Podcasts about Mood Indigo

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durée : 00:57:24 - "Mood Indigo" (Duke Ellington / Barney Bigard / Irving Mills) (1930) - par : Laurent Valero - "Duke Ellington est de retour, après Sophisticated Lady c'est Mood Indigo autre thème emblématique du répertoire Ellingtonnien qui comme souvent avec le Duke pose problème quant à l'origine de sa composition. Le clarinettiste Barney Bigard affirmait avoir participé à son élaboration" Laurent Valero

durée : 00:57:24 - "Mood Indigo" (Duke Ellington / Barney Bigard / Irving Mills) (1930) - par : Laurent Valero - "Duke Ellington est de retour, après Sophisticated Lady c'est Mood Indigo autre thème emblématique du répertoire Ellingtonnien qui comme souvent avec le Duke pose problème quant à l'origine de sa composition. Le clarinettiste Barney Bigard affirmait avoir participé à son élaboration" Laurent Valero

Howdy folks it's the first new episode since 2023!!!Featuring:Booker Little/"Moods In Free Time"/Out Front/1965World Saxophone Quartet/"Touchic"/Live in Zurich/1984Edmund Hall Swingtet/"It's Been So Long"/Complete BlueNote Sessions/1944Clifford Jordan/"Laconia"/Cliff Craft/1957Sam Most/"The Humming Blues"/Flute Flight/1976Frank Wess+Frank Foster/"Dill Pickles"/2 Franks Please/1956Noble Sissle Orchestra/"Loveless Love"/ST/1930Ornette Coleman/"Zig Zag"/Empty Foxhole/1966Lester Bowie/"Lonely Woman"/Fast Last!/1974Sonny Rollins/"The Most Beautiful Girl in the World"/Tenor Madness/1956Nina Simone/"Mood Indigo"/Little Girl Blue/1957

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Actually a very active lifeLife-long art lover Ted Pfohl of Little Falls wholeheartedly recommends that people see the work of Charles Gilbert Kapsner while it's on view at Studio Pintura Fine Art Gallery in the Northrup King Building in northeast Minneapolis. Kapsner is based in Little Falls but trained in Florence, Italy in the studio of Nerina Simi (1890-1987). The retrospective includes over 30 still lives, portraits and other works, gathered under the title of “Odyssey — A 50-Year Artist's Journey: Not a Still Life!” The show's run has been extended through Feb 8. Ted Pfohl muses on the odyssey of Kapsner's work: I can in all integrity state that I am captivated by the stories within the works of Master Artist Kapsner, a designation earned within and from his colleagues in the world of fine art. Today, he voyages within oil and charcoal. He has been at several harbors within fresco. He has created a monument of paintings honoring the five branches of the United States military. Each carefully chosen and curated piece provides glimpses into the creativity of a gifted helmsperson. There are flowers, bottles of wine, his wife — whom he calls Lady Catherine — still lives and portraits. As I was moving within the currents of the visuals before me, there were several times where my feet would not move as my gaze rested upon the piece before me.— Ted PfohlTickets to ParadiseJewelry artist and silversmith Jessica Prill of Faribault works across the street from the Paradise Center for the Arts, and she says the exhibits there are always a source of inspiration. She recommends taking in the new visual arts show, which opened this week and features painters Laura Andrews and Montana Becker as well as stained-glass artist Bob Vogel in the main gallery. Art by students of Bethlehem Academy will be featured in the Creger Gallery, which often features student work. There is an artist reception on Friday from 5-7 p.m., and the exhibit runs through Feb. 15. Speaking about the stained glass art of Bob Vogel of St. Peter, Jessica Prill says: [His work] blows my mind. He has done stuff with glass that I didn't know was possible. He has found a way to make it look like he's painting with glass. He uses the patterns in the glass like brush strokes. He does lamps, panels, fused glass: they're just incredible.— Jessica PrillRemember: They're on Thursday nightDana Drazenovich of St. Cloud loves live music, and she wants people to know about Monday Night Jazz, a band that has been performing jazz for 20 years in St. Cloud. Despite its name — a holdover from a previous location that was open on Monday nights — the sextet plays most Thursdays from 7 p.m. to 9:30 p.m. at the Veranda Lounge in St Cloud. Dana says: I feel like Monday Night Jazz is just a gift to St. Cloud's music scene, because I'm sure it's introduced plenty of people to the genre, and it's probably even made fans out of people who might not have otherwise even heard jazz performed live. They take a lot from the Great American Songbook, Rodgers and Hart, Rodgers and Hammerstein. You'll hear songs like “All the Things You Are” and “Mood Indigo.” They throw in a few originals here and there, too. They've got drums, piano, bass, guitar, sax and trumpet, so it's a big, full sound. And if you're lucky, you'll get to hear guitar player and vocalist, Muggsy Lauer, scat. There's a lot of laughing between songs, a lot of joking back and forth and they just put out the tip jar and go.— Dana Drazenovich

En 1933 en la formación de Jimmie Lunceford entró su miembro más valioso. Tomó esta decisión no tanto porque tuviera la ambición de tocar la trompeta, cantar y hacer arreglos para la banda, sino porque lo vio como una oportunidad de viajar a Nueva York para cumplir su ambición de estudiar derecho. Con José Manuel Corrales.

A revisit to the wonderful Mood Indigos classy guest mix from the vaults plus a fresh blend from moi enjoy my pedigree chums ;)

Joe Jackson “Summer In The City”Live In New York - Joe Jackson/Graham Maby/Gary Burke :“Summer In The City”“Obvious Song”              “Another World”            “Fools In Love / For Your Love”“Mood Indigo  “The In Crowd / Down To London”Medley:-“Eleanor Rigby”             - “Be My Number Two”- “Home Town”- “It's Different For Girls”             Medley:- “King Of The World”    - “You Can't Get What You Want”“One More Time”Escuchar audio

Hors-série consacré aux musiques Easy Listening, en résonance au festival Easy Listening (Tours, 4-16 juin 2024) Musiques - Joe Meek, I Hear A New World (album I Hear A New World, Triump Records, 1960) - Stereolab, Metronomic Undeground (album Emperor Tomato Ketchup, Electra Records, 1996) - Mantovani and His Orchestra, Charmaine (Decca, 1951) - Terry Snyder and The All Stars, Whatever Lola Wants (album Persuasive Percussion, Command Records, 1959). - Russ Garcia and His Orchestra, Into Space (album Fantastica - Music From Outer Space, London records, 1958) - Attilio Mineo, The Queen City (album Man In Space With Sounds, World's Fair Records, 1962) - Dean Elliot and His Big Band, It's All Right With Me (album Zounds! What Sounds!, Capitol Records, 1962) - Jean-Jacques Perrey, E.V.A. (album Mood Indigo, Vanguard, 1970) - Gershon Kingsley, Pop Corn (album Music to Moog By, Audio Fidelity, 1969) ********************************************* Emission radiophonique sur les musiques contemporaines proposée par l'ensemble PTYX. Présentation : Jean-Baptiste Apéré réalisation, production, sans concession : ptyx fan club vnrpe (c) 2024

Songs from Bravely Truest, Nashville Jazz Singer Produced by Agency 43 Nashville

This week we bring back the fantastic guest given to us from the h8gh quality smooth sounds of The underground sessions Mood Indigo Followed by a fresh one from me featuring cuts from Kenlou chris lattner houzie killer Goldred Finest Wear Attek and many more Black Assertion Nothing But Give It All GoldRed - Put Away Your Problems Black Loops, Cody Currie - These Changes (Original Mix) Finest Wear - The Unknown Attek - Way To Valhalla (Original Mix) Houzzie Killa Take Me theBasement Discos Brooklyn Baby For Your Eyes Only Hustler Trax (Original Mix) Kenlou The Bounce Chris Lattner Backflip Shuffle (Original Mix) The Mekanism, II Faces WYLD Café Con Leche (MADVILLA Remix) Mike Sharon local talk Can You FeelIt Crackazat Freerange Records Beacon of Light (Maritime Dub) Lebedev (RU) Territory Prince Ivyson Rogue Decibels Abstrakt MIDNIGHT PEOPLE DEEP HOUSE MIX Dwongo - DEEP FEELINGS" (KK MASTERED)

We tend to think of Duke Ellington and his orchestra as the epitome of cool, sophisticated jazz. “Mood Indigo.” “Caravan.” “Black And Tan Fantasy.” “Sophisticated Lady.”But Duke and the guys also could get down and party, especially when the festivities were organized by his lead trumpeter, Cootie Williams.Williams, a Mobile, Alabama, native, was just 18 when he joined Ellington's orchestra in 1929, rising to prominence when the group played in New York's famed Cotton Club. Despite his youth, Williams reached Ellington's aggregation with some pretty heady credentials. He already had played professionally for four years. He started with saxophonist Lester Young in The Young Family Band, working out of New Orleans and playing the black vaudeville and carnival circuits in the region.A year before joining Duke, Williams made his first recordings in 1928 with legendary pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson.The Ellington YearsBut it was his 11 years with The Duke Ellington Orchestra that made Cootie Williams internationally famous among jazz lovers. At first, Cootie's role in the band required him to play the so-called “jungle effects,” in the manner of Ellington's earlier trumpeter Bubber Miley and trombonist Joe “Tricky Sam” Nanton. However, Williams' rich open horn sound and his distinctive plunger-muted playing quickly became an important part of the bigger palette with which Ellington worked. By the time of his last year with the band, 1940, Cootie was one of the most distinctive musicians in a group of highly individualistic players.Duke wrote “Concerto for Cootie,'' which became — after Bob (“Don't Get Around Much Anymore”) Russell added lyrics — “Do Nothing 'til You Hear from Me.” Williams was also featured on numerous other major Ellington works, ranging from “Echoes of Harlem” and “Harlem Air Shaft” to the religious piece ''The Shepherd Who Watches Over the Night Flock.”Sing It, Cootie!Beyond being a celebrated trumpeter, Cootie Williams also had mad skills as a vocalist and band leader in his own right. This he began to demonstrate in the late 1930s when he routinely headed up one of the small groups drawn from the Ellington ranks.“Cootie Williams and His Rug Cutters” — featuring reed men Barney Bigard, Johnny Hodges and Harry Carney — recorded more than a dozen tunes between 1937 and 1940.Notable among these releases was Williams' performance of Dave Heywood's novelty composition “Ain't the Gravy Good” in 1938. The song tells a sad story of a meal in which all the dishes in the main course go badly awry — “Your biscuits ain't hot, your cobbler ain't sweet” — but, lord, ain't the gravy good? Saucy!Our Take on the TuneTwenty years ago this summer, we were in the midst of planning our third studio album, I'd Rather Be Flooded, when our friend and producer, the late George Walker, showed up with that exact Cootie Williams recording. George thought the tune would be a good fit for us, and we immediately agreed. In fact, we fell in love with it and worked it up in time for the recording session. Ever since, whenever this song comes to mind — as it did at a recent Flood rehearsal — our thoughts race back to our good times with you, George. We miss you, buddy.These days that entire 2003 album is online and can be listened to for free on our Radio Floodango music streaming service. Click here to check it out.And for more back stories on the songs we sing and play, check out the “Song Stories” section of Flood Watch by clicking here. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

“Jazz was the first music that I ever heard. It was introduced to me by my Dad who always played jazz around the house. He regularly sat me down and told me to listen closely to the music, that jazz was life.” Her beloved father passed away when she was 11. “The last time I saw him, he was at the hospital, had me driven in, and he told me that he wanted me to promise him something. He wanted me to promise him that I would sing jazz after I became a woman. Years passed, life went on, and I became involved in performing and recording r&b. But when I was completing the second CD in 2013, I kept on thinking about my last conversation with my Dad. It was as if he was reminding me about my promise. I decided that I would see if I had what it took to sing jazz.” Douye' has since worked very hard at finding her own place in the jazz world. Rather than doing it halfway or merely copying the great jazz singers of the past, she was determined to study hard, learn a countless number of songs, and sing jazz in her own way. She paid close attention to the reactions of the audience and the musicians when she appeared at jazz jams at the World Stage in Los Angeles. “If I did not sound any good, they would certainly tell me! I gained the courage to give it a real try after getting some confirmation from the jazz crowd that I could do this.” Daddy Said So features Douye' singing a set of classic jazz standards. Her voice is attractive, warm, and quietly emotional, has a solid sense of swing, and she clearly has a deep understanding of the lyrics. It is an awe-inspiring jazz debut for the up-and-coming singer. Rather than utilize the same group of musicians on each selection, a wide variety of brilliant jazz artists make memorable appearances throughout the release. Douye' originally made demos of the songs that she planned to record, sent them to many of her favorite musicians, and happily discovered that every artist was interested in being on her project. Douye' recorded “Nature Boy” as a duet with the immortal bassist Ron Carter. “It was funny. He suggested that we meet for the session at 11. I said, ‘Alright but I would be there at 10:30.' Ron Carter replied that he would make it by 10:30 too. I arrived at the studio at 10:17 and he was already there! I think we were finished with ‘Nature Boy' before 11.” “Mood Indigo” and “I Loves You Porgy” were recorded with veteran pianist Kenny Barron's trio. “But Beautiful” and “All The Things You Are” feature a talented Nigerian tenor-saxophonist Zem Audu and pianist Benito Gonzalez. Douye' originally recorded “Lush Life” and “Sophisticated Lady” as duets with her friend the late pianist Joel Scott. Later, tasteful bass and drum parts were added but Douye' kept Scott's beautiful accompaniment intact. “Round Midnight” and “In A Sentimental Mood” was performed with pianist-arranger John Beasley and a few of Los Angeles' top jazz players (saxophonist Bob Sheppard, bassist John Clayton, and drummer Roy McCurdy). Check out Douye's deep-toned vocal on “' Round Midnight” and Beasley's emulation of Duke Ellington's piano playing on “In A Sentimental Mood” from Duke's famous collaboration with John Coltrane. Every performance has its special moments. The great guitarist Russell Malone not only arranged “Body And Soul” but organized a group that included trumpeter Jeremy Pelt and drummer Willie Jones III. “Autumn Leaves” (arranged by Angelo Metz as was “Besame Mucho”)) and “Someone To Watch Over Me” (arranged by Phil Small and produced by Metz) find Douye' joined by the Kim Richmond Orchestra while the warm tenor-sax of Justo Almario co-stars on “Besame Mucho.” Also included on Daddy Said So is a very spirited rendition of “Summertime” that was recorded in New York with a band of young Cuban Americans led by drummer-arranger Zack O'Farrill (the 21-year-old son of Arturo O'Farrill). “I'm so grateful,” says Douye'. “While it took time to coordinate everyone's schedules, each session came together very quickly. It was so enjoyable that it confirmed my decision to sing jazz.” Douye' was born in Lagos, Nigeria, and regularly spent her summers in England. She was in a church choir in Africa when she was quite young and often sang along with recordings from her father's record collection. Douye also wrote poems and songs as she grew up. Early on she knew that singing was going to be her lifelong love. In her pursuit of singing, she moved to Los Angeles to attend the Musicians Institute as a vocal major. While attending school, she met songwriter Terry Shaddick who had composed the giant hit “Physical” for Olivia-Newton John. Shaddick and Douye' soon formed a musical partnership, writing all of the fresh new music for her first two albums Journey and So Much Love. During this era, Douye' performed classic r&b inspired by Anita Baker, Sam Cooke, Sade, Regina Belle, Rachelle Ferrell, and other major soul singers. In this episode, Douye shares her background, education, and musical journey.

# duke Ellington mood indigo # one of the greatest artists ever and great composer and band leader# classic song and arrangements# rip and respect appreciate --- Support this podcast: https://podcasters.spotify.com/pod/show/mr-maxxx/support

„Summer Jazz“ war das Motto des Abends, also gab es sommerlichen Jazz, viel lateinamerikanisches und sehr entspannte Standards. Stargast des Abends war der Hamburger Trompeter Christian Höhn - Preisträger der „JazzBaltica“ (2021) und Gewinner des „Jungen deutschen Jazzpreises“ (2022) mit seiner Band „BLUFF“. Mit dabei natürlich auch Joachim Böskens am Piano und die Pasternack Band: Martin Pollock (Drums), Christian Ahnsehl (Gitarre), Enrique Marcano Gonzales (Bass) & Andreas Pasternack (Saxophon). Unser Telefonspaßvogel Leif Tennemann war (fernmündlich) auch dabei – er hat Andreas Pasternack im Vorfeld der 600. Jazztime ordentlich reingelegt ! Folgende Titel sind zu hören: 1. Jive Samba 4‘50 2. They can't take that away from me 3'15 3. All the things you are 4'55 4. Mood Indigo 5'42 Einspiel: Vorsicht Leif – Folge: Pasternack 5. Samba de Orfeu 5‘19 6. Footprints 5‘40 7. St. Thomas 4‘28

230504 플리 플리즈 시즌 3 Track 3. 서울의 잠 못 이루는 밤 지난 1년간 진행했던 플리 플리즈의 스핀오프! DJ재이와 함께하는 플리를 부탁해, 플리 플리즈 이곳의 밤은 유난히 느리게 흘러가요

Reviews of Mood Indigo and Nightmare Weekend

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Welcome to the final episode of our three-part series on MoodIndigo, the largest cultural festival of IIT Bombay. In this episode, we celebrate the people who have worked tirelessly to make MoodIndigo the grand success it is today. The core group members of MoodIndigo have been the driving force behind the festival since its inception. In this episode, we hear from them about their experiences, challenges, and contributions to the festival. We also speak to volunteers, event coordinators, and other members of the organizing committee about the hard work and dedication that goes into making MoodIndigo a memorable experience for everyone involved. Through their tireless efforts, the core group and other volunteers have transformed MoodIndigo into a cultural extravaganza that celebrates art, music, literature, and dance. The festival has become a platform for creative expression, social interaction, and intellectual exchange. Join us in this final episode as we honor the core group members and other volunteers who have worked hard to make MoodIndigo an iconic cultural festival that reflects the vibrant spirit of IIT Bombay.   We are a top 10 podcast in India and consistently rank in the top 50 in France, Germany, Tunisia, and Africa. Our podcast has been recognized by Spotify, coming in at #9 in a national level podcasting competition and being inducted into the IFP Podcasting Hall of Fame. Out of 1200 podcasts, M-Square was also chosen as one of the top 33 to graduate from IFP Labs by Spotify. Some of our other achievements include: Winning #1 Podcast Workshop Series by Hindustan Times and Hubhopper Conducting workshops at prestigious institutions such as IIM Bangalore, IIM Ahmedabad, NMIMS, and MoodIndigo (IIT Bombay) Being the first Indian podcast to conduct a workshop at MoodIndigo Collaborating with Bound India for a workshop Hosting Bollywood celebrities like Shruti Seth, Kunal Bakshi, and Nidhi Bhanushali M-Square Podcast is dedicated to sharing inspiring and motivating stories from people who are making a difference in the world. We believe in the power of sharing experiences and knowledge, and strive to create a positive impact through our podcast. Thank you for joining us on this journey.   If you like our work follow us on instagram  @anuragmanik7 @msquarepodcast   and as we always say   Until Next Time:   Stay Quirky! Stay Different!

Get ready for an immersive journey into the storied history of Moodindigo, one of India's premier cultural festivals. In this must-listen podcast episode, we've teamed up with the Moodindigo team to bring you the inside scoop on their journey and the passion that drives them to bring this iconic event to life each year. From reliving the biggest milestones in Moodindigo's history - from hosting top-tier talent to collaborating with world-renowned organizations - to delving into the challenges and triumphs the team has faced along the way, this episode has it all. You'll hear from the Moodindigo team about the early days of the festival and the vision they had for bringing together the best in art, music, and culture. You'll also learn about the hard work and dedication it takes to bring a event of this scale to life, and how the team has continually innovated and evolved over the years. But the story of Moodindigo doesn't stop there. In this episode, we'll also be exploring some of the biggest highlights and achievements of the festival. From hosting some of the biggest names in the entertainment industry to showcasing the best in local and international talent, Moodindigo has solidified its place as a must-attend event for anyone interested in art, music, and culture. So don't miss out on this chance to immerse yourself in the captivating world of MoodIndigo. Tune in now and be transported to the heart of one of India's most vibrant and celebrated cultural festivals. #mood-indigo #podcast #festival #culture #India   Do Tune in to our Podcasting workshop at MoodIndigo on 30th December 1:30pm-3:30 pm Do Follow us on Instagram at:   https://www.instagram.com/anuragmanik7/?hl=en   https://www.instagram.com/msquarepodcast/?hl=en   and as we always say until next time:   Stay Quirky! Stay Different!  

In this episode of the podcast, we speak with the Mood Indigo team from IIT Bombay talk with our host Anurag Manik, about their inception and journey as one of the largest cultural festivals in India. Mood Indigo, also known as MI, is a four-day cultural festival held annually at the Indian Institute of Technology Bombay. The festival attracts over 1,50,000 participants from across the country and is known for its diverse range of events, including music concerts, dance performances, literary events, and workshops. The Mood Indigo core team members Ishan and Meenal share the history of the festival and how it has evolved over the years. They discuss the challenges and successes they have faced in organizing such a large event and the role that teamwork and collaboration have played in their success. Listeners will get a behind-the-scenes look at what goes into planning and executing a cultural festival of this scale and learn about the passion and dedication of the Mood Indigo team. Tune in to hear their inspiring journey and get a glimpse into the vibrant cultural scene at IIT Bombay.   MoodIndigo Comes to You This year from 27th-30th December 2022 at IIT Bombay Campus.   Do not miss out the fun.   And as we always say until next time   Stay Quirky! Stay Different!

THE BROTHERHOOD OF HOUSE Deepvibes 229 We kick off with a replay of a guest mix from the classy sounds of Mood Indigo pure vibes followed by a fresh mix from me featuring bits from Withheld Atjazz Jazzuelle Crazy Monk Records jacssen Alfredo Avila Ben Zimmermann Large Music Vall Black loops House Trip recs bliv  and many more

As you can tell from the heading, Jay plays “Mood Indigo” in this episode—or rather, Ella Fitzgerald sings it. There is more jazz at the end, as the Oscar Peterson Trio does up “Tangerine.” This episode also includes an aria by Puccini—two versions of it. Then there is a rare and wonderful tone poem by […]

As you can tell from the heading, Jay plays “Mood Indigo” in this episode—or rather, Ella Fitzgerald sings it. There is more jazz at the end, as the Oscar Peterson Trio does up “Tangerine.” This episode also includes an aria by Puccini—two versions of it. Then there is a rare and wonderful tone poem by Liszt. And more. Highly interesting, and nourishing. Chopin, Etude in C minor, Op. 10... Source

As you can tell from the heading, Jay plays “Mood Indigo” in this episode—or rather, Ella Fitzgerald sings it. There is more jazz at the end, as the Oscar Peterson Trio does up “Tangerine.” This episode also includes an aria by Puccini—two versions of it. Then there is a rare and wonderful tone poem by Liszt. And more. Highly interesting, and nourishing. Chopin, Etude in C minor, Op. 10, No 2 (“Revolutionary”) Ellington, “Mood Indigo” Puccini, “Aria di Rinuccio” from “Gianni Schicchi” (in Italian) Puccini, “Rinuccio's Aria,” from “Gianni Schicchi” (in English) Liszt, Symphonic Poem No. 13, “From the Cradle to the Grave” Puccini, “Senza mamma” from “Suor Angelica” Schertzinger, “Tangerine”

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Good News: A new online map allows you to explore the many rewilding efforts taking hold all around the world! Link HERE. The Good Word: A rightly famous poem by Robert Browning. Good To Know: What IS the longest sentence in world literature? Good News: A UK startup is hoping to get beachgoers to trade […]

William Elliott Whitmore "Not Feeling Any Pain"Possessed By Paul James "There Will Be Nights When I'm Lonely"Cat Power "Living Proof"The Supremes "Having A Party"Stevie Wonder "Sir Duke"The Gaslight Anthem "Miles Davis & The Cool"Waylon Jennings & Willie Nelson "Take It To The Limit"Gillian Welch "Wrecking Ball"Grateful Dead "The Music Never Stopped"Adam Faucett "Melanie"Mavis Staples "You Got To Move"John Prine "Middle Man"David Ramirez "People Call Who They Wanna Talk To"Jake Xerxes Fussell "Love Farewell"The Shangri-Las "Sophisticated Boom Boom"Emmylou Harris "C'est La Vie"Branford Marsalis "Scenes In the City"Swamp Dogg "She Got That Fire"Sly & The Family Stone "Sing a Simple Song"Talking Heads "Swamp"Stevie Wonder "I Wish"Charles Mingus "Mood Indigo"The White Stripes "You're Pretty Good Looking (For a Girl)"Otis Redding "(Your Love Has Lifted Me) Higher and Higher"J Roddy Walston & The Business "I'll Tell You What"Nina Simone "Do Nothin' Till You Hear from Me"Joni Mitchell "Blue"The Gaslight Anthem "High Lonesome"Richard Swift "Beautiful Heart"The Hold Steady "Your Little Hoodrat Friend"The Mountain Goats "The Best Ever Death Metal Band in Denton"fIREHOSE "Sometimes"Jack Logan "All Grown Up"Jeff Tweedy "Love Is the King"Aimee Mann "Nothing Is Good Enough"Doc & Merle Watson "Peach Pickin' Time in Georgia"Precious Bryant "You Can Have My Husband"Kris Kristofferson "This Old Road"Aimee Mann "Pavlov's Bell"John R. Miller "Coming Down"Jeannie C. Riley "Satan Place"Dan Penn "Memphis Women And Chicken"Dolly Parton "Jolene"Jerry Jeff Walker "Gettin' By"Valerie June "Use Me

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“La vida de Duke Ellington es la historia viva del jazz, o de la “música americana”, como él hubiese dicho; desde los remotos tiempos del ragtime a las variopintas fusiones de los años setenta. Según la imagen canónica, su figura preside la etapa más popular de esa evolución (el período del swing y las grandes bandas), pero basta adivinarlo en el saxo de John Coltrane cuando éste interpreta «In a Sentimental Mood», junto al piano del maestro (1962) para advertir que la magia de Ellington desborda todas las categorías, penetra en todos los terrenos e irrumpe amablemente en los acordes (o desacordes) de todos sus colegas. Ni el jazz en su conjunto ni buena parte de la música contemporánea serían explicables sin Ellington” Así se expresaba la crítica tras la aparición de la autobiografía del extraordinario músico DUKE ELLINGTON. Edward Kennedy Ellington, que este es su nombre completo, nació en Washington en 1899 y desde muy jovencito, cuando tenía siete años, ya empezó a tomar clases de piano. Sus primeras influencias fueron el Ragtime, género de música popular muy de moda en aquellos años. Con sólo diecisiete años debutó profesionalmente en su ciudad natal. Desde 1919 tocó con varios grupos de la capital estadounidense hasta que en 1922 fue llamado para actuar en Nueva York, el punto de referencia para todo músico de jazz. Hoy recorreremos sus grabaciones entre los años 1952 y 1960, habrá tiempo más adelante para profundizar en otras épocas. Escucharemos en primer lugar Take the “A” Train, un estándar de jazz compuesto por Billy Strayhorn y que fue la melodía insignia de la orquesta de Duke Ellington. Aunque no logró triunfar, adquirió la experiencia necesaria para formar su propio quinteto, The Washingtonians, con los que adquirió renombre suficiente como para realizar unas pruebas en el celebérrimo local neoyorquino Cotton Club, en Harlem. A partir de ese momento, su fama y su prestigio se fueron consolidando; las emisiones radiofónicas de sus conciertos se hicieron habituales y las apariciones de Duke Ellington and The Washingtonians en diversas películas, junto a las diversas giras que realizó por Estados Unidos y Europa, contribuyeron a fomentar su creciente popularidad. El quinteto original fue incorporando nuevos miembros, eran doce músicos en sus primeras apariciones en el Cotton Club. A principios de los años treinta, composiciones como Mood Indigo o Sophisticated Lady se convirtieron en grandes éxitos y marcaron el inicio de la época dorada para el músico y su big band. Hacia el fin de la Segunda Guerra Mundial, abordó la composición de obras de mayor envergadura formal, por lo común en forma de suites sinfónicas. Escucharemos ahora una las obras citadas, Sophisticated Lady, una composición del propio Ellington, grabada por primera vez en 1933. Esta canción permaneció en las listas durante 16 semanas, llegando a estar en el tercer lugar. En esta década de 1930, los gustos del público evolucionaron y las grandes formaciones empezaron a no estar de moda, el revolucionario bop les estaban ganando el terreno y lo que primaba eran formaciones más reducidas con un habilidoso instrumento solista. A pesar de todo, Duke Ellington siguió siendo fiel al estilo que siempre le había caracterizado y a su manera de entender la música. Lo que sí hizo fue elevar el listón de exigencia de sus músicos de tal manera que, todos, fueran solistas de sus instrumento. Basta con leer algunos nombres de músicos que pasaron por sus filas: el trompetista Cootie Williams o el saxofonista Hohnny Hodges. Como una suerte de premio a su constancia llegó su participación en el Festival de Jazz de Newport, en 1956. Esta actuación fue un punto de inflexión en la vida de The Washingtonians. Iniciaron giras por todo el mundo que no hicieron sino aumentar su fama internacional. También por esta época probó suerte en la música de cine y firmó las bandas sonoras de películas como Anatomía de un asesinato, de Otto Preminger o París Blues, protagonizada por Paul Newman. Vamos a escuchar otro de los grandes éxitos de la big band, Perdido, una composición de Juan Tizol, músico puertorriqueño miembro de la orquesta y que también firmaría éxitos inolvidables como Caravan o Lost in Meditation. En los años 60 colaboró con jóvenes músicos, unos jóvenes que estaban destinados a ocupar las más altas cotas del género: Charlie Mingus, John Coltrane o Max Roach. También por esta época se interesó por la música religiosa y compuso piezas como In the beggining of God, que fue estrenada en la catedral de San Francisco en 1965. Ellington permaneció al frente de su orquesta hasta su muerte. El relevo lo asumió su hijo Mercer Ellington. Prelude to a kiss, Preludio de un beso, es un canción, no muy conocida, compuesta por el propio Ellington. Cuando cualquiera de nosotros nos acercamos a la música de Duke Ellington y ponemos en el plato un “grandes éxitos” del músico, seguramente nos parecerá que es una música muy bonita, fácil de escuchar y que, bueno, el jazz no es para tanto. Y no, no estaremos descaminados porque la música de Ellington es sobre todo melódica y, consecuentemente, inmediatamente asumible. ¿Cuantas veces nos hemos visto tarareando la melodía de “Satin Doll”? Aunque, no se si este es un buen ejemplo teniendo en cuenta la versión que hizo de esta pieza La Orquesta Mondragón. Pero si nos podrían valer los primeros compases de “Mood Indigo”. Vamos a recordar una de estas preciosas canciones en su versión original: Satin Doll. Muñeca de satén. Os contaba todo esto porque, en algunos foros, toda la música de jazz anterior a John Coltrane es pasado y, además un pasado no digno de mención. Su teoría es que cualquier nueva etapa desbarata y supera la anterior. Por el contrario, es una opinión generalizada que los logros conseguidos por Duke Ellington como compositor, arreglista, director de orquesta y, por qué no, como pianista, tienen hoy una absoluta vigencia. Y no solo eso, sino que han ejercido una extraordinaria influencia en toda la música que vino después. Y es que su música lleva un sello personal e intransferible en el que la aportación de sus músicos es determinante, consiguiendo finalmente una obra casi colectiva. The Mooche es una canción que Ellington compuso en 1928. Es una pieza emblemática y la interpretó miles de veces a lo largo de sus 45 años de carrera. Su vida personal no fue tan placentera como su carrera musical. Cuando tenía 19 años se casó con su novia del colegio y al año siguiente tuvieron su único hijo, Mercer. El matrimonio duró poco pero enseguida empezó a vivir con Mildred Dixon, que viajó con él, administró su empresa Tempo Music y crió a su hijo Mercer. En 1938 Ellington abandonó a su familia, su hijo tenía entonces 19 años, y se fue con Beatrice Ellis, una empleada del Cotton Club. Su nueva relación también fue tormentosa pero, aun así, continuó después de que Ellington conociera e iniciara una relación con Fernanda de Castro Monte. En fin, un fenómeno. Vamos a despedirnos, por hoy, del gran maestro Duke Ellington con una canción que ya hemos citado antes. Mood Indigo, una pieza compuesta por Ellington para una emisión de radio en octubre de 1930. Cuenta en sus memorias que “fue la primera canción que escribí especialmente para la transmisión de micrófono”. Hoy es otro estándar de jazz. Y nada más por hoy. Hemos repasado unas cuantas piezas geniales de un músico muy importante dentro del panorama del jazz y de la música popular norteamericana. Volveremos sobre Ellington porque todavía nos queda mucho por escuchar de su obra. Por el momento, me despido de todos vosotros hasta la próxima emisión que podrais seguir aquí, en Siéntelo con oÍdo RADIO. Hasta entonces… ¡¡¡Buenas vibraciones!!!.

Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Curtis Mayfield, Ice-T. “Superfly 1990 (Mantronix Remix Edit).” Superfly 1990. Capitol, 1990. Vinyl. EP. Davis, Gary. “If I had My Way.” Great Blues Men, The. Vanguard Records, 1972. Vinyl. 2LP. Living Color. “Solace of You.” Time's Up. CBS Records, 1990. CD. LP. Kirk, Roland. “Mood Indigo.” Kirk in Copenhagen. Mercury Records, 2004. CD. LP. Franklin, Erma. “I'm Just Not Ready For Love.” I'm Just Not Ready For Love / The Right To Cry. Shout Records S-234, 1968. 7” Vinyl. Abu-Jamal, Mumia. “Father Hunger.” Mumia Abu-Jamal Spoken Word with Music by Man is the Bastard. Alternative Tentacles , 1997. CD. LP. Bradly, Charles. “The Word (Is Going Up In Flames).” No Time for Dreaming. Daptone Records, 2011. Vinyl. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

 | Artist  | Title  | Album Name  | Album Copyright | Shawn Pittman  | Lightnin's Stomp  | Stompin' Solo  |  | Ed Bell  | Hambone Blues  | The Paramount Masters - CD 4/4 | Hans Theessink and Big Daddy Wilson  | Virus Blues  | Pay Day  |   |  | Prakash Slim  | Crossroad Blues  | Country Blues From Nepal | Piano Kid Edwards  | Give Us Another Jug  | The Paramount Masters - CD 4/4 | Duke Ellington  | Mood Indigo  | Rockin' In Rhythm  |  | Little G Weevil  | On My Way To Memphis  | Live Acoustic Session | Sawmill Roots Orchestra  | Build Me A Statue  | Sawmill Roots Orchestra | Lightnin' Hopkins  | My Babe  | Double Blues (1972)  |  | Blind Lemon Jefferson  | Bed Spring Blues  | The Best Of Blind Lemon Jefferson | Meade Lux Lewis  | Honky Tonk Train Blues  | The Paramount Masters - CD 1/4 | Otis Rush  | Three Times A Fool  | Total Blues - 100 Essential Songs | John Hammond  | Cryin' For My Baby  | Southern Fried  |  | Sonny Terry & Brownie McGhee  | Backwater Blues  | Ash Grove 01-21-1967 1st Show | John Lee Hooker  | Worried Life Blues  | Total Blues - 100 Essential Songs

In today's episode, I will be playing Mood Indigo by Duke Ellington. Hope you enjoy.

Everybody has heard solo piano concerts and solo guitar gigs. But how often do you listen to solo trombone music? After listening to Nick Finzer's latest album Out of Focus, you'll think about listening to solo trombone more often. Whether it's a solo arrangement of Duke Ellington's “A Single Petal of a Rose” or a 15 trombone arrangement of “Mood Indigo” (with all parts except bass trombone played by Finzer), Out of Focus gives the trombone a whole new dimension. But how do you write for 15 trombones anyways? Or how do you add texture to an arrangement for a single-note instrument? As jazz musicians, it's easy to fall into a trap of cramming as much as you can into any given song. But the truth is, you probably don't need to play 17 choruses on that ballad. Nick reminds us that sometimes stripping a song back to the original melody IS unique — and maybe it's all you really need. Listen to the full interview with trombonist Nick Finzer to hear his input on great arranging. He also discusses how his company, Outside in Music, is helping artists release music without breaking the bank, and why setting aside time to be creative matters. Resources Learn more about Nick Finzer or his company Outside in Music on their websites. You can find Out of Focus wherever you stream music — it's also available for purchase from Amazon music. Stay up to date with Bite-Size Jazz by subscribing on your favorite podcast platform, or by following us on Instagram, Facebook, and Twitter. We'd love to connect with you!

A COLLECTIVE OF SOME OF THE FINEST PRODUCERS & DJ'S OF HOUSE MUSIC THAT SHARE THE SAME PASSION, LOVE & COMMITMENT TOO CREATING QUALITY HOUSE VIBES BY USING DIFFRENT MEDIA STREAMS TO SPREAD OUR MESSAGE RADIO SHOWS MUSIC EVENTS & OF COURSE THIS GROUP PAGE. THIS PAGE IS ALSO A TOOL THAT WILL ENABLE ANY PROMOTERS WISHING TOO BOOK ANY OF THESE AMAZINGLY TALENTED ARTISTS EASY ACCESS TO THEM. ALSO A PLACE TO CULTIVATE A POSITIVE ATTITUDE OF HELPING ONE ANOTHER & RECREATING THAT HOUSE FAMILY ETHOS

AHHH Mood Indigo smooth delivery dripping in pure soulful goodness from the renowned The Underground Sessions stable we were so chuffed to finally after 5 years of trying to be able to say the brotherhood of house presents mood indigo

The music of Duke Ellington is the sole feature on this show. One of the most famous jazz writers of his time, composer of many hits including Caravan,Satin Doll, Sophisticated Lady and more! Visit organistencores.co.uk to listen to the show & find out more.

On this episode, Cyrus is joined by playback singer Aaman Trikha, to talk about his song 'Achhe Din Aane Waale Hain', how that came about and the process of writing and recording it within 24 hours. They also talk about how Aaman found out he could sing well only in engineering college, always being studious in school and college, and tons more. They also talk about how Aaman got into singing Bollywood songs, performing and being popular in a lot of college fests and college circuits even before he made it big, how he started making his scratches in engineering college itself, being a part of a rock band in college, getting the 'Best Vocalist' prize at Mood Indigo in Mumbai with Shankar-Ehsaan-Loy as judges, and more. Aaman also talks about his thoughts on the term 'making it', going for auditions for reality shows, getting onto 'Sur Kshetra' with Himesh Reshamiya and Atif Aslam as team leaders and a star studded list of guest jurors like Asha Bhonsle and other top notch singers judging, winning the 'Man of the Series' on the show, Atif Aslam seemingly not being a fan of Aaman's, and more. Tune in for a very fun episode.Follow Aaman on Instagram: https://www.instagram.com/aamantrikhaSubscribe to our new YouTube channel: https://www.youtube.com/channel/UCmY4iMGgEa49b7-NH94p1BQAlso, subscribe to Cyrus' YouTube channel: https://youtube.com/channel/UCHAb9jLYk0TwkWsCxom4q8AYou can follow Antariksh on Instagram @antariksht: https://instagram.com/antarikshtDo send in AMA questions for Cyrus by tweeting them to @cyrussaysin or e-mailing them at whatcyrussays@gmail.comDon't forget to follow Cyrus Broacha on Instagram @BoredBroacha (https://www.instagram.com/boredbroacha)In case you're late to the party and want to catch up on previous episodes of Cyrus Says you can do so at: www.ivmpodcasts.com/cyrussaysYou can listen to this show and other awesome shows on the new and improved IVM Podcasts App on Android: https://ivm.today/androidor iOS: https://ivm.today/ios

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Duke Ellington's "Mood Indigo" is the standard of choice on this episode of Same Difference. Join AJ and Johnny as they look at versions by Frank Sinatra, Duke & Louis Armstrong, Duke & Coleman Hawkins, Thelonius Monk, and new-to-us artist Mariel Bildsten.

در چهارمین برنامه‌ی پادکست جزباز از استاندارد مشهور مود ایندیگو گفته‌ایم. از دوک الینگتون که نشسته، ایستاده یا روی زمین دراز کشیده در حال خلق ملودی‌های تازه بود؛ از اجرای پرحرارت و متفاوت نینا سیمون و از حال نشئه‌آور اجرای کولمن هاوکینز. در آیتم جز معاصر هم علی نوروزی سه آلبوم را برای معرفی و مرور آماده کرده؛ آلبوم‌هایی که احتمالن اسمشان را نشنیده باشید: 1. Makiko Hirabayashi Trio (Makiko Hirabayashi, Marilyn Mazur, Klavs Hovman), "Once Upon the Sea" (Where the Sea Breaks) 2018 Yellowbird 2. Marylin Mazur, Aina Kemanis, Hans Ulrik, Elvira Plenar, Klavs Hovman, "Coming Into Life, Skibets Sang, Storytime" (All The Birds - Reflecting + Adventurous) 2006 Stunt Records 3. Mathias Eick, Pasha Hanjani, Ertan Tekin, "Mitt Hjerte Alltid Vanker, Ave Maria Stella" (Tre Vise Menn) 2009 Kirkelig Kulturverksted (KKV) جزباز پادکستی است برای موسیقی جز. کاری از مجله‌ی پاراساندر و به میزبانی رادیوی مجله‌ی موسیقی معاصر. لینک‌های مرتبط با این قسمت: بخوانید: چگونه ملکه را فراموش کنیم و از موسیی لذت ببریم رادیو مجله موسیقی معاصر حمایت مالی و ارزی از ما در حامی‌باش Telegram | Instagram | Twitter

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OL talks to Magnus Rena about her new book, Everybody: A Book about Freedom. It's a sweeping, collective biography of a dozen glamorous but stifled figures: Susan Sontag, Christopher Isherwood, Nina Simone, Wilhelm Reich, Malcom X, Marquis de Sade, Ana Mendieta, etc. What they all share is an urge to break through various inherited constraints and seek out that strange and slippery thing called freedom.    Edited by Magnus Rena    Music: Nina Simone, Mood Indigo    Cover image: Ana Mendieta, Imágen de Yágul, 1973

Andy Harris and Matt Chrietzberg dive into the Braves minor leagues. Abraham Almonte moves up, Alex Jackson goes off, and the Stripers have a big week. In Mississippi, Shea Langeliers provides some power but one [READ MORE] The post OFR Farm Report Podcast #58: Mood Indigo appeared first on Outfield Fly Rule.

Mood Indigo (libremente traducido sería: estado de alma melancólico o triste) es un mágico tema ellingtoniano con una melodía en trío donde el color lo da el trombón en las notas altas y el clarinete en las bajas. Grabada por primera vez en 1930, los autores son Ellington, Barney Bigard e Irving Mills (letra). Duke la retoma en cada década y la re-elabora. Escuchemos varias de sus versiones, incluyendo junto a Ella y a Coleman Hawkins. Pero también a Bechet, Monk, Mingus, Nina Simone y otros.

Fats Waller & Rhythm sextett flytja lögin By The Light Of The Silvery Moon, Ain't Misbehavin', Sad Sap Sucker Am I Am, Moppin' and Boppin', I Wanna Hear Swing Songs, Cash For Your Trash, Your Socks Don't Match og Chant Of The Groove. Stórsveit Benny Goodman flytur lögin Goodbye, Undercurrent Blues, Swintime In The Rockies, Peckin', Downhill Special, If I Had You, It Takes Time og Flying Home. Don Sebesky og hljómsveit leika lögin Satin Doll, Mood Indigo, Take The Coltrane, Caravan, Creole Love Call, Chelsea Bridge og El Morro.

Hljómsveit Tómasar R. Einarssonar flytur sex lög af plötunni Bongó: Ég myndi aldrei, Stelpur, Sundhetjan, Dakíri, Eyja og Man ekki neitt. Arturo Sandoval og hljómsveit leika fimm lög eftir trompetleikarann Clifford Brown: Sandu, Jordu, Blues Walk, Daahoud og Joy Of Spring. Dave Grusin og félagar leika sex lög eftir Duke Ellington og fleiri: Sophisticated Lady, Mood Indigo, Just Squeeze Me, But Don´t Tease Me, East St. Toodle-oo og Cotton Tail. Sonny Clark og félagar leika: Cool Struttin' eftir Sonny Clark og síðan Lover.

find other episodes here: www.mattoestreicher.com/podcast find Clifford Carter here: http://www.cliffordcarter.com/index.html Clifford Carter Bio: One of the music industry's most sought-after keyboardists and composers, Carter has performed and recorded with legendary artists ranging from Art Garfunkel, James Taylor, Linda Ronstadt, Natalie Cole, Bette Midler, Carly Simon and Patti Scialfa to Chris Botti, Paul Simon, Betty Buckley, George Benson, Narada Michael Walden and Herbie Mann. He is currently the music director for Idina Menzel. His playing can be heard on film scores, television shows and commercials. He has been featured in a wide range of musical contexts from symphony orchestras to David Letterman's band. His songs have been recorded by Michael Franks, Phyllis Hyman, Vanessa Williams and The Four Tops, among others, and for his own solo CD. He owns Secret Road Studios, a versatile production environment, where he plays, writes, arranges and produces. The music from this podcast is all from Clifford's album Walkin' Into the Sun. It's available here: http://www.cdbaby.com/cd/cliffordcarter His full-time professional career began at that time as he worked playing Miami clubs with local and national artists, among them Bobby Vinton, the Coasters and Motown's legendary Four Tops. An offer to tour with The Four Tops took him on the road for the first time. He spent a year with the Tops and recorded three albums with them. With friends Steve Jordan, Hiram Bullock and Will Lee, Carter formed the 24th Street Band in 1978. He was one of the principal songwriters in the band, which made three records, played regularly in New York City clubs and embarked on a successful series of tours in Japan. In 1990, Carter began a long association with singer/songwriter James Taylor as a member of his touring and recording band. Carter's long-time friend and colleague Don Grolnick was keyboardist and musical director for the band at the time, and after playing a supportive role to Grolnick as the second keyboardist, Carter became the sole keyboardist when Grolnick tragically passed away in 1996. He remained in the band through 2001, playing acoustic piano and electronic keyboards. He worked on numerous Taylor releases, including the 1997 Grammy-award-winning Pop Album of the Year, Hourglass. Carter recorded Walkin' Into the Sun, his only solo recording to date, which was released in 1993 and described as "one of the most engaging surprises of the year" by Jazziz Magazine and "a showcase for the keyboardist's excellent musicianship" by Jazz Times. The CD, a jazz/pop hybrid, features Carter's vocal and instrumental songs with a top supporting cast of musicians including Steve Rodby, Will Lee, Mark Egan, Bob Sheppard, Luis Conte and producer-guitarist Tim Weston. A favorite of Late Night with David Letterman bandleader Paul Shaffer, he has often sat in with the band to accompany the show's guest artists, and he's subbed for Shaffer as well. He has accompanied a variety of artists on television programs ranging from The Tonight Show with Jay Leno, Saturday Night Live, The Oprah Winfrey Show, The Today Show, Regis and Kathy Lee, Late Night with Conan O'Brien, The Ellen DeGeneres Show and The View to Rosie O'Donnell's 1999 Christmas special and VH1's Storytellers and Live By Request. Among these artists are Al Green, Jewel, Christina Aguilera, the Black Crowes, Smokey Robinson, the B-52's, Rufus Wainwright, the Temptations, Little Richard, BB King, Lyle Lovett, Cher, LeAnn Rimes, Vanessa Williams, Michael McDonald and many others. Carter has played at star-studded music events such as the 1985 reopening of the Apollo Theater ("Motown at the Apollo"), tributes to artists including Bob Dylan, Willie Nelson and Chuck Berry at the Kennedy Center Honors, the Rock and Roll Hall of Fame, Sting's Rainforest Benefit in New York City, and Oprah Winfrey's "A Bridge To Now" celebration honoring 25 legendary African-American women, the concert for the 1st Annual Gershwin Prize for Popular Song honoring Paul Simon, and Fashion Rocks at Radio City Music Hall. His keyboard work has contributed to numerous film scores including You've Got Mail, A Chorus Line, The Object of My Affection, The Muppets Take Manhattan, and the recent remake of Shaft. In 2006, Carter began working with legendary singer Art Garfunkel, and continues to perform regularly with him both at home and abroad. 2009 highlights include appearing at the Rock and Roll Hall of Fame induction ceremony in Cleveland with Little Anthony and the Imperials and Bobby Womack, touring the United States with Art Garfunkel, concerts with Betty Buckley, performances of "Too Hot to Handel" with The Colorado Symphony Orchestra and the Baltimore Symphony Orchestra, and recording a soon to be released CD with leader/drummer Chris Parker. Carter continues to participate in a variety of musical settings from clubs to concert halls around the world, to television appearances and recording sessions. All these of course are his hobby - his main job is to raise his three daughters with occasional time out to watch the river flow. NOTES: The music from this podcast is all from Clifford's album Walkin' Into the Sun. It's available here: http://www.cdbaby.com/cd/cliffordcarter Intro track: Hard to Get Back Outro Track: Nothin' Left to Do (From Walkin' Into the Sun) The Frank Morgan track that I spoke of in the intro is the last track of his album Mood Indigo. It can be found here: https://play.spotify.com/album/3AVInHsvmgrL129ei5Tvft?play=true&utm_source=open.spotify.com&utm_medium=open