Podcasts about Jerzy Grotowski

▌初心苑官方＠LINE：https://line.me/R/ti/p/@764jlkcf ▌如上其下 - 九宮圖呈現的宇宙律則 九宮圖是一個古老而神秘的圖案，它的起源眾說紛紜，從西元前6世紀畢達哥拉斯的學校，早期的基督教，到中亞的蘇菲。但直到20世紀初，當亞美尼亞的神秘主義者葛吉夫早期在中亞尋找古老的密意學校時，才在蘇菲的學校中發現了九宮圖和它相關的知識。 九宮圖是呈現了一個重要的宇宙律則：七律。這個律則的核心就是事情不會朝著同一個方向，一成不變的前進，而會在不同的階段轉向或是減弱，七律解釋了宇宙中不存在真正的直線。在我們的生活中，七律意味著我們必須一再的和我們的目標進行校準，它也意味著在過程中的某些階段，需要加入「額外」的努力才能繼續朝著原來的目標前進。 在南美洲傳播第四道體系的朗尼卡倫呈現了一個由七個天體所對應的身體類型，並將它們精巧的排列在九宮圖裡。朗尼卡倫所描述的7個主要類型對應了舊時代的7個天體：月亮，金星，水星，土星，火星，和木星，加上作為恆星的太陽，對應了人體中的內分泌腺，來呈現每個行星類型的體型，性格和主要特徵。而142857這個神秘的數字也呈現了每個類型自我進化的方向。 「古老蘇菲九宮圖的智慧探源」二日工作坊，我們將認識九宮圖的構造，以及它所呈現的七律的原理和內涵；我們也將認識第四道傳統中，如何將九宮圖巧妙而精確的解讀了行星和人的類型的關聯。 古老蘇菲九宮圖的智慧探源 -- 但唐誥 導師帶領  2025年1月4-5日 實體+線上 (12/21前享早鳥入場） 更多詳情和報名入口請見阿 https://forms.gle/NKKh7Ave4MUtuU5EA ▌師資介紹：但唐誥 資深身體藝術工作者＆瑜伽導師 捷克布拉格表演藝術學院 舞蹈教育學士 1989年在台灣人子劇場參與波蘭戲劇家葛托夫斯基（Jerzy Grotowski) 的演員訓練中，第一次接觸葛吉夫神聖舞蹈，並在人子劇場藝術指導黃承晃的推薦下，開始學習葛吉夫所建立的第四道體系。從此在第四道的理論和實修中沈浸30年。其涉獵的範圍從該體系延伸到歷史上不同時期產生的靈性傳統，並且從意識狀態的提升和素質進化的角度，來審視人類文明軌跡和文明遺產，從宗教，哲學，文學，到繪畫，音樂，舞蹈和建築。 2012年在瑜伽師資的教學中，首次嘗試將第四道的觀點融入瑜伽哲學，奠定了之後在「身心靈」不同領域的涉獵和分享的基礎，也就是「萬流歸宗」，透過一切靈性傳統所具有的共同點，來協助和深化自身角色的理解和個人潛力的發揮。同時在瑜珈這個豐富的靈性傳統中，整合東方的氣功能量學，印度阿育吠陀的養生理論，和現代生理學，功能醫學，建立一個全面的的「身體-能量-意識」三位一體的習練架構。 2022年起定居台灣，在「3128玩美生活部落」和「初心苑」的平台，開始了一系列面對現代人的需要，同時實踐瑜伽精神為主的動作課程。 2024年起開始以專題形式分享個人沈浸30年的第四道體系。 ​ 讓田定豐的共時好生活，陪你一起跟著自然時間過生活 田定豐 共時好生活互動社群 (line) @fong_venture 田定豐＿FB粉絲專頁 https://www.facebook.com/LancasterTien 田定豐＿IG ＠lancaster5858 https://www.instagram.com/lancaster5858 -- Hosting provided by SoundOn

Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi delve deeper into their Legacy Series, exploring the work and profound influence of Jerzy Grotowski. They discuss the life of Grotowski's life, along with his innovative contributions to theatre, and the lasting legacy he left on the global stage. Mentioned in this EpisodeThe AssemblyWork Centre of Jerzy Grotowski & Thomas RichardsThe Acrobat of the HeartThe Unwritten GrotowskiAt Work with GrotowskiSupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Apply for the Terry Knickerbocker Studio's Summer Intensive by June 7th and receive a special discount when you mention the podcast. Apply HERE About Terry Knickerbocker: Terry is a graduate of The Experimental Theatre Wing in the Drama Dept. at New York University. After graduating from NYU, Terry trained as an actor and a teacher with William Esper.  He taught at The William Esper Studio for 25 years, and continues as part of the core faculty at the Experimental Theatre Wing at NYU's Tisch School of the Arts. He has also taught directing at Playwrights Horizons Theatre School and Yale University.  Other essential teacher/mentors include Maggie Flanigan, Rina Yerushalmi, Steve Wangh, Terry Hayden, Nikos Psacharopoulos, Jackie Brookes, Mary Overlie, Ryszard Cieslak, Jerzy Grotowski, Pierre Lefèvre, Moshe Feldenkrais, Dr. Louis Ormont, and Dr. Harry Fogarty. He has coached actors on over 300 films, television and theater projects, both on and off-Broadway and regionally. He also consulted with playwrights and screenwriters on their scripts.  Some of the actors he has worked with and trained include Sam Rockwell, Chris Messina, Boyd Holbrook, Natasha Lyonne, Leslie Bibb, Emmy Rossum, Yul Vasquez, Jordana Spiro, Gillian Alexy, Gretchen Mol and many others. A past recipient of the Drama League of New York's directing award/fellowship for emerging directors, Terry is also a former member of Circle Rep's LAB. His directing credits include many new works as well as contemporary and classical plays such as Measure for Measure, Tartuffe, The Normal Heart, Candida, All My Sons, and David Rabe's In the Boom Boom Room.

Host of Artists on the Verge, Ema Katrovas, shares her next-day impressions after a live show she created which was two years in the making - and, more importantly, how her experiences around the budget, the technical aspects of the show, the reactions of the public, and the show's prospects for the future may hint at a new focus for the podcast. Here are links to the YouTube and Instagram accounts where you can find some of the shorts/reels about the show which Ema published in the month leading up to the show: YouTube Playlist: https://www.youtube.com/playlist?list=PLSFIN5ke8euZ18W2hUWGKNnd0MGCdSjVB Instagram account: https://www.instagram.com/artists_on_the_verge/ (During this episode, Ema mentions Jerzy Grotowski's Poor Theatre without much explanation - you can actually learn more about that in the shorts/reels linked above.)

I am honoured to be joined by Sayra Player, Creator of the Goop featured Guided by Glow erotic meditation app as we discuss the many different facets of sexual empowerment including overcoming embarassment and shame through sexual healing, the importance of community support in personal growth, reconnecting with your body through your senses and opening up your sensuality, and so much more!  So grab a cup of your favourite cozy bevvy, personally I love a good french press coffee with cinnamon, and be a fly on the wall as us girlfriends chat openly and honestly about the different facets of women's sexual empowerment.  Sexual Empowerment with Sayra Player of Guided by Glow Introduction of guest Sarah Player and Guided by Glow Embarrassment and growing comfort in discussing sexuality Transforming through trauma and embracing one's sexual identity Community and support in personal growth Exploring sexuality beyond societal norms Reconnecting with one's body and sexuality Sexual healing and empowerment through Guided by Glow Addressing and overcoming sexual shame Expanding the definition and experiences of sex Importance of prioritizing sexual health and wellness Empowerment and transformation through embracing sexuality Sayra Player My life's focus is to create community and healing through fine art.” Sayra founded and teaches at The Playground, where she leads movement, psychedelic breath work and empowered parts work through scene study. She studied breathwork with David Elliot & Frequency Breathwork. her natural power of presence and awareness of her sensorial body gained her a seat at The Actors Studio, where she has grown alongside acting legends. The sensory approach practiced there is much like that of somatic therapy, going into the tension (perhaps past trauma), unlocking the trapped energy through imagination, through being deeply curious. She spent months in Poland and Italy searching for the potential of aliveness, through ancient song and exercise with the iconic Workcenter of Jerzy Grotowski. Her Jungian mentor Elizabeth Kemp taught her how to harness the power of my subconscious mind, to go deeper than making intentional choices but to work with the material of the soul to know the self deeply. As a creator. Sayra has written, produced, cast, starred in, directed film and theatre for her whole adult life. As an Artistic Director of The Collective NY (founding member Amy Schumer), she nurtured over 60 artists, produced 10 plays, a benefit, a fundraiser, developed television and film. She also created Guided by Glow the #1 sexual meditation audio app for female and nonbinary embodiment practices. As a mom, she produces a beautiful and safe container for her 10 year old to blossom. Instagram @sayraplayer @guidedbyglow @theplaygroundnyla Website www.guidedbyglow.com www.theplaygroundnyla.com Use code UNAPOLOGETIC for one month free of Guided by Glow!  Stay tuned through email and Instagram for our giveaway coming up very soon! --- Send in a voice message: https://podcasters.spotify.com/pod/show/unapologeticjannine/message

¡Hola a todos los amantes del movimiento y la expresión! Bienvenidos a otro emocionante episodio de mi videopodcast. Hoy nos sumergiremos en un tema fascinante: las diferencias entre la Expresión Corporal y la Danza. Ambas formas artísticas comparten el escenario del cuerpo, pero ¿qué las distinguen realmente? Hablaré en profundidad de las dos, sus características, historia, usos, etc. Aprende sobre cómo potenciar tu cuerpo a nivel artístico con estas dos disciplinas. Aquí os dejo la bibliografía de los libros mencionados en el episodio: - "Apuntes para una anatomía aplicada a la danza". Juan Bosco Calvo. Cómpralo AQUÍ - " El dominio del movimiento". Rudolf Laban. Editorial Fundamentos Cómpralo AQUÍ - "Hacia un teatro pobre". Jerzy Grotowski. Siglo XXI Editores. Cómpralo AQUÍ - "El cuerpo poético". Jacques Lecoq. Artes Escénicas editores. Cómpralo AQUÍ En esta nueva temporada 3 de Acción Escénica Podcast podrás ver y escuchar mis episodios en Spotify, Apple Podcast, Google Podcast, Youtube y en las mejores plataformas de podcast a nivel mundial. Si te gusta mi contenido te agradecería muchísimo que lo compartieras, le dieras un ⁠⁠me gusta o dejaras una valoración en Apple Podcast⁠⁠ para así poder llegar cada vez a más público. Si tienes dudas puedes dejarlas en los comentarios o en la pregunta de Spotify relacionada con este episodio y responderé encantado. Si además de gustarte las artes escénicas y la comunicación, quieres dar un paso más y formarte como un profesional visita mi página web y descubre toda mi oferta formativa en ⁠www.accionescenica.com/cursos⁠ ¿Quieres formar parte del próximo episodio de mi Podcast?Mándame un audio de max. 1'30'' pinchando AQUÍ y contándome qué pregunta o cuestión te gustaría que aclarara en el próximo episodio. Publicaré tu audio en el podcast junto con mi respuesta. ¡Anímate! --- Send in a voice message: https://podcasters.spotify.com/pod/show/accionescenica/message

durée : 01:00:26 - Tous en scène - par : Aurélie Charon - Le premier volume des Écrits du metteur en scène polonais vient de paraitre aux Editions de l'Arche, sous la direction de Mario Biagini, avec la collaboration de Michelle Kokosowski. On peut y lire des essais, des reportages, des transcriptions d'entretiens, beaucoup inédits en français - invités : Michelle Kokosowski

durée : 01:00:26 - Tous en scène - par : Aurélie Charon - Le premier volume des Écrits du metteur en scène polonais vient de paraitre aux Editions de l'Arche, sous la direction de Mario Biagini, avec la collaboration de Michelle Kokosowski. On peut y lire des essais, des reportages, des transcriptions d'entretiens, beaucoup inédits en français - invités : Michelle Kokosowski

- Najwybitniejsi twórcy polskiego powojennego teatru sięgali po dramaty Stanisława Ignacego Witkiewicza jako jednego z pierwszych autorów w swojej pracy reżyserskiej. Jerzy Grotowski chciał wystawiać "Szewców" na Wawelu, gdy był jeszcze studentem Akademii Teatralnej. Tadeusz Kantor przez pierwsze 20 lat teatru Cricot 2 eksploatował prawie wyłącznie teksty Witkacego - mówił w Dwójce dr Przemysław Pawlak, witkacolog.

Quarto episodio della serie curata da Marzia Coronati, "La storia cantata", progetto che mescola l'interesse per le esperienze canore di Roma con il mezzo radiofonico, la passione per la storia orale con quella per l'audio documentario.Oggi per il Fuoriporta di Sveja, proponiamo l'intervista di Marzia a Matilde Politi, cantante, antropologa, attrice, compositrice. Si dedica da anni al lavoro di ricerca sul repertorio di tradizione orale siciliano, è appassionata di teatro e di Jerzy Grotowski, studia il canto della donna nella storia musicale siciliana, gestisce un luogo d'incontri a Roma dal nome Santa Libbirata - La Carretteria, ed è lì che ci ospita per una lunga e vivace chiacchierata.Buon ascolto e a domani con Marica Fantauzzi!

Imagine: If you could hear what a prophetic tree had to say, would you share what the tree was telling you? If you were a tree, what kind of tree would you be? If you could become an animal, what animal would you be? 'Yomumuli and the Talking Tree' is a creation story that has been passed down for generations. There are many different versions. The one you are hearing is a combination of two: one by Yaqui leader Anselmo Valencia and the other by Yaqui temasti Lucas Chaves. The Yaqui, or Yoeme, are Indigenous peoples whose homelands include the Río Yaqui valley in Sonora, Mexico, and the area below the Gila River in Arizona, Southwestern United States. They also have communities in Chihuahua and Durango, Mexico. Yoemem (also known as the Yaqui Nation) believe they descend from a tribe called the Surem. About today's storyteller: Mexican of Yoeme/Basque heritage, performer, choreographer, and instructor living in Toronto, Norma Papalotl Araiza works in different modalities within the arts blending dance, theatre, vocals, percussion, and text with cultural and traditional themes in a contemporary context. Norma has studied with international artists such as Jerzy Grotowski, Eugenio Barba, Natsu Nakajima, Tascabile di Bergamo, Kei Takei, Pol Pelletier, among others. Norma is the co-artistic director of Vanguardia Dance Projects, a collective promoting Latin American and Indigenous dance artists. She holds a Master's Degree in Dance Ethnology from York University and graduated from the Expressive Arts Therapy Program at CREATE Institute. She has a private practice as an Expressive Arts Therapist. Her work has been presented at different venues in Toronto, throughout Ontario, Montreal, Hungary, California, Rochester, NY, New York City, Colombia and throughout Mexico. Draw and share... What was your favourite part of the story? If you'd like to share a drawing you've made inspired by 'Yomumuli and the Talking Tree', you can do that at catchmeinthekitchen.com/fan-art and we will post it on our story fridge! Catch the latest! Subscribe to our newsletter at catchmeinthekitchen.com to get the latest stories, songs, and activities. If you have a minute, drop us a note - we would love to hear from you! Our first audiobook, ‘Pigs, Princesses, and One Tough Turtle', along with a paperback copy, is available through our website. Yaqui / French / English from today's snack: yoawam / les animaux / animals bwia / la terre / land vaa'am / l'eau / water huya / l'arbre / tree eeye / les fourmis / ants monte / la montagne / mountain Merci beaucoup! Merci à Norma Papalotl Araiza for sharing her instruments and telling ‘Yomumuli and the Talking Tree.' Thank you to Professor Pineapple and Bearkin for the episode illustration. This Audio Snack was performed by Norma Papalotl Araiza, Professor Pineapple, and Bearkin. Creative and production support by Ginette Mohr and Stephen LaFrenie. Additional episode music by Tim Freeman and Red Velvet Revolution. See you soon! A bientôt! Support Catch Me in the Kitchen Audio Snacks: an English-French stories podcast for kids by contributing to their tip jar: https://tips.pinecast.com/jar/catch-me-in-the-kitchen-audio-

Richard Schechner, Jerzy Grotowski

Ludwick Flaszen, Jerzy Grotowski

PeterBrook, Jerzy Grotowski, Antonin Artaud

Girish talks more about his dramatic and literary influences which range from classical Sanskrit plays like Mricchakatika to such avant garde practitioners as Jerzy Grotowski. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India's finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish's comments. Each episode also contains scenes from his plays read by members of Bangalore's theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish's works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (Kannada title), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada's most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India's cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward.

You have to put your own oxygen mask on first, folks. That's just how it is.   I Want You Back Year: 2022 Written by: Isaac Aptaker and Elizabeth Berger Director: Jason Orley Stars: Charlie Day, Jenny Slate, Scott Eastwood, Gina Rodriguez, Manny Jacinto, Clark Backo   Show notes:   This six-some reel of a film feels simultaneously up-to-date and out of time. And it might just be (for Charles Adrian, at least) too funny? In this episode, we reference the musical Little Shop Of Horrors (first published 1982) (https://en.wikipedia.org/wiki/Little_Shop_of_Horrors_(musical)) and the films Sleepless In Seattle (1993) (https://www.imdb.com/title/tt0108160/), The 40-Year-Old Virgin (2005) (https://www.imdb.com/title/tt0405422/) and When Harry Met Sally (1989) (https://www.imdb.com/title/tt0098635/?ref_=fn_al_tt_1) (Sleepless In Seattle is also the subject of our 12th episode, btw). We namecheck Nancy Meyers (https://en.wikipedia.org/wiki/Nancy_Meyers) and the “Polish guy who used to wake his actors up”, whose name Charles Adrian can't remember at around the 31 minute mark, is Jerzy Grotowski (https://en.wikipedia.org/wiki/Jerzy_Grotowski).   In June, we will be watching the films Plus One (2019) (https://www.imdb.com/title/tt7645122/) and The Wedding Year (2019) (https://www.imdb.com/title/tt8367184/?ref_=nv_sr_srsg_0).   We record these episodes over the internet. Sometimes the audio is not perfect. We apologise for that.   Music in this episode is by Martin Zaltz Austwick (martinzaltzaustwick.com). Artwork is by Lisa Findley.   Thank you for listening!

The legendary theater director, actor, shaman André Gregory has been producing ground-breaking work for over half a century. He's perhaps best known for the projects he did with Wallace Shawn—“My Dinner With André” (which is celebrating its 40th anniversary), “Vanya on 42nd Street” and “A Master Builder.” His recent book “This Is Not My Memoir" details, with refreshing honesty, his extraordinary life through incredible stories about, for instance, learning from the great Jerzy Grotowski, getting punched by Gregory Peck, buried alive in Richard Avedon's backyard, to name just a few. On this episode, Gregory answers some questions about his unique rehearsal process, talks about why it doesn't matter if the stories he tells about his life are rooted in fact, offers up a one word answer to what his hope is for the future of performance, and much more.  Follow Back To One on Instagram

Intimate or drastic elements in the work of others are untouchable and should not be commented upon even in their absence. Private conflicts, quarrels, sentiments, animosities are unavoidable in any human group, but it is our duty towards creation to keep these in check in so far as they might deform and wreck the work process.” — Jerzy Grotowski —

Anna Jonne Burns, author of the book "Resilience" sgares a story, how fragments of her book were translated into Polish and included in the script of the play "Mother's Eyes" in the project "Teatr na Faktach" at the Institute of Jerzy Grotowski in Wrocław. - Anna Jonne Burns, autorka książki “Resilience” opowiada jak fragmenty jej książki zostały przetłumaczone na j.polski oraz włączone do scenariusza sztuki ‘Oczy Matki' w projekcie 'Teatr na Faktach', w Instytucie Im. Jerzego Grotowskiego we Wrocławiu.

Jonathan White is a writer, surfer, sailor and educator.  His work has been published in Orion, The Sun, Fine Homebuilding, and Natural History.  His first book, Talking on the Water, (Sierra Club, 1993),  explores creativity and the natural world.  It grew out of "Seminars Afloat" with writers Gretel Ehrlich, Ursula Le Guin, and Peter Matthiessen, along with other visionaries, activists and artists, such as poet Gary Snyder, whale biologist Roger Payne, and Gaia hypothesis co-founder Lynn Margulis.His most recent book, Tides, The Science and Spirit of the Ocean, (Trinity University Press, 2017), takes the reader around the world to where the tide is most dramatically at play.  He goes to the arctic, Panama, Chile, Europe, China, and Alaska, among other far corners, to explore the cultural and scientific stories of the tide.  “White goes deep beneath the surface with the grace of a poet,” writes Susan Casey, author of The Wave.  “Be prepared for some serious magic when you read these pages.”Dan and Jonathan discuss:Building a sloop and sailing it offshore in the Atlantic. Surviving a hurricane. Working with innovative theatre director and theorist, Jerzy Grotowski. Founding the “Seminars Afloat” on the schooner Crusader. Aground in Kalinin Bay north of Sitka. Saving the boat, and returning Crusader to ship shape in three days. Beginning research for Tides. Discussing the science, complexity, and intrigue of tidal forces. Stories from visiting the most dramatic tides. His current project in the Sea of Cortez, retracing the 1940 voyage of Ed Ricketts and John Steinbeck, from which came The Log from the Sea of Cortez.

"If you want a body of work that at the end of your life you'll be proud of then training is your best investment." Terry Knickerbocker is founder and studio director of the Terry Knickerbocker Studio, the renowned New York City-based acting school. He teaches the Meisner technique and is part of a direct lineage of Sanford Meisner, having spent over 30 years training and teaching with William Esper, one of Sandy’s most respected protégés. Terry is a graduate of The Experimental Theatre Wing in the Drama Dept. at New York University. He has also taught directing at Playwrights Horizons Theatre School and Yale University. Other essential teacher/mentors include Maggie Flanigan, Rina Yerushalmi, Steve Wangh, Terry Hayden, Nikos Psacharopoulos, Jackie Brookes, Mary Overlie, Ryszard Cieslak, Jerzy Grotowski, Pierre Lefèvre, Moshe Feldenkrais, Dr. Louis Ormont, and Dr. Harry Fogarty. Terry Knickerbocker brings his history and service to Wednesday Wisdom! Terry has coached such well-known actors as Sacha Baron Cohen, Sam Rockwell, Michelle Williams, Emmy Rossum, Josh Charles, Abbie Cornish, Boyd Holbrook, John Leguizamo, Jonathan Majors, Gretchen Mol, Brian Michael Smith, and Yul Vasquez, among others. Terry has coached actors on performances that earned an Academy Award, Golden Globe Awards, and Screen Actors Guild Awards. Show Links: THE NEW TRIPLE THREAT: A Membership for Today's Savvy Actor COACHING: Click here for acting coaching from Alyshia CONSULTING: Click here to get consulting from Alyshia INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher Credits: WRITER: Alyshia Ochse SOUND DESIGN: Zachary Jameson WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Bebe Katsenes

What's a fuckup for John? What was his relationship with his mother? What is the basis of experimental theater?  Can we all answer the question about what is our life task, maybe by learning from our fuckups How important in life is coincidence? How did John get to Prague? What is tantra about? {Tip, it is not about a massage with a happy ending?Co je pro Johna fuckup? Jaký měl vztah se svou matkou? Co je základ experimentálního divadla? Je to opravdu pravé divadlo? Dokážeme odpovědět na otázku, kým chceme být? Dá se žít pouze na náhodě? Jak se John dostal do Prahy? O čem je tantra? Jde pouze o masáž s happy endem? John Hawken is a psychotherapist, teacher of tantra and shamanism, who began his spiritual journey with a study stay with the excellent Polish theater director Jerzy Grotowski in his experimental Theater Laboratory. He was trained in Gestalt therapy and bioenergetics and worked as a psychotherapist for 12 years. He trained in tantra and shamanism, and founded the Paths of Transformation which weaves together the energy teachings of bioenergetics, shamanism, tantra and dark eros shadow work. His book Realisations was translated into Czech this year.John Hawken je psychoterapeut, učitel tantry a šamanismu, který svou duchovní cestu zahájil studijním pobytem u vynikajícího polského divadelního režiséra Jerzy Grotowskeho v jeho experimentální Divadelní laboratoři. Prošel výcvikem v Gestalt terapii a bioenergetice a po dobu 12ti let působil jako psychoterapeut.

Para adquirir o livro gratuitamente, entre em contato com: alicestefania@gmail.com Alice Stefânia Curi Atriz, diretora e pesquisadora. Professora Associada do Departamento de Artes Cênicas da UnB, atuando também no Programa de Pós Graduação em Artes Cênicas. Tem Pós-Doutorado em Artes da Cena pela Unicamp (2019), Doutorado em Artes Cênicas pela UFBA (2007) e Mestrado em Artes pela UnB (2000). Desde 2010 coordena o Grupo de pesquisa Poéticas do Corpo, em parceria com a Professora Rita de Almeida Castro. Neste grupo é responsável pela linha de pesquisa Dramaturgias do Corpo Cênico e artista criadora junto ao coletivo Teatro do Instante, instância laboratorial de criação artística. Autora do livro Traços e devires de um corpo cênico (Ed. Dulcina, 2013) e coautora e organizadora do livro Poéticas do Corpo, instantes em cena (Ed. UnB, 2016). Título: Traços e devires de um corpo cênico Autor: Alice Stefânia Curi Editora: Editora Dulcina, 2013 ISBN 8565188027, 9788565188029 Num. págs. 232 páginas Este livro é resultado de pesquisa de doutoramento cujo objetivo foi oportunizar espaços de diálogo criativo entre corpo, cena e princípios capturados no universo imaginário e de práticas taoístas, de origem chinesa. Uma das principais motivações para buscar matrizes taoístas para fomentar o processo criativo do ator liga-se aqui à abrangência desse saber, inclusive à sua reverberação em questões parcialmente desconsideradas pela tradição filosófica europeia. Aspectos ligados à energia ou usualmente relacionados a fatores extrassensoriais e até espirituais, que, no pensamento taoísta, articulam-se e transitam com outros de natureza mais estruturada e material, são de suma importância para o trabalho do ator. Vários nomes ligados à cena têm trazido em sua pesquisa discussões dessa natureza, como Antonin Artaud, Jerzy Grotowski, Eugênio Barba, Kazuo Ohno, para citar apenas alguns. Link para a tese: https://www.livrosgratis.com.br/ler-livro-online-135603/por-uma-tao-expressividade---processos-criativos-em-transito-com-matrizes-taoistas

Daniel Dombrowski is currently living at a buddhist monastery in the southern US, volunteering on the organic farm. In addition to acting, singing, and dancing since he was 7 years old, this talented being is also a musician and visual artist devoted to uncovering the new world. In our chat we dive into Daniels passion about ecstatic dance and I learn about its possibilities for healing trauma stored in the physical and spiritual body. Daniel got into ecstatic dance through a man named Jerzy Grotowski, a polish theatre director who’s work and teachings have impacted his life. I'm so certain Daniel is here to spread his sunshine around through teaching and I hope this episode brings you as much joy as I received recording it. Find Daniels art and more at:@dombrowskidownloads on instagram

In this episode, Adam and Budi discuss The Via Negativa or the stripping away of ideas, falsehoods, and limitations that we set on ourselves as theatre-makers and how you can always start from scratch or can push through your own boundaries Mentioned in this episode:The Workcenter of Jerzy Grotowski and Thomas RichardsMy Dinner with AndreUC IrvineThomas RichardsLloyd RichardsTowards a Poor TheatrePlastiquesAcrobat of the HeartThe Wonderful World of DissociaDr. Elizabeth de RozaWhen the Body Becomes all EyesPer BraheSoren KierkegaardAndre De ShieldsPablo PicassoThe tinder boxTo submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even betterMusic credit: https://www.purple-planet.comhttp://www.theatreofothers.com

On episode 156 of The Quarantine Tapes, Paul Holdengräber is joined by writer Ayad Akhtar. They talk about Ayad’s most recent novel, Homeland Elegies, and how Ayad thinks the book’s reception has been shaped by the ongoing pandemic.Paul and Ayad have a wide-ranging conversation, touching on issues of debt, American individualism, a writer’s relationship to ideology. Then, Paul asks Ayad about some of his influences. They discuss Salman Rushdie, Toni Morrison, and the year that Ayad spent with Jerzy Grotowski. Ayad Akhtar is a novelist and playwright. His work has been published and performed in over two dozen languages. He is the winner of the Pulitzer Prize for Drama and an Award in Literature from the American Academy of Arts and Letters. Ayad is the author of Homeland Elegies (Little, Brown & Co.), which The Washington Post called “a tour de force” and The New York Times selected as a Top 10 Book of 2020, calling it “pitch-perfect…virtuosic.” His first novel, American Dervish (Little, Brown & Co.), was published in over 20 languages. As a playwright, he has written Junk (Lincoln Center, Broadway; Kennedy Prize for American Drama, Tony nomination); Disgraced (Lincoln Center, Broadway; Pulitzer Prize for Drama, Tony nomination); The Who & The What (Lincoln Center); and The Invisible Hand (NYTW; Obie Award, Outer Critics Circle John Gassner Award, Olivier, and Evening Standard nominations). Among other honors, Akhtar is the recipient of the Steinberg Playwriting Award, the Nestroy Award, the Erwin Piscator Award, as well as fellowships from the American Academy in Rome, MacDowell, the Sundance Institute, and Yaddo, where he serves as a Board Director. Additionally, Ayad is a Board Trustee at New York Theatre Workshop and PEN America, where he will serve as the next president beginning in December 2020.

André Gregory's not-memoir This Is Not My Memoir (FSG, 2020) is a fascinating trip through theatre history as seen through the eyes of one of its greatest directors. The André we encounter in this book will be familiar to fans of his theatre work or of his celebrated performance in My Dinner with André: curious, ebullient, searching, passionate, funny, and inspiring. This book also includes reflections on André's collaborations and friendships with some of theatre's greatest artists, including Jerzy Grotowski, Wallace Shawn, and Helene Weigel. This book belongs on a shelf next to great autobiographies of the theatre like Harold Clurman's The Fervent Years and Tennessee Williams' Memoirs. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

André Gregory's not-memoir This Is Not My Memoir (FSG, 2020) is a fascinating trip through theatre history as seen through the eyes of one of its greatest directors. The André we encounter in this book will be familiar to fans of his theatre work or of his celebrated performance in My Dinner with André: curious, ebullient, searching, passionate, funny, and inspiring. This book also includes reflections on André's collaborations and friendships with some of theatre's greatest artists, including Jerzy Grotowski, Wallace Shawn, and Helene Weigel. This book belongs on a shelf next to great autobiographies of the theatre like Harold Clurman's The Fervent Years and Tennessee Williams' Memoirs. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

André Gregory's not-memoir This Is Not My Memoir (FSG, 2020) is a fascinating trip through theatre history as seen through the eyes of one of its greatest directors. The André we encounter in this book will be familiar to fans of his theatre work or of his celebrated performance in My Dinner with André: curious, ebullient, searching, passionate, funny, and inspiring. This book also includes reflections on André's collaborations and friendships with some of theatre's greatest artists, including Jerzy Grotowski, Wallace Shawn, and Helene Weigel. This book belongs on a shelf next to great autobiographies of the theatre like Harold Clurman's The Fervent Years and Tennessee Williams' Memoirs. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

André Gregory's not-memoir This Is Not My Memoir (FSG, 2020) is a fascinating trip through theatre history as seen through the eyes of one of its greatest directors. The André we encounter in this book will be familiar to fans of his theatre work or of his celebrated performance in My Dinner with André: curious, ebullient, searching, passionate, funny, and inspiring. This book also includes reflections on André's collaborations and friendships with some of theatre's greatest artists, including Jerzy Grotowski, Wallace Shawn, and Helene Weigel. This book belongs on a shelf next to great autobiographies of the theatre like Harold Clurman's The Fervent Years and Tennessee Williams' Memoirs. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

André Gregory's not-memoir This Is Not My Memoir (FSG, 2020) is a fascinating trip through theatre history as seen through the eyes of one of its greatest directors. The André we encounter in this book will be familiar to fans of his theatre work or of his celebrated performance in My Dinner with André: curious, ebullient, searching, passionate, funny, and inspiring. This book also includes reflections on André's collaborations and friendships with some of theatre's greatest artists, including Jerzy Grotowski, Wallace Shawn, and Helene Weigel. This book belongs on a shelf next to great autobiographies of the theatre like Harold Clurman's The Fervent Years and Tennessee Williams' Memoirs. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fun conversation comparing and contrasting the snarky American take on my data (ie https://datalotto.biz/) with the more sober European one (https://online2020.mydata.org/) Kaliya talks about her new role in helping the self-sovereign Covid credential ecosystem within the Linux community, while Seth reveals his background in avant garde theater and drops references to Jerzy Grotowski and the Wooster Group in talking about the pendulum swinging back towards extreme physical community formation late year. They talk about Tim Hwang's book on Subprime Attention Crisis And look forward to next week's guest Carissa Veliz who wrote Privacy is Power

Laboratuvar çalışmalarıyla bilinen Jerzy Grotowski, sanat anlayışıyla sadece döneminde değil; günümüz tiyatrosunda hala yoğun etkilerini gördüğümüz bir tiyatro insanı.

This week, host Isaac Butler talks to playwright Ayad Akhtar about dream journals, beginning the workday by reading Shakespeare, and other creative rituals and techniques. Then Ayad discusses the origins of his new novel, Homeland Elegies, and explains how he was able to blend autobiographical elements with fictional ones.  After the interview, Isaac and co-host June Thomas talk about one of Ayad’s mentors, legendary theater director Jerzy Grotowski. In the exclusive Slate Plus segment, Ayad recommends two books that transformed the way he thinks about writing.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-WORK. That’s (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on Working. It’s only $35 for the first year, and you can get a free two-week trial. Sign up now to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to playwright Ayad Akhtar about dream journals, beginning the workday by reading Shakespeare, and other creative rituals and techniques. Then Ayad discusses the origins of his new novel, Homeland Elegies, and explains how he was able to blend autobiographical elements with fictional ones.  After the interview, Isaac and co-host June Thomas talk about one of Ayad’s mentors, legendary theater director Jerzy Grotowski. In the exclusive Slate Plus segment, Ayad recommends two books that transformed the way he thinks about writing.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-WORK. That’s (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on Working. It’s only $35 for the first year, and you can get a free two-week trial. Sign up now to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to playwright Ayad Akhtar about dream journals, beginning the workday by reading Shakespeare, and other creative rituals and techniques. Then Ayad discusses the origins of his new novel, Homeland Elegies, and explains how he was able to blend autobiographical elements with fictional ones.  After the interview, Isaac and co-host June Thomas talk about one of Ayad’s mentors, legendary theater director Jerzy Grotowski. In the exclusive Slate Plus segment, Ayad recommends two books that transformed the way he thinks about writing.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-WORK. That’s (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on Working. It’s only $35 for the first year, and you can get a free two-week trial. Sign up now to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Are we living in a failed state? And if so, so what? Between the environment, pandemic, and everything else that 2020 has given us, I think it's probably high time that we look at ourselves in the mirror and decide what's really important. And if you're of a spiritual or metaprogrammatical bent, you could probably learn a thing or several from Antero Alli. His latest book, State of Emergence, covers his experiments in group ritual. It's one part Jerzy Grotowski, one part Carl Jung, and 100% mind-blowing. Antero Alli on Twitter: https://twitter.com/antero1111 Antero's website: https://www.verticalpool.com/ Antero's paratheater work: https://www.paratheatrical.com/ Joseph L. Flatley website: https://www.lennyflatley.net Joseph L. Flatley on Twitter: https://twitter.com/lennyflatley Failed State Update Newsletter: https://lennyflatley.substack.com Music: "Pearls & Perils of Courting the Muses" by Antero Alli; "Deep Blue" and "Trick of the Sun" by bird&wolf --- Send in a voice message: https://anchor.fm/failedstateupdate/message

Tim was more than gracious to accept the first show in the morning and do the show that night.  I went into the talk assuming that Tim had chosen the Stage only side of acting. He has acted in films and one that is out now and streaming.  the film is called Burn Country and Stars Dominic Rains, Melissa Leo, James Franco, Rachael Brosnahan, Thomas Ryan and Tim Kniffin.  We explore the world of Jerzy Grotowski and the Polish method. We talk about agents. What an enjoyable time.  Thank you Tim.   https://www.amazon.com/gp/video/detail/B01MYTWB8J/ref=atv_dp_share_cu_r  --- Send in a voice message: https://anchor.fm/gary-fox2/message Support this podcast: https://anchor.fm/gary-fox2/support

FILMS: My Dinner with Andre, Vanya on 42nd Street, The Master Builder For over sixty years Andre Gregory has been on the cutting edge of theatre with his revolutionary productions of Alice in Wonderland, Uncle Vanya, and The Master Builder, his appearances in the the films of Louis Malle, and his desire to always push the envelope for artists and audiences. Now, not only does Andre join Rob and Kevin for a deep look back into his process but he discusses his incredible new book THIS IS NOT MY MEMOIR which is now available for purchase. Andre pulls back the curtain on his career to discuss how he created an international sensation with his Alice in Wonderland, what musical he would like to direct, and why he calls Wallace Shawn one of the greatest playwrights who has ever lived. Also, Andre shines the spotlight on Gene Saks, Louis Malle, and Jerzy Grotowski! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices

Anthony Abeson is a magician, a shaman, a sorcerer & acting coach to the stars. He is a Columbia University grad who trained with Lee Strasberg, Jerzy Grotowski, Peter Brook & Harold Clurman. He taught Jennifer Aniston at The High School of Performing Arts & was one of the youngest people to address a session with Lee Strasberg. Buy his book on Amazon: Acting 2.0: Doing Work That Gets Work in a High Tech World Host: Laris Macario --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/laris-macario/support

In den 1960er-Jahren verschaffen sich Theatermacher Raum für ihre Utopien. Die Suche nach neuen Theaterformen findet nicht mehr allein auf der Bühne statt. Wer bin ich? Woher komme ich? Was ist das Leben? Das waren Fragen, mit denen sich die Theateravantgarde der 1960er-Jahre auseinandersetzte, denn für sie war das Theater eine Reise zum Menschen. Ausgehend von einer performativen Ausdeutung von Shakespeares "Der Sturm" reflektiert Evelyn Dörr Theateransätze von Peter Brook und Jerzy Grotowski: ihre Schauspielmethoden, ihre Utopien und Visionen vor dem Hintergrund von Krieg und Atombombenangst.

For the past thirty years in New York City, Terry Knickerbocker has acted, directed, coached, and produced art with some incredible people. Terry is a graduate of The Experimental Theatre Wing in the Drama Dept. at New York University. After graduating from NYU, Terry trained as an actor and a teacher with William Esper. He taught at The William Esper Studio for 25 years, and continues as part of the core faculty at the Experimental Theatre Wing at NYU's Tisch School of the Arts. He has also taught directing at Playwrights Horizons Theatre School and Yale University. Other essential teacher/mentors include Maggie Flanigan, Rina Yerushalmi, Steve Wangh, Terry Hayden, Nikos Psacharopoulos, Jackie Brookes, Mary Overlie, Ryszard Cieslak, Jerzy Grotowski, Pierre Lefèvre, Moshe Feldenkrais, Dr. Louis Ormont, and Dr. Harry Fogarty. He has coached actors on over 300 films, television and theater projects, both on and off-Broadway and regionally. He also consulted with playwrights and screenwriters on their scripts. Some of the actors he has worked with and trained include Sam Rockwell, Chris Messina, Boyd Holbrook, Natasha Lyonne, Leslie Bibb, Emmy Rossum, Yul Vasquez, Jordana Spiro, Gillian Alexy, Gretchen Mol and many others. A past recipient of the Drama League of New York's directing award/fellowship for emerging directors, Terry is also a former member of Circle Rep's LAB. His directing credits include many new works as well as contemporary and classical plays such as Measure for Measure, Tartuffe, The Normal Heart, Candida, All My Sons, and David Rabe's In the Boom Boom Room. Resources https://terryknickerbockerstudio.com/program_courses/summer-intensive/ https://terryknickerbockerstudio.com/program_courses/two-year-professional-acting-conservatory/ Connect with Terry Twitter - https://twitter.com/tknickerbocker Instagram - https://www.instagram.com/terryknickerbockerstudio Facebook - https://www.facebook.com/terryknickerbockerstudio/   Connect with Adam If you enjoyed listening to this episode and wanted to share your thoughts you can:  Visit my website: www.adameskow.com   Follow us at @AdamEskow on Instagram and FB   Send us an email at Adam@EskowCoaching.com   Sponsor If you are interested in starting your own podcast, check out www.truthworkmedia.com. We will coach you from conception to iTunes! It's super easy! Go here for more information. 

Fitzcarraldo 4, domingo 31 de Mayo, la bruma londinense invade Asturias, reconozcámoslo; crecimos entre la niebla. Comienza la selección musical con el tema “Six Days” de Dj Shadow, un mashup, la voz de una canción de los 70 se mezcla con otra canción con un nuevo ritmo, el video musical fue dirigido por Wong Kar Wai. El resultado elegancia y sofisticación. Seguimos con la sección de “Novedades Eloína” suena “We wait” de los Other Lives, la banda Oklahoma saca nuevo disco después de cinco años, música americana, una canción con aroma a spaguetti western,con coros y melodías a lo Ennio Morricone. Continuamos con el lejano oeste, un oeste reinventado y modernizado desde Chicago por Tenci con su single "Forgot My Horse's Name.” Una canción ideal para una película de Howard Hawks. Nos está quedando un programa muy vaquero. Es el momento de las chicas de Es, que se autodefinen como una banda de synth-punk mutante para nuestro presente distópico, pusimos “Chemical” de su primer LP “Less of Everything” que acaba de salir, letras combativas, atmósferas oscuras, amateurismo que se compensa con autenticidad y actitud. Es hora de dejar atrás las canciones lánguidas, es hora del rock& roll de toda la vida con la banda Reigning Sound liderada por Greg Cartwright, el tema es “Stormy weather”, demasiados días soleados y claro, nos entra la añoranza de los tiempos tormentosos, ¿Cuándo deja ser el buen tiempo, buen tiempo? No hay nada como un buen pildorazo rock, un buen riff de guitarra, una voz potente, y unas buenas palmas. Terminamos la selección musical de hoy con “Hasta la vista “ de las Dream Wife, un grupo de punk rock londinense capitaneado por tres mujeres, que saca disco el 3 de junio. Dream wife (esposa soñada) un nombre irónico, letras feministas y reivindicativas. Traducciones y adaptaciones. La película de la que charlamos hoy es “Mi cena con André” de Louis Malle. Una película que relata el encuentro de dos viejos amigos que después de mucho tiempo quedan para cenar. Ellos son; Wallace Shawn yAndre Gregory, el primero es un escritor y dramaturgo, que para sobrevivir actúa en pequeños papeles, y el segundo es un afamado director teatral que llevaba desaparecido cinco años, los dos, Wallace y André se interpretan a sí mismos (o no), la película recoge el dialogo que se establece entre ellos durante la velada. Andre le habla de sus experiencias y viajes durante esos cinco años; su estancia en Polonia con su amigo Jerzy Grotowski y un grupo de actores polacos en un bosque, viviendo experiencias teatrales límite, improvisaciones grupales, ceremonias. Luego relata su vida en una comuna escocesa, más tarde acompañado por un monje tibetano marcha al desierto del Sahara en busca de inspiración para realizar un montaje sobre “El Principito”. Cuenta todo un periplo vital de búsqueda ante la mirada perpleja de Wallace. Una necesidad en Andre de buscar algo e intentar sentir. Wallace, ve más el sentido de la vida en los actos cotidianos. Según Andre, hacemos las cosas sin pensar, sin sentir, nos movemos por unas metas ilusorias. Cada acción nuestra debería ser como una oración. En realidad, es imposible ser intenso en todo lo que haces. El teatro de Brech y las películas de Marvel. “Mi cena…” es un proyecto de Wallace Shawn y Andre Gregory, al que luego se sumo Louis Malle.. Muchas horas de conversaciones entre los dos para elaborar el guion final. Malle conseguí que la película fluya a pesar de los arriesgado de la propuesta que pudiera parecer en un principio la antítesis de lo fílmico. Otras películas muy habladas, Eric Romher, la trilogía de Before.. El Nueva York de los 80 con la música de Erik Satie los valores cinematográficos de una gran película … algunas cuestiones por resolver ¿Las comodidades son peligrosas? Somos niños aburridos y mimados, y alguien aburrido es alguien incapaz de decir No…

Meet Terry Knickerbocker, founder and Studio Director of the Two Year Acting Conservatory Terry Knickerbocker Studio in Brooklyn, New York. Terry is a graduate of The Experimental Theatre Wing in the Drama Dept. at New York University. After graduating from NYU, Terry trained as an actor and a teacher with William Esper. He taught at The William Esper Studio for 25 years, and continues as part of the core faculty at the Experimental Theatre Wing at NYU's Tisch School of the Arts. He has also taught directing at Playwrights Horizons Theatre School and Yale University. Other essential teacher/mentors include Maggie Flanigan, Rina Yerushalmi, Steve Wangh, Terry Hayden, Nikos Psacharopoulos, Jackie Brookes, Mary Overlie, Ryszard Cieslak, Jerzy Grotowski, Pierre Lefèvre, Moshe Feldenkrais, Dr. Louis Ormont, and Dr. Harry Fogarty. He has coached actors on over 300 films, television and theater projects, both on and off-Broadway and regionally. He also consulted with playwrights and screenwriters on their scripts. Some of the actors he has worked with and trained include Sam Rockwell, Chris Messina, Boyd Holbrook, Natasha Lyonne, Leslie Bibb, Emmy Rossum, Yul Vasquez,  Jordana Spiro, Gillian Alexy, Gretchen Mol and many others. A past recipient of the Drama League of New York's directing award/fellowship for emerging directors, Terry is also a former member of Circle Rep's LAB. His directing credits include many new works as well as contemporary and classical plays such as Measure for Measure, Tartuffe, The Normal Heart, Candida, All My Sons, and David Rabe's In the Boom Boom Room. WATCH THE VIDEO VERSION OF THIS PODCAST HERE. Learn more about Terry Knickerbocker Studio HERE. The host is Peter Jumrukovski a Real Estate Agent, World medalist and Author with the mission to help at least 10 million people in 10 years to accomplish their dreams. For more information visit: http://www.ilovesuccess.co Sponsor: CallCast - Turn phone calls into podcasts - https://callcast.co Music and Production: Tobi Fanoiki Advisor: Malick Jarboh    

Meet Terry Knickerbocker, founder and Studio Director of the Two Year Acting Conservatory Terry Knickerbocker Studio in Brooklyn, New York. Terry is a graduate of The Experimental Theatre Wing in the Drama Dept. at New York University. After graduating from NYU, Terry trained as an actor and a teacher with William Esper. He taught at The William Esper Studio for 25 years, and continues as part of the core faculty at the Experimental Theatre Wing at NYU's Tisch School of the Arts. He has also taught directing at Playwrights Horizons Theatre School and Yale University. Other essential teacher/mentors include Maggie Flanigan, Rina Yerushalmi, Steve Wangh, Terry Hayden, Nikos Psacharopoulos, Jackie Brookes, Mary Overlie, Ryszard Cieslak, Jerzy Grotowski, Pierre Lefèvre, Moshe Feldenkrais, Dr. Louis Ormont, and Dr. Harry Fogarty. He has coached actors on over 300 films, television and theater projects, both on and off-Broadway and regionally. He also consulted with playwrights and screenwriters on their scripts. Some of the actors he has worked with and trained include Sam Rockwell, Chris Messina, Boyd Holbrook, Natasha Lyonne, Leslie Bibb, Emmy Rossum, Yul Vasquez,  Jordana Spiro, Gillian Alexy, Gretchen Mol and many others. A past recipient of the Drama League of New York's directing award/fellowship for emerging directors, Terry is also a former member of Circle Rep's LAB. His directing credits include many new works as well as contemporary and classical plays such as Measure for Measure, Tartuffe, The Normal Heart, Candida, All My Sons, and David Rabe's In the Boom Boom Room. WATCH THE VIDEO VERSION OF THIS PODCAST HERE. Learn more about Terry Knickerbocker Studio HERE. The host is Peter Jumrukovski a Real Estate Agent, World medalist and Author with the mission to help at least 10 million people in 10 years to accomplish their dreams. For more information visit: http://www.ilovesuccess.co Sponsor: CallCast - Turn phone calls into podcasts - https://callcast.co Music and Production: Tobi Fanoiki Advisor: Malick Jarboh

Wykład profesor Anny Wyki o kulturze alternatywnej w Polsce, Collegium Civitas [8 listopada 2009 r.] Wykład przeprowadzony 8 listopada 2009 r. w Collegium Civitas w ramach cyklu „Współczesne społeczeństwa: Polska – Europa – Świat. Kultura, mentalność, system wartości.” Kultura alternatywna zaczęła pojawiać się w Polsce w latach 70. U jej podłoża leżą m.in. kontrast między światem zewnętrznym i rzeczywistym, dotkliwy w okresie PRLu, chęć rozwoju wewnętrznego, docenianie wartości kontaktów międzyludzkich, poczucie jedności z naturą, indywidualna sprawczość, a także kwestionowanie wartości posiadania dóbr, na rzecz głębszego rozwoju. Rozwój kultury alternatywnej podzielić można na trzy etapy. Pierwsza faza to moment negacji, przy jednoczesnym braku świadomości współodczuwania tej negacji przez innych ludzi, w drugiej fazie pojawia się poczucie wspólnoty, trzeci etap jest fazą w której wspólne wartości są znane i prowadzą do proponowania alternatywy i konstruktywnych działań. Indywidualne podejście i stawianie na rozwój jednostki, sprawiły że wytworzył się alternatywny styl życia, w którym dążono do spójności między wyznawanymi wartościami, a ich realizacją. Było to przeciwstawienie się rzeczywistości powojennego świata. Głód wartości duchowych, chęć reedukacji, dezalienacji i samorealizacji, uwzględniającej dobro drugiego człowieka, prowadziły do powstania grup i komun wspierających swoje działania. Ważną postacią skupiającą poszukujących alternatywy był Jerzy Grotowski. Kontynuatorami praktyki kultury czynnej i twórczego stosunku do życia i działalności, jest wiele działających nadal środowisk m.in. Ośrodek „Pogranicze – sztuk, kultur, narodów”, Fundacja „Muzyka Kresów”, Stowarzyszenie „Tratwa”, a także teatry: Studium Teatralne, Chorea, Teatr Wiejski Węgajty, Gardzienice. Wykład nakreśla powstanie kultury alternatywnej i jej losy na przestrzeni dekad, aż do dnia dzisiejszego. Pokazuje najważniejsze idee, praktyki, cechy i motywy powstawania ruchów alternatywnych. Przybliża postaci ważne dla alternatywnej kultury m. in. działalność i poglądy Jerzego Grotowskiego.

Wendy Vanden Heuvel is a native New Yorker, who has been acting since high school. Today she is an actor (most recently seen in the world premiere of Jessica Dickey's The Convent as the Mother Abbess), teacher, and producer. She is the artistic director of Weathervane Theater, founder of piecebypiece productions, and a member of Rising Phoenix Rep.I met Wendy when she was teaching acting at the Experimental Theater Wing, at NYU where she also studied as an undergrad during the studio's early years. She went on to study with Jerzy Grotowski and Joseph Chaikin. We talk about her teachers over the years, and she reveals the challenges she faced early on. We talk about the importance of the physical body: breath, spine, groin - as a part of the instrument, and how we should all "get into our animal."---Thank you to Jim Swonger @ Cleveland Play House for allowing me to use their sound studio to record the intro!Music credit: David HilowitzSupport the show (https://www.patreon.com/upstageleft)

Simone Spoladori e Giuseppe Paternò Raddusa "aprono" al teatro per ricordare, a vent'anni dalla scomparsa, il grande regista polacco Jerzy Grotowski, di cui parlano con il professor Fabrizio Fiaschini. Per l'attualità, l'ospite è Gianmarco Tognazzi, che parla del suo ultimo film, "Non ci resta che il crimine", da poco nelle sale italiane.

In this bonus episode, you’ll get to hear a song that usually doesn’t leave the thick walls of the Workcenter of Jerzy Grotowski and Thomas Richards in Italy.  If you want to know more about Grotowski, check out our two-part story about him in the episodes SEARCH and CONTINUATION. Keep up to date with SFTEW by following us on Twitter, Facebook & Instagram. And if you like our show, sign up for our newsletter!

By Michael Lueger, Piotr Wołodźko. We welcome back Stories from the Eastern West for Part 2 of their exploration of the life and work of Polish theatre director Jerzy Grotowski.

After having to leave Poland, Grotowski continued his ground-breaking work in the United States, before finding a permanent home in Pontedera, Italy. There he began work on Art as Vehicle, the final stage of his work at the newly-established Workcenter. This work, based around songs of tradition and objective movements, arranged into performance structures, is done more or less in secrecy, away from the prying eyes of the media and mainstream theatrical world. In the late 1990s, the Workcenter started to show its work to select groups of people, and open itself to the world. Listen to Part 2 of our episode on Jerzy Grotowski to find out for yourself what happened there, and what goes on at the Workcenter of Jerzy Grotowski and Thomas Richards today… You can catch up with Part 1 of this story here. Both these episodes are a Stories From The Eastern West collaboration with the Theatre History Podcast, produced by Howlround Theatre Commons, a free and open platform for theatremakers worldwide, based in Boston, Massachusetts. Follow them on Twitter and Instagram. Like our show? Sign up for our newsletter! Time stamps [01:15] Intro [02:26] Meeting Thomas Richards [04:19] Work on acting and songs of tradition [06:57] Period in the US coming to an end [08:28] Transmission of the work [09:34] Flight to Italy [11:00] Beginnings of the Workcenter [12:30] Who are we? [14:24] Members of the Workcenter [16:00] Sacrifices and controversies [18:06] Performance of The Living Room [22:02] Conclusion [24:30] Thanks & credits Further reading Jerzy Grotowski / biography at culture.pl Thomas Richards / biography at grotowski.net Brief History of the Workcenter of Jerzy Grotowski and Thomas Richards on their official site At Work With Grotowski on Physical Actions / book by Thomas Richards, at amazon.com Heart of Practice: Within the Workcenter of Jerzy Grotowski and Thomas Richards / book by Thomas Richards, at Amazon.com Teksty Zebrane (Collected Texts) / complete texts of Jerzy Grotowski at Empik.com (Polish and Italian only) Jerzy Grotowski / book by James Słowiak and Jairo Cuesta, an excellent introduction to his ideas and practice as a theatre director, at Amazon.com Also worth visiting The Workcenter of Jerzy Grotowski and Thomas Richards / official site of the Workcenter in Pontedera, Italy Jerzy Grotowski Institute / official site of the Wrocław-based institute Thanks Prof. Paul Allain / for talking to us about Grotowski's life, work, and his important influence on the world of the performing arts. Paul is a Professor of Theatre and Performance at the University of Kent and former director of the British Grotowski Project. Maja Komorowska / for sharing with us her experience of working with Grotowski and the Theatre of the 13 Rows in the early 1960s. Maja is an acclaimed theatre, film and television actress. Thomas and Cécile Richards / for giving their time and helping make this episode possible. Thomas Richards is the Director of the Workcenter of Jerzy Grotowski and Thomas Richards in Pontedera, Italy. Cecile is Richard’s assistant and a member of the centre. The members of the Workcenter in Pontedera / especially Lynda Mebtouche and former member of the Open Program Alejandro Thomas-Rodriguez for sharing their experiences. Grażyna Soczewka / for skillfully providing the English voice-over for Maja Komorowska. Episode credits Michael Lueger (Theatre History Podcast): co-presenter Wojciech Oleksiak: sound design, mixing Piotr Wołodźko: co-presenter, script, production Nitzan Reisner: co-host, sole beacon of light Adam Zulawski: co-host, editor

Wysłuchaj rozmowy na temat wystąpień publicznych. Nasze ciało, głos, mimika i gesty są jak zwierciadło – ukazują aktualną prawdę. Warunkiem dobrych wystąpień jest spójność. Jeśli w treści, którą przedstawiasz są wartości, które wyznajesz, będzie Ci łatwiej. Jeśli treść jest niespójna z Tobą, fałsz zawsze znajdzie jakąś drogę by się ujawnić a Twoje ciało to wszystkim objawi. Żeby tego uniknąć możesz zostać aktorem. Słuchając rozmowy dowiesz się: Czym są porywające wystąpienia publiczne? Co o wystąpieniach i grze aktorskiej mówił Mistrz Stanisławski? Poznasz takie pojęcia jak impostacja, pauza, przerzutnia, dykcja, emisja głosu? “Storytelling”, “Historia Osobista”, “Podróż Bohatera” – modne słowa czy rzeczywiste narzędzia? Co sądzili o pracy z ciałem Jerzy Grotowski, Jan Machulski, Stefan Niedziałkowski? O “użyczaniu osobowości”, “szlachetnym oszustwie wielkiej literatury” i roli aktora.

Jerzy Grotowski (1933-1999) undoubtedly had a profound infl­uence on the transformation of contemporary theatre over the last 40 years. Starting out as a young director in the Polish provinces, he soon realised that for theatre to reach its true potential as a communion between actor and spectator and survive in the age of mass entertainment, the actor should attain complete mastery over their craft. His small group of actors committed to intensive daily training sessions to achieve this, while Grotowski began to radically experiment with theatrical texts in order to achieve his vision. But having achieved international recognition for his ground-breaking productions in the mid to late 1960s, he decided to leave theatre behind and start all over again….. This episode is a Stories From The Eastern West collaboration with the Theatre History Podcast, produced by Howlround Theatre Commons,a free and open platform for theatremakers worldwide, based in Boston, Massachusetts. Follow them on Twitter and Instagram. Like our show? Sign up for our newsletter! Time stamps [00:55] Intro [03:38] The beginning [05:15] A new phase of intensive training [08:16] The rehearsal process [10:31] Out into the world [13:33] Do we need spectators? [15:34] A different direction [17:39] Travels to Haiti [18:11] Dangerous times [19:47] Thanks & credits Further watching Letter From Opole / (1963, dir. Michaela Elstera) short film providing a glimpse into the work of Grotowski's team at the Theatre of 13 Rows in Opole. Only in Polish, but worth checking out for non-Polish speakers nonetheless Further reading Jerzy Grotowski / biography on Culture.pl The Grotowski Glossary / article about his work, on Culture.pl Apocalypsis Cum Figuris / Grotowski's controversial final production, on Culture.pl Maja Komorowska / biography on Culture.pl Towards a Poor Theatre / first published collection of Grotowski's texts, at Amazon.com Teksty Zebrane (Collected Texts) / complete texts of Jerzy Grotowski at Empik.com (Polish and Italian only) Jerzy Grotowski / book by James Słowiak and Jairo Cuesta, an excellent introduction to his ideas and practice as a theatre director, at Amazon.com Also worth visiting The Workcenter of Jerzy Grotowski and Thomas Richards / official site of the Workcenter in Pontedera, Italy Jerzy Grotowski Institute / official site of the Wrocław-based institute Thanks Prof. Paul Allain / for talking to us about Grotowski's life, work, and his important influence on the world of the performing arts. Paul is a Professor of Theatre and Performance at the University of Kent and former director of the British Grotowski Project. Maja Komorowska / sharing with us her experience of working with Grotowski and the Theatre of the 13 Rows in the early 1960s. Maja is an acclaimed theatre, film and television actress. Thomas and Cécile Richards / for giving their time and helping make this episode possible. Thomas Richards is the Director of the Workcenter of Jerzy Grotowski and Thomas Richards in Pontedera, Italy. Cecile is Richard’s assistant and a member of the centre. Grażyna Soczewka / for skillfully providing the English voice-over for Maja Komorowska. Episode credits Michael Lueger (Theatre History Podcast): co-presenter Wojciech Oleksiak: sound design, mixing Piotr Wołodźko: co-presenter, script, production Nitzan Reisner: co-host, ambassador of righteousness Adam Zulawski: co-host, editor

By Michael Lueger, Piotr Wołodźko. The Theatre History Podcast is proud to partner with Stories from the Eastern West to present the first of a two-part episode on the life and work of revolutionary theatre director Jerzy Grotowski.

Our special guest is famed NYC acting coach Anthony Abeson who has worked with Jennifer Aniston and countless other well known stars. Anthony's high school summers were always spent in summer stock, acting and directing along with all the other jobs summer theatre required: stage managing, set construction, lighting design, etc. Even teaching surfaced then; his earliest memory is of writing the name "Konstantin S. Stanislavski" on a blackboard in front of bewildered children's theatre apprentices. During his college years at Columbia University he made his off-Broadway debut as an actor and assistant director at the Sheridan Square Playhouse in a repertory theatre whose director first introduced him to Lee Strasberg and the Actors Studio. He was unable to attend his graduation having been appointed by the Queen Elizabeth II Arts Council to serve as a resident actor and director of the Canterbury Theatre Company, in Christchurch, New Zealand, that country's first international, professional theatre, where he worked with actors from all over the UK. As a 22-year-old American it was a challenge to direct actors whose previous director had been Laurence Olivier. Anthony's teaching continued in New Zealand where he also served as director of the Experimental Theatre Laboratory of the Christchurch Academy of Dramatic Arts, the country's first training academy. In the late '60's he began his long collaboration with Jerzy Grotowski, first as an actor at the Centre Dramatique National du Sud-Est in Aix-en-Provence, France, and later, in the early '70's as a participant/assistant in Grotowski's first "Special Project" in a forest outside of Philadelphia. Further collaboration occurred under the auspices of the Instityut Aktora in Wroclaw and Brzezinka, Poland. In 1972 he accepted an invitation to join Peter Brook (former director of the Royal Shakespeare Company) at his Centre International de Recherche Theatrale in Paris, where he participated as an actor in the Centre's exploration of the effect of non-linear language on the process of the actor. The research was facilitated by the deliberate inclusion of actors from Japan, Africa, France,etc. with hardly any common language between them. Instead, during Anthony's stay, the verbal impulse was channeled into ancient Greek and /or bird calls. Texts were supplied by Ted Hughes, Sylvia Plath's husband, a distinguished poet who went on to become the Poet Laureate of England. During the late '60's and early '70's, Anthony started a theatre company, the Ensemble Theatre Laboratory, one of whose earliest members was the wonderful actor/monologist Spalding Gray, whose richly entertaining version of their tour to Missouri of their production of "The Tower of Babel" can be found in his "A Personal History of the American Theatre." During this time, Anthony continued to be exposed to Lee Strasberg and the Actors Studio, becoming one of the youngest people ever to address a special session with Lee. In 1973 Anthony started another theatre company, this time in Washington, D. C. : The Washington Theatre Laboratory with funding from the National Endowment for the Arts and the D. C. Arts Commission. Their training program marked the start of many careers including that of actresses Caroline Aaron and Karen Allen. Selected as a seminal archetype of the experimental theatre movement in America, its archival materials are housed in the permanent collection of The Jerome Lawrence and Robert E. Lee Theatre Research Institute at Ohio State University. Returning to New York, Anthony studied with Stella Adler at her conservatory and joined the faculty of the Drama Department of the High School for the Performing Arts (the "Fame" school) where he first worked with Esai Morales and Jennifer Aniston, among many talented others. Jennifer, who went on to study in Anthony's adult classes before leaving for LA, wrote of one of her experiences with him in Marlo Thomas's book: "The Right Wo...

Your host Ilona Europa interviewed Kristof Konrad who was was born in Poland and trained as an actor at the National Dramatic Academy in Warsaw, Poland (M.F.A. in Theatre) and the Alexander Fersen Academy in Rome, Italy. While in Poland, he studied and worked with theatre and film masters Jerzy Grotowski and Andrzej Wajda. Kristof is starring in Red SPARROW movie with #JENNIFERLAWRENCE #REDSPARROW . For the past ten years, Kristof has successfully worked as an actor in film and television in the United States and Europe. Some of his TV credits include: Scorpion, Zoo, Agents of S.H.I.E.L.D., House of Cards, Nikita, Scandal, Undercovers, E-Ring, Alias, The Unit, The Agency, JAG, Gilmore Girls, and many others. Some of his film credits include: Red Sparrow, Angels and Demons, Independence Day, Hotel California, Chernobyl Diaries, and Operation Samum. In the U.S., Kristof has worked with directors Kenneth Branagh, Francis Lawrence, Ron Howard, and Roland Emmerich. For a complete list of credits, visit his IMDB page. Kristof is also an acting coach, movement director, teacher of the Alexander Technique, and co-director of Alexander Techworks with Jean-Louis Rodrigue. imdb.com/name/nm0465311 spotlight.com/interactive/cv/1534-6725-8129 alexandertechworks.com

The Aside Podcasts are a free resource supported by Drama Victoria - Australia's oldest Drama Association In this episode of The Aside we talk about Jerzy Grotwoski and Poor Theatre. Akropolis link: https://www.youtube.com/watch?v=0vuoPyTCSv4 Email a question to asidepodcast@outlook.com and we can answer it in an upcoming episode!

It is said that the inherent challenges of being an actor will rather naturally weed out those without the true bug in their system. If this is true, Matt Mitler must be completely consumed by it. His ambition though is not for fame nor fortune, as his interest in those conventional notions of success has waned as he and his work have matured. Instead, it is the tantalizing quest for truth, expansion and - perhaps most of all - the urgent need to serve others using his art. Imagine this: a group of actors wholly dedicated to the audience - be it in a theater, church or hospital - rather then the aggrandizement of themselves or the whole. In your picture, be certain that the troupe is imminently skilled, expressive, nimble and daring - all at once. This is Matt Mitler's utopia of sorts, his beloved group Dzieci Theatre, laden with some of the finest performers in New York City (including Matt himself). Dzieci's aim is to utilize theater and performance as a means for the personal evolution of the actor and the blooming of the heart in the audience. In this interview, we discuss the evolution of Matt's art and how seemingly every aspect of his career and the evolution of Dzieci has existed outside of the traditional box. We explore how Matt's amazing path has been in service to a hidden taste for truth, and that by trusting the calling of sorts, Matt's journey has brought him all sorts of surprises and connections. We also probe Matt's remarkable history having studied with directors Jerzy Grotowski & Eugenio Barba, the actor Ryszard Cieslak, humanistic psychologist Carl Rogers and more. Ultimately, this is a story of following one's unique taste for truth, and when mixed with a little faith, how this simple approach creates something remarkable, rich and imminently meaningful. Enjoy! The post OS43: Matt Mitler – Theater, Transformation & The Pursuit Of Truth appeared first on Ownstream.

Libro de Jerzy Grotowski, Miradas desde Latinoamérica

Live Tue. Jan. 31st, 2017 8pm EST on Para-X-Radio.com Andrieh Vitimus and Jason M. Colwell welcome Antero Alli back for a second week, because we are so impressed by his work.  Antero will be talking to us about his work on The Eight-Circuit Brain. The Eight-Circuit Brain advances and expands the material in Alli’s groundbreaking book, Angel Tech, a compendium of techniques and practical applications based on Dr. Timothy Leary’s 8-Circuit Brain model. After more than twenty years of research and experimentation, Antero’s earlier findings are significantly updated and enriched in this new body of work. In 1977 Antero was inspired by the Paratheatre of Jerzy Grotowski and over the next four decades, he combined his early theatre experience and training (see below) towards the creation of his own paratheatre medium — as documented in his book, “Towards an Archeology of the Soul” (Vertical Pool, 2003), in four videos (1992-2012), and in academia by Nicoletta Isar, Professor at the Institute of Art History,Copenhagen University (2008). Between 1975 and 2005, Antero wrote, directed, produced and performed in numerous experimental theatre productions. In 2005, Antero stopped creating theatre and wrote and directed a series of feature-length art films — including “The Greater Circulation” (2005; 93 min) a critically acclaimed cinematic treatment of Rainer Maria Rilke’s “Requiem for a Friend“, “The Invisible Forest” (2008; 111 min) featuring the radical ideas of French Surrealist, Antonin Artaud, “To Dream of Falling Upwards“(2011; 120 min), exploring the occult worlds of rural and urban sorcery and “The Book of Jane” (2013; 115 min.), an urban fable of Feminine initiation. In late 2015 Antero ended his 23-year era of filmmaking and returned to his roots in experimental theatre in Portland Oregon where he also continues his paratheatre group work. For more information visit Antero Alli’s personal website at: http://www.paratheatrical.com/

Live Tue. Jan. 31st, 2017 8pm EST on Para-X-Radio.com Andrieh Vitimus and Jason M. Colwell welcome Antero Alli back for a second week, because we are so impressed by his work.  Antero will be talking to us about his work on The Eight-Circuit Brain. The Eight-Circuit Brain advances and expands the material in Alli’s groundbreaking book, Angel Tech, a compendium of techniques and practical applications based on Dr. Timothy Leary’s 8-Circuit Brain model. After more than twenty years of research and experimentation, Antero’s earlier findings are significantly updated and enriched in this new body of work. In 1977 Antero was inspired by the Paratheatre of Jerzy Grotowski and over the next four decades, he combined his early theatre experience and training (see below) towards the creation of his own paratheatre medium — as documented in his book, “Towards an Archeology of the Soul” (Vertical Pool, 2003), in four videos (1992-2012), and in academia by Nicoletta Isar, Professor at the Institute of Art History,Copenhagen University (2008). Between 1975 and 2005, Antero wrote, directed, produced and performed in numerous experimental theatre productions. In 2005, Antero stopped creating theatre and wrote and directed a series of feature-length art films — including “The Greater Circulation” (2005; 93 min) a critically acclaimed cinematic treatment of Rainer Maria Rilke’s “Requiem for a Friend“, “The Invisible Forest” (2008; 111 min) featuring the radical ideas of French Surrealist, Antonin Artaud, “To Dream of Falling Upwards“(2011; 120 min), exploring the occult worlds of rural and urban sorcery and “The Book of Jane” (2013; 115 min.), an urban fable of Feminine initiation. In late 2015 Antero ended his 23-year era of filmmaking and returned to his roots in experimental theatre in Portland Oregon where he also continues his paratheatre group work. For more information visit Antero Alli’s personal website at: http://www.paratheatrical.com/

Live Tue. Jan. 24th, 2017 8pm EST on Para-X-Radio.com Andrieh Vitimus and Jason M. Colwell welcome Antero Alli to the show, for the the first time.  Antero will be talking to us about Paratheatre, his life’s work since 1977. He will share some techniques of transformative ritual and how these influences shape performance dynamics in the arena of experimental theatre. In 1977 Antero was inspired by the Paratheatre of Jerzy Grotowski and over the next four decades, he combined his early theatre experience and training (see below) towards the creation of his own paratheatre medium — as documented in his book, “Towards an Archeology of the Soul” (Vertical Pool, 2003), in four videos (1992-2012), and in academia by Nicoletta Isar, Professor at the Institute of Art History, Copenhagen University (2008). Between 1975 and 2005, Antero wrote, directed, produced and performed in numerous experimental theatre productions. In 2005, Antero stopped creating theatre and wrote and directed a series of feature-length art films — including “The Greater Circulation” (2005; 93 min) a critically acclaimed cinematic treatment of Rainer Maria Rilke’s “Requiem for a Friend“, “The Invisible Forest” (2008; 111 min) featuring the radical ideas of French Surrealist, Antonin Artaud, “To Dream of Falling Upwards“(2011; 120 min), exploring the occult worlds of rural and urban sorcery and “The Book of Jane” (2013; 115 min.), an urban fable of Feminine initiation. In late 2015 Antero ended his 23-year era of filmmaking and returned to his roots in experimental theatre in Portland Oregon where he also continues his paratheatre group work. For more information visit Antero Alli’s personal website at: http://www.paratheatrical.com/

Live Tue. Jan. 24th, 2017 8pm EST on Para-X-Radio.com Andrieh Vitimus and Jason M. Colwell welcome Antero Alli to the show, for the the first time.  Antero will be talking to us about Paratheatre, his life’s work since 1977. He will share some techniques of transformative ritual and how these influences shape performance dynamics in the arena of experimental theatre. In 1977 Antero was inspired by the Paratheatre of Jerzy Grotowski and over the next four decades, he combined his early theatre experience and training (see below) towards the creation of his own paratheatre medium — as documented in his book, “Towards an Archeology of the Soul” (Vertical Pool, 2003), in four videos (1992-2012), and in academia by Nicoletta Isar, Professor at the Institute of Art History, Copenhagen University (2008). Between 1975 and 2005, Antero wrote, directed, produced and performed in numerous experimental theatre productions. In 2005, Antero stopped creating theatre and wrote and directed a series of feature-length art films — including “The Greater Circulation” (2005; 93 min) a critically acclaimed cinematic treatment of Rainer Maria Rilke’s “Requiem for a Friend“, “The Invisible Forest” (2008; 111 min) featuring the radical ideas of French Surrealist, Antonin Artaud, “To Dream of Falling Upwards“(2011; 120 min), exploring the occult worlds of rural and urban sorcery and “The Book of Jane” (2013; 115 min.), an urban fable of Feminine initiation. In late 2015 Antero ended his 23-year era of filmmaking and returned to his roots in experimental theatre in Portland Oregon where he also continues his paratheatre group work. For more information visit Antero Alli’s personal website at: http://www.paratheatrical.com/

Il Principe Costante di Jerzy Grotowski raccontato da Ferruccio Marotti

This video focuses on a Grotowski inspired approach to the character of Ophelia. Created by Katie Mitchell, curated by Kate Bailey for the V&A in partnership with the National Theatre.

Jim Simpson, artistic director of New York's Off-Off-Broadway The Flea Theater, charts the company's 15 year journey from a collective meant to last for only five years to an ongoing institution on the verge of moving to a home that they own. Along the way, he tells about his years as a child actor in Honolulu appearing in touring musicals with stars such as John Raitt; his teenage summer spent studying with landmark Polish director and theorist Jerzy Grotowski; the highly politicized spirit of the Boston University theatre program during his time there; bridging the Robert Brustein and Lloyd Richards eras while in graduate school at Yale, including Richards' quashing of Simpson's all-male "Hamlet"; his ongoing development of the play "Benten Kozo" across multiple productions; his years as a freelancer at theatres including Williamstown and Hartford Stage; his forays into commercial runs both successful ("Nixon's Nixon") and incomplete ("Citizen Tom Paine"); why The Flea's central tenets included clean dressing rooms for the actors and bathrooms for the patrons; the company's ongoing relationship with playwrights, notably A.R. Gurney; and how the 9/11 tragedy nearly closed the theatre and then, largely thanks to "The Guys", spurred it into a new era; whether the presence of stars at The Flea, including Simpson's wife Sigourney Weaver, as well as John Lithgow and Marisa Tomei, has given them a profile beyond that of the customary downtown house; and why The Flea's resident young company, The Bats, forces the theatre to keep moving on to new challenges. Original air date - November 3, 2010.

Jim Simpson, artistic director of New York's Off-Off-Broadway The Flea Theater, charts the company's 15 year journey from a collective meant to last for only five years to an ongoing institution on the verge of moving to a home that they own. Along the way, he tells about his years as a child actor in Honolulu appearing in touring musicals with stars such as John Raitt; his teenage summer spent studying with landmark Polish director and theorist Jerzy Grotowski; the highly politicized spirit of the Boston University theatre program during his time there; bridging the Robert Brustein and Lloyd Richards eras while in graduate school at Yale, including Richards' quashing of Simpson's all-male "Hamlet"; his ongoing development of the play "Benten Kozo" across multiple productions; his years as a freelancer at theatres including Williamstown and Hartford Stage; his forays into commercial runs both successful ("Nixon's Nixon") and incomplete ("Citizen Tom Paine"); why The Flea's central tenets included clean dressing rooms for the actors and bathrooms for the patrons; the company's ongoing relationship with playwrights, notably A.R. Gurney; and how the 9/11 tragedy nearly closed the theatre and then, largely thanks to "The Guys", spurred it into a new era; whether the presence of stars at The Flea, including Simpson's wife Sigourney Weaver, as well as John Lithgow and Marisa Tomei, has given them a profile beyond that of the customary downtown house; and why The Flea's resident young company, The Bats, forces the theatre to keep moving on to new challenges. Original air date - November 3, 2010.

John O'Keefe, playwright, director and solo performer, is one the originators of The Blake Street Hawkeyes in Berkeley, California. He was one of the leaders of experimental theatre in the Bay Area in the early 1970's and has continued leading ever since. He recently performed Walt Whitman's Song of Myself first at the Public Theatre in NYC and during the summer of 2007 at The Marsh in San Francisco where he will continue performing it in September 2007. In the first part of the interview, O'keefe talks about his origins in theatre at The Iowa Theatre Lab. He references music innovators such as John Cage, Luciano Berio and Karlhainz Shtockhausen as well as theatre innovator Jerzy Grotowski, a Polish theatre director and major innovator of 20th century theatre.Part 1 - Growing Up in the MidWest (4:51)Part 1 - Very Close to CD-Quality MPEG-4 (Broadband) (6.7M)Part 1 - High Quality MPEG-4 (ISDN) (3.4M)Part 1 - Highest Quality MPEG-4 available for Dial_up (1.7M) In the second part of the interview, O'Keefe continues his work as a Blake Street Hawkeye. Also mentioned is The Magic Theatre of San Francisco, David Schein and Bob Ernst who were other originator members of The Blake Street Hawkeyes and George Coates who started Performance Works.Part 2 - Coming to California (7:49)Part 2 - Very Close to CD-Quality MPEG-4 (Broadband) (10.9M)Part 2 - High Quality MPEG-4 (ISDN) (5.5M)Part 2 - Highest Quality MPEG-4 available for Dial_up (2.8M)