Podcast appearances and mentions of girish karnad

The text of Kuvempu's epic Kannada novel, Malegalalli Madumagalu (1967), and the recent translation, Bride in the Hills by Vanamala Viswanatha (Penguin Random House, 2024), will be discussed by an eminent panel of scholars, writers and the translator. Set in 1893 in the Malnad region of the Western Ghats with its majestic Sahyadri ranges, dense forests, and river Tunga, Kuvempu's Malegalalli Madumagalu (Bride in the Hills) describes the saga of not one young woman but many, of varied hues, who aspire for love and fulfilment in marriage, in a self-serving, male feudal order. An organic network of interrelated stories, the well-known Kannada writer Devanoora Mahadeva locates the novel in the epic tradition of the Mahabharata and Tolstoy's War and Peace. This woman-centric text weaves together the touching plight of young couples in love, such as Gutti and Timmi, from a Dalit community living on the ghats; Aita and Pinchalu, migrant labourers from below the ghats, and Mukundayya and Chinnamma from the land-owning Shudra caste. Fired from within by their love – the most powerful agent of change – these young people seek a life of freedom and dignity, leading to the transformation of the larger community. Their heartening stories are juxtaposed against the travails of hapless Nagakka and scheming Venkatanna, sickly Deyi and brute Chinkra, and gullible Kaveri and lecherous Devayya. All of them are, in different ways, up against the repressive regimes of the decadent landlords, who manipulate traditional feudal practices as well as the modern apparatus of a colonial state.  True to its claim as an epic novel, Kuvempu's text with its multiple narrative strands vividly enacts its mission statement in the epigraph: “Here, no one is important; no one is unimportant; nothing is insignificant!” Every sentient and insentient thing – the degenerate Chinkra, orphan Dharmu, Huliya the dog, Biri the cat, the evergreen forest, the Hulikal Peak – has a place and a purpose in this narrative. Imbued with an ecological consciousness, the novel offers a veritable biodiversity register of the Malnad region. Kuvempu presents a ‘view from below', a subaltern perspective which also takes in the world of the wealthy and powerful. Winner of the first Sahitya Akademi award in 1955 and the Jnanpith in 1967, Kuvempu (Kuppali Venkatappa Puttappa 1904-1994) inaugurated the non-brahmin era in modern Kannada writing. Kuvempu's versatile oeuvre includes a vast body of poetry, plays, novels, children's writing, essays and an autobiography. While his poetic epic ‘Shri Ramayana Darshanam' is a radical rewriting of the Valmiki epic drawing from the Jaina tradition, the two novels, The Kanur House (made into a film by Girish Karnad) and Bride in the Hills, are modern novels set in the late 19th and early 20th centuries. Inspired by Tolstoy's expansive canvas and Tagore's unique Indian ethos, this first significant Shudra writer and an iconic figure in Kannada culture, has sculpted an entirely regional epic novel in Bride in the Hills. Image Credits Book Cover: MS Murthy and Jay Gosney Header: A Malnad Landscape, Photo courtesy Girish Kasaravalli Photo of Amit Chaudhuri by Richard Lofthouse/University of Oxford In collaboration with Rashtrakavi Kuvempu Pratishthana, Kuppali (Devangi, Thirthahalli, Shivamogga) In this episode of BIC Talks, Vanamala Viswanathan, Rajendra Chenni, Amit Chaudhuri and Arvind Narrain will be in conversation. This is an excerpt from a conversation that took place in the BIC premises in November 2024. Subscribe to the BIC Talks Podcast on your favorite podcast app! BIC Talks is available everywhere, including Apple Podcasts, Spotify, Google Podcasts, Castbox, Overcast, Audible, and Amazon Music.

To celebrate the birthday of the great Rekha, we watched Utsav (1984), Girish Karnad's adaptation of the ancient Sanskrit play Mrichakatika. In our totally unbiased opinion this is Rekha's film through and through, but really everyone and everything else is great, with one exception that you can probably guess. This is one of our favorite Rekha performances! What are yours? Other discussions: • Is Rekha the best Hindi film actress for sensuality and sexual forthrightness? • The jewelry!!! • Isn't it amazing that Shashi Kapoor produced so many fantastic films in such a short window (1979–1984)? • Does Kulbhushan Kharbanda have BDE? Our episode with the great Sal on Rekha is here: https://www.youtube.com/watch?v=UPgobOdmKHs Subscribe to Filmi Ladies on Spotify https://open.spotify.com/show/7Ib9C1X5ObvN18u9WR0TK9 or Apple Podcasts https://podcasts.apple.com/us/podcast/filmi-ladies/id1642425062 @filmiladies on Instagram and Twitter Pitu is @pitusultan on Instagram Beth is @bethlovesbolly on Twitter Email us at filmiladies at gmail See our letterboxd for everything discussed on this podcast. https://boxd.it/qSpfy Our logo was designed by London-based artist Paula Ganoo @velcrothoughts on Instagram https://www.art2arts.co.uk/paula-vaughan

Dor (2006) Screenplay & Direction: Nagesh Kukunoor Based on the Malayalam film “Perumazhakkalam” by Kamal Cast: Ayesha Takia, Gul Panag, Shreyas Talpade, Girish Karnad, Uttara Baokar & Prateeksha Lonkar Music & Background Score: Salim- Sulaiman In a cinematic landscape dominated by commercial blockbusters, the 2006 Hindi movie "Dor" stands out as a beacon of nuanced storytelling and emotional depth. Nagesh Kukunoor's masterful direction, combined with stellar performances by Ayesha Takia, Gul Panag, and Shreyas Talpade, makes "Dor" a film that is both timeless and poignant. It is a film that deserves to be revisited and celebrated for its artistic merit and the powerful messages it conveys.

Tune in to The Lit Pickers as Supriya and Deepanjana engage in a delightful conversation with journalist and writer, Raghu Karnad. Join us as Raghu shares his journey of curating an Instagram archive for his father, the late and great Girish Karnad, who was an actor, film director, writer, playwright and a Jnanpith awardee. From exploring Girish Karnad's multifaceted career to reflecting on Raghu's personal connection with his father's work, we unravel the complexities of archiving the work of a beloved figure. Dive into a discussion about Girish Karnad's legacy, the challenges of preserving a cultural heritage, and the power of theatre and literature in shaping societal discourse.    You can find Supriya Nair at @supriyanair and Deepanjana Pal at @dpanjana on Instagram.    Find the Instagram archive for Girish Karnad @worldofgirishkarnad   If you have any books, reading or literature-related questions, please email us at contact@maed.in.    For a list of all the books mentioned in the season so far, check out: https://thelitpickers.fanlink.to/books   This is a Maed In India Production; check us out at www.maedinindia.in.  Creative Director: Mae Mariyam Thomas Project Manager: Shaun Fanthome Head of Audio: Kartik Kulkarni Producer: Meghna Gulati  Sound Editor: Lakshman Parsuram Artwork: Alika Gupta   Theme Music: Easy Wanderlings - Here's to You

Story, Screenplay & Direction: Nagesh Kukunoor Cast: Shreyas Talpade, Naseeruddin Shah, Girish Karnad, Shweta Basu Prasad, Yatin Karyekar & Prateeksha Lonkar Background score: Salim- Sulaiman In today's deep dive into the heart of Indian cinema, we explore the 2005 gem "Iqbal," a film that captures the essence of dreams, perseverance, and the indomitable human spirit. Directed and written by Nagesh Kukunoor, "Iqbal" stands as a testament to storytelling that resonates deeply with its audience, weaving a narrative that is both inspiring and profoundly moving.

The Ramayana is not one book, but a living text with countless versions across languages, each reflecting the values of its time and place. Arshia Sattar joins Amit Varma to share her insights from decades of study. Also discussed: the art of translation -- and our search for dharma. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out 1. Arshia Sattar on Amazon, Open and Wikipedia. 2. Valmiki's Ramayana -- Translated by Arshia Sattar. 3. Maryada: Searching for Dharma in the Ramayana -- Arshia Sattar. 4. Lost Loves: Exploring Rama's Anguish -- Arshia Sattar. 5. AK Ramanujan on Amazon and Wikipedia. 6. Wendy Doniger on Amazon and Wikipedia. 7. Alf Hiltebeitel on Amazon and Wikipedia. 8. 300 Ramayanas — AK Ramanujan. 9. On Hinduism and The Hindus — Wendy Doniger. 10. Yuganta — Irawati Karve. 11. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 12. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 13. 'I Have a Dream' (video) (transcript) -- Martin Luther King. 14. Whatever happened To Ehsan Jafri on February 28, 2002? — Harsh Mander. 15. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 14. Gita Press and the Making of Hindu India — Akshaya Mukul. 15. The Shah Bano case, the Sati at Deorala and the banning of Satanic Verses. 16. 1968: The Year that Rocked the World -- Mark Kurlanksy. 17. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 18. Girish Karnad on Amazon and Wikipedia. 19. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 20. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 21. Early Indians — Episode 112 of The Seen and the Unseen (w Tony Joseph). 22. Early Indians — Tony Joseph. 23. Who We Are and How We Got Here — David Reich. 24. Nissim Ezekiel on Amazon, Wikipedia and All Poetry. 25. The Seven Basic Plots — Christopher Booker. 26. The Long Road From Neeyat to Neeti -- Episode 313 of The Seen and the Unseen (w Pranay Kotasthane and Raghu S Jaitley). 27. Sansar Se Bhage Phirte Ho — Song from Chitralekha with lyrics by Sahir Ludhianvi. 28. Episodes of the Seen and the Unseen on Mughal history with Ira Mukhoty, Parvati Sharma, Rana Safvi and Manimugdha Sharma. 29. Tales from the Kathasaritsagara -- Somadeva (translated by Arshia Sattar). 30. The Second Game of Dice -- Amit Varma. 31. Range Rover -- The archives of Amit Varma's column on poker for the Economic Times. 32. Critical Theory and Structuralism. 33. The Missing Queen -- Samhita Arni. 34. Ramcharitmanas (Hindi) (English) (Wikipedia) -- Tulsidas. 35. Krittivasi Ramayan (Bengali) (Wikipedia) -- Krittibas Ojha. 36. The Kamba Ramayana -- Translated by PS Sundaram. 37. The Odyssey and The Iliad by Homer. 38. David Shulman on Amazon and Wikipedia. 39. Narendra Modi takes a Great Leap Backwards — Amit Varma (on demonetisation). 40. Bimal Krishna Matilal on Amazon and Wikipedia. 41. Dharma: Dimensions of Asian Spirituality -- Alf Hiltebeitel. 42. Understanding Gandhi. Part 1: Mohandas — Episode 104 of The Seen and the Unseen (w Ram Guha). 43. Understanding Gandhi. Part 2: Mahatma — Episode 105 of The Seen and the Unseen (w Ram Guha). 44. The Origins of Evil in Hindu Mythology -- Wendy Doniger. 45. Raja Ravi Varma. 46. Shoodhra Tapasvi -- Kuvempu. 47. Ludwig Wittgenstein on Amazon, Wikipedia, Britannica and Stanford Encyclopedia of Philosophy. 48. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 49. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 50. The Life and Times of Jerry Pinto -- Episode 314 of The Seen and the Unseen. 51. RRR -- SS Rajamouli. 52. The Girish Karnad Podcasts: The Rover Has No Fear of Memories -- An oral history enabled by Arshia Sattar and Anmol Tikoo. 53. This Life At Play: Memoirs -- Girish Karnad. 54. Kind of Blue -- Miles Davis. 55. Elena Ferrante on Amazon. 56. The Door -- Magda Szabó. 57. The Mahabaharata -- Peter Brook. 58. The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, That Obscure Object of Desire — Luis Buñuel. 59. The Unbearable Lightness of Being — Philip Kaufman. 60. The Line -- An Apple Original podcast. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Searching for Dharma' by Simahina.

She's been a novelist, a playwright, a critic, an essayist, a memoirist, a journalist, a writer for cinema and a historian of theatre -- in both English and Marathi. Shanta Gokhale joins Amit Varma in episode 311 of The Seen and the Unseen to talk about her remarkable life and times. (For full linked show notes, go to SeenUnseen.in.) Also check out: 1. Shanta Gokhale on Amazon, Wikipedia and her own website. 2. One Foot on the Ground -- Shanta Gokhale. 3. Living With Father: A Memoir -- Shanta Gokhale. 4. आमची आई : इंदिरा गोपाळ गोखले -- Shanta Gokhale. 5. The Engaged Observer: The Selected Writings of Shanta Gokhale -- Edited by Jerry Pinto. 6. Rita Velinkar (Marathi) (English) -- Shanta Gokhale. 7. Tya Varshi/Crowfall (Marathi) (English) -- Shanta Gokhale. 8. Playwright at the Centre: Marathi Drama from 1843 to the Present -- Shanta Gokhale. 9. Shivaji Park: Dadar 28: History, Places, People -- Shanta Gokhale. 10. Satyadev Dubey: A Fifty-Year Journey Through Theatre -- Edited by Shanta Gokhale. 11. The Scenes We Made: An Oral History of Experimental Theatre in Mumbai -- Edited by Shanta Gokhale. 12. Avinash: The Indestructible -- Shanta Gokhale. 13. Smritichitre: The Memoirs of a Spirited Wife -- Lakshmibai Tilak (translated by Shanta Gokhale). 14. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 15. The Adda at the End of the Universe -- Episode 309 of The Seen and the Unseen (w Vikram Sathaye and Roshan Abbas). 16. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 17. The Never Never Nest -- Cedric Mount. 18. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen (w Mrinal Pande). 19. The Female Eunuch -- Germaine Greer. 20. The Second Sex -- Simone de Beauvoir. 21. A Godless Congregation — Amit Varma. 22. Agarkar's Donkeys: A Meditation on God — Amit Varma. 23. The Life and Times of Urvashi Butalia — Episode 287 of The Seen and the Unseen. 24. The Kavita Krishnan Files — Episode 228 of The Seen and the Unseen. 25. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 26. The Will to Change — bell hooks. 27. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 28. The Three Languages of Politics — Arnold Kling. 29. Memories and Things — Episode 195 of The Seen and the Unseen (w Aanchal Malhotra). 30. History of European Morals — WEH Lecky. 31. The Expanding Circle: Ethics, Evolution, and Moral Progress — Peter Singer. 32. The Nurture Assumption — Judith Rich Harris. 33. Phineas Gage. 34. Don't think too much of yourself. You're an accident — Amit Varma's column on Chris Cornell's death. 35. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 36. Dnyaneshwar, Tukaram, Arun Kolatkar and Dilip Chitre. 37. GN Devy on Amazon and Wikipedia. 38. Navyug Vachanmala and Arun Vachan -- PK Atre's series for elementary school and middle school respectively. 39. The State of Our Farmers — Episode 86 of The Seen and the Unseen (w Gunvant Patil). 40. Varun Grover Is in the House — Episode 292 of The Seen and the Unseen. 41. Hussain Haidry, Hindustani Musalmaan — Episode 275 of The Seen and the Unseen. 42. Storytel. 43. Pu La Deshpande, Raag Darbari and Kashi Ka Assi on Storytel. 44. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 45. Stage.in. 46. A Doll's House -- Henrik Ibsen. 47. Looking for Ibsen in Maharashtra -- Shanta Gokhale. 48. The Vintage Book Of Indian Writing 1947 - 1997 -- Edited by Salman Rushdie and Elizabeth West. 49. The Picador Book of Modern Indian Literature -- Edited by Amit Chaudhuri. 50. Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 51. 1000 True Fans — Kevin Kelly. 52. 1000 True Fans? Try 100 — Li Jin. 53. Namdeo Dhasal on Amazon and Wikipedia. 54. Alice Munro on Amazon and Wikipedia. 55. Squid Game on Netflix. 56. Yada Kadachit (Part 1) (Part 2) -- Written and directed by Santosh Pawar. 57. Sakharam Binder (Marathi) (English) -- Vijay Tendulkar. 58. A Cricket Tragic Celebrates the Game -- Episode 201 of The Seen and the Unseen (w Ramachandra Guha). 59. सप्तरंगी कोरिया एक अनुभव -- Sudha Hujurbajar-Tumbe. 60. Suyash Rai Embraces India's Complexity -- Episode 307 of The Seen and the Unseen. 61. Alice in Wonderland -- Lewis Carroll. 62. Charles Dickens, William Wordsworth, JB Priestley, George Bernard Shaw and William Shakespeare on Amazon. 63. The Lost Daughter -- Elena Ferrante. 64. The Lost Daughter -- The film by Maggie Gyllenhaal. 65. The Shadow Lines -- Amitav Ghosh. 66. Enid Blyton on Amazon. 67. This Life At Play: Memoirs -- Girish Karnad. 68. Sunil Shanbag and Shanta Gokhale in conversation with Girish Karnad. 69. Aranyer Din Ratri -- Satyajit Ray. 70. Messy: How to Be Creative and Resilient in a Tidy-Minded World -- Tim Harford. 71. A Room of One's Own -- Virginia Woolf. 72. A Passage to India -- EM Forster. 73. Kumar Shahani on Wikipedia and IMDb. 74. Middlemarch -- George Eliot. 75. Anna Karenina -- Leo Tolstoy. 76, Far From the Madding Crowd -- Thomas Hardy. 77. Vanity Fair -- William Makepeace Thackeray. 78. Ulysses -- James Joyce. 79. Picnic at Hanging Rock -- Peter Weir. 80. Why Read the Classics? -- Italo Calvino. 81. The Memoirs of Dr Haimabati Sen — Haimabati Sen (translated by Tapan Raychoudhuri). 82. Hercule Poirot on Amazon, Wikipedia and Britannica. 83. The Golden Age of Murder — Martin Edwards. 84. PG Wodehouse on Amazon, Wikipedia and Britannica. 85. A Meditation on Form — Amit Varma. 86. The Creative Process: A Symposium -- Edited by Brewster Ghiselin. 87. Nissim Ezekiel and Satyadev Dubey. 88. Avadhya -- CT Khanolkar. 89. Masaan — Directed by Neeraj Ghaywan and written by Varun Grover. 90. Tanjore Painting and Prabhakar Barwe. 91. Profit = Philanthropy — Amit Varma. 92. Where Have All The Leaders Gone? — Amit Varma. 93. What Have We Done With Our Independence? — Episode 186 of The Seen and the Unseen (w Pratap Bhanu Mehta). 94. The Gentle Wisdom of Pratap Bhanu Mehta — Episode 300 of The Seen and the Unseen. 95. Memoirs -- Habib Tanvir. 96. Sulabha Deshpande on Wikipedia and IMDb. 97. Sunil Shanbag on Wikipedia, IMDb and Instagram. 98. Atul Pethe on Book My Show and Facebook. 99. Shanta Gokhale's cameo in Ardh Satya (at 1:36:10). 100. My Friend Sancho -- Amit Varma. 101. Bend it Like Beckham -- Gurinder Chadha. 102. We Should Celebrate Rising Divorce Rates (2008) — Amit Varma. 103. Indira Sant on Amazon and Wikipedia. (And a translation of Ekti by Vinay Dharwadkar.) 104. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 105. Desperately Seeking Shah Rukh — Shrayana Bhattacharya. 106. Private Truths, Public Lies — Timur Kuran. 107. Ranjit Hoskote, Arundhati Subramaniam and Jerry Pinto on Amazon. 108. Alt News, The News Minute and Scroll. 109. The Reflections of Samarth Bansal — Episode 299 of The Seen and the Unseen. 110. The Intellectual Foundations of Hindutva — Episode 115 of The Seen and the Unseen (w Aakar Patel). 111. Aakar Patel Is Full of Hope — Episode 270 of The Seen and the Unseen. 112. Narendra Modi takes a Great Leap Backwards — Amit Varma (on Demonetisation). 113. Enabled by technology, young Indians show what it means to be a citizen — Amit Varma. 114. Beware of Quacks. Alternative Medicine is Injurious to Health — Amit Varma. 115. The Life and Times of Teesta Setalvad -- Episode 302 of The Seen and the Unseen. 116. Madame Bovary -- Gustave Flaubert. 117. The Brothers Karamazov -- Fyodor Dostoevsky. 118. The World as India -- Susan Sontag. In addition to the links above, Shanta recommended: Books: Women in Love (DH Lawrence), Metamorphosis (Franz Kafka), Ways of Seeing (John Berger), 84, Charing Cross Road (Helene Hanff), The Old Man and the Sea (Ernest Hemingway), The Tin Drum (Gunter Grass), The Shadow Lines, The Glass Palace, Hungry Tide (all Amitav Ghosh), Solo (Rana Dasgupta), The Unbearable Lightness of Being (Milan Kundera), Respected Sir (Naguib Mahfouz), One Hundred Years of Solitude (Gabriel Garcia Marquez), Midnight's Children (Salman Rushdie), The Sense of an Ending, Flaubert's Parrot, The Noise of Time, Levels of Life (all Julian Barnes). Hindustani Classical Vocal: Bade Ghulam Ali Khan, Ustad Amir Khan, Bhimsen Joshi, Padma Talwalkar, Dinkar Kaikini,  Venkatesh Kumar, Ulhas Kashalkar, Uday Bhawalkar (dhrupad), Mukul Shivputra. Carnatic Vocal: MS Subbulakshmi, DK Pattamal, TM Krishna, Sanjay Subrahmanyan. Instrumental: TR Mahalingam (flautist), Lalgudi Jayaraman (violin). Others: Geet Varsha (Kumar Gandharva), Aaj Jaane Ki Zid Na Karo (Farida Khanum), Dnyaneshwari (Lata Mangeshkar). This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Reading the World' by Simahina.

Girish Karnad… is not a name that needs an introduction. His plays have won international accolades, his acting skills were revered by the audience, and his writings made him receive the highest honors in literature. Here is a man who not only entered every creative field but has excelled in it. Here is a man about whom we should listen more for inspiration. Here is Girish Karnad. Host: Varala Anand

In the 1990s, Girish's work and his public persona took a distinctly political turn as he began to respond overtly to what was happening around him. Here, Girish talks about how he created strong women characters in his plays, how he saw Islam and Muslims as an integral part of our nation's fabric, how he became a secular humanist.  He also talks for the first time about two short stories that he wrote in Kannada. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies

Does god exist? What is the source of morality? Girish's plays often take on big moral and philosophical questions, questions that he asked himself about how to live in the world and how to be a good human being. Here Girish talks about what he learnt from the Mahabharata and explores what he took from European Existentialism. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies  

What was Girish's impact on the national theatre scene? Did his plays influence or inspire other playwrights and theatre makers? In Part 2 of this episode, Shanta Gokhale and Sunil Shanbag talk about how the 60s and 70s were such a critical moment for theatre in different parts of India. They talk about the unique sensibilities that Girish brought to the stage and how Girish set himself apart from his contemporaries such as Vijay Tendulkar. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies

What was Girish's impact on the national theatre scene? Did his plays influence or inspire other playwrights and theatre makers? Part 1 of this 2-part episode features Shanta Gokhale and Sunil Shanbag remembering the exhilaration of watching Hayavadana for the first time. They talk more about Girish's major collaborators and what that meant as a newly independent nation developed its own norms of cultural expression. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies

Girish talks more about his dramatic and literary influences which range from classical Sanskrit plays like Mricchakatika to such avant garde practitioners as Jerzy Grotowski. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (Kannada title), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward.

Girish was a Kannada playwright, but his knowledge of theatre came from all over the world and from many languages. We explore his relationship with English and other languages and literatures. Girish talks about his plays that he believes do not work, what he learned from them, and how he responded to their failure. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (Kannada title), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward.

The conversation with Vivek Shanbhag continues, touching upon the literary groups and movements that animated Kannada literature in the 1950s and 1960s. Girish talks about some of the people and institutions that shaped him as a writer, the many Jnanpith awardees in Kannada, and who he considered to be his rivals. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (Kannada title), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies  

Girish had a long friendship with the Kannada writer, Vivek Shanbhag, our special guest for this episode. Vivek prods Girish to talk about his challenges with writing contemporary plays. They also talk about his complex relationship with Kannada and finding the right language for what a writer wants to say. Besides readings from Wedding Album and Tughlaq, we also get to listen to short scene from  UR Ananthamurthy's Samskara, a novel that Girish loved dearly. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies

In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Episode 1: An Introduction Girish spoke mainly about his writing and the ideas that formed and motivated him. Arshia and Anmol speak about how the series took shape and introduce the subsequent episodes. In this episode, we hear Girish talk about his life in films and in cultural institutions, topics he did not return to in later conversations.

 This year, the American Institute of Indian Studies turns 60! To celebrate the history of AIIS, we have launched a year-long series of audio interviews exploring  the history of AIIS over the last 60 years including the founding of the institute, its impact on scholarship and students, and the future of AIIS. In this episode of our 60th anniversary series, former AIIS President and Professor Emeritus in the Department of Asian and Slavic Languages and Literature at the University of Iowa, Dr. Philip Lutgendorf, interviews Sara Simons of Philadelphia, former Career Advisor in the Wharton School at the University of Pennsylvania, as well as former AIIS fellow and current benefactor. In their interview, they discuss the Simons family's many links with AIIS, Sara's memories of the institute and of cultural life in Delhi over the years, and her decision, together with her brother, as longtime friends of AIIS, to support the Junior Fellowship program.Visit aiis60.org to explore interactive timelines, a founding history of AIIS, information on centers and programs, and to stay up to date on AIIS 60th anniversary events.*Transcript coming soon*ERRATA: At one point in this conversation, the play Ghasiram Kotwal is mistakenly attributed to Girish Karnad, rather than Vijay Tendulkar. The discussants apologize for the error.Produced by AIISMusic “Desh” by Stephen Slawek

Historians write about the lives of others -- but what about their own journeys? Ramachandra Guha joins Amit Varma in episode 266 of The Seen and the Unseen to reflect on his notion of home, how he got from there to here, and the strange dreams that sometimes come. Also check out: 1. Rebels Against the Raj -- Ramachandra Guha. 2. Savaging the Civilized -- Ramachandra Guha. 3. A Functioning Anarchy?: Essays for Ramachandra Guha -- Nandini Sundar and Srinath Raghavan. 4. Ramachandra Guha on Amazon. 5. A Cricket Tragic Celebrates the Game -- Episode 201 of The Seen and the Unseen (w Ram Guha). 6. Taking Stock of Our Republic -- Episode 157 of The Seen and the Unseen (w Ram Guha). 7. Understanding Gandhi. Part 1: Mohandas -- Episode 104 of The Seen and the Unseen (w Ram Guha). 8. Understanding Gandhi. Part 2: Mahatma -- Episode 105 of The Seen and the Unseen (w Ram Guha). 9. Amitava Kumar Finds the Breath of Life -- Episode 265 of The Seen and the Unseen. 10. Aadha Gaon -- Rahi Masoom Raza. 11. Jamuna Kinare Mera Gaon -- Kumar Gandharva. 12. What Have We Done With Our Independence? -- Episode 186 of The Seen and the Unseen (w Pratap Bhanu Mehta). 13. A Fish in the Water -- Mario Vargas Llosa. 14. Subaltern and Bhadralok Studies -- Ramachandra Guha. 15. MN Srinivas on Amazon. 16. Manu Pillai on Amazon. 17. Episodes of The Seen and the Unseen with Manu Pillai: 1, 2, 3, 4. 18. Sanjay Subrahmanyam on Amazon. 19. The Gun, the Ship and the Pen: Warfare, Constitutions and the Making of the Modern World -- Linda Colley. 20. Linda Colley on Amazon. 21. Upinder Singh and Nayanjot Lahiri on Amazon. 22. Sturgeon's Law. 23. David Gilmour on Amazon. 24. The Autobiography of Charles Darwin -- Charles Darwin. 25. Of Gifted Voice: The Life and Art of MS Subbulakshmi -- Keshav Desiraju. 26. Finding The Raga: An Improvisation on Indian Music -- Amit Chaudhuri. 27. Symphony No.3, Op.36 — Henryk Gorecki. 28. Mallikarjun Mansur, Bhimsen Joshi, Kumar Gandharva, Kishori Amonkar, Basavraj Rajguru, Sharafat Hussain Khan, DV Paluskar, Faiyaz Khan, Ali Akbar Khan, Ravi Shankar, Nikhil Banerjee, Bismillah Khan, Vilayat Khan, Buddhadev Das Gupta, Arvind Parikh, Ashwini Bhide-Deshpande, Veena Sahasrabuddhe, Rashid Khan, Venkatesh Kumar and Priya Purushothaman on YouTube. 29. Raju Asokan and Subrata Chowdhury on YouTube. 30. Veena Doreswamy Iyengar and Ustad Ali Akbar Khan in Jugalbandi, 1962-62. 31. Hamsadhvani -- Bade Ghulam Ali Khan, 1950s in Bangalore. 32. Dhano Dhanne -- Jaya Varma and the Chandigarh Choir. 33. The Nurture Assumption: Why Children Turn Out the Way They Do -- Judith Rich Harris. 34. The Intellectual Foundations of Hindutva -- Episode 115 of The Seen and the Unseen (w Aakar Patel). 35. In Absentia: Where are India's conservative intellectuals? -- Ramachandra Guha. 36. The Gita Press and Hindu Nationalism -- Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 37. Religion and Ideology in Indian Society -- Episode 124 of The Seen and the Unseen (w Suyash Rai). 38. Political Ideology in India -- Episode 131 of The Seen and the Unseen (w Rahul Verma). 39. Sara Rai Inhales Literature -- Episode 255 of The Seen and the Unseen. 40. The Chipko Movement -- Shekhar Pathak. 41. DR Nagaraj, Meenakshi Mukherjee, Sujit Mukherjee, Tridip Suhrud, Gopalkrishna Gandhi, Girish Karnad and Mahasweta Devi on Amazon. 42. Marxvaad aur Ram Rajya -- Karpatri Maharaj. 43. The Rise and Fall of the Bilingual Intellectual -- Ramachandra Guha. 44. Yuganta -- Irawati Karve. 45. Arvind Krishna Mehrotra on Amazon. 46. Reconcling the Nagas -- Ramachandra Guha. 47. The State of Our Farmers -- Episode 86 of The Seen and the Unseen (w Gunvant Patil). 48. KT Achaya on Amazon. 49. Shiv Visvanathan on Amazon. 50. Manthan -- Shyam Benegal. 51. Science as a Vocation -- Max Weber. 52. AA Thomson on Wikipedia. 53. Ernest Hemingway, W Somerset Maugham, Penelope Fitzgerald, Barbara Pym and Leo Tolstoy on Amazon. 54. The Kingdom of God Is Within You -- Leo Tolstoy. 55. Anna Karenina -- Leo Tolstoy. 56. War and Peace -- Leo Tolstoy. 57. Father Sergius -- Leo Tolstoy (translated by Aylmer and Louise Maude). 58. Middlemarch -- George Eliot. 59. Limonov -- Emmanuel Carrère. 60. The Netanyahus -- Joshua Cohen. 61. The Gate of Angels -- Penelope Fitzgerald. 62. The Knox Brothers -- Penelope Fitzgerald. 63. Nicholas Boyle on Amazon. 64. Gandhi's Formative Years -- Ramachandra Guha's essay that mentions Boyle's Laws of Biography. 65. Jawaharlal Nehru: A Biography -- Sarvepalli Gopal. 66. The Wire -- David Simon etc. 67. The Second Coming -- William Butler Yeats. 68. Ramachandra Guha interviewed by Madhu Trehan. 69. Gita Press and the Making of Hindu India -- Akshaya Mukul. 70. Granville Austin on Amazon. 71. The Citizenship Battles -- Episode 152 of The Seen and the Unseen (w Srinath Raghavan). 72. The Multiple Tragedies of the Kashmiri Pandit -- Ramachandra Guha. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free!

Reading from the long awaited memoir of the great, late intellectual, playwright, actor, writer and director, Girish Karnad (1938-2019) --- Send in a voice message: https://podcasters.spotify.com/pod/show/snehith-kumbla/message

Play

Preeta Mathur Thakur has been working on the Hindi Theatre Stage for the last 30 years. With about 4000 shows of more than 50 plays behind her, Preeta has a large and varied experience to draw from. Preeta began her career in professional Theatre with The Indian People's Theatre Association (IPTA)  under the influence of and inspiration from veterans like A K Hangal, M S Sathyu, Javed Siddiqui, Sudhir Pandey, Mushtaq Khan, Sulbha Arya, Ramesh Talwar, Kuldeep Singh and other seniors After a few important plays with IPTA, Preeta moved on to Dinesh Thakur's ANK, one of the the most prolific Theatre Groups of the country. Preeta saw great growth with Ank under the stewardship of Dinesh Thakur whom she regards as her Guru. Her oeuvre with Ank includes the big playwrights of our times like Mohan Rakesh, Vijay Tendulkar, Girish Karnad, Badal Sarkar, Neil Simon, George Bernard Shaw, Shakespeare, Oliver Goldsmith, Agatha Christie, Ranbir Sinh, Rabindranath Tagore, Mohan Katdare, Satish Alekar, Mahesh Elkunchwar, Asghar Wajahat etc. as well as a whole host of genres from comedy to tragedy. Preeta has also worked in television beginning with Shyam Benegal's Bharat Ek Khoj to M S Sathyu's Kayar, Kundan Shah's Manoranjan, DD's popular Kashish etc, Telefilms for DD  like Chauthi Ka Joda etc and hosting a programme on Zee with Tom Alter. Preeta's film work has mainly been interesting cameo's with directors Shyam Benegal, Kundan Shah, Raj Kumar Santoshi, Prakash Mehra, Basu Bhattacharya, Amol Palekar Preeta has also been essaying an important corporate role as a senior Finance and Procurement Executive with Cement major ACC Ltd. for almost 30 years Preeta now heads Ank Theatre Group and in her most recent work on stage has been directed by Devendra Raj Ankur, Ram Gopal Bajaj, Ashok Mishra, Veena Bakshi, Amol Palekar and Brandon Hill. Apart from having Articles on theatre published and designing innovative narration of unusual stories online during lockdown times,  Preeta has also been directing plays and conducting acting workshops and training for Ank.  Preeta is now putting the finishing touches to a major play written by her which she will be directing for Ank. Preeta is considered a respected game-changer in the theatre world,  possessing unique knowledge and first-hand experience,  being a revolutionary theatre personality and actress with over 30 years of experience in the Hindi theatre world. Having now moved out of her Corporate role, Preeta is ready to experiment afresh with Film and digital platforms. Listen to her amazing journey on this episode of Rangmanch with Bhawana Somaaya. You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, or send us an email at bonjour@eplog.media. If you like this show, please subscribe and leave us a review wherever you get your podcasts, so other people can find us. You can also find us on https://www.eplog.media The content is owned & produced by Ep.Log Media | A division of Zero Hour Entertainment. Reproduction of this content without permission is strictly prohibited.   See omnystudio.com/listener for privacy information.

Play

Play

If you haven't seen P.C.Ramakrishna on stage, the chances are you would've heard his voice. An eminent theatre and voice artist in India, he completes 51 years in theatre and is a member of the oldest theatre group in the country, The Madras Players. The group itself celebrates 65 years in theatre this year and during this lifespan has given a huge boost to India's English theatre scene and encouraged many Indian playwrights in the process, like Vijay Tendulkar and Girish Karnad. Ramakrishna is also among the first few English newsreaders in the country and his distinctive voice is considered as one of the most recorded voices in English in India. In this podcast, he talks about his early days in theatre playing 'chocolate hero' roles, handling criticism and what sets a good voice actor apart.  You can check out The Madras Players (@themadrasplayers) on Facebook and Instagram. You can check out the Maharani Talks on Instagram at www.instagram.com/maharanitalks MUSIC: Lights by Sappheiros https://soundcloud.com/sappheirosmusic

Anupama Hoskere with us on Audiogyan. She is the founder of Dhaatu, a non-profit organization that seeks to introduce our children our traditional wisdom and tales through puppetry. She did her Engineering from BMS College of Engineering, Bangalore with a Master’s degree from California State Univ, Long Beach. She is also a performing Bharathanatyam artist and currently a member of the Karnataka Sangeeta Nrutya Academy. Anupama scripts, creates the puppets and directs her puppet shows. And today we are here to know more about it.  Topic Puppetry’s landscape in Bangalore with Anupama Hoskere  Questions Dhaatu has been organising puppet festivals since 2009. Bangalore had not witnessed a puppet festival for 21 years before that. Can you start by painting us a panoramic landscape of Puppetry as an art form in Bangalore? How was is it even before you started Panchalikas till how is it today?  On the similar lines - You have taught and presented your puppetry work in France, Belgium, China and also in many parts of India - What are your observations in various places. What is the state of it? Is there any pattern which you discovered w.r.t type of puppets (string, rod etc…), government support for this art form, type of stories being told, innovation due to technology or any other insights?  I know we can’t and we shouldn’t compare art forms. But just for understanding, what are the advantage of Puppetry in comparison with Human theatre? I did one episode with Dadi Padumjee and he said, “puppets make the messenger  opaque; there by purely focussing on the message without any prejudices about the actor” - On the same lines, what has been your observations.  If I am not wrong, your effort is more towards educating children this wonderful art form. What are the efforts Dhaatu has taken to make it relevant to younger generation w.r.t Story, Music, Styles of puppets, dialogues and more…?  Every art form which has begun in India or has originated in India starts off with mythological stories of Ramayana and Mahabharata. From Dadasaheb Phalke’s Kaliya Mardan to Girish Karnad’s Yayati. Even you have performed stories of physically challenged child and a single mother in Ashtavakra and many more. Why Puppetry being such a ancient and old art form of India telling the same stories of values and morals in this day and age?  With Puppetry, what worries you every night when you go to bed and what gives you hope to face the new day with enthusiasm? 

Episode 52: In this episode, we pay tribute to veteran playwright, actor, writer and thinker Girish Karnad - who played a starring role both in art house and commercial Hindi/Indian cinema.

Indian Literary Classics presents one of Kuvempu's best Kannada works. This work is one of the best Classics of Indian Literature in Kannada. We at ILC are presenting this Indian Literature in English, to bring an awareness of this gem to everyone. Set in pre-independence rural India, this shows the struggle of 2 educated young men with the difference in ideologies with their elders and other village superstitions and customs. This was also made into a National award winning movie by Girish Karnad.English Translation: https://amzn.to/2WcSfbmKannada Version: https://amzn.to/2OkwbclKannada Movie by Girish Karnad: https://www.youtube.com/watch?v=s06qNCLX54sOur Contact details: ilitclassics@gmail.com

Track 1 & 2:  Girish Karnad - A Biography  Made by Film maker Chaitanya KM, this audio documentary takes the audiences through the life of India's greatest Theatre Legend

Track 1 & 2:  Girish Karnad - A Biography  Made by Film maker Chaitanya KM, this audio documentary takes the audiences through the life of India's greatest Theatre Legend

Ajay Devgn's Shivaay has released today at a theatre near you on 28th October, 2016 on Dhanteras day.This movie Shivaay has been Directed by Ajay Devgn himself and stars Ajay Devgn,Abigail Eames, Erika Kaar, Sayyeshaa Saigal, Girish Karnad.Check Out Film Critic S.K.De's Opinion about the Movie and the Shivaay Movie Public Review as well. Subscribe Now & stay updated on your Favourite Star