Podcast appearances and mentions of Liam Gillick

Carpenters Workshop Gallery has redefined the art and design landscape, making it a beacon for sustainability, community building and the continuous evolution of artistic expression. In this episode, Danielle Radojcin speaks to co-founder Loïc Le Gaillard and the designer Harry Nuriev about challenging traditional design boundaries. Founded in 2006 by Loïc Le Gallaird and Julien Lombrail, Carpenters Workshop Gallery has challenged the conventional gallery model, encouraging visitors to immerse themselves deeply in the art, fostering a connection that transcends mere observation.Since then, each of its  global expansions—from London to Paris, and New York to Los Angeles, serves not just as a space for displaying art but as a hub for emotional investment and innovation. The latest addition, Ladbroke Hall in West London, epitomises this philosophy. Having featured a broad spectrum of creatives, including furniture design icon Wendell Castle, artist Yinka Shonibare and jewellery designer Michele Lamy, it stands as a flagship space promoting extensive engagement and exploration in the arts.Harry Nuriev, the visionary behind Crosby Studios, is known for his transformative design philosophy that integrates art, architecture, and fashion into everyday life. His work, celebrated for challenging traditional boundaries, showcases how design can reflect and alter our perception of contemporary society.  He has exhibited several times with Carpenters Workshop Gallery, as well as partnering on projects with the likes of Balenciaga, Nike and Liam Gillick.Harry and Loïc join Danielle on this episode to talk about how their collaborative efforts at Carpenters Workshop Gallery contribute to the continuous evolution of artistic expression.Image: Chair 3, by Harry Nuriev, via Carpenters Workshop Gallery  

Renowned curator, and a trailblazer of “usefulness” in art, Alistair Hudson is the forthcoming Artistic & Scientific Chairman of ZKM (Center for Art & Media in Karlsruhe.Alistair Hudson grabbed everybody's attention when - with Adam Sutherland - he turned Grizedale Arts, an art institution in Northwest England's Lake District, into a hotspot of artistic discussion and production between 2004 and 2015. A directorship followed, at the Middlesbrough Institute of Modern Art. There he developed the idea of the useful museum, opening up questions on how the museum ‘can be used' otherwise; simultaneously reflecting on a wide collection as well as new commissions and projects. In collaboration with the artist Tania Bruguera the Van Abbemuseum and Queens Museum, he got involved in the exhibition "Museum of Arte Util", later undertaking the role of co-directorship of the Association de Arte Útil that resulted from the exhibition. This project has become a repository of artistic activities that propose new uses for art, work on a 1:1 scale, and embrace artistic thinking to respond to urgencies, in short, all things dear to Ahali Conversations so far. This Episode includes additional questions by Betül Aksu, Ceminay Kara, Sarp Özer, and Alessandra Saviotti.Over the last two decades, Grizedale Arts has become an acclaimed and influential model for a new kind of art institution, one that works beyond the established structures of the contemporary art world.Liam Gillick works across diverse forms, whose wider body of work includes published essays and collaborative projects, all of which inform (and are informed by) his art practice.The British Home Office (the UK ministry responsible for immigration, security, and law and order) building was designed by Terry Farrell and has multiple integrated artworks by Gillick.Terminal Convention was a contemporary exhibition and symposium housed in the decommissioned terminal building of Cork International Airport in the Republic of Ireland. https://rhizome.org/editorial/2011/apr/07/terminal-convention/Arte Útil roughly translates into English as 'useful art' but it goes further suggesting art as a tool or device.https://www.arte-util.orgTania Bruguera is a politically motivated performance artist, who explores the relationship between art, activism, and social change in works that examine the social effects of political and economic power. https://art21.org/artist/tania-bruguera/The Van Abbemuseum in Eindhoven is one of the leading museums for contemporary art in Europe. https://vanabbemuseum.nl/enCharles Esche is a museum director, who has been directing the Van Abbemuseum since 2004.John Ruskin was an English writer, philosopher, art critic, and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany, and political economy. WikipediaThe ZKM (Center for Art and Media) in Karlsruhe “is a house of all media and genres, a house of both spatial arts such as painting, photography and sculpture and time-based arts such as film, video, media art, music, dance, theater, and performance. ZKM was founded in 1989 with the mission of continuing the classical arts into the digital age. This is why it is sometimes called the digital Bauhaus”. https://zkm.de/enPeter Weibel was a post-conceptual artist, curator, and new media theoretician. He was at the helm of ZKM since 1999. Weibel passed away in March 2023, shortly after the recording of this episode. Arts Council is UK's national development agency for creativity and culture. They invest public money from Government and The National Lottery into cultural institutions and projects. https://artscouncil.org.ukRainer Rochlitz (1946-2022) was a philospher, art historian focusing on aesthetics theory, and a translator who played a key role in publicizing the writings of German authors such as Benjamin and Habermas.Jürgen Habermas is one of the key theorists of the 20th century, with his widely read and influential works on communicative action, discourse, and perhaps most importantly on the “public sphere”. Erwin Panofsky was an influential art historian. https://en.wikipedia.org/wiki/Erwin_PanofskyJean-Luc Godard (1930-2022) probably needs no introduction, he was a filmmaker who pushed the medium to its limits while remaining relevant and influential, throughout his whole time on this earth. Onur Yıldız is a political theorist who also was the Senior Public Programmer at SALT, Istanbul.For more on Meriç Öner, head over to our conversation with her: https://www.ahali.space/episodes/episode-17-meric-onerStephen Wright defines “usology” as “a sweeping field of extradisciplinary enquiry, spanning everything from the history of the ways and means of using to usership's conditions of possibility as put forward in various theories of practice”.https://museumarteutil.net/wp-content/uploads/2013/12/Toward-a-lexicon-of-usership.pdf Alessandra Saviotti, a frequent contributor in our Ahali Live Sessions, co-authored this article on the usological turn: https://www.mdpi.com/2076-0752/11/1/22This season of Ahali Conversations is supported by the Graham Foundation for Advanced Studies in the Fine Arts. The Graham provides project-based grants to foster the development and exchange of diverse and challenging ideas about architecture and its role in the arts, culture, and society. This episode was also supported by a Moon & Stars Project Grant from the American Turkish Society.This episode was recorded on Zoom on December 15th, 2022. Interview by Can Altay. Produced by Aslı Altay & Sarp Renk Özer. Music by Grup Ses.

Bruno BerteroDirettore Generale Ente Turismo Langhe Monferrato Roero"Prospettive / Perspectives"L'Ente Turismo Langhe Monferrato Roero insieme a Villa Arson, istituzione amministrativa pubblica del Ministero della Cultura francese dedicata alla creazione contemporanea, e alla Fondazione Sandretto Re Rebaudengo, istituzione con sede a Torino e a Guarene (CN) che da oltre venticinque anni opera a favore dell'arte e della cultura contemporanea, lo scorso ottobre ha presentato il progetto “Prospettive / Perspectives” che si realizzerà con il sostegno del Programma Europeo Interreg Alcotra Italia/Francia 2014-2020. “Prospettive / Perspectives” intende stimolare consapevolezza e responsabilità rispetto al tema del climate change attraverso l'arte. Per raggiungere questo obiettivo la Fondazione Sandretto Re Rebaudengo - portando avanti il suo ruolo di indagine e sostegno tra le tendenze artistiche e i linguaggi culturali del presente - ha individuato un curatore internazionale, Tom Eccles, che in accordo con gli altri partner ha selezionato due luoghi e due artisti che interverranno con opere site-specific nel territorio delle Langhe nella primavera prossima.Neviglie, in un punto panoramico dalla vista mozzafiato, ospiterà l'opera dello scultore francese Jean-Marie Appriou mentre a Roddino interverranno gli artisti Liam Gillick e Hito Steyerl. In preparazione al momento inaugurale Prospettive continua a perseguire il principale obiettivo del progetto ovvero costruire e trasferire attenzione e conoscenza sui temi del cambiamento climatico attraverso incontri fra cittadini, studenti, esperti e artisti.Il primo appuntamento del 2023 sarà giovedì 9 febbraio a Alba negli spazi di Sala Beppe Fenoglio (Cortile della Maddalena, Via Vittorio Emanuele 19) dove alle ore 18.30 il climatologo Luca Mercalli e il musicista Luca Morinoterranno un incontro approfondendo il tema del cambiamento climatico e del mutamento delle nostre colline sottolineando quanto sia fondamentale cambiare prospettiva e costruire un futuro capace di limitare gli effetti del cambiamento climatico di origine antropica. La serata, a tema conviviale con un aperitivo finale, sarà aperta al pubblico con ingresso gratuito fino ad esaurimento posti.Gli appuntamenti successivi saranno giovedì 2 marzo alle ore 18.30 presso la Fondazione Cesare Pavese (Piazza Ciriotti 1, Santo Stefano Belbo, CN) nuovamente con Luca Mercalli e Luca Morino mentre lunedì 27 marzo alle 21 a Roddino nel salone parrocchiale di Via Marconi 3 e martedì 28 marzo sempre alle 21 presso la sala polivalente del Comune di Neviglie in Via Umberto I 19 il dialogo sarà tra Luca Morino e il curatore della Fondazione Sandretto Re Rebaudengo Bernardo Follini.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Luca Morinomusicista"Prospettive / Perspectives"L'Ente Turismo Langhe Monferrato Roero insieme a Villa Arson, istituzione amministrativa pubblica del Ministero della Cultura francese dedicata alla creazione contemporanea, e alla Fondazione Sandretto Re Rebaudengo, istituzione con sede a Torino e a Guarene (CN) che da oltre venticinque anni opera a favore dell'arte e della cultura contemporanea, lo scorso ottobre ha presentato il progetto “Prospettive / Perspectives” che si realizzerà con il sostegno del Programma Europeo Interreg Alcotra Italia/Francia 2014-2020.“Prospettive / Perspectives” intende stimolare consapevolezza e responsabilità rispetto al tema del climate change attraverso l'arte. Per raggiungere questo obiettivo la Fondazione Sandretto Re Rebaudengo - portando avanti il suo ruolo di indagine e sostegno tra le tendenze artistiche e i linguaggi culturali del presente - ha individuato un curatore internazionale, Tom Eccles, che in accordo con gli altri partner ha selezionato due luoghi e due artisti che interverranno con opere site-specific nel territorio delle Langhe nella primavera prossima.Neviglie, in un punto panoramico dalla vista mozzafiato, ospiterà l'opera dello scultore francese Jean-Marie Appriou mentre a Roddino interverranno gli artisti Liam Gillick e Hito Steyerl.In preparazione al momento inaugurale Prospettive continua a perseguire il principale obiettivo del progetto ovvero costruire e trasferire attenzione e conoscenza sui temi del cambiamento climatico attraverso incontri fra cittadini, studenti, esperti e artisti.Il primo appuntamento del 2023 sarà giovedì 9 febbraio a Alba negli spazi di Sala Beppe Fenoglio (Cortile della Maddalena, Via Vittorio Emanuele 19) dove alle ore 18.30 il climatologo Luca Mercalli e il musicista Luca Morinoterranno un incontro approfondendo il tema del cambiamento climatico e del mutamento delle nostre colline sottolineando quanto sia fondamentale cambiare prospettiva e costruire un futuro capace di limitare gli effetti del cambiamento climatico di origine antropica. La serata, a tema conviviale con un aperitivo finale, sarà aperta al pubblico con ingresso gratuito fino ad esaurimento posti.Gli appuntamenti successivi saranno giovedì 2 marzo alle ore 18.30 presso la Fondazione Cesare Pavese (Piazza Ciriotti 1, Santo Stefano Belbo, CN) nuovamente con Luca Mercalli e Luca Morino mentre lunedì 27 marzo alle 21 a Roddino nel salone parrocchiale di Via Marconi 3 e martedì 28 marzo sempre alle 21 presso la sala polivalente del Comune di Neviglie in Via Umberto I 19 il dialogo sarà tra Luca Morino e il curatore della Fondazione Sandretto Re Rebaudengo Bernardo Follini.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Coast Guard's Bruce English on getting 'Atlantic Pursuit' finally ready to leave Grand Bank; Liam Gillick on the story behind Fogo Island's Red Weather Station.

Country singer Margo Price discusses her new memoir, Maybe We'll Make It, which chronicles the years of struggle that came before her success. Singer-songwriter Adam Baldwin introduces us to a song off his acclaimed new album, Concertos & Serenades. Culture critic Stacy Lee Kong breaks down why Constance Wu's wide-ranging memoir, Making a Scene, has challenged the narrative around onscreen representation. Artist Liam Gillick tells us about the functioning weather station he's built on Newfoundland's Fogo Island and how it ties into a global effort to monitor climate change.

Today's episode is all about avoiding the trap of that old heap of coffee grounds and lemon peels: Artistic Bitterness. I investigate how artists of history, like Carmen Herrera, Louise Bourgeois and Laurie Simmons, persevered and dealt with feeling like their work was ignored by the art scene. I also read some quotes from the eternally wise Enrique Martinez Celaya. Also, why am I always bringing up Lawrence of Arabia? I've never even watched the movie! Also, I hate discouraging art stats! Come along with me as I discover the secret keys to the Non-Bitterness Kingdom and attempt to quantify, label and identify them for fellow and future seekers. Artists mentioned: Carmen Herrera, Louise Bourgeois, Enrique Martinez Celaya, Marsden Hartley, Laurie Simmons, Liam Gillick, Portia Munson, Comedian Maria Bamford, Tik Tok Creator/Actor/Writer Kiersten Lyons (TTK @kierstenlyons or kierstenlyons.com) Texts Mentioned: "On Art and Mindfulness" by Enrique Martínez Celaya, "At 106, Carmen Herrera Is Taking the Art World By Storm" by Grace Bonney/Town & Country, "13 Artists Give Advice to Their Younger Selves by Alexxa Gotthardt"/Artsy, "The Bitter Pill You Must Swallow if You Want Success" by Bryan E. Robinson Ph.D./Psychology Today, "Shoshin (Zen Mind, Beginner's Mind)" by Shunryū Suzuki, "The Runaway Girl: The Artist Louise Bourgeois" by Jan Greenberg & Sandra Jordan *Special thanks to my sweet outro team: Steve Donelson, Abby Gardner and Claire Gardner, lover of lemons. You three are the best half-Talluto's in the world. Pep Talks on IG: @peptalksforartists Amy's website: https://www.amytalluto.com/ Amy on IG: @talluts Donate to the Peps: Buy Me a Coffee or https://anchor.fm/peptalksforartistspod/support. All music tracks and SFX are licensed from Soundstripe. --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

Season 14 continues with VERY special episode with one of our all-time ART WORLD ICONS!!!! We meet the legendary gallerist MAUREEN PALEY. Inspiration to many of today's international contemporary galleries, Maureen was in fact the reason our co-host Robert Diament became inspired to change careers to work full-time in a gallery!We discover how she began her gallery programme in 1984 in a Victorian terraced house in London's East End. Initially named Interim Art, the gallery changed its name to Maureen Paley in 2004 as a celebration of its 20th anniversary. Since September 1999 the gallery has been situated in Bethnal Green, and in September 2020 relocated to Three Colts Lane. In July 2017 Maureen Paley opened a second space in Hove called Morena di Luna. In October 2020 a third space was opened in Shoreditch, London called Studio M. From its inception, the gallery's aim has remained consistent: to promote great and innovative artists in all media.-Maureen Paley was one of the first to present contemporary art in London's East End and has been a pioneer of the current scene, promoting and showing a diverse range of international artists. Gallery artists include Turner Prize winners Lawrence Abu Hamdan, 2019; Wolfgang Tillmans, 2000 and Gillian Wearing, 1997 as well as Turner Prize nominees Rebecca Warren, 2006; Liam Gillick, 2002; Jane and Louise Wilson, 1999 and Hannah Collins, 1993. Represented artists also include AA Bronson, Felipe Baeza, Tom Burr, Michaela Eichwald, Morgan Fisher, General Idea, Anne Hardy, Peter Hujar, Michael Krebber, Paulo Nimer Pjota, Olivia Plender, Stephen Prina, Maaike Schoorel, Hannah Starkey, Chioma Ebinama, Oscar Tuazon, and James Welling.Maureen Paley, the gallery's founder and director, was born in New York, studied at Sarah Lawrence College, and graduated from Brown University before coming to the UK in 1977 where she completed her Masters at The Royal College of Art from 1978–80.Together with running the gallery, Maureen Paley has also curated a number of large-scale public exhibitions. In 1994 she organised an exhibition of works by Felix Gonzales Torres, Joseph Kosuth and Ad Reinhardt at the Camden Arts Centre. In 1995 Wall to Wall was presented for the Arts Council GB National Touring Exhibitions and appeared at the Serpentine Gallery, London, Southampton City Art Gallery and Leeds City Art Gallery showing wall drawings by international artists including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol Lewitt, and Lawrence Weiner. Maureen Paley also selected an exhibition of work by young British artists in 1996 called The Cauldron featuring Christine Borland, Angela Bulloch, Jake & Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing for the Henry Moore Sculpture Trust which was installed in their Studio space in Dean Clough, Halifax.Follow @MaureenPaley on Instagram. Visit the gallery's official website at https://www.maureenpaley.com/Maureen Paley are exhibiting at Frieze London art fair next week in Regent's Park, Stand C9, 12th-16th October 2022. See works from her booth at Frieze's website: https://viewingroom.frieze.com/viewing-room/1750 Hosted on Acast. See acast.com/privacy for more information.

We are hosting Paul O'Neill. We closed our last episode at a crucial and rather existential moment. This second part of our conversation extends to our small group of audience members. You will hear Paul responding to questions on the educational turn, auto-theory, and variations on how to work with artists.Ahali Conversations are often recorded with an intimate group of audience members, so if you'd like to be in the loop, and join live sessions, please feel free to get in touch.EPISODE NOTES PART 2This episode includes questions by Alessandra Saviotti, Ula Soley, Enrico Arduini, and Furkan İnan. Paul O'Neill is a curator, artist, writer, and educator. He is currently the artistic director of Publics, in Helsinki, Finland.Institute of Contemporary Arts (ICA) is an artistic and cultural center based in London. https://www.ica.art/Mick Wilson is an artist, educator and researcher based in Gothenburg and Dublin.Adrian Rifkin is a professor of art writing at Goldsmiths, University of London. http://gai-savoir.net/Dr. Andrea Phillips is BALTIC Professor and Director of BxNU Research Institute, Northumbria University & BALTIC Centre for Contemporary Art.Richard Birkett was a curator at the ICA, London; and at the Artists Space in New York. He is currently a curator at the Yale Union art center in Portland, Oregon.Dave Beech is an artist and writer. https://www.davebeech.co.uk/Sarah Pierce is an artist based in Dublin.Nought to Sixty was a program of exhibitions and events, curated by Richard Birkett at the ICA, in 2008. Over the course of six months, the program was presenting solo projects by sixty emerging British- and Irish-based artists. https://archive.ica.art/nought-sixty-artists-index/The Copenhagen Free University is an artist-run institution, dedicated to the production of critical consciousness and poetic language. https://en.wikipedia.org/wiki/Copenhagen_Free_Universityunitednationsplaza is a project by Anton Vidokle in collaboration with Boris Groys, Jalal Toufic, Liam Gillick, Martha Rosler, Natascha Sadr Haghighian, Nikolaus Hirsch, Tirdad Zolghadr, and Walid Raad It operated as a temporary, experimental school in Berlin, following the cancellation of Manifesta 6 on Cyprus, in 2006. The project traveled to Mexico City (2008) and to New York City under the name Night School (2008-2009) at the New Museum. Its program was organized around a number of public seminars, most of which are available in the online archive. https://www.unitednationsplaza.org/The text Paul was referring to –Introduction to The Paraeducation Department– written by Annie Fletcher and Sarah Pierce is in the anthology Curating and the Educational Turn edited by Paul O'Neill and Mick Wilson: https://betonsalon.net/PDF/essai.pdfKate Zambreno is an American novelist, essayist, critic, and professor.Roland Barthes (1915 – 1980) was a French literary theorist, essayist, philosopher, critic, and semiotician. https://en.wikipedia.org/wiki/Roland_BarthesOctavia Butler (1947 – 2006) was an American science fiction author. Her writings have finally attracted well-deserved attention in the past years.https://en.wikipedia.org/wiki/Octavia_E._ButlerMaryam Jafri is a Copenhagen-based American artist. The artist's book Independence Days presents an expanded version of her photo installation and includes texts by Ariella Aïsha Azoulay, Paul O'Neill, Nina Tabassomi. https://www.maryamjafri.net/Lygia Pimentel Lins (1920 – 1988), better known as Lygia Clark, was a Brazilian artist and co-founder of Neo-Concrete movement. https://en.wikipedia.org/wiki/Lygia_ClarkP! is a multidisciplinary gallery and project space formerly in New York, currently based in Berlin. http://p-exclamation.com/Taken place in P!, in 2016, We are the (Epi)center was a group exhibition organized with the Center for Curatorial Studies, Bard College, featuring: Can Altay, David Blamey, Katarina Burin, Jasmina Cibic, Céline Condorelli, Marjolijn Dijkman, Chris Kraus, Gareth Long, Ronan McCrea, Harold Offeh, William McKeown, Eduardo Padilha, Sarah Pierce, Richard Venlet, Grace Weir, and many others.PARSE is an international artistic research publishing and biennial conference platform based in the Faculty of Fine, Applied and Performing Arts at University of Gothenburg. This is the visual essay Paul was referring to: https://parsejournal.com/article/before-and-after/Autotheory refers to a critical approach in which the author uses personal experiences as the major creative force and the body as the source of knowledge.Sigmund Freud (1856 – 1939) is an Austrian neurologist and the founder of psychoanalysis. Jacques Marie Émile Lacan (1901-1981) is a French psychoanalyst and interpreter of Sigmund Freud's studies. Their contributions to the psychoanalytic theory have been influential on the literary theory in terms of deciphering a work based on the psychological condition its author is in, or conversely, portraying such condition through unconscious revelations of the author within the work.Maggie Nelson is an American writer. https://en.wikipedia.org/wiki/Maggie_NelsonSemiotext(e) is an independent press, publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism, and confession. http://www.semiotextes.com/McKenzie Wark is an Australian-born writer and professor of Media and Culture at Hudson University.Raymond Williams (1921 – 1988) was a Welsh socialist writer, academic, novelist, and critic. In his essay Dominant, Residual, and Emergent, he characterizes the grounded parts of cultural groups and their operating methods. https://en.wikipedia.org/wiki/Raymond_WilliamsStephen Wright is a writer and gardener. Listen to Episode 1 to get to know him better. https://www.ahali.space/episodes/episode-1-stephen-wrightTania Bruguera is an artist and activist. https://www.taniabruguera.com/Dr. Gregory Sholette is a New York-based artist, writer, teacher, and activist.NTS is a global radio station and media platform founded in 2011 by Femi Adeyemi. https://www.nts.live/Bjork is an Icelandic singer, songwriter, composer, record producer, and actress. https://bjork.com/Annie Fletcher is the Director of the Irish Museum of Modern Art.Leninism is a political ideology developed by Russian Marxist revolutionary Vladimir Lenin that proposes the establishment of communism through dictatorship of the proletariat.Stalinism is a totalitarian extension of Leninism and a period of governing by Joseph Stalin in the Soviet Union from 1927 to 1953.COALESCE is an ongoing exhibition project by Paul O'Neill which takes place at different locations with different artists and shapes around the idea of cohabitation.

For decades, scientists have been warning us about the dangers of climate change. Now, artists around the world are joining the chorus. They've banded together to form the World Weather Network, which combines scientific data with artistic presentation. Liam Gillick is a British-born visual artist who decided to make Fogo Island the focus of his World Weather Network contribution.

In Episode 15 of A is for Architecture, I speak with artists and writer Liam Gillick. We start with concrete, move to St Peter's Seminary, Cardross by Gillespie Kidd and Coia and then sort of let it run, discussing the architectural qualities - spatial and programmatic and critical - of his work. We touch on three pieces Liam has written - Should Be, We Lived and Thought Like Pigs and Why Work? – and talk about the value of art education as an exercise in learning to see. And a lot of other things. liamgillick.info Should Be – Organizational Pathways Restated (2019) We Lived and Thought Like Pigs – Gilles Chatelêt's Devastating Prescience (2019) Why Work? (2010) Other things: Rouse Visiting Artist Lecture: Liam Gillick (Harvard GSD, 2017) on YouTube. Bio on artnet. +Long And Short Modernities: An Interview With Liam Gillick' by Allan Gardner (December 1st, 2018) on thequietus.com Enjoy. www.aisforarchitecture.org + + + + + + + + + + + + + + + Music credits: Bruno Gillick.

Chapters00:34 - Introduction02:06 - Summary Of The Film02:52 - Why Make The Documentary?04:15 - Not Seeking Popularity 06:08 - Gathering Archive Footage07:22 - Narration by Laurie Anderson08:34 - The Women Tell Their Own Stories 09:32 - Sound Design Instead Of A Score12:21 - Marta Salogni On Her Influences 20:53 - Defining A New Genre Of Music 23:32 - Creating New Sounds And Composing With Tape 28:26 - Sound Design For The Film31:38 - The Challenges Of Composing For Film34:41 - The Importance Of Female Role Models36:29 - EndingThe film features Clara Rockmore, Daphne Oram, Bebe Barron, Delia Derbyshire, Maryanne Amacher, Pauline Oliveros, Wendy Carlos, Eliane Radigue, Suzanne Ciani and Laurie Spiegel with commentary by Laurie Anderson.https://sisterswithtransistors.com/https://www.modernfilms.com/sisterswithtransistors (UK) https://metrograph.com/live-screenings/sisters-with-transistors/ (USA)Lisa Rovner BiogA French American artist and filmmaker, Lisa Rovner is now based in London with her work presented in art venues and theatres internationally. Her films delve into the archives and work to transform politics and philosophy into cinematic spectacle. Rovner has collaborated with some of the most internationally respected artists and brands including Pierre Huyghe, Liam Gillick, Sebastien Tellier, Maison Martin Margiela and Acne. Sisters With Transistors is her first feature documentary.www.messageisthemedium.comMarta Salogni BiogA record producer, mixer, recording engineer and tape composer, Marta Salogni launched her career in her native Italy, where she spent her early years collaborating with artists and bands across a range of musical styles. As a producer and mixer, Marta Salogni has worked with Björk, M.I.A., Factory Floor, Kelela, Liars, Alex Cameron, Daniel Blumberg, Little Boots, Temples, Insecure Men, The Orielles, HMLTD, and Django Django. Marta is the sound designer for Sisters With Transistors.www.solarmanagement.co.uk/marta-salogniCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album "Electric Mountain" is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Delia Derbyshire Day Charity: https://deliaderbyshireday.com

Moderation: Rebecca Link, Themen: Eine unspektakuläre Show - die 93. Verleihung der Oscars; Liam Gillick in der Kunststation St Peter in Köln; Gerechtigkeit in Pandemiezeiten?; Die Sopranistin Christa Ludwig ist tot; "Peer Gynt" am Online-Schauspiel Bochum; Ein Gedicht: Arne Rautenberg - picassos zucker ist mein sand

This weeks preview is for Exhibition, Directed by Joanna Hogg and staring Viv Albertine and Liam Gillick. The film screens at State Cinema on Tuesday July 14th at 6pm

The images featured in Splashes (RVB Press, 2018) are characteristic of Gabriel Jones’ approach to making images by capturing the “backdrop”, things behind the original subject. There is a performative element to this series in that Gabriel invited friends to pretend to pose at a party, he focused his camera towards them but not on them which allowed him to actually photography the situations taking place in the background of the scene. The photographs were taken with early cellphone cameras, and have mostly been reframed to show only the situations and compositions that sparked the artist’s interest the most. This tight cropping resulted in highly pixelated images, and Jones applied some retouching techniques to further accentuate the strangeness of the scenes in his collections. Gabriel photographed the album cover The Suburbs, for Canadian Indie-Rock band Arcade Fire. The album won the 2012 Grammy Award for Best Record Packaging, and 2011Album of the Year. In 2010 and 2014, Jones curated an exhibition called The Pseudonym Project New York / Paris. A series of established and emerging artists– such as Robert Barry, Liam Gillick, Fouad Bouchoucha, Melanie Bonajo, Joseph Marzolla and Jonathan Monk–were invited to create new pieces under pseudonyms. Their real names were disclosed at the end of the exhibition. His photographs have been exhibited in venues such as Photo España Festival; Paris Photo; Galerie Le Château d’Eau, Toulouse; as well as Galleries Michèle Didier, Paris; Priska Juschka Fine Art, New York and Bugdahn und Kaimer, Dusseldorf. He is a faculty member at the Paris College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices

The images featured in Splashes (RVB Press, 2018) are characteristic of Gabriel Jones’ approach to making images by capturing the “backdrop”, things behind the original subject. There is a performative element to this series in that Gabriel invited friends to pretend to pose at a party, he focused his camera towards them but not on them which allowed him to actually photography the situations taking place in the background of the scene. The photographs were taken with early cellphone cameras, and have mostly been reframed to show only the situations and compositions that sparked the artist’s interest the most. This tight cropping resulted in highly pixelated images, and Jones applied some retouching techniques to further accentuate the strangeness of the scenes in his collections. Gabriel photographed the album cover The Suburbs, for Canadian Indie-Rock band Arcade Fire. The album won the 2012 Grammy Award for Best Record Packaging, and 2011Album of the Year. In 2010 and 2014, Jones curated an exhibition called The Pseudonym Project New York / Paris. A series of established and emerging artists– such as Robert Barry, Liam Gillick, Fouad Bouchoucha, Melanie Bonajo, Joseph Marzolla and Jonathan Monk–were invited to create new pieces under pseudonyms. Their real names were disclosed at the end of the exhibition. His photographs have been exhibited in venues such as Photo España Festival; Paris Photo; Galerie Le Château d’Eau, Toulouse; as well as Galleries Michèle Didier, Paris; Priska Juschka Fine Art, New York and Bugdahn und Kaimer, Dusseldorf. He is a faculty member at the Paris College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices

The images featured in Splashes (RVB Press, 2018) are characteristic of Gabriel Jones’ approach to making images by capturing the “backdrop”, things behind the original subject. There is a performative element to this series in that Gabriel invited friends to pretend to pose at a party, he focused his camera towards them but not on them which allowed him to actually photography the situations taking place in the background of the scene. The photographs were taken with early cellphone cameras, and have mostly been reframed to show only the situations and compositions that sparked the artist’s interest the most. This tight cropping resulted in highly pixelated images, and Jones applied some retouching techniques to further accentuate the strangeness of the scenes in his collections. Gabriel photographed the album cover The Suburbs, for Canadian Indie-Rock band Arcade Fire. The album won the 2012 Grammy Award for Best Record Packaging, and 2011Album of the Year. In 2010 and 2014, Jones curated an exhibition called The Pseudonym Project New York / Paris. A series of established and emerging artists– such as Robert Barry, Liam Gillick, Fouad Bouchoucha, Melanie Bonajo, Joseph Marzolla and Jonathan Monk–were invited to create new pieces under pseudonyms. Their real names were disclosed at the end of the exhibition. His photographs have been exhibited in venues such as Photo España Festival; Paris Photo; Galerie Le Château d’Eau, Toulouse; as well as Galleries Michèle Didier, Paris; Priska Juschka Fine Art, New York and Bugdahn und Kaimer, Dusseldorf. He is a faculty member at the Paris College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices

A podcast about art, ideas and some other stuff too. Each episode, we focus on a thinker or maker that has shaped or influenced the way we think about art. Brought to you by NCAD's Art in the Contemporary World MA and Dublin Digital Radio. For more information visit: www.acw.ie A conversation about and with Liam Gillick on the satisfaction of aesthetic disappointment, modesty in the age of capitalism and spectacle, and more. Including excerpts from a recent public conversation between Gillick and Seanan Kerr hosted by Art in the Contemporary World. In the debut episode of the Art in the Contemporary World podcast, Co-Directors of NCAD's Art in the Contemporary World MA, Declan Long, Francis Halsall, and Sarah Pierce talk about recent projects from the renowned artist Liam Gillick, including exhibitions at the Goethe Institut and the Kerlin Gallery. A far-ranging discussion which touches on Katy Perry's “curatorial” practices, Masha Gessen's theories on autocracy, and the role of art in troubled times.

Building Artistry is a self-guided audio tour of Fairmont Pacific Rim's ever-expanding art collection. The collection now includes works by Neil Campbell, James Cheng, Liam Gillick, Fred Herzog, Ian Wallace, Joseph Wu and Adad Hannah, and underlines a deep commitment to bringing art and artists into all aspects of the hotel’s design and development.

Julieta Aranda and Liam Gillick join Lawrence Weiner in his New York studio for a conversation spanning art education and cosmetic dentistry. Julieta Aranda is an artist and Editor of e-flux journal.  Liam Gillick is an artist living in New York. Read Liam Gillick in e-flux journal. Lawrence Weiner is an artist born in 1942 in New York, NY, where he lives and works today.

14. İstanbul Bienali, "TUZLU SU: Düşünce Biçimleri Üzerine Bir Teori" başlığı ile, dOCUMENTA'dan tanıdığımız Carolyn Christov-Bakargiev tarafından "şekilleniyor".Liam Gillick, Hydrodynamica Applied, İstanbul Modern (fotoğraf: ©İKSV)Bakargiev, kavramsal çerçevede sergiden şöyle bahsediyor:"TUZLU SU: Düşünce Biçimleri Üzerine Bir Teori, bir materyalin –tuzlu su– ve düğümlerle dalgaların çelişen imge-biçimlerinin etrafında dönüyor.Çizginin nereye çekileceğini, nerede geri çekileceğini, nerede yaklaşıp nerede uzaklaşacağını araştırıyor. Bunu, açık denizlerde, düz yüzeyler üzerinde parmak uçlarımızla yaptığı gibi, sualtının derinliklerinde, kat kat şifrelemeler açılmadan önce de yapıyor.Boğaziçi ekseninde kentin geneline yayılan bu sergi, dünyayı şiirsel ve politik olarak şekillendiren ve dönüştüren, görünür ve görünmez farklı dalga örüntülerini ve frekanslarını, su akıntılarını ve yoğunluklarını ele alıyor. Sanatla birlikte ve sanat aracılığıyla yas tutuyor, hatırlıyor, kınıyor, iyileşmeye çalışıyoruz ve kendimizi bu mekânda beraber yaşamış birçok topluluğun neşe ve canlılık olasılıklarına adıyor, formdan yeşeren yaşama sıçrıyoruz."Nikita Kadan, Untitled (Political Natural History), İstanbul Modern (fotoğraf: ©İKSV)Bienal süresince eksen iki sanatçının 1500'ün üzerinde işi, kentin geneline yayılan otuz altı mekâna yerleşiyor. Boğaz'ın kuzeyinden Adalar'a şehre "sızan" Tuzlu Su, şehrin tüm dinamiklerini kullanmayı ve şehrin kendisini bir sergileme aracına dönüştürmeyi hedefliyor. İstanbul Modern, Galata Rum İlkokulu, ARTER, Özel İtalyan Lisesi mekânlarındaki çok katılımlı sergilerin yanı sıra bienal, şehrin farklı zamanlardan farklı mekânlarına sergiler, konuşmalar ve çağrışımlarla konuk oluyor. Bakargiev'in deyişi ile:"14. İstanbul Bienali'ni ziyaret ettiğinizde tuzlu suyun üstünde epey zaman geçireceksiniz. Mekânlar arasında, özellikle de vapurlarla yapılacak seyahatlerle, ziyaretçilerin sanatı deneyimleme süreleri yavaşlayacak. Bu da çok sağlıklı, çünkü tuzlu su solunum problemleriyle pek çok başka hastalığın iyileşmesine yardımcı olduğu gibi sinirleri de yatıştırıyor.TUZLU SU, müzelerin yanı sıra tekneler, otel odaları, eski bankalar, otoparklar, bahçeler, okullar, dükkânlar ve özel konutlar gibi kara ve su üzerindeki geçici yerleşim alanlarına yayılacak. Yolculuk devamlılık gösterse de, rehber altı ana bölgeye odaklanıyor: Boğaz'ın Kuzeyi, Beyoğlu, Şişli, Tarihi Yarımada, Kadıköy ve Adalar. Her biri hayatlarınızda bir güne tekabül edebilir."Adrian Villar Rojas, The Most Beautiful Of All Mothers, Troçki Evi (fotoğraf: ©İKSV)Hrant Dink Vakfı'ndan Galata Rum İlkokulu'na uzanan bienal, hafızaya ve acıya da dokunuyor. Geçtiğimiz günlerde sanatçı Pelin Tan, Artık İşler Kollektifi ve e-flux editörü Anton Vidokle tarafından imzalanan bir mektup, son aylarda artan şiddet olayları üzerine bienale katılan sanatçıları "barış için müdahaleye" davet etti. Anna Boghiguian, The Salt Traders, Galata Rum İlkokulu (fotoğraf: ©İKSV)1 Kasım'a kadar devam edecek bienal süresince kentin genelindeki pek çok galeri, müze ve kültür mekânı da paralel etkinlikler düzenliyor.

14. İstanbul Bienali, "TUZLU SU: Düşünce Biçimleri Üzerine Bir Teori" başlığı ile, dOCUMENTA'dan tanıdığımız Carolyn Christov-Bakargiev tarafından "şekilleniyor".Liam Gillick, Hydrodynamica Applied, İstanbul Modern (fotoğraf: ©İKSV)Bakargiev, kavramsal çerçevede sergiden şöyle bahsediyor:"TUZLU SU: Düşünce Biçimleri Üzerine Bir Teori, bir materyalin –tuzlu su– ve düğümlerle dalgaların çelişen imge-biçimlerinin etrafında dönüyor.Çizginin nereye çekileceğini, nerede geri çekileceğini, nerede yaklaşıp nerede uzaklaşacağını araştırıyor. Bunu, açık denizlerde, düz yüzeyler üzerinde parmak uçlarımızla yaptığı gibi, sualtının derinliklerinde, kat kat şifrelemeler açılmadan önce de yapıyor.Boğaziçi ekseninde kentin geneline yayılan bu sergi, dünyayı şiirsel ve politik olarak şekillendiren ve dönüştüren, görünür ve görünmez farklı dalga örüntülerini ve frekanslarını, su akıntılarını ve yoğunluklarını ele alıyor. Sanatla birlikte ve sanat aracılığıyla yas tutuyor, hatırlıyor, kınıyor, iyileşmeye çalışıyoruz ve kendimizi bu mekânda beraber yaşamış birçok topluluğun neşe ve canlılık olasılıklarına adıyor, formdan yeşeren yaşama sıçrıyoruz."Nikita Kadan, Untitled (Political Natural History), İstanbul Modern (fotoğraf: ©İKSV)Bienal süresince eksen iki sanatçının 1500'ün üzerinde işi, kentin geneline yayılan otuz altı mekâna yerleşiyor. Boğaz'ın kuzeyinden Adalar'a şehre "sızan" Tuzlu Su, şehrin tüm dinamiklerini kullanmayı ve şehrin kendisini bir sergileme aracına dönüştürmeyi hedefliyor. İstanbul Modern, Galata Rum İlkokulu, ARTER, Özel İtalyan Lisesi mekânlarındaki çok katılımlı sergilerin yanı sıra bienal, şehrin farklı zamanlardan farklı mekânlarına sergiler, konuşmalar ve çağrışımlarla konuk oluyor. Bakargiev'in deyişi ile:"14. İstanbul Bienali'ni ziyaret ettiğinizde tuzlu suyun üstünde epey zaman geçireceksiniz. Mekânlar arasında, özellikle de vapurlarla yapılacak seyahatlerle, ziyaretçilerin sanatı deneyimleme süreleri yavaşlayacak. Bu da çok sağlıklı, çünkü tuzlu su solunum problemleriyle pek çok başka hastalığın iyileşmesine yardımcı olduğu gibi sinirleri de yatıştırıyor.TUZLU SU, müzelerin yanı sıra tekneler, otel odaları, eski bankalar, otoparklar, bahçeler, okullar, dükkânlar ve özel konutlar gibi kara ve su üzerindeki geçici yerleşim alanlarına yayılacak. Yolculuk devamlılık gösterse de, rehber altı ana bölgeye odaklanıyor: Boğaz'ın Kuzeyi, Beyoğlu, Şişli, Tarihi Yarımada, Kadıköy ve Adalar. Her biri hayatlarınızda bir güne tekabül edebilir."Adrian Villar Rojas, The Most Beautiful Of All Mothers, Troçki Evi (fotoğraf: ©İKSV)Hrant Dink Vakfı'ndan Galata Rum İlkokulu'na uzanan bienal, hafızaya ve acıya da dokunuyor. Geçtiğimiz günlerde sanatçı Pelin Tan, Artık İşler Kollektifi ve e-flux editörü Anton Vidokle tarafından imzalanan bir mektup, son aylarda artan şiddet olayları üzerine bienale katılan sanatçıları "barış için müdahaleye" davet etti. Anna Boghiguian, The Salt Traders, Galata Rum İlkokulu (fotoğraf: ©İKSV)1 Kasım'a kadar devam edecek bienal süresince kentin genelindeki pek çok galeri, müze ve kültür mekânı da paralel etkinlikler düzenliyor.

Emily Carr University of Art + Design proudly presents Liam Gillick, with Langara College Centre for Art in Public Spaces and Westbank & Peterson Group, as the final speaker in the 2009 Fall Speaker Series. Gillick is a New York and London-based artist who emerged in the 1990s in the midst of paradigmatic political and cultural change. In the past two decades, he has developed a highly influential artistic practice around a discursive model that complicates object production and raises key social questions. Solo exhibitions include The Museum of Modern Art, 2003; Palais de Tokyo, 2005; Witte de With, 2008. Group exhibitions include the documenta X 1997; Guggenheim Museum, 2004; 53rd Venice Biennale, 2009.

A keynote lecture on the commercialization of culture

Liam Gillick. That is right, the man whose imagination can take him anywhere. A transparent master of the question of Modernity? Cat lover? Designer/author/theorist/artist/architect? The son Donald Judd never wanted? Enigma cloaked in riddle? Relational Aesthetic celebrity? All these things and more... We at Bad at Sports try and get to the bottom of Liam's magic in this hour-long interview. The last element in Liam Gillick's 4 part global retrospective, "Three perspectives and a short scenario" will run through January 10th at Chicago's Museum of Contemporary Art.  Accompanying that exhibition, Gillick has produced "The one hundred and sixty-third floor: Liam Gillick Curates the Collection," which is also be on view.Liam Gillick emerged in the early 1990s as part of a re-energized British art scene, producing a sophisticated body of work ranging from his signature "platform" sculptures -- architectural structures made of aluminum and colored Plexiglas that facilitate or complicate social interaction -- to wall paintings, text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the actualities of the world. His work joins that of generational peers such as Rirkrit Tiravanija and Philippe Parreno in defining what critic Nicholas Bourriaud described as "relational aesthetics," an approach that emphasizes the shifting social role and function of art at the turn of the millennium. Gillick's work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere.This exhibition is presented in association with the Witte de With in Rotterdam, Kunsthalle Zurich, and the Kunstverein in Munich. It is the most significant and comprehensive exhibition of Gillick's work in an American museum to date, comprising a major site-specific installation in the gallery ceiling as well as a presentation of his design and published works, and a film documenting projects from the entirety of his career. The MCA is the only American venue for the exhibition.