and hidden in salt mines -- and part of it's still missing today. It's kind of a miracle it's made it this far through history.See omnystudio.com/listener for privacy information.

The Ghent Altarpiece

This podcast is to inform anyone that is interested in learning about the Ghent altarpiece and its story. It consists of a short history and analysis of the Ghent altarpiece along with a discussion about religious objects being displayed as art. I would recommend listening to this as it provides an outsider prospective on the art piece as well as how others may feel about the artwork and other religious pieces on display. The title "What A Ghent Altarpiece" is supposed to be a pun for What A Great Altarpiece.

Take an artistic dive into history with us as Ayah, Julian, and Krystal talk about the history as well as a case study about the Ghent Altarpiece. This episode is filled with discussion that all people who appreciate art will enjoy. What are you waiting for? Tune in, and explore some art with us!

Preached by Fr. Eric Nicolai at Lyncroft Centre on November 2, 2022. In the 19th century, Cardinal John Henry Newman loved the Anglican choral tradition. But he was especially enamoured by the Holy Mass. It was the point of connection with the past, with souls before us, and souls in purgatory. He felt so attracted to the Mass as this timeless ritual that would be the same reality during all ages. Indeed the Holy Mass is the Sacrifice of Christ on the Cross and for that reason it is efficacious. We are present at Calvary. Rather than merely remembering the life and death of Christ, we are present at it and partake of the eternal fruits which flow to us from the altar when the priest stands in the place of Christ and offers the Eternal Victim on the altar to God. Music: Recordações do passado (Souvenirs from the Past) a Valsa for piano (1885) by Ernesto Nazareth arranged for guitar by Bert Alink Thumbnail: Jan Van Eyck, The Ghent Altarpiece, panel from the mystical adoration of the lamb, 15th century. https://www.youtube.com/c/EricNicolai/videos

In the sixth book of Henrietta and Inspector Howard series by Michelle Cox, newlyweds Henrietta and Clive return to Europe in an attempt to resurrect their failed honeymoon. While in London, they are approached by their old friend, Inspector John Hartle, who convinces them to search for the missing panel of the Ghent Altarpiece, a famous Renaissance painting, of which Hitler's top men are also in pursuit. Clive and Henrietta's search takes them to Chateau du Freudeneck in Strasbourg, France—the ancient seat of the Von Harmons and home to three eccentric distant relatives. What begins as a wild goose chase turns decidedly more deadly when several Nazi officers also arrive at the chateau in search of the valuable item. When Henrietta and Clive attempt to flee after Henrietta uncovers a shocking truth, they are forced to trust themselves to a suspicious French servant who seems all-too willing to help.  Michelle and I discuss her research for the art coveted by Hitler, how and why three of the female characters in her series give such a great picture of women's lives in the 1930s — and the story she's itching to write next. 

This week, Sam and Ali discuss the stories of the art world's very own Indiana Jones (Arthur Brand) and the perpetually stolen Ghent Altarpiece. Which city's dumpsters would Sam search for artworks? Would you get into a car with a group of people carrying spades? And honestly, did Van Eyck ever see an actual farm animal? Oh, and if you bear a resemblance to Adam or Ed, Sam would like to have a word with you. 

ABOUT THE AUTHOR Steve Berry is the New York Times and #1 internationally bestselling author of twenty-one novels. His books have been translated into 41 languages with over 25,000,000 copies in 52 countries. They consistently appear in the top echelon of The New York Times, USA Today, and Indie bestseller lists. Somewhere in the world, every thirty seconds, one of his novels is sold. ABOUT THE BOOK - THE OMEGA FACTOR Enter UNESCO investigator, Nicholas Lee, who works for the United Nations' Cultural Liaison and Investigative Office (CLIO). Nick's job is to protect the world's cultural artifacts—anything and everything from countless lesser-known objects to national treasures.  When Nick travels to Belgium for a visit with a woman from his past, he unwittingly stumbles on the trail of a legendary panel from the van Eyck brothers' Ghent Altarpiece, stolen in 1934 under cover of night and never seen since. Soon Nick is plunged into a bitter conflict, one that has been simmering for nearly two thousand years. On one side is the Maidens of Saint-Michael, les Vautours—the Vultures—a secret order of nuns and the guardians of a great truth. Pitted against them is the Vatican, which has wanted for centuries to both find and possess what the nuns guard. Because of Nick the maidens have finally been exposed, their secret placed in dire jeopardy—a vulnerability that the Vatican swiftly moves to exploit utilizing an ambitious cardinal and a corrupt archbishop, both with agendas of their own.  

The Ghent Altarpiece is the most violated work of art in the world. Thirteen times it has been vandalised, dismantled or stolen. Why? What secrets does it hold? Enter UNESCO investigator Nicholas Lee, who works for the United Nations' Cultural Liaison and Investigative Office (CLIO). Nick's job is to protect the world's cultural artefacts—anything and everything from countless lesser-known objects to national treasures. When Nick travels to Belgium for a visit with a woman from his past, he unwittingly stumbles on the trail of a legendary panel from the Ghent Altarpiece, stolen in 1934 under cover of night and never seen since. Soon Nick is plunged into a bitter conflict, one that has been simmering for nearly 2,000 years. On one side is the Maidens of Saint-Michael, les Vautours, Vultures, a secret order of nuns and the guardians of a great truth. Pitted against them is the Vatican, which has wanted for centuries to both find and possess what the nuns guard. Because of Nick, the maidens have finally been exposed, their secret placed in dire jeopardy—a vulnerability that the Vatican swiftly moves to exploit utilising an ambitious cardinal and a corrupt archbishop, both with agendas of their own. From the tranquil canals of Ghent, to the towering bastions of Carcassonne and finally into an ancient abbey high in the French Pyrenees, Nick Lee must confront a modern-day religious crusade intent on eliminating a shocking truth from humanity's past. Success or failure—life and death—all turn on the Omega Factor.

On this episode of Apology, the artist and skateboarder Ed Templeton talks with Jesse Pearson about a lot of things including but not limited to: all the books he's got on his nightstand right now, patriotism, atheism, the Ghent Altarpiece, his family history, and his hometown of Huntington Beach, CA.

In Episode 208, we get back to art after a detour into techniques and materials. This time Ann and Tru talk about the early history of prints and books in Italy, comparing it to Northern Europe. Differences in style and materials are discussed using the example of Masaccio's The Holy Trinity with the Virgin and St. John and donors, 1425–27, the fresco painting in chapel in Santa Maria Novella, Florence, Italy, and the Ghent Altarpiece, Jan and Hubert van Eyck's Adoration of the Mystic Lamb, 1432, an oil and tempera on wood multi-paneled altarpiece in St. Bavo's Cathedral, Ghent, Belgium. Circling back to prints, we also talk a lot about Antonio Pollaiuolo's engraving, the landmark Battle of the Ten Nude Men, c. 1490. Of course, Dürer pops back up, too.

To learn more, please visit ARCA's website.SHOW NOTES:03:00 Dr. Charney's interest in being a playwright led to foundation of Association for Research into Crimes against Art (ARCA)05:00 Charney's first book 05:30 first conference to bring academics and art police together06:30 criminalistics applied in Slovenia - a balanced policing system that merges the theories of criminology and practice of criminal investigation, forensics & police procedure11:00 ARCA's summer conference on art crime in central Italy14:00 Italy's Carabinieri Art Squad17:50 ARCA's CEO Linda Albertson18:30 Albertson's blog post about return of objects to Cambodia by Doug Latchford's Estate19:00 ARCA's blog21:30 recommendations to those who want to return looted art or cultural heritage objects24:00 Missing Masterpieces exhibition 25:35 thief of Van Gogh's Parsonage arrested though painting is still missing25:50 tip on whereabouts of Jean-Baptiste Oudry's The White Duck26:20 panel of Ghent Altarpiece stolen in 1934 is still missing and is an ongoing open case in Ghent, Belgium27:45 a work is ‘extant' if its location is known28:25 Justice Cycle panels by Rogier van der Weyden referenced in Charney's Museum of Lost Art 29:00 The Deposition in the Prado in Madrid is now considered van der Weyden's masterpiece29:10 van der Weyden considered The Justice of Trajan and Herkinbald from the Justice cycle to be his masterpiece29:45 the Justice cycle destroyed in a fire circa early 17th C.29:55 survivor bias for works that still exist and a negative space history of art is explored in Charney's 2018 book The Museum of Lost Art31:10 Charney's most recent book The Devil in the Gallery: How Scandal, Shock, and Rivalry Made the Art World? also has a negative space approach31:55 Charney's 2017 book The Collector of Lives focuses on the life of Giorgio Vasari 33:00 rivalry of artists as shown in Caravaggio's 1599 The Calling of St. Matthew wherein the artist used a duplicate of Sistine Chapel Ceiling's hand of God by Michelangelo to paint the hand of Jesus 34:15 Charney's online discussion of Caravaggio's 1599 The Calling of St. Matthew 34:50 top missing work that Charney would like to see recovered is the Book of Drawings, twelve folios by Giorgio Vasari36:05 second work is Leonardo da Vinci's Battle of Angiati; Vasari's use of false walls to preserve works he valued like da Vinci's Battle of Angiati37:15 third work would be the Justice Cycle37:30 Charney's preference for work in situ39:00 Vasari's use of false walls to cover paintings 39:50 Vasari's false wall in front of da Vinci's Battle and reasons to keep or remove wall40:50 Charney's recommendations of books published by ARCA41:10 Context Matters: Collating the Past by David W.J. Gill - collection of essays on antiquities, looting and archaeology41:20 Transnational Art Crime by ARCA academic director Edgar Telehouse41:45 The Secret Collector: the Lost Art Collection of Erich Šlomovič by Leon Pogelick and Slavko Pregl42:45 Charney's The Art Thief's Handbook - art theft essaysTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2021]

First Bart J.C. Devolder talks about his Art Matters Lecture, “Restoration/Revelation: The Conservation Treatment of the ‘Ghent Altarpiece’,” for the Santa Barbara Museum of Art (via Zoom) Thursday, August 5 ... The post Ghent Altarpieces, Wave Women & Women in Surfing appeared first on Elizabeth Appraisals.

Its been described as the most stolen piece of art, the first great oil painting of the Northern Renaissance. A complex multi-panelled painting laced with Catholic Theology. Recovered by the famous monuments men in the second world war after Hitler had hid it in a salt mine. 

Science Editor-in-Chief Holden Thorp joins host Sarah Crespi to discuss his editorial on preventing vaccine hesitancy during the coronavirus pandemic. Even before the current crisis, fear of vaccines had become a global problem, with the World Health Organization naming it as one of the top 10 worldwide health threats in 2019. Now, it seems increasingly possible that many people will refuse to get vaccinated. What can public health officials and researchers do to get ahead of this issue? Also this week, Sarah talks with Science Senior Correspondent Jon Cohen about his story on Chinese scientist Shi Zhengli, the bat researcher at the center of the COVID-19 origins controversy—and why she thinks President Donald Trump owes her an apology. Finally, Geert Van der Snickt, a professor in the conservation-restoration department at the University of Antwerp, talks with Sarah about his Science Advances paper on a new process for peering into the past of paintings. His team used a combination of techniques to look beneath an overpainting on the Ghent Altarpiece by Hubert and Jan Van Eyck—a pivotal piece that showed the potential of oil paints and even included an early example of painting from an aerial view. This week's episode was produced with help from Podigy. Listen to previous podcasts. About the Science Podcast Download a transcript (PDF). [Image: van der Snickt et al., Science Advances 2020; Music: Jeffrey Cook] See omnystudio.com/listener for privacy information.

Science Editor-in-Chief Holden Thorp joins host Sarah Crespi to discuss his editorial on preventing vaccine hesitancy during the coronavirus pandemic. Even before the current crisis, fear of vaccines had become a global problem, with the World Health Organization naming it as one of the top 10 worldwide health threats in 2019. Now, it seems increasingly possible that many people will refuse to get vaccinated. What can public health officials and researchers do to get ahead of this issue? Also this week, Sarah talks with Science Senior Correspondent Jon Cohen about his story on Chinese scientist Shi Zhengli, the bat researcher at the center of the COVID-19 origins controversy—and why she thinks President Donald Trump owes her an apology. Finally, Geert Van der Snickt, a professor in the conservation-restoration department at the University of Antwerp, talks with Sarah about his Science Advances paper on a new process for peering into the past of paintings. His team used a combination of techniques to look beneath an overpainting on the Ghent Altarpiece by Hubert and Jan Van Eyck—a pivotal piece that showed the potential of oil paints and even included an early example of painting from an aerial view. This week's episode was produced with help from Podigy. Listen to previous podcasts. About the Science Podcast Download a transcript (PDF). [Image: van der Snickt et al., Science Advances 2020; Music: Jeffrey Cook] See omnystudio.com/listener for privacy information.

Discover the Womb Rites and initiatory magic of Mary Magdalene, who was revered as a Priestess and human embodiment of the Goddess • Reveals how Mary Magdalene was a sacred priestess of the ancient Womb Mysteries, connected to moon wisdom, sacred harlot archetypes, and goddesses in many traditions, including Sophia, Isis, Inanna, Asherah, Lilith, Jezebel, and Witches • Explains how the Magdalene Mysteries have been encoded in Gnostic texts, sacred art, and literature and unveils the secret Grail heresy of the Ghent Altarpiece • Offers rituals and practices to initiate you into the Womb magic of the ancient priestesses and access deeper dimensions of sexuality and feminine power Unveiling the lost left-hand path of the Magdalene, the Feminine Christ, authors Seren and Azra Bertrand explore how this underground stream of knowledge has been carried forward over the millennia through an unbroken lineage of Womb Shamans, Priestesses, Oracles, and Medicine Women. They explain how the Magdalene Mysteries, symbolized by the Rose, have been encoded in Gnostic codices and gospels and in the highest art, literature, and architecture of many ages, including most significantly the Ghent Altarpiece. They examine Mary Magdalene's connection to moon wisdom, sacred harlot archetypes, and goddesses in many traditions, including Isis, Inanna, Asherah, Lilith, and Jezebel, and look at shamanic, tantric, and Cathar expressions of sacred feminine mysteries as well as the Witch and Templar roots of Robin Hood and Maid Marian.

Let's go on a road trip to learn about the most sought after altarpiece of all time—the Ghent Altarpiece by Jan and Hubert Van Eyck