Podcasts about Motion capture

In unserer neuesten Folge von Napalm am Morgen – Der Filmpodcast gibt's wieder ordentlich was auf die Ohren – von epischen Sequels bis hin zu trashigen Blockbustern.Robbie Williams als animierter Affe? Genau das passiert in "Better Man", in dem Williams per Motion‑Capture von einem CGI-Schimpansen gespielt wird. Seine Begründung: "Ich bin im Showbusiness wie ein performender Affe". Wir diskutieren, ob dieses visuelle Experiment funktioniert.Ridley Scotts Monumental-Epos "Gladiator 2" mit Paul Mescal, Pedro Pascal und Denzel Washington knüpft 24 Jahre nach dem Oscar-Megahit an. Blutige Arenen, politische Intrigen – das Sequel mag kein Meisterwerk sein, aber es liefert packendes Spektakel und eine grandiose Performance von Washington."Final Destiantion 4" ist wahrscheinlich der schwächste Teil der Kult-Horrorreihe (2009). Wir verraten, warum die übertriebenen Todesfallen hier eher ins Lächerliche abbogen statt Spannung zu erzeugen . Ganz großes Trash-Kino: Hai-Tornado im Großstadtchaos! "Sharknado" steht für cineastische Katastrophe mit Kultstatus – so schlecht, dass es schon wieder genial ist. Ben Affleck kehrt in "The Accountant 2" zurück als Christian Wolff. Der Action-Thriller auf Amazon Prime baut auf dem Original von 2016 auf und bekommt ein Buddy-Action-Update mit Bruder Jon Bernthal. Wir klären, ob das Sequel hält, was es verspricht. Hausaufgabe für nächste Woche: "Predator: Killer of Killers" (Disney Plus) #NapalmAmMorgen

Join host Linda Bruno in this episode as she explores the multifaceted world of Spencer Greene, a talented actor, voice actor, and stuntman. Delve into Spencer's journey from his early fascination with voice acting to his adventurous career in stunts and motion capture. Discover the intricacies of the entertainment industry as Spencer shares insights into working on commercials, video games, and even being a stunt double. Learn about the thrilling yet challenging aspects of motion capture and stunt work, as Spencer recounts his experiences and offers valuable advice for aspiring performers. This episode provides a rare glimpse into the synergy between voice acting and physical performance, making it a must-listen for anyone interested in the diverse opportunities within the entertainment world. About Spencer: Spencer Greene is a SAG actor, voiceover actor, motion capture performer, and stunt performer. With a native Spanish family, Greene is bilingual in English and Spanish, allowing him to partake in projects including the Kobra Kai video game series and Payday 2. Other voiceover projects include Richard Jewell and Thirteen Reasons Why. From setting himself on fire to jumping out of moving vehicles to performing stunt fight choreography to stunt doubling for television actors, he is no stranger to the most daring of stunts. As for motion capture, Greene has performed as Justin Beiber's dance double for his virtual concert and Calvin Harris' virtual reality DJ show, as well as projects for companies including EA and Riot Games. Greene completed his conservatory training at American Conservatory Theatre also while getting his BA in Film & Television Production at San Jose State University. All info is available at https://www.spencergreeneperforms.com/ We are honored to be listed in the top 30 of podcasts about Voiceover. Check out the list! https://podcast.feedspot.com/voice_over_podcasts/ FOR MORE INFO ON THE SHOW AND THE GURUS, PLEASE VISIT: Coaching Website: https://voiceover.guru/  and https://learnwiththegurus.com/ Linda Bruno Voice Actress  https://www.lindabruno.com Alyssa Jayson Actress and Musician http://www.alyssajayson.com Kevin Kilpatrick Voice Actor   https://kevinkilpatrick.com/ Join our Circle Community: https://the-voiceover-gurus.circle.so/home

Join Matt Milstead and Special Guest Nick DenBoer, AKA Smearballs, and we talk all things Motion Graphics, Cinema 4D, Motion Capture and more.

Interview avec Thomas Obrecht et Adrian, fondateur du studio de motion capture et d'animation ExPersona.Une première à Strasbourg, avec ses 140 m2, c'est le plus grand de France.Réalisé en direct sur RBS le 09/04/25 avec Raphaël SPENLÉ dans L'Emission Pour Les Noobs

Il cinema moderno sta vivendo una vera e propria rivoluzione grazie all'evoluzione degli effetti speciali, che hanno trasformato il modo di concepire e realizzare i film. Dalle tecniche pratiche e meccaniche, si è passati a soluzioni digitali sempre più sofisticate che permettono ai registi di dare vita a mondi fantastici senza limiti all'immaginazione. Per esplorare queste tecnologie e capire meglio come stanno ridefinendo il panorama cinematografico, abbiamo invitato Emanuele Lecchi, Technical Artist dell'Innovation Lab di Chaos, che ci ha raccontato come i virtual stage stiano cambiando la produzione cinematografica e quali sfide Chaos sta affrontando per migliorare l'integrazione tra elementi fisici e virtuali.Nella sezione delle notizie parliamo di un innovativo algoritmo capace di stimare l'età cardiaca attraverso l'ECG per prevenire rischi cardiovascolari e delle nuove restrizioni sui powerbank introdotte da diverse compagnie aeree asiatiche per garantire maggiore sicurezza durante i voli.--Indice--00:00 - Introduzione01:35 - Prevenire i rischi cardiovascolari tramite l'ECG (HDBlog.it, Luca Martinelli)02:58 - Le restrizioni sui powerbank delle compagnie aeree asiatiche (DDay.it, Matteo Gallo)04:36 - Chaos: il futuro del cinema tra virtual stage e ray tracing (Emanuele Lecchi, Davide Fasoli, Matteo Gallo)39:30 - Conclusione--Contatti--• www.dentrolatecnologia.it• Instagram (@dentrolatecnologia)• Telegram (@dentrolatecnologia)• YouTube (@dentrolatecnologia)• redazione@dentrolatecnologia.it--Brani--• Ecstasy by Rabbit Theft• Royalty (Don Diablo Remix) by Egzod & Maestro Chives

In this episode, Eric interviews Cressey Sports Performance - Florida Director of Pitching Nathan Mirochnick. They talk about the wealth of information pitchers can draw from motion capture assessment of the pitching delivery, highlighting the key concepts of sequencing that underpin every healthy, high-level delivery.Support Our Sponsor: AG1

Ian Failes from befores & afters chats to Wētā FX visual effects supervisor Luke Millar and actor Jonno Davies about the motion capture in 'Better Man.'

Riksteatern Crea som producerar scenkonst på teckenspråk tänjer på gränserna för det möjliga med en liveanimerad 3D-avatar i rollen som Spöket på Canterville. Lyssna på alla avsnitt i Sveriges Radio Play. Creas familjeföreställning baseras på Oscar Wildes humoristiska kortroman Spöket på Canterville från 1887. I den här versionen är både familjen som flyttar in i slottet Canterville och spöket som tänker skrämma bort dem, döva.Spöket projiceras på scenen, men spelas av en skådespelare i en separat studio med Motion Capture-teknik.Reporter: Helene Alm.Samtliga intervjuer i reportaget gjordes med hjälp av teckenspråkstolk, men för dem som inte kan höra reportaget följer här hela texten:Riksteatern Crea som producerar scenkonst på teckenspråk är först i världen med att ha ett levande spöke på scenen som pratar teckenspråk – ja, alltså det handlar om en live animerad 3D avatar i rollen som Spöket på Canterville. Det är nämligen denna humoristiska kortroman av Oscar Wilde från 1887 som Creas familjeföreställning baseras på. Jag, Helene Alm, besökte repetitionerna strax före premiären och alla intervjuer här i reportaget är gjorda med hjälp av teckenspråkstolk:REPORTER Spöket på Canterville svävar högt ovan scengolvet. I dödens vitgröna nyanser rasslar hon med kedjor, håret fladdrar, ögonen rullar.SPÖKET Aldrig har jag sett så oförskämda pojkar förut!REPORTER Spöket pratar teckenspråk med de tre skådespelarna nere på scenen. Creas föreställningar är oftast för både en hörande och döv publik och här är en av skådespelarna hörande samtidigt som han tolkar de andras repliker till svenska:SPÖKET/TVILLINGARNA hon är nog inte döv va, hon är nog hörande....ursäkta - inget illa ment, men du tecknar lite stelt så här....Hemska pojkar!REPORTER Hur går nu det här till? Ja - spökavataren projiceras på en slöja som löper tvärsöver scenen, men Jamila Ouahid, som spelar spöket är inte ens i närheten av scenen. Hon står i en studio flera hundra meter bort i byggnaden. Hon har en åtsmitande hel kroppsdräkt på sig där mängder av sensorer läser av hennes rörelser och är kopplade till datorer och kameror. På olika skärmar ser hon sin avatar och de andra skådespelarna på scenen, berättar Jamila via teckenspråkstolken Klara:JAMILA ja det känns konstigt alltså att inte vara på scen, liksom bara se mig själv där som en avatar. Det är jag samtidigt som det inte är jag, det är jätteannorlunda, det är bara jag och tekniken och alla kameror och skärmar. Så jag spelar och så är det nåt annat som syns på scen än mig, det är konstigt, men det är häftigt, det är riktigt roligt faktiskt att få vara den första som upplever det.MUSIKREPORTER Hos Oscar Wilde är spöket på Canterville en gammal engelsk lord som mördat sin fru och därefter ägnat några hundra år till att skrämma bort de familjer som flyttat in på slottet, tills det dyker upp en orädd, självsäker amerikansk familj med en massa barn vilket leder till olika kulturkrockar mellan det gamla och nya.Hos Riksteatern Crea är det nutid och spöket Simone konfronteras med en ensamstående mamma i karriären som flyttar in på slottet med sina mobilberoende tvillingsöner.TVILLINGARNA vet du vad vi gör, vi spelar in spöket och lägger ut på Tik Tok, det blir viralt, vi blir kända och en massa fans kommer hit.....REPORTER I studion ser Jamila Ouahid sina medspelare på scenen på en skärm. Men det är inte lätt. Hon har nämligen en mobiltelefon monterad framför ansiktet under hela föreställningen. Den läser av ansiktsrörelserna.JAMILA Ansiktsuttryck är väldigt viktigt för grammatiken i teckenspråk och det är avgörande - man kan inte se teckenspråk, utan att se ansiktet, man måste se ansiktet för att det ska bli tydligt.REPORTER Jamila får också hjälp av en teckenspråkskonsult med att byta ut vissa tecken som inte går att överföra till avataren.KONSULTEN jag tror inte du kan teckna skrämma…det tecknet, vad gör du här och varför skrämmer ni mig, det blir inte tydligt om du tecknar båda dom tecknena....JAMILA för det som händer innan är att de dansar och skrämmer mig, jag har blivit rädd och lite ledsen, för jag har inte lyckats skrämma dem, jag har skrämt andra familjer i så många år, men nu har de skrämt mig….KONSULTEN Men när de skrämmer dig – hur blir din reaktion då?JAMILA Jag blir lite arg...KONSULTEN Ja du borde teckna större, argare, vad gör ni här, varför är ni i mitt slott.....SPÖKLJUDJAMILA När jag är spöket måste jag teckna långsammare, jag måste göra vissa rörelser större, händerna kan inte nudda varandra, mina fingrar rör sig inte likadant. Som att det här tecknet går inte att se tillräckligt tydligt, vi måste byta ut det, så det är mycket att tänka på.MUSIKREPORTER Borta på scenen rör sig de tre skådespelarna både framför och bakom slöjan där spöket syns. Den löper nämligen tvärsöver scenen. Det är så mycket teknik och saker att förhålla sig till att det krävdes två regissörer. Fokus för Joel Kankkonen är tekniken med spöket och för Lars Otterstedt, skådespelarna på scenen:JOEL Jag heter Joel Kankkonen - och jag är regissör.Varför vi ville göra den här föreställningen är att det är ny teknik och att man kan jobba parallellt med teater och lite mer framtidstänk, alltså experimentera med skådespel och ha en avatar som pratar teckenspråk via motion capture som även är livesänt. Det är första gången i världen som man använder sig av den här tekniken i en föreställning på teckenspråk och då var väl reaktionen först att nämen, det där är omöjligt, det var väldigt osäkert, men jag ville ändå prova. Och vi insåg att det funkade och då bestämde vi oss för att köra.MUSIKREPORTER Och så valde man Spöket på Canterville för att där finns en spökroll lämplig att experimentera med - men också på grund av själva historien.JOEL Det är ett budskap som funkar även idag och handlar om förlåtelse, om relationer, familj, så det passar även idag hans historia och perspektiv, så därför blev det Oscar Wildes historia.LARS Jag heter Lars Otterstedt och jag är också regissör på den här produktionen.En tjej som heter Jenny Schöldt har gjort en bearbetning av novellen och i den här versionen är det en döv familj som flyttar in i slottet. I vår version är också spöket dövt, så både spöket och familjen är teckenspråkiga. Spöket har tidigare skrämt bort hörande familjer genom att skrämma dem med ljudeffekter och skrika och kedjor som rasslar, men det inser hon nu att det går inte, för det är en döv familj som flyttar in, vilket ställer till det för henne.MAMMAN Alltså det här med kedjor, det fungerar inte nu, du vet, vi är ju döva, kedjor är för hörande, det är gammalt.LARS Och det som händer är att tvillingarna de skrämmer i stället spöket och spöket blir osäker på sin egen identitet på grund av detta. Det är hon som brukar skrämma andra, så det är mycket humor, värme, kärlek och gammalt möter nytt, som är aktuellt fortfarande idag, och det handlar mycket om skärmberoendet, som många unga lever med idag.Och det finns också en historia, alltså dövas historia är att man upplevt mycket förtryck. Det har funnits ett förbud mot att använda teckenspråk, man var tvungen att lära sig tala och anpassa sig till samhället. För de unga killarna i vår pjäs är det självklart att de använder teckenspråk, det inget konstigt för dem. Men de får också möta en äldre generation döva som har upplevt det här förtrycket, det lyfts också i pjäsen.SPÖKET ni har alltTVILLING ska du säga, va - som har hela det här slottet!SPÖKET men ni får teckna, det fick inte jag...jag var tvungen att tala....jag blev straffad om jag försökte teckna....MUSIKREPORTER Scenografin är sparsmakad - två trappor på vardera sidan scenen, ibland nån soffa eller dörr, i fonden projiceras de olika slottsrummen. Det är mycket musik och viktigt att tydligt räkna in för att de döva skådespelarna ska känna in musiken....LJUD FRÅN REPETITION bra , fintDet kändes ju bättre faktiskt när vi snurrade runt, innan var det svårare att känna musiken...REPORTER Efter repetitionen får Jamila Ouahid lämna studion, ta av sig den trånga avatardräkten och komma bort till kollegerna på scenen. Det är kul med avataren, men lite ensamt också förstås:JAMILA Jag vet att ibland på turnén så kommer jag vara precis intill scen och ibland kommer jag vara i ett rum långt bort. När vi spelar i Sundsvall, då är jag kvar här i Stockholm och resten av föreställningen är i Sundsvall, så det är bra för mig att få testa på.REPORTER Vad vinner man med att göra så här, använda den här tekniken?JAMILA Alltså jag vill inte skryta, men jag kommer ju vara först, jag är jätteglad över det. Det här kommer jag ha med mig hela livet. Jag kommer berätta sen: Jag minns hur det var 2025 när jag spelade i Spöket på Canterville! Jag var ett spöke, en avatar, först i världen! (skrattar)LJUD spökskratt från pjäsen

AI Motion Capture can be a game-changer for orthopedics. Dr. Adam Whitman of Medbridge discusses how we can benefit and what we have to be careful of when using AI Motion Capture. Everything has AI now, what does motion capture with AI mean? AI has been around since the internet started. As hardware improves so can the calculations the computers can do. Self-driving cars example - cows falling from abridge…what would you do vs what would a computer do? AI does really well in processing huge amounts of data rapidly and consistently. The physics problems in movement patterns allow for AI to be used for growth and improvement. The machine has to be fed. ROM is easy to capture and accurately measure. The computer is limited in cases like spinal movement. Theoretical AI Motion Capture concepts Look at the FMS - they are built to be read against functional norms.  It has been confirmed against many hundreds of thousands of instances. We are looking for the potential for injury. Think about scapular winging…it is like building a house on a concrete foundation vs building on a swamp…which one is built to last. Some algorithms are being fed based on info so they begin looking for biased outcomes. One AI model determining which patients should be prioritized from an insurance standpoint became racist because it was being fed biased information. The algorithmic process can remove the bias when it is fed comprehensive data. ChatGPT is now its own prompt engineer that allows you to ask average questions and get really good answers. I look forward to when we can feed the movement into the machine and let it run its analysis without our input. Think about re-captcha…computers are still bad at identifying objects in pictures.  Humans are still needed. Your movement analysis is your movement fingerprint. That can become a movement profile with each new recording. What does that look like for the Athletic Trainer? Emphasis on prevention of injury to the athlete as opposed to reaction-based interventions - reduce the likelihood of an ankle sprain or ACL tear by catching fault movement patterns before the injury occurs Contact Us: Dr. Adam Whitman - adam.whitman@medbridge.com Jeremy Jackson - @SportsMedicineBroadcast on IG

Episode 119 of Inside Quotes! This week Jeremy picked the 2004 film “The Polar Express”.    JOIN US ON PATREON: https://www.patreon.com/InsideQuotes   Watch Today's Episode on YouTube: Inside Quotes - YouTube Channel   On Today's Episode:    • Christmas Skeptics  • Jeremy's 1st Acting Experience  • North Pole - depicted in film  • Motion Capture films in the 2000's  • Religious Allegory - Faith & Belief  • Why We Put Trains Under A Tree  • Jonathan's Retirement Hobby   Show Notes: Inside Quotes Merch Store Linktree: @insidequotescast Artwork by Bryce Bridgeman: @Groovybridge

After a week off (not because of the AEW/Tony Khan argument), the guys are back in the ZipCave and catching up on all the latest news. The big news this week being the release of James Gunn's Superman (2025) trailer and what the guys think about it. (You can view the trailer here; Click here to see Ryan's reaction video)Also, the guys discuss the techniques and moral questions surrounding motion capture and the actors that are known to perform within this realm, including Zoe Saldana and Andy Serkis. Also, Godzilla coming to the Marvel Comic Universe, no rush for role que's for the hot 'Marvel: Rivals' game, and Christian gives Ryan his annual gift!THE GEEKZIP PODCAST TEAM WISHES YOU THE HAPPIEST OF HOLIDAYS!>>HAVE YOU VISITED OUR NEW WEBSITE??? Find past shows, current episodes, clips and more! Click Here to head to the site! www.geekzippodcast.com Don't forget to follow the guys on Facebook, Twitter, YouTube and Instagram. Contribute to the GeekZip Podcast through our official Patreon account, where as members, you'll receive exclusive content regularly! Email your questions and comments to geekzippodcast@gmail.com.Online news clips and stories by: comicbooknews.com, screenrant.com, ign.com, cosmicbook.news, fangoria.com, YouTube, Facebook, WWE, givemesport.com, wwfoldschool.com, wrestlezone.com, screencrush.com, variety.com, small-screen.co.uk, indiewire.com,  ihorror.com, comingsoon.net, cbr.com, rue-morgue.com, paramountartscenter.com, mountainhealtharena.com, chaswvccc.com, Time Warp-Ashland, KY, msn.com, eonline.com 

In this engaging conversation, Justin Leach, CEO and founder of Qubic Pictures, shares insights into the anime production process, his experiences with notable projects like Eden and Star Wars Visions, and the evolving landscape of anime technology and collaboration. He discusses the challenges and rewards of being a producer, the significance of storytelling in pitches, and the impact of cultural differences between Western and Japanese animation industries. Justin also highlights the importance of emerging studios and innovations in anime, as well as his upcoming project, Leviathan, based on Scott Westerfeld's novel. Chapters: 00:00 Understanding the Frame Size Dynamics 09:56 The Success of Star Wars Visions 11:49 The Impact of Clone Wars on Star Wars Fandom 14:58 Technology in Anime Production 17:37 Collaboration Across Studios 20:43 Cultural Differences in Production 23:55 Influences from 90s Anime 26:41 Modern Innovations in Anime 35:26 The Rise of CG Anime 36:33 Insights on Leviathan Project 39:55 Quality and Uniqueness of Orange's Work 42:20 Motion Capture and Animation Techniques 44:40 Intellectual Property in Animation 46:44 Production Committees in Japan vs. the West 51:54 Alternative Financing in Anime Production 55:03 Lightning Round: Fun Questions and Insights Takeaways: - Producing anime involves wearing many hats and managing diverse teams. - Pitching to studios requires a compelling narrative and understanding market trends. - Star Wars Visions opened doors for anime within Disney. - The success of Clone Wars was driven by passion and fan understanding. - Japanese anime studios often work with limited budgets and resources. - Collaboration across borders is essential in modern anime production. - 90s anime has had a lasting impact on current creators and projects. - Emerging studios like Science SARU are pushing the boundaries of anime. - Leviathan is a unique project blending Western and Japanese storytelling. - Technology is reshaping the anime production landscape, including motion capture.

Artificial intelligence is entering every arena, and fitness is no exception. Steven Webster is putting ASENSAI at the forefront, working with leading legacy brands like Vertimax and Power Block to take his motion capture technology and AI to create better movement and better outcomes. Webster discusses his work and some of its amazing capabilities with Craig Hoffman and Vertimax Master Trainer Chris Gorres.Plus, Craig and Chris discuss some of the ethical conundrums and limitations of AI as it becomes a bigger part of the fitness space.Follow the show on Instagram: instagram.com/trainwiththebest21. Follow Craig at instagram.com/craig_hoffman and Chris at instagram.com/trainergorres.We have a brand new code with our friends at Momentous! Use the brand new code TWTB at LiveMomentous.com (automatic when you click the link) for 15% off all orders.JAWKU provides an elite level timing device at a price anyone can afford. Plus, they have a brand new muscle blaster mini - the smallest and most powerful massage gun on the market. Head to jawku.com/discount/twtb for a 20% discount on all JAWKU products!We're thrilled to welcome Blazepod to the TWTB family. Use the code TWTB for 15% off your order at Blazepod.com.Craig is an official Whoop affiliate! You can join him on Whoop by getting $30 off your membership at join.whoop.com/hoffman.Our theme music was made by Jamarian Bates. You can contact him via Soundcloud here: @jaybates40oz!

In this episode, Allan McKay sits down with Gavan Gravesen and Matteo Giuberti, the co-founders of RADiCAL, to explore the groundbreaking advancements in AI-powered motion capture and the future of accessible 3D animation technology. They discuss Gavan and Matteo's journey from their diverse backgrounds—Gavan from law and AI, and Matteo from biomechanics and motion capture—into building RADiCAL, an innovative platform that uses a single camera and AI to capture human body motion. They dive into the development of RADiCAL's tools, including RADiCAL Canvas, a browser-based, real-time 3D environment for collaboration and creation, and how their platform democratizes motion capture for filmmakers, game developers, and 3D enthusiasts alike. The conversation touches on the challenges of developing AI that can work with any consumer-grade camera, the importance of scalability and accessibility, and how RADiCAL is poised to transform the way digital creators work. Gavan and Matteo offer key insights into the future of motion capture, real-time collaboration in 3D spaces, and how RADiCAL's platform can inspire the next generation of creators. This is a must-listen for anyone interested in the future of motion capture, 3D collaboration, and how AI is revolutionizing the digital content landscape. Topics Covered: Gavan Gravesen's transition from law and AI to co-founding RADiCAL Matteo Giuberti's background in biomechanics and motion capture The development and impact of RADiCAL's AI-powered, single-camera motion capture technology The creation and evolution of RADiCAL Canvas as a collaborative 3D platform The challenges of developing scalable motion capture for all devices Insights into the future of AI in digital content creation Quotes: “Motion capture doesn't need to be confined to expensive hardware anymore—it can be democratized.” “Our AI learns human motion to fill in the gaps, allowing anyone to animate their ideas.” “Creating a scalable, easy-to-use platform was key for us—it's about giving everyone access to this magic.” Resources: RADiCAL website RADiCAL Canvas

My guest today by Adrian Perdjo who is the founder of the Motion Capture studio BONES in Warsaw in Poland, Adrian started his career as a motion capture artist on The Witcher series before found his own studio. Together we talk about motion capture for The Witcher, video games and the future of motion capture. Enjoy the show! BONES studio https://bones.studio ▶️ YouTube⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠

CEO and Co-Founder of Kinetisense, a patented markerless motion capture technology that is solving some of the largest problems in the clinical, employee wellness, and fitness industries. Kinetisense has been translated into 7 different languages and is being used globally as an accurate and objective human movement analysis system.Kinetisense is an international award-winning system that has been validated for accuracy against the Vicon research system, in essence, we allow practitioners and trainers to have a portable biomechanics lab.

⁠⁠⁠Support Boss Rush on Patreon!⁠⁠⁠⁠⁠ This week on The Boss Rush Podcast, Stephanie, LeRon, and Corey are joined by voice and motion capture actor Nick Apostolides, famous for his role as Leon S. Kennedy in Resident Evil's 2 and 4 REmakes as well as Infinite Darkness, to discuss his career in acting, stunt acting, motion capture, and his major fandom of the series. Follow Nick Apostolides: ⁠Twitter⁠ ⁠Instagram⁠ ⁠Website⁠ ⁠Linktree⁠ Time Stamps: 0:00 - Welcome to the Pre-Show 4:17 - Favorite Piece of Video Game Trivia 17:30 - Welcome to the Boss Rush Podcast 28:35 - Housekeeping 33:25 - What We've Been Playing 33:41 - Jacob's Games 42:39 - LeRon's Games 46:33 - Corey's Games 47:50 - A 3D Zelda Conversation 56:31 - Patreon Producers 56:59 - Banter of the Week: Dormant Franchises 1:08:51 - Community Write-ins 1:11:20 - Events and Conferences 1:19:44 - S-Tier Consoles 1:25:26 - Thanks for Watching Check out: Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/UzgESUtN8z⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bossrush.net/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://tee.pub/lic/bossrushnetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us: Boss Rush Network: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/BossRushNetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Corey Dirrig: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/iamCoreyinHD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LeRon Dawkins: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/Exodus803⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Stephanie Klimov: ⁠https://x.com/klimov_author⁠ Thank you for watching or listening to The Boss Rush Podcast, the flagship podcast of Boss Rush Media and The Boss Rush Network. If you enjoyed this discussion, consider leaving us a rating and a review on Apple Podcasts or Spotify. If you're watching the video on YouTube, hit the Subscribe button and Like the video. You can support the Boss Rush Family of Podcasts on the Boss Rush Network Patreon. As always, your listenership and viewership is enough for us. It means more than you realize. Thank you for supporting The Boss Rush Network‘s independent endeavor.

We reflect on the rise of DevOps and the frustrating dynamics that led to it. Plus, tech's latest bright idea: Roombas with attitude.

Join Ben Potter and Ashton Matthews as they run through some listener questions, what they're playing, some weird gaming news, and what they think about the latest SAG-AFTRA strike against AI? What about Whoopi Goldberg receiving the key to hell from Diablo 4's Lilith? This is the TripleJump gaming podcast.0:00 Intro17:03 What We Playin'35:21 WEIRD NEWS43:36 The Big DiscussionTo view the articles referenced in the podcast, please view the YouTube versionPresenters: Peter Austin (@ThatPeterAustin) & Ben Potter (@Confused_Dude) & Ashton Matthews (@ScrambledAshton)Editor: Ciaran Henry#SAGAFTRA #SAGAFTRAStrike #WhoopiGoldberg--------------------------Subscribe for more wonderful video game content from Ben Potter, Peter Austin and Ashton Matthews!TripleJump provides video coverage of video games - including top ten lists featuring current gen platforms (PS4 & PS5, Xbox One & Xbox Series X/Xbox Series S, Nintendo Switch and PC), retro consoles (PlayStation, Nintendo, Xbox and Sega), as well as WGE, video game challenges, launch games videos, first impressions, podcasts, livestreams and much, much more.Careers, contacts, and more information can be found on our website: http://tripleju.mp⇨ Patreon: https://Patreon.com/TeamTripleJump⇨ Twitch: https://Twitch.tv/TeamTripleJump⇨ Merchandise: https://triplejumpshop.com/⇨ Cameo: http://www.tripleju.mp/cameo/⇨ Livestream VODs: http://tripleju.mp/vods⇨ Podcast: https://play.acast.com/s/triplejump⇨ Twitter: https://Twitter.com/TeamTripleJump⇨ Facebook: https://facebook.com/TeamTripleJump⇨ Instagram: https://www.instagram.com/teamtriplejump/⇨ Discord: http://Bit.ly/TeamTripleJumpFollow the team on social media:• Ben: http://www.twitter.com/Confused_Dude & Confused_Dude on PSN• Peter: http://www.twitter.com/ThatPeterAustin & https://instagram.com/ThatPeterAustin• Ashton: http://www.twitter.com/ScrambledAshton & https://instagram.com/ScrambledAshtonFollow our friends!• Billy Ray Walrus: https://twitter.com/BillyRayBotrus• Rules Boss: https://twitter.com/ThisIsRulesBoss• Barbara Pis: https://twitter.com/pis_barbaraThe TripleJump Podcast is hosted by Acast, but available on Spotify, iTunes, Google Play, Stitcher, and more!Acast: https://play.acast.com/s/triplejump Hosted on Acast. See acast.com/privacy for more information.

The rising budgets and obstacles to putting together a short film or video production leaves many filmmakers waking up each day not actually telling any stories. It's just too involved to do it on any old story. It has to be worth it. But that thinking has prevented a lot of voices from not being heard. But we are now in a point in time where tech-driven tools are removing all those obstacles for filmmakers.Host Peter Frelik meets up with the first professional YouTuber Cory Williams as they explore how he has been able to express himself in short stories using only Unreal Engine and a Motion Capture suit. He shares his insights and his production pipeline for any aspiring filmmakers wanting to give this method a chance (02:31).Then Cory breaks down what can make you stand out in this category, how to think about movement in story and understanding the way to use this tech to produce truly authentic work (26:35). Hosted on Acast. See acast.com/privacy for more information.

Today's episode was recorded while we were in Orlando for the ART 'Technology in Manual Therapy' panel discussion we moderated (Stay tuned for that podcast). We discussed some of the challenges of technology, especially motion capture, in the manual therapy space. Capo gives some great insight into the future of technology, and Dr. Comeau explains how Kinetisense is filling the gap in motion capture with affordable tech. Enjoy! Show Notes ⁠Upcoming Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DNS World Congress⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Human Locomotion.com | Code 'GESTALTEDUCATION10'⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Core360 Belt | Code 'GESTALT'⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dynamic Disc Designs | Code 'GESTALT' --- Support this podcast: https://podcasters.spotify.com/pod/show/gestalt-education/support

On this episode, co-hosts Dr. Tania Cubitt and Katy Starr chat with Dr. Stephanie Bonin, a principal and senior biomechanical engineer, about her research on the movement of how horses chew and why it matters, including:How horses chew long-stem hay or grass versus smaller pelleted feeds and forageHow the height at which horses eat can affect their jaw movement and teeth alignmentPotential dental management needs depending on the horse's dietFor our more advanced horse owners and those asking for a deeper dive into the science – THIS episode is for you! See the notes below for a brief glossary on some terms discussed in this episode. Have a topic idea or feedback to share? We want to connect with you! Email podcast@standlee.com_______________________________Episode References:~8:54 – Dr. Bonin's image description in episode of the McPhail Equine Performance Center set-up with Dr. Hilary Clayton - https://hoofcare.blogspot.com/2011/07/research-clayton-and-bowkers-effects-of.html~12:02 - Kinematics of the equine temporomandibular joint -https://www.researchgate.net/publication/7270686_Kinematics_of_the_equine_temporomandibular_joint~27:49 - Comparison of mandibular motion in horses chewing hay and pellets - https://www.researchgate.net/publication/6311792_Comparison_of_mandibular_motion_in_horses_chewing_hay_and_pellets Glossary of Terms:~9:55 – Retroreflective makers – reflect light back in the direction it came, in this scenario, to the cameras~11:39 – TMJ - Temporomandibular joint~12:24 – Mandible – lower jaw, Maxilla – upper jaw~13:01 – Caudally – in the direction of or situated in or near the tail or posterior part of the body~13:05 – Kinematics – the study of motion without referencing any force that may actually cause the motion – how they're moving, not why they're moving, e.g. distance or displacement, speed or velocity, and acceleration.~17:26 – Adbraded down – worn down~17:32 – Atlanto-Occipital Joint – the poll of the horse which connects the first vertebrae with the skull~19:47 – Ramus – the large bone of the mandible or lower jaw~36:32 – Malocclusions – the misalignment between a horse's upper and lower jaws~42:00 – Lateral excursion– the side-to-side movement of the lower jaw away from the midline Helpful Standlee Products:Standlee Certified Timothy Pellets - https://www.standleeforage.com/products/certified-timothy-grass-pellets/Standlee Alfalfa Cubes - https://www.standleeforage.com/products/alfalfa-cubes/Standlee Alfalfa/Orchard Grass Compressed Bale - https://www.standleeforage.com/products/alfalfa-orchard-compressed-bale/_______________________________Stay connected with Dr. Stephanie Bonin:LinkedIn - https://www.linkedin.com/in/stephanieboninResearchGate - https://www.researchgate.net/profile/Stephanie-Bonin_______________________________*Views and opinions expressed by guests are their own and do not necessarily reflect the view of Standlee Premium Products, LLC.*_______________________________ Love the podcast? Leave a rating and review on Apple – https://podcasts.apple.com/.../beyond-the-barn/id1541221306Leave a rating on Spotify – https://open.spotify.com/show/3dmftQmwLKDQNueUcCJBZaHave a topic idea or feedback to share? We want to connect with you! Email podcast@standlee.comShare our podcast and learn more about our co-hosts at our Beyond the Barn podcast pageSUBSCRIBE to the Beyond the Barn podcast email to be an exclusive insider!Find us on Apple, Spotify or Google Podcasts and SUBSCRIBE, so you never miss an episode._______________________________Check out the Standlee Barn Bulletin BlogFind more nutritional resources from Dr. Stephen Duren and Dr. Tania Cubitt at https://www.standleeforage.com/nutrition/ Connect with Standlee on Facebook, Instagram, YouTube and TikTok

We've finally reached the end of this long Apes-filled road we've been on! Writer Hiko Mitsuzuka joins us to talk about the newly released Kingdom of the Planet of the Apes! Follow Hiko Mitsuzuka via his blog The First Echo (http://www.thefirstecho.com/). Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your friends who are having a WONDERFUL DAY!! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Hiko Mitsuzuka.

Professional stuntwoman, motion capture performer, and champion martial artist, Thekla Hutyrova sits down with host Candice Bloch for a fun conversation all about bringing action to our screens - on film, television, and in video games. Thekla has worked on films such as Alita: Battle Angel, Logan, and Deadpool 2, shows such as Agents of S.H.I.E.L.D. and Ms. Marvel, and video games such as God of War: Ragnarok, Mortal Kombat 1 and Spider-Man 2. In their conversation, you'll learn about how stunts are coordinated and executed, both on and off sets, some of the technology that helps make it happen, and discover more about the profession, the process, and the skills it takes to execute action safely for our entertainment. You'll leave this episode with a greater appreciation and respect for the professionals that enhance our visual stories, and even some everyday useful information!You can follow Thekla on Instagram at: https://www.instagram.com/theklahutyrova---To keep learning more about filmmaking, production, media makers, resources for creators, visual storytelling, and all that goes into bringing film, television, and video projects to our screens, don't forget to subscribe to the show! Check out our show page at mediaandmonuments.com to discover even more conversations with industry professionals that will inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast/Communications Team work hard to ensure that this show is a great resource for our listeners, and we thank you for listening!

War for the Planet of the Apes hits everyone hard this week on Sequel Rights. It's a bleak, beautiful, dark, emotional journey we all have to take before getting our eye on Kingdom of the Planet of the Apes next week. Luckily, special guest, Emmy winning makeup artist Andy Schoneberg, joins us to lighten the mood with some amazing stories from his time with Apemania and on some of the films from Sequel Rights's past! Follow Andy Schoneberg on Instagram (https://www.instagram.com/theschoneberg/) Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your bad ape!! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Andy Schoneberg.

Wes Ball, the director renowned for his work on the CGI-laden "Kingdom of the Planet of the Apes," has made clear his vision for the upcoming live-action adaptation of "The Legend of Zelda." In a revealing interview with Polygon, Ball expressed his preference for a more grounded approach rather than relying entirely on motion capture technology. Despite the increasing popularity of motion capture in big-budget films, notably used in films like "Avatar," Ball is steering the Zelda project away from becoming a fully mo-capped fantasy. "It probably isn't my choice," he stated, emphasizing his desire to anchor the film in realism. This decision stems from his recent experiences where he directed extensive CGI sequences but now seeks to blend live-action elements seamlessly with digital enhancements. Ball, who has long been vocal about his interest in bringing Nintendo's iconic series to the big screen, reflected on his journey since 2010 when he first envisioned directing a Zelda movie. Initially, he imagined it as "the next big mo-cap Avatar-like movie," but his perspective has shifted over the years. He aims to create an immersive yet tangible world that honors the spirit of the beloved game series. In his latest project, "Kingdom of the Planet of the Apes," Ball utilized motion capture to significant effect, revealing plans to include a "raw" cut in its home media release to showcase the technology. He described the process as a fun experience that offered a taste of the Avatar-style filmmaking but now seeks a different path for Zelda. "We're working hard, and we're gonna make something great," Ball confidently told Polygon. His dedication to merging traditional filmmaking techniques with modern technology suggests a fresh take on Zelda that could captivate both long-time fans and new audiences. As the film industry continues to evolve with technological advancements, Ball's approach to "The Legend of Zelda" highlights a pivotal trend: the balancing act between digital wizardry and the authentic storytelling that ground-breaking narratives require.

Ape-ril is OVER!!! May has begun and we are one step closer to the premiere of Kingdom of the Planet of the Apes. This week we discuss what may consider a tremendous sequel, but does it pass the Sequel Rights crew's discerning taste?! Special guest Tyler Aquilina joins us to talk the Matt Reeves helmed film Dawn of the Planet of the Apes. Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your bus bound ape fellowsl! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Tyler Aquilina.

You can read a transcript for this episode here.Think back to your favorite childhood TV show—was it “Blue's Clues”? “Little Bear”? “Winnie the Pooh”? Animated TV shows are important for kids because they can teach them to read, draw, spell, and talk. Plus, the ways these shows tell stories and create colorful, fictitious worlds can broaden children's knowledge and capacity to imagine.But children's shows aren't accessible to all deaf children, which means they could miss out on a common learning experience. Among other things, that can set kids back in learning both American Sign Language (ASL) and English language skills during their formative early childhood years.Melissa Malzkuhn is third-generation Deaf and the founder and director of the Motion Light Lab at Gallaudet University in Washington, D.C. Her lab is creating ASL-focused children's media that is made by and for the Deaf community, using motion capture technology, avatars, animation, and signing storytellers. She talks with Science Friday guest host Arielle Duhaime-Ross about ASL access in childhood, the science of learning, and how she's creating “Here Comes Mavo!”—the first animated TV series with signing characters.Many thanks to Jennifer Vold for interpreting and to Jenna Beacom for consulting on this segment.Editor's note: Regarding capitalization for “Deaf” and “deaf,” we believe this is an unsettled issue. For about 30 years, it was common to use capitalization to denote cultural deafness. In recent years, some national deaf organizations, like the National Deaf Center, have decided to use lowercase in their messaging to be more inclusive. Some individuals, however, prefer the capitalized version. We ask our guests to self-describe and capitalize at their request, and use “deaf” for non-self-describing communities.Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. The original segment was produced by Rasha Aridi. Our show art was illustrated by Abelle Hayford. Support for Science Friday's science and arts coverage comes from the Alfred P. Sloan Foundation. Do you have science-inspired art you'd like to share with us for a future episode? Send us an email or a voice memo to universe@sciencefriday.com.

This week, Kiff welcomes video game director John Dower (https://www.johndower.co.uk ) to the show. John is the co-founder of The Mocap Vaults, a spectauclar international motion capture training program. We talk about his coming up, the nature of being a director, the skill sets involved and what that means for actors in the volume. It's a fantastic conversation that sheds light on a wide array of topics that are vital to the working actor in today's emerging interactive market. Per our conversation: Facebook - https://www.facebook.com/JohnDowerDirector/Instagram -  https://www.instagram.com/john_dower_director/LinkedIn - https://www.linkedin.com/in/john-dower-8219b22/Website - https://johndower.co.ukVimeo - https://vimeo.com/user6120374 MOCAP VAULTS LINKS -Facebook - https://www.facebook.com/themocapvaults/ INSTAGRAM - https://www.instagram.com/themocapvaults/Linkedin - https://www.linkedin.com/company/the-mocap-vaults/?viewAsMember=trueX - https://twitter.com/themocapvaultsWebsite - https://www.themocapvaults.comYoutube - https://www.youtube.com/channel/UC7JkokMS2XUFZte1k6iEFkwIt's time to learn Motion Capture acting! - https://www.youtube.com/watch?v=3SIDGtJ1v4k&t=7s BOOK - Performing for Motion Capture - A guide for PractitionersBloomsbury - https://www.bloomsbury.com/uk/performing-for-motion-capture-9781350211254/ Amazon - https://www.amazon.com/Performing-Motion-Capture-Guide-Practitioners/dp/1350211257Audible - https://www.audible.com/pd/Performing-for-Motion-Capture-Audiobook/B0BZ6FPJL4? Reparations Links - Heirs of Slavery - https://www.heirsofslavery.org/reparationsDanish TV Documentary - https://vimeo.com/809696603?share=copy Password - Grenada    Note - Press cc for English captionsGuardian article on the apology - https://www.theguardian.com/world/2023/feb/27/british-slave-owners-family-makes-public-apology-in-grenada

Doug caught up with an old friend at Pax East to talk about motion capture in gaming. Haptix Studio in Michigan does all sorts of work in creating, utilizing, and teaching the art of motion capture. Check out Haptix Studios at: https://haptixstudio.com/ Support Workforce Gaming on Ko-fi: ⁠⁠⁠⁠⁠⁠https://ko-fi.com/workforcegaming

It's finally time to dive into the reboot trilogy that leads directly into this summer's new entry Kingdom of the Planet of the Apes! Andy Serkis brings us take on the legendary Apes character of Caesar in 2011's Rise of the Planet of the Apes. A very special guest, Richard Ridings, who portrays Buck in the film, also joins us for an interview about his experience performing in a mo-cap suit at the end of the episode. Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your extra charred Draco Malfoys! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Richard Ridings.

Robert Zemeckis was one of the most prominent directors of the eighties and nineties. His string of hits is almost unmatched. Think about it - Romancing the Stone, the Back to the Future Trilogy, Who Framed Roger Rabbit, Forrest Gump, Cast Away, What Lies Beneath, etc. This is why it's so bizarre that a live-action Disney Pinocchio movie directed by Zemeckis and starring his best favorite leading man, Tom Hanks, was essentially dumped to streaming. It came and went without much fanfare, while it would have been a cinematic event fifteen years ago. WTF Happened?In this episode of WTF Happened to this Celebrity, we dig into Zemeckis' career, which began with the underrated pair I Wanna Hold Your Hand and Used Cars before Romancing the Stone made him an A-lister. We dig into how he was actually fired from Cocoon because the Fox brass thought Romancing the Stone would flop, leading to him making Back to the Future with pal Steven Spielberg. We dig into the then-impossible idea of mixing live-action and animation in Who Framed Roger Rabbit, show some love to Forrest Gump, and examine some underrated gems like Death Becomes Her.But WTF Happened to Robert Zemeckis? In the 2000s, Zemeckis became a proponent of Motion Capture technology, leading to The Polar Express and Beowulf, movies which are a little uncanny valley if you revisit them today. Even if he's not quite the mega-watt hitmaker he once was, with films like Welcome to Marwen being disastrous, he's still capable of making gems like the fantastic Denzel Washington movie Flight. In this episode of WTF Happened to this Celebrity, which is written (with Mathew Plale), narrated and edited by Taylor James Johnson, we dig into the director's life, legacy and future. 

In this Edge of AI episode, dive into the future of animation and motion capture technology with Niall Hendry from Move AI. Explore how AI is democratizing 3D animation and motion capture, and the potential for blockchain to safeguard intellectual property rights within the NFT space. Learn about the unexpected applications of Move.AI's technology and its impact on various industries.Support us through our Sponsors! ☕

ASMR CGI Face Mapping for Motion Capture ~ Close Up Personal AttentionAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Female Guardian & Dream Visitor Actor Díana Bermudez joins Dan Allen to discuss BG3, Motion Capture, Gaming, Travelling, Mental Health, Moon Knight and so much more!

Julian Kostov joins Dan Allen to discuss Call of Duty: Modern Warfare 3, Acting, Vladimir Makarov Behind the Scenes, Motion Capture, Soap, Gaming, Bulgaria and so much more! In this stream, we are helping raise funds for Game on Cancer!

Rena Valeh joins Dan Allen Gaming to discuss BG3, Motion Capture, Being a Nightowl, Reading, Writing, Politics, Accents, Gaming and more!

Isobel Actress Mia Foo joins Dan to discuss Gaming, BG3, The Legend of Zelda, Acting, Motion Capture, Streaming, Nightsong Romance and so much more!

Nightsong Actress Helen Keeley joins the show to discuss everything BG3, Motion Capture, Acting, Australia, Accents, JK Simmons, Emotional BG3 Scenes, Theatre and more!

Alex Lanipekun Interview with Dan Allen discussing all things Final Fantasy 16, Hugo Kupka, Motion Capture, Square Enix, AI, Social Media and so much more!

Dan and Theo discuss Wyll, BG3, Motion Capture, Drama School, Acting and so much more!

Dan and Devora discuss all things Baldur's Gate 3, Lae'zel, Emotional Scenes, Pregancy, Motion Capture, Bulgaria, Voice Acting and so much more!

Dan Allen and David Menkin discuss FF16, Barnabas, Third Culture Kids, Ghost of Tsushima, Battlefield, Voice Acting, Motion Capture and so much more!

Gaz Actor Elliot Knight joins the show, to discuss Modern Warfare 2 and MW 2019, Motion Capture, Color Out of Space, Acting and so much more!

Betina and Nic talk about their work travel, the holidays and what's ahead for 2024. They share about their Los Angeles trip and recent experience in the city. Nic discusses how he landed a gig doing motion capture for EA Sports and his jiu-jitsu training and competition. The couple shares how they're closing out the year with friends and family, and they wrap up with the personal and professional trips they have planned for the new year.   Have questions for Betina & Nic? Email the show at contact@beyondtheroutinepodcast.com for a chance to have your question answered on a future episode.  Follow us on Instagram: @beyondtheroutinepodcastVisit us beyondtheroutinepodcast.comDisclaimer: This podcast represents the opinions of Beyond the Routine hosts Betina and Nic Shimonek and their guests. Views and opinions expressed in the podcast are their own and should not be taken as medical advice. The podcast content is for informational purposes only. Please consult your healthcare professional for any medical questions.   

Diane and Sean discuss Rupert Wyatt's, Rise of the Planet of the Apes. Episode music is, "Casear's Home" by Patrick Doyle from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

You get an interview, YOU get an interview, and YOU GET AN INTERVIEW! This week, the brilliant impressionist and comedian Debra Wilson sits down with us. You Might Know Her From Mad TV, Scary Movie 4, Dead 7, Over the Hedge, The Christmas Chronicles, Avatar, and as the voice of Daisy Duck. Debra gave us all the intel on working on late night sketch mainstay MadTV, including singing opposite herself, hitting Mariah Carey whistle tones, and rubbing elbows with Oscar winners. Obviously, we got into Debra's iconic impressions of Whitney Houston and Oprah Winfrey and the unfortunate story behind her departure after eight seasons. All that, plus her instrumental role in developing the Na'vi people and Neytiri in Avatar, living in the “Debra Wilson metaverse” in video games, and acting opposite nearly every boy bander from the aughts. This one was quite a ride!  Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this month: Would you rather live on Ben Platt's neck growth, Gaten Matarrazzo's teeth gap or Matthew McCounaghey's uvula Ben Platt's fiance is Noah Galvin who spilled tea on gay Hollywood Nabisco chocolate wafer cookies Damian's grandmother made ice box cake with graham crackers  Used the Philadelphia Cream Cheese Cookbook to make Party Potato Bake  Rupaul referred to Ben Platt's character in Dear Evan Hansen as “Dear” The Rise of the Pink Ladies (Damian is hot for Richie aka Jonathan Nieves) Anne thinks Yellowjackets has gone off the rails but will still watch. We both love the young actors on the show (young Shauna aka ) What happened to Shannyn Sossamon Dante's Cove and that band Mannekin (now known as Daniel's Debris) Debra took over the voice of Daisy Duck from Tress MacNeille (who does so many voices on The Simpsons) Voicever in Over the Hedge, Christmas Chronicles, Judge Steve Harvey, The Weakest Link (reboot with Jane Lynch), and the navigation app Waze Debra Wilson video game Metaverse Most of the Cameos Debra does are related to Savathun from Destiny  45mins of Debra doing Whitney on MadTV Debra worked with Joan Rivers on Can We Shop (voiceover and eventually on-camera) Debra as Oprah Destiny's Child parody ; Whitney vs Mariah ;  Mariah “Heartbreaker” parody She left the show over pay disparity Debra doing Whitney in the MADTV parody of the Diane Sawyer interview Project 880 was the secret name for James Cameron's Avatar BAPS Susan Sarandon , Dennis Hopper in a Ms Swan sketch, and Kathy Bates on MadTV Musical guest stars: The Cure, Debbie Harry, Alien Ant Farm, Incubus, PUSA's "Lump" and “Peaches”  Dead 7 starring Debra, Nick Carter, and Frenchie Davis, among many others  

Move.ai develops patented AAA quality marker-less motion capture technology powered by computer vision and deep learning. Their software runs off any mobile device or camera, can capture any relative volume size and can be deployed in any environment on the planet.  It's been tested to be directly comparable to existing suit/optical based systems and generates standard data formats that can be exported to any game engine in real time. The company's mission is to enable millions of animators and content creators globally to have access to the same level of motion capture as the AAA studios! In this Podcast, Co-Founder of Move.ai Anthony Ganjou talks to Allan McKay about his company – a AAA quality marker-less motion capture technology – its target audience, the diversity of its consumer, and the implication of the current AI Moment in human history. For more show notes, visit www.allanmckay.com/402.  

Can you give a robot a sense of touch? Neil deGrasse Tyson, Chuck Nice and Gary O'Reilly, learn about soft robotics, sensors, and understanding human physiology with co-founders of Organic Robotics Corp, Professor Robert Shepherd and Ilayda Samilgil. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free.Photo Credit: Tyler Nienhouse, CC BY 2.0, via Wikimedia Commons