Podcast appearances and mentions of john dower

John Dower from the Alpine Garden Society discusses starting out and building a rockery in your garden. He also looks at how to get started with alpine plants. == We're delighted to have Gro-rite Horticultural Supplies sponsoring World Radio Gardening, find out about automatic pot watering systems available for mail order delivery: bit.ly/3wCPyHy For 2024, World Radio Gardening is planning a series of 4 exclusive newsletters. These will be loaded with extra special content and deals for you as a gardener. Make sure you don't miss out by signing up today via sign-up page: bit.ly/3RWwhYR The first newsletter is out now here: bit.ly/3TfbXT1 – don't miss the next one! Also, don't forget – if you like what we do, why not tip Ken and team with a coffee – Buy us a coffee (bit.ly/48RLP75) – as a thank you for the work done to bring this website to life.

This week, Kiff welcomes video game director John Dower (https://www.johndower.co.uk ) to the show. John is the co-founder of The Mocap Vaults, a spectauclar international motion capture training program. We talk about his coming up, the nature of being a director, the skill sets involved and what that means for actors in the volume. It's a fantastic conversation that sheds light on a wide array of topics that are vital to the working actor in today's emerging interactive market. Per our conversation: Facebook - https://www.facebook.com/JohnDowerDirector/Instagram -  https://www.instagram.com/john_dower_director/LinkedIn - https://www.linkedin.com/in/john-dower-8219b22/Website - https://johndower.co.ukVimeo - https://vimeo.com/user6120374 MOCAP VAULTS LINKS -Facebook - https://www.facebook.com/themocapvaults/ INSTAGRAM - https://www.instagram.com/themocapvaults/Linkedin - https://www.linkedin.com/company/the-mocap-vaults/?viewAsMember=trueX - https://twitter.com/themocapvaultsWebsite - https://www.themocapvaults.comYoutube - https://www.youtube.com/channel/UC7JkokMS2XUFZte1k6iEFkwIt's time to learn Motion Capture acting! - https://www.youtube.com/watch?v=3SIDGtJ1v4k&t=7s BOOK - Performing for Motion Capture - A guide for PractitionersBloomsbury - https://www.bloomsbury.com/uk/performing-for-motion-capture-9781350211254/ Amazon - https://www.amazon.com/Performing-Motion-Capture-Guide-Practitioners/dp/1350211257Audible - https://www.audible.com/pd/Performing-for-Motion-Capture-Audiobook/B0BZ6FPJL4? Reparations Links - Heirs of Slavery - https://www.heirsofslavery.org/reparationsDanish TV Documentary - https://vimeo.com/809696603?share=copy Password - Grenada    Note - Press cc for English captionsGuardian article on the apology - https://www.theguardian.com/world/2023/feb/27/british-slave-owners-family-makes-public-apology-in-grenada

The BAFTA TV Awards are coming... and we thought we'd share this fascinating new podcast from BAFTA that explores the nominees.It's calles Countdown To The BAFTAs, and it's made by the producers of The Media Podcast (and has a few familar voices in it too).Alex Zane is your host - in this episode he reveals the documentaries in contention - what does the Spider-Man of Paris have in common with The Enfield Poltergeist? Find out as Alex is joined by TV exec Faraz Osman and foreign affairs journalist, documentary filmmaker and author Ramita Navai to discuss a challenging yet creatively ambitious year for factual production teams.The nominees discussed:FACTUAL SERIESDUBLIN NARCOS Benedict Sanderson, Claire McFall, Sacha Baveystock, Edmund Coulthard, Megan Taylor, Laura Dunne – Blast! Films / Sky DocumentariesEVACUATION Production Team - Wonderhood Studios / Channel 4LOCKERBIE Nancy Strang, John Dower, Claire McFall, Barnaby Fry, Dejan Cancar, Charlie Hawryliw - Mindhouse Productions / Sky DocumentariesONCE UPON A TIME IN NORTHERN IRELAND Production Team - KEO Films, Walk On Air Films, The Open University / BBC TwoSINGLE DOCUMENTARYDAVID HOLMES: THE BOY WHO LIVED Dan Hartley, Kevin Konak, Simon Chinn, Jonathan Chinn, Vanessa Davies, Amy Stares - Lightbox, HBO / SkyDocumentariesELLIE SIMMONDS: FINDING MY SECRET FAMILY Jasleen Sethi, David Thompson, Colleen Flynn, Kathryn Jein, Nick Underhill - Flicker Productions / ITV1HATTON Daniel Dewsbury, Paul Yoshida, Sam Bergson, Ian Davies, John McKenna - Noah Media Group / Sky DocumentariesVJERAN TOMIC: THE SPIDER-MAN OF PARIS Jamie Roberts, Dan Reed - Amos Pictures / NetflixSPECIALIST FACTUALCHIMP EMPIRE James Reed, Matt Houghton, Callum Webster, Matt Cole - KEO Films, Underdog Films / NetflixTHE ENFIELD POLTERGEIST Jerry Rothwell , Al Morrow, Stewart le Maréchal, Nicole Stott, Jonathan Silberberg, Davis Guggenheim - MetFilm, Concordia Studio / Apple TV+FORCED OUT Luke Korzun Martin, Sophie Perrins, Chibuikem Oforka, Josh Green, Tom Pullen, Richard Bond - Dragonfly / Sky DocumentariesWHITE NANNY, BLACK CHILD Andy Mundy-Castle, Natasha Dack Ojumu, Rochelle Newman, Zeb Achonu, Ross Leppard, Rachael McLean-Anderson - Doc Hearts, TigerLily Productions, BFI / Channel 5 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

What does the Spider-Man of Paris have in common with The Enfield Poltergeist? Alex Zane reveals the documentaries in contention for the BAFTA TV Awards 2024 with P&O Cruises.Find out as Alex is joined by TV exec Faraz Osman and foreign affairs journalist, documentary filmmaker and author Ramita Navai to discuss a challenging yet creatively ambitious year for factual production teams.FACTUAL SERIESDUBLIN NARCOS Benedict Sanderson, Claire McFall, Sacha Baveystock, Edmund Coulthard, Megan Taylor, Laura Dunne – Blast! Films / Sky DocumentariesEVACUATION Production Team - Wonderhood Studios / Channel 4LOCKERBIE Nancy Strang, John Dower, Claire McFall, Barnaby Fry, Dejan Cancar, Charlie Hawryliw - Mindhouse Productions / Sky DocumentariesONCE UPON A TIME IN NORTHERN IRELAND Production Team - KEO Films, Walk On Air Films, The Open University / BBC TwoSINGLE DOCUMENTARYDAVID HOLMES: THE BOY WHO LIVED Dan Hartley, Kevin Konak, Simon Chinn, Jonathan Chinn, Vanessa Davies, Amy Stares - Lightbox, HBO / Sky DocumentariesELLIE SIMMONDS: FINDING MY SECRET FAMILY Jasleen Sethi, David Thompson, Colleen Flynn, Kathryn Jein, Nick Underhill - Flicker Productions / ITV1HATTON Daniel Dewsbury, Paul Yoshida, Sam Bergson, Ian Davies, John McKenna - Noah Media Group / Sky DocumentariesVJERAN TOMIC: THE SPIDER-MAN OF PARIS Jamie Roberts, Dan Reed - Amos Pictures / NetflixSPECIALIST FACTUALCHIMP EMPIRE James Reed, Matt Houghton, Callum Webster, Matt Cole - KEO Films, Underdog Films / NetflixTHE ENFIELD POLTERGEIST Jerry Rothwell , Al Morrow, Stewart le Maréchal, Nicole Stott, Jonathan Silberberg, Davis Guggenheim - MetFilm, Concordia Studio / Apple TV+FORCED OUT Luke Korzun Martin, Sophie Perrins, Chibuikem Oforka, Josh Green, Tom Pullen, Richard Bond - Dragonfly / Sky DocumentariesWHITE NANNY, BLACK CHILD Andy Mundy-Castle, Natasha Dack Ojumu, Rochelle Newman, Zeb Achonu, Ross Leppard, Rachael McLean-Anderson - Doc Hearts, TigerLily Productions, BFI / Channel 5 Hosted on Acast. See acast.com/privacy for more information.

Next month marks the 35th anniversary of the Lockerbie Bombing, when 270 people were killed in the UK's worst ever terrorist attack. Sky documentaries has a new multi-part series which re-examines this extraordinary event. Sean was joined by director, John Dower, whose work is known to Irish audiences having previously directed the Netflix series about Sophie Toscan du Plantier...

Next month marks the 35th anniversary of the Lockerbie Bombing, when 270 people were killed in the UK's worst ever terrorist attack. Sky documentaries has a new multi-part series which re-examines this extraordinary event. Sean was joined by director, John Dower, whose work is known to Irish audiences having previously directed the Netflix series about Sophie Toscan du Plantier...

How Christina Lamb pieced together for The Sunday Times reports of acts of sexual violence by Hamas during the 7 October attacks. What a new documentary about the 1988 Lockerbie bombing tells us about how journalists would now cover a major tragedy. And a new chair for the BBC is proposed by the government.Guests: Christina Lamb, chief foreign correspondent, The Sunday Times; Daniel Thomas, global media editor, The Financial Times; John Dower, director, Lockerbie; Frank O'Donnell, former editor of The Scotsman; Eleni Courea, deputy editor, Politico London PlaybookPresenter: Katie RazzallProducer: Simon Richardson

Welcome to the second edition of the FNI Wrap Chat Podcast Fastnet Film Festival special, this is the second of two, which we recorded live from our lovely campervan provided by Rambling Rover.ie at the Fastnet Film Festival in Schull in West Cork. Please excuse the slight noise as we were parked near the hive of activity of the festival hub. Special thanks this week goes out to Windmill Lane for their support and we're very excited to be working with them on an ongoing partnership. In this second episode, we've an interview with the lovely Actor Moya Farrelly on the run-up to the 25th Anniversary of her feature Film This is my Father also featuring Aidan Quinn and John Cusack. We also spotlight some up-and-coming talent you should watch out for in the near future. Moya's Screen appearances include Fiona Kinsella in SINGLE-HANDED, Sorcha Buckley in JACK TAYLOR: THE PIKEMEN, Previous film and television credits include the lead role of Eileen in FIRST COMMUNION DAY, directed by John Dower for the BBC, Sally Lyons in BACHELORS WALK; Andrea in MESSAGGI QUASI SEGRETI, directed by Valerio Jalongo, BRAVEHEART, directed by Mel Gibson. Director Jamie O'Rourke's first short, Scrap, is still on the festival circuit, was nominated for an IFTA in 2022, and screened at the 2023 Clermont-Ferrand International Film Festival and has played at festivals around the world. His second film, Calf, funded by Screen Ireland/Virgin Media had its World Premiere at The Dublin International Film Festival in February 2023 and will screen at AA/EFA qualifying Odense IFF in Denmark in Aug 2023. Shane Serrano is an award winning Director & Cinematographer from Limerick. Through his production company, Crude Media, Shane has been directing and producing for over 10 years, working on over 130 music videos for artists. Many of his films have been selected by acclaimed film festivals globally, including the Newport Beach Film Festival, Irish Film London, Galway Film Fleadh, DIFF, Berlin International Art Film Festival and Chicago Irish Film Festival. In 2019 he was the recipient of an Award for Outstanding Contribution to Film in Limerick, at the Richard Harris International Film Festival. Tania Notaro is an exciting screenwriter, director and actor from Dublin. Her comedy drama TV series Cabaret Cartel is currently in development as part of Screen Ireland's Spotlight scheme. She has just completed her first short Glitterbug as writer/director and her visually arresting short film Postpartum (See on theVirgin Media Player Now!) She was selected to take part in the Eureka Series Programme 2022 at the Series Mania Institute. She has a 1st class Master's degree in Screenwriting, NFT/IADT with a scholarship from Warner Brothers and later selected by the Warner Brothers Creative Talent Team as an exceptional artist and one-to-watch. Johnny is an award winning actor, writer and director who has been involved in film and drama for the best part of two decades. He has written and directed such comedy films as The Legend of Harry and Ambrose, Aftermath and The Blizzards behind the music. In 2021 his comedy pilot "Cancelled" won best comedy pilot at the Austin after dark comedy festival. He can be seen later this year in Maurice O'Carroll's brilliant new feature Swing bout. Michael O'Hara is an actor, award winning writer, producer and director of animation, live action and documentary. His production company Waking Dream Productions is known for Talent Drivers (2019), Donuts, People and Their Dreams (1993) and Mr Happy (2006).  His latest "In Your Dreams" a docuseries is discussed here. This is the FNI Wrapchat Podcast, and we're here to celebrate Irish film and the people who make it possible. It's a cracking bumper special edition Episode! You'll find more about us on social media on FB and Insta on @filmnetworkireland and fni_film on the twitter machine. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the second edition of the FNI Wrap Chat Podcast Fastnet Film Festival special, this is the second of two, which we recorded live from our lovely campervan provided by Rambling Rover.ie at the Fastnet Film Festival in Schull in West Cork. Please excuse the slight noise as we were parked near the hive of activity of the festival hub. Special thanks this week goes out to Windmill Lane for their support and we're very excited to be working with them on an ongoing partnership. In this second episode, we've an interview with the lovely Actor Moya Farrelly on the run-up to the 25th Anniversary of her feature Film This is my Father also featuring Aidan Quinn and John Cusack. We also spotlight some up-and-coming talent you should watch out for in the near future. Moya's Screen appearances include Fiona Kinsella in SINGLE-HANDED, Sorcha Buckley in JACK TAYLOR: THE PIKEMEN, Previous film and television credits include the lead role of Eileen in FIRST COMMUNION DAY, directed by John Dower for the BBC, Sally Lyons in BACHELORS WALK; Andrea in MESSAGGI QUASI SEGRETI, directed by Valerio Jalongo, BRAVEHEART, directed by Mel Gibson. Director Jamie O'Rourke's first short, Scrap, is still on the festival circuit, was nominated for an IFTA in 2022, and screened at the 2023 Clermont-Ferrand International Film Festival and has played at festivals around the world. His second film, Calf, funded by Screen Ireland/Virgin Media had its World Premiere at The Dublin International Film Festival in February 2023 and will screen at AA/EFA qualifying Odense IFF in Denmark in Aug 2023. Shane Serrano is an award winning Director & Cinematographer from Limerick. Through his production company, Crude Media, Shane has been directing and producing for over 10 years, working on over 130 music videos for artists. Many of his films have been selected by acclaimed film festivals globally, including the Newport Beach Film Festival, Irish Film London, Galway Film Fleadh, DIFF, Berlin International Art Film Festival and Chicago Irish Film Festival. In 2019 he was the recipient of an Award for Outstanding Contribution to Film in Limerick, at the Richard Harris International Film Festival. Tania Notaro is an exciting screenwriter, director and actor from Dublin. Her comedy drama TV series Cabaret Cartel is currently in development as part of Screen Ireland's Spotlight scheme. She has just completed her first short Glitterbug as writer/director and her visually arresting short film Postpartum (See on theVirgin Media Player Now!) She was selected to take part in the Eureka Series Programme 2022 at the Series Mania Institute. She has a 1st class Master's degree in Screenwriting, NFT/IADT with a scholarship from Warner Brothers and later selected by the Warner Brothers Creative Talent Team as an exceptional artist and one-to-watch. Johnny is an award winning actor, writer and director who has been involved in film and drama for the best part of two decades. He has written and directed such comedy films as The Legend of Harry and Ambrose, Aftermath and The Blizzards behind the music. In 2021 his comedy pilot "Cancelled" won best comedy pilot at the Austin after dark comedy festival. He can be seen later this year in Maurice O'Carroll's brilliant new feature Swing bout. Michael O'Hara is an actor, award winning writer, producer and director of animation, live action and documentary. His production company Walking Dream Productions is known for Taxi Drivers (2009), Donuts, People and their Dreams (1993) and Mr Happy (2006). his latest “In Your Dreams”. A Docuseries is discussed here This is the FNI Wrapchat Podcast, and we're here to celebrate Irish film and the people who make it possible. It's a cracking bumper special edition Episode! You'll find more about us on social media on FB and Insta on @filmnetworkireland and fni_film on the twitter machine.

In this week's show, we're zooming in on how to garden in small spaces. Whether you've got a neglected corner of your garden that you need to fill – or you've no garden at all – we've got you covered. We'll be exploring a host of techniques for turning odd nooks and crannies into little green oases. John Dower, a long-time member of the Alpine Garden Society, will start us off with a master-class on constructing mesmerising gardens in miniature. Connor Smith, head of the Rock Garden at Utrecht Botanic Gardens, will share his tried and tested advice for using recycled materials to make compact crevice gardens. And finally, Alpine Horticulturists Amy Smethurst & Bertie Swainston will share their love for dainty dionysias.  Links: Alpine Garden Society Harlow Carr Alpine House Rock gardening

Joining me tonight for a late night conversation is one of the UK's leading documentary directors, John Dower. Just looking over his resume, John has been nominated for and has won numerous awards and accolades for his masterful work. Earlier this year, he delivered the  Netflix hit entitled ‘Sophie: A Murder in West Cork”.  It's an incredible deep dive into one of the most tragic murders in modern Irish history. On HBO Max, you can also explore one of the greatest whodunits in US history with his riviting documentary "The Mystery of DB Cooper. I'm so excited to have as a guest for your listening pleasure, John Dower, on this episode of the Necronomicast! John Dower's Official Site

Stephen Hsu is a Professor of Theoretical Physics and Professor of Computational Mathematics, Science, and Engineering at Michigan State University. He is also a serial entrepreneur and has published on genomics, in addition to blogging on a wide range of topics from econometrics and geopolitics to mixed martial arts. Hsu joins the Podcast, where he and Richard begin by talking about the Russia-Ukraine crisis and American military power relative to that of China and Russia. What would a Chinese attempt to conquer Taiwan look like, and what would the US be able to do in response? This is followed by a long discussion on the strengths and weaknesses of the Chinese system and its differences with the democratic capitalist model, including the former's high level of reliance on standardized tests and institutions designed to evaluate and promote government officials. The conversation closes on the topics of genomics and embryo selection, including the state of the technology, its current uses, and cross-national differences in attitudes and regulations. A full transcript of the conversation is available here. Sign up for CSPI's Substack newsletter: https://cspi.substack.com. Follow CSPI on Twitter: https://twitter.com/CSPICenterOrg. Subscribe to our YouTube for video podcasts: https://www.youtube.com/channel/UCvs4ugq0xSvbvwArpFJG6gA. Learn more about CSPI: https://cspicenter.org. Ezra Voegel, “Japan as Number One.” John Dower, “War Without Mercy." Dan Wang, ”2021 Letter.” Dan Bell, “The China Model.” Richard McGregor, “The Party.” "DNA Dreams" (documentary film). Richard Hanania, “The Inevitable Rise of China.” Richard Hanania, “Fertility as the Final Boss in Chinese Development, and Richard Hanania Prediction Markets.” Steve Hsu, “Sustainability of China Economic Growth.” Steve Hsu, “Les Grandes Ecoles Chinoises.” Francesco C. Billari, Hans-Peter Kohler, Gunnar Andersson and Hans Lundström, “Approaching the Limit: Long-Term Trends in Late and Very Late Fertility.”  p. 163. (On Swedish Fertility, Extreme Births) Steve's Podcast, “Manifold.”

In this final part of the latest installment of Doc Doc World, Jordan finishes John Dower's 2021 true crime docuseries, Sophie: A Murder in West Cork. The Netflix series covers the investigation into the murder of Sophie Toscan du Plantier, a French film and TV producer who was killed in 1996 while vacationing at her holiday cottage in West Cork, Ireland. In this second of two parts, Jordan covers Episode 3 of the docuseries. *Music by Jordan Crittenden and Quincas Moreira*Watch Sophie: A Murder in West Cork on Netflix: https://www.netflix.com/title/81094755 *To support Dark Dark World: http://www.patreon.com/darkdarkworld*Web: http://www.darkdarkworld.com*Twitter: @darkworldpod*Instagram: @darkdarkworldpodcast*Email: darkworldpod@gmail.com*Thank you for listening!

In the latest installment of Doc Doc World, Jordan tackles John Dower's 2021 true crime docuseries, Sophie: A Murder in West Cork. The Netflix series covers the investigation into the murder of Sophie Toscan du Plantier, a French film and TV producer who was killed in 1996 while vacationing at her isolated holiday cottage in West Cork, Ireland. In this first of two parts, Jordan covers Episodes 1 & 2 of the docuseries. *Watch Sophie: A Murder in West Cork on Netflix: https://www.netflix.com/title/81094755 *To support Dark Dark World: http://www.patreon.com/darkdarkworld*Web: http://www.darkdarkworld.com *Twitter: @darkworldpod *Instagram: @darkdarkworldpodcast *Email: darkworldpod@gmail.com *Thank you for listening!

In our latest episode, we discuss Diana: The Musical, the 'couch guy' TikTok & Martyn tells the story of the Cleveland Elementary School shooting by 16-year-old Brenda Spencer, who infamously gave a motive of "I don't like Mondays". - - - SOURCES San Diego Union-Tribune - “40 years ago, Brenda Spencer took lives, changed lives in a mass shooting at a San Diego elementary school.”, 2019 The Los Angeles Times - “Victims of San Diego School Shooting Are Forced to Cope Again 10 Years Later.”, 1989 “I Don't Like Mondays” - Documentary by John Dower, 2006

In our latest episode, we discuss Diana: The Musical, the 'couch guy' TikTok & Martyn tells the story of the Cleveland Elementary School shooting by 16-year-old Brenda Spencer, who infamously gave a motive of "I don't like Mondays". - - - SOURCES San Diego Union-Tribune - “40 years ago, Brenda Spencer took lives, changed lives in a mass shooting at a San Diego elementary school.”, 2019 The Los Angeles Times - “Victims of San Diego School Shooting Are Forced to Cope Again 10 Years Later.”, 1989 “I Don't Like Mondays” - Documentary by John Dower, 2006

Double episode reviewing 2 documentaries about the brutal murder of Sophie Toscan du Plantier in west Cork Ireland in 1996. Murder at the Cottage: The Search for Justice for Sophie by Jim Sheridan and the Netflix doc Sophie: A Murder in West Cork.Two days before Christmas in 1996,  was brutally murdered at her holiday cottage in Schull, West Cork. The murder rocked the quiet Irish town and 24 years later, the case remains a mystery. In the first doc Oscar-nominated filmmaker Jim Sheridan pieces together original evidence, never-before-seen footage, and interviews with those closest to the case to try to make sense of what really happened. In the second, John Dower examines the same evidence for a compelling Netflix series. Cherida and Tracey examine both for this Docs That Rock special.★ Support this podcast on Patreon ★

Netflix is today showing a new true crime series 'Sophie: A Murder in West Cork'. The John Dower series aims to paint a full picture of Ms. Toscan du Plantier who was murdered in West Cork in December 1996. Ian Bailey, one man who's been close to the centre of this case joined us on Newstalk Breakfast to discuss the case and the veracity of the Netflix Documentary. Listen and subscribe to Newstalk Breakfast on Apple Podcasts or Spotify.     Download, listen and subscribe on the Newstalk App.    You can also listen to Newstalk live on newstalk.com or on Alexa, by adding the Newstalk skill and asking: 'Alexa, play Newstalk'.    

Neil Speaks to John Dower the Director of 'Sophie - A Murder in West Cork', the Delayed Re-opening of Indoor Dining, and Setting Up a New Business During the Pandemic. Tune into the Neil Prendeville Show weekdays from 9am on Cork's RedFM.

Cinematographer Edgar Dubrovskiy interviews his colleague, an Emmy, Bafta and Sundance-nominated documentary director John Dower. Working with Louis Theroux, chasing DB Cooper and destroying books. An honest chat about the filmmaking career. John: @halmack7 Edgar/Open: @edgardubrovskiy --- Send in a voice message: https://anchor.fm/openfilmmakerstalk/message

Directed by Emmy-nominated filmmaker John Dower, THE MYSTERY OF D.B. COOPER brings to life the stories of four individuals fervently believed by their family and friends to be “D.B. Cooper,” the mystery man who hijacked a 727 flying out of Seattle, traded the passengers’ lives for $200,000 and four parachutes, lept from the jet over some of Washington state’s roughest terrain, and was never heard from again. ‌ Almost 50 years later, the case continues to confound the FBI and inspire wild speculation as it remains the only unsolved airplane hijacking in United States history.‌ THE MYSTERY OF D.B. COOPER draws from a combination of recreated and archival footage, as well as exclusive interviews with those most connected to the infamous case and its likeliest culprit, and explores how the heist inspired copycat hijackings around the world and elevated Cooper to “legend” status before his plane even touched back down on land. ‌Director John Dower joins us for a lively conversation on the rabid D.B. Cooper cognoscenti who claim that they “know” what happened, the surprisingly strong bond Dower formed with the subjects he met making the film and the enduring and irresistible legend born on Thanksgiving eve, 1971. For news, and screenings go to: hbo.com/documentaries/the-mystery-of-db-cooper

Episode 53 of One Week Only! This week's key film is "Raw," a French coming-of-age drama about a vegetarian student at Veterinary college who discovers an unexpected but unquenchable thirst for meat, including human flesh. Directed by Julia Ducournau and starring Garance Marillier & Ella Rumpf, this fantastic film is a complex mix of college hazing drama, art-house horror and metaphorical exploration of one's identity. It's a bold debut, and one of the best films of the year so far. Now Playing in New York and Los Angeles! (35:30) The Slamdance Cinema Club returns to Arclight theaters this weekend! This week's interview is with the director & star of the documentary "Strad Style" about an amateur violin maker in rural Ohio who attempts to make one of the most complicated violins in the world. We speak with director Stefan Avalos and star Danny Houck about how the film came together, and what it was like to win both the Jury Prize and the Audience Award for Best Documentary at this year's Slamdance Film Festival. (46:00) We also review the Greek drama "Suntan" about a middle-aged doctor obsessed with a younger woman, directed by Argyris Papadimitropoulos (7:30); and the documentary "My Scientology Movie" about British broadcaster Louis Theroux's attempts to learn about the mysterious religion, directed by John Dower (21:00). Hosted by Carlos Aguilar & Conor Holt. Music by Kevin MacLeod at www.incompetech.com

Louis, John and Face2Face host David Peck talk about   Synopsis It’s an absurd truth about the Church of Scientology that one of the world’s most secretive organizations will step angrily out into public view when provoked. This reactiveness is at the core of My Scientology Movie, the cheeky, acclaimed “reverse-investigative” documentary starring British broadcaster/journalist Louis Theroux and directed by John Dower. With the world awash in “exposes” of the neo-religion created by the late science fiction writer L. Ron Hubbard – and total denials by the Church itself – My Scientology Movie uses reverse psychology to create a picture of the organization inadvertently painted by its own followers. It starts with a not-unexpected refusal by the Church to cooperate with a documentary. It continues from there with a very public casting exercise by the filmmakers and former Scientology Marty Rathbun, for actors to play real-life figures like church leader David Miscavige and the church’s most famous follower Tom Cruise. They then let gossip and paranoia do the rest, attracting the attention of Scientology’s lawyers, threats from church officials, harassment from “squirrel-busters” meeting them at random locations (at least one such incident went viral online) and phony “documentary crews” that followed Theroux, Dower and Rathbun around. The result is a documentary that doubles down on the story of Scientology. It provides details of its dark side – including the infamous California “Gold Base” facility for wayward Church officials (visited in the movie) and a punishment area called The Hole. And it renders those revelations more plausible by the actual strange and aberrant behavior of followers. “They behaved in ways that were so clearly pathological,” Theroux says of the counter-tactics he recorded. “You would expect them to understand that other people would see this behavior and conclude that this is a religion of lunatics.” “This has always been a Holy Grail project to me,” he says. “I’m attracted to stories of people doing profoundly unusual things for explainable human reasons. Normally, I am invited into the worlds I visit. I had to make the decision to make this one anyway, and to lure them out. “At the heart of it, this is a story about religious fundamentalism, which is a phenomenon that is front and center in our time.” Biography Louis Theroux is a British-American documentary filmmaker, and broadcaster. He is best known for his documentary series, including Louis Theroux's Weird Weekends, When Louis Met..., and his BBC Two specials. His career started in journalism and bears influences of notable writers in his family, such as his father Paul Theroux and brother Marcel. He works with the BBC producing his documentaries and television series. He has received two British Academy Television Awards and a Royal Television Society Television Award for his work. John Dower is one of the Britain's leading documentary directors. His feature Thriller in Manila was in competition at Sundance, BAFTA and EMMY nominated, and won a Grierson and a Peabody Award. Bradley Wiggins – A Year In Yellow was also BAFTA nominated in the best director category. As well as his sporting films he has a keen eye for comedy. His music documentary Live Forever was described by The Guardian as, “Sublime … finds that the truth is stranger and funnier than the myths” and his latest theatrical feature My Scientology Movie praised by The Telegraph as “a giddy, Pythonesque delight”, with Variety calling it “riotously funny”.    ----------   For more information about my podcasting, writing and public speaking please visit my site here.   With thanks to producer Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

My Scientology Movie sees BBC presenter, Louis Theroux, attempt to infiltrate the Church of Scientology, an organisation infamous for being shrouded in secrecy. Curiosity about the mysterious inner workings of the church, along with reports of assault committed by leader, David Miscavige, motivate Theroux’s efforts to understand life inside the Church and why it is so confidential.  Since first approaching the Church in 2002, Theroux’s pursuit to gain access to the Church and interview Miscavige had been denied. Classified under the spiritual state of Operating Thetan (OT) and one of the highest levels within the hierarchy, members of the “Sea Org” also declined to be involved. Without admittance to the Church or interviews with practising Scientologists, one would assume any plans for the documentary would be abandoned. Instead, Theroux sets out to re-enact incidences involving Miscavige, the Sea Org and high profile member, Tom Cruise by holding a casting call in Hollywood, where the Church’s Los Angeles headquarters resides. Theroux is aided by Mark “Marty” Rathbun, an ex-Scientologist who was previously Miscavige’s second-in-command. The casting call sparks bitter backlash from the Scientologist community, resulting in Theroux and his team being stalked and threatened throughout the film. Casting actors to re-create Marty’s recollections of being a Scientologist works well to gradually introduce the audience to Scientology and awaken Marty’s memories. Most importantly, this approach compels Scientologists to engage with the documentary. Theroux appeals to the quality all scientologists, whether practising or excommunicated, seem to share in the film; an overbearing sense of pride. This could be attributed to the “auditing sessions” all members must undergo, which involve practicing intimidation techniques and dominating your opponent’s mind. Marty helps Theroux conduct a mock auditing session with the cast members to help them understand the harsh treatment within the Church and what motivates their characters. These techniques aim to instil doubt and distrust in the follower, hardening their mind but also weakening their empathy. Marty, despite having left the Church seven years ago, displays a similar type of pride when speaking about his previous role within Scientology, boasting that the “Church was absolutely at [his] beck and call”. Marty is a conflicted character, both reminiscing about former glory and bitter towards his past aggressors. The main criticism against Theroux documentaries is the presenter tends to insert himself into the narrative, steering away from traditional methods of strict observation. Fans of Theroux will relish the moment he catches his interviewees off-guard with his quips and quirky interviewing style, a trademark of his documentaries. Those intrigued by both the subject and the way the presenter engages with the subject will find this film captivating. However, I can appreciate that those who prefer the traditional style would not welcome his techniques, which often blur the line between conventional documentary and reality tv. This is where the genius lies, though, for the cast of actors play two roles in this film; the fabricated re-enactment of Marty’s memories and their real experiences with Scientologists as they’re hounded during filming. The switches between official BBC camera footage and mobile recordings suggests the documentary is largely unfiltered, and reinforces the idea of the film’s authenticity. This balances the growing suspicion you may feel when listening to Marty’s stories, a position I found myself in especially when he omits piece of information or becomes agitated without warning. I would highly recommend going to see this film, whether you’re a Theroux fan or not. It sees the talents of director, John Dower, and producer, Simon Chinn, come together and make a thought-provoking and entertaining film. Written by Erin Connellan

My Scientology Movie sees BBC presenter, Louis Theroux, attempt to infiltrate the Church of Scientology, an organisation infamous for being shrouded in secrecy. Curiosity about the mysterious inner workings of the church, along with reports of assault committed by leader, David Miscavige, motivate Theroux’s efforts to understand life inside the Church and why it is so confidential. Since first approaching the Church in 2002, Theroux’s pursuit to gain access to the Church and interview Miscavige had been denied. Classified under the spiritual state of Operating Thetan (OT) and one of the highest levels within the hierarchy, members of the “Sea Org” also declined to be involved. Without admittance to the Church or interviews with practising Scientologists, one would assume any plans for the documentary would be abandoned. Instead, Theroux sets out to re-enact incidences involving Miscavige, the Sea Org and high profile member, Tom Cruise by holding a casting call in Hollywood, where the Church’s Los Angeles headquarters resides. Theroux is aided by Mark “Marty” Rathbun, an ex-Scientologist who was previously Miscavige’s second-in-command. The casting call sparks bitter backlash from the Scientologist community, resulting in Theroux and his team being stalked and threatened throughout the film. Casting actors to re-create Marty’s recollections of being a Scientologist works well to gradually introduce the audience to Scientology and awaken Marty’s memories. Most importantly, this approach compels Scientologists to engage with the documentary. Theroux appeals to the quality all scientologists, whether practising or excommunicated, seem to share in the film; an overbearing sense of pride. This could be attributed to the “auditing sessions” all members must undergo, which involve practicing intimidation techniques and dominating your opponent’s mind. Marty helps Theroux conduct a mock auditing session with the cast members to help them understand the harsh treatment within the Church and what motivates their characters. These techniques aim to instil doubt and distrust in the follower, hardening their mind but also weakening their empathy. Marty, despite having left the Church seven years ago, displays a similar type of pride when speaking about his previous role within Scientology, boasting that the “Church was absolutely at [his] beck and call”. Marty is a conflicted character, both reminiscing about former glory and bitter towards his past aggressors. The main criticism against Theroux documentaries is the presenter tends to insert himself into the narrative, steering away from traditional methods of strict observation. Fans of Theroux will relish the moment he catches his interviewees off-guard with his quips and quirky interviewing style, a trademark of his documentaries. Those intrigued by both the subject and the way the presenter engages with the subject will find this film captivating. However, I can appreciate that those who prefer the traditional style would not welcome his techniques, which often blur the line between conventional documentary and reality tv. This is where the genius lies, though, for the cast of actors play two roles in this film; the fabricated re-enactment of Marty’s memories and their real experiences with Scientologists as they’re hounded during filming. The switches between official BBC camera footage and mobile recordings suggests the documentary is largely unfiltered, and reinforces the idea of the film’s authenticity. This balances the growing suspicion you may feel when listening to Marty’s stories, a position I found myself in especially when he omits piece of information or becomes agitated without warning. I would highly recommend going to see this film, whether you’re a Theroux fan or not. It sees the talents of director, John Dower, and producer, Simon Chinn, come together and make a thought-provoking and entertaining film. Written by Erin ConnellanSee omnystudio.com/listener for privacy information.

Il est temps de s'intéresser aux films vus en mai 2016 pour 24FPS, le podcast ciné avec ou sans spoiler !Ce sont cette fois 10 films qui sont passés en revue par Julien et Jerome, tout d'abord sans spoiler : Mr Holmes de Bill Condon (à partir de 00h02m58s) Le Livre De La Jungle de Jon Favreau (à partir de 00h05m56s) My Scientology Movie de John Dower (à partir de 00h08m40s) Ma Loute de Bruno Dumont (à partir de 00h14m40s) Nos Pires Voisins 2 de Nicholas Stoller (à partir de 00h32m28s) Hologram For The King de Tom Tykwer (à partir de 00h37m07s) The Nice Guys de Shane Black (à partir de 00h41m03s) Elle de Paul Verhoeven (à partir de 00h59m10s) Money Monster de Jodie Foster (à partir de 01h19m32s) X-Men Apocalypse de Bryan Singer (à partir de 01h30m10s)Puis, après le signal sonore, ils reviennent, cette fois avec des détails du scénario, et donc des spoilers sur : Elle de Paul Verhoeven (à partir de 02h11m10s) Money Monster de Jodie Foster (à partir de 02h28m55s) X-Men Apocalypse de Bryan Singer (à partir de 02h41m13s)Crédits musicaux : Rock And Roll All Nite de Kiss, issu de l'album Dressed To Kill (1975)Et n'oubliez de jeter une oreille à la comédie musicale Hamilton qui vous est chaudement recommandée par Julien.

Dale Maharidge‘s Bringing Mulligan Home: The Other Side of the Good War (PublicAffairs, 2013) is something of a departure from our regular offerings. Normally our authors are established academics specializing in the field of military history. Dale Maharidge, however, is an award-winning journalist who, prior to Bringing Mulligan Home, has had only limited exposure to the subject of the Pacific Theater in World War II. What he does bring however is a personal stake in the topic – his father Steve Maharidge served in the Sixth Marine Division, and took part in the assaults on Guam and Okinawa. As a child and then as a young man, Dale was both enthralled and frightened by his father's regular accounts of the war – enthralled as a son learning more about his father's experiences in combat; frightened by the storm of emotions and anger that often accompanied his stories. Inspired to learn more about his father's service, Dale came to understand how Post-Traumatic Stress and Traumatic Brain Injury shaped his father's post-war life, as well as that of the dozen other Marines he interviewed who served alongside him. Though written in a journalistic style, Dale Maharidge reserves the bulk of the text for the personal testimony of his twelve interview subjects. The account they weave spares no word or emotion as it offers a harsh testimony of the power and violence of the Pacific War. The collected narratives present a visceral account of combat that rivals Eugene Sledge's classic With the Old Breed, while also bearing witness to John Dower's conclusions in his groundbreaking monograph, War Without Mercy. While the book does occasionally lag, caught up in inconsistencies and missed conclusions, in the larger perspective these flaws are minor. Bringing Mulligan Home captures the ugly, nightmarish side of the Pacific War, but never at the expense of the humanity of his father, or his compatriots (well, there is one exception – but more on that in the interview). Learn more about your ad choices. Visit megaphone.fm/adchoices

Dale Maharidge‘s Bringing Mulligan Home: The Other Side of the Good War (PublicAffairs, 2013) is something of a departure from our regular offerings. Normally our authors are established academics specializing in the field of military history. Dale Maharidge, however, is an award-winning journalist who, prior to Bringing Mulligan Home, has had only limited exposure to the subject of the Pacific Theater in World War II. What he does bring however is a personal stake in the topic – his father Steve Maharidge served in the Sixth Marine Division, and took part in the assaults on Guam and Okinawa. As a child and then as a young man, Dale was both enthralled and frightened by his father’s regular accounts of the war – enthralled as a son learning more about his father’s experiences in combat; frightened by the storm of emotions and anger that often accompanied his stories. Inspired to learn more about his father’s service, Dale came to understand how Post-Traumatic Stress and Traumatic Brain Injury shaped his father’s post-war life, as well as that of the dozen other Marines he interviewed who served alongside him. Though written in a journalistic style, Dale Maharidge reserves the bulk of the text for the personal testimony of his twelve interview subjects. The account they weave spares no word or emotion as it offers a harsh testimony of the power and violence of the Pacific War. The collected narratives present a visceral account of combat that rivals Eugene Sledge’s classic With the Old Breed, while also bearing witness to John Dower’s conclusions in his groundbreaking monograph, War Without Mercy. While the book does occasionally lag, caught up in inconsistencies and missed conclusions, in the larger perspective these flaws are minor. Bringing Mulligan Home captures the ugly, nightmarish side of the Pacific War, but never at the expense of the humanity of his father, or his compatriots (well, there is one exception – but more on that in the interview). Learn more about your ad choices. Visit megaphone.fm/adchoices

Dale Maharidge‘s Bringing Mulligan Home: The Other Side of the Good War (PublicAffairs, 2013) is something of a departure from our regular offerings. Normally our authors are established academics specializing in the field of military history. Dale Maharidge, however, is an award-winning journalist who, prior to Bringing Mulligan Home, has had only limited exposure to the subject of the Pacific Theater in World War II. What he does bring however is a personal stake in the topic – his father Steve Maharidge served in the Sixth Marine Division, and took part in the assaults on Guam and Okinawa. As a child and then as a young man, Dale was both enthralled and frightened by his father’s regular accounts of the war – enthralled as a son learning more about his father’s experiences in combat; frightened by the storm of emotions and anger that often accompanied his stories. Inspired to learn more about his father’s service, Dale came to understand how Post-Traumatic Stress and Traumatic Brain Injury shaped his father’s post-war life, as well as that of the dozen other Marines he interviewed who served alongside him. Though written in a journalistic style, Dale Maharidge reserves the bulk of the text for the personal testimony of his twelve interview subjects. The account they weave spares no word or emotion as it offers a harsh testimony of the power and violence of the Pacific War. The collected narratives present a visceral account of combat that rivals Eugene Sledge’s classic With the Old Breed, while also bearing witness to John Dower’s conclusions in his groundbreaking monograph, War Without Mercy. While the book does occasionally lag, caught up in inconsistencies and missed conclusions, in the larger perspective these flaws are minor. Bringing Mulligan Home captures the ugly, nightmarish side of the Pacific War, but never at the expense of the humanity of his father, or his compatriots (well, there is one exception – but more on that in the interview). Learn more about your ad choices. Visit megaphone.fm/adchoices

Dale Maharidge‘s Bringing Mulligan Home: The Other Side of the Good War (PublicAffairs, 2013) is something of a departure from our regular offerings. Normally our authors are established academics specializing in the field of military history. Dale Maharidge, however, is an award-winning journalist who, prior to Bringing Mulligan Home, has had only limited exposure to the subject of the Pacific Theater in World War II. What he does bring however is a personal stake in the topic – his father Steve Maharidge served in the Sixth Marine Division, and took part in the assaults on Guam and Okinawa. As a child and then as a young man, Dale was both enthralled and frightened by his father’s regular accounts of the war – enthralled as a son learning more about his father’s experiences in combat; frightened by the storm of emotions and anger that often accompanied his stories. Inspired to learn more about his father’s service, Dale came to understand how Post-Traumatic Stress and Traumatic Brain Injury shaped his father’s post-war life, as well as that of the dozen other Marines he interviewed who served alongside him. Though written in a journalistic style, Dale Maharidge reserves the bulk of the text for the personal testimony of his twelve interview subjects. The account they weave spares no word or emotion as it offers a harsh testimony of the power and violence of the Pacific War. The collected narratives present a visceral account of combat that rivals Eugene Sledge’s classic With the Old Breed, while also bearing witness to John Dower’s conclusions in his groundbreaking monograph, War Without Mercy. While the book does occasionally lag, caught up in inconsistencies and missed conclusions, in the larger perspective these flaws are minor. Bringing Mulligan Home captures the ugly, nightmarish side of the Pacific War, but never at the expense of the humanity of his father, or his compatriots (well, there is one exception – but more on that in the interview). Learn more about your ad choices. Visit megaphone.fm/adchoices

Dale Maharidge‘s Bringing Mulligan Home: The Other Side of the Good War (PublicAffairs, 2013) is something of a departure from our regular offerings. Normally our authors are established academics specializing in the field of military history. Dale Maharidge, however, is an award-winning journalist who, prior to Bringing Mulligan Home, has had only limited exposure to the subject of the Pacific Theater in World War II. What he does bring however is a personal stake in the topic – his father Steve Maharidge served in the Sixth Marine Division, and took part in the assaults on Guam and Okinawa. As a child and then as a young man, Dale was both enthralled and frightened by his father’s regular accounts of the war – enthralled as a son learning more about his father’s experiences in combat; frightened by the storm of emotions and anger that often accompanied his stories. Inspired to learn more about his father’s service, Dale came to understand how Post-Traumatic Stress and Traumatic Brain Injury shaped his father’s post-war life, as well as that of the dozen other Marines he interviewed who served alongside him. Though written in a journalistic style, Dale Maharidge reserves the bulk of the text for the personal testimony of his twelve interview subjects. The account they weave spares no word or emotion as it offers a harsh testimony of the power and violence of the Pacific War. The collected narratives present a visceral account of combat that rivals Eugene Sledge’s classic With the Old Breed, while also bearing witness to John Dower’s conclusions in his groundbreaking monograph, War Without Mercy. While the book does occasionally lag, caught up in inconsistencies and missed conclusions, in the larger perspective these flaws are minor. Bringing Mulligan Home captures the ugly, nightmarish side of the Pacific War, but never at the expense of the humanity of his father, or his compatriots (well, there is one exception – but more on that in the interview). Learn more about your ad choices. Visit megaphone.fm/adchoices