Podcasts about Altarpiece

What is the Ghent altarpiece, also known as the Adoration of the Mystic Lamb, by the Van Eyck brothers? Kathryn Laffrey and Alix Murray explore its history, intricate details, and symbolism. highlighting its artistic, historical, and spiritual significance. The post Ghent Altarpiece, Part 2 – Images and Restoration appeared first on StarQuest Media.

The Ghent Altarpiece, also known as the Adoration of the Mystical Lamb, is an incredible piece of sacred art. Kathryn Laffrey and Alix Murray tell us about the brothers who painted the altarpiece, Hubert and Jan van Eyck, their world, their other works, and religious themes in their art. The post Ghent Altarpiece, Part 1 – The Artists appeared first on StarQuest Media.

They call it the most stolen artwork in the world… Could this be true? Great interest has been generated throughout its six centuries of existence. It has been stolen, separated, almost burned, and to date is incomplete, although visible in the cathedral of Saint Bavo in Ghent. Join me to discover more about this work, attributed to Jan Van Eyck, which we can place in our Inclusive Art curiosity cabinet on the podcast! Image: Wiki Commons, The Ghent Altarpiece Charney, Noah, The Ghent Altarpiece: the truth about the most stolen artwork of all time, The Guardian, 2013 https://www.theguardian.com/artanddesign/2013/dec/20/ghent-altarpiece-most-stolen-artwork-of-all-time Encyclopedia Britannica https://www.britannica.com/story/the-most-stolen-work-of-art Calvinist Iconoclasm, Annanberg Learner https://www.learner.org/series/art-through-time-a-global-view/conflict-and-resistance/calvinist-iconoclasm/ El Comercio https://elcomercio.pe/mundo/europa/altar-de-gante-la-curiosa-historia-de-la-obra-de-arte-mas-robada-de-todos-los-tiempos-hubert-y-jan-van-eyck-flandes-belgica-narracion-historias-ec-noticia/ Arte INclusivo Podcast Social Media: INstagram: https://www.instagram.com/arteinclusivopodcast/ Facebook: https://www.facebook.com/arteinclusivopodcast Twitter: @inclusivo_arte Email: arteinclusivopodcast@gmail.com

Episode 90? Good lord. You know her, you love her, and today we finally talk about: The Ghent Altarpiece, or The Adoration of the Mystic Lamb. This magnificent masterwork is not only Jan Van Eyck's most prolific work of art, but also the world's most steal-able altarpiece. This was such a great episode to make, just wait until your hosts record in front of her live. Check out our website for all the Art Conservation related links that we talked about in this episode! Join us as we worship the horrific man-face of the lamb of God, discuss the numerology in relation to the Divine, bemoan the treatment of this centuries old painting, and ponder just how magical it would be to stumble into a decommissioned salt mines and found all of these magnificent European masterpieces. Tasty, tasty, tasty! Things have changed, but we're changing with it. Donate. Sign petitions. Support Black-owned businesses. Challenge racism. Educate yourselves. Listen. Speak. Repatriate. Stay Safe. Don't Touch Your Face. Wash Your Hands. If you like what we do, you can support BYWAP over on our ⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠! Find us online! NEW: We're on Youtube! Go check us out! You can follow BYWAP on ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠. You can also find us over on our ⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠! We want to hear from you, to share this time with you. We're in this together, and we're better together. Please leave us a review wherever you listen to podcasts. Every little bit helps as we grow, and we cannot wait to talk to you all again. This is global. Your voice matters. Systemic change is possible. It will not happen overnight—so keep fighting! We stand with you. Our music was written and recorded by Elene Kadagidze. Our cover art was designed by Lindsey Anton-Wood.

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Welcome to the "True Crime Gallery: The Dark Side of Art", the Season 3 mini series finale of The Art Career Podcast, where we are going to uncover the dark and twisted tales where art and crime intersect. In this 3 part series, we bring you bone-chilling stories that will leave you captivated. We begin this week with Dr. Noah Charney telling the tale of the cursed Ghent masterpiece. Next week we explore the horrifying use of modern art as an instrument of torture, to a crime hidden behind one of the Louvre's prized masterpieces, and the disturbing artistic endeavors of a notorious serial killer-clown. We'll end with the famous thefts of the Mona Lisa. Brace yourself for these haunting narratives. Dr Noah Charney is the internationally best-selling author of more than twenty books, translated into fourteen languages. He is a professor of art history specializing in art crime, and has taught for Yale University, Brown University, and American University of Rome He is founder of ARCA, the Association for Research into Crimes against Art. He writes regularly for dozens of major magazines and newspapers, including The Guardian, the Washington Post, the Observer and The Art Newspaper. He has recently fronted an influencer campaign for Samsung, and in 2022 he presented a BBC Radio 4 documentary, China's Stolen Treasures. He lives in Slovenia with his wife, children and their hairless dog. His work in the field of art crime has been praised in such international forums as the New York Times Magazine, Time Magazine, BBC Radio, National Public Radio, El Pais, Vogue, Vanity Fair, Playboy, Elle and Tatler among many others. This episode is sponsored by BetterHelp. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠BetterHelp.com/TAC ⁠⁠⁠⁠⁠⁠⁠⁠⁠today and get 10% off your first month. ⁠⁠⁠⁠⁠⁠⁠⁠⁠theartcareer.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartcareer⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcast host: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@emilymcelwreath_art⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music: Chase Johnson Editing: ⁠⁠⁠⁠⁠⁠⁠@benjamin.galloway Production: @ruby_sloan

This episode will be a little different than the others. It will include different opinions and may cause disagreement among listeners. Was the Ghent Altarpiece mistreated? Let's step into the mysteries of the Van Eych brothers´ masterpieces as we explore its hidden secrets. Don't forget to tune in! (Title: Springwood Single / Artist: Dusty Decks / Source: Epidemic Sound

Join Amanda and Yajaira on a journey of the history of the Ghent Altarpiece. Learn how this piece changed the way that religious art was portrayed. Discover new ways in which religion is represented in art.

Today we talk about what an altarpiece is. We also talked about Berlin. Lastly, we discussed the origin of the Ghent Altarpiece. Music Credit: Let it go by ItsWatR

n this episode, we explore the intriguing background of the Ghent Altarpiece as well as the moral issues surrounding the exhibition of sacred art in public spaces. We explore the question of who should own, restore, and make sacred works of art available to the public— discussing the issue of how museums can strike a balance between the preservation of holy items and outreach to the general population. Join us as we explore how art, religion, and cultural legacy connect in the setting of one of the most famous paintings in the whole world. INTRO/OUTRO MUSIC CREDITS TO SOUNDTRAP 

Art has always been commentary. As we're learning in this series, there's so much more to a masterpiece than what appears at first glance. This is particularly true of religious art that draws its inspiration from God's Word. On Sunday, join Pastor Chuck as he examines a painting and reveals the subtext we can only see when we look closer.

Come join us today in this interesting discussion about the Ghent Altarpiece. From the details on each of the panels of the piece to the rich history it has had all these years. We also touch on the controversial point of using religious object as art. You can't miss it!

The Ghent Altarpiece is an extensive and highly detailed polyptych or multi-paneled altarpiece, that was created by the Flemish artist Jan van Eyck and his brother Hubert van Eyck in the early 15th century. The altarpiece is considered to be one of the most important works of art from the Northern Renaissance. In the late nineteenth century, the Berlin Museum, which then owned part of the paintings belonging to the Ghent Altarpiece, separated the painted fronts of these panels from their backs, which were also painted, by sawing them apart. This harsh measure was intended to facilitate the exhibition of the panels and their inspection by an art-loving public. But it also served to obscure the fact that the panels were created as ecclesiastical objects for display in a church, and to stress their character simply as art.

In this episode, we discuss the Ghent Altarpiece that was created in 1432 by two brothers ,Jan van Eyck and Hubert van Eyck. This episode takes you on a journey on how the art piece was lost, stolen, and sought after by many because of its rich history and meaning that gave it value. But after being in so many hands throughout history, someone was bound to mistreat it. Berlin museum sawed it in half to and put it on display for the world. Here we will be discussing whether or not this controversial splitting is a mistreatment of a religious piece or if it was a necessary evil to portray the significance of the altarpiece.

The podcast was based on the conciliation that we can experience with the works such as, the Ghent Altarpiece, transporting the listener to a feel Western artistic and religious world.

In this podcast, we touch the topic on the importance of art on display, regardless of religion and we go into detail about the Ghent Altarpiece and its very interesting story during the world war. We go into the details of the art piece and its symbolism.  FUNK GROOVE HORNS CATCHY_ adobe stock 

Today in our group we discussed the Ghent Altarpiece. We discussed what the art piece is, where it is located, other facts about the piece, whether religious art is okay to be displayed, and if the Berlin museum mistreated the altarpiece.

The Ghent Altarpiece is our case study, and we talked about the Berlin Museum and more detailed information about the Ghent Altarpiece.

Humans express their feelings and beliefs in multiple forms. Art is one of those. Some have been created exclusively for artistic purposes. Others have been intended to fulfill some specific function initially. But few of them have been created with such magnificence that they have become some of the most treasured pieces of art in history. Artworks such as the Ghent Altarpiece have immortalized the essence and culture of their time and have marked a turning point in arts history.

The adoration of the mystic lamb, also known as Ghent Altarpiece, was begun in the mid-1420 and completed before 1432 by Jan van Eyck and his brother Hubert. Jan van Eyck was a Flemish painter who was one of the founders of Early Netherlandish painting, the medium that Jan van used was oil and oak wood to make this painting. There is no convincing information to determine artistic attribution. The Ghent Altarpiece is a large and complex 15th-century polyptych altarpiece in Saint Bavo's Cathedral chapel in Belgium, but it was moved for security reasons to the main cathedral chapel, where it is today. The altarpiece is considered a masterpiece of European art and one of the world's treasures. The Altarpiece has been the victim of 13 crimes since its installation, and seven thefts. Nearly 600 years old, the panels have been threatened by theft, war damage, peace settlements, outbreaks of iconoclasm , and have suffered fire damage. The idealization of traditional medieval art gives way to realistic representations of nature and humanity.

Join us for an artistic discussion of a masterpiece of Northern Renaissance art; the Ghent Altarpiece created by Jan Van Eyck. We discuss history, meaning, and, most notably, religious symbolism. What happens when a beautiful piece of artwork is coveted? Tune in to find out. Music: We used Imovie music. Ave. Collins (Long)

Today, we will discuss the Ghent Altarpiece, which Jan Van Eyck and Hubert Van Eyck painted. They made this painting during the Northern Renaissance period, and the theme is based on Christianity. Ghent Altarpiece's meaning is the Biblical story of Jesus Christ and his sacrifice. You can see the significance of Christ's sacrifice when they show it with a lamb pouring blood into a chalice. This lamb is a depiction of Christ's sacrifice. In this painting, you can see how the lamb is an essential reference to Christ because next to the altar are angels holding a cross. The angels and cross depict his crucifixion, implying that the lamb in the image is about to get crucified. The Van Eyck brothers used oil paint for the Ghent Altarpiece to try and make the finest of details on this piece of work. For those who don't know what an altarpiece is, it is a work of art that decorated the space above and behind the altar in a Christian church. That is why the Ghent Altarpiece is in St. John the Baptist, now the Cathedral of St. Bavo.

“Exploration of America Before Columbus” – David Brody says numerous artifacts and sites around New England offer evidence of exploration of North America before Columbus. Specifically, the artifacts seem to confirm the legend of a group of Scottish explorers, with ties to the outlawed Knights Templar, island-hopping their way across the North Atlantic in the late 1300s. Who were they, and why did they come? Well, that's where the fun begins.“Templars, Nazis and the Holy Grail”–The Ghent Altarpiece painting is the most stolen piece of artwork in world history. During World War II, the Nazis pilfered it, believing that the painting's Knights Templar symbology and iconography—in particular, secret Templar seals used by the Order during medieval times—were encrypted clues leading to the Holy Grail and other lost Templar treasures. Why did the Templars choose the enigmatic symbols depicted on the seals? And do the answers help lead us to the lost Templar treasure“Freemasons and the Lost Continent of Atlantis”—Many commentators have speculated that the United States is Freemasonry's “New Atlantis.” Is that so? To answer the question, we first need to determine whether “Old Atlantis” really existed. Compelling evidence indicates that some kind of advanced civilization thrived—and then was lost—approximately 12,000 years ago.

4th Sunday of Advent - A - Sunday, December 18, 2022 (EPISODE-396 ) Readings for Sunday, December 18, 2022 - 4th Sunday of Advent - A FIRST READING: Isa 7:10-14 Ps 24:1-2, 3-4, 5-6. “Let the Lord enter, he is king of glory” SECOND READING: Rom 1:1-7 GOSPEL ACCLAMATION (Matt 1:23). Alleluia, alleluia! The virgin will give birth to a son; his name will be Emmanuel: God-is-with-us. Alleluia! GOSPEL: Matt 1:18-24 Image Credit: Shutterstock Licensed. Stock Photo ID: 1417111835 - FLORENCE, ITALY - JANUARY 11, 2019: Altarpiece of saint Joseph the Worker, by Pietro Annigoni in the Basilica di San Lorenzo in Florence, Italy. Editorial Use Only.Photo Contributor - Zvonimir Atletic ++++++++ Archive of homilies and reflections: http://homilycatholic.blogspot.com.au To contact Fr. Paul, please email: paulwkelly68@gmail.com To listen to my weekly homily audio podcast, please click this link here: https://soundcloud.com/user-633212303/tracks You are welcome to subscribe to Fr Paul's homily mail-out by sending an email to this address: Subscribe to mailing list to keep up-to-date Further information relating to the audio productions linked to this Blog: "Faith, Hope and Love - Christian worship and reflection" - Led by Rev Paul Kelly "O Come. Lord. (Advent) HYMN" - In Memory of Paolo Mario (Paul) Giacomantonio (1968-2020). By Paul W. Kelly. Based on the Ancient church "O Antiphons" of Advent. Arranged and sung, with additional lyrics, By Stefan Kelk, 2020. Quiet reflection music and hymn - Original musical composition by William John kelly (1942-2017) Lyrics based on the Song of Praise by the Three Young Men, The Book of Daniel 3:24-9. By Paul kelly. Arranged and sung, and with adapted lyrics by Stefan Kelk. 2021 [ Production - KER - 2022] May God bless and keep you. Extra Text : unspoken for Advent: - Roman Missal, 3rd edition, 2010, (ICEL) Scriptures - New Revised Standard Version: © 1989, and 2009 by the NCC-USA. "The Psalms” by The Grail - 1963, 2009. Prayers of the Faithful - Robert Borg “Together we pray" - (1993) . +++++++++++++++++++++++++++++

Napoleon once stole several of its panels. The Nazis; they took the whole thing. The Ghent Altarpiece, also known as Adoration of the Mystic Lamb, has been the victim of more than a dozen crimes, including several thefts. Commissioned in the 15th century, it is, today, considered the most famous Flemish painting from the Renaissance period. Since it's completion, though, the work has been cut in half, nearly damaged in fire, and hidden in salt mines -- and part of it's still missing today. It's kind of a miracle it's made it this far through history.See omnystudio.com/listener for privacy information.

[English below]

Take an artistic dive into history with us as Ayah, Julian, and Krystal talk about the history as well as a case study about the Ghent Altarpiece. This episode is filled with discussion that all people who appreciate art will enjoy. What are you waiting for? Tune in, and explore some art with us!

This podcast is to inform anyone that is interested in learning about the Ghent altarpiece and its story. It consists of a short history and analysis of the Ghent altarpiece along with a discussion about religious objects being displayed as art. I would recommend listening to this as it provides an outsider prospective on the art piece as well as how others may feel about the artwork and other religious pieces on display. The title "What A Ghent Altarpiece" is supposed to be a pun for What A Great Altarpiece.

Jacopo Pontormo's altarpiece for the Capponi Chapel in the church of Santa Felicità in Florence, Italy, is one of the most beautiful paintings of the Italian Renaissance. Yet, the subject matter of painting still confuses art historians as it does not fit in any traditional iconographic parameters. This episode unpacks Pontormo's great painting and the various theories that surround it.  

In 1525, Jacopo Pontormo, one of the greatest Mannerist painters of Florence, was commissioned to decorate the family chapel of Ludovico Capponi in the church of Santa Felicità. While the altarpiece is the chapel's most celebrated work, Pontormo also decorated its dome, pendentives and window wall with beautiful paintings. This episode  examines the history of the chapel and reconstructs its original decorative scheme. 

In this episode we are joined by Chief Conservator at The Courtauld, Graeme Barraclough and Reader in Italian Renaissance Art, 1400-1500, Dr Scott Nethersole to discuss the revelations, the discoveries, the hidden imprints of Sandro Botticelli's ‘Trinty Altarpiece' revealed through its recent conservation, and technical and scientific examination at The Courtauld. Courtauld Cast is produced by novel for the Courtauld Institute of art and generously supported by Bloomberg Philanthropies. Thanks to our producers, Harry Cooke and Claire Crofton and executive producer, Jo Wheeler, and a special thanks to Julie Rose Bower. See acast.com/privacy for privacy and opt-out information.

Titian's two great altarpieces in the great Franciscan basilica of Venice known as the "Frari" marked a turning point in the artist's career. These were his first two public commissions and allowed all of Venice to appreciate the extraordinary talent of a young artist who was still only in his twenties. This episode explores the history, style, and patronage of the two great paintings and how they clearly demonstrate Titan's unique approach to painting. 

This episode examines the first great Venetian painting of the Renaissance. Although the Venetian school of painting appeared almost a full century after that of Florence, the extraordinary genius of Venetian painters such as Giovanni Bellini rapidly made it the major rival of central Italian Renaissance painting. 

Sitting between High Renaissance and Baroque styles, this 16th century altarpiece from the Capponi Chapel in Florence brings together two of the most luxurious art periods in history…For more information and to see the artwork being discussed please visit www.seventh-art.com/podcast

Matthias Grunewald masterpiece was commissioned by the Antonite Monks at Isenheim.  His depiction of an excruciating crucifixion is now iconic and was commissioned in the context of a monastery that was treating victims of the plague and skin disease

This episode examines the exquisite Flemish masterpiece which was painted for a prominent Italian patron. Located in the Uffizi Galleries in Florence, Italy, the "Portinari Altarpiece" exhibits all those aspects typical of the early Flemish Renaissance period, but with an Italian twist to suit the patron's tastes. 

This time we explore how practicing our faith can help us see that the cross of Jesus is so much more than something that happened way back when, and why the cross is something Christians should want to practice in places like those distorted by disease and haunted by Lynching Trees.  www.shemasd.org You can find Cone's book here. Original Score by Julius Obregon Jr.

Thanks for listening! This week we discuss The Merode Altarpiece and The Swing by  Fragonard.  These paintings are pretty saucy so watch out! (It only gets saucier next week though).  Sinclaire also showcases a beautiful pen and watercolor drawing her grandfather made. Max commentates. POCOT Instagram:@paint_on_canvas_on_tapeEmail:paintoncanvasontape@gmail.com

Its been described as the most stolen piece of art, the first great oil painting of the Northern Renaissance. A complex multi-panelled painting laced with Catholic Theology. Recovered by the famous monuments men in the second world war after Hitler had hid it in a salt mine. 

Episode 1442: Our article of the day is Oddi Altarpiece (Raphael).

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In this episode, we'll explore the Isenheim Altarpiece by Matthias Grünewald.For more information visit, https://www.musee-unterlinden.com/en/oeuvres/the-isenheim-altarpiece/

Van Eyck's Ghent Altarpiece is often considered one of the world's most important paintings due to it being the first great oil painting and the forerunner of artistic realism in the Renaissance. It also has a very exciting history, escaping destruction from angry reformation crowds and being stolen multiple times throughout its lifetime. One panel, stolen in 1934, is still missing. Come listen and learn about questionable restorations, Nazi art thievery, and a very disturbing looking lamb.

The Merode Altarpiece is a devotional triptych from 15th century Burgundy. Come explore this amazing work from the Northern Renaissance with Accessible Art History: The Podcast. For images and sources: https://www.accessiblearthistory.com/post/podcast-episode-16-the-merode-altarpiece --- Support this podcast: https://anchor.fm/accessiblearthistory/support

Reconquest Episode 246: Your Inalienable Spiritual Goods Episode 246 debuts on September 9, at 8:00 PM Eastern. Rebroadcasts will take place according to the Crusade Channel programming schedule (note: all times listed are Central time). The topic is Your Inalienable Spiritual Goods. What Nobody Can Take from You — by Brother André Marie, M.I.C.M., at catholicism.org Saint Louis de Montfort's Treatise on True Devotion to Mary, Father Faber translation — at catholicwaypublishing.com Devotion to Mary in Proficients — by Fr. Reginald Garrigou-Lagrange, OP, at catholictradition.org Merit — Catholic Encyclopedia article at newadvent.org Robert Campin and workshop, Mérode Altarpiece (details). “Reconquest” is a militant, engaging, and informative Catholic radio program featuring interviews with interesting guests as well as commentary by your host. It is a radio-journalistic extension of the Crusade of Saint Benedict Center. Each weekly, one-hour episode of Reconquest will debut RIGHT HERE on Wednesday night at 8:00 PM Eastern (7:00 PM Central). It will then be rebroadcast according to the Crusade Channel programming schedule (note: all times listed are Central time). MY TWEET: A priest who invalidates a sacrament by his improvisational ars celebrandi is no longer in persona Christi but in persona diaboli. He is an adversary. What Is The Crusade Channel? The CRUSADE Channel, The Last LIVE! Radio Station Standing begins our LIVE programming with our all original CRUSADE Channel News hosted by 28 year radio ace, Stacey Cohen. Coupled with Mike “The King Dude” Church entertaining you during your morning drive and Rick Barrett giving you the news of the day and the narrative that will follow during your lunch break!  We’ve interviewed over 200 guests, seen Brother Andre Marie notch his 200th broadcast of Reconquest; the The Mike Church Show over 900 episodes; launched an original LIVE! News Service; written and produced 4 Feature Length original dramas including The Last Confession of Sherlock Holmes and set sail on the coolest radio product ever, the 5 Minute Mysteries series! We are the ONLY outlet to cover the Impeachment of President Trump from gavel to gavel!  The Crusade Channel is an open forum for the great thinkers of our time, those who accept the REALITY that Truth is higher than opinion and are willing to speak it with clarity, courage and charity.  Now that you have discovered The Crusade, get 30 days for FREE of our premium service just head to: https://crusadechannel.com OR download our FREE app: https://apps.appmachine.com/theveritasradionetworkappIti- Can you spare $1.00 a month to support independent media?  Unlike SiriusXM or CRTV we are NOT funded by Public Stock Trading, or insanely wealthy billionaires from Texas. So a few coins in our CRUSADER Cup to help us keep going are always appreciated! Donate today to help independent media survive by clicking the link: https://crusadechannel.com/donate-to-the-crusade-channel/ Did you know about Inalienable Spiritual Goods?  If you are interested in supporting small business, be sure to check out the official store of the Crusade Channel, the Founders Tradin Post! Not to mention our amazing collection of DVD’s, Cigars, T-Shirts, bumper stickers and other unique selection of items selected by Mike Church!

Let's go on a road trip to learn about the most sought after altarpiece of all time—the Ghent Altarpiece by Jan and Hubert Van Eyck

Han utforskade sambandet mellan litteratur, våld och människans yttersta mörker, en mytomspunnen litterär stjärna vars misslyckade hjältar erövrade en hel värld. Litteraturväven berättar historien om Roberto Bolanõ: Resa mot mörkrets kärna. Följs oss gärna på instagram för att se vad som är på gång. Litteraturväven är ett program av och med Jonas Stål, med inläsningar av Beatrice Berg och Dick Lundberg. Roberto Bolaños porträtt är tecknat av Irem Babovic. KÄLLOR: [Litteratur] Andrews, Chris – Roberto Bolaño’s fiction: an expanding universe, Columbia University Press (2014) Bolaño, Roberto – 2666, Albert Bonniers Förlag (2010) Bolaño, Roberto –Amulett, Albert Bonniers Förlag (2011) Bolaño, Roberto –Avlägsen stjärna, Albert Bonniers Förlag (2017) Bolaño, Roberto –Between parenthesis: essays, articles and speeches, 1998-2003, Picador (2012) Bolaño, Roberto – De vilda detektiverna, Bokförlaget Tranan (2007) Bolaño, Roberto –Den odräglige gauchon, Bokförlaget Tranan (2017) Bolaño, Roberto – Det okända universitetet, Bokförlaget Tranan (2011) Bolaño, Roberto –Det ondas hemlighet, Bokförlaget Tranan (2017) Bolaño, Roberto –Horor som mördar, Bokförlaget Tranan (2016) Bolaño, Roberto – Nazistlitteratur i Amerika, Albert Bonniers Förlag (2012) Bolaño, Roberto – Om natten i Chile, Bokförlaget Tranan (2009) Bolaño, Roberto - Roberto Bolaño: The last interview & other conversations, Melville House Publishing (2009) Bolaño, Roberto – Telefonsamtal, Bokförlaget Tranan (2015) Bolaño, Roberto –Tredje riket, Albert Bonniers Förlag (2018) Contreras, Fransisco – 11/9: 30 år sedan statskuppen i Chile, Nixon (2003) Contreras, Jorge – Chile 11 september 1973: kuppen, terrorn och tragedin, (2003) Gutiérrez-Mouat, Ricardo – Understanding Roberto Bolaño, The University of South Carolina Press (2016) Lopez-Calvo, Ignacio – Roberto Bolaño, a less sistant star, Palgrave Macmillan (2015) Maristain, Mónica – Bolaño: a biography in conversations, Melville House (2014) Russell Clark, Jonathan – An oasis of horror in a desert of boredom, Fiction Advocate (2018) [Artiklar] Boullosa, Carmen – Bolaño in Mexico, The Nation, 23 april 2007 Goldman, Fransisco – The great Bolaño, The New York Review of Books, 19 juli 2007 Miles, Valerie – Roberto Bolaño and the beat connection, The New Yorker, 3 mars 2019 Rother, Larry – A Chilean writer’s fictions might include his own colorful past, The New York Times, 8 februari 2009 William-Olsson, Magnus – Frammanar det förflutna i nuet, Aftonbladet, 6 september 2011 Valdes, Marcela – Alone among the ghosts: Roberto Bolano’s 2666, The Nation, 19 november 2008 Zalewski, Daniel – Vagabonds, The New Yorker, 19 mars 2007 [Film] La Belleza de Pensar (1999) Intervju från International Bookfair, Chile, 1999 [Nätet] First infrarealist manifesto, Altarpiece

PLEASE SUPPORT OUR SPONSORS! Strange Planet's Fullscript Dispensary - an online service offering hundreds of professional supplement brands, personal care items, essential oils, pet care products and much more. Nature Grade, Science Made!   Paranormal Contractors - They Take Ghost and Demon Problems Seriously! 631-552-5835  paranormalcontractors@gmail.com Life Change and Formula 13 Teas  All Organic, No Caffeine, Non GMO!  More Energy!  Order now, use the code 'unlimited' and your first purchase ships for free. Reverse Speech Radio,the only podcast in the world that is committed to bringing you "The Truth, The Whole Truth, and Nothing But The Truth." Listen and Subscribe at reversespeechradio.libsyn.com Crime & Trauma Scene Cleaners is committed to helping people when tragedy strikes. Our objective is to restore safety to an environment in the most professional and discrete manner possible.   EPISODE #302 A best-selling author discusses the clues hidden in a stolen medieval painting that may lead to the Holy Grail and a vast treasure hidden by the Knights Templar. Guest: David S. Brody is a Boston Globe bestselling fiction writer and author of nine novels. A graduate of Tufts University and Georgetown Law School, he is a former Director of the New England Antiquities Research Association (NEARA) and is an avid researcher in the subject of pre-Columbian exploration of America. He has frequently appeared as a guest expert on documentaries airing on History Channel, Travel Channel, PBS and Discovery Channel. The ninth book in his Templars in America series is titled, Treasure Templari: Templars, Nazis and the Holy Grail.  

Episode 98 of the Random history of #Belgium podcast: It's one of the most famous and important paintings in the world, commonly known as “the Ghent Altarpiece”. We'll learn more about who made it, what it depicts and what happened to it over the last 5 centuries. #vaneyck2020 #justjudges links: http://closertovaneyck.kikirpa.be/ https://artsandculture.google.com/asset/the-ghent-altarpiece-closed-after-restauration/HQHr1poJoZ8F_A https://vaneyck2020.be/  

In thanksgiving and remembrance of William John (Bill) Kelly on the occasion of the 77th anniversary of his birth 8th June, 1942. May he rest in Peace. Image: By Zvonimir Atletic, photo ID: 1417111835, Shutterstock, used under licence. From FLORENCE, ITALY - JANUARY 11, 2019: Altarpiece of saint Joseph the Worker, by Pietro Annigoni in the Basilica di San Lorenzo in Florence, Italy - Image Theme music for Faith Hope and Love, Music by Paul W Kelly Instrumental reflection music used in this recording: "Quiet Time" By Paul W Kelly. Psalm today is "The Lord is My Shepherd, and I want to Follow" by Brian Bonniwell.

Kevin T. Porter and Caroline Ely from the Good Christian Fun podcast take a break from discussing Christian pop culture to discuss Christian "high" culture. We take a look at Jan van Hemessen's "Altarpiece with Scenes from the Old and New Testaments," but not before taking a deep dive into the Reds mascot roster. Hosted by Russell Ihrig. For more info and other programs, visit: www.cincinnatiartmuseum.org Episode Links: Good Christian Fun: https://www.goodchristianfun.com/ Theme song: Offrande Musicale by Bacalao Take our survey: http://bit.ly/ArtPalaceSurvey

John 3:23-30

In 1427 Renaissance manuscript illuminator and panel painter Giovanni di Paolo completed one of his most important commissions: an altarpiece for the Branchini family chapel in the church of San Domenico in Siena, Italy. The polyptych was disbanded, likely in the fifteenth century. The Getty exhibition “The Shimmer of Gold: Giovanni di Paolo in Renaissance … Continue reading "Giovanni di Paolo’s Branchini Altarpiece"

Many historical novels explore the highways and byways of Tudor England, especially the marital troubles of Henry VIII, which makes it all the more pleasant when an author approaches that much-visited time and place with a fresh eye. In her The Cross and the Crown series–which currently consists of The Altarpiece, City of Ladies, and The King’s Sisters—Sarah Kennedy looks at Henry’s roller-coaster search for marital happiness and male progeny from the viewpoint of a young nun cast out of her convent and flung into a strange interim state where she can neither practice her religion nor marry without the express permission of the king. We meet Catherine Havens in 1535. King Henry has recently declared the Dissolution of the Monasteries, and the local gentry sees a chance to increase its landholdings at the expense of Catherine’s convent–a development that her abbess in no way supports but cannot prevent. When the convent chapel’s large and valuable altarpiece goes missing, the questions raised by the theft and the attempts to retrieve it sweep Catherine into a secular world that her sheltered background has not prepared her to handle. The situation only deepens in future books, as the king’s constantly shifting moods, loves, alliances, and attitudes toward religion keep his realm in equally constant turmoil–the only certainty that a misstep will lead to torture and execution. In this atmosphere, no one is safe. Yet Catherine and the other “king’s sisters,” a group that includes his divorced wife Anne of Cleves, strive to care for his children while remaining true to their consciences. That Catherine is also a gifted physician (although a woman cannot bear that title, and the line between medicine and witchcraft at times wears disturbingly thin) offers her both a means of support and a certain protection amid the many dangers that beset even secondary affiliates of the royal court. The King’s Sisters (Knox Robinson Publishing, 2015) opens a window on a world in which the fate of Anne Boleyn is but one reminder of King Henry’s caprice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many historical novels explore the highways and byways of Tudor England, especially the marital troubles of Henry VIII, which makes it all the more pleasant when an author approaches that much-visited time and place with a fresh eye. In her The Cross and the Crown series–which currently consists of The Altarpiece, City of Ladies, and The King’s Sisters—Sarah Kennedy looks at Henry’s roller-coaster search for marital happiness and male progeny from the viewpoint of a young nun cast out of her convent and flung into a strange interim state where she can neither practice her religion nor marry without the express permission of the king. We meet Catherine Havens in 1535. King Henry has recently declared the Dissolution of the Monasteries, and the local gentry sees a chance to increase its landholdings at the expense of Catherine’s convent–a development that her abbess in no way supports but cannot prevent. When the convent chapel’s large and valuable altarpiece goes missing, the questions raised by the theft and the attempts to retrieve it sweep Catherine into a secular world that her sheltered background has not prepared her to handle. The situation only deepens in future books, as the king’s constantly shifting moods, loves, alliances, and attitudes toward religion keep his realm in equally constant turmoil–the only certainty that a misstep will lead to torture and execution. In this atmosphere, no one is safe. Yet Catherine and the other “king’s sisters,” a group that includes his divorced wife Anne of Cleves, strive to care for his children while remaining true to their consciences. That Catherine is also a gifted physician (although a woman cannot bear that title, and the line between medicine and witchcraft at times wears disturbingly thin) offers her both a means of support and a certain protection amid the many dangers that beset even secondary affiliates of the royal court. The King’s Sisters (Knox Robinson Publishing, 2015) opens a window on a world in which the fate of Anne Boleyn is but one reminder of King Henry’s caprice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Find out more about why John the Baptist rebuked Herod, king of Judaea, and why the unknown painter who executed the Bernese John the Baptist Altar is called the "Carnation Master." From the podcast series featuring highlights of the Kunstmuseum Bern Collection.

"The Altarpiece of Ciudad Rodrigo" is the centerpiece of the UAMA’s Samuel H. Kress Collection, which consists of more than 60 European paintings, sculptures and decorative objects dating from the 14th through the 19th centuries. In addition to the Altarpiece, the Kress holdings include paintings by Vittore Carpaccio, Jusepe de Ribera, Domenico Tintoretto, Giovanni Battista Tiepolo, Horace Vernet, Elisabeth Vigée-Lebrun and many others. The technical analysis of the paintings, under the direction of Claire Barry, chief conservator for the Kimbell Art Museum, allowed scholars to look beneath the painted layers and to see the artists’ preparatory underdrawings. Sept. 2008.

Barbara Anderson of the Getty Research Institute gave a lecture titled "In the Shadow of a Famous Master: Maestro Bartolomé’s Innovations in the Altarpiece of Ciudad Rodrigo" September 4, 2008. Following two years of groundbreaking research and technical analysis, the University of Arizona Museum of Art’s magnificent altarpiece of Ciudad Rodrigo has returned to Tucson. Since the fall of 2006, this exquisite group of 26 Spanish medieval paintings has undergone ultraviolet light and X-ray examination, as well as infrared reflectography at the Kimbell Art Museum’s Conservation Studio in Fort Worth, Texas. The resulting scientific and art historical research have unlocked 500-year-old secrets about the altarpiece’s creation and realization.

Lotto was a restless traveller who absorbed many influences but left many letters and records. Here is a miraculous story told in simple and direct human terms. Gabriel announces to the Virgin ‘You shall conceive and bear a son and you shall give him the name Jesus’. Mary turns away from her reading of Isaiah 7:14, which begins ‘A young woman who is pregnant will have a son’. The light of the Christian faith fills the space which is her bed-chamber. It would have been against the decorum of the times to show Mary in fear and the cat amplifies this. The lily is a symbol of the Virgin. There is a Venetian quality to the light and colour of this altar-piece and a Northern-European attention to detail.