Podcasts about Mingus Ah Um

STANDARS SEMANAL-.las cosas ya no son lo que eran.-VINILOS MITICOS DEL JAZZ-J913 - Charles Mingus-1959 Mingus Ah Um.-AZZACTUALIDAD-.JUAN DE DIEGO-GREBALARIAK-AZKEN UDA Mingus Ah Um es un álbum de estudio del músico de jazz estadounidense Charles Mingus que fue lanzado en octubre de 1959 por Columbia Records . [ 1 ] [ 2 ] Fue su primer álbum grabado para Columbia. La portada presenta una pintura de S. Neil Fujita . [ 5 ] El título es una corrupción de una declinación latina imaginaria . Es común que los estudiantes de latín memoricen adjetivos latinos diciendo primero el nominativo masculino (generalmente terminado en " -us "), luego el nominativo femenino (" -a "), y finalmente elnominativo singular neutro (" -um ") [ 6 ] —lo que implica una transformación de su nombre, Mingus, Minga, Mingum . El álbum fue incluido en el Salón de la Fama de los Grammy en 2013. [ 7 ] Ocupó el puesto 380 en los 500 mejores álbumes de todos los tiempos de la Rolling Stone . La Penguin Guide to Jazz on CD llama a este álbum "un homenaje extendido a los antepasados" (y le otorga una de sus raras coronas), [ 8 ] y los antepasados ​​musicales de Mingus aparecen en gran medida en todo el álbum. "Better Git It In Your Soul" está inspirada en el canto gospel y la predicación del tipo que Mingus habría escuchado cuando era niño en Watts, Los Ángeles, California , mientras que " Goodbye Pork Pie Hat " es una referencia (a través de su sombrero favorito) al saxofonista Lester Young (que había muerto poco antes de que se grabara el álbum). El origen y la naturaleza de "Boogie Stop Shuffle" se explican por sí solos: un blues de doce compases con cuatro temas y un acompañamiento de bajo boogie que pasa del tiempo detenido al shuffle y viceversa. "Self-Portrait in Three Colors" fue escrita originalmente para la primera película de John Cassavetes como director, Shadows , pero nunca se usó (por razones presupuestarias). "Open Letter to Duke" es un homenaje a Duke Ellington y se basa en tres de las piezas anteriores de Mingus ("Nouroog", "Duke's Choice" y "Slippers"). "Jelly Roll" es una referencia al pionero del jazz y pianista Jelly Roll Morton y presenta una cita de "Sonnymoon for Two" de Sonny Rollins durante el solo de piano de Horace Parlan . "Bird Calls", en las propias palabras de Mingus, no era una referencia al saxofonista de bebop Charlie "Bird" Parker : "No se suponía que sonara como Charlie Parker. Se suponía que sonara como pájaros, la primera parte". " Fables of Faubus " debe su nombre a Orval E. Faubus (1910-1994), el gobernador de Arkansas, famoso por su postura de 1957 contra la integración de las escuelas de Little Rock, Arkansas , desafiando los fallos de la Corte Suprema de los Estados Unidos (obligando al presidente Eisenhower a enviar a la Guardia Nacional ). Columbia Records se negó a permitir que se incluyera la letra de la canción, [ 9 ] por lo que la canción se grabó como instrumental en el álbum. [ 10 ] [ 11 ] No fue hasta el 20 de octubre de 1960 que la canción se grabó con letra, para el álbum Charles Mingus Presents Charles Mingus , que se lanzó en el sello más independiente Candid . [ 10 ] Debido a problemas contractuales con Columbia, la canción no pudo publicarse como "Fables of Faubus", por lo que la versión de Candid se tituló "Original Faubus Fables". Azken Uda JUAN DE DIEGO-GREBALARIAK CD JAZZ / LATIN-JAZZ ERRABAL JAZZ (GH ER169 02) 8436010309314 Tras la edición de su primer trabajo homónimo en 2021, el trompetista/músico vasco-catalán retoma la senda de su antecesor con este sorprendente "Azken Uda" (El último verano). Un trabajo grabado en los estudios Sol de Sants de Barcelona por Alberto Pérez los días 11 y 12 de octubre, que cuenta además del propio Juan De Diego a la trompeta y flugel, con la colaboración de Toni Saigi al piano, Pere Loewe al contrabajo y Ramon Prats a la batería. Un disco que pone de manifiesto la indiscutible belleza de las composiciones escritas por Juan de Diego a la hora de transitar por la senda del jazz contemporáneo, música efervescente y colorida, con una cierta intencionalidad Be-Bop que desvela un carácter orgánico, flexible y vital a lo largo de sus surcos.

Tonight's Jazz Feature is one of Charles Mingus' masterpieces that was recorded , as were many other iconic Jazz recordings in 1959. It is overlooked sometimes as it was Mingus' second album from that year. He really scored with "Mingus Ah Um" his first for Columbia. Not only did it lift Mingus from the "underground" category but got massive critical acclaim and was Mingus' best selling record. His second, tonight's Jazz Feature was called "Mingus Dynasty" and Mingus was able to augment his regular working band with added musicians to expand the ensembles and enable him to explore more complex writing as well. His working group included Richard Williams on trumpet, Jimmy Knepper on trombone, John Handy on alto saxophone, Booker Ervin on tenor saxophone, Roland Hanna on piano and of course, Dannie Richmond on drums and Mingus on bass. Added on many of the selections in non-soloing roles are Benny Golson on tenor saxophone, Jerome Richardson on baritone saxophone and flute, Teddy Charles on vibes and even two cellos on a couple of selections. This album ranks among Mingus' best and the tunes vary from some Ellington tributes in two tunes to Mingus' original creations ranging from the gospel flavored "Slop" to the formal masterwork "Far Wells, Mill Valley". "Mingus Dynasty" will challenge and inspire you...guaranteed!

A Lightweight Champion, a female politician who challenged the glass ceiling, and an influential jazz musician. Who were they?Today's episode shares three  more mixed-race public figures from history. Coined “The Reading Hour”, listen along as Jolie reads about these dynamic trailblazers.Saoul Paul Mamby (1947–2019) was an American boxer who held the WBC super lightweight title from 1980 to 1982. Born in the South Bronx, New York, to parents of Spanish and Jamaican descent, Mamby converted to Judaism at a young age. He began boxing in 1963, turned professional in 1969, and served in the U.S. Army during the Vietnam War. Mamby's boxing career included notable victories and title defenses, facing opponents like Roberto Durán and Saengsak Muangsurin. He continued fighting into his 50s and attempted a comeback at age 60, becoming one of the oldest boxers to compete in an officially sanctioned bout. Known for his durability, Mamby was stopped only once in 85 professional fights.Mae Street Kidd (1904–1999) was an American businesswoman, civic leader, and politician known for her significant contributions during a time when gender and racial barriers were prominent. Born in Kentucky to an interracial family, she had a distinguished career in public relations and served in the Red Cross during WWII. In politics, she represented Louisville in the Kentucky House of Representatives from 1968 to 1984, advocating for landmark legislation such as the creation of the Kentucky Housing Corporation and the ratification of the Reconstruction Amendments to the U.S. Constitution. Kidd's legacy reflects her resilience and commitment to civil rights.Charles Mingus Jr. (1922–1979) was a multifaceted American jazz musician known for his prowess as an upright bassist, composer, bandleader, and pianist. He was a key figure in jazz history, collaborating with luminaries like Duke Ellington, Charlie Parker, and Max Roach. Mingus' innovative compositions spanned genres from bebop to avant-garde jazz, showcased in albums like "Pithecanthropus Erectus" and "Mingus Ah Um." His music continues to be celebrated, performed by groups like the Mingus Big Band. Mingus' life was marked by his diverse heritage and experiences with racism, shaping his music's themes of injustice and discrimination. He was also known for his tempestuous personality and occasionally violent temper, alongside his brilliance as a musician. Mingus left a lasting legacy in jazz, honored with accolades like induction into the Grammy Hall of Fame and a US postage stamp in his honor.https://en.wikipedia.org/wiki/Saoul_Mambyhttps://en.wikipedia.org/wiki/Mae_Street_Kiddhttps://en.wikipedia.org/wiki/Charles_MingusDOWNLOAD and SUBSCRIBE to Generation Mixed, on Apple, Spotify, IHeart, or Spreaker!FOLLOW US: Instagram: @generationmixedpodcast | https://www.instagram.com/generationmixedpodcast/Tik-Tok: @GenMixedpodcast | https://www.tiktok.com/@genmixedpodcastSubscribe to our newsletter at www.nuwavemedia.orgE-mail us with any questions, comments, or suggestions for future episodes: Generationmixedpodcast@gmail.comWanna be on the show? Text or call 510-852-9550! What it means to be multiracial in America, one story at a time, from the studio to the streets.  –Exciting news! JMarc has partnered with NuWave Community Media, a non-profit promoting digital literacy. Support our cause by donating or volunteering at www.nuwavemedia.org. Explore our diverse podcastsBecome a supporter of this podcast: https://www.spreaker.com/podcast/generation-mixed--5176197/support.

Tonight's Jazz Feature is a belated tribute to the Birthday of bassist/pianist/composer/iconoclast/ Charles Mingus. Mingus was born on Earth Day, April 22, 1922 in Nogales, Arizona and died in Cuernavaca, Mexico on January 5, 1979 from ALS. This album on tonight's Jazz Feature is his first for Columbia Records and it literally brought Mingus out of the Jazz underground and into the forefront. It was also his best selling album and widened his audience by leaps and bounds. The album is one of the many classics that were recorded in 1959 like "Kind of Blue". "Time Out", "Giant Steps" this is of course "Mingus Ah Um". With his basic Jazz Workshop quintet of 1959 with John Handy on alto and tenor saxophones and clarinet, Booker Ervin on tenor saxophone, Horace Parlan on piano, Dannie Richmond on drums and Charles Mingus on bass that is augmented by three Mingus alumni from previous Jazz Workshops, Jimmy Knepper on some tracks and Willie Dennis on others on trombones and Shafi Hadi as a non-soloing addition on alto and tenor saxophones in the ensembles. The album was done in two sessions, the first on May 5, 1959 and the second on May 12, 1959.Nine compositions in all and presented in the sequence that Mingus wished. Tonight's Jazz Feature: ":Mingus Ah Um"......as Mingus would say "DIG IT".

Welcome to another stellar episode of Musical Shenanigans.Match #1Steely Dan - AjavsWillie Nelson - Red Headed StrangerMatch #2The Velvet Underground and NicovsCharles Mingus - Mingus Ah UmMatch #3Lauryn Hill - The Miseducation of Lauryn HillvsAmy Winehouse - Back to BlackMatch #4 Joy Division - Unknown PleasuresvsLucinda Williams - Car Wheels on a Gravel RoadOur centerpiece is a quiz about S&M TermsThank you as always for listening!Support the showCheck out our homepage website here!Follow us on Instagram!You can now listen to the show on YouTube!Support your favorite uncaffeinated podcasters - buy us a coffee... please???

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Composer John Williams is the defining sound of Hollywood and, arguably, the most widely listened to composer in the world. Kirk decided he needed some help tackling Williams' towering musical legacy, so he enlisted Australian author and musician Dan Golding as his tour guide through Williams' musical world, with a special focus on his groundbreaking score for 1980's Star Wars: The Empire Strikes Back.REFERENCED ON THIS EPISODE:Dan's book Star Wars After Lucas, his ABC radio show Screen Sounds and his podcast Art of the Score"Liberdade" by Dili Allstars"Celebration" from Push Me Pull You by Dan Golding, 2016The Adventures of Robin Hood score by Erich Wolfgang Korngold, 1938Excerpts from Untitled Goose Game as assembled by Dan Golding"Right Time" by Mighty Diamonds/Sly & Robbie, 1976"Peter Gunn" by Henry Mancini, 1959"1. Mars, the Bringer of War" by Gustov Holst from The Planets, Op. 32 as performed by the London Symphony OrchestraExcerpts from Star Wars: A New Hope, Star Wars: The Empire Strikes Back and Star Wars: The Rise of Skywalker, all by John WilliamsThe "Star Wars Music Minute" podcast episode 22 feat. Dan Golding"Medley: Star Wars" by Meco, 1977Bill Murray singing the Star Wars theme on Saturday Night Live, 1978Excerpts from Jurassic Park  by John WilliamsExcerpts from Merry Melodies/Looney Tunes by Carl Stalling"Flash Gordon" by Queen from Flash Gordon, 1980"The Mandalorian" by Ludwig Göransson from The Mandalorian, 2019"If I Fight, You Fight" from Creed by Ludwig Göransson, 2015Excerpts from the Solo: A Star Wars Story score by John Powell, 2018"Moanin," "Wednesday Night Prayer Meeting," "Open Letter to Duke," "Eh's Flat Ah's Flat Too" from Mingus Ah Um and Blues & Roots, by Charles Mingus, 1959"II B.S." by Charles Mingus from Mingus, Mingus, Mingus, Mingus, Mingus, 1964"Work Song" by Duke Ellington from Black Brown & Beige as recorded by Jazz at Lincoln Center in 2020"The Fablemans" by John Williams from The Fablemans, 2022"Beef Lo Mein" by Caroline Shaw from the Fleishman is in Trouble soundtrack, 2019"Movement II: The Big Show" by Wynton Marsalis and Jazz at Lincoln Center from Symphony No. 4: "The Jungle," 2023----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music--------------------SEPTEMBER 2023 WHOLE-NOTE PATRONSBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryAshley HoagChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerJeanneret Manning Family FourDave SharpeSami SamhuriJeremy DawsonAccessViolationRyan TorvikElliot Jay O'NeillAndre BremerDave FloreySEPTEMBER 2023 HALF-NOTE PATRONSAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonJulian RoleffDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayAilie FraserVonRob TsukNATALIE MISTILISJosh SingerPhino DeLeonAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJules BaileyAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Award-winning composer, musician, and sound editor Scott Halgren joins podcast host Arthur Breur to discuss "Goodbye Pork Pie Hat" by Charles Mingus. This is the first real Jazz melody discussed so far in the podcast, and the discussions include some of the characteristics that make Jazz stand out from other genres and forms of music. Melody: "Goodbye Pork Pie Hat" Wiki: https://en.wikipedia.org/wiki/Goodbye_Pork_Pie_Hat YouTube (from "Mingus Ah Um"): https://youtu.be/H2x3jbX0ePk?si=e9oSIM2KY5UtCcyk YouTube (from Joni Mitchell "Mingus"): https://youtu.be/q_9QfYIaoTQ?si=eV57bheWbHRlPWd6 Composer / Songwriter: Charles Mingus Wiki: https://en.wikipedia.org/wiki/Charles_Mingus Duration: 1:08:09 Intro and guest questions – 0:00 Pre-discussion about “Goodbye Pork Pie Hat” – 10:20 Review of the melody – 22:29 Scott Hallgren shares – 51:30 Guest Composer:  Scott Halgren LinkTree: https://linktr.ee/scotthallgren Site: https://scootmanmusic.wixsite.com/scootmanmusic IMDB: https://www.imdb.com/name/nm2379348/ Mentioned in this Episode: Snow Globe & The Cat - (IMDB) Tango - Jazz (Live in Studio C) - (Spotify) You Are the Sunshine of My Life - Stevie Wonder Travels - Pat Metheny Group Kind of Blue - Miles Davis Joan Baez Victor Borge Mummenschanz Tony Bennett Doc Severeinsen Chuck Mangione 12-Bar Blues Chargin Documentary Festival Cuyahuga Community College Recorded: August 18, 2023 using Riverside.FM https://Riverside.FM  Musical score for reference created using FREE Musescore software: https://www.musescore.org Melodology Podcast on Patreon: https://www.patreon.com/melodypodcast

One of the most important things that you can do is listen to jazz music, and that seems so simple, but literally you are practicing when you listen to jazz music. You will become a better jazz musician, simply by putting on your headphones or putting them on the speakers and just listening to how this music actually sounds. So today I'm gonna talk about 25 jazz albums that every jazz musician absolutely needs to know, absolutely needs to listen to. In this episode:1. Listening to jazz is essential for becoming a great jazz musician.2. Being aware of different styles and artists in jazz is important for personal growth and inspiration.3. Jazz albums can have a transformative effect on a musician's playing. #1: Louis Armstrong's "Complete Hot Five and Hot Seven Sessions" #2: Duke Ellington's "Live at Newport" #3: Count Basie's "The Complete Deca Recordings"#4: Benny Goodman's "The Famous 1938 Carnegie Hall Jazz Concert"#5: Charlie Parker and Dizzy Gillespie's "Quintet Jazz at Massey Hall"#6: "Charlie Parker with Strings" - Charlie Parker#7: Sonny Rollins' "Saxophone Colossus" #8: John Coltrane's "Blue Train" #9: Art Blakey and the Jazz Messengers' "Moanin'"#10: "Sonny Side Up" by Dizzy Gillespie #11: "Boss Tenors" by Gene Ammons and Sonny Stitt #12: "Soul Station" by Hank Mobley #13: Wes Montgomery's "Boss Guitar" #14. "Kind of Blue" by Miles Davis#15: "Time Out" by Dave Brubeck#16:  "Mingus Ah Um" by Charles Mingus #17: "The Shape of Jazz to Come" by Ornette Coleman#18: "Giant Steps" by John Coltrane #19:  "A Love Supreme" by John Coltrane #20: "The Blues in the Abstract Truth" by Oliver Nelson #21:  "Bitches Brew" by Miles Davis #22:  "Head Hunters" by Herbie Hancock #23:  "Heavy Weather" by Weather Report#24:  "Bright Size Life" by Pat Metheny#25:  "Deep Song" by Kurt RosenwinkelImportant Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastGet 50% off your first month when joining the Inner Circle: https://members.learnjazzstandards.com/sp/inner-circle-sales-page-podcast-direct/

This is the final program of this four=part series where I play records that have been rated as being good ones to turn a jazz ‘newbie’ into a fan. This week you’ll hear a track from 8 albums. They are: Mingus Ah Um, where I also talk about why that’s such a clever title. Hank…Continue reading Episode 230: Albums to Seduce a Jazz Newbie, Part 4

Season eight continues with its third episode, and the 46th episode of the show overall, and the guests continue to nothing but illustrious as Kevin welcomes multi instrumentalist Tom Morris to the show. Tom primarily makes music under the band name Swim Camp, but this fall he went on tour playing drums for Victoria Park's project Pictoria Vark. Tom talks about his love of both jazz music and downer indie rock, and they give Phil Collins his flowers. For information about Tom's project Swim Camp, take a listen to his output on Bandcamp, or follow him on Instagram and Twitter; For additional information about Anhedonic Headphones, please click here.  Episode Musical Credits Intro Music: "Brooklyn Zoo (instrumental)," written by Russell Jones, Dennis Coles, and Robert Diggs; originally performed by Ol' Dirty Bastard. Taken from the Get On Down reissue of Return to The 36 Chambers: The Dirty Version, 2011.  Outro Music: "What Does Your Soul Looks Like (Part 4)," performed by DJ Shadow. Endtroducing..., Mo Wax, 1996.   "Self Portrait in Three Colors," written and performed by Charles Mingus. Mingus Ah Um, Columbia, 1959. "Fields of Gold," written by Gordon Sumner; performed by Sting. Ten Summoner's Tales, A&M, 1993. "Solsbury Hill," written and performed by Peter Gabriel. Peter Gabriel 1: Car, ATCO, 1977. "Nefertiti," written by Wayne Shorter; performed by Miles Davis. Nefertiti, Columbia, 1968 "Glass," written and performed by Blue Smiley. Return, self-released, 2016. "Steps - What Was," performed by Chick Corea. Now He Sings, Now He Sobs, Solid State, 1968. "Inside Out," written and performed by Duster. Stratosphere, Up, 1998. "Graceland," written and performed by Paul Simon. Graceland, Warner Brothers, 1986. Vordhosbn," written by Richard D. James; performed by Aphex Twin. Drukqs, Warp, 2002. "M," written by Emily Sprague; performed by Florist. Emily Alone, Double Double Whammy, 2019.

Sean McPherson is the current Music Director at Jazz88 FM, founding member and bassist of the hip-hop group Heiruspecs, and co-owner of Trivia Mafia. Sean joins the club to establish the trifecta of musical weirdness, reveal his VIP status at Vertical Horizon concerts, and help the panel appreciate the depth of jazz and the diverse emotions of Mingus Ah Um by Charles Mingus.

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Horace Parlan is another in our under the radar players episodes,  known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings Mingus Ah Um and Blues & Roots. 

Buen día a todos ! El día de hoy escucharemos al bajista, pianista y compositor Charles Mingus y su famoso disco "Mingus Ah Um". Un músico de vanguardia, con un profundo sentido ético de justicia e igualdad. No se calló nada. Ni con sus palabras ni con su música. Gran admirador de Duke Ellington y Jelly Roll Morton a quienes les dedica unas canciones en este disco. Temas: Lado A 1. "Better Get It in Your Soul" 7:22 2. "Goodbye Pork Pie Hat"  4:48 3. "Boogie Stop Shuffle"  3:43 4. "Self-Portrait in Three Colors" 3:06 5. "Open Letter to Duke"  4:56 Lado B: 1. "Bird Calls"  3:12 2. "Fables of Faubus" 8:14 3. "Pussy Cat Dues"  6:30 4. "Jelly Roll"  4:02 La recomendación : * Guillermo Arriagada: Película "Anatomía de un asesinato" del año 1959 / Música de Duke Ellington * Francisco Salazar: Charlie Mingus Live : https://youtu.be/Ch71BX1PskQ ,  at the Konserthuset Stockholm, Sweden, April 13th, 1964 (Colorized) , 31.37 minutos. *** Visita viajealmundodeljazz.com *** Escuchanos en Google Podcast y Apple Podcast *** Suscríbete en IVOOX

La última vez que hablé con Juancho "Frudisk" fue sobre un LP de Mingus. Así que esta va por él: "Goodbye Pork Pie Hat" Charles Mingus: Mingus Ah Um (Columbia, 1959) Charles Mingus, Horace Parlan, Dannie Richmond, John Handy, Booker Ervin © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html.

In this fabulous episode, sax player and clarinetist Ben Castle talks about his jazz journey and all the junctions en route.A fount of great stories, Ben shares tales from his exceptional musical journey including meeting Stevie Wonder in Buckingham Palace (as you do), playing with scores of wonderful musicians from the worlds of jazz, pop and rock, and reveals all about that sensational viral clip featuring his dad Roy Castle dancing alongside Buddy Rich and Sammy Davis Jnr.Ben's album choices include:A Love Supreme by John Coltrane (1965) released on Impulse!Mingus Ah Um by Charles Mingus (1959) released on ColumbiaNative Dancer by Wayne Shorter (1975) released on ColumbiaSupportYou can help support the podcast and keep us ad free. Especially useful if you'd like to support the podcast and want to keep it ad free. Plus it makes Chris feel very happy indeed! https://www.buymeacoffee.com/ChrisNewsteadShow infoPresenter: Chris Newstead, www.watfordjazzjunction.comTheme: by SoundWorkLab, licensed through AudioJungle.Recorded March 2021.Photo of Ben by Alex Beldea

Jazzvaneio 03, Imersão em quatro atos: Álbuns Década de 70Ato Terceiro: Charles Mingus “Let My Children Hear Music”Terceiro de quatro PodCast que propõem uma desafiadora imersão aos anos 70. Um homem e sua inexorável ânsia de expandir a linguagem da música e da composição improvisada pelos próprios alicerces do Jazz às últimas consequências. Um subversivo e visionário Charles Mingus precipita-se a tal empresa como um Colosso em plena comunhão com a “Terra” e suas raízes. Um impiedoso e ambíguo emaranhado de maiúscula sofisticação irmanado a um “primitivismo” não isento de crueza. “Let My Children Hear Music” é um manifesto compositivo que ainda assombra e apaixona impunemente os amantes de música. Uma obra de arte ímpar, estamos em 1972...Preparem-se!Album: Charles Mingus “Let My Children Hear Music” 1972 - Columbiawww.charlesmingus.comAto gravado no dia 15 de Setembro de 2020Texto da “The Chill of Death” Charles Mingus “Let MY Children Hear Music”:“The chill of death as she clutched my hand.I knew she was coming so I stood like a man. She drew up closer, close enough for me to look into her face, and then began to wonder, "Haven't I seen you some other place?" She beckoned for me to come closer as if to pay an old debt. I knew what she wanted; it wasn't quite time yet. She threw her arms about me as many women had done before. I heard her whisper, "You'll never cheat me, never anymore." Darkness and nothingness clouded my mind. I began to realise death was nothing to fear but something sweet and kind. I pinched to see if I was dreaming but failed to find bodily form. I then began to realize death had worked her charm. Taking myself of nothingness I chose a road to walk. I noticed death's pleasantness with no one to stop me to talk. I remembered stories of heaven as I envisioned the glory ahead. Two roads lay waiting for me to choose one now that I was dead. One road was dark; I could not see clearly such long stretched highway. The other road was golden and glowing, and shined as bright as day. I then remember stories of pearly gates, golden streets... or how... however those stories are told. I knew I'd reach heaven on this highway. If not, I'd have the gold. I took one footstep feeling safe and acting bold. Suddenly, I realised my mistake. My chosen road turned black, bittery, and white cold. No longer was it golden glory nor heaven that it's in. White hot flames were blazing; I saw the devil with his grin. I had taken but one footstep so I turned to hurry back. But there a sound more waited, not a door, nor a crack. Finally, coming to my senses, I walked on to my hell. For long before death had called me, my end was planned. Planned, but well”.Outras Referências Artísticas e “culturais” (por ordem de menção): Third Stream (movimento que buscava a incorporação de influências da música de câmera e sinfônica clássica ao Jazz nos anos 70), Pithecanthropus Erectus (Álbum do Charles Mingus), The Clown (Álbum do Charles Mingus), Mingus Ah Um (Álbum do Charles Mingus), The Black Saint and The Sinner Lady (Álbum do Charles Mingus), Joni Mitchell (Músico), Mingus (Álbum da Joni Mitchell), Herbie Hancock (Músico), Wayne Shorter (Músico), Teo Macero (Produdor Musical), Bitches Brew (Álbum do Miles Davis), In a Silent Way (Álbum do Miles Davis), Kind of Blue (Álbum do Miles Davis), Time Out (Álbum do Dave Brubeck), Miles Davis (Músico), Federico Fellini (Diretor de Cinema), Mr. Bungle (banda de Rock), Cardiacs (Banda de Rock), Duke Ellington (Músico), Edgard Varèse (Músico), Arnold Schoenberg (Músico), Pierre Boulez (Músico), Olivier Messiaen (Músico), Glenn Miller (Músico), Charlie Parker (Músico), Tidal (Plataforma de Streaming), Godfather (Filme Dirigido por Francis For Coppola), Nino Rota (Músico), The Halls of Fear (Música da trilha sonora do filme Godfather de 1972), Frank Zappa (Músico), Studio Tan (Álbum do Frank Zappa), The Adventures Of Greggery Peccary (Música do Frank Zappa) eBaratos Afins (Loja e Selo Musical de São Paulo).Contato: info@jazzvaneio.com

Mingus Ah Quatro. Os quatro musicófilos do apocalipse tentam o impossível: explicar o genial e indefinível Charles Mingus. O guitarrista Felipe Taborda, o especialista em generalidades Juliano Fontanive Dupont, o pianista Rafael Vignatti (Teclas) e o colecionador de discos Guilherme Piccoli em discussões semanais sobre música.

Jazz am Sunntig uf Radio RaBe - die Jazzsändig für Bärn! Mit Athina Dill, Manon Mullener, Christian Schütz und Simon Petermann Mingus Ah Um.mp3

Açık Mikrofon'un yeni bölümünde Jazz podcastimiz var! Alp Pirci ve Yiğit Oskay mikrofonun başına geçti ve gündemleri yoğundu: Milano’daki Corona gündemi, Caz müzik kökeni, başlangıç noktası ve dönemleri, Kind of Blue albümü ve kapatıp açtığı dönemler, Miles Davis'in hayatı ve karakteri, Mingus Ah Um albümü, Charles Mingus telaffuzu ile delirmeceler, Herbie Hancock sohbeti, Fusion jazz, Time out albümü üzerinden platin tartışması, David Brubeck'in Istanbul ziyareti, Ray Charles’a selam ve tabi ki Bitches Brew Podcast'te konuşulan albümler: -Kind of Blue / Miles Davis: https://open.spotify.com/album/1weenld61qoidwYuZ1GESA?si=Gggzs4-xSeSCjF9TNYlFKQ -Mingus ah um / Charles Mingus: https://open.spotify.com/album/4Z8nWz3dGybOP7lhMZpcOo?si=V-N7nN3JQ9K2XQbZFfYxaQ -Head Hunters / Herbie Hancock: https://open.spotify.com/album/5fmIolILp5NAtNYiRPjhzA?si=o4bQ1iLsQca-3asDR4CQnQ -Time Out / Dave Brubeck: https://open.spotify.com/album/0nTTEAhCZsbbeplyDMIFuA?si=uo-BRgf4STGRTjVRNGutbQ -Bitches Brew / Miles Davis: https://open.spotify.com/album/3Q0zkOZEOC855ErOOJ1AdO?si=qWc4NNCaR_uE_ASzHz1XyA -Giant Steps / John Coltrane: https://open.spotify.com/album/3kxiL93hCFCIXkXJBLcYDi?si=keD_WGbmR6SfLki4vb9pUw -The Inner Mounting Flame / Mahavishnu Orchestra: https://open.spotify.com/album/0chWLemqlI6G1GOEr1q1bz?si=tTXF7hJVQzq-m2iMw_i_Ng

This Deep Listening session features Charles Mingus's "Goodbye Porkpie Hat," from the album Mingus Ah Um.

Con Carlos López I Dos sesiones de grabación (5 y 12 de mayo de 1959) fueron suficientes para reunir en un mismo álbum, otra vez para el sello Columbia, una selección de temas que configurarían un nuevo camino de expresión artística. “Mingus Ah Um” cumple 60 años y su música muestra el estilo personal, coherente y emotivo que desarrolló su creador, el contrabajista Charles Mingus. Aquí, los ingredientes más vulgares se codean con los más nobles, los tempos y las atmósferas cambian de modo violento e incluso los valores más tradicionales se convierten en vanguardia.

Con Carlos López I Dos sesiones de grabación (5 y 12 de mayo de 1959) fueron suficientes para reunir en un mismo álbum, otra vez para el sello Columbia, una selección de temas que configurarían un nuevo camino de expresión artística. “Mingus Ah Um” cumple 60 años y su música muestra el estilo personal, coherente y emotivo que desarrolló su creador, el contrabajista Charles Mingus. Aquí, los ingredientes más vulgares se codean con los más nobles, los tempos y las atmósferas cambian de modo violento e incluso los valores más tradicionales se convierten en vanguardia.

1959 fût une année marquante pour Charles Mingus. Après “Blues & Roots”, qu'il enregistre au mois de février pour le label Atlantic, le contrebassiste reprend le chemin des studios dès le mois de mai, et cette fois pour le compte de la Columbia… C'est “Mingus Ah Um”... Ancré dans l'histoire du jazz avec ses hommages à Duke Ellington, Charlie Parker, Jelly Roll Morton et Lester Young, « Mingus Ah Um » est l'oeuvre d'un musicien en colère, engagé et en pleine conscience: au gouverneur de l'Arkansas qui voulait interdire l'accès des écoles aux étudiants de couleur en 1957, Mingus adresse son vindicatif « Fables Of Faubus ». Avec des titres comme « Better Git It In Your Soul »  et « Boogie Stop Shuffle », Mingus trouve l'équilibre parfait entre cri primal et écriture savante... Soniquement parfait et particulièrement inspiré, « Mingus Ah Um » c'est le jazz dans ce qu'il a de plus pur, incarné par un contrebassiste meneur d'hommes et gouailleur, alors au sommet de son art... Étagère n°4… Boite n°9… Dossier CM1959…« Mingus Ah Um », les soixante ans d'un disques culte.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

As the third of The Jazz Show's features of classics recorded in 1959,, we present Charles Mingus and his breakthrough album, "Mingus Ah Um" done for Columbia Records. This was the remarkable recording that rose Mingus up from the underground of Jazz to national prominence. Not only was this a productive period in Mingus' career, he also had one of his finest working bands as the 1959 edition of his "Jazz Workshop". John Handy on alto and tenor saxophone and clarinet, Booker Ervin on tenor saxophone, Horace Parlan on piano, Dannie Richmond on drums and of course Mingus on bass and occasionally piano. For these sessions Mingus was allowed to bring in some alumni from previous Workshops. Trombonists Jimmy Knepper and Willie Dennis are heard on various pieces as well as alto and tenor saxophonist Shafi Hadi who doesn't solo but fills out the ensembles with his sound. The album is beautifully produced and Mingus supervised everything, editing, order of the tunes, the notes. It marked the recorded debut of three of his most enduring compositions, "Better Get It In Your Soul". "Goodbye Pork Pie Hat" and "Fables of Faubus" among many other gems. "Mingus Ah Um" opened many door for people and Charles Mingus and we'll hear it tonight!

Music doesn’t always make it easy on you. It often challenges you. It shocks you. It confuses you. And through that, it makes you hear other music differently after a journey down a twisty path leading you through unfamiliar cultural and artistic territory to destinations you didn’t anticipate. Soon, you find yourself both challenged and delighted, too. That’s what Charles Mingus’ classic 1959 LP Mingus Ah Um did for Rob as a young jazz fan. What lessons did he take from it? What do his bandmates in the Deeper Cuts trio think of the record? What journeys did they find themselves on? Put on your porkpie hats and find out, dear listeners. Our Spotify playlist has all the songs from this album. Each week, we've been adding all the other albums we've covered this season to it as well, so check it out!

If you're looking for interracial witty banter come no further than this exciting new episode of Open Ears Closed Minds. This week Jeff takes us on a music journey through the Jazz classic Mingus Ah Um by Charles Mingus. Strap in and put on your listening helmet y'all.

This album which received raves from the critics and public alike was bassist/composer Charles Mingus' debut on a major label, Columbia Records. It was Mingus' breakthrough from the Jazz underground. Not only was the music great and played by one of Mingus' best bands but it was beautifully recorded. Mingus was given free reign to hire and do what he wished and was also allowed to program the record and supervise the post-recording editing. It became Mingus' best selling record as well. Mingus regular working band at the time (1959) was a quintet and it comprised three newcomers to New York. Alto and tenor saxophonist John Handy (heard mostly on alto here), and tenor saxophonist Booker Ervin and pianist Horace Parlan and Mingus' reliable and dynamic drummer Dannie Richmond. Columbia permitted Mingus to add alto and tenor saxophonist Shafi Hadi to fill out the ensembles and Jimmy Knepper and Willie Dennis on trombone....all Mingus alumnae. It's all here from the gospel tinged "Better Git it in Your Soul" to the mournful "Goodbye Pork-Pie Hat" to the bitter "Fables of Faubus".....a Mingus classic and tonight's Jazz Feature!

"Mingus Dynasty" was bassist/composer Charles Mingus' second album for Columbia Records. His first "Mingus Ah Um" was his best selling album and it elevated Mingus out of the Jazz underground. Mingus was on his way. This second album was even more varied and much better programmed. It featured Mingus' working group with John Handy (alto), Booker Ervin (tenor) Jimmy Knepper (trombone) and Dannie Richmond(drums) as hold overs from the first album. The newcomers were Richard Williams (trumpet) and Roland Hanna (piano). That was the working group and on this date Mingus added some non-soloing horns to the mix on several tunes expanding the sound. The compositions are a mix of moods from loose jams to formal compositions and the moods vary from gentle and reflective to boiling and angry and everything in between. One of Mingus' finest recordings! Mingus Dynasty indeed!

programa 1- Mingus Ah Um, de Charles Mingus y Puertos, de Daniel Camelo & Inmigrantes Big Band

Booker Ervin was one of the most identifiable voices of the tenor saxophone. He possessed a high, hard, keening sound and a rich blues based concept. He was also Charles Mingus' favourite saxophonist and worked with Mingus and recorded with Mr. Mingus on some of his most important albums such as "Mingus Ah Um", "Blues and Roots", etc. Ervin was born in Denison,Texas on Oct 31,1930 and died of kidney failure at 39 in July of 1970. He recorded a number of fine albums under his own name, especially for Prestige Records. Tonight's Feature was his first done in April of 1960. Booker picked the men and did so wisely. On second tenor saxophone was the great Zoot Sims and Booker and Zoot make an interesting contrast. On trumpet was the older Turrentine brother, Tommy, in fine form. The "poet of the piano" is in fine fettle on this date and will surprise you with his funky, bluesy playing on many of the tunes. George Tucker, a great bassist who studied with Mingus plays exceedingly well with one of Mingus' main men, drummer Dannie Richmond. 5 of the six tunes are by Booker Ervin and they naturally reflect a Mingus attitude. The final tune is a lovely old standard called "Poor Butterfly". This was Booker Ervin's debut recording under his name and it's a good one, worth searching for. However you needn't go too far because you can hear it right here!

1. Plucked, Spun Around, Discrimination against a Person of Green Skin 2. Plucked, Spun Around, They Get Those Funny Looks3. Plucked, Spun Around, Forked Tongue4. Plucked, Spun Around, What is On the Radio5. Plucked, Spun Around, The DJ Says Goodnight6. Tortoise, Beacons of Ancestorship, Northern Something7. Coil , England's Hidden Reverse, Are You Shivering8. Phantogram, Running from the Cops, Running from the Cops9. David Kristian , Tribute to Robert Moog, Tremen 2910. Clark , Totems Flare, Talis11. Blank Dogs, Under and Under, Two Months / Message One12. Freescha , slower than church music, Gole13. Dusty Wright with guitarist and Gibson guitar inventor 14. Les Paul, Dusty Wright Show Vid021 , Interview with Les Paul15. Charles Mingus, Mingus Ah Um, Bird Calls16. Miles Davis , Sketches of Spain, Saeta

This episode is no longer available in itunes, but you can download it here: http://drop.io/hammerdownsomethingelse35In this weeks ep have some refreshing water, where the fuck Rob had been at, star trek, prequels, Silent Rage, In Treatment, Half Life 2, UP, and Drag Me To Hell.The list this week is: Uses of the word FuckAnd we had to pull an audible with the review so it's: 3 legendary jazz albumsTime Out by The Dave Brubeck Quartet, Mingus Ah Um by Charles Mingus, and The Shape of Jazz to Come by Ornette Coleman couldn't find a youtube clip from this oneSubscribe in a reader

Welcome to the first episode of JAZZ: THE ’59 SOUND – a four-part look into how 1959 became jazz’s greatest year.   Dave Brubeck – Time Out, Charles Mingus – Mingus Ah-Um and Miles Davis & Gil Evans – Sketches of Spain are three 1959 jazz albums featured as examples of new directions musicians began taking […]