Podcasts about lavo

Today's guest is hospitality veteran Noah Tepperberg, co-founder of Tao Group Hospitality. Over the course of his 30+ year career in hospitality, Noah and his team have launched several iconic venues, under brands including Marquee, Lavo, Tao, Hakkasan, and many others. Tao Group currently has over 80 branded outlets globally in the broader portfolio. In 2017, Noah and his co-founder's including his long time business partner and Co-CEO Jason Strauss sold a majority stake in Tao Group to the Madison Square Garden Company, and in 2021 the company acquired 100% of Hakkasan Group creating one of the world's largest premium hospitality platforms with outlets in over 20 cities. In 2023, the company was acquired by Mohari Hospitality. This conversation highlights Noah's laser focused and disciplined approach to building a highly successful hospitality business that stands the test of time.Thank you Peoplevine for sponsoring this episode. Peoplevine is trusted by the best brands in the members club business. Book a free demo to see why at ⁠⁠⁠peoplevine.com.⁠ Interview Highlights:The key component to a successful venuePartnering with institutional groupsHospitality is a people businessNoah's approach to real estatePatterns of venues that have done well vs those that haven'tExpanding abroadAdvice for hospitality entrepreneurs ⁠This episode was recorded at NeueHouse Madison Square. NeueHouse is the premier work space in NYC and LA for those in the creative industries. Use code ⁠THESTANZA⁠ for a special offer when applying for your membership.Connect with Noah here.Follow The Stanza here.Subscribe to the newsletter here.

Wayne Wade – Lord Of Lords 1976 Prophet Record/Vivian Jackson (Yabby You) Repress 2025 Michael Rose – Born Free 1976 Boss Repress 2024 Vivian Jackson (Yabby You) Melodians - Stop Your Gang War 1977 Vivian Jackson (Yabby You) Repress 2024 Leroy Smart – Africa 1977 Weed Beat Repress 2023Prophets Micheal Prophet – Economical Crisis Deh Pon Top 1977 Vivian Jackson (Yabby You)/ Prophet Record Repress 2025 Patrick Andy –Youths of today 1979 Vivian Jackson (Yabby You) repress 2023 Yabba You – Give Thanks And Praise 1979 Grove Music Repress 2024 Vivian Jackson (Yabby You) Michael Prophet – Know The Right 1979 Vivian Jackson (Yabby You) Repress 2025 Al Campbell – Dance With Me Baby 1979 Niagara Repress 2022 Distributed by Natty Frontline Roman Stewart– What You Wanna Do 1980 D-Roy Records Repress 2022 Junior Reid – Thanks And Praise 1984 W.O.W. Music Repress 2022 Boom Donovan – Boom him up now 2025 Larry Marshall - You Don't Care 1973 - Lp Presenting Larry Marshall - Studio One Freddie McKay - Our Rendez vous - 1973 Jaguar Peter Austin & The Clarendonians - You're Everything I Need 1975 Tenors Dave Robinson - Chaga Chaga Warrior 1977 Bod Gong Records George Allen - Be Wise My Brethren 1978 Studio One The Uniques - Music Maker - 1979 Lp Give Thanks - Joe Gibbs Gregory Isaacs - Down the Line 1979-2008 - La Vo sur le LpSoon Forward - African Museum Culture - Callie Weed Song 1981 - Lp More Culture – Joe Gibbs Music Barry Brown - Them a fight 1981 Crazy Joe The Gladiators - Ship with a captain 1982 - Lp Reggae to bone Jam Rock Anthony Johnson - I'm Ready 1983 Lp I'm Ready – Gorgon Records Clive Hylton - Slavery 1984 Compil Various Artist – High Times present new talents ghetto youths showdown – High Times Ijahman Levi - My Wishes Reply 1985 lp Lilly of my Valley - Jahmani Misty In Roots - Praises 1985 Lp Musi-O-Tunya – People Unite Junior Delgado - Please lady let me love you 1989 - Lp Dub School: A Junior Delgado Showcase - Buffalo Music Prod Kayawah & The Movement Band-Shame and scandal - 2011 – Lp Culture Rock - Only Roots Records Don Savage - Mr Tradesman 2025 K-Gibi Records Johnny Clarke - Never Give Up On Jah 2025 Heartical Riddim Alborosie - Come My Way 2025 VP Records Groundation Feat Mykal Roze & Alpha Blondy) - The Youth 2025 Street Rockaz Solo Banton - The Mix 2025 Street Rockaz DJ Pamplona feat Triston palmer – No gangsta Zion Within & Tali Roots - Love Me Slow 2025 Kaizs - Feel Like 2025 Irie Yute Tapes Mirkadub feat. Fango - Mista Ganja El Fata - Boom Sound Noda & Wolfers - Cabal of Puppeteers 2025 Jahtari Speng Bond - Wha Mek 2025 Jahtari Speng Bond – Empress 2025 Jahmiga Speng Bond - Nutten Ever Do Before The Time Raggatack RMX 2025 Halenion Zion Records Speng Bond - Banga Hollow Point & Mr. Williamz & Derrick Sound - Nasty Living 2025 Evidence Music Zion Train - Move To Love 2024 Tom Spirals, Earth & Power, Dub Foundry - What The People Want 2024 Earth & Power Records Earth And Power feat Ranking Fox - Why Are We 2023 Earth & Power Records Earth And Power feat Ranking Fox - Why Are We dub 2023 Earth & Power Records

VDVV-1723_0887 -Chung Ta Tho Dang Vo Cung Ma Khong Ai Hay _Do Moi La Vo Vi.mp3PodCast ChannelsVô Vi Podcast - Vấn Đạo  Vô Vi Podcast - Băn GiảngVô Vi Podcast - Nhạc Thiền 

Le Saut Hermès est de retour au Grand Palais pour sa 15e édition : trois jours de compétitions équestres sous les verrières de ce lieu magique à Paris. L'évènement est connu dans le monde entier, tant par la beauté du lieu que par le spectacle proposé. Immersion signée Morad Djabari pour RTL. Ecoutez RTL inside avec Morad Djabari du 21 mars 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Anne Ganguzza welcomes live-action Dubbing Casting Director Jessica Blue this week! Jessica Blue shares her captivating journey from a cartoon-loving kid in the San Francisco Bay Area to becoming a sought-after talent and director in Los Angeles. The BOSSES take you behind the scenes of voice dubbing, where Jessica reveals the art of directing and casting for this unique form of acting. She explains how directors play a crucial role in ensuring performances are authentic and compelling. The conversation touches on the challenges of adapting scripts for different languages, the essential role of adapters, and the dynamic, fast-paced nature of dubbing. The BOSSES expertise and experiences provide a valuable roadmap for aspiring voice actors navigating this exciting field. Anne and Jessica also preview the upcoming VO Peeps class where participants can experience a live-action dubbing session. 00:01 - Joe (Ad) Hi, this is Joe and I just wanted to say that, in addition to being a marketing guru in her own right, Anne Ganguzza goes deep and she has a vast knowledge and a huge breadth of experience in all and everything VO voice, acting, online communication and she offers a plethora of valuable information and golden nuggets, a fountain of first-hand knowledge, which is VOBoss. I myself had the privilege of participating in a super fun bilingual contest and one of the treats I won, alongside my colleagues, was to be interviewed by Anne and Pilar Uribe A chance to share, learn and get inspired on so many different fronts. I promise you Y, si quieres, te lo cuento en español, pero mientras tanto, búscate un episodio en VO Boss. You might easily find an amazing podcast to get instantly inspired in your work. Whatever that is.  01:01 - Anne Ganguzza (Host) Hey, what's up bosses? Join our VIPs today and gain access to over 350 hours of pre-recorded workshops designed to enhance your voiceover skills. From industry insights to practical techniques, our workshops cover a wide range of topics. As a VIPs member, you'll also receive a 15% discount on current workshops and free monthly workshops to keep your skills sharp. Don't miss out on this opportunity. Sign up for VIP's membership now at vopeepscom.  01:36 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.  01:55 - Anne Ganguzza (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I am so very excited to have special guest Jessica Blue with us this morning. Yay, hello.  02:06 - Jessica Blue (Guest) Thank you for having me.  02:08 - Anne Ganguzza (Host) Hi, jessica, hi For those bosses who don't know Jessica. Jessica has been a voice actress for 20 years and is an English dubbing voice and casting director on oh, some small projects like Netflix, disney+, hbo, hulu, amazon and more and of course, that was sarcastic. I want you to be able to read that acting Jessica. You can give me some tips if I have to dub over it. Okay, but as a VO talent, some of her clients include small names like Google, microsoft, macy's, wells Fargo, and the list goes on and on and on. She's also provided voices for several dubbed films and series, and some of her dubbing projects that she's directed include no Gain, no Love on Amazon, crooks from Netflix, moving, hulu and Burning Betrayal Netflix. Jessica, it is a pleasure to have you here this morning. Thanks for having me.  02:58 - Jessica Blue (Guest) I'm super excited to talk with you.  03:00 - Anne Ganguzza (Host) Yay, yeah. So I want to say it's just been so wonderful like knowing you for the past few years and I wish I had known you like 10, 20 years ago. Same yeah, absolutely. I mean, I've had you as a guest director for our VO Peeps a couple of times and I'm going to have you coming up this year as well for dubbing. And I guess I want to start with the bosses that are not necessarily familiar with who you are. Let's talk about your voice acting career first and how it all got started. Cool.  03:28 - Jessica Blue (Guest) Well, I'm originally from the San Francisco Bay Area and I grew up watching cartoons like a lot of kids. Bugs Bunny was my favorite and I just loved being in that world of imagination and where anything could happen. And I thought wouldn't it be cool to be a cartoon someday, Not knowing that that was voiceover. And it wasn't until many, many years later. When my ex-husband, of all things, heard this woman talking on the radio about voiceover, I'm like what is that? And he thought I would like that.  03:56 And so I went, took a intro class and I completely fell in love, dove headfirst and took all the classes, learned as much as I could and then eventually got an agent up there and started working in video games and commercials a little bit of animation for games and stuff, a lot of narration as well and then slowly migrated down to LA, because there was a collective of us in that group that really wanted to do animation and so we created our own show and pitched it around and down here in LA and I'd come back and everybody had kind of already migrated and moved down here, and I was the last one because I still had a whole life up there. I had a full time job. Up there I was taking care of my parents and one day my dad just said sounds like you need to be down there. Why don't you just go? I'm like I have to take care of you. I have to do all this stuff.  04:43 There's no way Best day of my life because he basically gave me the permission. It's like you need to live your life. Stop doing this for us. Do what you need to do, follow your passion. I'm like I love you, dad. So it took me a couple more years to get my ducks in a row and finally leave the corporate life which was the best decision of my life ever and made the move down to Los Angeles in 2013 and didn't have a plan B, didn't have a job, didn't have an agent down here, nothing, but I was all focused on voiceover and I had already come down here, like the year prior, to sort of get the lay of the land network, take classes with directors here, just to sort of get the lay of the land network, take classes with directors here, just to sort of immerse myself in the LA culture, in the LA VO community.  05:30 And then it just kind of took off and got an agent, started working, getting more jobs and met awesome people like you and Jeff Howell and all these other amazing folks, and just been doing it ever since. And then Jeff Howell is actually the one who got me into dubbing because he had a project come up and he says I need your help, I need you to help me organize all this stuff.  05:50 I'm like, okay, and we kind of started doing dubbing together and did about six movies together. I want to say and he says, okay, you should be directing, you need to be directing. And I had expressed an interest in directing and so it just kind of shifted into I was still doing acting. I love that, but I love directing so much and it was so great. And so.  06:15 - Anne Ganguzza (Host) I've sort of shifted.  06:15 - Jessica Blue (Guest) Now I still do a little bit of acting here and there, Super picky and choosy about what auditions I do, who I read for all that good stuff, because I really have a focus more on directing and stuff. So that's where my passion now lies and that's kind of it.  06:30 - Anne Ganguzza (Host) I love that. I love that because you kind of follow your passion and it all just followed you Do, you know what. I mean, you've manifested it for yourself, which is something that I absolutely love, and I love directing myself, but not necessarily dubbing, but in terms of demos and that whole creative process of being able to take it from the ground up to something beautiful. And so let me ask you. So 20 years has passed or so, and so how has the industry evolved and changed since you first?  07:02 - Jessica Blue (Guest) were in it. Oh my God, night and day Back in the day when I was first started and first of all, I felt like I was coming into this super late because I was already in my 30s, I want to say when I started getting into this. And most people you know get in their 20s. They're doing this or even earlier, so I felt like a super late bird, but that's been the story of my life. I'm a late bloomer and everything.  07:25 - Anne Ganguzza (Host) That's funny. I was actually in my thirties too. Well, I was in corporate. I was actually in education. I came from corporate to education and before you go on, I did want to say what did you do in corporate, Because that's always interesting to me You're going to laugh.  07:37 - Jessica Blue (Guest) I was a paralegal manager for the electric company in their law department.  07:41 - Anne Ganguzza (Host) Oh, my gosh Okay.  07:42 - Jessica Blue (Guest) Yeah.  07:43 - Anne Ganguzza (Host) Well, no, nothing surprises me actually.  07:46 - Jessica Blue (Guest) So, like legal jargon, medical jargon, I've got that locked, unlocked yeah.  07:53 - Anne Ganguzza (Host) It's crazy.  07:54 - Jessica Blue (Guest) It's always interesting to find out what corporate places people come from you know it's such a different world, but it's definitely helped my business as far as you know. Knowing how to communicate, being responsive and just general email etiquette, that kind of thing. It goes a long way. But back when I first started you needed to be where your agent was. You had to go in person to audition and it started to slowly switch to where you could record at home and then send it in an MP3.  08:26 But for the most part, like it was super hard to get an LA agent if you were not in LA or even in New York or wherever you had to be there, locally, physically, because they had so many other talent that was right there, hop, skip and a jump that they could grab. So that has completely changed, especially since COVID, because now everything's remote or phoned in or whatever. That's probably the biggest thing. Also, because of that, it's exploded the amount of voiceovers, because there's been such a spotlight on it, especially with all the new animated movies. I mean, back in the day, you know, I had Cinderella and Bambi, you know those movies which were classics, snow White. But now we have a new one coming out, several coming out every year, and they've got these celebrities attached to it.  09:13 So people, the general audience, are seeing these celebs do these voices and they're like, oh, I want to do that voice or I could do that voice, and they think it's like, oh, it's super easy, that'd be fun.  09:22 And they think it's like, oh, it's super easy, that'd be fun, let me go do some voiceover, not realizing it's a process you have to learn, you have to know how to act first of all. It's not just about your voice and take the training, learn the craft. So I think that has sort of opened the door for way more people. So it's super competitive now, and you're not just competing with people in your local area or in your state or now even in your country, right In other countries now, because everybody can now just kind of send stuff in electronically. So technology has definitely improved, as well as having a booth Again, it used to be like I just have a crappy little setup in my closet and now people have these amazing beautiful booths with lighting and all this stuff, and I mean, technology has come so far, so that's a whole nother thing too. So a lot has changed.  10:12 - Anne Ganguzza (Host) A lot has changed, but you have evolved along with that. And now you mentioned something about acting.  10:17 I always like to talk about acting, when you kind of made the shift, kind of also in parallel working with dubbing. You're talking about acting on the fly, I mean. I think that that becomes like front and center in terms of what are the qualifications that you need as an actor or as a voice actor to really get into this industry. And maybe I can just have you explain dubbing kind of from the beginning for the bosses who are not necessarily as familiar with the dubbing industry.  10:45 - Jessica Blue (Guest) So basically for if you don't know what dubbing is, it's essentially taking a movie or a TV show from another language and putting it into English so you don't have to watch with subtitles. You can actually hear the English spoken while you're watching the video, and our goal is to make sure that the lip flaps match as close as possible so that it doesn't take you out of that and you forget that you're watching a dub. It's a long process, a lot goes into it, it's very detailed, which I'm not going to go into all the gory details of it. But the main thing that I'm looking for when I'm hiring and casting someone to do a dub is that they can act, that I believe that their voice is coming out of the face that I'm seeing on screen and that they're able to give all the nuances of that performance. And it's actually really cool, in my opinion, because it's so much closer to being on stage or being on set and diving into a character and get all that juicy goodness, versus reading a three second tag or a 30 second copy for medical whatever. So there's a lot more that goes into it and it's definitely a skill that has to be learned by doing it.  11:54 It rinse and repeat kind of thing. It does take practice because it can be very challenging and overwhelming at first because there's a lot going on. Because not only are you walking in blind, you have no idea when are you walking in blind, you have no idea when you book a job. You have no idea if you're the lead, if you're an incidental, how many characters you're doing, what the show's about, how long you know all this stuff. You have no clue. So it's the director's job to fill that in for you explain the show who your character is, what they're about, what's going on in the scene, and then you watch the scene and you're seeing this rhythm of band go by with the dialogues screaming by like karaoke and you're trying to read, you're trying to watch the video, you're kind of your eyes are sort of doing this back and forth to try and understand everything and you're seeing it for the first time.  12:38 I've seen it maybe two or three times at this point, right but you're seeing it for the first time, so I'll give you a freebie of but you're seeing it for the first time, so I'll give you a freebie of like you're watching it for the first time just to know what the heck is going on and who are these people and what's happening. And then we'll watch it a second time. So now you understand the scene, you understand what's going on, and now you can start maybe looking closer at the faces on screen and see what their reaction is, the projection of how loud they are soft and then we'll do a take, and then we'll do another take and put it all together and review it. And I'm looking at the dialogue to make sure that you're saying all the right words and you're not mispronouncing anything.  13:15 And all of that good stuff and it's a lot and it takes about, I'd say, for a newbie about 15 to 20 minutes to get into the groove of it, if it's like their first time. But even experienced debbers you know they'll come in and they'll watch it and takes them a little bit of time to get warmed up too, and that's just the nature of it. But it's like everything's firing all at once. It can be very overwhelming, but it's so much fun once you get the hang of it and you get in the groove and you're just. Then you're just like, oh, all right, we're going, and it's so much fun.  13:43 - Anne Ganguzza (Host) So, in terms of directing, let's say, if you were directing just a script that was not on the screen and you're just directing a commercial for someone, versus directing a dub scene, it seems like you have to know, I don't know, the directing is different. I mean, I feel like you have to know so much more quicker when you're doing the dubbing, because, because you have to also impart, like the actual scene, what's happening to the actor, and if the actor's not getting it or just not embodying the character in the right way, then you've got to figure out, well, how am I going to get them so that it makes a believable scene? And then, if not, what do you do? I mean, have you had actors that just didn't work out and then you had to essentially say I'm sorry and then recast I can't imagine so explain some of the differences because, like my, directing for a demo is completely different, because we're taking the words and we're creating the scene.  14:34 We're making it up, this. You have the scene already and you've got to try to communicate that to the actor.  14:39 - Jessica Blue (Guest) More, I would imagine yeah, I mean, on the one side it's kind of nice because you already have this template of what you need to do. You basically have to try to match that, match their energy, match their tone, match it. So it looks like what you're doing out of here is coming out of what you see. So in that sense it's a little bit simpler, because you can see what's happening with a commercial or even when you're auditioning for a dub.  15:07 You don't have the luxury of the video to see what's going on or see what's happening in the scene. So you have to make that up in your mind and you have to find those nuggets in the script, in the dialogue, that might clue you into where are they, what's happening, why did they say this line? What does that mean? What is the intention behind that, what might be happening? And you have to somehow create that in your head, make a choice and go with it. Very much like when you're doing a commercial script. It's a lot of script analysis when you're looking at that stuff and so it's kind of cool.  15:37 - Anne Ganguzza (Host) Actually, you don't ever get the scene, you don't ever get the video, do you Very, very rarely?  15:42 - Jessica Blue (Guest) You might if we are doing in-person auditions, do you when you're auditioning? Very, very rarely you might. If we are doing in-person auditions, we do VTKs, which is a video test kit and that will have the actor come in. They'll do an audition in person, to the video, to the scene, so they'll see what's happening, they'll see the actors and everything and they'll get directed. So it's a directed audition. That's about the only time Very rarely will we send out a clip.  16:06 It'll just be the sides and they'll just have that to go on and wing it a prayer and figure it out and make a strong choice. Read through that analysis, look through everything, pick out whatever you can. Make a strong choice, go with it, because again, I'm listening for your acting chops as well as, if I believe, the voice coming out of the face. But even if I'm hearing someone do a commercial, I'm still in that visual sense of who are you talking to? Are you connected? Are you just phoning this in? Are you just reading this? It's very similar because there's a lot of times, too, where I'll have clients like they sound like they're reading. It's like, well, they kind of are because they're reading this girl going by, but you have to make it sound like you're not reading, just like you would a commercial or a video game or anything. You have to make it conversational. That's the name of the game in dubbing is conversational. We want real, grounded, authentic voices, authentic acting. Not, hi, how are you? I am Jessica Mm-hmm.  17:05 - Anne Ganguzza (Host) Mm-hmm.  17:05 - Jessica Blue (Guest) Yeah absolutely.  17:07 - Anne Ganguzza (Host) So what tips would you say then? Could you give a voice actor that wants to get into dubbing, like, what can they do to prepare themselves? Maybe, and maybe practice or coach with you? Yeah, absolutely, I do do coaching, yeah, besides coaching with you, but I'm just so, yeah, what can they do if they're interested in dubbing? What's your best tips? Watch some dubs.  17:27 - Jessica Blue (Guest) Go on Netflix, go on Hulu, Disney, Amazon, whatever. Watch some dubs that are good and watch how their acting is, or listen to how their acting is in relation to what's happening in the scene. A way to practice is kind of cool, Not exact, but it will help you with that sight reading of looking up to the video and looking down to the dialogue is put on subtitles. Grab your favorite show or movie, put on the subtitles, watch it with the sound on with the subtitles.  17:57 read the subtitles and get used to switching back your eyesight from the video to the subtitles, switching back your eyesight from the video to the subtitles and then rewind it, mute it and then say it with the subtitles and see how close you can match to their mouths, or whatever. I mean. It's not going to be exact, but that will help you with that skill of sight reading, of going back and forth from the video to the dialogue.  18:18 - Anne Ganguzza (Host) Well then, I should be amazing Jessica, because I'm old and I have the subtitles on all the time because I can't hear, so I've got the eyesight going and I don't necessarily practice along with that. But yeah, no, that's a great tip. And to actually watch dubs, I think is great, and I myself have watched dubs and I've watched people do it because I've watched you direct people. Do you think it's something that all voice actors would love to do? Or do you feel like it's a niche where I feel, like people that do audiobooks, they love their audiobooks, people that dub love dubbing, like? Or do you think it's just something like oh, it's another genre, it's just oh, I can. What's your experience with talent? I think it's a little of both.  18:57 - Jessica Blue (Guest) I think it is sort of a niche. I have my core group of actors that you know. It's like the standard dubbers or whatever, but I'm always finding new talent, always bringing new people into the fold. And so and I've never really had someone go, oh, I don't like this or this isn't for me Maybe they did and I didn't know about it.  19:18 But usually, even though they might be scared and nervous getting into it because they're not sure about anything new, any change, once they do it they're like oh my God, this is kind of fun, I really like this. So then they like tell me more, how do I get into it? How do I do what? How do I need to get more of this type of work? And so it kind of fuels their fire to do it or be more interested in it. So I think it's definitely grown a lot in the last couple of years, for sure, and I don't think it's going away anytime soon because there's so much content. There's so much content out there from other countries that are being brought into the United States and getting dubbed into English. So I don't think the work is going anywhere anytime soon. So I think we're okay.  19:58 - Anne Ganguzza (Host) So here's the elephant in the room right Synthetic voices AI. How does that work into dubbing, or does it not? Or what are your thoughts? Is it a threat?  20:07 - Jessica Blue (Guest) I don't think it's a threat now, and if it is, it's going to be minor. I don't think it's going to take over lead voices because, it cannot reproduce these performances, the nuances that humans can, and I think we've got that covered and okay. And also I've heard stories about companies trying to use AI to dub a lead character and the audience isn't buying it.  20:31 They're like that looks weird, that sounds weird, it doesn't match or whatever, and so I think for the main characters, lead characters and everything, we're good, we're okay. It's not going to go the AI route. It might change to where they might end up using some type of AI situation that is ethically sourced. Ai.  20:50 voices for Walla for the background noise, like you know, in airports and restaurants and things like that, because that's just this murmur, this hum bed of voices that you hear in the background, and not necessarily actual dialogue that you can make out and hear what they're saying, but they already have a lot of those like sound beds. You know that we've recorded over many years and they can just plop that in. So it's kind of already done, so I don't know why they would actually need an AI for that.  21:16 So I don't necessarily see I mean, if anything, I think AI might come in on more of the production side, the backside of it, not the performance side, you know, more of the organization of files and management and things like that, or QCing stuff like that I don't know that it's going to really impact the performance side of things for dubbing yet, and I mean who knows Anything's possible but also to get all of these companies on the same page. You know, if somehow this fantastic software came out that you know is able to match the voice to the original actor or change whatever to get everybody on board with that, I mean that's a huge feat in and of itself and I don't see that happening anytime soon. So I think we're okay.  21:58 - Anne Ganguzza (Host) So if you talk about when we dub, we're dubbing from one language to another. Typically for us we would be the English, and so how much of a disconnect is there because of the language differences, you know, in terms of like lip flap and believability is there from certain languages, and are some languages easier to dub than others? Oh yeah, two things.  22:17 - Jessica Blue (Guest) Some languages their lips barely move, so they're talking like this and it's like what do you say? There's no labial movements, oh my God. And then there's some like Spanish and French, where they are motor mouths and they're like and what takes in Spanish? It takes them 10 words to say what we can say in five in English. But there's like all these, like you know, like happy birthday hon. You know, it's like so different, but yet we would then have to add on extra words stretch it out, add on words, because there's still all that mouth flap that we have to cover, so we would have to add on words.  22:57 Or, in the opposite of French, they can say something very short, like two words, and it takes us seven words to say. So how do we? Ah, like they say nothing?  23:07 - Anne Ganguzza (Host) So who does that editing? That's interesting. Who does that editing? Is that you, or it sometimes is me. It's the adapter.  23:13 - Jessica Blue (Guest) So, which I also do Adaptation is probably the most important and critical step in the whole dubbing process. That's basically where the studio will send it to a translator. They'll translate the Spanish into English. Then that goes to the adapter. The adapter then takes that English translation, rewrites it to make it sound conversational, make it match the lip flaps, adding words, subtracting words, making jokes work that might not make sense to us it does in their language but it doesn't jive with us and then also syncing it all up.  23:46 So the lines are matched up to start, of the mouth opening to the mouth closing, as well as adding in all of the vocal efforts. So laughs, sneezes, coughing, crying, breathing, fight scenes, getting punched, coughing, throat clearing, anything like that is always going to be in brackets so that we have those vocal efforts, because it's going to look funny if you're just talking and all of a sudden you do this and like you don't hear anything. Yeah, yeah, what was that? Right, right, it was a sigh. Ok, got it. So we had to put sighs in brackets so that the actor knows that they have to sigh when they see that chest movement.  24:22 - Anne Ganguzza (Host) So it's a lot OK. So business wise it seems like a lot of work right. So I have a film right. And where does the money come from? The distribution, the licensing of the film in different languages?  24:33 - Jessica Blue (Guest) I think so, yeah, because it'll be like a Netflix will go out and they'll buy the property, the distribution rights for a show from the original person, which is probably yeah, where the money comes from and then that pays for it, because it seems like an awful lot of work, sometimes right, it is a huge  24:49 - Anne Ganguzza (Host) amount of work If you want a huge amount of work to get to a product that you don't know if it's going to. I mean it's like any movie that comes out right. I mean you put a lot of investment into it, so I imagine that, yeah, it's just got to be the purchase of the rights to the movie. That is where the money is, because is is because is the money. Does the voice actor get money? I mean, I'm sure they get paid. Do you know what I mean? But I mean, let's talk about how well does the voice actor get paid or the dubber get paid for this. Is this an industry that is lucrative? It can be.  25:19 - Jessica Blue (Guest) If you book a lead role, it can be very lucrative because that means multiple sessions, especially if it's a TV show, because that's multiple episodes. So you could be a six episode show, a 12 episode show, a 20 episode show. So if you're a lead character, you're in all those episodes. You're getting paid for every single time. You go into the booth for a session and we cover as much as we possibly can in a session until we exhaust all of the lines for that character.  25:46 - Anne Ganguzza (Host) But you get paid per session right.  25:48 - Jessica Blue (Guest) Per session.  25:48 - Intro (Announcement) You don't get paid per airing of you know like a nice national commercial.  25:52 - Anne Ganguzza (Host) There's no royalties, there's no kickbacks.  25:55 - Jessica Blue (Guest) There's no nothing it would be so nice.  25:57 Especially if it like took off or whatever, oh my God. But no, it's per session. If it's a union project, it's under the union contract, the dubbing union contract, which I think now it's like $190 something per hour with a two-hour minimum, and so if you're hired for a four-hour session, that's $195 times four, and if we finish with you in three hours, you still get paid for the four hours. If we have a pickup, you still get paid for that two-hour minimum. Even if you're in there for 15 minutes, you still get paid. So pickups are kind of nice too.  26:32 - Anne Ganguzza (Host) Now, do you now negotiate in contracts like the AI writer, because, let's say, you need a pickup and the actor isn't available? Right, can they utilize the voice to create an AI voice to then maybe do a pickup?  26:45 - Jessica Blue (Guest) I've not had that come up yet, and I think myself I don't deal with the contracts with the actors. That's the studio that handles all of that. So I think some of them might have an AI writer, some of them might not. So if you're an actor into dubbing and you want to check that out, make sure you read your contracts and see if it's in there and if it's not ask them and see if they'll do it, because a lot of them will, but at this point I don't think we've had that issue.  27:09 We always find workarounds honestly like even if we missed a line, maybe we have a backup or we can frankenstein something together, or if we missed a breath or a laugh here, I'll just steal it from somewhere else and plug it in there so I don't have to have anything to save that money for the client, so that we don't have to worry about that pickup. And even for incidental. Sometimes I'll jump in the booth and if I just need a line or something to cover whatever, I'll just jump in there. I'm like, let me just do it, it'll be really fast, it's fine, I'll just do it.  27:37 So, but yeah, it can be lucrative if you're a lead, because that means multiple sessions. If you're an incidental, it's just fun practice and maybe it's one session, one and done and you're in and out and that's still fun. But also, I think, when actors do get on the radar of these studios and directors then and they do it one time, two times, and they do well, we like working with cool people, good people, good actors, so we're gonna have you back and you'll get in that roster, in that pool of people, and you just kind of start working, working, work and it's kind of cool that way.  28:09 - Anne Ganguzza (Host) Yeah, yeah. Well, that's nice. So then, the first thing, if voice actors want to get into dubbing is, I would say bump up your acting skills, yeah absolutely. Do you have good recommendations for acting classes, like in-person acting classes, online acting classes or working with a coach? Perhaps All of it?  28:30 - Jessica Blue (Guest) Honestly, I feel like if you can do in-person, that's great because obviously you're feeding off the energy of everybody. I prefer being in person with people versus Zoom, but Zoom is obviously much more efficient and effective, especially if you aren't able to travel to do in-person. One-on-ones are also great if you're working with a coach or a teacher, because all the focus is on you and you can really hone in on what needs you need to work on and improve on.  28:59 But also the group session is great because you can learn from others and what I like to say, steal with love and take a little bit of that and that and put it in my pocket I'm going to use that, yeah, I mean it's life, isn't it?  29:11 - Anne Ganguzza (Host) I think that's how we do it. I think all of us, when we teach voice acting, we want to get to the same end result. We want authentic, believable performances, and so, however we say it to get the actor to get there, we're all trying to get to the same end result. So, yeah, absolutely, and that, I believe, also is going to translate well to they can do dubbing and they can do voice acting, because acting is just going to help you all the way around, and acting will even help you in medical and corporate. And I say that just because you know that's me, and that's my geeky that's my geeky place.  29:41 I think it can help you even more because that stuff is typically very dry and boring and you've got to make that. You've got to make that come alive in some way to make it interesting to people so that they want to listen to it. I mean, right now I'm going through some online courses and I'm telling you like it is tough. I know I need to know this information and I am just like, oh God, I got to do four more hours of this, and so it really helps when you've got the skills to be engaging and to like connect with the listener on the other end. Yeah, absolutely so, if I am hearing you correctly. Of course, acting would be number one. Acting would be number one to help get you into dubbing, and then, of course, watching dubbed TV shows and really getting in on that. And then what about networking? How can they network with the places that might hire them?  30:23 - Jessica Blue (Guest) Absolutely Research. Google is your best friend. Look up and search dubbing houses, dubbing recording studios in your neck of the woods, See who's out there. And also I will say another trick is when you're watching these shows and movies online that are dubs, at the very end sometimes they'll have the credits for the dubs of who the actors are, who the studio is, who the director and the casting, the producer are, so you can actually see what studios are doing the dubs that way.  30:54 And then you can look those up and see. If you can't find an, email. And a lot of those studios have their own rosters that they're actively looking for talent. So you could reach out to one of them and like, hey, are you open for taking on new talent? I'm interested in dubbing, or I have. I've done a dub here and there. I'd love to be considered for a future dub and just throw whatever you can at the wall and see what sticks.  31:15 - Anne Ganguzza (Host) Would you say that the majority of it is done in LA and in the big cities where, yeah, a chunk of it is.  31:20 - Jessica Blue (Guest) But I know Dallas I want to say Dallas, but one of the big cities in Texas they do a lot of anime with Crunchyroll I think. But there's other dub houses. There's one in Florida called the Kitchen in Miami. There's obviously several overseas, in Europe and elsewhere. So again, it's just you know Google, google is your best friend. Find where they are and search them out and do some research on that to figure out who's doing what and where, and you'll find it. And yeah, I would say networking is to find those people and seek them out and hit them up. But be human and personal about it. Don't just be like needy, like hi, I'm so, and so here's my demo. Listen to me.  31:59 No, make it make a connection yeah, make a connection to be memorable. So that because I, I get. Sometimes I'll get those emails that just say here, here's my demo. I'd love to work with you sometime Like great. I don't know you. From who are you next? You?  32:13 - Anne Ganguzza (Host) know, yeah, so I've been dying to ask you this because, of course, this goes along with. I feel like we're networking and there's a lot of talk about when you're running your business, because you can be the best actor in the world, but if nobody knows about it, it's hard for you, kind of. Over the years, have established a brand for myself, and a lot of people that know me for the VO Boss brand know that I have the red headphones, or I have the red lipstick because I talk about it all the time, and my Anne Ganguzza brand is blue and guess what? Jessica Blue. If anybody doesn't know Jessica or has never met Jessica, you can find her easily because she's got very signature branding.  32:50 - Jessica Blue (Guest) So let's talk about that for a little bit, if you don't mind, of course you can't really see it well in this lighting, but I do have blue hair and I have really blue eyes. You do, yes, you do Pops when the blue starts to fade and get lighter, and my logo is blue. I always have blue nails.  33:09 - Anne Ganguzza (Host) I'm wearing blue nails. My car is my favorite color.  33:12 - Jessica Blue (Guest) I've loved it since I was a kid when I actually, when I was a kid and I was sharing a room with my sister, we had bunk beds and everything, and then my mom cleaned out this other room and we got to switch and I got my own room, finally, and I got to decorate it however I wanted I had it was blue carpet. Blue paint on one wall, blue wallpaper everywhere.  33:30 - Anne Ganguzza (Host) I had blue stripes. I mean, blue is one of my absolute favorites. I had blue stripes, I painted on one. I had an accent wall in my bedroom. I'm an 80s girl, right 70s, 80s. It was literally like two different shades of blue and it was like a big, like V. It was hysterical. That's awesome and I loved it, but I will say that your branding works so well for you. Did you do that because not only your favorite color is blue, but because you wanted to become memorable in your business? Is that another angle?  33:54 - Jessica Blue (Guest) that that part never even hit. I'll tell you how so. Loose flash blue is not my real name, it's my stage name. What? Um? Yeah, I know secrets galore. No, it actually came up. So I've been rocking the blue hair since 2001. Okay, and I think it was around 2000.  34:17 - Anne Ganguzza (Host) Before it was a thing, right, I mean really. I mean I would say, when I grew up it was only if you were a punk. And then you had you know, what I mean. I feel like I started, like yeah, I feel like I sort of started this trend like it was acceptable, because also working in a law firm corporate with blue hair.  34:32 - Jessica Blue (Guest) Yes, exactly, and acceptable because also working in a law firm corporate with blue hair yes, exactly, and I'm like, if they don't like it, they can go pound sand because I know how to do my job.  34:37 I'm doing my job and this has nothing to do with what I can do. So but I was in a workout group with some fellow actors and one of my friends, I think I had come in with a blue stripe in my hair. I was testing the waters out to see if I liked it or not and I had just one little blue strand. And she says, oh, you should change your name to Jessica Blue. And I'm like, oh, I like that. I think I'm going to do that. From that point on, I became Jessica Blue in all things voiceover and acting and I've never looked back.  35:06 - Anne Ganguzza (Host) It is so attached to you and I think it's brilliant.  35:12 I mean, whether you intended that to be or not, like I will always know how to spot you in a crowd number one, but I also remember your name and so I'm always telling my students that until people know who you are, I mean you have to establish a brand. I mean, and so I'm like, well, make yourself a great actor and associate yourself with maybe another brand in your demo that people can say oh, I love that Ford spot that you did, or I love that movie you did, or whatever. If you can make yourself memorable in that kind of a way where you're attaching yourself to a brand or a show, right, then I think that that starts to get the ball rolling, because I think success begets success. Ball rolling because I think success begets success. And, like you said, once you start and you get into kind of the circles where you're dubbing and people like you, then it's nice because you get that kind of repeat work and I think that's important in terms of if you want to build your business.  36:04 So thank you for the explanation of your brand. I love it Absolutely.  36:08 - Jessica Blue (Guest) But it also it's not. It's not who you know, it's who knows you, because that's how you're going to become memorable and hired over and over again. So it is very important. I agree with you, but thank you.  36:21 - Anne Ganguzza (Host) Thank you, I appreciate that. So if you make it easy, if you make it easy to stand out and be unique and you've done it brilliantly. So, Jessica, this is so much fun yes, it has. Thank you so much for joining me today. Yeah, my pleasure, and so I do know that you did say that a random listener is going to receive something special with you. Did you say a one-hour coaching?  36:42 - Jessica Blue (Guest) session One-hour free coaching session for dubbing, yes.  36:47 - Anne Ganguzza (Host) So what I'm going to do is I'm going to randomly choose one listener, and so, in order for me to randomly choose a listener, you guys have to submit a testimonial, maybe on this episode, saying that you like this episode, and so I absolutely. On the VO Boss website, at vobosscom, you can submit your testimonial. If you do that for this episode with Jessica and you mention Jessica, we will then randomly select a winner within a week of the episode release to get a free one-hour dubbing coaching session. Yay, that's awesome. Thank you, jessica.  37:17 - Intro (Announcement) Of course that's so generous.  37:19 - Anne Ganguzza (Host) My pleasure, all right. Well, again, thanks so much. This has been wonderful and bosses, keep a lookout for the VO Peeps workout. Which gosh, is it May, june? I'm trying to think.  37:28 - Intro (Announcement) I think it's February. When do we have? When do we have? Oh my gosh February.  37:32 - Anne Ganguzza (Host) Oh my gosh, next month. Oh, that's right, it is next month. Next month we have you for VOP. So guys go get that ticket, because Jessica sells out very, very quickly. Thanks again, thank you, I really, really appreciate it. I'm going to give a great big shout out to our sponsor, ipdtl. You too, find out more at IPDTLcom Bosses, have an amazing week and we'll see you next week.  37:56 - Intro (Announcement) Bye. Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at VOBosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

On November 4, 2024, Sean "Diddy" Combs celebrated his 55th birthday at Brooklyn's Metropolitan Detention Center. His day began with a standard prison breakfast at 6 a.m., featuring biscuits and gravy, oven-browned potatoes, bread, and oatmeal. Lunch at 11 a.m. included options such as cheese pizza, Italian pasta salad, and green beans. For dinner, served after the 4 p.m. headcount, the menu offered choices like chicken or tofu fried rice accompanied by black beans and carrots.These meals mark a significant departure from Combs' previous lavish birthday celebrations. In 2023, he hosted a star-studded party at LAVO restaurant in London, attended by celebrities like Janet Jackson and Naomi Campbell. His 50th birthday in 2019 featured a grand event at his Beverly Hills mansion with guests including Beyoncé, Jay-Z, and Kim Kardashian. Currently, Combs is awaiting trial on charges of sex trafficking, racketeering, and prostitution, having been denied bail since his arrest in September 2024.Prosecutors in the case against Sean "Diddy" Combs have expressed concerns about revealing the identities of anonymous accusers, citing serious issues of witness safety and potential obstruction. They argue that early disclosure of these identities could expose witnesses to intimidation or harm, especially given Combs' influence and the nature of the allegations. This stance is in response to Combs' defense team's request for the accusers' names to prepare for trial, which prosecutors contend is premature and could jeopardize the integrity of the proceedings.Additionally, prosecutors emphasize that disclosing accusers' identities at this stage is tantamount to providing an early witness list, which is not customary in criminal cases. They maintain that protecting the anonymity of the accusers is crucial to prevent any potential interference with the judicial process and to ensure that witnesses can testify without fear of retaliation. This approach aims to balance the defendant's right to a fair trial with the necessity of safeguarding the accusers and upholding the integrity of the legal process.(commercial at 8:20)to contact me:bobbycapucci@protonmail.comsource:Diddy investigators raise ‘serious concerns' for victims' safety | Fox Newssource:Exclusive | Sean 'Diddy' Combs' birthday meal in prison revealed as he turns 55 behind bars

On November 4, 2024, Sean "Diddy" Combs celebrated his 55th birthday at Brooklyn's Metropolitan Detention Center. His day began with a standard prison breakfast at 6 a.m., featuring biscuits and gravy, oven-browned potatoes, bread, and oatmeal. Lunch at 11 a.m. included options such as cheese pizza, Italian pasta salad, and green beans. For dinner, served after the 4 p.m. headcount, the menu offered choices like chicken or tofu fried rice accompanied by black beans and carrots.These meals mark a significant departure from Combs' previous lavish birthday celebrations. In 2023, he hosted a star-studded party at LAVO restaurant in London, attended by celebrities like Janet Jackson and Naomi Campbell. His 50th birthday in 2019 featured a grand event at his Beverly Hills mansion with guests including Beyoncé, Jay-Z, and Kim Kardashian. Currently, Combs is awaiting trial on charges of sex trafficking, racketeering, and prostitution, having been denied bail since his arrest in September 2024.Prosecutors in the case against Sean "Diddy" Combs have expressed concerns about revealing the identities of anonymous accusers, citing serious issues of witness safety and potential obstruction. They argue that early disclosure of these identities could expose witnesses to intimidation or harm, especially given Combs' influence and the nature of the allegations. This stance is in response to Combs' defense team's request for the accusers' names to prepare for trial, which prosecutors contend is premature and could jeopardize the integrity of the proceedings.Additionally, prosecutors emphasize that disclosing accusers' identities at this stage is tantamount to providing an early witness list, which is not customary in criminal cases. They maintain that protecting the anonymity of the accusers is crucial to prevent any potential interference with the judicial process and to ensure that witnesses can testify without fear of retaliation. This approach aims to balance the defendant's right to a fair trial with the necessity of safeguarding the accusers and upholding the integrity of the legal process.(commercial at 8:20)to contact me:bobbycapucci@protonmail.comsource:Diddy investigators raise ‘serious concerns' for victims' safety | Fox Newssource:Exclusive | Sean 'Diddy' Combs' birthday meal in prison revealed as he turns 55 behind barsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

On November 4, 2024, Sean "Diddy" Combs celebrated his 55th birthday at Brooklyn's Metropolitan Detention Center. His day began with a standard prison breakfast at 6 a.m., featuring biscuits and gravy, oven-browned potatoes, bread, and oatmeal. Lunch at 11 a.m. included options such as cheese pizza, Italian pasta salad, and green beans. For dinner, served after the 4 p.m. headcount, the menu offered choices like chicken or tofu fried rice accompanied by black beans and carrots.These meals mark a significant departure from Combs' previous lavish birthday celebrations. In 2023, he hosted a star-studded party at LAVO restaurant in London, attended by celebrities like Janet Jackson and Naomi Campbell. His 50th birthday in 2019 featured a grand event at his Beverly Hills mansion with guests including Beyoncé, Jay-Z, and Kim Kardashian. Currently, Combs is awaiting trial on charges of sex trafficking, racketeering, and prostitution, having been denied bail since his arrest in September 2024.(commercial at 7:28)to contact me:bobbycapucci@protonmail.comsource:Exclusive | Sean 'Diddy' Combs' birthday meal in prison revealed as he turns 55 behind barsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

On November 4, 2024, Sean "Diddy" Combs celebrated his 55th birthday at Brooklyn's Metropolitan Detention Center. His day began with a standard prison breakfast at 6 a.m., featuring biscuits and gravy, oven-browned potatoes, bread, and oatmeal. Lunch at 11 a.m. included options such as cheese pizza, Italian pasta salad, and green beans. For dinner, served after the 4 p.m. headcount, the menu offered choices like chicken or tofu fried rice accompanied by black beans and carrots.These meals mark a significant departure from Combs' previous lavish birthday celebrations. In 2023, he hosted a star-studded party at LAVO restaurant in London, attended by celebrities like Janet Jackson and Naomi Campbell. His 50th birthday in 2019 featured a grand event at his Beverly Hills mansion with guests including Beyoncé, Jay-Z, and Kim Kardashian. Currently, Combs is awaiting trial on charges of sex trafficking, racketeering, and prostitution, having been denied bail since his arrest in September 2024.(commercial at 7:28)to contact me:bobbycapucci@protonmail.comsource:Exclusive | Sean 'Diddy' Combs' birthday meal in prison revealed as he turns 55 behind bars

We would like to thank you, all of our listeners - from the political nerds to the casual podcast supporter - for joining us on our deep dives into the Latino influence in politics. And a huge shout out to our guests on the show, and to those of you who engaged with us every episode. In this special year-end finale, Chuck and Mike unveil the first inaugural LaVo Awards, recognizing the best and worst moments in politics this year! From the myths we've lost to the individuals reshaping our future, this episode highlights 2024's most impactful stories. With their signature wit and insight, Chuck and Mike celebrate achievements, confront challenges, and look forward to a brighter future. Tune in for an unforgettable wrap-up to an extraordinary year. Happy holidays from our family to yours!*Trophies are still being made and will be sent and posted on our website when ready.-Recorded December 18, 2024.In his groundbreaking new book, Mike Madrid delves into the pivotal role of Latino voters in shaping the future of American democracy. The Latino Century explores why the two major political parties have failed to connect with the second largest ethnic voting group in the nation—a group whose influence is only growing.Order your copy of The Latino Century with Simon & Schuster: Tinyurl.com/latinocentury Or Buy the #1 New Release on Amazon. - Don't forget to like, share, and subscribe for more episodes of The Latino Vote Podcast!Watch our episodes on YouTube: www.youtube.com/@thelatinovotepodcastFollow us on X (formerly Twitter): https://twitter.com/TheLatino_VoteVisit our website for the latest Latino Vote news and subscribe to our newsletter: latinos.voteIf you want more of our discussions and behind the scenes please join our Patreon (...

Kollel Iyun Halacha. Shuirim are held Sun-Thurs at 185 Miller Road Lakewood NJ. For more info email: kih185miller@gmail.com

Black Bi Reality host Nicole Weaver and Gia Worthy of Recap Kickback and Silent Podcast talks about Survivor 47 Episode 9, "Nightmare Fuel." Sam tries to get revenge on Lavo. Sol finds out about a plot against him and tries to stop it. Follow Gia Worthy https://www.instagram.com/classicallygia/ Follow Nicole Weaver: https://www.instagram.com/nikkiberniceinsta/ Nicole's reality TV reporting https://collider.com/author/nicole-weaver/ Follow us on Twitter: https://twitter.com/BlackBiReality Follow on IG: https://www.instagram.com/blackbireality/ Follow on TikTok: https://www.tiktok.com/@blackbireality Photo credit: CBS Theme Music DJ MC Pro Branding by Jordan Scruggs

Survivor Global host Shannon Guss talks to strategy expert, Survivor Stockwatch host and Big Brother analyst Taran Armstrong about episode 8 of Survivor 47. They discuss the new tie revote rule and its many implications, the non-auction of the new era, the Shot in the Dark play and where to from here for the Lavo 3.

Survivor Global host Shannon Guss talks to strategy expert, Survivor Stockwatch host and Big Brother analyst Taran Armstrong about episode 8 of Survivor 47. They discuss the new tie revote rule and its many implications, the non-auction of the new era, the Shot in the Dark play and where to from here for the Lavo 3.

On November 4, 2024, Sean "Diddy" Combs celebrated his 55th birthday at Brooklyn's Metropolitan Detention Center. His day began with a standard prison breakfast at 6 a.m., featuring biscuits and gravy, oven-browned potatoes, bread, and oatmeal. Lunch at 11 a.m. included options such as cheese pizza, Italian pasta salad, and green beans. For dinner, served after the 4 p.m. headcount, the menu offered choices like chicken or tofu fried rice accompanied by black beans and carrots.These meals mark a significant departure from Combs' previous lavish birthday celebrations. In 2023, he hosted a star-studded party at LAVO restaurant in London, attended by celebrities like Janet Jackson and Naomi Campbell. His 50th birthday in 2019 featured a grand event at his Beverly Hills mansion with guests including Beyoncé, Jay-Z, and Kim Kardashian. Currently, Combs is awaiting trial on charges of sex trafficking, racketeering, and prostitution, having been denied bail since his arrest in September 2024.(commercial at 7:28)to contact me:bobbycapucci@protonmail.comsource:Exclusive | Sean 'Diddy' Combs' birthday meal in prison revealed as he turns 55 behind bars

On November 4, 2024, Sean "Diddy" Combs celebrated his 55th birthday at Brooklyn's Metropolitan Detention Center. His day began with a standard prison breakfast at 6 a.m., featuring biscuits and gravy, oven-browned potatoes, bread, and oatmeal. Lunch at 11 a.m. included options such as cheese pizza, Italian pasta salad, and green beans. For dinner, served after the 4 p.m. headcount, the menu offered choices like chicken or tofu fried rice accompanied by black beans and carrots.These meals mark a significant departure from Combs' previous lavish birthday celebrations. In 2023, he hosted a star-studded party at LAVO restaurant in London, attended by celebrities like Janet Jackson and Naomi Campbell. His 50th birthday in 2019 featured a grand event at his Beverly Hills mansion with guests including Beyoncé, Jay-Z, and Kim Kardashian. Currently, Combs is awaiting trial on charges of sex trafficking, racketeering, and prostitution, having been denied bail since his arrest in September 2024.(commercial at 7:28)to contact me:bobbycapucci@protonmail.comsource:Exclusive | Sean 'Diddy' Combs' birthday meal in prison revealed as he turns 55 behind bars

On November 4, 2024, Sean "Diddy" Combs celebrated his 55th birthday at Brooklyn's Metropolitan Detention Center. His day began with a standard prison breakfast at 6 a.m., featuring biscuits and gravy, oven-browned potatoes, bread, and oatmeal. Lunch at 11 a.m. included options such as cheese pizza, Italian pasta salad, and green beans. For dinner, served after the 4 p.m. headcount, the menu offered choices like chicken or tofu fried rice accompanied by black beans and carrots.These meals mark a significant departure from Combs' previous lavish birthday celebrations. In 2023, he hosted a star-studded party at LAVO restaurant in London, attended by celebrities like Janet Jackson and Naomi Campbell. His 50th birthday in 2019 featured a grand event at his Beverly Hills mansion with guests including Beyoncé, Jay-Z, and Kim Kardashian. Currently, Combs is awaiting trial on charges of sex trafficking, racketeering, and prostitution, having been denied bail since his arrest in September 2024.(commercial at 7:28)to contact me:bobbycapucci@protonmail.comsource:Exclusive | Sean 'Diddy' Combs' birthday meal in prison revealed as he turns 55 behind barsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Sean and Evan are back and welcoming Max the Intern to Drop Your Buffs! They're also talking Laguna Beach, Jennifer Coolidge and more! Then, it's all about Survivor 47—covering the tribe split (a temporary one), the veggie hotdog scandal, Rome and the Lavo tribe drama, Survivor Twitter, Gata's chicken/egg negotiation and a salty exit. Plus, they're revisiting Kimmi Kappenberg's journey and Evan gives an update on his current watch of Australian Survivor's Season 3 Champions vs Contenders.   Subscribe to Drop Your Buffs on Patreon for exclusive content.   Join the conversation! Find us on Instagram: Drop Your Buffs: @dropyourbuffspod Evan: @evanrosskatz Sean: @soda.pup

Black Bi Reality host Nicole Weaver and Katurah Topps of Survivor 45 talk about Survivor 47 Episode 4, "Is That Blood in Your Hair." Tensions between Rome Cooney and Solomon "Sol" Yi on Lavo rise. Sam Phalen and Sierra Wright argue after Andy Rueda shares information. Sue Smey lies about her age. Follow Katurah Topps https://www.instagram.com/hautekatur/ Follow Nicole Weaver: https://www.instagram.com/nikkiberniceinsta/ Follow us on Twitter: https://twitter.com/BlackBiReality Follow on IG: https://www.instagram.com/blackbireality/ Follow on TikTok: https://www.tiktok.com/@blackbireality Photo credit: CBS Theme Music DJ MC Pro Branding by Jordan Scruggs

Survivor Global host Shannon Guss chats to Australian Survivor All Star Harry Hills about episode 3 of Survivor 47. The duo debate the best move for the Lavo power players, chat the strategy for going on the boat to the journey and wrestle with the Chissy in a difficult strategic episode.

Survivor Global host Shannon Guss chats to Australian Survivor All Star Harry Hills about episode 3 of Survivor 47. The duo debate the best move for the Lavo power players, chat the strategy for going on the boat to the journey and wrestle with the Chissy in a difficult strategic episode.

Black Bi Reality host Nicole Weaver and Sabiyah Broderick of Survivor 45 talk about Survivor 47 Episode 3, "Belly of the Beast." Aysha Welch fights to keep Solomon "Sol" Yi on Lavo. Sam and Anika continue to butt heads. Andy makes progress on Gata. Follow Sabiyah Broderick https://www.instagram.com/_thesoularpapi/?hl=en Follow Nicole Weaver: https://www.instagram.com/nikkiberniceinsta/ Follow us on Twitter: https://twitter.com/BlackBiReality Follow on IG: https://www.instagram.com/blackbireality/ Follow on TikTok: https://www.tiktok.com/@blackbireality Photo credit: CBS Theme Music DJ MC Pro Branding by Jordan Scruggs

Nicole Weaver of Black Bi Reality talks to Aysha Welch about her experience on Survivor 47. She explains the duos on the Lavo tribe, her interactions with Rome Cooney, and more. Read Nicole's reporting https://collider.com/author/nicole-weaver/ Follow Nicole Weaver: https://www.instagram.com/nikkiberniceinsta/ Follow us on Twitter: https://twitter.com/BlackBiReality Follow on IG: https://www.instagram.com/blackbireality/ Follow on TikTok: https://www.tiktok.com/@blackbireality Photo credit CBS Theme Music DJ MC Pro Branding by Jordan Scruggs https://www.jordanponders.com/letstalk

Al and Gemini get the download on the Proof Awards from Michele Tell and Michael Politz, creators of the event to honor Vegas-based spirits. You will also hear about Al going large at the Four Sixes Ranch Steakhouse popup at Wynn, and doing breakfast with developer J Dapper. Meanwhile, Gemini parties down at Esther's upstairs room and does the deed at Munch Box Breakfast Burrito (eating being the 'deed'). Also: News of Lavo's reopening and the 5th anniversary of Toasted Gastrobrunch. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textWe have the latest details about the Tropicana Las Vegas implosion which takes place next week. There's a Roller Skating residency coming to Tao Beach at The Venetian. LAVO at Palazzo gets a refresh! We try it out. We have also had some record breaking heat in Las Vegas... can you believe it's still 100 degrees?! FlyOver Las Vegas has an incredible new experience where you fly over and through Chicago. We take the ride! Also, Dayna checks out The Pepper Club and Sean does the all-you-can-eat buffet at a sports bar at Palace Station. Comedian Nate Bargatze is coming back to Wynn Las Vegas.Call LevelUp Law at 855-LevelUp or visit  LevelUpLaw.comVegasNearMe AppIf it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

Émission du jeudi 19 septembre 2024 : Aujourd'hui, c'est un show 100% les lignes ouvertes !

Today, Rob and Mike discuss two more players on the Lavo tribe, Sol Yi and Teeny Chirichillo.

Today, Rob and Mike discuss two more players on the Lavo tribe, Sol Yi and Teeny Chirichillo.

Today, Rob and Mike discuss two more players on the Lavo tribe, Kishan Patel and Rome Cooney.

Today, Rob and Mike discuss two more players on the Lavo tribe, Kishan Patel and Rome Cooney.

Today, Rob and Mike discuss the first two players of the Lavo tribe, Aysha Welch and Genevieve Mushaluk.

Today, Rob and Mike discuss the first two players of the Lavo tribe, Aysha Welch and Genevieve Mushaluk.

Should @MLB invoke a 6 inning minimum for starting pitchers? The Sims discuss. Former big leaguer and @MLB on @TBS analyst #CurtisGranderson joins Dave and Jarett to talk about the #PlayersAlliance, his journey to the Show, the lessons he learned along the way and why if you're looking to have a fun night in #NYC, Curtis is telling you to hit Lavo. "If you are a @Mets fan it's intense. They're going to boo you like crazy when you stink, because it's been bad for a while. But when they win they're gonna cheer you like crazy because they haven't won in such a long time… when Chase Utley slid into Ruben Tejada, I had never heard boos like that in my life." - CG Instagram: https://www.instagram.com/heynowpod/Website: https://www.thedavesimsshow.com/hey-now-podcastChannel: https://www.youtube.com/@HeyNowpodHey Now! Playlist: https://www.youtube.com/@HeyNowpod/playlistsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

En la 1335-a E_elsendo el 03.08.2024 ĉe www.pola-retradio.org: La 109-a UK de Esperanto en Aruŝo, Tanzanio komenciĝis. Nia elsendo pri ĉi tiu ĉiujara evento referencas al la mesaĝo de Ans Bakker-ten Hagen aperinta en la 1-a numero de la kongresa bulteno „La Voĉo de Kilimanĝaro”. Ni interparolas kun la prezidanto de UEA, Duncan Charters retrorigarde al la 2-a Kongreso de Afrikaj Virinoj, kiun li vizitis kaj pri la „Interkultura Gvidilo por Kongresanoj en Tanzanio, UK 2024”. La gravecon de la Gvidilo akcentis en sia mesaĝo Ans Bakker-ten Hagen. Pri ĝi laŭ la vidpunkto de subvencio ricevita de UEA por i.a. kultura kompetento ni interparolas kun la 1-a vicprezidanto de UEA, Fernado Maia. En la programo ni uzis fragmente la kanton de Daimi Doval Delsa el Kubo „Universala Kongreso”. La programinformon akompanas la emblemo de la 109-a UK en Aruŝo,

¿Me levanto y? ¿Hago la cama? ¿Prendo un sahumerio? ¿Lavo los platos? ¿Tomo mis vitaminas? ¿Luismi? ¿Me hago unos mates? ¿Desayuno? ¿Pilates? ¿Yoga? ¿Laburo en la compu? ¿Hago compras? ¿Ordeno? ¿Grabo? ¿Juego al Lol? ¿Me cocino algo? ¿Me prendo una vela? ¿Skincare y música? ¿Sex and the City?

VDVV-1494_0494 -De Tai Vo Thuat -Ong La Vo Su _Ong Phai Biet Hoc Vo De Lam Gi.mp3PodCast ChannelsVô Vi Podcast - Vấn Đạo  Vô Vi Podcast - Băn GiảngVô Vi Podcast - Nhạc Thiền

The Platform episode 517 features a mix by Kupyd from New York City! He's a DJ and producer that's played all over at popular venues like Marquee, Nebula, Lavo and Somewhere Nowhere just to name a few. He's opened for acts like KSHMR, Jonas Blue, Cash Cash, James Kennedy and more and has edits and remixes out on record pools like Headliner Music Club and Club Killers. Follow him by tapping the links below, subscribe to my Patreon to see full tracks lists from the shows, check out my top tracks of the week and see what I'm playing out during my sets. Now turn those speakers up and let's get into it with Kupyd's latest right here, on The Platform! Kupyd IG: https://www.instagram.com/kupyd_ SoundCloud: https://soundcloud.com/kupydmusic Kupyd Edit Packs: 1. https://www.dropbox.com/scl/fo/i8ko5gbzctv4pql5gkpvg/ADZHj5ERBapN5EMPYteJpfM?rlkey=bxjxva5ifbml1uc00txehiypl&st=wyv29cdt&dl=0 2. https://hypeddit.com/kupyd/kupydfriendsvol1fulleditpackmarch2024 Dex Patreon: https://www.patreon.com/djdexmke This episode is brought to you by Make It Now Media! Visit makeitnowmedia.com/getstartednow and use the discount code PLATFORM or send them an email at info@makeitnowmedia.com and mention THE PLATFORM PODCAST!

Welcome to Fabulously Delicious, the French Food Podcast, where we delve into the heart of French cuisine. Hosted by Andrew Prior, a former MasterChef Australia contestant turned French food aficionado, each episode is a delectable journey into the world of French ingredients, dishes, and the vibrant personalities shaping its culinary landscape. In today's episode, we celebrate the life and legacy of Mère Léa, an iconic figure in French gastronomy. Born Léa Bidaut in Le Creusot in 1908, Mère Léa's culinary journey took her from the industrial heart of Burgundy to the vibrant food scene of Lyon. There, she opened her famed restaurant, La Voûte, Chez Léa, where she introduced now-classic dishes like champagne sauerkraut and macaroni gratin. Her influence on French cuisine is still celebrated today, and her recipes remain beloved staples. Join us as we explore Mère Léa's contributions to French culinary history, including her famed potato paillasson and Canard au sang. Learn about her rise to culinary stardom, her vibrant personality, and her lasting impact on Lyon's gastronomic scene. Discover how she became the first woman to join the prestigious Toques Blanches Lyonnaises and earned her Michelin star, cementing her legacy in French culinary history. Looking to deepen your culinary journey beyond the podcast? Andrew's latest book, Paris: A Fabulous Food Guide to the World's Most Delicious City, is your passport to gastronomic delights in the City of Lights. Packed with recommendations for boulangeries, patisseries, wine bars, and more, this guide ensures you savor the best of Parisian cuisine. Find Andrew's book Paris: A Fabulous Food Guide to the World's Most Delicious City and explore more at www.andrewpriorfabulously.com For a signed and gift-packaged copy of the book, visit https://www.andrewpriorfabulously.com/book-paris-a-food-guide-to-the-worlds-most-delicious-city  Also available on Amazon and Kindle. For those craving an immersive French food experience, join Andrew in Montmorillon for a hands-on cooking adventure. Stay in his charming townhouse and partake in culinary delights straight from the heart of France. Experience French culinary delights firsthand with Andrew's Vienne residencies. Visit https://www.andrewpriorfabulously.com/come-stay-with-me-vienne-residency for more information. Have your own Meadowsweet recipes or stories to share? Connect with Andrew on Instagram @andrewpriorfabulously or via email contact@andrewpriorfabulously.com for a chance to be featured on the podcast or his blog. Tune in to Fabulously Delicious on the Evergreen Podcast Network for more tantalizing tales of French gastronomy. Remember, whatever you do, do it Fabulously! Learn more about your ad choices. Visit megaphone.fm/adchoices

In case you haven't noticed, we just debuted our first-ever issue dedicated to all things South Bay. On February 25, we are also holding our first Taste of South Bay food and drink extravaganza at Novo Brazil Brewing in Imperial Beach. In conjunction with that, we're also asking various South Bay food folks to come on to the HHH podcast to talk about all things south of the border…of the city of San Diego, that is. This week, we asked to chat with Jose Barajas, a television chef and the owner of Mmm…Cakes, a Golden Girls-themed bakery and coffee spot on Chula Vista's Third Avenue, near F Street. It opened in 2021 after a huge Covid derailment, a familiar tale—it was originally supposed to open in March or April 2020. And all of that after 15 years of baking in his home studio, as well as other area hotels and bakeries, culinary production teams, and on camera on several Food Network and TLC shows, like The Next Great Baker and Gingerbread Showdown. Mmm…Cakes' decor is over-the-top, as one would expect from a Golden Girls-laden cake shop. It's tropical, decadent, and loud, and it's even got a vintage Tiffany lamp (Barajas told me he bought it on Amazon for a steal). “You know,” he says in the episode. “It's gotta be good for the ‘gram!” We talk about his various inspirations and just how much damn fun it is to hang out there. Readers of the magazine can also get a peek at our host Troy Johnson's food feature this month, which shows a few gorgeous images of the space and Barajas' confectionary creations. Barajas shares his humble beginnings cooking at home with his mom, who decorated cakes. “I started off young, not so much cake decorating, but just cooking. Then my mom started working, and she said, “You're helping me, so that was that.” He says he took to it because he wasn't such a great student, but he was super into his art classes. It stuck. When he eventually started working as a dishwasher in a sushi kitchen, moving up the ranks to eventually start training as a sushi chef, he found out he had been accepted to culinary school. One baking class later, and the rest is history—Barajas is a cake guy now. We also chat about his long television career, during which he thrived on camera but especially in production, owing to his recipe he developed while at culinary school and then in his own professional kitchen. He also talks about some of his favorite spots in South Bay, and marvels at how far downtown Chula Vista has come. In food news, Tara Monsod of Animae was nominated for a James Beard award. She's a semifinalist for Best Chef California and is San Diego's only nominee, and Tacos El Franc is coming to National City. Earlier this week, we broke the news that the famed Tijuana taco spot will open its first U.S. location at the Westfield Plaza Bonita mall this summer, replacing Funky Fries & Burgers (we'll call that an upgrade); CH Projects opened LouLou's at The LaFayette Hotel and temporarily closed the beloved Starlite for renovations; downtown's Lavo shutters after just over a year in the former Searsucker location; and a food website called “LoveFood” named Smoking Goat's fries the best in California. We then discuss the merits of truffle fries. Thanks for tuning in. See you next week!

Shouts to Heavyhitter's very own DJ Nicky Rizz for the opportunity for closing out the night in LAVO Nightclub in NYC!! SUPER FUN and i couldn't be anymore happier that i was able to perform !be sure to follow me on social media @thedjbeatboy

New York Tawk, host, Elyse DeLucci (@ElyseDeLucci) welcomes you into her Upper East Side living room talking: Going into my 40's, some exciting news on the horizon, how I celebrated my 40th: My Bahamas trip plus some hotel tawk, including Baha Mar: the good, bad (and why I can't vacation in casinos), Ponte Vecchio in Brooklyn, Lavo in Manhattan - life is good - for now.  Book Tawk: School of Life books Blue Zone cookbook AND MORE!  Food Tawk: My favorite minestrone soup recipe.  LOVE TO LOVE YA! SUBSCRIBE TO MY YT CHANNEL: https://www.youtube.com/channel/UCrl_... Follow Elyse on Instagram: https://www.instagram.com/elysedelucci/?hl=en Come see me Live!: https://linktr.ee/elysedelucci

Novelist Nancy Lavo, at Faith Radio/Meeting House Media Central at the Summer 2023 Christian Product Expo in Lexington, KY, discussed her book, The Place Where You Belong, the first installment in the Lone Star Loves series. You can find her online at nancylavo.com.  

Novelist Nancy Lavo, at Faith Radio/Meeting House Media Central at the Summer 2023 Christian Product Expo in Lexington, KY, discussed her book, The Place Where You Belong, the first installment in the Lone Star Loves series. You can find her online at nancylavo.com.  

VDVV-1430_0150 -De Tai Phat La Ai 1 -Phat La Vo Danh -Phat Tu La Gi -Phat Khong Co Xuong The Gian.mp3PodCast ChannelsVô Vi Podcast - Vấn Đạo  Vô Vi Podcast - Băn GiảngVô Vi Podcast - Nhạc Thiền

¡Cumplimos 10 años en redes sociales! Tata Ford estrena película junto con Phoebe Waller Bridge y con James Mangold  al volante y analizamos los primeros dos episodios de Drag Race México.   See omnystudio.com/listener for privacy information.

VDVV-1384_0104 -De Tai Chon Nhu -Nhu Lai -Thay Giang Cai Chon Nhu La Vo Hinh Vo TuongPodCast ChannelsVô Vi Podcast - Vấn Đạo  Vô Vi Podcast - Băn GiảngVô Vi Podcast - Nhạc Thiền

The Platform episode 454 features a mix by Mark Anthony from New York. He's been in the game for over ten years and has made a name for himself producing edits and remixes that are supported by major artists like Diplo and Vice while also playing some of the most crowd engaging, high energy, open format sets at venues all over the U.S. like Tao and Lavo. Be sure to follow him on his socials below, download his edits on your favorite record pool and subscribe to our Patreon to download my tracks of the week, get full mix downloads and a whole lot more. Turn it up and enjoy Mark Anthony's latest right here, on The Platform. Subscribe to Patreon: https://www.patreon.com/djdexmke Mark Anthony IG: https://www.instagram.com/djmarkanthony/ Web: https://www.djmarkanthony.net Mixcloud: https://www.mixcloud.com/djmarkanthonymusic/ Twitter: https://twitter.com/DJMarkAnthony1 YouTube: https://www.youtube.com/@djmarkanthony

I have a ton of recorded mixes I'm sorting through. As I go through them, the ones I decide to upload will probably be out of date order. Nonetheless, enjoy the vibes.  Here's another recent one done at Lavo Nightclub. Hope you enjoy.  Be sure to keep up with me.  For everything DJ First Choice related, please visit www.DJFirstChoice.com. Follow me on all Social Media Instagram: DJFirstChoice Twitter: @DJFirstChoice Mixcloud.com/DJFirstChoice Paypal: DJFirstChoice@gmail.com CashApp: $DJFirstChoice Venmo: @DJFirstChoice

How do we give something to someone in Hebrew? To give is לתת, but in some structures it could mean something else entirely. And what is לתת בראש – ‘to give in the head'? Guy explains. Listen to the All-Hebrew Episode on Patreon   New Words and Expressions: Natati la chayay – I gave her my life – נתתי לה חיי Past: Natati, natata, natat, natan, natna, natanu, natatem, natnu – נתתי, נתתָ, נתתְ, נתן, נתנה, נתַנו, נתתם, נתְנו Present: Noten, notenet, notnim, notnot – נותן, נותנת, נותנים, נותנות Imperative: Ten, tni, tnu – תן, תני, תנו Ten li daka, tni li daka – Give me a sec – תן לי דקה, תני לי דקה Ten li et mispar teudat ha-zehut shelcha – Give me your ID no. – תן לי את מספר תעודת הזהות שלך Tavi li – Give me (slang) – תביא לי Tni li le'ehov otach – Let me love you – תני לי לאהוב אותך Ten li rega lir'ot – Let me see for a sec. – תן לי רגע לראות Hi natna li lehavin she… – She let me understand that… – היא נתנה לי להבין ש… Slicha, mi natan lachem lehikanes le-po? – Excuse me, who let you in here? – סליחה, מי נתן לכם להיכנס לפה? Infinitive: Latet – To give – לתת Latet et ha-neshama ve-et halev – To give your soul and heart – לתת את הנשמה ואת הלב Latet ba-rosh – To do something well/intensively – לתת בראש Ha-rolling stones natnu ba-rosh – The Rolling Stones gave a helluva show – הרולינג סטונז נתנו בראש Ha-poel holchim latet ba-rosh hayom – Ha'poel football team are going to score today – הפועל הולך לתת בראש היום Natata ba-rosh etmol? – Did you do it all night yesterday? (sexual) – נתת בראש אתמול? Netina – giving – נתינה Lavo mi-makom shel netina – To come from a place of giving – לבוא ממקום של נתינה Natun – given – נתון Natun she-X shave chamesh – It's given that X is five – נתון שאיקס הוא חמש Netunim – Data – נתונים Nitan lehasig – It's possible to get – ניתן להשיג Lo hayiti noten lecha shloshim – I wouldn't give you thirty – I would never think you're thirty – לא הייתי נותן לך שלושים   Playlist and Clips: Kaveret – Natati La Chayay (lyrics) Roni Dalumi – Ten (lyrics) Eti Ankri – Ad Matai (lyrics) Eyal Golan – Tni Li Le'ehov Otach (lyrics) Mike Brant – Laisse-moi T'aimer Boaz Sharabi – Latet (lyrics) Ep. 78 about yad Ep. 342 about New Age – (English) (Hebrew)