Podcasts about Grima

Exclusive Holy Blood Holy Blade Martial Symposium Interview Hosted in March 2023 at an undisclosed location in San Jose, California The Immersion Labs have brought together the best, if not, the only practitioners of ancient Spanish sword styles from Spain, blades and long staffs of the deserts of N Africa, Filipino fighting from the islands of Cebu & Mindanao, machete arts from the jungles of Colombia & Panama, to bullwhip and Bowie knife arts from new territories of American Southwest, the bayous of Louisiana and fencing blade arts of the densely populated Hong Kong/West Coast USA. Taking the 500 year history of Western Edged, primarily Spanish fighting arts that conquered large parts of the world with the central thesis, "No arts develop in isolation, the conflict and relationship of various arts shape all involved." This Lab will focus on how the Blade Arts from Spain crossed over and influenced arts across five continents. Mick Tully asks Mahipal Lunia about the restricted number, exclusive, application only martial arts symposium that he has put together. Discover more... Apply immediately if this could be you. The spaces are truly limited. And needless to say it will not be repeated. Further it will be INTENSE... 40 hours, 15 world class ambassadors .. 07.00hrs to 22.00hrs for 3 days. It will never to be repeated. The weapons that will be explored and shared include 1. Rapier 2. Machete 3. Short Stick 4. Long staff from Africa 5. Dagger 6. Bowie Knife 7. Bullwhip/Latigo 8. Empty Hand and Feet Many of these arts have never been shown to the public before. Some of the teachers have shunned public limelight and continued to work in private until now... Guest teacher ambassadors; - Ton Puey teaching Destreza (Rada) - Anthony De Longis teaching the classic Americana bullwhip - Ron R Lew teaching Cebuano Latigo y Daga - Joaquin Marcelo showing how fencing transformed JKD/WC - Paul Porter teaching biomechanics of armored full contact blade fighting - Dr. TJ Obi opening the secretive arts of Grima from Columbia - Mahipal Lunia & Dexter Miksch unpacking the classic Americana art of Bowie Knives - Mushtaq Ali Al Ansari sharing strategies/principles from Mindanao, an island that was never conquered - Adam Mansa Myrie showcasing N African Staff and Bladework - Michael Belzer leading a session on Hoplology - Puck Curtis comparing Italian and Spanish bladework - Tim Tamaraw Rivera showcasing the influence of Spanish arts on FMA - Dr. Michel Farivar bringing medical insight into blade wounds - Jose Torres J.D. talking about his family and discovery of the new world (he is a direct descendant of Columbus among others) and an avid martial historian More information at TheImmersionLabs Learn more about your ad choices. Visit megaphone.fm/adchoices

450º Noche de Lobos, con todo esto de aquí debajo: Tierra Santa, Maverick Punk Rock, Dream Theater, Sepultura, Grima, Bad Step Asturies, Rotten XIII, SOZIEDAD ALKOHOLIKA, MorphiuM, Adventus, KeldarK, RUINAS, Stratovarius, Ad Infinitum, Rammstein, Nukore y Dr. Feelgood

Exploring Malta's wines, the history, grapes, and styles. And what's the bird got to do with any of it? Resources from this episode: Books: Oxford Companion to Wine, 4th Edition, Robinson, J., Harding, J. (2015) Wine Grapes: A Complete Guide to 1,368 Vine Varieties, Including Their Origins and Flavours, Robinson, J., Harding, J., Vouillamoz, J. (2013) Websites: Around the World in 80 Harvests: Heroic Viticuluture and Wines from Malta and Gozo, Barnes, A. (3 December 2020) https://aroundtheworldin80harvests.com/2020/12/03/heroic-viticulture-the-wines-from-malta-gozo/ Brittanica: Malta, Busuttil, S. (6 October 2022) https://www.britannica.com/place/Malta CIA World Factbook: Malta - Country Summary (3 October 2022) https://www.cia.gov/the-world-factbook/countries/malta/summaries Internet Archive: The Maltese Falcon [full movie], Huston, J. (1940) https://archive.org/details/the-maltese-falcon-1941 Malta Products: https://www.maltaproducts.com/product-category/drinks-beverages/maltese-wine/ Michelin Guide: A Roundup of Malta's Wines, (30 December 2020), https://guide.michelin.com/en/article/travel/a-roundup-of-malta-s-wines National Endowment for the Arts: The Maltese Falcon (24 November 2013) https://www.arts.gov/initiatives/nea-big-read/maltese-falcon Order of Malta: History https://www.orderofmalta.int/history/ Slo Wine Country: Maltese Wine - A guide to the island's best wines (4 November 2022), Rosamie https://www.slowine.com/maltese-wine-a-guide-to-the-islands-best-wines/ Times of Malta: The Order of St. John's arrival in Malta in 1530, Grima, J. F. (24 October 2021) https://timesofmalta.com/articles/view/the-order-of-st-johns-arrival-in-malta-in-1530.909655 Welcome Center Malta: Maltese Terroir - A guide to its history, terroir, and varietals, https://www.welcome-center-malta.com/maltese-wine-a-guide-to-its-history-terroir-and-varietals/ Wines of Malta: https://winesofmalta.gov.mt Related or Referenced Glass in Session® Episodes: S3E4: Wine from Dried Grapes https://glassinsession.libsyn.com/s3e4-wine-from-dried-grapes S5E2: Getting Medieval - Wine and Holy Warriors https://glassinsession.libsyn.com/s5e2-getting-medieval-wine-and-holy-warriors S10E3: Getting Our Grappa On https://glassinsession.libsyn.com/s10e3-getting-our-grappa-on S10E5: Montefalco Sagrantino: Wine, Birds, & the King of Everything https://glassinsession.libsyn.com/s10e5-montefalco-sagrantino-wine-birds-the-king-of-everything   Glass in Session® is a registered trademark of Vino With Val, LLC. Music: “Write Your Story” by Joystock (Jamendo.com cc_Standard License, Jamendo S.A.)

Dans la nuit du 12 janvier 2007, sur une route de campagne, le corps du maire de Fago, petit hameau des Pyrénées espagnoles, de 25 habitants, est retrouvé dans un fossé en bord de route. Les 25 habitants deviennent tous suspects. Qui voulait la peau du maire ? Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 10 novembre 2022

Bølgerne går højt i ugens udsendelse, hvor en lytter beskylder os for at "genre bashe" og kun fremhæve de hårde metalgenrer. Men passer det? Trolle og Bøtter vender tingenes tilstand, spiller lidt metalcore, jubler over melodød og giver dig Metalnyhederne med godt nyt fra Roskilde Festival, Giro 666 med Honningbarna og nye numre fra danske Kampvogn og russiske Grima. Værter: Anders Bøtter og Jakob Trolle. Udsendelse nr. 557. Sort Søndag er Danmarks vigtigste metal podcast. Hver uge får du 1 times tonser tunge toner, i selskab med værterne Anders Bøtter og Jakob Trolle. Sort Søndags trofaste "Giro 666 lyttere" byder ind med både nye og gamle numre, "Musiknyt" sørger for at holde dig helt opdateret og hver måned gennemgås et klassisk metal album i "Månedens Mesterværk".

Bento Ribeiro e Yuri Moraes no BEN YURPG recebem Ana Chiyo, vulgo A Moça da Sara. Depois de uma grande perda, o que o destino aguarda para nossos Aventureiros e a líder do acampamento Grima (ou Grema… Gremma.. Greema)? Mestre: Marco Antonio Machado Boi Convidada especial: Ana Chiyo - A Moça da Sara

Hernán Pereyra no quiso quitarle méritos al gran partido del equipo de Ancelotti, pero sí destacó lo mal que se vio el conjunto culé, ya que prácticamente no compitió hasta el final del juego. Además analiza las semifinales de la Liga MX América-Toluca y Pachuca-Monterrey, quienes deben pasar a la gran final mexicana, y responde mensajes de sus seguidores. 

In another Barrel-Aged Classic, comedian Alessandra Grima talks about plus-sized modeling, being a woman in comedy, and insulting Andy. Intro music is "String Anticipation" by Cory Gray.

Founder of Man Online James Grima joins the guys on this episode to discuss the importance of blokes being both supported and supportive, and how we can all help each other.

Salutations citoyennes et citoyens ! Vous avez manqué le Star's Up 2022 ? Pas de panique, voici un replay de la conférence "Star Wars et l'audiodrama", présentée par Lucile Galliot, directrice de publication Star Wars chez Pocket, OutreFleuve et Lizzie, ainsi que Wilhem Horn votre capitaine dévoué. Le tout est animé par Jérémie Grima de Zone 52 éditions.  Merci à l'équipe de Star's Up pour cette invitation. Rendez-vous l'année prochaine sur place !    Vous souhaitez soutenir ce podcast ? Rejoignez la Guilde des Contrebandiers d'Hyperdrive sur Tipeee et Patreon  Foncez sur notre site, citoyennes et citoyens Suivez Hyperdrive sur Facebook, Twitter et Instagram Ecoutez Les Chroniques Galactiques, la fan fiction audio Star Wars garantie sans Jedi ! Un podcast Hyperdrive Corp. Ecrit, animé et réalisé par Wilhem Horn La musique du générique est mise à disposition par L'Orchestra Cinematique.    Soutenez-nous !

Xavier Vidal-Folch reflexiona sobre el CGPJ y Carlos Lesmes.

I'm a full time Twitch streamer, YouTuber, and podcaster sober since 2014 you can watch live on https://www.twitch.tv/jerrybanfield/ Subscribe on YouTube for tutorials, gameplay, and highlights at https://www.youtube.com/jerrybanfield Podcast https://jerrybanfield.com Discord https://discord.com/invite/zmdgUwcb8v Tips https://streamlabs.com/jerrybanfield/tip All of my videos are available with the Creative Commons Zero or CC0 license meaning you can use any part of any of my videos or live streams in any way you want! You do NOT need to give me credit or ask permission! Love, Jerry Banfield #jerrybanfield --- Support this podcast: https://anchor.fm/jerrybanfield/support

De paso, dejó un puñado de clásicos de la llamada “música cebolla” que están grabados a fuego en la memoria de toda una generación.

Neste dia em que celebramos a memória de Nossa Senhora das Dores, meditemos sobre as lágrimas que derramou a Virgem Santíssima “dum pendebat Filius”, enquanto pendia da Cruz o seu Filho muito amado. Ali, no madeiro bendito do qual nos veio a salvação, duas almas santas se uniam em sacrifício: enquanto a carne de Cristo sofria a paixão, sua mãe padecia de compaixão. Enquanto Jesus derramava o seu sangue, Maria Santíssima derramava suas lágrimas, chorando tudo o que nossa indiferença e dureza de coração nos fizeram incapazes de chorar. Ouçamos com atenção esta homilia do Padre Paulo Ricardo, proferida no dia 15 de setembro de 2016, na Paróquia Cristo Rei, em Várzea Grande (MT), e aprendamos com a santíssima Mãe das Dores a chorar os nossos crimes, que tanto têm ofendido o coração de seu divino Filho. --- Send in a voice message: https://anchor.fm/jlio4/message

Apocalipsis 21.4 Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque... by radioebenezerrd.com #biblia #photooftheday #cristianosrd #emisoracristiana #gospelmusic #holidays #juventudcristiana #musicacristiana #spotify #noticiascristianas #radiocristiana #radioonline #versiculodeldia #versiculosbiblicos #radioebenezerrd

Apocalipsis 21.4 Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque... by radioebenezerrd.com #biblia #photooftheday #cristianosrd #emisoracristiana #gospelmusic #holidays #juventudcristiana #musicacristiana #spotify #noticiascristianas #radiocristiana #radioonline #versiculodeldia #versiculosbiblicos #radioebenezerrd

Apocalipsis 21.4 Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque... by radioebenezerrd.com #biblia #photooftheday #cristianosrd #emisoracristiana #gospelmusic #holidays #juventudcristiana #musicacristiana #spotify #noticiascristianas #radiocristiana #radioonline #versiculodeldia #versiculosbiblicos #radioebenezerrd

Apocalipsis 21.4 Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque... by radioebenezerrd.com #biblia #photooftheday #cristianosrd #emisoracristiana #gospelmusic #holidays #juventudcristiana #musicacristiana #spotify #noticiascristianas #radiocristiana #radioonline #versiculodeldia #versiculosbiblicos #radioebenezerrd

Apocalipsis 21.4 Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque... by radioebenezerrd.com #biblia #photooftheday #cristianosrd #emisoracristiana #gospelmusic #holidays #juventudcristiana #musicacristiana #spotify #noticiascristianas #radiocristiana #radioonline #versiculodeldia #versiculosbiblicos #radioebenezerrd

Apocalipsis 21.4 Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque... by radioebenezerrd.com #biblia #photooftheday #cristianosrd #emisoracristiana #gospelmusic #holidays #juventudcristiana #musicacristiana #spotify #noticiascristianas #radiocristiana #radioonline #versiculodeldia #versiculosbiblicos #radioebenezerrd

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Episodio 32 para la zona premium donde está la gente a la que queremos un poco más porque paga (Al resto también os queremos, pero algo menos). Hoy el capítulo siete de Cringe mistery. Este si que creemos que es el definitivo, de verdad de verdad de la buena. Además, este programa premium está dedicado a la única persona que paga paga 9,99 de premium. Evidentemente tu ya sabes quién eres. En el programa la hemos cagado y hemos dicho 5, pero era diez. Tb hay much@s que pagáis cinco, gracias tb... bueno, que cojones, gracias a tod@s paguéis lo que paguéis. Venga va, dedicado a tod@s pero un pelín más a la persona de los 9,99 :) Escucha este episodio completo y accede a todo el contenido exclusivo de Misterios Cotidianos (Con Ángel Martín y José L. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/915010

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Episodio 31 para la zona premium donde está la gente a la que queremos un poco más porque paga (Al resto también os queremos, pero algo menos). En el capítulo seis de Cringe mistery os contamos nuestras propias historias personales de misterio chungo, misterio del que podría investigar Iker vaya. ¡The return of the grimaca!Escucha este episodio completo y accede a todo el contenido exclusivo de Misterios Cotidianos (Con Ángel Martín y José L. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/915010

En el episodio de hoy analizamos el posible futuro colapso energético y de la civilización industrial, el decrecimiento económico y la forma de sobrevivir a él con Elías Grima del canal de YouTube Soloclima. TWITTER: JORDILLATZER YouTube: ESPURNA TWITCH: JORDILLATZER

This week Jon Davis of UK-based sludge purveyors, Conan, blows my mind with his idea to revolutionize the music industry. We also discuss the writing process for Conan's brilliant new album, “Evidence Of Immortality”, going back out on tour after Covid and a lot more. PLUS: a review of the new record by Grima, and my first impressions of the latest tracks by Behemoth, Strigoi, Stormruler, Black Lava and more on my lengthiest news rant to date.Support the bands featured on this episode:CONANhttps://conan-conan.bandcamp.com/ GRIMAhttps://grima.bandcamp.com/ DISCHARGEhttps://dischargeofficialmusic.bandcamp.com/ ▶️SUBSCRIBE TO THE PODCAST https://youtube.com/c/IntoTheNecrosphere ▶️STREAM & DOWNLOADAmazon Musichttps://amzn.to/3epNJ4K Spotifyhttps://spoti.fi/3iKqbIP Apple Podcastshttps://apple.co/38wDYhi ▶️SOCIAL MEDIAFacebookhttps://www.facebook.com/intothenecrosphere Instagramhttps://www.instagram.com/intothenecrosphere Twitterhttps://twitter.com/inecrosphere ▶️INTO THE NECROSPHERE MERCH:https://into-the-necrosphere.creator-spring.com

Yésica Sánchez comenta con Gimeno, Barrientos y Bea Cortázar la pillada a Iñaki Urdangarin llorando a lágrima viva.

Yésica Sánchez comenta con Gimeno, Barrientos y Bea Cortázar la pillada a Iñaki Urdangarin llorando a lágrima viva.

Join us as we discuss our favourite albums from July! Anatomical Amusements, Grima, Inhuman Condition, Maul, Molder, Municipal Waste, Nicolas Cage Fighter, Reeking Aura, Sedimentum, Vomit Forth, Wake, Wormrot & EP's by Plague Years & End It!

Por Pr. Wander Gomes. https://bbcst.net/R8239M

Despedimos el domingo y la temporada con el espacio “Las cuentas claras” de Clara Grima. Hoy, la relación entre los escutoides y las redes sociales. Escuchar audio

Por Pr. Wander Gomes. https://bbcst.net/R8239M

Por Pr. Wander Gomes. https://bbcst.net/R8239M

Por Pr. Wander Gomes. https://bbcst.net/R8239M

Por Pr. Wander Gomes. https://bbcst.net/R8239M

Por Pr. Wander Gomes. https://bbcst.net/R8239M

Por Pr. Wander Gomes. https://bbcst.net/R8239M

Por Pr. Wander Gomes. https://bbcst.net/R8239M

In "Estate Jewelry From A to Z" this week's topic on Jewelry Confidential, we'll use the alphabet as a framework to increase your vocabulary with some unusual materials and techniques, gemstones, designer names and other fun facts (impress your neighbors and friends)! Game night may never be the same!A is for AspreyB is for BandeauC is for Chatoyant...-----------website: https://www.neilmarrs.comemail: neil@neilmarrs.cominstagram: https://www.instagram.com/neilmarrs/linkedin: https://www.linkedin.com/in/neilmarrs/

En “Las cuentas claras” de Clara Grima hablamos de la matemática ucraniana Maryna Viazovska, ganadora de la medalla Fields por descubrir la mejor forma de apilar naranjas en veinticuatro dimensiones. Escuchar audio

VOCÊ JÁ LEU O APOCALIPSE? Mais do que revelar o "fim dos tempos", esse livro único que desafia nossa imaginação e inspira fé é uma REVELAÇÃO DE JESUS CRISTO. Venha conosco ler o Apocalipse e orar juntos! Este podcast é um breve devocional em que refletimos nas Escrituras Sagradas e oramos por sua vida. Sua fé será aumentada e juntos conheceremos mais de Deus a cada manhã. Participe conosco e compartilhe! Inscreva-se em nosso canal no Youtube FAMÍLIA E FÉ e ative o sininho: https://bit.ly/3G5HrDD Recebemos seus Pedidos de Oração e Testemunhos pelo e-mail: info@duzzi.net Quer contribuir? Acesse: www.duzzi.net/como-contribuir

On this episode, I talk to Adam Agius of Alchemist (also The Levitation Hex and Pilots of Baalbek) about the early days of the band, signing to Relapse in the early 2000s, along with the events that led up to the band disbanding in 2010. I also ask the question: "What would it take for Alchemist to get back together?" PLUS - I review "Svartsyn", the comeback record by Norwegian black metal collective, Khold. And in another epic news rant, I check out latest tracks being dropped by Panzerfaust, Grima, Vimur, Gaerea and more.Support the bands featured on this episode:THE LEVITATION HEXhttps://tinyurl.com/59ky3npw PILOTS OF BAALBEKhttps://pilotsofbaalbek.bandcamp.com KHOLD https://soulsellerrecords.bandcamp.com CULT BURIAL https://cultburial.bandcamp.com/ ▶️SUBSCRIBE TO THE PODCAST https://youtube.com/c/IntoTheNecrosphere ▶️STREAM & DOWNLOADAmazon Musichttps://amzn.to/3epNJ4KSpotifyhttps://spoti.fi/3iKqbIPApple Podcastshttps://apple.co/38wDYhi▶️SOCIAL MEDIAFacebookhttps://www.facebook.com/intothenecrosphere Instagramhttps://www.instagram.com/intothenecrosphere Twitterhttps://twitter.com/inecrosphere ▶️INTO THE NECROSPHERE MERCH:https://into-the-necrosphere.creator-spring.com

En el espacio “Las cuentas claras” de Clara Grima hoy hablamos de fútbol, señales de tráfico y de la característica de Euler. Escuchar audio

Apocalipsis 21.4 Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque... by radioebenezerrd.com #viral #foryoupage #paratupagina #parati #foryou #spreaker #live #podcast #musicacristiana #cristiano #cristiana #emisoracristiana #online #fyp #religion #espiritualidad #cristianismo #music #gospelmusic #musica

In today's episode, Kelli and Leah watch up to the two hour mark of The Lord of the Rings: The Two Towers. Kelli hypothesizes that Grima might be regretting his life choices teaming up with Saruman, and Leah shares more Viggo Mortensen trivia about how often he risked his life for these films. They also get a bit more background on Arwen and Aragorn's story, and Kelli gets annoyed with Éowyn and her theatrics again.Chat with us on Twitter! We'd love to hear what you think. You can find us at @AllGeekPodcast and be sure to tweet us your thoughts on today's big question - should the elves have stayed back and helped humankind fight Sauron? Or were they right to leave Middle Earth to its fate? Classic Conversations: Pop Culture InterviewsPop culture influencers, TV stars, film actors, comedians, and musicians share...Listen on: Apple Podcasts SpotifySupport the show

Apocalipsis 21.4 Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque... by radioebenezerrd.com #viral #foryoupage #paratupagina #parati #foryou #spreaker #live #podcast #musicacristiana #cristiano #cristiana #emisoracristiana #online #fyp #religion #espiritualidad #cristianismo #music #gospelmusic #musica

Apocalipsis 21.4 Enjugará Dios toda lágrima de los ojos de ellos; y ya no habrá muerte, ni habrá más llanto, ni clamor, ni dolor; porque... by radioebenezerrd.com #viral #foryoupage #paratupagina #parati #foryou #spreaker #live #podcast #musicacristiana #cristiano #cristiana #emisoracristiana #online #fyp #religion #espiritualidad #cristianismo #music #gospelmusic #musica

Episodio 1132Hablamos con la matemática y divulgadora Clara Grima sobre su último libro ilustrado por Raquel Gu, Mati y las Matemonstruos: ¿Quién tiene miedo a las matemáticas?https://penguinaula.com/es/libro/mati-y-los-matemonstruos-mes-125319/Canal de Telegram de Madresfera https://t.me/NoticiasMadresferaWeb: https://madresfera.com/Newsletter semanal: https://www.madresfera.com/newsletter/

In this episode of The Beacons Are Lit: A Lord of the Rings Podcast we continue our journey through the Two Towers. Gandalf saves King Theoden with some extraness, Grima skedaddles out of Rohan, Frodo and Sam reach the Black Gate where Sam pulls a Took, Merri and Pippin are left in the forest to […] The post Breathe the Free Air Again, My Friend: The Two Towers Part 3 appeared first on Crossroads Comedy Theater.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Episodio diecinueve para la zona premium donde está la gente a la que queremos un poco más porque paga (Al resto también os queremos, pero algo menos). En el capítulo cinco de Cringe mistery os contamos nuestras propias historias personales de misterio chungo, misterio del que podría investigar Iker vaya. ¡The return of the grimaca!Escucha este episodio completo y accede a todo el contenido exclusivo de Misterios Cotidianos (Con Ángel Martín y José L. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/915010

Y en el espacio “Las cuentas claras” de Clara Grima hablamos de Gauss, estrellas y planetas. Escuchar audio

What you'll learn in this episode:   Why people get so concerned with categorizing art, and why some of the most interesting art is created by crossing those boundaries  How Joy balances running a business while handmaking all of her pieces What noble metals are, and how they allow Joy to play with different colors How Joy's residences in Japan influenced her work How Joy has found a way to rethink classical art and confront its dark history     About Joy BC   Joy BC (Joy Bonfield – Colombara) is an Artist and Goldsmith working predominantly in Noble Metals and bronze. Her works are often challenging pre-existing notions of precious materials and ingrained societal ideals of western female bodies in sculpture. Joy BC plays with mythologies and re-examines the fascination with the ‘Classical'. Joy, a native of London, was profoundly influenced from an early age by the artistry of her parents - her mother, a painter and lithographer, her father, a sculptor. Joy's art education focused intensively on painting, drawing and carving, enhanced by a profound appreciation of art within historical and social contexts. Joy BC received her undergraduate degree from the Glasgow School of Art and her M.A. from the Royal College of Art in London. She has also held two residencies in Japan. The first in Tokyo, working under the tutelage of master craftsmen Sensei (teacher) Ando and Sensei Kagaeyama, experts in Damascus steel and metal casting.  She subsequently was awarded a research fellowship to Japan's oldest school of art, in Kyoto, where she was taught the ancient art of urushi by the renowned craftsmen: Sensei Kuramoto and Sensei Sasai. Whilst at the RCA she was awarded the TF overall excellence prize and the MARZEE International graduate prize. Shortly after her graduation in 2019 her work was exhibited in Japan and at Somerset house in London. In 2021 her work was exhibited in Hong Kong and at ‘Force of Nature' curated by Melanie Grant in partnership with Elisabetta Cipriani Gallery. Joy Bonfield - Colombara is currently working on a piece for the Nelson Atkins Museum in the USA and recently a piece was added to the Alice and Louis Koch Collection in the Swiss National Museum, Zurich.Additional Resources:  Joy's Website Joy's Instagram Photos: Photos available on TheJewelryJourney.com Transcript:   While others are quick to classify artists by genre or medium, Joy BC avoids confining her work to one category. Making wearable pieces that draw inspiration from classical sculpture, she straddles the line between jeweler and fine artist. She joined the Jewelry Journey Podcast to talk about why she works with noble metals; the exhibition that kickstarted her business; and how she confronts the often-dark history of classical art though her work. Read the episode transcript here.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Here at the Jewelry Journey, we're about all things jewelry. With that in mind, I wanted to let you know about an upcoming jewelry conference, which is “Beyond Boundaries: Jewelry of the Americas.” It's sponsored by the Association for the Study of Jewelry and Related Arts, or, as it's otherwise known, ASJRA. The conference takes place virtually on Saturday and Sunday May 21 and May 22, which is around the corner. For details on the program and the speakers, go to www.jewelryconference.com. Non-members are welcome. I have to say that I attended this conference in person for several years, and it's one of my favorite conferences. It's a real treat to be able to sit in your pajamas or in comfies in your living room and listen to some extraordinary speakers. So, check it out. Register at www.jewelryconference.com. See you there.   This is a two-part Jewelry Journey Podcast. Please make sure you subscribe so you can hear part two as soon as it comes out later this week. Today, my guest is the award-winning artist and goldsmith Joy Bonfield-Colombara, or as she is known as an artist and jeweler, Joy BC. She is attracted to classical art. She interprets it from her contemporary viewpoint, and her work has been described both as wearable art and as miniature sculptures. We'll learn all about her jewelry journey today. Joy, welcome to the program.   Joy: Thank you for having me, Sharon.   Sharon: So glad to have you all the way from London. Tell us about your jewelry journey. You came from an artistic family.   Joy: Both my parents are artists. My mother is a painter and lithographer, and my father is a sculptor. So, from a really young age, I was drawing and sculpting, and I thought this was quite normal. It was later that I realized my upbringing was perhaps a bit different from some of my friends or my peers.   Sharon: Yes, it's unusual that I hear that. They weren't bankers. Was it always assumed that you were going to be an artist or jeweler?    Joy: Not at all. The fact that my parents were artists, I saw a lot of their struggle to try and place themselves within our society. They both were part of the 1968 revolution. My mom is actually from Italy. She left a tiny, little—not a village, but a small town called Novara which is near Verona and Turin, when she was 16 years old. She came to London and fell in love with London. She went to Goldsmiths School of Art, where she met my father. My father is English, and his ancestors were stonemasons from the Isle of Purbeck. So, they both met at art school, and it was much later that they had me.   As I grew up, they were incredibly talented individuals. They also struggled with how to live and survive from their artwork. As I grew older, however, as much as I loved the creative world I'd grown up in, I was also trying to figure out which pathway was right or was going to be part of my life. I didn't necessarily want to be an artist. For a long time, I wanted to be a marine biologist because I was really good at science, in particular chemistry and biology, and I really loved the ocean. I still love the sea. Swimming is the one sport I'm good at, and I find it fascinating. I still find the sea as a source of inspiration.    So no, it wasn't an absolute given; however, as I got older and went through my education, it became evident to me that was the way I understood the world and the spaces I felt most natural in. I'm also dyslexic. I used to be in special class because I couldn't write very well, but my dyslexia teacher said, “You're smart. You just have a different way of seeing the world.” I was always imaginative. If I couldn't write something, I would draw it or make it, and I liked the feeling that would create when someone else lauded me for it. Immediately, I had this connection with the fact that I could make things that people thought were interesting.    So, I studied science and art and theater, and then I went off to travel to Cuba when I was about 18, before I moved to Glasgow. When I was in Glasgow in Scotland, I saw The Glasgow School of Art degree show, and I was taken aback by the jewelry and metalwork show in particular. I don't know if you know the Rennie Mackintosh School of Art.   Sharon: No.   Joy: It's a British Art Nouveau building. In Scotland, it was part of the Arts and Crafts movement. It was a school that was designed by Rennie Mackintosh. He's a world-famous architect.   Sharon: Is that the one that burned down?   Joy: Yes, that year. I was actually there the year the school burnt down. I went to The Glasgow School of Art and I loved it. I did three amazing years there, and in my second year, I was awarded a residency to go to Japan. We had our degree show and we were preparing for it. The night before the fire, I took all of my works home. I don't know why. I was taking everything home to look at before we had to set up for the exhibition, and the school burnt down. At the same time, I had three major tragedies in my life. My best friend passed away; the school burnt down; and my boyfriend at the time had left me. I went through this total mental breakdown at the point when I was meant to start my career as an artist. I was offered the artist residency in the jewelry and metalworking department.    When Fred died, I was really unwell. A friend of mine had offered that I go to New York. I ended up having a bike accident, which meant that I was in intensive care. I couldn't work for three years. It was actually two friends of my family who were goldsmiths who gave me a space to work when I was really fragile. It was through making again and being with them that I slowly built back my confidence. That was my journey from childhood up right until the formals of education. These three events really broke me, but I also learned that, for me, the space I feel most happy in is a creative one, when I'm carving.   Sharon: Were you in the bike accident in New York or in Glasgow or in London?   Joy: In New York. My friend Jenny, who's a really good friend of mine, was going to New York and said, “I want you to come to New York because you've had the worst set of events happen. I think it would be good for you to have some time away.” I said, “Yeah, I agree,” and I came to New York. I was in Central Park cycling. It wasn't a motorbike. I blacked out. Nobody knows what happened. I woke up the next day in intensive care at Mount Sinai Hospital. I woke up in the hospital, and they told me I had fallen off my bike and I had front lateral brain damage, perforated lungs, perforated liver.   Sharon: Oh my gosh!   Joy: I feel really grateful that I'm here.   Sharon: Yes. To back up a minute, what was the switch from marine biology? I understand you were dyslexic, but what made you decide you were going to be a jeweler or an artist? What was the catalyst there?   Joy: I don't think there was ever a specific switch. I feel like art has always been a part of my life. It was always going to be that. I was always going to draw and make. I was also encouraged to do sculpture. I remember trying set design, because I thought that married my love of film and storytelling and theater with my ability to draw and sculpt. I thought, “Theater, that's a realm that perhaps would work well.” Then I went and did a set design course. The fact that they destroyed all my tiny, little things, because they have to take them apart to take the measurements for how big certain props or things have to be, drove me mad. I couldn't deal that I'd spend hours on these things to be taken apart.    I think it was probably the exhibition I went to see at The Glasgow School of Art. When I saw the show, I was really taken aback that all the pieces had been handmade. They were, to me, miniature sculpture. I hadn't considered that jewelry could be this other type of art. Seeing these works, I thought, “Wow! This is really interesting, and I think there's much more scope to explore within this medium.” I think that was the moment of change that made it for me.   Sharon: What is it about sculpture, whether it's large or jewelry-size, that attracts you? Why that? Is it the feeling of working with your hands?   Joy: I think it's a combination of things, partly because my father's a sculptor. I remember watching him sculpt, and his ancestors were stonemasons. They were quarriers from the Isle of Purbeck dating back to the 12th century. I remember going to the quarries with my dad and thinking how amazing it was that this material was excavated from the earth. Then my father introduced me to sculpture. A lot of West African sculpture, Benin Bronzes, modern sculpture by Alexander Calder. Michelangelo and classical sculpture was all around me in Italy when we'd go and visit my grandparents.    I think sculpture has always been something I found interesting and also felt natural or felt like something I had a calling towards. My mom has always said I have this ability with three-dimensional objects. Even as a child, when I would draw, I would often draw in 3D. I do still draw a lot, but I often collage or sculpt to work out something. You often draw with jewelry designs, actual drawings in the traditional sense, but I go between all different mediums to find that perfect form I'm looking for.   Sharon: When you were attracted to this jewelry in Glasgow, did it jump out at you as miniature sculpture?   Joy: Yeah, definitely. Looking at it, I saw it as miniature versions of sculpture. I also find artists such as Rebecca Horn interesting in the way that they're often about performance or extensions of the body. Even Leigh Bowery, who worked with Michael Clark, was creating physical artworks with ballet. These interactions with the body I think are really interesting: living sculpture, how those things pass over. I don't really like categorizing different art forms. I think they can cross over in so many different ways. We have this obsession about categorizing different ways or disciplines. I understand why we do that, but I think it's interesting where things start to cross over into different boundaries.   Sharon: That's interesting. That's what humans do: we categorize. We can spend days arguing over what's art, what's fine art, what's art jewelry. Yes, there's gray. There are no boundaries; there's gray in between.    Tell us about your business. Is that something your folks talked to you about, like “Go be an artist, but make sure you can make a living at it”? Tell us about your business and how you make a living.   Joy: I felt my parents were going to support me in whatever decisions I made. My mom ran away from Italy when she was 17, and she always told me that she said when she was leaving, “You have to live your life, because no one else will live it for you.” She's always had the attitude with me. Whatever direction I wanted to go in, I felt supported. I've always thought that if you work really hard at something or you put in the hours and you're passionate about it, then things will grow from that. Every experience I've had has influenced the next thing. I never see something as a linear plan of exactly how I'm going to reach or achieve certain things. I'm still very much learning and at the beginning of it. I only graduated in 2019 from the Royal College of Art doing my master's.    As I mentioned before, these two goldsmiths had given me an informal apprenticeship, basically. They were two working goldsmiths that had a studio, and they had been practicing for around 40 years. They had given me a space to work on this skill. Even though I studied a B.A. at The Glasgow School of Art, which is a mixture of practical and theoretical, I felt that after going to Japan and working with a samurai sword specialist making Damascus steel—it took him 25 years to get to the point where he was considered a master craftsman, this master in his craft. I felt like I had just started, even though my education in making had started from birth because my parents were artists and exposed me to all these things and encouraged me to make.    Within metalworking and jewelry work, there are so many techniques and so many things you need to take years to refine. Really, it's been like 11 years of education: doing a B.A., then doing an informal apprenticeship, then doing my master's. Only now do I feel like I've really found this confidence in my own voice within my work. Now I see the reaction from people, and I can help facilitate people on their journeys. I really enjoy that aspect of what I'm doing.    I'm still trying to figure out certain ways of running a business because it's only me. My uncle runs a successful business in Italy in paper distribution, and he said to me, “Why don't you expand or mass produce your work or have different ways of doing things?” This is where I find he doesn't necessarily understand me as an artist. For me, it's about process and handmaking everything. Perhaps that might not be the way I make the most money, but it's the way in which I want to live my life and how I enjoy existing. My business at the moment is just me handmaking everything from start to finish. What's really helped me recently is having support from the journalist Melanie Grant, who invited me to be part of an exhibition with Elisabetta Cipriani. It was with artists such as Frank Stella, Penone, who's one of my favorites from the Arte Povera movement who also came northern Italy, from an area where my family is from.    Sharon: I'm sorry; I missed who that was. Who's one of your favorites?    Joy: Penone. He's the youngest of the Arte Povera movement in Italy that came out of Turin. He often looks at nature and man's relationship to nature, the influence of it or connection. The piece of his that was on display was a necklace which was part of a tree that wraps around the décolletage. Then it has a section which is sort of like an elongated triangle, but it was the pattern of the skin from his palm. It's very beautiful. His sculpture, his large pieces, are often trees forming into hands or sections of wood that have been carved to look like trees, but they're carved. There's also Wallace Chan, who is obviously in fine jewelry. Art jewelry is considered—I don't know what to say—   Sharon: That's somebody who has a different budget, a different wallet. Not that your stuff isn't nice, but the gems in his things, wow.    Joy: There was Grima, Penone, Frank Stella. It was a combination of people who are considered more famously visual artists than fine jewelers. Then there was me, who was this completely new person in the art jewelry scene. I felt really honored that Melanie had asked me to put my work forward. I've always known what my work is to me. I see is as wearable artwork. But there was the aspect of, “What do other people see in it? How are they going to engage in this?” The feedback was absolutely incredible.    Since then, the work and the business have been doing so well. I have a bookkeeper now. The one person I employ is an amazing woman called Claire. She has been really helping me understand how my business is working and the numbers. However talented you are, if you don't understand how your business is working, then you're set up to fail. It's really difficult to continue to stay true to my principles and how I want to make, and to try to understand how I'm going to be able to do that, what it's going to take. I'm right at the beginning of it. I'm only in my first two years of my business. At the moment, from speaking to Claire, she was saying I'm doing well. I feel really supported by my gallery also, and that's the big part of it. I think that's going to make the difference.   Sharon: Wow! You do have a lot of support. No matter how talented you are, you do have to know how much things cost, whether you're making by hand or mass-producing them. I've always wanted to stick my head in the sand with that, but yes, you do need to know that.    I didn't realize there were so many artists at the exhibit. I knew you had this exhibit at Elisabetta Cipriani's gallery, but I didn't realize there were so many artists there. That must have been so exciting for you.   Joy: It was super exciting, and it was really interesting. Melanie has just written this book, “Coveted,” which is looking at whether fine jewelry can ever be considered as an art form. That's a conversation I'm sure you've had many a time in these podcasts, about classification. It's what we were talking about before, about how everything becomes departmentalized. Where is that crossover? How does it work? If people say to you, “I'm a jeweler” or “I'm an artist,” you'll have a different idea immediately of what that means.    It was hard to present an exhibition which was a combination of different work with the interesting theme of “force of nature,” just as we were coming out of lockdown. These are artists who've all been working away, and we got to do a real, in-person exhibition that people could attend and see and touch. One of the most magnificent things with jewelry is the intimate relationship you have with it, being able to touch it, feel it, that sensory aspect. I think in this day and age, we have a huge emphasis on the visual. We're bombarded with visual language, when the tactile and touching is the first thing we learn with. To be able to touch something is really to understand it.   Sharon: I'm not sure I 100% agree with that philosophy. I have jewelry buddies who say they have to hold the piece and feel it. I guess with everything available online, I don't know.   Joy: Diversity depends on what your own way of experiencing things is. Also, the way you look at something will be informed by the way you touched it. Yes, we are all looking at things big picture. We know it's made of wood or metal or ceramic. We can imagine what that sensation is. Of course, imagination also influences the ability to understand something, so they work together. I think it just adds different dimensions. It's the same with music. Sound is another sensory way in which we experience things. Music often moves me and helps me relax in ways that other art forms don't do.   Sharon: Right.