River in southern India
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In this episode, we listen to the distressed response to an accusation, as depicted in Sangam Literary work, Aganaanooru 186, penned by Paranar. The verse is situated amidst the lush lotus-filled ponds of the ‘Marutham’ or ‘Farmlands landscape’ and portrays the beauty and wealth of an ancient town. வானம் வேண்டா வறன்இல் வாழ்க்கைநோன் ஞாண் வினைஞர் கோள் அறிந்து ஈர்க்கும்மீன் முதிர் இலஞ்சிக் கலித்த தாமரைநீர்மிசை நிவந்த நெடுந் தாள் அகல் இலைஇருங் கயம் துளங்க, கால் உறுதொறும்பெருங் களிற்றுச் செவியின் அலைக்கும் ஊரனொடுஎழுந்த கௌவையோ பெரிதே; நட்பே,கொழுங் கோல் வேழத்துப் புணை துணையாகப்புனல் ஆடு கேண்மை அனைத்தே; அவனே,ஒண் தொடி மகளிர் பண்டை யாழ் பாட,ஈர்ந் தண் முழவின் எறிகுணில் விதிர்ப்ப,தண் நறுஞ் சாந்தம் கமழும் தோள் மணந்து,இன்னும் பிறள் வயினானே; மனையோள்எம்மொடு புலக்கும் என்ப; வென் வேல்,மாரி அம்பின், மழைத்தோற் பழையன்காவிரி வைப்பின் போஒர் அன்ன, என்செறிவளை உடைத்தலோ இலெனே; உரிதினின்யாம் தன் பகையேம்அல்லேம்; சேர்ந்தோர்திரு நுதல் பசப்ப நீங்கும்கொழுநனும் சாலும், தன் உடன் உறை பகையே. We go on a trip full of twists and turns as we listen to the words of a courtesan, said in the earshot of the lady’s friends, conveying a pointed message about the man to the lady: “Leading a life without any poverty, one that seeks not the favour of the skies, fisherfolk pull their sturdy nets woven with strong threads, knowing the catch is caught, in the ponds, brimming with fish. The tall-stalked, wide leaf of the flourishing lotus that floats atop the waters of the dark pond, flutters, when touched by the wind, akin to the swaying ear of a huge elephant, in the town of the lord. The rumours that have risen about my relationship with him is huge indeed; Whereas the extent of his affection for me is only akin to the act of holding on to a raft of thick-stemmed reeds, when playing in the river stream; As maiden wearing shining bangles sing along to the tune of the ancient lute, as moist and cool drums are struck with sticks, the man's shoulders, wafting with the scent of cool and fragrant sandalwood, would now be embracing another woman, he's entranced with. They say his wife is furious with me; Akin to the town of Po-or, watered by the gushing Kaveri, ruled by Palaiyan, renowned for his cloud-like shields, rain-like arrows and white spears, are my beautiful bangles. I have not broken my bangles in anger; Honestly, I'm not her enemy; The one who parts away, leaving the fine foreheads of those he united to be filled with pallor, that rich lord is the right person to be called as the enemy, one within her own abode!” Time to fish in the ponds of this lush landscape! The courtesan starts with a description of the man’s town, and to do that, she brings forth a certain community of people, whom she describes as leading a life that does not know poverty, for they are fisherfolk and they don’t have to depend on the skies for their wealth and prosperity, a statement which implicitly contrasts them with another group of people in that landscape, those who follow the occupation of farming. After that philosophical statement about their work, the courtesan zooms on to the sturdy nets in their hands and the way they are hauling the fish by pulling their nets out of the ponds. She describes these ponds as brimming with water, filled with lotus flowers and leaves, whose movement in the breeze, she specifically places in parallel with that of the swaying ears of a huge elephant. After that picturesque description of the man’s town, the courtesan turns her attention to the man himself and describes how gossip about her relationship with him had spread all around town. But in reality, the way the man had treated her was nothing more than how someone would hold on to a raft, made of strong reeds, when playing in the gushing river stream, and then abandoning it, once they are done with their play. She reveals how at the very moment the man was enjoying the company of some other courtesan, embracing her and dancing to the songs of the maiden, accompanied by the music of ancient lutes. The courtesan goes on to talk about what she has just heard, about how the man’s wife, was mad at her, when he was romping around elsewhere. She then describes a rich and handsome town, one called ‘Po-or’, ruled by a chieftain named Pazhaiyan, renowned for his battle-efficient army of spears, arrows and shields. She has summoned this town only to place it in parallel to her own bangles. She talks about how the lady’s anger had not made her break those bangles of hers in oath and fury. The courtesan concludes by pointing out that the real enemy of the lady was not her, but the lady’s own husband, the lord of the town! A perfect illustration of a place where men are few, and where power and wealth accumulates in their very hands. The striking aspect of this verse is the way it tells us to pause in our moments of anger and consider who is to be blamed truly. Often, we avoid blaming ourselves or those close to us, and instead direct the anger at those others, whom we think are the cause of our troubles! Just the way this courtesan points out, it would bring great clarity to ponder on the question, ‘Who is the enemy here?’
Welcome to The Eagle's View!This is where you can listen to the students of Emerson School in Ann Arbor, Michigan soar. Join 4th graders Naomi and Kaveri as they host this episode. You will hear about The NBA Trade Deadline, Shaq, Russell Westbrook, Barry Sanders, 5th Grade Open Market and as always, The Joke of the Week!Thank you for listening to The Eagles View. Be sure to like, follow, and share our podcast with your friends and family.And don't just listen—leave us a comment! We'd love to hear your thoughts, your favorite part, or even your own joke of the week.New episodes come out every Wednesday—even during summer break., plus The Eagle's View Presents every Monday and Story Tellers on FridayBe sure to check out our new merchandise on The Emerson School Store website below.https://apparelnow.com/emerson-school-store-apparel/Follow on social media too!https://www.facebook.com/theemersonschool/https://www.instagram.com/emersonschool/Thanks for hanging out with us, and remember—Eagles always soar!
In this episode, we perceive the resolution of a dilemma, as depicted in Sangam Literary work, Aganaanooru 181, penned by Paranar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse links a battlefield and a place of prominence in the ancient world. துன் அருங் கானமும் துணிதல் ஆற்றாய்,பின் நின்று பெயரச் சூழ்ந்தனைஆயின்,என் நிலை உரைமோ நெஞ்சே! ஒன்னார்ஓம்பு அரண் கடந்த வீங்கு பெருந் தானைஅடு போர் மிஞிலி செரு வேல் கடைஇ,முருகு உறழ் முன்பொடு பொருது களம் சிவப்ப,ஆஅய் எயினன் வீழ்ந்தென, ஞாயிற்றுஒண் கதிர் உருப்பம் புதைய ஓராங்குவம்பப் புள்ளின் கம்பலைப் பெருந் தோடுவிசும்பிடை தூர ஆடி, மொசிந்து உடன் பூ விரி அகன் துறைக் கணை விசைக் கடு நீர்க்காவிரிப் பேர் யாற்று அயிர் கொண்டு ஈண்டி,எக்கர் இட்ட குப்பை வெண் மணல்வைப்பின் யாணர் வளம் கெழு வேந்தர்ஞாலம் நாறும் நலம் கெழு நல் இசை,நான் மறை முது நூல் முக்கட் செல்வன்,ஆலமுற்றம் கவின் பெறத் தைஇயபொய்கை சூழ்ந்த பொழில் மனை மகளிர்கைசெய் பாவைத் துறைக்கண் இறுக்கும்மகர நெற்றி வான் தோய் புரிசைச்சிகரம் தோன்றாச் சேண் உயர் நல் இல்புகாஅர் நல் நாட்டதுவே பகாஅர்பண்டம் நாறும் வண்டு அடர் ஐம்பால்,பணைத் தகைத் தடைஇய காண்பு இன் மென் தோள்,அணங்குசால் அரிவை இருந்தமணம் கமழ் மறுகின் மணற் பெருங் குன்றே. In this long trip to the drylands, it’s more of a travel to other spaces, as we listen to the man say these words to his heart, in the middle of his journey through the domain, seeking wealth: “If you don't have the courage to cross this formidable and inaccessible jungle, and instead you wish to stand behind me, looking to leave, then go and tell about my state, O heart! The battle-worthy, victorious Mignili, who has a huge army that has crossed many a soaring enemy fort, crossed spears with Aay Eyinan, who fought with the courage of God Muruku, making the battlefield redden. When Aay fell in battle, preventing the heat of the sun's shining rays from touching him, a huge flock of birds flew in formation together, high up, with a thunderous uproar, hiding the sky entire. Later, these birds flew and rested in the flower-filled shore of the great River Kaveri, which brings along huge quantities of fine silt, turning them into heaps of white sand. Nearby, is a place filled with prosperity and ruled by wealthy kings, and happens to be ‘Aalamuttram', where the Three-Eyed Lord, composed the four ancient scriptures, whose abundant fame spreads around the world. In the picturesque orchards, filled with ponds here, maiden from households craft handmade statues and place on the river shore, where those birds would arrive and rest. This unfolds in the good country of Puhaar, decked with sky-soaring forts, fluttering with fish flags, whose tops cannot even be seen, so tall are the mansions! Here, with five-part, thick, braided, bee-buzzing tresses, wafting with the scent of merchants' products in the streets of Puhaar, with curving delicate arms, pleasing to the eyes, akin to bamboos, like a divine spirit, she waits for me, upon a sand hill, wafting with the scent of the fragrant streets nearby.” Time to catch the conversation between the man and his heart! The man starts with a hidden rebuke to his heart because it wants to leave the man and turn back. He does this by giving it permission to go speak about his state to his beloved. Then, he goes on a tangent, and talks about the battle between Aay Eyinan and Mignili, we have seen in other verses, repeating the victory of Mignili and the defeat of Aay Eyinan, and stressing on how birds flew in formation and prevented the sun’s rays from touching the fallen body of Aay Eyinan, indicating what a lover of birds he had been, in his lifetime. Then apparently, these birds would fly to a particular shore and rest there, which happens to be on the Kaveri river, near a famous place called Aalamuttram, with the religious significance of a God called the ‘Three-Eyed One’, interpreted as God Siva, said to be the very place, where he composed the ancient scriptures. Another marker of this river shore are the hand-made statues carved by married women. Then, the man explains this river shore is in the renowned country of Puhaar, known also as ‘Kaveripoompattinam’ or ‘Poompuhar’. And such is the fragrance of the streets, wafting with the scent of the many products sold by merchants. Not only are the birds from that battlefield resting here, but the man’s beloved, characterised by her abundant tresses , bamboo-like arms, is also waiting right there, on a sand hill, wafting with the scents of the town, yearning for his return, the man concludes. The technique of separating the heart from oneself to find motivation in times of hardship is illustrated at the core of this verse. This natural method, which we have seen in many verses, is very much in line with modern psychological principles, which advocate a detachment from troubling thoughts and disturbing feelings and seeing them for what they are, to handle them in the right way. Yet again, this is subtle proof that the Sangam folks were masters of the mind!
In this episode, we listen to words of consolation rendered to allay anxiety, as depicted in Sangam Literary work, Aganaanooru 177, penned by Seyaloor Ilampon Saaththan Kotranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the victory of a king and the beauty of a lady. தொல் நலம் சிதையச் சாஅய், அல்கலும்,“இன்னும் வாரார்; இனி எவன் செய்கு?” எனப்பெரும் புலம்புறுதல் ஓம்புமதி சிறு கண்இரும் பிடித் தடக் கை மான, நெய் அருந்துஒருங்கு பிணித்து இயன்ற நெறி கொள் ஐம்பால்தேம் கமழ் வெறி மலர் பெய்ம்மார், காண்பின்கழை அமல் சிலம்பின் வழை தலை வாடக்கதிர் கதம் கற்ற ஏ கல் நெறியிடை,பைங் கொடிப் பாகற் செங் கனி நசைஇ,கான மஞ்ஞைக் கமஞ்சூல் மாப் பெடைஅயிர் யாற்று அடைகரை வயிரின் நரலும்காடு இறந்து அகன்றோர் நீடினர் ஆயினும்,வல்லே வருவர்போலும் வெண் வேல்இலை நிறம் பெயர ஓச்சி, மாற்றோர்மலை மருள் யானை மண்டுஅமர் ஒழித்தகழற் கால் பண்ணன் காவிரி வடவயின்நிழற் கயம் தழீஇய நெடுங் கால் மாவின்தளிர் ஏர் ஆகம் தகை பெற முகைந்தஅணங்குடை வன முலைத் தாஅய நின்சுணங்கிடை வரித்த தொய்யிலை நினைந்தே. In this trip to the drylands, we get to hear the confidante say these words to the lady, when the man continues to remain parted away, having left in search of wealth: “Ruining your old beauty, you worry day after day, saying, ‘He still has not returned. How can I bear this?”. Please stop this great lament of yours! He has left to the drylands path, filled with huge stones, sweltering in the heat of the sun's rays, which scorch the tops of laurel wood trees, in those spaces by the mountain slopes, decked with bamboos, pleasing to the eyes, where desiring the red fruit of the bitter gourd, growing on green vines, a huge, pregnant jungle peafowl, cries aloud, akin to the ‘vayir' horn on the banks of the ‘Ayiri' river. Your oil-moistened, well-tied, five-part braid is akin to the curving trunk of a huge female elephant with small eyes. Even though he is delayed, he will return soon to adorn these tresses of yours, with honey-fragrant, colourful flowers. The great Pannan, who wears warrior anklets, is renowned for changing the hue of his leaf-tipped white spear and destroying the enemy's elephants, akin to mountains, in the battlefield. To the north of his domain of the ‘Kaveri' river, there stands a tall-trunked mango tree, rendering its shade to a huge pond. Akin to a tender leaf of this tree, is your tormenting bosom. Dreaming about covering the pallor spots that spread on this beautiful bosom of yours with ‘thoyyil' paintings, he shall return soon indeed!” Let’s brave the heat and walk the drylands path to learn more! The confidante starts by describing the lady’s current state of pining for the man, worrying incessantly about how he has not returned, ruining her health. She asks the lady to give up this worry of hers, and then goes on to describe the hot drylands path, by the mountains, that the man walks, where he can hear the cry of a pregnant peahen, which he describes as sounding like a ‘vayir’ horn on the banks of a river. This is excellent material for makers of ancient musical instruments for though the ‘vayir’ is no more, the world still has peahens and it gives hope to recreate the music of the past. Returning, we find the confidante describing the lady’s thick tresses, which she equates to an elephant’s trunk! Imagine the thickness of that braid, to be characterised as such! Looks like it was a blessed time for women’s hair, without the ubiquitous chemicals and pollutants that destroy the health of many a modern woman’s locks. The confidante has mentioned that the man cannot keep away from the beauty of these tresses and that he would indeed return soon to adorn it with the choicest of fragrant and vibrant flowers. Then, the confidante goes on to talk about how King Pannan quelled his enemy’s elephants in the battlefield, reddening the leaf tip of his spears. She has summoned this king only to say the River Kaveri was part of his domain, and there was a lush mango tree, to the north of this river, by a fertile pond, and she goes on to equate the tender leaf of this particular tree to the beautiful bosom of the lady, which would no doubt torment the man, no matter where he was. With the additional promise that the man would want to return and adorn the pallor spots on the lady’s bosom with thoyyil paintings, the confidante concludes her words to her friend! In essence, the confidante is saying, ‘How can the man forget your beauty and stay away?’.’Like a force of nature, it will pull him back to your fold’, the friend promises. The reference to a king’s exploits in the battlefield and then the trip to a mango tree in his domain was an unexpected turn of events. Intriguing to reflect on the creativity of Sangam poets, who could connect vastly disparate things like majestic valour in the tangible reality of a battlefield to intimate beauty in the tender abstraction of relationships!
How is that India, a country capable of sending probes to the dark side of the Moon, still struggles to build a fighter jet engine? With the deliveries of the Tejas Mk1A delayed due to supply chain issues with the GE F404 engines, the spotlight is back on India's critical vulnerability: we don't have a heart for our fighter jets. In this episode of In Our Defence, host Dev Goswami and defence and national security expert Sandeep Unnithan sit down to demystify the magic of jet engine technology. From the "Suck, Squeeze, Bang, Blow" basics to the high-tech world of Single Crystal Blades and metallurgy that operates above melting points, the two break down exactly why this technology is the exclusive domain of just a handful of nations. The episode also digs deep into the history of the DRDO's Kaveri engine project. Was it really a failure and was putting it on the backburner a mistake? Plus, what can we expect from the upcoming mega-deal with France's Safran for the AMCA's engine? Tune in! Produced by Taniya Dutta Sound mixed by Aman Pal
Kaverin puolesta kyselen – vai kyselenkö? Suvi miettii, että onko tämän päivän kysely avuttomasta työkaverista kuitenkin tullut itse Eskolta vai onko kyseessä kuulijan oikea huoli. Kaksikko käy läpi parhaat vinkit avuttomien työkavereiden käsittelyyn ja pohtivat pitäisikö tilanteessa kääntyä heti esimiehen puheille. Lähetä oma Kaverin puolesta kyselen -viestisi osoitteessa https://www.radionova.fi/ohjelmat/radio-novan-iltapaiva / Päivittäin vaihtuva KPK-aihe käydään aina maanantaista torstaihin noin klo 14 jälkeen Radio Novan taajuudella.
Welcome to The Eagle's View!This is where you can listen to the students of Emerson School in Ann Arbor, Michigan soar. Join 4th graders Claire and Kaveri as they host this episode. Before we start 2026 we need to go back and highlight some of the best segments of 2025 and as always, The Joke of the Week!Thank you for listening to The Eagles View. Be sure to like, follow, and share our podcast with your friends and family.And don't just listen—leave us a comment! We'd love to hear your thoughts, your favorite part, or even your own joke of the week.New episodes come out every Wednesday—even during summer break., plus The Eagle's View Presents every Monday and Story Tellers on FridayBe sure to check out our new merchandise on The Emerson School Store website below.https://apparelnow.com/emerson-school-store-apparel/Follow on social media too!https://www.facebook.com/theemersonschool/https://www.instagram.com/emersonschool/Thanks for hanging out with us, and remember—Eagles always soar!
Welcome to The Eagle's View!This is where you can listen to the students of Emerson School in Ann Arbor, Michigan soar. Join 4th grader Kaveri as she hosts this episode. This week you will hear about Art Thieves, Cleveland Cavs, LeBron James, Honeybee Superfoods, Sea Creatures and as always, The Joke of the Week!Thank you for listening to The Eagles View. Be sure to like, follow, and share our podcast with your friends and family.And don't just listen—leave us a comment! We'd love to hear your thoughts, your favorite part, or even your own joke of the week.New episodes come out every Wednesday—even during summer break., plus The Eagle's View Presents every Monday and Story Tellers on FridayBe sure to check out our new merchandise on The Emerson School Store website below.https://apparelnow.com/emerson-school-store-apparel/Follow on social media too!https://www.facebook.com/theemersonschool/https://www.instagram.com/emersonschool/Thanks for hanging out with us, and remember—Eagles always soar!
Järvien ja meren jäätyminen kutsuu talvikalastajia pilkille, täkypyyntiin ja myös verkoille. Ohuilla jäillä liikkumiseen sisältyy aina vaaran paikkoja. Naskalit useimmilla jäällä liikkujilla on jo mukanaan. Kaksin on aina turvallisempaa jäällä, kun muistaa tietyt seikat. Myös pukeutumisella on väliä. Pelastus- ja paukkuliivit eivät kuulu jäälle, sillä sen sijaan ne saattavat vaikeuttaa jopa jäistä nousemista.Talvikalastuksen jääturvallisuudesta toimittaja Anssi Leppäsen kanssa keskustelemassa ovat Suomen uimaopetus- ja hengenpelastusliiton vesiturvallisuusasiantuntija Anne Hiltunen ja talviverkoilla kalastava Jari Lind. Podcastissa myös vinkit jäistä pelastautumisen harjoitteluun.Kalastajan Radion mahdollistaa Maa- ja metsätalousministeriö ja kalastonhoitomaksuvarat.
Hello listeners, in today's episode we important it is to do work done smartly - a skill that can help you convert any situation to a favourable one. Stay tuned to know more...Story taken from the book - Grandmas Bag of Stories by Sudha MurthyDon't forget to tune in next week for a new episode :)
Welcome to The Eagle's View!This is where you can listen to the students of Emerson School in Ann Arbor, Michigan soar. Join 4th grader Kaveri as she hosts this episode. This week on The Eagle's View we're giving the mic to some of our youngest creators — our amazing second graders! Join them along with some of your other favorite Eagle's talking about soccer, extreme weather and as always, The Joke of the Week!Thank you for listening to The Eagles View. Be sure to like, follow, and share our podcast with your friends and family.And don't just listen—leave us a comment! We'd love to hear your thoughts, your favorite part, or even your own joke of the week.New episodes come out every Wednesday—even during summer break., plus The Eagle's View Presents every Monday and Story Tellers on FridayBe sure to check out our new merchandise on The Emerson School Store website below.https://apparelnow.com/emerson-school-store-apparel/Follow on social media too!https://www.facebook.com/theemersonschool/https://www.instagram.com/emersonschool/Thanks for hanging out with us, and remember—Eagles always soar!
15 अगस्त को लाल किले से दी जाने वाली पीएम स्पीच देश के लिए एक बड़ा इवेंट होता है. सबकी नज़र रहती है कि इस भाषण में कौनसा शब्द कितनी बार बोला गया? इस साल इसी भाषण में पीएम मोदी ने कहा कि “भारतीय फाइटर जेट्स को ज़रूरत है भारतीय इंजन की.” और फिर से सोशल मीडिया पर बात होने लगी कि यार… था तो सही एक स्वदेशी इंजन जिसकी दुहाई देकर अक्सर कहा जाता था कि भारत जेट बनाने के मामले में भी स्वदेशी बन जाएगा. ये नाम है- कावेरी इंजन. 1986 में इसे बनाने की शुरुआत हुई मगर अब तक कोई भारतीय जेट ऐसा नहीं उड़ा जिसका इंजन पूर्णत: भारतीय हो. तो कब होगा ये सपना पूरा? पढ़ाकू नितिन के इस एपिसोड में हमने बात की कावेरी इंजन पर और डिफेंस एक्सपर्ट संदीप उन्नीथन से समझा कि आखिर कावेरी इंजन को पूरा करने में दिक्कत क्या है? क्या फैक्टर्स हैं जो इसे अब भी नहीं बनने दे रहे. ये इतना ख़ास क्यों है और कुछ बेसिक सवाल भी कि आखिर एक जेट इंजन काम कैसे करता है. प्रड्यूसर: मानव देव रावतसाउंड मिक्स: रोहन भारती
Kaveri Camire, the Chief Marketing Officer (CMO) of DXC Technologies, to delve into the multifaceted world of B2B marketing. Kaveri shares her impressive 20-year career journey at IBM and the significant transition to her current role. The conversation explores various themes, including brand positioning, international marketing, corporate culture, and the adoption of AI in marketing strategies. Kaveri emphasises the importance of building personal and professional narratives and how that helps frame new market categories. The discussion covers her hands-on approach to team building, the challenges of navigating large organisations, and her methodologies for driving growth and innovation through data-driven decisions. Kaveri also touches upon notable client partnerships, the intrinsic value of human connection in business, and the power of effective storytelling. 05:00 Lessons from IBM: Innovation, Global Operations, and Market Categories 08:30 Kaveri's Role at DXC Technologies: Brand Positioning and Growth10:00 Navigating Large Organizations: The Power of Humility and Networking 14:50 Experimentation in Marketing: Start Small and Scale 18:30 The Importance of Face-to-Face Meetings: Learning from Global Teams 22:50 Getting to Know the Company: Aligning with Sales and Offering Leaders 28:30 Customer Relationship Management: Listening and Innovating [30:00] Real-world Applications: Success Stories with Key Clients 36:00 Business Value of Sponsorships: Client-led Value in Partnerships 42:02 Strategic partnerships and sponsorships45:38 Challenges and advice for CMOsDon't forget to like, share, and subscribe to help us reach a wider audience! Hosted on Acast. See acast.com/privacy for more information.
India's defence ecosystem needs a refined approach to fighting the next generation of battle, and that needs a vision for developing next-gen jet engines. In this episode of All Things Policy, Avinash Shet and Anushka Saxena discuss India's fighter jet engine ecosystem and the challenges facing the LCA Tejas and Kaveri engine programmes. Avinash also sheds light on how to approach co-production partners in the US, South Korea, and Japan, and why the government needs a holistic strategy to leverage the Indian private sector's jet engine innovation and component production capabilities.'Introduction to Geospatial Science & Technology' - Join our 4-weekend expert capsule course starting June 14, designed to give you a solid foundation in geospatial science and technology— without disrupting your weekdays. Learn from top-notch experts covering critical topics and discover how geospatial tech can drive innovation across disciplines. Apply by June 7 - school.takshashila.org.in/ecc-geospatialAll Things Policy is a daily podcast on public policy brought to you by the Takshashila Institution, Bengaluru.Find out more on our research and other work here: https://takshashila.org.in/...Check out our public policy courses here: https://school.takshashila.org.in
A version of this essay was published by the Deccan Herald at https://www.deccanherald.com/opinion/op-sindoor-how-we-won-and-lost-3566189There are no clear wins in wars these days, especially when terrorizing populations, or nuclear blackmail, is the goal. Pakistan's war manual may well be The Quranic Concept of War (1979) by Brigadier S K Malik, with its pithy statement: “Terror struck into the hearts of the enemies is not only a means, it is the end itself… Terror is not a means of imposing a decision on the enemy; it is the decision we wish to impose on him.” Notably, this book has a forward from General Zia-ul-Haq, their then President.In War From the Ground Up (2012), Emile Simpson, a former British Army officer, argues that modern wars often lack binary outcomes due to their political and informational complexity. Thus you could both win and lose a war, and that's what Operation Sindoor's outcome is.On the plus side, India won a clear military victory. India leveraged its integrated air defense, long-range missiles, global positioning satellites and drone decoy technology to achieve aerial dominance. This enabled India to make pinpoint strikes, unchallenged, first on terrorist enclaves, and then on Pakistani military sites, including, it is said, nuclear storage silos.India surprised most observers, because it was not only through expensive imported fighter jets that it deprecated Pakistan's offensive capabilities, but also indigenous drones, loitering munitions and cruise missiles. India needs strategic autonomy, because foreign suppliers, and supply chains, are not dependable. They keep the kill switches, and can turn off the spigot.India may well have ushered in a step-change in modern warfare itself, an age where drones and missiles tilt the balance rather than fighter jets, although the latter continue to remain key. Maybe it is sufficient to have slightly less advanced jets like the Tejas and the upcoming AMCA rather than procuring top-end F-35s, Su-57s etc. But there is a caveat: fighter jet engines. India must get its Kaveri engine working, for self-reliance.India also established strategic red lines: terrorist attacks will henceforth invite disproportionate and military retaliation because there is a military-terrorist nexus, with Pakistani soldiers cosplaying as terrorists, exchanging uniforms for long shirts, loose pants and beards, as a way of sub-critical harassment with plausible deniability.Furthermore, Pakistan's nuclear threat has been defanged. India's ability to hit their nuclear command center and two of the entrances to their storage facility in the Kirana Hills, suggest that their nuclear assets, if any, are disabled. Besides, there are rumors that warheads are not in Pakistani hands, but American or Chinese. That stands to reason, because otherwise Pakistan would likely have proliferated them to Iran, Turkey and non-state actors such as Hamas.So what are the negatives? The biggest is that this skirmish has not put even a dent in Pakistan's use of terrorism as state policy. Indeed, the next encounter with terrorists has already taken place in Kishtwar on May 22nd, exactly one month after Pahalgam, with one Indian soldier killed. Terrorism and war with India continue to be the raison d'etre of the Pakistani state.India comprehensively lost the narrative war. Operation Sindoor is portrayed in the Western media on Pakistan's terms (including the usual bogey of ‘nuclear war'), and their claims of shooting down 5-6 Indian jets are accepted as the truth. Many Pakistanis are embedded in Western media outlets, and that is not accidental. As they say, you can wake up a sleeping person, but not someone who is pretending to be asleep.In that sense, the all-party delegation visiting various capitals is an exercise in futility, because the West is not interested in India becoming a peer-level competitor: the G2 with China is bad enough, who wants a G3 with India as well? Also, just as the EAM told Europe that their (Ukraine) problem is a European problem, the West sees India's problems as not theirs.Pakistan's ability to internationalize the issue is a failure for India's stance that Kashmir is a bilateral issue. Fortunately, nobody actually cares, including the UN or its Security Council.A major failure for India was that it could have, but did not, capture any territory, which would have been a devastating blow to Pakistan's amour propre, and would have made “Field Marshal” Munir a laughing stock. India errs on the side of caution, and a large-scale intrusion does have problems with hostile civilians and stretched supply lines.But surely the Haji Pir Pass could have been recaptured: it was needlessly given away in Tashkent in 1966. It is a major route of infiltration for terrorists, its commanding heights dominate Pakistan-occupied Kashmir, and it cuts the Uri-Poonch distance from 282km to 56km.Alas, a resounding military victory has been morphed into a stalemate.795 words, May 27, 2025AI-generated podcast from notebookLM.google.com: Now AI-generated podcast in Malayalam from the same: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe
Episode 052 | Dr. Kaveri Karhade, MD, FAAD is a board-certified dermatologist in San Francisco, CA who specializes in treating acne, hair loss, and pigmentation concerns especially in patients with skin of color. She also focuses on advanced techniques in cosmetic dermatology, using lasers and devices to treat nearly any medical or cosmetic skin concern, in all skin types. Dr. Karhade believes in keeping skin youthful and clear using minimal interventions. She aims to dispel misinformation through her presence on social media and has been featured in numerous media outlets including Forbes, Women's Health, and Allure.Part of how Dr. Karhade delivers exceptional experiences and results to her patients is attributable to the "direct care" model that she has chosen for her practice. It's remarkable what can happen when you kick self-interested, for profit health insurance companies out of the space between you and the people you're trying to serve. If you've ever been curious about starting or joining a direct care practice, this episode is for you.Connect with and learn from Dr. Karhadekarhademd.comInstagramTik TokMore from Dr. Lewellis and Above & Beyond DermatologyNeed a dermatologist? Fill out this short interest form, text or call me at 715-391-9774, or email me at drlewellis@aboveandbeyondderm.com if you'd like to have a no obligation discovery call. I offer in-office visits, house calls, and virtual care in Wisconsin and virtual care in Illinois, Nebraska, and Colorado.Have an idea for a guest or want to be on the show yourself? Send me a text or email, and we'll see if it's a good fit.Above & Beyond DermatologyNutrafol -- special pricing and physician exclusive productsNeoGenesis -- my favorite source of stem cell released molecules for skin/hairSilagen.biz -- physician dispensed scar refinement products delivered to your door (use practice code 1206240832P)NewsletterLinkedInFacebookDr. Lewellis on InstagramAbove & Beyond Dermatology on InstagramYouTubeTikTokTwitter/XChange Your Mind, Change Your LifeSoMeDocs (Doctors on Social Media)Pippa!
India s Big Step Ahead - Modi to Approve Kaveri Engine Fund! | All About Kaveri Engine |SanjayDixit
A version of this essay has been published by firstpost.com at https://www.firstpost.com/opinion/shadow-warrior-india-fights-alone-narrative-wars-western-gaslighting-and-a-missed-opportunity-13891339.htmlFrom the 1st of May until the 20th I was traveling in the US, and thus had to depend on western media (mostly Twitter/X) for news about Operation Sindoor and the aftermath. It was self-evident that there was no point in reading things like the NYTimes, Wapo, the Economist, etc. because one look at their headlines confirmed that they were “manufacturing consent”.Soft PowerGiven the difference in X posts that I read in the US and those in India, I think the algorithms were deprecating posts for me in ways that are hard to detect. In other words, there is a narrative war where India has no say, but lots at stake. India's soft power is seriously wanting. Joseph Nye, the academic who popularized that phrase, passed away this week: following in his footsteps, it behooves India to make a concerted attempt to improve its story-telling.It faces an uphill battle, because Western, especially American, media has shown an ability to gaslight at scale in three major stories in the recent past: the COVID panic, the “Trump-is-a-Russian-stooge” meme, and the “Biden is mentally sharp as a tack” story. They are good at it, have no love lost for India, and so India needs a long-term plan to get its own propaganda story out, for instance developing an Al-Jazeera-style global footprint or an X-style social medium.The entire Western narrative, for self-serving purposes, continues to be against India, for good reason: they do not wish to see India grow into a peer-level competitor at the G3 level. In this, both China and the West are of one mind, and it shows. Besides, the West has every incentive to try to block India from becoming a major arms exporter: they would prefer India to continue to be one of the biggest importers, preferably from them.Narrative warfare is a Western specialty, as I said in Information Warfare, Narrative-Building: That Kind of Warfare. In addition to kinetic warfare, India needs to up its game here too. Narratives have real-life consequences.The Pakistanis have been quite successful in their own narratives, riding on Western media: here is an example from the Nikkei (which owns the Financial Times) from a Pakistani journalist. This is typical of the stories created by Pakistanis and amplified by western media: basically that India took a major hit, with five or six high-end aircraft downed by Pakistani/Chinese weaponry. The story was repeated so many times that it essentially became the Truth.A step change in aerial warfareMy personal belief is that India won a victory on the ground and in the air, humiliating Pakistan, attacking it at will and exposing its Chinese armaments as below-par. Some thoughtful neutral experts support this view: See Calibrated Force and the Future of Indian Deterrence. India also demonstrated surprising competence in the new age of electronics-based warfare. It may no longer be expensive fighter jets (and by extension, aircraft carriers) that tilt the balance, but missiles, drones and integrated air defense.This must be emphasized. There are periodic step-functions in warfare that render earlier, victorious technologies/processes less valuable: this is similar to disruptive innovation, where the ‘insurgent' firm nullifies the apparent advantages of the ‘incumbent' firm. Often that means a point of inflection. An example is the arrival of the longbow in medieval times that made hitherto unstoppable heavy cavalry stumble. Another is the arrival of air power itself.Today there may be another point of inflection. Experts have suggested that warfare going forward will be software-driven, including drone swarms that can autonomously reshape their formations (reminiscent of the murmurations of flocks of starlings). Presumably, there will be plenty of predictive AI built in as well. Given India's poor track record in software products, it was generally assumed that India would not do so well in such a new environment.In reality, there appears to have been a clever integration of indigenous and imported technology to create an “iron dome” of sorts against Pakistan's Chinese missiles, of which an advanced variant, PL-15, was apparently shot down intact.More interestingly, it appears that Lakshya and Banshee drones were programmed to masquerade as Rafales, Sukhois, etc. by emitting their radar signals, thus attracting enemy fire towards themselves. This might explain the claims of five or six Indian aircraft shot down by Pakistan, whereas in reality they may have simply shot down the phantom, mimic dronesThe implications are large: in effect, India was able to attack Pakistan at will: video evidence shows significant damage to terrorist sites in the first round, and to military sites in the second round, including to key Pakistani air bases, as well as, it is said, the entrance tunnel to the nuclear storage facilities in the Kirana Hills. Indian air dominance appears to have forced the Pakistanis to beg for US support to suggest a cessation of hostilities.This skirmish was proof in the heat of battle for India's indigenous weapons, especially the BrahMos (although of course that is a joint venture with Russia). It may result in a number of serious queries from prospective customers especially in Southeast Asia, who will be interested in battlefield performance against Chinese missiles and aircraft. This would be a win for India's arms industry.Conversely, there is a singular sore spot: fighter jets. For a variety of reasons, most especially the fact that the Kaveri engine has not been allowed to complete its testing and development phase, India is still dependent on others for advanced fighters. And this is just fine as far as they are concerned, because the Americans want to sell F-35s, the French want to sell more Rafales, and the Russians want to sell Su-57s.Here's a twitter comment by a military historian who suggests that India's fighter jets are inadequate. He deleted his further comment that indigenization is fine as industrial policy, but it doesn't work for advanced weaponry. This is a typically sniffy attitude towards India, which is grist to the mill for the Chandigarh Lobby's successful efforts to trash local weapons and gain lucrative middleman deals for foreign weapons.Strategic Dilemma: To push on or notThere is also a strategic dilemma. India has an unfortunate habit of wasting its soldiers' hard-won victories at the negotiating table due to bad political calculations. The epitome of this is of course, Indira Gandhi's 1971 give-away of 93,000 Pakistani PoWs in exchange for essentially… nothing. There is some reason to wonder if something similar happened in 2025 as well. A tactical victory was possibly converted into a stalemate, and the old era of hyphenation and the nuclear bogey has returned.What we saw in 2025 was that the Pakistanis were taken by surprise, and India had a massive advantage. But now that cat is out of the bag, Pakistanis and Chinese will regroup and figure out corrective tactics. Thus India has, to use an American expression, “shot its wad”, and the element of surprise is gone forever.The end game for India is the dissolution of Pakistan into four or five statelets, which, one hopes, will then concentrate on Pakistani Punjab as the root of all their troubles. In that case, they will keep each other occupied, and India can live in peace without regular terrorist attacks. Of course, that may be a pipe-dream, given the Ghazwa-e-Hind formula many entertain, but the collapse of the Pakistani state is anyway desirable for India.Should India have continued its offensive? Forget the murky issue of the nuclear assets in Sargodha. Should India have moved the Line of Control forward into some areas, perhaps into Gilgit-Baltistan (with Sharda Peeth and the Kishenganga) and up to the Jhelum River in Pak-occupied Jammu and Kashmir? The problem though, is that once you start moving past the border posts, you have hostile civilians to contend with, and your supply lines start getting stretched.Even though it is tragic to let go of an opportunity to thrash an enemy that's on the back foot, and Pakistan will inevitably use the truce to rearm itself and come back ever stronger (the Treaty of Hudaybiyah is not a meme in the Islamic world for nothing), it is not clear to me what India could have done to militarily make the LOC irrelevant and make Pakistan implode, especially in the context of American pushback.The role of the USWhy was there pressure from President Trump? One of the things I observed during my US stay is the total absence of DOGE and Elon Musk from the headlines after Trump's 100 days, very contrary to their ubiquity early on. Similarly, the security implications of Trump's recent embrace of Syria's President Al-Sharaa contradicts Director of National Intelligence Tulsi Gabbard's views on Syria as evidenced by her tweets. Further, there are U-turns on tariffs.This means Trump is being mercurial as ever. Furthermore, there might be something to the idea that his family's embrace of crypto may have endeared Pakistan – which is making noises about supporting crypto at scale – to him. All this is red-pilling many about Trump. Indeed, he may be allowing short-term, commercial considerations to drive policy, which may return to haunt the US: that is exactly what Clinton, Bush, Obama et al did with respect to China.On the other hand, there are longer-term considerations, too. Pakistan is essentially a Potemkin nation, which has no particular reason to exist, other than it is being propped up. Initially, it was a British project for the Russian Great Game; then it was taken over by the US Deep State in order to fend off the Soviet Union. Pakistan was a “major non-NATO ally” (MNNA) according to Obama if I remember right, and earlier it was a member of CENTO and SEATO.The IMF loan to Pakistan, approved in the middle of the hostilities, is not surprising, either: this has happened before. In a way, it is a complicated money-laundering activity. Funds from somewhere (possibly Qatar) are channeled to Pakistan, which then buys American arms. Thus the Deep State Military Industrial Complex is the winner.With the end of the Afghanistan wars, Pakistan offers no obvious geographic and strategic value to the US. Unless, of course, the target is no longer Russia, but India. Perhaps in anticipation of its being a check on India, the US had helped Pakistan nuclearize, according to this archived article from the NYTimes: US and China Helped Pakistan Build Its Bomb, from a time when it was possibly more truthful. I am indebted to Brahma Chellaney for this link.This may suggest that Pakistan's nuclear ‘assets' are not theirs, but are managed by American crew. On the other hand, though, the greater possibility is that such assets are loaned by China. Pakistan is a fantastic force multiplier for China.Abhimanyu SyndromeThe bottom line, then, is that India is on its own: sort of an Abhimanyu Syndrome, with nobody to help. The most obvious ‘friend' is Japan (because of the China threat), but it is severely constrained by American red lines: see how there was not a murmur from the Quad after Pahalgam. India's very possible rise is in fact encouraging other powers to put it down: grow so much, but no farther.There really is no alternative for India but to industrialize, manufacture everything possible for its large internal market, and increase the level of strategic autonomy in everything it makes: no more dependence on third parties, which may feel free to use kill switches, or deny spares or components at will. In this round, India did surprisingly well with indigenous technology, and it has articulated a strategy of escalating deterrence. To put teeth into this, innovation at home must continue.Here's the AI-generated podcast about this episode from notebookLM.google.com: 1975 words, 22 May 2025 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe
Tänään puhutaan tossutiedustelusta, eli niistä sissihavujutuista! Miksi sissihavu kiinnostaa ihmisiä niin paljon, miksi tiedustelu on tärkeää ja mikä sen tehtävä on modernissa sodankäynnissä?Majuri Aki Kukkonen on Maanpuolustuskorkeakoulun tiedustelun opettaja, joka on ollut tulitaisteluissa Afganistanissa ja käynyt Jenkkiarmeijan arvostetun Ranger-kurssin. Kaveri siis tietää, mistä puhuu!Meidän vedenkestävä Taistelijan vihko on asevelvollisen paras kaveri:https://www.varusteleka.com/fi/product/mighty-finland-modestone-taistelijanlehtio/81749Kaipaatko jeesiä kuntoiluun? Koodilla "Mighty" saat alennuksen Korpitraining treeneistä! (Ja me saadaan pieni siivu)https://korpitraining.fi?bg_ref=s3uUblSTUhMeitä maanpuolustuksen etulinjassa tukee yhteistyökumppanit:Savox - Kriittisen kommunikaation kärkiosaaja - savox.comSavotta - Huikeita kantojärjestelmiä ja muita varusteita maanpuolustukseen ja ulkonaliikkumiseen - Savotta.fiVarusteleka - Reserviläisen karkkikauppa ja meidän luotettu huoltopiste jo vuosien ajan - Varusteleka.fiHaluatko mainostaa podcästissä? Lähettää palautetta? Jopa kehua? Aiheideoita? Laita yhteyskokeilu osoitteeseenInfo@mightyfinland.fi Instagram: @mighty_finland_
In this episode, host Amira Jehia (co-founder of Drip by Drip) speaks with Kaveri from CIVIDEP India, an organization working on labor rights and environmental conditions in the textile industry. They discuss the water crisis in India, especially its impact on female garment workers who endure poor infrastructure, long commutes for water, and limited sanitation access. Kaveri highlights the double burden of factory work and household duties, alongside the severe health consequences for women in the sector. The conversation also covers: Health risks for workers, including menstrual hygiene struggles and the shocking trend of young women opting for hysterectomies to avoid wage loss. How climate change worsens labor conditions, from heat stress to water scarcity. Why factory workers pay twice—once for public healthcare (via wage deductions) and again for private care due to poor public services. India's water management efforts, from rainwater harvesting to grassroots activism. Whether the BRICS alliance could push for stronger worker protections. Host:
Kaveri Madathu Kizhavar by Ka. Na. Subramaniam (Ka.Na.Su.) is a deeply reflective Tamil novel that explores themes of tradition, wisdom, and the passage of time. The title, which translates to "The Old Man of the Kaveri Riverbed," symbolizes the connection between human life and the ever-flowing river, representing change, continuity, and resilience.Through rich storytelling and philosophical depth, Ka.Na.Su. portrays the life experiences of the protagonist, whose wisdom and insights mirror the cultural and historical significance of the Kaveri River. The novel beautifully captures the essence of rural Tamil Nadu, blending folklore, nostalgia, and introspection, making Kaveri Madathu Kizhavar a timeless and thought-provoking literary masterpiece.
आज की पुलियाबाज़ी चोल साम्राज्य के बारे में। यह एकमात्र भारतीय साम्राज्य था जिसने उपमहाद्वीप के बाहर जाकर दक्षिणपूर्व एशिया तक जीत हाँसिल की थी। कोई पूछ सकता है कि 1000 साल पहले के साम्राज्य की कहानी से आज का क्या लेना देना। वैसे इस सवाल का जवाब तो हमारे मेहमान अनिरुद्ध कनिसेट्टी ही चर्चा के दौरान बहुत अच्छे से देते हैं। लम्बे जवाब के लिए तो चर्चा सुननी पड़ेगी। संक्षिप्त में बताएं तो राजनीति और राजनेताओं को बनाने या मिटाने वाली पावर डायनामिक्स चिरकालीन होती है। इतिहास के पन्नों में छुपे चोला साम्राज्य की कहानी से कुछ पाठ आज भी प्रासंगिक लगते हैं।हमारे आज के मेहमान अनिरुद्ध कनिसेट्टी एक बेहतरीन वक्ता हैं और इतिहास को लेकर काफ़ी उत्साही भी हैं। वे आपके दिल और दिमाग में इतिहास के प्रति नया जोश जगा देंगे ये तो पक्का है। तो इस पुलियाबाज़ी को सुनिए और सुनाइए।We discuss:* Expedition to Southeast Asia* How did merchants collude with the Cholas?* How do we know about the Cholas?* The rise of Cholas* The Chola economy* Cholamandalam* Was there a common cultural identity?* Why is Kaveri called Dakshin Ganga?* How did the Tamil merchants navigate?* Why were the Indian kingdoms limited within the subcontinent?* Myths about the CholasAlso, please note that Puliyabaazi is now available on Youtube with video. If you like the work we do, please share it with your friends and family.Books Discussed:Lords of Earth And Sea : A History of The Chola Empirehttps://amzn.in/d/bfyR6EJThanks for reading पुलियाबाज़ी Puliyabaazi! This post is public so feel free to share it.Related Puliyabaazi:अपनी ज़मीन की कहानी। India's Natural History, Puliyabaazi with Pranay Lal #hindipodcastसिंधु घाटी सभ्यता की ख़ासियत | Ancient cities where every house had a bathroomसच की खोज: एक Archaeologist से मुलाक़ात ft. Disha Ahluwalia | Puliyabaazi Hindi Podcast Episode 99If you have any questions for the guest or feedback for us, please comment here or write to us at puliyabaazi@gmail.com. If you like our work, please subscribe and share this Puliyabaazi with your friends, family and colleagues.Website: https://puliyabaazi.inGuest: @AKanisettiHosts: @saurabhchandra @pranaykotas @thescribblebeeTwitter: @puliyabaaziInstagram: https://www.instagram.com/puliyabaazi/Subscribe & listen to the podcast on iTunes, Google Podcasts, Castbox, AudioBoom, YouTube, Spotify or any other podcast app. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.puliyabaazi.in
Pitääkö kaikkia työntekijöitä muistaa tasapuolisesti työsuhteen päätyttyä? Tähän kysymykseen kaivattiin Kaverin puolesta kyselen -osiossa vertaistukea. Esko korostaa muistamisen tärkeyttä ja Suvi miettii syitä eriarvoisuudelle. Kuinka Kimmo Vehviläinen muisti Suvia aikanaan? Kuuntele tästä!
The text of Kuvempu's epic Kannada novel, Malegalalli Madumagalu (1967), and the recent translation, Bride in the Hills by Vanamala Viswanatha (Penguin Random House, 2024), will be discussed by an eminent panel of scholars, writers and the translator. Set in 1893 in the Malnad region of the Western Ghats with its majestic Sahyadri ranges, dense forests, and river Tunga, Kuvempu's Malegalalli Madumagalu (Bride in the Hills) describes the saga of not one young woman but many, of varied hues, who aspire for love and fulfilment in marriage, in a self-serving, male feudal order. An organic network of interrelated stories, the well-known Kannada writer Devanoora Mahadeva locates the novel in the epic tradition of the Mahabharata and Tolstoy's War and Peace. This woman-centric text weaves together the touching plight of young couples in love, such as Gutti and Timmi, from a Dalit community living on the ghats; Aita and Pinchalu, migrant labourers from below the ghats, and Mukundayya and Chinnamma from the land-owning Shudra caste. Fired from within by their love – the most powerful agent of change – these young people seek a life of freedom and dignity, leading to the transformation of the larger community. Their heartening stories are juxtaposed against the travails of hapless Nagakka and scheming Venkatanna, sickly Deyi and brute Chinkra, and gullible Kaveri and lecherous Devayya. All of them are, in different ways, up against the repressive regimes of the decadent landlords, who manipulate traditional feudal practices as well as the modern apparatus of a colonial state. True to its claim as an epic novel, Kuvempu's text with its multiple narrative strands vividly enacts its mission statement in the epigraph: “Here, no one is important; no one is unimportant; nothing is insignificant!” Every sentient and insentient thing – the degenerate Chinkra, orphan Dharmu, Huliya the dog, Biri the cat, the evergreen forest, the Hulikal Peak – has a place and a purpose in this narrative. Imbued with an ecological consciousness, the novel offers a veritable biodiversity register of the Malnad region. Kuvempu presents a ‘view from below', a subaltern perspective which also takes in the world of the wealthy and powerful. Winner of the first Sahitya Akademi award in 1955 and the Jnanpith in 1967, Kuvempu (Kuppali Venkatappa Puttappa 1904-1994) inaugurated the non-brahmin era in modern Kannada writing. Kuvempu's versatile oeuvre includes a vast body of poetry, plays, novels, children's writing, essays and an autobiography. While his poetic epic ‘Shri Ramayana Darshanam' is a radical rewriting of the Valmiki epic drawing from the Jaina tradition, the two novels, The Kanur House (made into a film by Girish Karnad) and Bride in the Hills, are modern novels set in the late 19th and early 20th centuries. Inspired by Tolstoy's expansive canvas and Tagore's unique Indian ethos, this first significant Shudra writer and an iconic figure in Kannada culture, has sculpted an entirely regional epic novel in Bride in the Hills. Image Credits Book Cover: MS Murthy and Jay Gosney Header: A Malnad Landscape, Photo courtesy Girish Kasaravalli Photo of Amit Chaudhuri by Richard Lofthouse/University of Oxford In collaboration with Rashtrakavi Kuvempu Pratishthana, Kuppali (Devangi, Thirthahalli, Shivamogga) In this episode of BIC Talks, Vanamala Viswanathan, Rajendra Chenni, Amit Chaudhuri and Arvind Narrain will be in conversation. This is an excerpt from a conversation that took place in the BIC premises in November 2024. Subscribe to the BIC Talks Podcast on your favorite podcast app! BIC Talks is available everywhere, including Apple Podcasts, Spotify, Google Podcasts, Castbox, Overcast, Audible, and Amazon Music.
This week on Cyrus Says, we have Mani Shankar Aiyar who’s known for his razor-sharp wit and unapologetic honesty, Aiyar offers a rare glimpse into the corridors of power, recounting his journey as a three-term Member of Parliament, India’s first Minister of Panchayati Raj, a UPA cabinet minister, and a Rajya Sabha member. True to form, Aiyar spares no one, not even himself. The panel delves into his candid recollections of political titans like Sonia Gandhi, P.V. Narasimha Rao, Vajpayee, and Manmohan Singh, while also discussing his take on key issues like the BJP’s rise in Indian politics, the Kaveri Water Crisis, and the Harshad Mehta Scam. Through these anecdotes we discover realities of Indian politics and the personal cost of being a non-conformist in a system dominated by conformity. Don’t miss this engaging discussion that brings humor, wit, and sharp insights into the life and times of one of India’s most intriguing political figures.See omnystudio.com/listener for privacy information.
On kiva, jos työpaikan pikkujouluissa on esiintyjä, esimerkiksi stand up -koomikko. Paitsi, jos esiintyjä onkin oma työkaveri, jolla taidot eivät ihan riitä. Miten esitykseen ja siitä aiheutuneeseen myötähäpeään pitäisi suhtautua? Saako baaritiskin puolelle lähteä karkuun, vai täytyykö esitystä jäädä seuraamaan säälistä? Kuuntele koko keskustelu aiheesta tästä!
Päivän agendana meidän kavereille käyneitä noloja juttuja, pääosin aiheet kuitenkin pyörivät ulosteen seassa. Hauskoja ja ajankohtaisia juttuja kuten Habbo Hotel, Cheek-viha ja nuorisoslangitesti vuodelta 2017. Uutisissa kasin aamuja, nikotiinipusseja ja erotiikkaa. Tervetuloa matkaan! Fanipuhelin: 0404416504 (WhatsApp) Tuhannes - TikTok / tuhannes Tuhannes - Instagram / tuhannes 0:00) Alkulätinät(3:21) Habbo-hotel tyttöystävät(6:04) Nuorisokielitesti vuodelta 2017(13:53) Tumen kuulumiset, koulu stresi huolia ja syyskävelyitä(17:01) Johanneksen kuulumiset(17:26) Älkää menkö TikTok mainoksiin(20:05) Tumen näkemä hauska TikTok(23:15) Cheek - viha(26:34) Arvataan klikkiotsikoita(26:55) 1. Klikkiotsikko(27:45) 2. Klikkiotsikko(28:37) 3. Klikkiotsikko(29:45) Ajankohtaisia uutisia!!(29:51) Raastava näky odotti Roosaa eroottisessa Airbnbä(34:35) Koulun tunnelma muuttui yhdessä yössä(40:14) Nikotiinipussit aikuiseen makuun(42:48) Johannes lopettaa nikotiinin(44:57) KUKA KYSY? Kaverille kävi nolosti(46:06) Kaveri kävi treffeillä(53:10) Kaverille kävi vahinko(57:03) Loppulätinät
I've come to realize that the best way to hit the ground running as an immigrant in a new country isn't necessarily the usual things people talk about—finding a job to keep you going while applying to 500 roles weekly and the like. The most impactful things you'll need to do when settling down are mindset-related. Keep an open mind. Be adaptable. Drop any sense of entitlement. And be willing to reset and start from the beginning. One caveat, though: don't lose your identity in the process. After 12+ years in Canada, Kaveri Srivastava is well-placed to speak about this mindset shift. She joined me on The Newcomers Podcast to chat about:* Her hit-the-ground running playbook* Dealing with survival mentality as an immigrant* Balancing the need to experience new things while saving for the future* Her Indian heritage, and more. My biggest takeaway: While it's cool to experience new things, you should form the habit of paying your future self first. Did you find this interesting? Please share with someone else who might find it helpful.I need your helpI am working with an immigration expert to create content around the most common questions about the Canadian immigration process. Could you please hit reply and send in any questions you might have?Danke! If you got this email in error or no longer wish to receive emails from The Newcomers Podcast, Substack has a sweet and easy way to unsubscribe. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thenewcomerspod.com
They started out busting misinformation. Then, as fake news became weaponized at an industrial scale, they become warriors not just for truth, but for a better society. Mohammed Zubair and Pratik Sinha join Amit Varma in episode 396 of The Seen and the Unseen to talk about their life, their work and their country. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Mohammed Zubair on Twitter, Instagram and Alt News. 2. Pratik Sinha on Twitter, Instagram, Facebook and Alt News. 3. Alt News. 4. Fighting Fake News — Episode 133 of The Seen and the Unseen (w Pratik Sinha). 5. Sample SSR conspiracy theory: He's alive! 6. PeerTube and BigBlueButton. 7. India Needs Decentralization -- Episode 47 of Everything is Everything. 8. Mohammed Zubair interviewed by Alishan Jafri. 9. Gita Press and the Making of Hindu India — Akshaya Mukul. 10. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 11. Whatever happened To Ehsan Jafri on February 28, 2002? — Harsh Mander. 12. Hussain Haidry, Hindustani Musalmaan — Episode 275 of The Seen and the Unseen. 13. Kashi Ka Assi — Kashinath Singh. 14. Kaveri's thread about the new scam in town. 15. BR Ambedkar's BBC interview. 16. The Life and Times of Teesta Setalvad — Episode 302 of The Seen and the Unseen. 17. Aakar Patel Is Full of Hope — Episode 270 of The Seen and the Unseen. 18. The Swiss Family Robinson -- Johann David Wyss. 19. The Historybook -- Jannik Hastrup. You can SUPPORT ALT NEWS by donating here. This episode is sponsored by The 6% Club, which will get you from idea to launch in 45 days! Amit's newsletter is active again. Subscribe right away to The India Uncut Newsletter! It's free! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. Episode art: ‘Fighting Leviathon' by Simahina.
इस हफ़्ते पुलियाबाज़ी पर हमारे दो बेंगलुरु निवासी होस्ट ‘कारे मेघा, कारे मेघा' का आलाप लगाते पाए गए। पानी कब बरसेगा ये तो पता नहीं, पर इस पानी की समस्या में छिपे कुछ पब्लिक पॉलिसी के पाठ प्रणय ने ख़ोज निकाले। जब किसी संसाधन की कमी हो तो उसकी सही कीमत लगाने से उसका सही उपयोग निश्चित किया जा सकता है, ये तो पुलियाबाज़ी के श्रोता जानते ही होंगे। आज की पुलियाबाज़ी में नज़र दौड़ाते हैं बेंगलुरु में मिल रहे पानी की सही कीमत और उसे कौन चुकाता है इसके बारे में भी। इसी साथ पब्लिक पॉलिसी समझने के एक फ्रेमवर्क विकसैलियन कनेक्शन को भी समझ लेते हैं। As the graph below shows, the silicon valley of India is experiencing a heat wave. This is going to exacerbate the ongoing water crisis. While many find the solution in drawing more from Kaveri, Pranay analyses the issue through the framework of Wicksellian Connection—a public policy framework that looks for an overlap between the three aspects of utilising a scarce resource. Who decides? Who gets the benefit? Who pays for it? How does Bengaluru's water supply fare when tested on this framework? What are the consequences of such a Wicksellian Disconnection and how can it be resolved? This and more on today's Puliyabaazi.We discuss:* A public policy view to water crisis* A Wicksellian Disconnection* Subsidising the elite* Water usage in Singapore* Solution based on this framework* Where to apply this framework?Readings:India Policy Watch #1: A Wicksellian Disconnection by Pranay KotasthaneWell Labs Bengaluru Urban Water Balance ReportBangalore Water Crisis: Marginal pricing of water, subsidies to poor may curb water woes by Anupam ManurListen to related Puliyabaazi:भारत: एक भूजल सभ्यता। India: A Groundwater Civilisation.कावेरी जल विवाद को कैसे सुलझाएं? Resolving the Kaveri water disputeIf you have any questions or feedback for us, please comment here or write to us at puliyabaazi@gmail.com. If you like our work, please subscribe and share this Puliyabaazi with your friends, family and colleagues.Website: https://puliyabaazi.inHosts: @saurabhchandra @pranaykotas @thescribblebeeTwitter: @puliyabaazi Instagram: https://www.instagram.com/puliyabaazi/Subscribe & listen to the podcast on iTunes, Google Podcasts, Castbox, AudioBoom, YouTube, Spotify or any other podcast app. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.puliyabaazi.in
We're seeing what is being called one of the worst droughts in recent years in Karnataka. Bangalore has become unliveable. Bangalore has access to only half the amount of water that it needs on a daily basis. There's no water in many high and mid-rise buildings, gated colonies. The government is rationing out water tankers, construction using the adjacent Kaveri river is banned, new bore wells are being dug and so on. In this episode of Climate Emergency, Suno India's Sneha Richhariya speaks to Shreya Nath, who heads the urban water program at Well Labs, which is an environmental research organisation based in Bengaluru. Last year, Well Labs conducted a study on ‘How water flows through Bengaluru?' to understand where is Bengaluru's water, how much of it is there and in what condition.See sunoindia.in/privacy-policy for privacy information.
Ep.180 features KAVERI RAINA (b.1990, New Delhi, India). She received an MFA from the School of the Art Institute of Chicago and a BFA from Maryland Institute College of Art. Select solo and group exhibitions include: The Big Picture (2023) Night Gallery, Los Angeles, CA; A soft place to land (2023), Museum of Contemporary Art Cleveland, Cleveland, OH; Deep! Down! Inside! (2023) Hales Gallery, New York, NY; Kaveri Raina and Coral Saucedo Lomelí: What Do You Remember About the Earth (2023), Lighthouse Works, NY; image as a burden, death as a womb (2022), Chapter NY, New York, NY; Heft (2022), PATRON, Chicago, IL; E/Merge: Art of the Indian Diaspora (2021), National Indo-American Museum, Lombard, IL; Partings, Swaying to the Moon (2020), PATRON, Chicago, IL; NO LACKS, ME AND MY SHADOW (2020), M+B Gallery, Los Angeles, CA; A Space for Monsters (2021), Twelve Gates Arts, Philadelphia, PA; Hildur Ásgeirsdóttir Jónsson and Kaveri Raina (2020), Abattoir Gallery, Cleveland, OH; Linger to Gaze (2019), Annarumma Gallery, Naples, Italy; Linger Still (2019), Assembly Room, New York, NY; Here or There (2019), Paolo Arao, Rata Projects, New York, NY; Sarah.Canright / Kaveri.Raina (2019), Permanent Collection/Co-Lab Projects, Austin, TX; spaceless (2019), Deli Gallery, Brooklyn, NY; Paint School (2019), Shandaken Projects, Klaus von Nichtssagend, New York, NY; garcia, raina, shore, tossin (2019) at Luhring Augustine, New York; Pleasure at a Distance (2018), Irvine Fine Arts Center, Irvine, CA. Raina has received several fellowships and awards including the James Nelson Raymond Fellowship, the Ox-bow Residency Award, and the Skowhegan School of Painting & Sculpture Fellowship Award. Photo credit Terrance James Jr. Patron Gallery https://patrongallery.com/artist/kaveriraina Patron Gallery "Songs of Silence yet bluebirds hum" https://patrongallery.com/exhibition/413/songs-of-silence-yet-bluebirds-hum Patron Gallery "Heft" https://patrongallery.com/exhibition/323/heft Casey Kaplan Gallery https://caseykaplangallery.com/artists/kaveri-raina/ Chicago Gallery News https://www.chicagogallerynews.com/events/kaveri-raina-songs-of-silence-yet-bluebirds-hum MOCA Cleveland "A soft place to land" https://www.mocacleveland.org/a-soft-place-to-land Night Gallery "the big picture" https://www.nightgallery.ca/exhibitions/the-big-picture/press-release Chapter "image as burden, death as womb" https://chapter-ny.com/exhibitions/image-as-a-burden-death-as-a-womb/ Artforum Review https://www.artforum.com/events/kaveri-raina-2-250873/ Lighthouse works https://lighthouseworks.us/exhibitions/kaveri-raina-coral-saucedo-lomeli-what-do-you-remember-about-the-earth Office "The wistful edge of silence" https://officemagazine.net/wistful-edge-silence-kaveri-raina NewCIty https://art.newcity.com/2020/03/16/ambiguity-of-form-a-review-of-kaveri-raina-at-patron/ Maake Magazine https://www.maakemagazine.com/issue-14
Abhay is joined by 3rd generation coffee roaster, Tanya Rao, the founder and owner of Kaveri Coffee Works, among the only women owned Indian coffee companies in the US. From monsoon coffee to the tradition and routine of South Indian filter kaapi to starting a business, they chatted about it all. (0:00 - 3:05) Introduction(3:05) Part 1 - routine and anchors, growing up in a family with a coffee business tradition(14:33) Part 2 - lessons from parenting and parents, pride and values of Kaveri coffee, finding a community and developing a new Indian coffee tradition in America(30:03) Part 3 - coffee nostalgia vs coffee innovation, building a new legacy(44:18) Conclusion
कावेरी जल विवाद सुप्रीम कोर्ट के फैसले के बावजूद अभी भी जारी है। भारत की आर्थिक प्रगति के साथ पानी की ज़रूरत भी बढ़ रही है। हमारे जल संसाधनों के संरक्षण के लिए शायद हमें पानी को एक अलग नज़रिये से देखना अब ज़रूरी हो गया है। आज की पुलियाबाज़ी एक नए समाधान पर जिससे पानी का बेहतर उपयोग और बेहतर संरक्षण मुमकिन हो पाए। Despite the Supreme Court verdict in 2018, the Kaveri water sharing dispute between Karnataka and Tamil Nadu has remained unresolved. As India continues to grow and its water needs increase, we need a new approach that can enable efficient use of water and also incentivize water conservation. This week on Puliyabaazi, we discuss one such novel approach. Listen in. A new solution proposal: https://static1.squarespace.com/static/618a55c4cb03246776b68559/t/62bab4861012732b0e604156/1656403080678/Kaveri-Water-Management_Nidhi-Gupta.pdf ***** more Puliyabaazi on Water ***** पानी की असली क़ीमत जानना ज़रूरी क्यों है? What's the Real Cost of Free Water? https://puliyabaazi.in/episode/paanii-kii-aslii-kiimt-jaannaa-jruurii-kyo-hai-whats-the-real-cost-of-free-water भारत: एक भूजल सभ्यता। India: A Groundwater Civilisation ft. S. Vishwanath https://puliyabaazi.in/episode/bhaart-ek-bhuujl-sbhytaa-india-a-groundwater-civilisation ***************** Website: https://puliyabaazi.in Write to us at puliyabaazi@gmail.com Hosts: @saurabhchandra @pranaykotas @thescribblebee Puliyabaazi is on these platforms: Twitter: @puliyabaazi Instagram: https://www.instagram.com/puliyabaazi/ Subscribe & listen to the podcast on iTunes, Google Podcasts, Castbox, AudioBoom, YouTube, Spotify or any other podcast app.See omnystudio.com/listener for privacy information.
I don't want to go look back at the end of my life and say “I wish I'd done this”!But how does she do it!? We all wonder about people with full-time, demanding careers who manage to keep their creative flame burning. My latest guest Dr. Harini Nagendra is a Professor of Sustainability and now a best-selling mystery writer. Join me as Harini shares how she first ‘had a visitation' from Kaveri, the heroine of her historical mystery series, and how she juggles her work in climate change with writing ‘The Bangalore Detectives Club'! Listen now on your favorite podcast app, Spotify or iTunes and please take a second to rate us wherever you're listening so the voices of these inspiring women can be heard all over the world!SHOWNOTES FOR EPISODE 84:Read more about Harini and her books on her website Grab the latest in the series ‘Murder Under a Red Moon' here and pre-order A Nest of Vipers Book 3 hereCities and Canopies here (entertaining and engaging look at Bangalore's trees - highly recommend, also on audio!)Follow Harini on instagram Books and other resources we discussed:Sisters in CrimeSujata Massey's books (hear Sujata on Ep. 60 of the podcast here)Patricia Wentworth's Miss Silver seriesCatriona McPherson's booksRhys Bowen's booksGigi Pandian's locked room mysteriesRobin Hobb's fantasy novels - fun post on where to start reading them hereQuestions? Comments? Get in touch @theindianeditpodcast on Instagram !Special thanks to Sudipta Biswas and the team @ Boon Castle / Flying Carpet Productions for audio post-production engineering!
India Launches Operation Kaveri To Evacuate Citizens Stranded In Sudan, ‘No business giving interviews on pending cases': Supreme Court to judges, Pakistani-Canadian author Tarek Fatah passes away at 73 after prolonged illness and other top news in this bulletin.
Jennifer Chow, Rob Osler and Harini NagendraShow NotesOn this episode we finish our interviews with nominees for the Agatha Awards which will begiven at Malice Domestic this year.We first talked with Jennifer Chow who is nominated for her book “Death By Bubble Tea”(Berkley) for Best Contemporary Novel.When Yale Yee discovers her cousin Celine is visiting from Hong Kong, she is obliged to playtour guide to a relative she hasn't seen in twenty years. Not only that, but her father thinks it's awonderful idea for them to bond by running a food stall together at the Eastwood Village NightMarket. Yale hasn't cooked in years, and she hardly considers Celine's career as a social mediainfluencer as adequate experience, but because she's just lost her job at her local bookstore,she feels she has no choice.Yale and Celine serve small dishes and refreshing drinks, and while business is slow, iteventually picks up thanks to Celine's surprisingly useful marketing ideas. They're quite shockedthat their bubble tea, in particular, is a hit--literally--when one of their customers turns up dead.Yale and Celine are prime suspects due to the gold flakes that Celine added to the sweet drinkas a garnish. Though the two cousins are polar opposites in every way, they must work togetherto find out what really happened to the victim or the only thing they'll be serving is time.We talked then with Rob Osler who is nominated for a Best First Novel for his book “Devil'sChew Toy” (Level Best).Seattle teacher and part-time blogger Hayden McCall wakes sporting one hell of a shiner, withthe police knocking at his door. It seems that his new crush, dancer Camilo Rodriguez, hasgone missing and they suspect foul play. What happened the night before? And where isCamilo?Determined to find answers, pint-sized, good-hearted Hayden seeks out two of Camilo's friends—Hollister and Burley—both lesbians and both fiercely devoted to their friend. From them,Hayden learns that Camilo is a “Dreamer” whose parents had been deported years earlier, andwhose sister, Daniela, is presumed to have returned to Venezuela with them. Convinced that thecops won't take a brown boy's disappearance seriously, the girls join Hayden's hunt for Camilo.The first clues turn up at Barkingham Palace, a pet store where Camilo had taken a part-timejob. The store's owner, Della Rupert, claims ignorance, but Hayden knows something is up. Andthen there's Camilo's ex-boyfriend, Ryan, who's suddenly grown inexplicably wealthy. WhenHayden and Hollister follow Ryan to a secure airport warehouse, they make a shockingconnection between him and Della—and uncover the twisted scheme that's made both of themrich.The trail of clues leads them to the grounds of a magnificent estate on an island in PugetSound, where they'll finally learn the truth about Camilo's disappearance—and the fate of hisfamily.And Finally, we talked with Harini Nagendra who is nominated for a Best First Novel for her book:The Bangladore Detective's Club” (Constable)Solving crimes isn't easy.Add a jealous mother-in-law and having to wear a flowing sari into the mix, and you've got aproblem.When clever, headstrong Kaveri moves to Bangalore to marry doctor Ramu, she's resignedherself to a quiet life.But that all changes the night of the party at the Century Club, where she escapes to the gardenfor some peace - and instead spots an uninvited guest in the shadows. Half an hour later, theparty turns into a murder scene.When a vulnerable woman is connected to the crime, Kaveri becomes determined to save herand launches a private investigation to find the killer, tracing his steps from an illustrious brothelto an Englishman's mansion. She soon finds that sleuthing in a sari isn't as hard as it seemswhen you have a talent for maths, a head for logic and a doctor for a husband.And she's going to need them all as the case leads her deeper into a hotbed of danger, seditionand intrigue in Bangalore's darkest alleyways . . .We congratulate each and every nominee and wish them all the best of luck with their writingand in life.TRIVIALast week's question was:Which author used the following pseudonyms in their career. Deanna Dwyer, K. R. Dwyer,Aaron Wolfe, David Axton, Brian Coffey, John Hill, Leigh Nichols, Owen West, Richard Paige,and Anthony North?a. Dean Koontzb. James Pattersonc. John LeCarred. Michael ConnellyThe answer is a. Dean Koontz. Known pseudonyms used by Koontz during his career includeDeanna Dwyer, K. R. Dwyer, Aaron Wolfe, David Axton, Brian Coffey, John Hill, Leigh Nichols,Owen West, Richard Paige, and Anthony North. As Brian Coffey, he wrote the "Mike Tucker"trilogy (Blood Risk, Surrounded, Wall of Masks) in acknowledged tribute to the Parker novels ofRichard Stark (Donald E. Westlake). Many of Koontz's pseudonymous novels are now availableunder his real name. Many others remain suppressed by Koontz, who bought back the rights toensure they could not be republished; he has, on occasion, said that he might revise some forrepublication, but only three have appeared — Demon Seed and Invasion were both heavilyrewritten before they were republished, and Prison of Ice had certain sections bowdlerised.This week's question is:P.D. James began her writing career while she worked where?a. A schoolb. a Law firmc. a factoryd. a hospitalTune in next week for the answer.
Aksimin MPC:stä on pullahtanut suomiräpin kuluttajien iloksi väkevä katalogi klassikkobiittejä, ja ikonisen Kemmuru-yhtyeensä lisäksi mies on ansioitunut mikissä myös soolouran ja tuoreen Shakkii-duon merkeissä. Pitkän linjan puurtaja on tärkeä palanen Suomen hiphop-kulttuurin peruskiveä ja pitkältä tieltä riittää tarinaa, jota kannattaa istahtaa kuuntelemaan. YHTEISTYÖSSÄ: Organia ALE -30% Organia-kauppaan koodilla TAAKKA30 https://organia.fi
episode 148 "The Vanishing Kodavas" Mushrooms & Monsoons With Kaveri Ponappa Introduction Hello and welcome to the February episode of The Storied Recipe. I'm here today with an episode that was well worth waiting for.Kaveri Ponappa wrote The Vanishing Kodvas - a deep cultural study of her people group who were devoted above all else to the rolling hills and deep, dense forests of their land, Kodagu. The Kodavas remain in existence today although they joined the nation of India in 1956. The origins of this remote warlike people are unknown and their history is purely oral - they have no written language. Against those odds, Kaveri embarked on the immense past of not only recording, but understanding, her people's culture and customs. They keep many of these customs intact today - not by isolating themselves, but rather by inviting and encouraging neighbors and descendents who live in the modern world to return, celebrate, and learn. In addition to stories from her people and a discussion of her laborious writing process, today Kaveri is sharing a delicious mushroom curry recipe with us. This dish is emblematic of all that is vanishing (or is in danger of vanishing) - the customs of the Kodavas, monsoon season, and fields covered with mushrooms and moss as far as the eye could see. Welcome to Kaveri and thank YOU for being here to listen. Highlights Why Kaveri wears saris almost exclusively - the art and siginificance of making sarisWho are the Kodavas and why are they vanishingWarlike traditions that persist in customsThe stunning hills and forests of Kodagu and land as the highest ideal in ancient KodavaWomen's role in this ancient people group, including her aunt and motherKodava as home to KaveriThe importance of land laws to preserving a way of lifeThe significance of community when maintaining their traditionsHow the Kodavas were betrayed by their ownMushroom Curry - the one secret ingredientHer grandmother's kitchen with the giant wood fireplace and full of earthenwareIs flavor different cooked in earthenware?Mushrooms that looked like snowfall, mushrooms that were hallucinogenicDrastic changes from a monsoon season to barely a monsoon seasonThe medicinal plant that grew wild in Kodagu during mosoon seasonBook writing process: Combining academic/historical and folk knowledgeWhat is at stake if the Kodavas vanish entirely? Listen Now Also listen on: APPLE GOOGLE SPOTIFY EMAIL This Episode's Storied Recipe Recipe shared by Kaveri Ponappa Easy Mushroom Curry with Coconut Milk A quick & easy, creamy, earthy well-balanced dish made from pantry ingredients. How To Contact Kaveri Ponappa Instagram: @kaverikambTwitter: @kaveriponappaWebsite: www.TheVanishingKodavas.com More Links Changes to The Storied Recipe in 2023 Related Posts Ep. 123: "A Peanut Never Forgets Its Shell" with M. Aimee Ep. 58: "I Wanted Something More" with Juan Salazar About The Storied Recipe Podcast How To Listen to The Storied Recipe Podcast
Jakso 238. Kaveri pakkasi vaellukselle litrakaupalla sihijuomaa. Kaverin asialla Anna Karhunen ja Tiia Rantanen. Tuottaja: Sami Hahtala / Yle.
Jakso 235. Entä jos menee väärään koneeseen ja päätyy vaikka Kuopioon? Kaveri kyseli. Kaverin asialla Anna Karhunen ja Tiia Rantanen. Tuottaja: Sami Hahtala / Yle.
Kaveri Bharath is a potter in Chennai, in South India. Kaveri now has a rooftop studio with a small gas kiln that she built. The bulk of Kaveri's ceramic education and exposure came from Ray and Debby of GBP, Pondicherry. Kaveri builds kilns, teaches, and also makes and sells pottery. http://ThePottersCast.com/838
If you'd like a fresh take on 1920s historical mysteries, check out “The Bangalore Detectives Club” by Harini Nagendra, which takes readers to India. Newly married to a doctor, Kaveri is juggling her own ambitions to get a degree in mathematics with society's pressure to be a good wife. When a murder occurs, Kaveri is compelled to investiagate. Besides catching the culprit, she also creates a unique position for herself in her new world.
We discuss chapters 1-7 of Absolution by Murder, the first novel in the dark-ages mystery extravaganza that is the Sister Fidelma series by Peter Tremayne. Taking place at the historical Synod of Whitby, where the churches of the world met to discuss the terms of their ongoing belief, under the watchful eye of King Oswy of Northumbria. When Sister Etain is killed just hours after announcing her marriage, Sister Fidelma of Kildare is called forth to investigate crime, risking her neck to get justice for her old friend and mentor.We also speak with Harini Nagendra about her debut Crime Fiction release, The Bangalore Detectives Club. Telling the story of Kaveri, a young woman in Bengaluru, newly wed, attempting to solve crimes in her newfound social circle without being outcast from it.
When clever, headstrong Kaveri moves to Bangalore to marry doctor Ramu, she's resigned herself to a quiet life.But that all changes the night of the party at the Century Club, where she escapes to the garden for some peace - and instead spots an uninvited guest in the shadows. Half an hour later, the party turns into a murder scene.When a vulnerable woman is connected to the crime, Kaveri becomes determined to save her and launches a private investigation to find the killer, tracing his steps from an illustrious brothel to an Englishman's mansion. She soon finds that sleuthing in a sari isn't as hard as it seems when you have a talent for maths, a head for logic and a doctor for a husband.And she's going to need them all as the case leads her deeper into a hotbed of danger, sedition and intrigue in Bangalore's darkest alleyways . . .Support this show http://supporter.acast.com/houseofmysteryradio. See acast.com/privacy for privacy and opt-out information.
Recorded and produced by Irfan on 22 October 2017, Delhi NCR Kaveri Urmil is a Ph D Scholar at Tata Institute of Social Sciences (TISS) Mumbai Her focus subject is Rohingya's issue Statelessness and Citizen's Crisis Photograph used in the covert art (Courtesy): Kevin Frayer Cover Art: Irfan --- Send in a voice message: https://podcasters.spotify.com/pod/show/sm-irfan/message
https://sbw.hvj.coach/episodes/kaveri
Jakso 214. KPK:n uudet juontajat ovat YleX Aamun Viki ja Köpi! Eivätkö kaverin asialla enää olekaan Anna Karhunen ja Tiia Rantanen? Tuottaja: Sami Hahtala / Yle.
Kavya and Leela are spending their holidays with their grandparents in Mysore. Over the weekend, when their parents come visiting from Bangalore, the family plans a picnic to a special spot by a river. But a sudden downpour means that they cannot have their picnic near the river. Listen to find out what the family does instead. This is a special story for 5-year-old Pranav Sharma, gifted to him by his cousin Anaika Kurian. This original story is written by Brunda Ganesh. Kavya and Leela are played by 6-year-old Kaveri Anand Agarwala and 4-year-old Gayatri Anand Agarwala. The dad's character is played by Shrimoy Agarwala. Cover art is also by Kaveri and Gayatri.
An old man visits a village, but he seems to be familiar with the entire village. He refrains from socialising with people. There is a secret about this man. Kaa Naa Su also known as Ka Naa Subramanyam - Famous Writer and Sahitya Akademi Award Winner - 1986