Podcasts about Tokugawa

Í þættinum í dag ræða Söguskoðunarmenn um samúræjana – stríðsmenn gamla Japans og táknmyndir japanskrar menningar. Samúræjarnir voru kjarninn í japönsku lénsskipulagi og áttu gullöld sína á  Tokugawa tímabilinu (1600–1868), þegar Japan var sameinað undir sterku miðstjórnarvaldi sjógúnanna. Þetta tímabil einkenndist af friði, einangrunarstefnu og blómaskeiði í menningu, listum og heimspeki. Samúræjarnir voru hermenn, aðalsmenn og embættismenn og gegndu lykilhlutverki í samfélagi þar sem heiður, hollusta og agi réðu ríkjum. Riddaralegur lífstíll og siðir samúræjanna byggði á bushidō, „leið stríðsmannsins“, og hafa þessir japönsku riddarar verið táknmynd hins forna Japans sem leið undir lok á 19. öld.Hlaðvarpið Söguskoðun má nálgast hér:Soguskodun.com | soguskodun@gmail.comEinnig á Facebook og Youtube. Hægt er að styrkja hlaðvarpið með því að bjóða okkur upp á kaffibolla.

Entre le début du XVIIe siècle et le milieu du XIXe siècle, le Japon a connu une période d'isolement volontaire connue sous le nom de sakoku – littéralement « pays verrouillé ». Cette politique, instaurée par le shogunat Tokugawa en 1639, a duré plus de deux siècles, jusqu'à l'ouverture forcée du pays en 1853. Pendant cette période, le Japon a strictement limité ses contacts avec l'étranger, tant sur le plan commercial que culturel et religieux.L'origine de cet isolement remonte à la crainte d'une déstabilisation du pouvoir politique et social. Dès le milieu du XVIe siècle, les Européens – Portugais, Espagnols, Hollandais et Anglais – arrivent au Japon, apportant avec eux des technologies nouvelles, comme les armes à feu, mais aussi des idées, notamment le christianisme.Les missionnaires jésuites, en particulier François Xavier, obtiennent des succès impressionnants : on estime à plus de 300 000 le nombre de Japonais convertis au christianisme vers 1600. Cette expansion rapide alarme les autorités. Le christianisme est perçu comme une menace directe à l'unité du pays, car il crée une allégeance spirituelle étrangère – au pape – qui échappe au contrôle du shogun.En 1614, le christianisme est interdit. Les missionnaires sont persécutés, les convertis traqués. Le point culminant de cette répression est la révolte de Shimabara (1637-1638), menée en partie par des paysans chrétiens. Elle est violemment réprimée et confirme, aux yeux du shogunat, le danger des influences étrangères.C'est dans ce contexte que le Japon adopte le sakoku :Interdiction d'entrée sur le territoire pour les étrangers, sauf les marchands hollandais, confinés sur l'îlot artificiel de Dejima, dans le port de Nagasaki. Interdiction de sortie pour les Japonais, même pour des raisons commerciales ou religieuses, sous peine de mort. Contrôle strict du commerce extérieur, limité à la Chine, la Corée et les Pays-Bas. L'objectif du sakoku était double : maintenir la paix intérieure dans un pays que les Tokugawa venaient à peine de pacifier après une longue période de guerres civiles, et éviter toute forme de colonisation ou d'ingérence étrangère, comme on en voyait déjà en Chine ou aux Philippines.Ce n'est qu'en 1853, avec l'arrivée des navires noirs du commodore Matthew Perry, que l'isolement prend fin. Menacé par la supériorité technologique des États-Unis, le Japon signe le traité de Kanagawa en 1854, ouvrant ses ports au commerce international. Ce moment marquera le début de la modernisation rapide du Japon sous l'ère Meiji.Ainsi, loin d'un repli par ignorance, le sakoku fut une stratégie politique consciente, destinée à préserver l'indépendance et l'identité du Japon face à un monde perçu comme instable, missionnaire… et dangereux. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Acquista i libri di Francesco Dei dal suo sito internet www.francescodei.com, Amazon o nelle principali librerie sparse sul territorio.Questa è la seconda parte della chiacchierata fatta con Francesco Dei, autore di libri storici sul Giappone e non solo. Mentre nella prima parte Francesco ci ha narrato la battaglia di Sekigahara, in questa seconda parte scopriremo come il risultato di quello scontro abbia plasmato i successivi 270 anni della storia giapponese, dall'ascesa alla carica di Shogun del clan Tokugawa, fino alla creazione della Repubblica di Ezo, breve esperimento repubblicano giapponese.Data la quantità di argomenti trattati, questa seconda parte risulterà meno lineare della precedente, ma assumerà i tratti di una vera chiacchierata, a cui spero vivamente vogliate partecipare nei commenti.La trascrizione è disponibile sul sito:https://www.podcastdelloshogun.itCerca il podcast sui social!https://www.facebook.com/podcastdelloshogunhttps://www.instagram.com/podcastdelloshogun/https://www.tiktok.com/@podcastdelloshogun---Mi trovi anche su Spotify:https://open.spotify.com/show/18pSpwnHNWevxRPaFpXh26Su Apple Podcast:https://podcasts.apple.com/us/podcast/podcast-dello-shogun/id1649546421Su Youtube:https://www.youtube.com/@PodcastDelloShogunSu Spreaker:https://www.spreaker.com/show/podcast-dello-shogun---Se desideri sostenere il podcast, puoi farlo in due modi:- Tramite ko-fi: https://ko-fi.com/podcastdelloshogun- Tramite Paypal: https://paypal.me/podcastdelloshogunFonti:SAMURAI - LA GUERRA DELL'ANNO DEL DRAGO, LA CADUTA DELLO SHOGUNATO E LA RESTAURAZIONE MEIJIpodcastdelloshogun.itfrancescodei.comImmagine:La battaglia di Ueno#podcast #podcastitalia #francescodei #samurai #shogun #japanese #giappone #giapponese #japan #storia #history #storiagiappone #storiagiapponese #guerra #culturagiapponese #giapponefeudale #culturaorientale #letteratura #letteraturagiapponese #shinobi #shinobinomono #sengokujidai #sengoku #tokugawa #toyotomi #oda #ninja #podshogun

This week: what do we know about women and the wrong end of the law during the Tokugawa Period? Given the male-dominated nature of the feudal social order and the historical written record, what can we figure out? And what are the limits of that knowledge? Show notes here.  

Acquista i libri di Francesco Dei dal suo sito internet www.francescodei.com, Amazon o nelle principali librerie sparse sul territorio.Benvenuti a questa prima parte di una lunga chiacchierata fatta con l'autore Francesco Dei.Abbiamo parlato di un bel po' di cose, soprattutto inerenti ai suoi libri e in questa prima parte non potevamo non parlare della Battaglia di Sekigahara e di come questa abbia rappresentato la fine di un'epoca e l'inizio di un'altra, l'omega e l'alfa, appunto.A circa 2.30 si fa riferimento al film di Kurosawa Akira "Trono di Sangue" chiamandolo erroneamente "Trono di Spade".La trascrizione è disponibile sul sito:https://www.podcastdelloshogun.itCerca il podcast sui social!https://www.facebook.com/podcastdelloshogunhttps://www.instagram.com/podcastdelloshogun/https://www.tiktok.com/@podcastdelloshogun---Mi trovi anche su Spotify:https://open.spotify.com/show/18pSpwnHNWevxRPaFpXh26Su Apple Podcast:https://podcasts.apple.com/us/podcast/podcast-dello-shogun/id1649546421Su Youtube:https://www.youtube.com/@PodcastDelloShogunSu Spreaker:https://www.spreaker.com/show/podcast-dello-shogun---Se desideri sostenere il podcast, puoi farlo in due modi:- Tramite ko-fi: https://ko-fi.com/podcastdelloshogun- Tramite Paypal: https://paypal.me/podcastdelloshogunFonti: Francesco Dei - Storia dei Samurai: Cronache del periodo degli Stati in GuerraImmagini: Celebrazione della vittoria a Sekigahara - Tsukioka Yoshitoshi#podcast #samurai #shogun #storia #japan #japanese #giappone #giapponese #cultura #medioevo #bushido #podcastitalia #nippon #history #sekigahara #toyotomi #oda #tokugawa #sengokujidai #francescodei #dei #battaglia #podshogun

This week: outside of big urban riots, how did violence figure into the daily life of the Edo period? To answer this question, we'll take a look at one particularly well-documented example: youth gangs in the area surrounding Sensoji in the shogun's capital of Edo. Show notes here.  

Take a journey through the historical walking routes of old Edo Japan, focusing on the Gokaido (Five Edo Routes). Learn about the political significance of these routes and their role in maintaining peace during the Tokugawa shogunate's 250-year reign. Click here for Adventure Travel inspiration from our friends at Explore Worldwide. Don't Just Travel, Explore. [This description contains Amazon affiliate links. If you click on a link and make a purchase, I may receive a commission at no additional cost to you.] Uncanny Japan is author Thersa Matsuura. Check out her books including The Book of Japanese Folklore by clicking on the Amazon link.  If you'd like to help support the podcast and have a bedtime story read to you monthly, please visit Patreon. Discord: https://discord.gg/XdMZTzmyUb Patreon: https://www.patreon.com/thersamatsuura Website: https://www.uncannyjapan.com/ YouTube: https://www.youtube.com/@UncannyJapan Bluesky: https://bsky.app/profile/uncannyjapan.bsky.social Mastodon: https://famichiki.jp/@UncannyJapan Twitter: https://twitter.com/UncannyJapan Facebook: https://www.facebook.com/uncannyjapan/ Instagram: https://www.instagram.com/uncannyjapan/ Books on Amazon: https://www.amazon.com/Thersa-Matsuura/e/B002CWZ73Y/ref=sr_ntt_srch_lnk_1?qid=1500180689&sr=8-1 Buy Me a Coffee (one-time contribution): https://buymeacoffee.com/uncannyjapan

This week, we cover the second and third of Edo's three great riots in 1787 and 1866. How did samurai and commoners talk about these acts of mass violence? How was all this a manifestation of a sense of "street justice" among the masses? And what's with the handsome young guy everyone keeps swearing was secretly behind the whole thing? Show notes here. 

This week: the first of three episodes on urban rioting in Tokugawa period Japan. This week, we're covering the first two urban riots in the history of the shogun's capital city. What drove the people of Edo to riot, and how did the shogunate respond to those challenges to its authority? Show notes here. 

2024 was a special year for Carnival and the Japan-New Orleans connection! Lafcadio Hearn's life & works inspired the theme for Rex Parade 2024: "The Two Worlds of Lafcadio Hearn - New Orleans & Japan". But why Hearn? What went into the float design? What other ways has Hearn left a lasting impact on both New Orleans & Japan? Find out today with a super-sized special Mardi Gras bonus episode, featuring insights from Rex historian/archivist Will French & historian/archivist emeritus Dr. Stephen Hales, Royal Artists float designer/artistic director Caroline Thomas, Lafcadio Hearn's great grandson Bon Koizumi,  legendary chef John Folse, Captain of the Krewe of Lafcadio John Kelly, JSNO's resident Lafcadio Hearn expert Matthew Smith, and even the Mayor of Matsue Akihito Uesada! Get ready for Mardi Gras 2025 by reflecting on this unique connection between New Orleans & Japan!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Music Credits ------Background music provided by: Royalty Free Music by Giorgio Di Campo for Free Sound Music http://freesoundmusic.eu FreeSoundMusic on Youtube  Link to Original Sound Clip------ Audio Clip Credits ------Thanks to Dominic Massa & everyone at WYES for allowing us to use some of the audio from the below Rex Clips:Segment about Royal Artist & Float DesignFull 2024 Rex Ball Coverage (Krewe of Lafcadio/Nicholls State segment)Thanks to Matsue City Hall & Mayor Akihito Uesada for their video message below:Message from Matsue Mayor Akihito Uesada------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Hearn/Matsue/History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about Rex ------2024 Rex Parade/Float PDF with Full DesignsCaroline Thomas's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

This season was a long one! The Krewe re-groups to reflect on Season 5 as a whole, and everything that went into it...  with a SPECIAL GUEST! Join us for one last audio journey in Season 5 as we discuss all the milestones, top moments, challenges, & fun anecdotes, in addition to a look ahead to Season 6 & listener feedback! Let's GO!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

How many original castles does Japan ACTUALLY have standing? Where is Japan's oldest castle located? When counting castles in Japan, do castle ruins factor in? The Krewe is joined by William de Lange, the author of An Encyclopedia of Japanese Castles & many other Japan-related publications, to get the answer to these questions and so many more!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Architecture & History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Change in Urban & Rural Japanese Communities ft. Azby Brown (S5E15)KOJ Podcast S5E6 - Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)------ Links about William de Lange ------An Encyclopedia of Japanese Castles (Amazon)Japan Then & Now (Amazon, Released June 2024)Walking the Edo Sanpu (Amazon, Released August 2024)William's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Regresa Ruben Ibarzabal para poner fin al monográfico que arrancábamos hace algunas semanas sobre el papel de las mujeres de la casta guerrera del Japón feudal. En esta ocasión nos acercamos, precisamente, al final de la era de los samuráis con la caída del shogunato Tokugawa en las postrimerías del siglo XIX. Conoceremos a las mujeres samurái de Aizu, de profunda tradición marcial y que protagonizaron la carga del puente Yanagi. Los nombres propios de hoy serán los de Nakano Takeko y Yamamoto Yae. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In this episode, Greg Jenner is joined in seventeenth-century Japan by Dr Satona Suzuki and comedian Ahir Shah to learn all about the Edo period and the Tokugawa shogunate. When he came to power in 1603, Tokugawa Ieyasu became the first shogun to rule over all Japan. He made Edo – later renamed Tokyo – his power base, and over the 250 years of Tokugawa rule, this small town became one of the largest cities in the world. This episode charts the rise and fall of the shogunate, and explores what life was like for people living in Japan at this time. From politics to theatre, and taking in foreign relations, the class system, art and literature, Greg and his guests get to grips with all aspects of life in the Edo period.This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Annabel Storr Written by: Annabel Storr, Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

The dictator knock-out tournament continues. The hosts unravel the lives and legacies of two dictators of Japan; Shogun Ieyasu Tokugawa and General Hideki Tojo, Prime Minister of Imperial Japan. They discuss the three rulers who unified Japan, the wars and back-stabbing politics, the cause of Japan's distinct culture and the birth of the Tokugawa dynasty They also discuss Tojo's rise to power within the military and government, the attack on Pearl Harbour, the war in the pacific, numerous war crimes and the legacy of the second world war in the Pacific theatre. These two dictators battle it out in the knock-out tournament to determine the single greatest dictator of all time. One of these two dictators will be eliminated from the tournament and the other will remain in contention to be crowned history's biggest dictator.

This week: what can we learn about the past if we look not at elite literature, but at the lowbrow faire of the masses? We'll explore this question using one of the most popular works of its day: Tokaidochu Hizakurige.  Show notes here. 

We're back -- just in time for Halloween! -- with a look at Samurai Reincarnation (1981), a supernatural samurai film from the director of Battle Royale (Kinji Fukasaku), in which Jubei Yagyu (Sonny Chiba) faces off against a group of resurrected demonic warriors led by the charismatic sorcerer Shiro Amakusa (Kenji Sawada) who intends to destroy the Tokugawa regime with his unholy powers.  Tune in the for the full review! Timestamps: [00:00] Intro + Grendizer, Aura Battler Dunbine, Dragon Ball Daima, Akane Banashi, and Look Back [39:30] Review - Samurai Reincarnation (1981)

In the closing days of the Boshin War, the remnant of the Bakufu's forces attempted to establish a semi-independent state on the northern island of Hokkaido. The fledgling Meiji government, however, had no intention of allowing this.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms!

¡Vótame en los Premios iVoox 2024! Hemos tenido ocasiones de hablar de los guerreros samurái del Japón feudal, pero pocas veces hemos reparado en el rol de las mujeres en el seno de esta casta guerrera. De la mano de todo un experto en la materia, Ruben Ibarzabal, viejo amigo de este programa y autor del libro Crónicas de los samuráis (Satori, 2020), hablaremos de las mujeres samuráis, desde la mítica Tomoe Gozen hasta Hosokawa Gracia, la dama cristiana que acabó dando la vida para apoyar al bando Tokugawa en los albores de la batalla de Sekigahara. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

So the year 649 was so bad that they went and changed the whole calendar to forget about it!  In 650 a white pheasant is brought to the court, and they sieze on that as a chance to rename the era from Taika to Hakuchi.  That should make things better, right? This episode we talk about this event--their reasoning, as well as what is recorded as having happened.  We also take a look at the completion of the Ajifu no Miya and how it was renamed to the Naniwa no Toyosaki no Nagara no Miya, or the Toyosaki Nagara Palace of Naniwa.  This is thought to be what we know today as the Early Naniwa Palace, and it was a real change, and, in many ways, the physical manifestation of the Taika era reforms. For photos and more, check out https://sengokudaimyo.com/podcast/episode-113 Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Episode 113: The White Pheasant.   The officials of the court stood sentinel at the palace gates, a formidable line of authority draped in flowing, vibrant robes that signified their rank. Each step down the line revealed a cascade of colors, a living tapestry of power and prestige. Only the envoys from distant shores stood apart, their unique uniforms adding an exotic flair to the proceedings, as well as a certain legitimacy as outside witnesses.   The air crackled with anticipation as the crowd waited, their breath held, until four figures emerged, bearing aloft a magnificent litter adorned with intricate decorations that shimmered as they caught the sun's rays.   Upon that litter rested a cage, and within it,a dazzling white pheasant, plucked from the untamed wilds of Anato. Whispers rippled through the throng; some questioned the significance of this fragile creature, while others dared to see it as a divine omen. Was this bird as pure as the tales had promised? The capital had buzzed with rumors ever since its unexpected arrival, and those in the back stretched their necks, desperate for a glimpse of this rare marvel.   The past year had cast a shadow over the Yamato court, leaving the air thick with uncertainty. Yet, this ethereal bird, shimmering with the promise of renewal, seemed to herald a shift—an opportunity for rebirth that everyone craved.  At the very least it was a much needed distraction from everything that had previously occurred.   As the litter glided past, the courtiers bowed deeply in reverence, forming two disciplined lines that followed through the grand gates. Together, they marched into the palace, hearts pounding with hope. They were not just entering a building; they were stepping into a new era, one that, with a whisper of fate, could rise above the struggles of the past.     This episode we kick off the start of a new era—the Hakuchi era, or the era of the White Pheasant.  It followed the Taika era, and it does have a different feel.  It is less about new edicts and more about how things were shaking out and coming together.  And one of the things that was coming together was the Nagara no Toyosaki palace, which is believed to be the same one known to archaeologists as the “Early Naniwa Palace” unearthed in Ohosaka and dated to the mid-7th century.  We'll actually start with a look at this palace, continuing our discussion from last episode, as our sovereign, Karu, aka Koutoku Tennou, seems to have been a bit crazy about all of his palaces, and figuring out just which is which can be an issue in and of itself. We'll also touch on the start of this new era, and look at why and what it meant to come up with a new era name—a new “nengou”—in the middle of a reign like this.  And so we catch ourselves at the start of the year 650, still, technically, in the Taika era.  The year started well enough, with the sovereign celebrating the new year at the Ajifu palace and then coming straight back—the Ajifu palace was apparently yet another new palace and it seems construction had only recently begun.  Now, There is some confusion between the Ajifu palace and the Toyosaki palace.  The Ajifu palace is traditionally thought to have been located on the opposite side o f the Yodo river, in the area of modern Settsu city, on the site of what became the Ajifu Shrine.  Others have suggested that it was actually on the Kanimachi plateau, which is where the Toyosaki palace was.  Notably the “Toyosaki” palace is not located anywhere near the modern area of “Toyosaki” with which it seems to share a name.  From what little information we have, it seems to have been quite the complex.  As to why he would need yet another palace, I could not say.  And yet, later we see that the Ajifu Palace is eventually named the Nagara Toyosaki Palace.  So are they one and the same?  Did they move the Toyosaki Palace?  Or did they build the Toyosaki Palace and then *rebuild* it as the Ajifu Palace—aka the Nagara Toyosaki Palace? At this point the way that the Chronicles talk about it, the Ajifu palace site seems to have been almost purely conceptual, while previous accounts seem to indicate that the Toyosaki Palace was already in use.  That would have made for an interesting New Year's celebration, probably in temporary buildings erected quickly amongst the grass and fields, with some nearby tomb mounds that would need to be leveled or moved to make room, we are later told.  It seems they were still surveying the site, but I guess Karu really was looking for a change.  And so he celebrated the new year at the Ajifu palace, but quickly returned back to wherever the work of the government was actually occurring. As to where that was, well, we talked last episode about all of Karu's meanderings from one palace to the other.  The Nihon Shoki text itself is not exactly clear, as I read it.  It doesn't help that the term for palace, or “miya”, appears to refer to both a complex and a single residence, without a clear distinction given between the two.  And so, though I mentioned it last episode, let's recap what we know about the palaces this reign. So in 645, we are told that Karu decided upon Naniwa and we are told that this is the “Toyosaki” palace.  Then in 646, Karu took up residence in the “detached” palace of Koshiro in Sayabe, Naniwa.  This was likely him repurposing the Miyake, the government offices with the royal granaries.  He was only there for about two months, though, before he returned.  Then, in the third month of 646, he issues an amnesty claiming to have taken up residence in the new palace—but we aren't told which one. In 647, two years into the reign, the government offices at Wogohori are torn down and a palace was built there.  Now this is somewhat confusing because there appear to be two government districts:  Wogohori and Ohogohori.  You'll probably notice how similar these two sound, though it may have been more like “wogopori” and “opogopori”. Back in the day.  Wo-gohori, or the “Small District”, is mentioned once, but mainly just as a place name.  Ohogohori, or the “Big District” has previously shown up as the place with government offices for the envoys from overseas.   Confusing matters, in a later entry, Karu eventually moves out of the palace at Oho-gohori and into the palace that would be known as the Nagara Toyosaki palace.  So was he at Wogohori and then later at Ohogohori?  Or was there some scribal error such that the two got confused? And then in 648 we are told that Karu moved into the Toyosaki palace in Naniwa.  Two years later, in 650, and he is now celebrating New Year's at the Ajifu palace, which may refer to a location on the other side of the Yodo river, but is likely in the spot we now think of as the Nagara Toyosaki Palace.  We then know that in 651 they were still building a palace.  And it isn't until the last day of 651 that Karu would formally move from Ohogori into the Ajifu palace, which we are told was then renamed the Nagara no Toyosaki no Miya---the Nagara Toyosaki Palace. I have several thoughts on all of this.  One, is that there may have been two “Toyosaki” palaces—there was the Toyosaki palace that he first moved into, and then there is the Nagara Toyosaki Palace.  “Nagara” appears to mean something like “Long Handle”, but other than that, I don't know that there is a good translation.  It may refer to the fact that it was meant to last longer, or that it was even larger than the previous palace.  It may even be that the original Toyosaki Palace was just a few of the buildings, and that eventually it grew into the larger Nagara Toyosaki Palace, but if that is the case, what is up with term “Ajifu”?  Was that just one building in the larger palace?  Or are earlier mentions of “Toyosaki” anachronistic, and perhaps it wasn't until the entire thing was complete that they gave it that name?  Many modern accounts appear to conflate the Toyosaki palace with the Nagara no Toyosaki Palace, saying it just took that long to build.  That would imply that the Ajifu palace really was there on the Kamimachi plateau, at the known Naniwa palace site.  Alternatively, “Nagara” could possibly have been a reference to the fact that the Ajifu palace was an extension of the larger Toyosaki complex, possibly built out of the government offices of either Wogohori or Ohogohori. For all that we don't know exactly what was happening here, we have a pretty good idea in the archaeological record about at least one of the palace sites on the Kamimachi plateau.  This site has been identified as the Toyosaki palace of Karu, aka Koutoku Tennou, and it would actually be reused at a later date.  Sure enough, there are remains of at least two palace complexes on the site, with the one from our period known as the “Early Naniwa Palace” site. Based on its size and layout, this Early Naniwa palace was the first of its kind.  Previous palaces in Asuka had not dissimilar designs in terms of the general arrangement, but this clearly made use of the structure of continental style palace complexes, and was likely intended to be a new, permanent capital. The north of the palace complex consisted of a rectangular, walled section 185 meters east to west and 200 meters north to south, making up the “dairi”.  That's almost 10 acres of enclosed space, set aside as the sovereign's personal living quarters. South of that was a smaller area with the front hall, one of the largest for its time.  It was 36 meters east to west and 19 meters north to south.  This would have been the hall called the “Daigokuden” in later palaces, where official rituals would take place.  There was a gate between it and the Dairi, to the north, as well as a gate to the south, flanked by two octagonal buildings, which led to the Chodoin, the main working area of the court complex. This is part of what sets this palace apart from others, and why it likely took a while to build.  It may also explain all the different palace names as there was probably a lot of construction for a long time.  In previous instances, as far as we can tell, the sovereign's palace was both their home and the building where state business was conducted.  Think, perhaps, of the White House, in the US, and then imagine that the White House, the Capitol Building, and the Supreme Court were all part of the same compound, with only the barest of concessions to privacy between them.  In this new layout, the dairi was reserved to the sovereign, there was a small area for the official throne room, and then south of that was the Chodoin, the court hall complex. This was a huge change to how things had operated in the past.  While the main audience hall was still nominally part of the dairi, so the “private” areas of the palace weren't entirely “private”, it was still leaps and bounds more separated than in the previous palaces we've uncovered.  Sure, the idea of lining up buildings from the front gate to the larger buildings towards the back, making people approach successively larger and more impressive buildings, generally seems to have been a thing as far back as the Makimuku Palace near Mt. Miwa, back in the third century, but even then, there is no clearly defined separation between the public and private spaces of the sovereign.  There does seem to have been restrictions on who could enter what parts of the compound, with the sovereign's personal quarters being the most restricted, but now there were walls and gates and guards separating one area from another. The Chodoin itself, the main “business” or “public” area of the court, appears to have been about 262.8 meters north to south and 233.6 meters east to west—a little over 15 acres.  Most of that was open space between the 14 “choudou” halls lined up symmetrically, 7 on either side.  These were the individual buildings where the various government officials were to meet and conduct business, as well as conduct rituals, feasts, etc.  There was a southern gate that provided the entrance to the Chodoin and led to another large area with the Choshuden, the buildings where officials could change into and out of their formal court uniforms, and otherwise prepare for or close out the day.  South of that was the main gate for the entire compound, the Suzaku gate, named for Suzaku, the red bird of the south, one of the four directional guardian spirits. We know the buildings largely from their post holes.  They were made of wood, and it is likely that most of them were thatched.  They may have been painted white, vermillion, and green—classic paints that were based on continental styles and which were said to help prevent the wooden pillars from rotting too quickly.  It is unsurprising that this would have taken years—but it is also possible that they built some quarters for the sovereign and then built out from there.  This also would have been key to a lot of the governmental reforms, providing an actual location for the work that the reforms were directing. Of course, there was a lot of work to be done, and the halls in the palace were limited, so two areas to the east and west of the complex were set aside and appear to have been built up with other government offices, suitable for carrying out the day to day minutiae that was required. There is still a question of whether or not they also instituted the larger grid system city layout around the palace complex.  Currently we have no evidence for that, though perhaps they were considering it, eventually.  Unfortunately, with all of the construction in Osaka over time, I don't know if we could be able to find or discern such a layout if we did find it.  For now, we will stick with what we know:  an absolute unit of a court complex that took them several years to build. Getting back to the Chronicles: Our next entry in the Nihon Shoki, after the New Years celebration, tells us that in the second month, Kusakabe no Muraji no Shikofu, the governor of Anato Province, brought a white pheasant to the court.  The report claimed that it had been caught by Nihe, a relative of Obito, the Kuni no Miyatsuko of Anato, on the 9th day of the first month, on Mt. Wonoyama. For reference, the land of Anato was at the far western end of Honshu, part of the San'yodo, itself a designation for the lands along the Seto Inland Sea coast from Harima, modern Hyogo prefecture, out to Anato, modern Yamaguchi prefecture.  It was on the Honshu side of the Shimonoseki strait, which was the main entrance from the Korean Strait and the Japan Sea to the Seto Inland Sea.  The area would later be known as Nagato, which would eventually be called Choshu, an area which any students of the fall of the Tokugawa shogunate are sure to recognize. We discussed back in Episode 94 how white or albino animals—assuming they weren't normally white—were considered particularly auspicious.  So in 598, the land of Koshi sent a white deer they had found to the court of Kashikiya Hime, which is to say Suiko Tenno.  And so the white pheasant from Anato was clearly seen as an omen—but was it truly auspicious.  Here we see the court investigating this, and how exactly they go about that is somewhat enlightening as to how the court thought in general. First, they made inquiry of the lords of Baekje—I would suspect this referred to those recognized as Baekje nobility residing in the archipelago, rather than sending a correspondence to the peninsula and back.  That they went to someone from Baekje would seem to indicate the importance they placed on Baekje as a conduit for continental learning.  Indeed, the answer they got back—whether from a single, unnamed individual or a group of Baekje nobility—was that White Pheasants were recorded in the 11th year of Yongping, which would be 68 CE to us, during the reign of Ming of the later Han dynasty.  Han Mingdi, aka Emperor Ming of Han was born Liu Yang and also known as Liu Zhang, reigned from 57 to 75 CE.  Ming and his son, Emperor Zhang oversaw a period of particular prosperity for the Eastern Han dynasty.  On the other hand, there was an attempt to curse Emperor Ming in 67 CE, which ended with the death of the ambitious Prince Jing of Guanglin.  Then, in 70, Prince Ying of Chu was also convicted of using magic to try and secure blessings while he fomented revolution against the emperor, and he was exiled, where he committed suicide.  So I don't know if this marks the pheasant as particularly auspicious or not. Asking the Buddhist priests, who frequently studied not just Buddhist canon, but other continental texts, they mostly drew a blank—at least on the specifics of a white pheasant.  They did recommend that a general amnesty would not be amiss, as it would bring joy to the people.  I guess if you aren't sure about the nature of an omen you can certainly do something to help it out. And while they weren't specifically sure about a white pheasant in Buddhist scripture, a couple of priests did have suggestions. The Priest Doutou recounted a story from Goguryeo, when the court there wished to build a new Buddhist temple, but could not divine a suitable and auspicious site.  When someone witnessed a white deer, they chose that spot for the temple, which was then called the Temple of the Park of the White Deer.  According to Doutou, this temple established Buddhism in Goguryeo. Furthermore, he recounted, when a white sparrow was seen on the farmstead of another temple, or when a dead crow with three legs had been brought back from the Tang dynasty, the people had proclaimed both of these to be good omens.  So given all of that, Priest Doutou concluded, a white pheasant must be especially auspicious. The Priest Bin agreed.  Bin, you may recall, had been heavily relied upon for his knowledge in setting up the new governmental structure, which would seem to indicate that he was quite well-versed in continental ideas, and he had even traveled there himself.  He provided the court several different reasons that a white pheasant might appear. First, it might appear when a ruler extended his influence to all four quarters. Second, it might appear when the sovereign's sacrifices are appropriate, and when his banquets and clothing are in due measure. Third, it might appear when the sovereign cultivates frugality. Finally, it might appear when the sovereign was humane. He didn't provide any specific examples of how he arrived as his conclusions—at least nothing was recorded—and so he may have been relying on his own expertise.  However, he did recount one tale in particular.  It was a story from the time of Emperor Cheng Wang of the Zhou dynasty.  Cheng Wang is said to have reigned in the 11th century BCE, from 1042 to 1021, and so take that how you will.  Important to us is not what happened so much as what the Yamato court believed had happened—what was the historical truth that they were workin with at the time? According to Bin, during Cheng Wang's reign, the Yuehshang family brought a white pheasant to the court.  Apparently it had been three years without any exceptional storms or rains, and neither the rivers nor seas had flooded.  Apparently the old men found this an extremely long time to go without some kind of disaster, indicating that the pheasant was clearly an auspicious omen in deed. Priest Bin also mentioned other accounts, but the Chroniclers omitted them from the record. Whatever they were, the court had heard enough.  The White Pheasant was declared auspicious, and a new era was declared:  the Hakuchi, or White Pheasant, era.  They let the white pheasant loose in the royal garden, presumably with clipped wings or otherwise kept from flying off, and then preparations were made  immediately to officially inaugurate the new era 6 days later, on the 15th day of the 2nd month of 650. Before we get into that, though, I want to pause and take a look at something here:  The authority of precedent.  Time, as conceived of in the continental model, was cyclical.  There was the cycle of day and night.  The cycle of the year and the repeating seasons.  Likewise the planets and heavens all had their own cyclical periods.  In addition, there was the idea that the Yin and Yang forces in the universe likewise cycled through predictable patterns—the sexagenary cycle, or cycle of 60 years, being an example of a longer term cycle.  And then there was the Buddhist cycle or death and rebirth, at least as long as one remained tied to this mortal plane of existence. If time is cyclical, then one can look to the past to predict the present.   Stories of the past were seen as holding authority over similar events in the present.  Understanding these historical stories and being able to pull from them provided its own kind of power and authority.  Rather than attempting to reason from first principles, precedent was often a more convincing argument. Being able to read and write and recall all of these stories gave scholars the ability to influence events.  Of course, who had time to do all that other than people like Buddhist priests or the doctors of the court? This is also one of the reasons that people would have had to write down histories and, eventually, to keep diaries and accounts of what happened.  Those accounts would, over time, become essential records to invoke for moments like this—and even a record like the Nihon Shoki or the Kojiki would have similar significance.  In many ways, it is propaganda, but not just in how it describes the past as the Chroniclers wished it to be, but it set the precedent for succeeding eras to look back on.  While we may challenge that view, today, for many from the 8th century onward the events described in the Nihon Shoki were considered the gospel truth in more ways than one. Of course, all that aside, we've had plenty of auspicious events before, but why, now, would they be enough to trigger a new era?  Why not just note them and move on? Well, to start with, let's face it, nobody is likely to name 649 as the greatest year ever, any time soon, and certainly not the Yamato court.  The Crown Prince, Naka no Oe, had been tricked into thinking that his co-conspirator, Soga no Kurayamada no Ishikawa no Maro, was a traitor.  To be fair, Maro had been more than complicit in the murderous takedown of his own relatives to set up the current government, and history has time and again suggested that those who put someone on the throne can just as easily take them off it.  That's why they are often either brought deeper into the inner circle, or removed—either physically or more euphemistically.  In this case, though, it seems that fears of Naka no Oe and others were unjustified, and they sent the royal troops after an innocent man; or at least a man as innocent as any of the other elites at that time.  After all, the wealth of the elites came from the rice fields that they owned—or that were at least designated for their stipends—and they certainly weren't working those fields themselves, so make of that what you will. All of that had led to the death of Maro, his family, and the rest of his household.  That, in turn, led to the death of his daughter, Miyatsuko Hime, who was married to Naka no Oe himself.  When they finally did realize what had happened, the best justice they could figure out was to send the scandal-mongering Soga no Musa out to Tsukushi in a form of luxurious banishment.  Demotion by promotion, as he was made the Viceroy of Tsukushi, the top man of the court at the edge of the archipelago. To say that the year 649 had been a bust is an understatement.  Don't get me wrong, it was a far cry from the worst year that the archipelago had ever experienced—or would in the future, for that matter.  But that was scant comfort to the folks living in it. And so it was with some relief, I suspect, that the court welcomed news from the far flung land of Anato, because they really needed a distraction. With that in mind, let us move on to the events of the 15th day of the 2nd month of the year 650, describing how they inaugurated the new era.  Now, if the Chronicles are to be believed, this is not the first time they inaugurated a new era—we are told that year 645 was considered the first year of Taika, or Great Change.  But, assuming that did happen, and that it wasn't just named after the fact, the era would have started at the same time as a new reign.  Previously, from everything we can tell, dates were based regnal years.  Things are recorded as happening in the X year of Y sovereign.  Some of the oldest accounts seem to even note it more as X year of the sovereign who reigned from the Y palace, as the palace was likely more distinct a feature than the names and titles that they used, and the posthumous names, like “Koutoku Tennou” were not actually used until the end of the 7th or early 8th century. It is possible that Hakuchi is actually the first true nengo—or era name—and the first one that appears in the middle of a reign—though even here some say that the instantiation of “Hakuchi” is anachronistic. Personally, I see no harm in taking it at face value, at least for now, while acknowledging that everything in the Nihon Shoki is suspect.  Still, we are approaching a time when the events being written down may have still been in the living memory of people alive at that time.  720 is only 70 years away, and the project started even before then, so unless there are obvious discrepancies or supernatural events, we can probably assume that the Chronicles at this point are largely truthful, if possibly embellished. And so it is we are told of what happened.  To begin with, the court lined the ministers of the left and right and all of the functionaries in four lines outside the “purple” gate, as they would during a New Year's reception, like the one they had just had at the Ajifu palace.  The “Purple” gate was probably a reference to the southern gate The fact that the courtiers lined up at the south gate in the same way that they would have during a New Year's reception would seem to indicate that this was seen as the start of a new year.  It was no longer a Taika year—starting on that day it was now the first year of Hakuchi.  The month and day would not change, however, so it was still the 15th day of the 2nd month.  That means that technically the first year of Hakuchi would only have ten and a half months in the year—maybe eleven and a half, if there was an extranumerary month.  Likewise, the last year of Taika would only have one and a half months.  And if you are thinking that must make Japanese dates really tricky around the start or end of year, you don't know the half of it.  Sometimes events will get placed in the wrong “era” because they happened a few months before or after the change, and people forget that when they are translating to and from western dates.  It also means era names can't just give you the years of the era, but really need to give you the month and date it starts and ends.  Fortunately, most people are quite understanding about the occasional mistake.  But anyway, I digress. The courtiers were lined up as though for new years, and then they watched as Ahata no Omi no Ihimushi and three others bore a litter with the pheasant on it and went ahead through the gates.  The others followed in rank order—with the Ministers of the Left and Right leading the various functionaries.  The Baekje prince Pungjang and his uncle, Sesyeong Chyungseung, whom we mentioned back in Episodes 105 and 107, as well as Mochi, the physician to the King of Goguryeo, a scholar attached to the court of Silla, along with other important persons all advanced as well into the Central court of the palace. The pheasants litter was taken up by Mikuni no Kimi no Maro, Wina no Kimi no Takami, Miwa no Kimi no Mikaho, and Ki no Omi no Maro, who brought it to the front of the hall.  There, the ministers of the left and right then took the front of the litter, while the Prince of Ise, Mikuni no Kimi no Maro, and Kura no Omi no Woguso took hold of the rear.  Together, they placed it in front of the throne.  The sovereign, Kura, and the Crown Prince, Naka no Oe, examined the pheasant together. The Crown Prince then backed away, and the new Minister of the Left, Kose no Omi, presented a congratulatory address. He gave thanks to the sovereign and claimed that the pheasant was a sign that the sovereign would rule for one thousand autumns and ten thousand years across the Great Eight Islands—the Ohoyashima—of the archipelago and the four quarters of the earth.  Effectively, this is a long-winded version of “Banzai”, the congratulatory wish of ten thousand years of life for an emperor. Karu responded to this address by quoting auspicious times that white animals had been omens of good rule.  He then gave credit to the ministers and functionaries, and urged them to continue to provide good service.  Then he declared a general amnesty, forgiving various offenses, and noted that the era name would change to “Hakuchi”. Karu then directed presents to be handed out to the Ministers, the Daibu, the officials of lower rank, all the way down to the clerks.  Each received gifts commensurate with their rank.  Finally, Kusakabe no Muraji no Shikofu, the governor of Anato, was commended, and granted the rank of Daisen along with what we are told were a goodly number of presents.  In addition, the commuted taxes and corvees of Anato were remitted for three years, meaning that Anato would be allowed to keep all of the rice and product for themselves—something that was likely quite significant, though it is unclear whether this means that it was felt down at the level of basic workers or it just meant that the governor was able to keep what he taxed from the people for himself. And with that, we enter a new era.  Forget the unfortunate bloodshed and regrettable decisions of the previous year, this was a new start.  And that is often how these eras were seen.  Whether it was a new reign or things were just going so poorly that the court felt there needed to be a new start, future nengo would often follow a similar pattern.   And there was no set time for how long an era would last.  In fact, here's a little trivia for you:  The shortest nengo in Japanese history was “Ryakunin”, and it lasted just under two and a half months from late 1238 to the start of 1239.  It really shows how important it was to come up with a good name of these eras, as “ryakunin”, which seems to mean something like “humane period”, could also be written with characters meaning “abbreviated person”.  So they decided to abbreviate the era, instead, changing the era name again. This first year of the new era of Hakuchi continued relatively normally.  In the fourth month there were envoys from Silla—another source, according to the Nihon Shoki, claimed that Goguryeo, Baekje, and Silla sent envoys every year from this reign onward.  Then, in the tenth month, we see more work being done on the palace—presumably the Ajifu palace.  We are told that presents were given out in respect to tombs that had been demolished to make room for the new construction, as well as for the people who had been moved off their land.  Then Aratawi no Atahe no Hirafu was sent to place the boundary posts, no doubt marking out the outer extremities of the new palace precincts. In addition, that month work began—no doubt at the court's direction—on a giant tapestry, or mandala, with a sixteen foot tall Buddha image, attendant Boddhisatvas, and figures of all eight classes of beings according to the Buddhist cosmology.  That includes Heavenly beings, such as Devas; dragons; demonic Yaksha, Gandharva, and Asura; the bird-like Garuda and Kimnara; and the snake-like Mahoraga.  All told, there were some 46 figures.  It doesn't seem to say where it was to be installed, though it may have been made for the new palace complex. Also in that year we are told that the court ordered Aya no Yamaguchi no Atahe no Ohoguchi to carve one thousand images of Buddha—but once again, we aren't told where they resided.  We do know that the 16 foot tall embroidered Buddha was completed in the 3rd month of 651: it had taken them approximately five months.  The day after they were completed, the Dowager Queen, Takara no Himemiko, aka the former sovereign, Kougyoku Tennou, who had stepped down in 645, invited ten Buddhist teachers and prepared a feast and entertainment, likely to bless and show off the completed images. At the end of 651, the palace itself was finally complete.  We are told that over 2100 priests were invited to the Ajifu palace to read the Issaikyo on  the last day of the year.  The Issaikyo is the entirety of the Buddhsit canon, and so this was probably done in the abbreviated tendoku style, with priests just reading the chapter headings and flipping through the sutras, though with 2100 it is possible they just each red a different portion, all at the same time.  As it grew dark, the palace courtyard was kept bright with 2700 lights while we are told that the Antaku and Dosoku sutras were read.  Aston notes that these “sutras” of Antaku and Dosoku don't appear to reference any actual sutras that we know of, and posits that they may simply be rituals for home safety and the like.  Given what we know about the fate of so many of these old wooden palaces, it makes sense. After the sutras were read, the sovereign, Karu, formally moved from his residence in Ohogohori into the new palace, which was called Naniwa no Nagara no Toyosaki no Miya.  As I noted at the beginning, it is unclear if this was the Ohogohori or Wogohori, and it is even somewhat murky as to whether or not it was considered a palace.  Not to mention that after the New Year's ceremonies were completed, the royal chariot—which would have been carrying the sovereign—went back to Ohogohori.  I guess things weren't quite ready yet.  He would return on the 9th day of the third month, and even then we don't see a note that the palace was completed until the 9th month of 652.. There is a lot here where we see things that appear to be scheduled so that they can occur on auspicious days, even if everything else isn't quite ready.  So, for example, reading the sutras and formally “moving” into the palace on the last day of the year so that one could host the New Year's celebration there the next day.  That seems like something that was done purely for ceremonial purposes.  You may recall that in 650 they did the same thing. There are a few more references to the palace.  On the 15th of the 4th month of 652, the Buddhist ascetic E'on was invited into the Dairi to explain the Muryouju Sutra, also known as the Sukhavati Vyuha sutra.  E'on was made a lecturer, and there were said to be 1,000 ascetics in the audience, listening to his teachings.  That apparently went on for five days, being discontinued on the 20th day.  And the power of the sutras, and E'on's teachings, is shown in the weather, because the Chronicles claim that large rains began to fall in a monsoon that lasted for nine days.  This wasn't a gentle “water your crops” kind of rain.  This was more like a “demolish your buildings and destroy your fields” kind of rain.  There must have been massive flooding as men, horses, and cattle were caught up in the water and drowned. Given the way this is written, I'm not entirely certain of the takeaway.  Were the sutras that powerful that they brought rain, and E'on didn't understand his own strength?  Or was it a punishment for stopping E'on from continuing his lecture?  Or was it the rains that caused the lectures to stop, perhaps making it untennable for people to sit out in the courtyard and listen as the rains came down?  My rational brain suspects the latter, but I'm not sure how it was read by the people of the 8th century. On the last day of 652, priests and nuns from around the country were invited to the dairi, to the interior of the palace, and entertained and given a feast.  Alms were given and lights kindled to celebrate the new year. But that's the last entry I really see for the palace, as such.  There was plenty more happening through the era, and we'll touch on that.  We start to see Silla and Tang dynasty getting chummy, and we also see some of the reforms still working their way across the land.  We also have Yamato's own expeditions out to the Great Tang dynasty.  But we'll save that for the next episode, as we continue to dive into the Hakuchi era. And so, until next time, thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

This one goes out to all the ladies out there... well, and the fellas too if you're interested! The Krewe sits down with avid shojo enthusiast Taryn of Manga Lela Instagram/TikTok fame to talk all things shojo. Together they explore the variety of shojo genres, some challenges faced in the shojo industry, & what makes shojo different from those rambunctious shonen titles! Don't miss out!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Anime/Manga/Pop Culture Episodes ------The Japanese Pop Music Scene ft. Patrick St. Michel (S5E10)Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)The History of Nintendo ft. Matt Alt (S4E18)Visiting Themed Cafes in Japan ft. Chris Nilghe of TDR Explorer (S4E15)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)City Pop & Yu ft. Yu Hayami (S3E14)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Pro Wrestling ft. Baliyan Akki (Part 2) (S3E6)Japanese Pro Wrestling ft. Baliyan Akki (Part 1) (S3E5)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Japanese Theme Parks ft. TDR Explorer (S2E4)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime  (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age  (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)Why Japan ft. Matt Alt (S1E1)------ Links about Taryn/Manga Lela------Taryn's LinksTaryn on TikTokTaryn on InstagramTaryn on Twitter/X------ JSNO Upcoming Events ------JSNO Event CalendarJapan Fest Sign-UpJSNO Annual Meeting RegistrationJoin JSNO Today!

Les ninjas – ou shinobi – étaient des hommes de l'ombre. Avant d'envahir notre imaginaire littéraire ou cinématographique, ils vivaient à l'époque des seigneurs de la guerre, dans le Japon féodal du XVIe siècle. Il ne faut pas les imaginer tout vêtus de noir, masqués et perchés sur un toit, mais bien plutôt habillés comme les gens du terroir, se fondant dans la foule, non repérables. Leur discrétion va presque jusqu'à les faire disparaître des sources, qui parlent d'eux avant tout comme des vauriens, des voleurs, des hommes de main, des tueurs, des incendiaires… Qui étaient-ils véritablement ?Pierre-François Souyri, historien du Japon médiéval, nous propose de suivre son enquête sur les plus infimes traces laissées par ces combattants, auxquels on a prêté des pouvoirs presque surnaturels. Au-delà des légendes, apparues le plus souvent aux XIXe et XXe siècles, l'auteur retrace, à partir de sources inexploitées, la réalité de ces hommes dénigrés, contraints à la guérilla dans les montagnes autour de Kyôto, développant des techniques de combat originales, qui devinrent les espions et mercenaires des shoguns de la dynastie des Tokugawa.Pierre-François Souyri est notre invité en studio.

Historians Nathan Ledbetter & Dr. Samantha Perez rejoin the Krewe to continue our conversation on foreign-born samurai, this time highlighting the life of William Adams! In this episode, we explore his relationships with both Japanese & non-Japanese while in Japan, the similarities between William Adams's story & House of the Dragon (what?!), how he was a big inspiration for James Clavell's classic novel (and the adaptations) Shogun... AND SO MUCH MORE!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ History Episodes ------Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)------ Links about Nate ------Ubisoft's Echoes of History "Japan's First Unifier: Oda Nobunaga"Ubisoft's Echoes of History "Samurai vs Shinobi: The Tensho Iga War"Nate on BlueSky------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

If you would like to give us feedback on how were doing follow us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cd6sNqvnav⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/senornerdpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/senornerdpodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @senornerdpod on Twitter. Blue Eye Samurai is an ⁠adult animated⁠ ⁠action⁠ television series created and written for ⁠Netflix⁠ by wife-and-husband team Amber Noizumi⁠[1]⁠⁠[2]⁠ and ⁠Michael Green⁠, with supervising director and series producer Jane Wu. It was co-produced and animated by French studio ⁠Blue Spirit⁠ [⁠fr⁠]. The first season premiered on November 3, 2023. In December 2023, the series was renewed for a second season which will be released in 2026.⁠[3]⁠⁠[4]⁠ During ⁠Japan⁠'s ⁠Edo period⁠ (17th century), half-⁠white⁠ half-⁠Japanese⁠ ⁠onna-musha⁠ (female warrior) Mizu (meaning water) quests for vengeance against four white men, one of whom is her father, who illegally remained in Japan during the ⁠closing of its borders⁠ by the ⁠Tokugawa shogunate⁠.⁠[5]⁠ ⁠Maya Erskine⁠ as Mizu, a female ⁠mixed-race⁠ blue-eyed ⁠bushi⁠. Her experiences of discrimination as a mixed-race Japanese child have left her cold, bitter and vengeful. Forced by her mother to disguise herself as a boy so as not to be found, she chooses to maintain her disguise into adulthood to pursue her path of revenge more freely. ⁠George Takei⁠ as Seki, Princess Akemi's male tutor. He sympathizes with Akemi's situation and later takes steps to ensure her freedom. ⁠Masi Oka⁠ as Ringo, an optimistic, handless male cook who idolizes Mizu. Despite Mizu initially not wanting a companion, she later tolerates Ringo. He proves surprisingly helpful and loyal to Mizu. ⁠Cary-Hiroyuki Tagawa⁠ as Master Eiji, a blind ⁠swordsmith⁠ who raised Mizu. He was the first person to show Mizu kindness, partially because he cannot see her; as a result, Mizu holds deep respect for him, referring to him as "Swordfather". ⁠Brenda Song⁠ as Princess Akemi, the pampered but strong-willed daughter of a ⁠nouveau riche⁠ lord. She is in love with Taigen and resents her father's control over her and seeks a life of independence. ⁠Darren Barnet⁠ as Taigen, a promising but arrogant male swordsman of humble origins. He is in love with Princess Akemi and harbors a strong resentment towards Mizu, which has lasted since their childhoods, and later seeks revenge after being humiliated in a duel which cuts off his engagement with Akemi. ⁠Randall Park⁠ as Heiji Shindo, Fowler's nominal jailor and accomplice. ⁠Kenneth Branagh⁠ as Abijah Fowler, an ⁠Irish⁠ smuggler who is allied with the ⁠Shogun⁠, in secret defiance of Japan's ⁠Sakoku⁠ closed-door policies. He plans to overthrow the current Shogun and replace him with a leader who will open Japan to outside influence. ⁠Stephanie Hsu⁠ as Ise, a prostitute. ⁠Ming-Na Wen⁠ as Madame Kaji, a cunning and savvy ⁠madam⁠. ⁠Harry Shum Jr.⁠ as Takayoshi, the Shogun's second son. ⁠Mark Dacascos⁠ as Bloodsoaked Chiaki, an assassin and the leader of the Four Fangs gang. Orli Mariko Green as Young Mizu Judah Green as Young Taigen ⁠Patrick Gallagher⁠ as Lord Daichi, Akemi's father. ⁠Ann Harada⁠ as Mama, Mizu's unnamed adoptive mother. Although Mizu initially believed she was her biological mother, it's later revealed she was merely her maid who was paid to care for her. ⁠Byron Mann⁠ as Mikio, a disgraced samurai who was married to Mizu. Dacascos, Gallagher, and series co-creator Amber Noizumi also voice additional minor characters. Other supporting voices are provided by ⁠Gedde Watanabe⁠, ⁠Eric Bauza⁠, ⁠Clyde Kusatsu⁠, ⁠Keone Young⁠, ⁠Brittany Ishibashi⁠, Holly Chou, Marcus Choi, ⁠Matthew Yang King⁠, Jane Wu, West Liang, Alain Uy, Takaaki Hirakawa, ⁠Sherry Cola⁠, and ⁠Christine Ko⁠.

Joined by guest host Dr. Samantha Perez, the Krewe sits down with Princeton's Nathan Ledbetter to unpack how the term "samurai" evolved over the centuries and dig into foreign-born samurai, specifically Yasuke. Uncover everything they you need to know about the African samurai right here in this episode... AND SO MUCH MORE!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ History Episodes ------Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)------ Links about Nate ------Ubisoft's Echoes of History "Japan's First Unifier: Oda Nobunaga"Ubisoft's Echoes of History "Samurai vs Shinobi: The Tensho Iga War"Nate on BlueSky------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

In this episode, Greg Jenner is joined in seventeenth-century Japan by Dr Satona Suzuki and comedian Ahir Shah to learn all about the Edo period and the Tokugawa shogunate. When he came to power in 1603, Tokugawa Ieyasu became the first shogun to rule over all Japan. He made Edo – later renamed Tokyo – his power base, and over the 250 years of Tokugawa rule, this small town became one of the largest cities in the world. This episode charts the rise and fall of the shogunate, and explores what life was like for people living in Japan at this time. From politics to theatre, and taking in foreign relations, the class system, art and literature, Greg and his guests get to grips with all aspects of life in the Edo period. Hosted by: Greg Jenner Research by: Annabel Storr Written by: Annabel Storr, Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

In this four-part series, we're time traveling back to Tokugawa Japan (1603-1868) to find out what life was like there for the ladies. If you've been binging Shogun lately, then this one's for you! For show notes, including a list of sources and some cool images, go to The Exploress website (If you're dying for a full transcript, you'll find it over on my Patreon.)  In June, I'm doing a NIGHTBIRDS readalong on my other podcast, Pub Dates. Whether you're looking for a recap before FYREBIRDS comes out or are keen to read along with me for the very first time, it's going to be a lot of fun!  Ways to support The Exploress: Buy Kate's novel, NIGHTBIRDS. You can also pre-order the sequel,  FYREBIRDS, out Aug. 27. Become a patron and enjoy exclusive bonus episodes, including one about Tomoe Gozen, an infamous Japanese warrior, and a bonus about Japanese goddess Amaterasu. Buy some merch and art available at the Exploress shop

 After the Boshin War, the Shogunate as a form of government would cease to exist. In this episode we examine the three different warrior governments that ruled over Japan over nearly seven centuries and see what they did well, where they struggled, and why such a form of government ultimately failed. Support the Show.

In this bonus episode, we trace the origins of the samurai and their subsequent evolution to the heights of political power.Support the Show.

No começo do século XVII se inicia no Japão um período histórico que, séculos depois, foi chamado de Período Edo, onde os xoguns da dinastia Tokugawa governaram o Japão. O período em questão é considerado um período de relativa paz e estabilidade, e é um período onde país decide se fechar para a maior parte do mundo, algo que é derrubado no século XIX quando o ocidente obriga o Japão a se abrir, encerrando o período Edo e iniciando a restauração Meiji. Convidamos Kauê Metzger Otávio para nos explicar com mais detalhes este importante período da história japonesa. Conheça a nova linha de Tech T-shirts. Depois de experimentar, é impossível voltar atrás. #insiderstore Desbloqueie 12% de desconto com o cupom HISTORIAFM12 Acesse: http://www.insiderstore.com.br/HistoriaFM

Three samurai are credited with significant contributions to the success of the Meiji Revolution and in this episode we explore their backgrounds and experiences during the tumultuous Bakumatsu period.Support the Show.

Tensions between the Bakufu and the freshly-energized Loyalists came to a head when a shogunate army was refused entry to Kyoto - then promptly fired upon. The ensuing Boshin War was largely one-sided, with Loyalists gaining repeated victories due to superior arms, tactics, and numbers.Support the Show.

Things appeared grim for Choshu Domain after their defeat to western forces at the Battle of Shimonoseki. In a few short years, however, their fortunes would be completely reversed and the Bakufu would find itself politically besieged.Support the Show.

This is Part 2 of our special Gishiwajinden Tour from Gaya to Tsushima, Iki, Matsuro, Ito, and Na--aka Gimhae and Busan to Tsushima, Iki, Karatsu, Itoshima, and Fukuoka.  This time we talk about the island of Tsushima, the border island between Japan and Korea.  While itself a difficult place to make a living, it has long been the border--a place for foreign ambassadors, invadors, and pirates alike. For photos and more, check out our blogpost:  https://sengokudaimyo.com/podcast/tsushima Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Gishiwajinden Tour Stop 2: Tsushima. As I mentioned last episode, we are taking a break right now from the workings of the Chronicles while I prep a bit more research on the Taika reform.  As we do so, I'm taking you through a recent trip we took trying to follow the ancient sea routes from Gaya, on the Korean peninsula, across the islands to Na, in modern Fukuoka.  This may have been first described in the Wei Chronicles, the Weizhi, but it was the pathway that many visitors to the archipelago took up through the famous Mongol invasion, and even later missions from the Joseon kingdom on the Korean peninsula. Last episode, we talked about our start at Gimhae and Pusan.  Gimhae is the old Geumgwan Gaya, as far as we can tell, and had close connections with the archipelago as evidenced by the common items of material culture found on both sides of the strait.  From the coast of the Korean peninsula, ships would then sail for the island of Tsushima, the nearest of the islands between the mainland and the Japanese archipelago.  Today, ships still sail from Korea to Japan, but most leave out of the port of Pusan.  This includes regular cruise ships as well as specialty cruises and ferries.  For those who want, there are some popular trips between Pusan and Fukuoka or Pusan all the way to Osaka, through the Seto Inland Sea.  For us, however, we were looking at the shortest ferries, those to Tsushima.  Tsushima is a large island situated in the strait between Korea and Japan.  Technically it is actually three islands, as channels were dug in the 20th century to allow ships stationed around the island to quickly pass through rather than going all the way around. Tsushima is the closest Japanese island to Korea, actually closer to Korea than to the rest of Japan, which makes it a fun day trip from Pusan, so they get a lot of Korean tourists.  There are two ports that the ferries run to, generally speaking.  In the north is Hitakatsu, which is mainly a port for people coming from Korea.  Further south is Izuhara, which is the old castle town, where the So family once administered the island and relations with the continent, and where you can get a ferry to Iki from. Unfortunately for us, as I mentioned last episode, it turned out that the kami of the waves thwarted us in our plans to sail from Busan to Tsushima.  And so we ended up flying into Tsushima Airport, instead, which actually required us to take an international flight over to Fukuoka and then a short domestic flight back to Tsushima.  On the one hand, this was a lot of time out of our way, but on the other they were nice short flights with a break in the Fukuoka airport, which has great restaurants in the domestic terminal.  Furthermore, since we came into the centrally-located Tsushima airport, this route also gave us relatively easy access to local rental car agencies, which was helpful because although there is a bus service that runs up and down the islands, if you really want to explore Tsushima it is best to have a car.  Note that also means having an International Driver's Permit, at least in most cases, unless you have a valid Japanese drivers' license. As for why you need a car:  There is a bus route from north to south, but for many of the places you will likely want to go will take a bit more to get to.  If you speak Japanese and have a phone there are several taxi companies you can call, and you can try a taxi app, though make sure it works on the island.  In the end, having a car is extremely convenient. Tsushima is also quite mountainous, without a lot of flat land, and there are numerous bays and inlets in which ships can hide and shelter from bad weather—or worse.  Tsushima is renowned for its natural beauty.  Flora and fauna are shared with continent and the archipelago.  There are local subspecies of otter and deer found on the islands, but also the Yamaneko, or Mountain Cat, a subspecies of the Eurasian leopard cat that   is only found in Japan on Tsushima and on Iriomote, in the southern Okinawan island chain.  They also have their own breed of horse, as well, related to the ancient horses bred there since at least the 8th century. Tsushima is clearly an important part of Japan, and the early stories of the creation of the archipelago often include Tsushima as one of the original eight islands mentioned in the creation story.  That suggests it has been considered an ancient part of the archipelago since at least the 8th century, and likely much earlier. Humans likely first came to Tsushima on their crossing from what is now the Korean peninsula over to the archipelago at the end of the Pleistocene era, when sea levels were much lower.  However, we don't have clear evidence of humans until later, and this is likely because the terrain made it difficult to cultivate the land, and most of the activity was  focused on making a livelihood out of the ocean. Currently we have clear evidence of humans on the island from at least the Jomon period, including remnants such as shellmounds, though we don't have any clear sign of habitation.  It is possible that fishermen and others came to the islands during certain seasons, setting up fish camps and the like, and then departed, but it could be that there were more permanent settlements and we just haven't found them yet.  Most of the Jomon sites appear to be on the northern part of Tsushima, what is now the “upper island”, though, again, lack of evidence should not be taken as evidence of lack, and there could be more we just haven't found yet.  After all, sites like Izuhara, which was quite populated in later periods, may have disturbed any underlying layers that we could otherwise hope to find there, and perhaps we will one day stumble on something more that will change our understanding.  Things change a bit in the Yayoi period, and we see clear evidence of settlements, pit buildings, graves, and grave goods at various sites up through the Kofun period.   Unsurprisingly, the assembly of goods found include both archipelagic and continental material, which fits with its position in between the various cultures. Understandably, most of these archeological sites were investigated and then either covered back up for preservation or replaced by construction – so in many cases there isn't anything to see now, besides the artifacts in the museum.  But some of the earliest clear evidence that you can still go see today are the several kofun, ancient tumuli, scattered around the island at different points.  Most of the kofun on the island appear to be similar, and overall fairly small.  These are not the most impressive kofun—not the giant mounds found in places like Nara, Osaka, Kibi, or even up in Izumo.  However, to students of the era they are still very cool to see as monuments of that ancient time.  One example of this that we visited was the Niso-kofungun, or the Niso Kofun group.  The Niso Kofungun is not like what you might expect in the Nara basin or the Osaka area.  First, you drive out to the end of the road in a small fishing community, and from there go on a small hike to see the kofun themselves.  Today the mounds are mostly hidden from view by trees, though there are signs put up to mark each one.  Some of them have a more well defined shape than others, too, with at least one demonstrating what appears to be a long, thin keyhole shape, taking advantage of the local terrain.  Most of these were pit style burials, where slabs of local sedimentary rock were used to form rectangular coffins in the ground, in which the individuals were presumably buried.  On one of the keyhole shaped mounds there was also what appears to be a secondary burial at the neck of the keyhole, where the round and trapezoidal sections meet.  However, we don't know who or even what was buried there in some instances, as most of the bones are no longer extant. Besides the distinctively keyhole shaped tomb, two more kofun in the Niso group caught my attention.  One, which is thought to have been a round tomb, had what appeared to be a small stone chamber, perhaps the last of the kofun in this group to be built, as that is generally a feature of later period kofun.  There was also one that was higher up on the hill, which may also have been a keyhole shaped tomb.  That one struck me, as it would likely have been particularly visible from sea before the current overgrown forest  appeared.  There are also plenty of other kofun to go searching for, though some might be a little more impressive than others.  In the next episode, when we talk about the island of Iki, we'll explore that ancient kingdom's much larger collection of kofun. After the mention of Tsushima in the Weizhi in the third century, there is a later story, from about the 6th century, involving Tsushima in the transmission of Buddhism.  This story isn't in the Nihon Shoki and was actually written down much later, so take that as you will.  According to this account, the Baekje envoys who transmitted the first Buddha image to Japan stopped for a while on Tsushima before proceeding on to the Yamato court.  While they were there, the monks who were looking after the image built a small building in which to conduct their daily rituals, effectively building the first Buddhist place of worship in the archipelago.  A temple was later said to have been built on that spot, and in the mid-15th century it was named Bairinji. While the narrative is highly suspect, there is some evidence that the area around Bairinji was indeed an important point on the island.  Prior to the digging of the two channels to connect the east and west coasts, the area near Bairinji, known as Kofunakoshi, or the small boat portage, was the narrowest part of Tsushima, right near the middle, where Aso Bay and Mitsuura Bay almost meet.  We know that at least in the 9th century this is where envoys would disembark  from one ship which had brought them from the archipelago, and embark onto another which would take them to the continent, and vice versa. Likewise, their goods would be carried across the narrow strip of land. This was like a natural barrier and an ideal location for an official checkpoint, and in later years Bairinji temple served as this administrative point, providing the necessary paperwork for crews coming to and from Japan, including the various Joseon dynasty missions in the Edo period. Why this system of portage and changing ships, instead of just sailing around?  Such a system was practical for several reasons.  For one, it was relatively easy to find Tsushima from the mainland.  Experienced ships could sail there, transfer cargo to ships experienced with the archipelago and the Seto Inland Sea, and then return swiftly to Korea.  Furthermore, this system gave Yamato and Japan forewarning, particularly of incoming diplomatic missions.  No chance mistaking ships for an invasion or pirates of some kind, as word could be sent ahead and everything could be arranged in preparation for the incoming mission.  These are details that are often frustratingly left out of many of the early accounts, but there must have been some logistics to take care of things like this. Whether or not Bairinji's history actually goes back to 538, it does have claim to some rather ancient artifacts, including a 9th century Buddha image from the Unified, or Later, Silla period as well as 579 chapters of the Dai Hannya Haramitta Kyo, or the Greater Perfection of Wisdom Sutra, from a 14th century copy.  These were actually stolen from the temple in 2014, but later recovered.  Other statues were stolen two years previously from other temples on Tsushima, which speaks to some of the tensions that still exist between Korea and Japan.  Claims were made that the statues had originally been stolen by Japanese pirates, or wakou, from Korea and brought to Japan, so the modern-day thieves were simply righting an old wrong.  However, Korean courts eventually found that the items should be returned to Japan, though there were those who disagreed with the ruling.  This is an example of the ongoing tensions that can sometimes make study of inter-strait history a bit complex. More concrete than the possible location of a theoretical early worship structure are the earthworks of Kaneda fortress.  This is a mid-7th century fort, created by Yamato to defend itself from a presumed continental invasion.  We even have mention of it in the Nihon Shoki.  It appears to have been repaired in the late 7th century, and then continued to be used until some time in the 8th century, when it was abandoned, seeing as how the invasion had never materialized, and no doubt maintaining the defenses on top of a mountain all the way out on Tsushima would have been a costly endeavor. Over time the name “Kaneda” was forgotten, though the stone and earthworks on the mountain gave the site the name “Shiroyama”, or Castle Mountain, at least by the 15th century.  In the Edo period, scholars set out trying to find the Kaneda fortress mentioned in the Nihon Shoki, and at one point identified this with an area known as Kanedahara, or Kaneda Fields, in the modern Sasu district, on the southwest coast of Tsushima.  However, a scholar named Suyama Don'ou identified the current mountaintop site, which has generally been accepted as accurate.  The earthworks do appear to show the kind of Baekje-style fortifications that Yamato built at this time, which took advantage of the natural features of the terrain.  These fortresses, or castles, were more like fortified positions—long walls that could give troops a secure place to entrench themselves.  They would not have had the impressive donjon, or tenshukaku, that is the most notable feature of of later Japanese and even European castles. Most of the Baekje style castles in Japan are primarily earthworks—for example the Demon's castle in modern Okayama.  Kaneda is unique, though, with about 2.8 kilometers of stone walls, most of which are reportedly in quite good condition.  There were three main gates and remains of various buildings have been determined from post-holes uncovered on the site.  There is a name for the top of the mountain, Houtateguma, suggesting that there may have once been some kind of beacon tower placed there with a light that could presumably be used to signal to others, but no remains have been found. The defensive nature of the position is also attested to in modern times.  During the early 20th century, the Japanese military placed batteries on the fortress, and an auxiliary fort nearby.  These constructions damaged some of the ancient walls, but this still demonstrates Tsushima's place at the edge of Japan and the continent, even into modern times. For all that it is impressive, I have to say that we regrettably did not make it to the fortress, as it is a hike to see everything, and our time was limited.  If you do go, be prepared for some trekking, as this really is a fortress on a mountain, and you need to park and take the Kaneda fortress trail up.   Moving on from the 8th century, we have evidence of Tsushima in written records throughout the next several centuries, but there isn't a lot clearly remaining on the island from that period—at least not extant buildings.  In the records we can see that there were clearly things going on, and quite often it wasn't great for the island.  For instance, there was the Toi Invasion in the 11th century, when pirates—possibly Tungusic speaking Jurchen from the area of Manchuria—invaded without warning, killing and taking people away as slaves.  It was horrific, but relatively short-lived, as it seems that the invaders weren't intent on staying. Perhaps a more lasting impression was made by the invasions of the Mongols in the 13th century.  This is an event that has been hugely impactful on Japan and Japanese history.  The first invasion in 1274, the Mongols used their vassal state of Goryeo to build a fleet of ships and attempted to cross the strait to invade Japan.  The typical narrative talks about how they came ashore at Hakata Bay, in modern Fukuoka, and the Kamakura government called up soldiers from across the country to their defense.  Not only that, but monks and priests prayed for divine intervention to protect Japan.  According to the most common narrative, a kamikaze, or divine wind, arose in the form of a typhoon that blew into Hakata Bay and sank much of the Mongol fleet. That event would have ripple effects throughout Japanese society.  On the one hand, the Mongols brought new weapons in the form of explosives, and we see changes in the arms of the samurai as their swords got noticeably beefier, presumably to do better against similarly armored foes.  The government also fortified Hakata Bay, which saw another attack in 1281, which similarly failed. Though neither attempted invasion succeeded, both were extremely costly.  Samurai who fought for their country expected to get rewarded afterwards, and not just with high praise.  Typically when samurai fought they would be richly rewarded by their lord with gifts taken from the losing side, to include land and property.  In the case of the Mongols, however, there was no land or property to give out.  This left the Kamakura government in a bit of a pickle, and the discontent fomented by lack of payment is often cited as one of the key contributors to bringing down the Kamakura government and leading to the start of the Muromachi period in the 14th century. The invasions didn't just appear at Hakata though.  In 1274,  after the Mongol fleet first left Goryeo on the Korean Peninsula, they landed first at Tsushima and then Iki, following the traditional trade routes and killing and pillaging as they went.  In Tsushima, the Mongol armies arrived in the south, landing at Komoda beach near Sasuura.  Lookouts saw them coming and the So clan hastily gathered up a defense, but it was no use.  The Mongol army established a beachhead and proceeded to spend the next week securing the island. From there they moved on to Iki, the next island in the chain, and on our journey.  Countless men and women were killed or taken prisoner, and when the Mongols retreated after the storm, they brought numerous prisoners back with them.  Although the Mongols had been defeated, they were not finished with their plans to annex Japan into their growing empire.  They launched another invasion in 1281, this time with reinforcements drawn from the area of the Yangtze river, where they had defeated the ethnic Han Song dynasty two years prior.  Again, they landed at Tsushima, but met fierce resistance—the government had been preparing for this fight ever since the last one.  Unfortunately, Tsushima again fell under Mongol control, but not without putting up a fight.  When the Mongols were again defeated, they left the island once again, this time never to return. If you want to read up more on the events of the Mongol Invasion, I would recommend Dr. Thomas Conlan's book, “No Need for Divine Intervention”.  It goes into much more detail than I can here. These traumatic events have been seared into the memories of Tsushima and the nearby island of Iki. Even though both islands have long since rebuilt, memories of the invasion are embedded in the landscape of both islands, and it is easy to find associated historical sites or even take a dedicated tour.   In 2020, the events of the invasion of Tsushima were fictionalized into a game that you may have heard of called Ghost of Tsushima.  I won't get into a review of the game—I haven't played it myself—but many of the locations in the game were drawn on actual locations in Tsushima.  Most, like Kaneda Castle, are fictionalized to a large extent, but it did bring awareness to the island, and attracted a large fan base.  Indeed, when we picked up our rental car, the helpful staff offered us a map with Ghost of Tsushima game locations in case we wanted to see them for ourselves. As I noted, many of the places mentioned in the game are highly fictionalized, as are many of the individuals and groups—after all, the goal is to play through and actually defeat the enemies, and just getting slaughtered by Mongols and waiting for them to leave wouldn't exactly make for great gameplay.  Shrines offer “charms” to the user and so finding and visiting all of the shrines in the in-game world becomes a player goal. And so when fans of the game learned that the torii gate of Watatsumi Shrine, one of the real-life iconic shrines in Tsushima, was destroyed by a typhoon in September of 2020, about a month after the game was released, they came to its aid and raised over 27 million yen to help restore the torii gates.  A tremendous outpouring from the community. And while you cannot visit all of the locations in the game, you can visit Watazumi Shrine, with its restored torii gates that extend into the water. Watatsumi Shrine itself has some interesting, if somewhat confusing, history.  It is one of two shrines on Tsushima that claim to be the shrine listed in the 10th-century Engi Shiki as “Watatsumi Shrine”.  This is believed to have been the shrine to the God of the Sea, whose palace Hiko Hoho-demi traveled down to in order to find his brother's fishhook—a story noted in the Nihon Shoki and which we covered in episode 23.  Notwithstanding that most of that story claims it was happening on the eastern side of Kyushu, there is a local belief that Tsushima is actually the place where that story originated. The popular shrine that had its torii repaired is popularly known as Watatsumi Shrine, today.  The other one is known as Kaijin  Shrine, literally translating to the Shrine of the Sea God, and it is also known as Tsushima no kuni no Ichinomiya; That is to say the first, or primary, shrine of Tsushima.  Some of the confusion may come as it appears that Kaijin shrine was, indeed, the more important of the two for some time.  It was known as the main Hachiman shrine in Tsushima, and may have been connected with a local temple as well.  It carries important historical records that help to chart some of the powerful families of Tsushima, and also claims ownership of an ancient Buddhist image from Silla that was later stolen.  In the 19th century it was identified as the Watatsumi Shrine mentioned in the Engi Shiki, and made Toyotama Hime and Hikohohodemi the primary deities worshipped at the shrine, replacing the previous worship of Hachiman. Shrines and temples can be fascinating to study, but can also be somewhat tricky to understand, historically.  Given their religious nature, the founding stories of such institutions can sometimes be rather fantastical, and since they typically aren't written down until much later, it is hard to tell what part of the story is original and what part has been influenced by later stories, like those in the Nihon Shoki or the Kojiki. Another interesting example of a somewhat unclear history is that of the Buddhist temple, Kokubun-ji.  Kokubunji are provincial temples, originally set up inthe decree of 741 that had them erected across the archipelago, one in each province at the time, in an attempt to protect the country from harm,  Knowing the location of a Kokubunji can therefore often tell you something about where the Nara era provincial administration sat, as it would likely have been nearby.  In many cases, these were probably connected to the local elite, as well. This is not quite as simple with Tsushima Kokubun-ji.  While it was originally designated in the decree of 741,  a later decree in 745 stated that the expenses for these temples would come directly out of tax revenues in the provinces, and at that time Tsushima was excluded.  Moreover, the Kokubunji on nearby Iki island was funded by taxes from Hizen province.  So it isn't until 855 that we have clear evidence of an early provincial temple for Tsushima, in this case known as a Tobunji, or Island Temple, rather than a Kokubunji. The location of that early temple is unknown, and it burned down only two years later when Tsushima was attacked by forces from Kyushu.   It is unclear what happened to it in the following centures, but by the 14th or 15th century it was apparently situated in Izuhara town, near the site of what would become Kaneishi Castle.  It was later rebuilt in its current location, on the other side of Izuhara town.  It burned down in the Edo period—all except the gate, which was built in 1807.  This gate is at least locally famous for its age and history.  It was also the site of the guesthouses for the 1811 diplomatic mission from Joseon—the dynasty that followed Koryeo. Those missions are another rather famous part of the history of Tsushima, which, as we've seen, has long been a gateway between the archipelago and the peninsula.  In the Edo period, there were numerous diplomatic missions from the Joseon dynasty to the Tokugawa shogunate, and these grand affairs are often touted in the history of Tsushima, with many locations specifically calling out the island's deep involvement in cross-strait relations.  Relations which, to really understand, we need to probably start with a look at the famous (or perhaps even infamous) Sou clan. The Sou clan became particularly influential in Tsushima in the 13th century.  The local officials, the Abiru clan, who had long been in charge of the island, were declared to be in rebellion against the Dazaifu, and so Koremune Shigehisa was sent to quell them.  In return, he was made Jito, or land steward, under the Shoni clan, who were the Shugo of Chikuzen and Hizen, including the island of Tsushima.  The Sou clan, descendents of the Koremune, ruled Tsushima ever since, first as vassals of the Shoni , but eventually they ran things outright. Thus, Sou Sukekuni was in charge when the Mongols invaded in 1274.  Despite having only 80 or so mounted warriors under his charge, he attempted to defend the island, dying in battle.  Nonetheless, when the Mongols retreated, the Sou family retained their position.  Later, they supported the Ashikaga in their bid to become shogun, and were eventually named the Shugo of Tsushima, a title they kept until the Meiji period. As we've mentioned, despite its size, Tsushima is not the most hospitable of locations.  It is mountainous, with many bays and inlets, making both cross-land travel and agriculture relatively difficult.  And thus the Sou clan came to rely on trade with the continent for their wealth and support.  Although, “trade” might be a bit negotiable. Remember how the early Japanese regularly raided the coast of the peninsula?  It was frequent enough that a term arose—the Wakou, the Japanese invaders, or Japanese pirates.  In fact, the term “wakou” became so synonymous with piracy that almost any pirate group could be labeled as “wakou”, whether Japanese or not.  Some of them that we know about were downright cosmopolitan, with very diverse crews from a variety of different cultures. Given its position, the rough terrain, and myriad bays that could easily hide ships and other such things, Tsushima made a great base for fishermen-slash-pirates to launch from.  Particularly in harsh times, desperate individuals from Tsushima and other islands might take their chances to go and raid the mainland.  In the early 15th century, the new Joseon dynasty had had enough.  They sent an expeditionary force to Tsushima to put an end to the wakou. The expedition came in 1419.  The year before, the head of the Sou clan, Sou Sadashige, had died.  His son, Sou Sadamori, took his place, but had not yet come of age, leaving actual power in the hands of Souda Saemontarou, leader of the Wakou pirates. Eventually the Joseon forces were defeated by the forces of Tsushima, including the wakou.  The Joseon court considered sending another punitive expedition, but it never materialized.  What did eventually happen, though, was, oddly, closer ties between the peninsula and Tsushima.  Sou Sadamori, who grew up in that tumultuous time, worked to repair relationships with the Joseon court, concluding a treaty that that allowed the Sou clan to basically monopolize trade with the Korean peninsula.  Treaty ports on the peninsula began to attract permanent settlements of Japanese merchants, and these “wakan”, or Japanese districts, came nominally under the jurisdiction of the Sou of Tsushima. The Sou clan maintained their place as the intermediaries with the Joseon state through the 16th century.  Messages sent from the Japanese court to Joseon would be sent to the Sou, who would deliver them to the Joseon court, and in turn handle all replies from the peninsula back to the Japanese mainland.  And this over time led them to develop some, shall we say, special techniques to make sure these exchanges were as fruitful as possible.  You see, the treaties with the Joseon court only allowed fifty ships a year from Tsushima to trade with the peninsula.  But since all of the documents flowed through the Sou, they had plenty of time to study the seals of both courts—those of the Joseon kingdom and those of Japan – and have fake seals created for their own ends.  In part through the use of these fake seals, the Sou clan were able to pretend their ships were coming from other people—real or fake—and thus get around the 50 ship per year limit.  They also used them in other ways to try and maintain their position between the two countries. All of this came to a head when the Taikou, Toyotomi Hideyoshi, began to dream of continental conquest.  Hideyoshi, at this point the undeniable ruler of all of Japan, had a bit of an ego—not exactly undeserved, mind you.  His letter to the Joseon king Seongjo, demanding submission, was quite inflammatory, and the Sou clan realized immediately that it would be taken as an insult.  Not only could it jeopardize relations with the continent, it could also jeopardize their own unique status.  Which is why they decided to modify it using what in modern computer hacker terms might be called a man-in-the-middle attack – which, with their fake seal game, they had plenty of experience with. The Sou were able to modify the language in each missive to make the language more acceptable to either side.  They also dragged their feet in the whole matter, delaying things for at least two years   But Hideyoshi's mind was set on conquest.  Specifically, he had ambitions of displacing the Ming dynasty itself, and he demanded that the Joseon court submit and allow the Japanese forces through to face the Ming dynasty.  The Joseon refused to grant his request, and eventually Hideyoshi had enough.  He threatened an invasion of Korea if the Joseon dynasty didn't capitulate to his requests. Throughout this process, the Sou attempted to smooth things over as best they could.  However, even they couldn't forge the words presented by a face-to-face envoy, nor could they put off Hideyoshi's anger forever.  And thus Tsushima became one of the launching off points for the Japanese invasions of Korea in 1592 and again in 1597.  Tsushima, along with nearby Iki, would have various castles built to help supply the invading forces.  One such castle was the Shimizuyama-jo, overlooking the town of Izuhara.  Some of the walls and earthworks can still be seen up on the mountain overlooking the town, and  there are trails up from the site of Kaneishi castle, down below.  Both of these invasions ultimately failed, though not without a huge loss of life and destruction on the peninsula—a loss that is still felt, even today. The second and final invasion ended in 1598.  Both sides were exhausted and the Japanese were losing ground, but the true catalyst, unbeknownst to those on the continent, was the death of Hideyoshi.  The Council of Regents, a group of five daimyo appointed to rule until Hideyoshi's son, Hideyori, came of age kept Hideyoshi's death a secret to maintain morale until they could withdraw from the continent. With the war over, the Sou clan took the lead in peace negotiations with the Joseon court, partly in an attempt to reestablish their position and their trade.  In 1607, after Tokugawa had established himself and his family as the new shogunal line, the Sou continued to fake documents to the Joseon court, and then to fake documents right back to the newly established bakufu so that their previous forgeries wouldn't be uncovered.  This got them in a tight spot.  In the early 1600s, one Yanagawa Shigeoki had a grudge to settle with Sou Yoshinari, and so he went and told the Bakufu about the diplomatic forgeries that the Sou had committed, going back years.  Yoshinari was summoned to Edo, where he was made to answer the allegations by Shigeoki.  Sure enough, it was proven that the Sou had, indeed, been forging seals and letters, but after examination, Tokugawa Iemitsu, the third Tokugawa Shogun, decided that they had not caused any great harm—in fact, some of their meddling had actually helped, since they knew the diplomatic situation with the Joseon court better than just about anyone else, and they clearly were incentivized to see positive relations between Japan and Korea.  As such, despite the fact that he was right, Yanagawa Shigeoki was exiled, while the Sou clan was given a slap on the wrist and allowed to continue operating as the intermediaries with the Joseon court. There was one caveat, however:  The Sou clan would no longer be unsupervised.  Educated monks from the most prestigious Zen temples in Kyoto, accredited as experts in diplomacy, would be dispatched to Tsushima to oversee the creation of diplomatic documents and other such matters, bringing the Sou clan's forgeries to a halt. Despite that, the Sou clan continued to facilitate relations with the peninsula, including some twelve diplomatic missions from Korea: the Joseon Tsuushinshi.  The first was in 1607, to Tokugawa Hidetada, and these were lavish affairs, even more elaborate than the annual daimyo pilgrimages for the sankin-kotai, or alternate attendance at Edo.  The embassies brought almost 500 people, including acrobats and other forms of entertainment.  Combined with their foreign dress and styles, it was a real event for people whenever they went. Today, these Tsuushinshi are a big draw for Korean tourists, and just about anywhere you go—though especially around Izuhara town—you will find signs in Japanese, Korean, and English about locations specifically associated with these missions. And in years past, they've even reenacted some of the processions and ceremonies. Speaking of Izuhara, this was the castle town from which the Sou administered Tsushima.  Banshoin temple was the Sou family temple, and contains the graves of many members of the Sou family.  In 1528, the Sou built a fortified residence in front of Banshoin, and eventually that grew into the castle from which they ruled Tsushima.  Today, only the garden and some of the stone walls remain.  The yagura atop the main gate has been rebuilt, but mostly it is in ruins.  The Tsushima Museum sits on the site as well.  Nearby there is also a special museum specifically dedicated to the Tsuushinshi missions. Izuhara town itself is an interesting place.  Much of what you see harkens back to the Edo period.  Much like Edo itself, the densely packed wood and paper houses were a constant fire hazard, and there were several times where the entire town burned to the ground.  As such they began to institute firebreaks in the form of stone walls which were placed around the town to help prevent fire from too quickly spreading from one house to the next.  This is something that was instituted elsewhere, including Edo, but I've never seen so many extant firewalls before, and pretty soon after you start looking for them, you will see them everywhere. The area closest to the harbor was an area mostly for merchants and similar working class people, and even today this can be seen in some of the older buildings and property layouts.  There are also a fair number of izakaya and various other establishments in the area.  Further inland you can find the old samurai district, across from the Hachiman shrine.  The houses and the gates in that area are just a little bit nicer.  While many modern buildings have gone up in the town, you can still find traces of the older buildings back from the days of the Sou clan and the Korean envoys. Today, Izuhara is perhaps the largest town on Tsushima, but that isn't saying much—the population of the entire island is around 31,000 people, only slightly larger than that of nearby Iki, which is only about one fifth the size of Tsushuma in land area.  From Izuhara, you can catch a ferry to Iki or all the way to Hakata, in Fukuoka.  You can also always take a plane as well. Before leaving Tsushima, I'd like to mention one more thing—the leopard cat of Tsushima, the Yamaneko.  This has become something of a symbol in Tsushima, but unfortunately it is critically endangered, at least on the island itself.  It is all but gone from the southern part of Tsushima—human encroachment on its habitat has been part of the issue, but so has the introduction of domesticated cats.  The yamaneko itself is about the size of a typical housecat, and might be mistaken for one, though it has a very distinctive spotted appearance.  Domesticated cats have been shown to outcompete their wild cousins, while also passing on harmful diseases, which also affect the population.  Just about everywhere you go you'll see signs and evidence of this special cat. There is also a breeding program in the north if you want to see them for yourself. Even the small Tsushima Airport is named Yamaneko Airport, and the single baggage claim features a whole diorama of little plush leopard cats wearing traditional clothing and waving hello to new arrivals. If you like rugged coastlines, fascinating scenery, and the odd bit of history thrown in, might I suggest taking a look at Tsushima, the border island between Japan and Korea. We only had a few days, but it was a truly wonderful experience.  Next up we caught the ferry to Iki island, the site of the ancient Iki-koku, possibly represented by the Yayoi era Harunotsuji site.  Of all the places I've been so far, this is second only to Yoshinogari in the work and reconstruction they've done.  They've even discovered what they believe to be an ancient dock or boat launch.  But we'll cover that next week, as we continue on our self-guided Gishiwajinden tour. Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to us at our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

After the assassination of Ii Naosuke, political violence became a new norm. The Shogunate was deeply troubled when a rebellion began in its own backyard of northern Kanto, in Mito Domain.Support the Show.

After the national humiliation and subsequent economic turmoil caused by opening Japan to more foreign trade, the Bakufu desperately tried to regain a position of national authority. This culminated in the Ansei Purge initiated by the chief elder Ii Naosuke. However, the shogunate's tough actions would bring significant unexpected consequences.Support the Show.

In 1853, Commodore Matthew Calbraith Perry from the United States of America forced Japan to become open to foreign trade. How did he succeed where so many others had failed?Support the Show.

In this four-part series, we're time traveling back to Tokugawa Japan (1603-1868) to find out what life was like there for the ladies. If you've been binging Shogun lately, then this one's for you! For show notes, including a list of sources and some cool images, go to The Exploress website (If you're dying for a full transcript, you'll find it over on my Patreon.)  In June, I'm doing a NIGHTBIRDS readalong on my other podcast, Pub Dates. Whether you're looking for a recap before FYREBIRDS comes out or are keen to read along with me for the very first time, it's going to be a lot of fun! And listeners have a chance to win a prize. Ways to support The Exploress: Buy Kate's novel, NIGHTBIRDS, which is already out in hardback, and coming out in paperback on June 4, 2024. You can also pre-order the sequel,  FYREBIRDS, out Aug. 27. Become a patron and enjoy exclusive bonus episodes, including one about Tomoe Gozen, an infamous Japanese warrior, and an upcoming bonus about Japanese goddess Amaterasu. Buy some merch and art available at the Exploress shop

Are there any Tokugawa apologists out there?

This week on the Revised Introduction to Japanese History: the politics of the Meiji Period! After a coalition of samurai, nobles, loyalists, and others succeed in overthrowing the Tokugawa shogunate, they must ask themselves: what comes next? And, in the time honored tradition of revolution, they answer that question by killing off or removing from office anyone they disagree with. Show notes here. 

This week: the age of feudalism comes crashing down, as in the span of just two years the Tokugawa shogunate goes from victory to crushing defeat. How did the final years of Tokugawa rule play out? Show notes here. 

This week on the Revised Introduction to Japanese History: the sudden assassination of the tairo Ii Naosuke sparks the rapid ascension of imperial loyalism, an ideology devoted to the undoing of the unequal treaties and the overthrow of the shogunate. How did loyalism come to be a dominant force in the politics of the early 1860s, and how did its following collapse in just a few years? Show notes here.  

This week on the Revised Introduction to Japanese History: the beginning of the end of the Tokugawa shogunate. Commodore Perry's expedition to Edo will begin a process of radical political change as a teetering Tokugawa shogunate is forced to confront a challenge of Western imperialism that it will not prove equal to resisting. Show notes here.

“I myself have resolved to follow the path of righteousness henceforth. More than anything, devote yourself to learning and act in accordance with the teachings of the past.” - Katsu Kokichi, Musui's Story --- Send in a voice message: https://podcasters.spotify.com/pod/show/donavon-riley/message Support this podcast: https://podcasters.spotify.com/pod/show/donavon-riley/support

This week on the Revised Introduction to Japanese History: crises about during the late Edo period. A crisis of samurai identity! Questions around vengeance, honor, and duty! And of course, the most confounding subject of them all: macroeconomics. But hey, I'm sure we can figure this all out as long as no pesky Americans show up to ruin things, right? Show notes here. 

This week on the Revised Introduction to Japanese History: "closed country" isn't quite the full story. How did Japan maintain its connections to the outside world during the Edo Period? And how do some of those connections, particularly in the Ryukyus and Hokkaido, lay the groundwork for future imperial expansion? Show notes here. 

This week on the Revised Introduction to Japanese History: what was life in the Edo period like? We cover everything from food to school to entertainment as we talk through daily life in Tokugawa-ruled Japan.  Show notes here.

Last time we spoke about the end of WW1 and China's bitter experience at the Paris Peace conference. Yes it WW1 brought a lot of drama to China. Yuan Shikai and later prominent figures like Duan Qirui took the poor habit of making secret deals with the Japanese that would very much bite them in the ass later in Paris. The Chinese delegation came to Paris hoping to secure major demands, most notably to solve the ongoing Shandong Problem. Instead they quite literally found out there were secret deals between China and Japan that completely hindered their war aims. To add insult to injury the western powers, notably Britain had also made secret double dealings with Japan. In the end Japan got her way, China did not, it was so embarrassing the Chinese delegation did not bother signing the Treaty of Versailles. Things could not possible get any worse eh?   #92 The New Culture Movement   Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. To say this is a big event in Modern Chinese history is certainly an understatement. I have to acknowledge over on my personal channel the Pacific War channel I made an episode on this topic. I had no idea what I was getting myself into, but I am very glad I tackled it. It was the first time a large portion of Chinese audience members came forward and thanked me for covering the subject. I was honestly a bit baffled, the episode picked up steam, I thought, hmmm why is this getting views, its a rather boring, non battle more political episode. Well case and point, this story is really the birth of modern China. If you go searching for books on this subject you will find so many of its impact on just about every facet of China today and even on other nations. Now there is two major subjects at play here, the May fourth movement and the New Cultural movement. I am going to do my best to try and cohesively tell this, but its a rather difficult one to be honest. For the sake of cohesion and to be blunt while writing this I just don't think I will manage to fit both subjects into one episode, I first am going to tackle what exactly the “New Cultural Movement” was and I am guessing I will have to leave the May Fourth Movement for next episode.  The New Cultural Movement is intertwined with the May Fourth Movement, or you could call it the progenitor. In essence it was a progressivist movement that sprang up in the 1910's and would continue through the 1920's criticizing traditional Chinese ideology and promoting a new culture. This new culture was influenced by new age science and modern ideals. It's during this period you find many of China's big scholars start speaking out and making names for themselves. Now we have been talking in length about numerous issues that hit China during the 1910's such as WW1, Yuan Shikai's craziness, secret deals getting leaked to the public, the Shandong Problem, the Treaty of Versailles and all of these summed up were just more and more humiliation for China. The people of China were fed up. The people of China wanted change. Now its hard to encompass all that was sought out, but there are 6 large themes of this New Cultural movement that I shall list.  The first change the public wanted was because of their outdated writing system, they wanted a more vernacular one. Second the confucian based tradition patriarchal family model was very outdated and it was a hindrance against individual freedom and women's rights. Third the people wanted China to be a real nation, one amongst the other nations of the world, not stuck in its Confucian model. Fourth the people wanted China to adopt a more scientific approach to things rather than the traditional confucian belief system. Fifth, the Chinese people wanted democracy human rights, all of the enlightened values other nations had. Lastly China had always been a nation who looked at the past rather than towards the future, this had to end.  Now before we hit each of these lets summarize a bit of this time period, the environment and feeling of the day. The Qing Dynasty had fallen during the Xinhai revolution seeing the rise of Yuan Shikai. Yuan Shikai stamped down on all opposition, this included intellectuals also, many were exiled. There of course was a lot of animosity to Yuan Shikai, he was after all the guy who for a lack of better words, stole the leadership from Dr Sun Yat-Sen and he crushed the second revolution. One of these intellectual exiles found himself in Tokyo, Zhang Shizhao, there he founded a political magazine called The Tiger. The Tiger ran for about a year in 1915 and would have a significant impact on other political journals in China. The Tiger was known for probing political questions of the day, its writers often grappled with how underlying cultural values and beliefs shape politics. It inspired others to write similar magazines, notably, Chen Duxiu Now also in 1915 as we know, the Twenty-One Demands were issued, Yuan Shikai was forced to sign the Thirteen demands and all of this got leaked to the public. In 1915, Chen Duxiu founded the magazine “Jinggao qingnian” “New Youth”and he would have future intellectuals as editors of it such as Li Dazhao, Hu Shih and Lu Xun. In its first issue titled Jinggao qingnian literally translate as “letter to Youth”, it encouraged young people to “be independent and not enslaved, be progressive and not conservative, be in the forefront and not lagging behind, be internationalist and not isolationist, be practical and not rhetorical, and be scientific and not superstitious.” Chen Duxiu advocated for science and democracy, these would become rallying cries often in the form of “Mr. Democracy and Mr. Science”. This would spring forth more literature like “Xinchao” “the Renaissance” founded by the Renaissance Society in 1918 whose members included Beijing students directly inspired by Chen Duxiu, Hu Shih and Li Dazhao. The Renaissance promoted western political and social ideology, encouraging the youth of China to embrace progressive politics. The New Youth was by far the most influential magazine. In 1917 Chen Duxiu and Zhang Shizhao moved to Beijing University where they became acquaintances and alongside others built up a community that would usher in the New Culture Movement. At this time the intellectual powerhouses were Peking University and Tsinghua University in Beijing and Shanghai which had a booming publishing industry. Many scholars who would contribute to the New Culture movement would be found at Peking University such as Cai Yuanpei, who served as president of the University in 1916. Cai Yuanpei was a colleague of our old friend Li Shizeng whom both founded the Diligent Work-Frugal Study movement, sending worker-students to France. It was Cai Yuanpei who recruited those like Chen Duxiu, Li Dazhao and Hu Shih. Chen Duxiu served as the dead of the School of Arts and Letters at the university; Li Dazhao became its librarian and Hu Shih helped translate and perform numerous lectures.  These men would lead the fight for “baihua wenxue” or the Vernacular Literature Movement. Yes there's a lot of movements in this episode. Now Baihua is a form of written Chinese based on the numerous varieties of Chinese spoken in the country vs, “classical Chinese”. This probably sounds a bit confusing, but think of it this way. Going all the way back to the Shang dynasty a process of creating Chinese characters was gradually standardized by the time of the Qin dynasty, so thats 1200 BC to 206 BC. Over the following dynasties the Chinese calligraphy is created, however what also occurs is the evolution of language. The Chinese language branched off into numerous dialects, thus all over China people are speaking different but related forms of Chinese, yet the way they write is using this “classical Chinese writing”. As you might imagine, by the time of the 20th century, the classical chinese writing is so vastly different from what people are speaking, by this time its Mandarin, Cantonese, Hokkien, and many many more. Classical Chinese had become extremely outdated.  Chinese intellectuals in the early 20th century were looking to reform the literary system. Two of the big proposals that came about were to simplify Chinese characters and create a Chinese writing system using the latin alphabet. Professor at Peking University, Qian Xuantong was a leading figure on the Latinization movement. Chen Dixiu on the topic of Chinese characters had said  “backward, difficult to recognize, and inconvenient to write”. He blamed them for China being stuck in conservatism and having lacked modernization. There was a movement to switch to pinyin to spell out Chinese characters, for those who don't know Pinyin is alphabetically written Chinese, aka the only way Craig is able to read most of his sources haha. The plan to formalize this never occurred, but there was a real fight for it. Many scholars began writing in Baihua, one of the most famous works was Lu Xun's “A Madman's Diary”. In essence it was a short story criticizing early 20th century Chinese society, trying to challenge its audience into conventional thinking vs traditional understanding. The story has Lu Xun's madman seeing family and village members around him performing cannibalism which he has attributed to some confucian classics. Basically he implies China's traditional culture was mentally cannibalistic. Building somewhat on this theme, Chen Duxiu wrote in the New Youth how Mr. Confucius needed to be replaced by Mr. Science and Mr. Democracy. Meanwhile Hu Shih argued “a dead language cannot produce a living literature”. He further argued a new written format would allow the Chinese people with less education to read texts, articles, books and so forth. It was classical Chinese that was holding the less educated back. Basically he was criticizing how scholars basically held a monopoly on information. Hu Shih was highly praised for his efforts, one man named Mao Zedong would have a lot to say about how grateful China should be to him. Mao Zedong of course was a assistant at Peking University's library at the time. Now alongside the battle to change the written language of China, there was a feminist movement as well. Women suffered greatly under the traditional system. Prior to the 20th century Women in China were considered essentially different from Men as you can imagine. Confucius argued that an ordered and morally correct society would refrain from the use of force. Violence and coercion were deviant and unwelcomed. Instead a correct person would aim to become “junzi” meaning gentleman or a person of integrity. For society to remain stable, it was crucial correct hierarchies were established. Servants obey masters, subjects obey rulers, children obey parents and women obey men.The association of Women with Yin and Men with Yang, two qualities considered important by Daoism, still had women occupying a lower position than men in the hierarchical order. The I Ching stated “Great Righteousness is shown in that man and woman occupy their correct places; the relative positions of Heaven and Earth”. Women of course were supposed to be submissive and obedient to men, normally forbidden to participate in politics, military and or communal aspects. The traditional Confucian led Chinese society simply valued men over women. To get into the most hardcore aspect of this, did you know China had a near 2000 year history of female infanticide? It was written by many Christian missionaries arriving in the late 16th century to China that they witnessed newborns being thrown into rivers or in the rubbish. The primary cause of this practice was poverty, shortages of food. Confucianism influenced this practice quite a bit. Male children were to work, provide and care for their elders, while females were to be married off as quickly as possible. During the 19th century “ni nu” to drown girls was widespread, because of the mass famines. Exposure to the elements, strangulation, tossing a child into a basket and casting it off were normalized. Buddhists would build these things called “baby towers” for people to dump children at. Later on in 1930, Rou Shi a famous member of the May Fourth movement would write a short story titled “A Slave-Mother” portraying how extreme poverty in rural communities led to female infanticide. Hell turn the clock even more to the 1970's and we got the One-Child Policy where females were often aborted or abandoned. Alongside this infant girls at the age of 5 or 6 would often have the feet bound, a centuries old practice that would increase their marriageability. This hobbled them for life. When women married, their families pretty much abandoned them. Often this marriages were arranged and the new wife could expect to be at the autocratic mercy of her mother in law henceforth. If her husband died there was great social pressure for her to remain unmarried and chaste for the rest of her life. It goes without saying, suicide rates in China were the highest among young women. During the late 19th century the ideal woman was “xiangqi liangmu /a good wife and loving mother”. During the early 20th century the new ideal was becoming “modeng funu / modern woman”. Women wanted to pursue education and careers outside the home. Whether it was by choice or a financial necessity, Chinese women increasingly left the domestic sphere. They entered the workforce in all available forms, typically but not limited to factories, offices, and the entertainment industry. Yet the traditional social norms limited their opportunities in work, education and politics. Women according to the traditional system were not supposed to make speeches in the streets. But those like Liang Qichao began calling for the liberation of women, to let them be educated, allow them to participate in Chinese society.  The confucian social order held the hierarchy of husband over wife, but within the New Culture Movement that criticized Confucianism and traditions, now there was a deep want for women to be seen as human beings, as independent people who should become actors in the public sphere. When those like Chen Duxiu began writing and lecturing about tossing aside the old and looking at the new, this also included women. Thus the New Culture Movement had a large aspect of gender equality and female emancipation. There was also the aspect of dress. By the 1920's women would abandon traditional garments of embroidered hip or knee length jackets and trousers. They began wearing short jackets, skirts and the qipao, a one piece dress. Unlike the traditional women's clothing that hung loosely around the body, the Qipoa was form fitting. A women's suffrage movement began, though it would take some time. So you might be seeing the theme here, the old, traditional, confucian past, was needing a new replacement. The written language needed to be updated, women needed to be more equal to men. How about the nation of China itself? The New Culture leaders wanted to see China as a nation amongst nations, not one culturally unique. They began doing what many nations did around the turn of the century, they looked outwards. They looked at foreign doctrines, particularly those that emphasized cultural criticism and were nation building. Many of these intellectuals were the lucky few who went abroad, received foreign educations. They took western and Japanese ideas, seeing what could be used to create a new model for China and her vast population. Many were enthralled by President Woodrow Wilson's 14 points and ideals of self-determination. The Xinhai revolution had ushered in a Chinese nationalist spirit which demanded resistance to foreign impositions and the elimination of domestic autocracy. They had overthrown the Manchu, now they wanted to overthrow the global powers who had been encroaching upon their nation since the mid 19th century. So many of these intellectuals had hoped with the end of the war would come an end to their national disgrace.  The intellectuals argued China's failure to modernize was caused by both external and internal factors. Externally, foreign powers had been encroaching upon China for decades. Foreign powers had gone to war and defeated China, forcing her to sign unequal treaties. Internally China's economy, social system and cultural values were holding her back. This brought forward the need for a “new culture” to kick start the development of a new state. They argued China needed educational and social progress to remedy the states diplomatic weakness and endemic poverty. China's economy, social fabric and international standing needed to be improved, and the answer was programs of public education. Yet to do so, the less educated needed to be able to read and participate, ie: vernacular writing.  Liang Qichao was a huge influence on ideas to build China as a modern state. He created the “Xinmin Congbao / new citizen”, a biweekly journal first publishing in Yokohama Japan back in 1902. The journal covered numerous topics like politics, religion, law, economics, geography, current affairs and such. Basically Li Qichao was showing the Chinese public never before heard theories. Liang Qichao got Chinese people to think about the future of China. What did it even mean to identify as Chinese? He allowed more Chinese to look out into the world, so they could see many different paths and ideas. There were countless, Darwinism, liberalism, pragmatism, socialism all these new “isms” could be the tools to a realization of a strong and unified China. And of course there was Marxism, many Chinese laborers who went to Russia saw first hand what the Bolsheviks had accomplished. The principal of Peking University, Cai Yuanpei would resign on May 9th, 1919 causing a huge uproar. What once united all these intellectual New Culture movement types, gradually changed after the May fourth movement. Hu Shih, Cai Yuanpei and liberal minded intellectuals urged for protesting students to return to their classrooms, but those like Chen Duxiu and Li Dazhao urged for more radical political action. Marxist study groups would form and with them the first meetings of the Chinese Communist Party. This is of course a story for future podcasts, but it should be noted there would be a divide amongst these intellectuals as to how China should be “modern”. Li Dazhao for example advocated for fundamental solutions, while Hu Shih criticized such thinking “calling for the study of questions, less study of isms”. Those like Chen Dixiu and Li Dazhao would quickly find followers like Mao Zedong.  Now the overall theme here has been “toss out Confucius!” but it was not all like that. Part of the movement much like the Meiji restoration, was to usher in some new, but to incorporate the old so to not lose ones entire culture. For those of you who don't know I began my time on youtube specifically talking about the history of Tokugawa to Showa era Japan. The Meiji restoration was an incredible all encompassing hyper modernization, that for the life of me I can't find a comparison to. But an interesting aspect of it was the “fukko / restore antiquity”. It often goes unmentioned, but the Japanese made these enormous efforts to crop out the outside influences such as Confucianism, Buddhism and such, to find the ancient cultures of their people. This eventually led to an evolution of Shintoism, thus Japan not only wanted to adopt new ideas from the rest of the world, they wanted to find the important aspects of their own cultural history and retain it, make sure they did not lose what made them Japanese. The same can be said of China here.  Yigupai or the “doubting antiquity school” was a group of scholars who applied a critical historiographical approach to Chinese historical sources. They took their ancient texts and really analyzed them to see what was truly authentic, what should be kept. Hu Shih initiated the movement. He had studied abroad and was deeply influenced by western thinking and argued at Peking University that all Chinese written history prior to the Eastern Zhou, that is the second half of the Zhou dynasty needed to be carefully dissected. Many were concerned with the authenticity of pre-Qin texts and began questioning the writers of past dynasties. There was also Gu Jiegang who formed the “Gushibian / Debates on Ancient history” movement and published magazines of the same name. Later in 1922 there was the Critical Review Journal, involving numerous historians. Their work dismantled many beliefs or at minimum cast some doubt on ancient textual writings that had been around for millennia. For example there was the belief Yu the Great or Yu the Engineer who was the first to make real flood control efforts during the Xia Dynasty was an animal or deity figure. There was the notion of peaceful transition of power seen from the Yao to Shun dynasties, but the group found evidence this was all concocted by philosophers of the Zhou dynasty simply to support their political philosophy. They were basically detectives finding the bullshit in their ancient history and this had a profound effect on the current day thinking. The doubting antiquity group's proved the history of China had been created iteratively. Ancient texts had been repeatedly edited, reorganized, hell many had fabricated things to make ends meet for themselves, you could not take their word at face value. They argued all of the supernatural attributes of historical figures had to be questioned, a lot of it was not possible and thus not authentic versions of their history. But the group also were victims of their own criticisms. Many of them would criticize parts of antiquity history simply to get rid of things they didn't like or that got in the way of current day issues. There was also another element to the doubting antiquity movement. Students were pushed to look over things in ancient Chinese history, chinese folklore that Confucian schools dismissed or ignored.  Within the background of the Twenty-One Demands, the Sino-Japanese Treaty, the double promising of Britain and other secret deals made over the future of China had angered her people greatly. The common people of China did not feel represented nor heard at all. Japan was encroaching upon them in Manchuria and now Shandong. Their leadership were either making secret deals to secure their own objectives, or they were completely powerless to other nations and crumbling, such as the case at Versailles. With so many students and laborers going abroad witnessing the civilizations of other nations in the west and Japan, they yearned for the things those people had. Democratic and egalitarian values were at the very forefront of the New Culture Movement. Western science, democracy, bills of rights, racial equality, equality of opportunity, opportunity to venture into politics, the list can go on, these were things alien to China. The people began to enchant the masses with such ideas, while simultaneously criticizing traditional Chinese ethics, her customs, literature, history, philosophy, religion, social and political institutions and such. Liberalism, pragmatism, utilitarianism, anarchism, socialism, communism were thrown around like yardsticks so the people could measure China's traditional culture against them. How did such “isms” match up? Within the current crisis in China which one of these isms might benefit them the most? Overall the movement kept up the greatest theme of needing to look forward. China had always looked to the past. They had suffered so immensely, they were after all enduring the century of humiliation as it would famously become known. It was humiliation after humiliation. How could they change so the past would stop haunting them? Things like the Boxer Protocol, how could China rid itself of these humiliating indemnity payments? Britain's Opium had ushered in a poison that still plagued them, how could they finally rid China of it? The war and encroachment of nations like Britain, Russia and Japan, how could they stop them from continuing these actions? China could not stay the way she was anymore, she had to change. Thus overall within every facet of the movement's ideology, they kept emphasizing to stop looking in the past for answers for today. Today would require looking abroad and within and it would not be easy.  This episode and I do apologize it must be all over the place for you, encompasses a lot of the thoughts and feelings, but its part of a great event known as the May Fourth movement of 1919. China is basically for the first time really going to try and adopt fundamental changes, to become a real modern state. If it were not for lets say, the descent into warlordism, perhaps the Chinese Republican dream could have been started in 1919. Regardless, China will see an incredible amount of change in a short amount of time.  I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The New Culture Movement saw numerous intellectuals rise up and challenge the prevailing social and political order of their nation. They tried to give the public new answers to old questions, and above all else hope. Hope for a better tomorrow. It was to be a arduous journey, but students would be the vanguard into a new age for China.

This week on the Revised Introduction to Japanese History: how did the Tokugawa bakufu operate? What did the political structure of the shoguns look like? And what makes the Tokugawa era unique in the history of warrior rule in Japan? Show notes here.

This week on the Revised Introduction to Japanese History: Hideyoshi may have brought peace, but Tokugawa Ieyasu would be the one to make it lasting. How did Ieyasu seize power from Hideyoshi, and what did he do to secure it? Show notes here.