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I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Episode Summary:Menina Fortunato talks with Jessa, a dancer, choreographer, and movement coach, about her journey from Vancouver to Los Angeles. Jessa reflects on how she transitioned from musical theater to dance, highlighting her persistence despite early struggles with technique. She discusses the challenges of moving to LA and obtaining a work visa, underscoring the importance of perseverance and networking in building a successful career.Jessa shares her experiences performing with Ariana Grande at the VMAs and touring with Maluma, offering insight into her role as a movement coach. She explains how she helps artists develop confidence and stage presence, emphasizing the importance of mindset and personal growth. Jessa advises aspiring dancers on maintaining a positive attitude, being persistent, and building genuine relationships within the industry.The episode also explores the importance of mental and physical health for professional dancers, demonstrating how Jessa's story of resilience and passion helped her achieve success in a competitive industry.Show Notes:(0:00) Introduction to Jessa(2:00) Jessa's early dance journey and transition from musical theater to dance(5:30) Overcoming early struggles with technique and finding passion(9:00) The challenges of moving to LA and obtaining a work visa(12:00) Building a strong network and creating opportunities(15:00) Memorable experiences: performing with Ariana Grande at the VMAs(18:30) Touring with Maluma and traveling the world(21:00) The role of mindset in a dancer's career(25:00) Jessa's work as a movement coach and helping artists develop stage presence(28:30) The importance of mental and physical health in the dance industry(32:00) Advice for aspiring dancers on persistence and building relationships(35:00) The power of self-worth and confidence in booking jobs(40:00) Navigating the challenges of the dance industry with resilience(43:00) Building an authentic personal brand in the dance world(47:00) Jessa's advice on standing out in auditions and staying true to yourselfBiography:Jessa Doll is a commercial dancer from Vancouver, Canada, currently residing in Los Angeles. Growing up in Langley, BC, Jessa attended a Fine Arts High School where she majored in Modern Dance and Musical Theatre. In addition, she has travelled all over the world to train in various styles.After graduating, Jessa joined daCosta Talent and worked on numerous tv/film productions in the city of Vancouver. In 2014 Jessa obtained her 0-1 artist work visa for the United States. She is currently represented by Bloc Talent Agency. Her most recent credits as a dancer include; touring the world with Maluma on the 11:11/Papi Juancho World Tour, Grease: Rise of the Pink Ladies, Riverdale, Disney's Freaky Friday, Chilling Adventures of Sabrina, Lucifer, DC Legends of Tomorrow, Nickelodeon's RAGZ, Disney's Girl vs. Monster, Bravetown and Lifetime's Britney Ever After. Commercial credits include: Mountain Dew, L'oreal Paris, Kohl's, Lee Jeans and Erroca House of Brands. Jessa has also worked with artists such as: Ariana Grande, Jennifer Lopez, French Montana, Natalie La Rose, Jesse McCartney, Marianas Trench and Michael Buble. Other credits include: Sport Chek, MAC Cosmetics, American Horror Story, New Balance, etc..Jessa's passion for dance extends to choreography and movement coaching. She has had the pleasure of working with numerous up and coming artists such as Gia Woods, Julia Wolf, Jessie Chambers, Dyln, Rohan, Maxyme, Bava and Ceara Cavalieri. Jessa is also currently a faculty member at Millennium Dance Complex OC teaching heels and jazz funk.Connect on Social Media:https://www.instagram.com/jessicadollhttps://www.facebook.com/jessa.doll.7

In this episode we discuss how we're the adult snackboiz podcast, the ponpon style of shirt, the discovery of a downbeat zhjing, the power of a sunglass+ hat combination, the funhouse effects on a YouTube watch, 40 year olds pretending to be teens, women in stem but make it fashion, the beauty of a made up name, wanting a diary with a kill switch, a no-kids condo, and SO MUCH MORE!!!

Send Mary and Kelsey a Message!In this episode, Mary and Kelsey discuss all things Dream Street with original founding member, Greg Raposo! Greg shares how he ended up performing at Graceland after a call from Priscilla Presley, when he knew Dream Street popped off, his solo career and upcoming performances with Matt Ballinger this summer! Follow Greg at @gregraposomusic Support the showInstagram: @whentheypoppedpodTikTok: @whentheypoppedEmail: whentheypoppedy2k@gmail.comWebsite: linktree.com/whentheypopped

From Nickelodeon to Disney and “All My Children” to “Black-ish”—this compilation episode is all about celebrating the stars who grew up on our screens and never stopped shining. Raven-Symoné gets real about falling in love in the public eye, while Kel Mitchell takes us back to the magic of “All That”—and how his legendary partnership with Kenan Thompson began. Then it's a Gen Z glow-up: Marsai Martin reflects on stepping into her power as a producer. Plus, Coco Jones, Jesse McCartney, and Aly & AJ.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Josh sits down with voice actor & musician Monet Tatianna Lerner to chat about her carrier, being a child actor, favorite cartoons  growing up, animated red-heads, opening for Jesse McCartney, Medieval Times, not stopping at Buc-ees, and more.  Whose your favorite animated red-head? Sound off in the Spotify comments!   Follow Monet on: Instagram @monetlerner TikTok @monetlerner   We are looking for new cohosts! if you are interested in joining our team, please reach out to us on Instagram or via email at WUFcohosts@gmail.com.   Special Thanks to this week's sponsor Wild Bill's Soda! Enjoy crisp unique olde fashioned soda flavors anytime with Wild Bill's. Head over to drinkwildbills.com and use code FANDOM10 to get 10% off your purchase!    Do you have suggestions for the show? Do have specific voice actor or creator that you would like us to interview? We would love to hear from you! Feel free to message us.   If you enjoy the show, please rate and review! Follow the show on: Instagram @WhatsUpFandom Twitter @WhatsUpFandomPC YouTube What's Up, Fandom Podcast   Follow Josh @JoshLCain Follow Luke @tatted_triceratops   Tags:  podcast, podcasts, movies, tv, comics, pop culture, fandom, anime, video games, books, actor, voice actor, beast tamer, medieval times, dragon ball, the suite life, disney, cartoon network, nickelodeon, musician 

Send Mary and Kelsey a Message!In this episode, Mary and Kelsey are joined by legendary pop songwriter, producer, Grammy and Emmy nominee, Andreas Carlsson. Andreas' incredible body of work work has been streamed more than 1 billion times and sold 150M+ albums with credits including pop anthems we all know and love like BSB's I Want It That Way and Drowning, *NSYNC's Bye Bye Bye, Britney Spears' Born To Make You Happy and Can't Make You Love Me, Celine Dion's That's The Way It Is, and more. Andreas shared his stories from his time at Cheiron Studios where alongside Max Martin, Denniz Pop and other illustrious pop music figures, he shaped the music landscape of the late 90s and 2000s. Thank you, Andreas, for joining WTP! Follow him at @andreas.carlsson on IG. Support the showInstagram: @whentheypoppedpodTikTok: @whentheypoppedEmail: whentheypoppedy2k@gmail.comWebsite: linktree.com/whentheypopped

Today on our AfterDark Podcast yap session, we go over how Jess almost married Jesse McCartney and talk about our dreams of having both a book and movie made about us

We have selected the opening theme music from several famous shows - identify them and win tickets to Jesse McCartney!

Just like the title says, we're celebrating (almost) 20 years of Jesse McCartney's debut album and biggest hit single, "Beautiful Soul". We're taking it right back to the hit singles you know and love as well as Bekah's favorite deep cuts with a finish the lyric game, "Guesse This Jesse". Plus, our thoughts on Sabrina Carpenter's Short N' Sweet tour setlist, the new Wizards Beyond Waverly Place trailer, and Miley's placement in Billboard's list of iconic pop stars. ----- Follow The Time Mousechine: Instagram Twitter TikTok Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

We have selected the opening theme music from several famous shows - identify them and win tickets to Jesse McCartney!

Thoughts and prayers as Ben powered through the show without his precious phone in hand...it was a RECURRING THEME. We did make a little time for Carson's Group Therapy wondering if his wife's two-month trip should worry him. Also played a Guess The TV Theme for Jesse McCartney tickets and did some learning about the interesting history of the Michelin Man! And then more whining from Ben about his phone...

We have selected the opening theme music from several famous shows - identify them and win tickets to Jesse McCartney! Melissa was ready to play!

Today On With Mario Lopez – Singer/Actor Jesse McCartney zooms in to talk extending his Alls Well Tour, new EP, & more! Plus, we preview DWTS #Oscars night, get a driving Life Hack from Courtney, & reveal which artist is being honored w/ an ice cream flavor!See omnystudio.com/listener for privacy information.

Ben did it again...ended up sprinting in 1000 degree heat to interview Teddy Swims. And then created the most embarrassing photo EVER. In Group Therapy, his wife is spending 4-5 hour daily playing video games with another guy on Twitch trying to build a following, but it's deteriorating their relationship. And a Lady and the Tramp moment with a raccoon is featured in Little Kid or Drunk Adult for Jesse McCartney tickets!

On this week's episode of Diving In Deep, Sara is joined by Singer-Songwriter Shane Stevens! This discussion follows Shane's secret love for songwriting while being a hairdresser and how his music journey began. The two also talk about all of the amazing people that helped Shane along the way. Shane and Sara share stories of experiences in the music industry and working together on their own songs.   About Shane Stevens: Stevens has written for a variety of country and pop acts, including Sara Evans, Carrie Underwood, Lady Antebellum, Kellie Pickler, Jordin Sparks, Ronnie Milsap, Jo Dee Messina, and Hayden Panettiere. Stevens has had multiple singles released to country radio and scored his first Billboard number 1 country hit, "American Honey," with Lady Antebellum in 2010.The song was co-written with Hillary Lindsey and Cary Barlowe.Stevens signed his first publishing deal with Famous Music in 2001 before signing with Major Bob Music five years later. Stevens co-wrote two songs with Rochelle and country music star Sara Evans for Evans' 2014 album Slow Me Down. He also co-wrote the only original song and title track on Evans' Christmas album, At Christmas, with Toby Lightman. He then contributed 4 songs to the 2014 Jesse McCartney album In Technicolor, including the second single, "Superbad." He moved to Los Angeles in 2014 to pursue a new direction as a writer, vocal producer, and artist developer in the pop and R&B world. That same year, Stevens founded his own publishing and artist development company, Holy Graffiti LLC, administered by Kobalt Music Group. The first act under his development, The Heirs, has been signed to Capitol Records and they released their debut EP, "Ecliptic," on August 28. For 2015, Stevens has contributed songs to several pop artists, such as "Everlasting Love," co-written with Victoria Monet and Tommy Brown, on Fifth Harmony's debut album Reflection; "Paper Doll" for Bea Miller's album Not An Apology; "Paradise" for Little Boots' album Working Girl; and At Sunset's single "Every Little Thing."   He's worked on songs for many popular artists, such as the track "Step On Up" from Ariana Grande's album Dangerous Woman. He also worked with Meghan Trainor on the song "Woman Up" from her second album Thank You and Toby Randall's song "Misfits." Two songs off of Martina Stoessel & Jorge Blanco's album Tini, "I Want You" and "Yo Te Amo a Ti," were written by Shane as well. Most recently, Shane worked on what Pop Crush has dubbed the song of the summer "What You Want" by The Heirs. He also co-wrote "Infinite Love" by country star Sara Evans & Chrisley Know's Best star Todd Chrisley, which was featured on the season 4 finale. In 2019, Stevens sold a country music musical to Paramount Pictures, where he co wrote the music with his childhood friend Karyn Rochelle. Stevens signed a worldwide co-publishing deal with Bob Doyle's publishing company Purplebeat in 2021 where Stevens received his first Grammy nomination for the song "Fancy Like" by Walker Hayes.   Pre-order Sara's new album, Unbroke out 6/7: https://ffm.to/seunbroke   LET'S BE SOCIAL: Follow Shane Stevens! Insta: @shanestevensmusic Spotify: @written by Shane Stevens   Follow Diving in Deep Podcast: Instagram -(@divingindeeppod) TikTok - (@divingindeeppod) Twitter - (@divingindeeppod) Facebook - (@divingindeeppod)   Follow Sara Evans: Instagram - (@saraevansmusic) TikTok - (@saraevansmusic) Twitter - (@saraevansmusic) Facebook - (@saraevansmusic)   Produced and Edited by: The Cast Collective (Nashville, TN) YouTube -  @TheCastCollective ) Instagram - (@TheCastCollective) Twitter - (@TheCastCollective)   Directed by: Erin Dugan Edited By: Sean Dugan, Corey Williams, Tara Down, & Michaela Dolph https://www.thecastcollective.com

On this week's episode of Diving In Deep, Sara is joined by Singer-Songwriter Shane Stevens! This discussion follows Shane's secret love for songwriting while being a hairdresser and how his music journey began. The two also talk about all of the amazing people that helped Shane along the way. Shane and Sara share stories of experiences in the music industry and working together on their own songs.   About Shane Stevens: Stevens has written for a variety of country and pop acts, including Sara Evans, Carrie Underwood, Lady Antebellum, Kellie Pickler, Jordin Sparks, Ronnie Milsap, Jo Dee Messina, and Hayden Panettiere. Stevens has had multiple singles released to country radio and scored his first Billboard number 1 country hit, "American Honey," with Lady Antebellum in 2010.The song was co-written with Hillary Lindsey and Cary Barlowe.Stevens signed his first publishing deal with Famous Music in 2001 before signing with Major Bob Music five years later. Stevens co-wrote two songs with Rochelle and country music star Sara Evans for Evans' 2014 album Slow Me Down. He also co-wrote the only original song and title track on Evans' Christmas album, At Christmas, with Toby Lightman. He then contributed 4 songs to the 2014 Jesse McCartney album In Technicolor, including the second single, "Superbad." He moved to Los Angeles in 2014 to pursue a new direction as a writer, vocal producer, and artist developer in the pop and R&B world. That same year, Stevens founded his own publishing and artist development company, Holy Graffiti LLC, administered by Kobalt Music Group. The first act under his development, The Heirs, has been signed to Capitol Records and they released their debut EP, "Ecliptic," on August 28. For 2015, Stevens has contributed songs to several pop artists, such as "Everlasting Love," co-written with Victoria Monet and Tommy Brown, on Fifth Harmony's debut album Reflection; "Paper Doll" for Bea Miller's album Not An Apology; "Paradise" for Little Boots' album Working Girl; and At Sunset's single "Every Little Thing."   He's worked on songs for many popular artists, such as the track "Step On Up" from Ariana Grande's album Dangerous Woman. He also worked with Meghan Trainor on the song "Woman Up" from her second album Thank You and Toby Randall's song "Misfits." Two songs off of Martina Stoessel & Jorge Blanco's album Tini, "I Want You" and "Yo Te Amo a Ti," were written by Shane as well. Most recently, Shane worked on what Pop Crush has dubbed the song of the summer "What You Want" by The Heirs. He also co-wrote "Infinite Love" by country star Sara Evans & Chrisley Know's Best star Todd Chrisley, which was featured on the season 4 finale. In 2019, Stevens sold a country music musical to Paramount Pictures, where he co wrote the music with his childhood friend Karyn Rochelle. Stevens signed a worldwide co-publishing deal with Bob Doyle's publishing company Purplebeat in 2021 where Stevens received his first Grammy nomination for the song "Fancy Like" by Walker Hayes.   Pre-order Sara's new album, Unbroke out 6/7: https://ffm.to/seunbroke   LET'S BE SOCIAL: Follow Shane Stevens! Insta: @shanestevensmusic Spotify: @written by Shane Stevens   Follow Diving in Deep Podcast: Instagram –(@divingindeeppod) TikTok – (@divingindeeppod) Twitter – (@divingindeeppod) Facebook – (@divingindeeppod)   Follow Sara Evans: Instagram – (@saraevansmusic) TikTok – (@saraevansmusic) Twitter – (@saraevansmusic) Facebook – (@saraevansmusic)   Produced and Edited by: The Cast Collective (Nashville, TN) YouTube –  @TheCastCollective ) Instagram – (@TheCastCollective) Twitter – (@TheCastCollective)   Directed by: Erin Dugan Edited By: Sean Dugan, Corey Williams, Tara Down, & Michaela Dolph https://www.thecastcollective.com

You might know him as the teen heartthrob who stole our hearts on the daytime drama “All My Children,” or from his chart-topping 2004 hit “Beautiful Soul.” That's right – we're talking to the one and only Jesse McCartney today! What was it really like growing up in the spotlight? How did he transition from acting to becoming a pop star sensation? Jesse opens up about his journey from child actor to pop icon, touring with Britney Spears, the catharsis of taking breaks, and how he's managed to stay positive through the ups and downs of his entertainment career. Then he tackles the question we've all been wanting to know his answer to – Backstreet Boys or NSYNC?Listen to Baby, This is Keke Palmer on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting https://wondery.com/links/baby-this-is-keke-palmer/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

He's a "Beautiful Soul" who can do it all!  Jesse McCartney may be a successful songwriter, singer, and actor, but Lance has a bone to pick with him! Find out why, plus the song he regrets recording, behind-the-scenes scoop about his time on The Masked Singer, his voiceover work, and a possible collaboration with Lance?! Jesse also answers fan questions, and the guys play a fun lyric and movie rewind game you won't want to miss!See omnystudio.com/listener for privacy information.

He's a "Beautiful Soul" who can do it all!     Successful songwriter, singer, and actor Jesse McCartney joins Lance and the gang to talk about a big milestone . . . "Beautiful Soul" is turning 20 years old this year! Jesse reflects on the song's enduring popularity and what it's like seeing his fans, now parents, bring their kids to his shows and sing along to his songs!     Plus, Jess talks about reuniting with Dream Street, co-writing the Leona Lewis hit song, "Bleeding Love," and his new music!See omnystudio.com/listener for privacy information.

I was lucky enough to start my career wrapping cables at a world-class recording studio, surrounded by the best engineers, mixers, and producers in the business. I learned so much just by being “under the roof” and working with those incredibly talented people. Sadly, most of you reading this will never get to ask questions and learn engineering and production from the best in the business because your studio is in your home. Convenient? Yes! You can work whenever you want, and for as long as you want! Isolating? Also, yes! Working by yourself pretty much limits you to learning from YouTube videos. But, that's not nearly as good as having TWO real-deal, hit-making, multi-Grammy-winning, multi-platinum engineers/mixers answer your specific questions in real-time. That's EXACTLY what you're going to do when you join Rob Chiarelli, Michael Havens, and me on this very special episode of TAXI TV, live! Michael engineers Gospel superstar Kirk Franklin's records, and Rob mixes them. They've also (collectively) worked with Justin Bieber, Tori Kelly, Chance the Rapper, Demi Lovato, Stevie Wonder, Ray Charles, Erica Campbell, Big Smo, Andra Day, The Corrs, Public Enemy, Jesse McCartney, LeeAnn Rimes, Will Smith, Danny Elfman, Christina Aguilera, Teddy Pendergrass, The Temptations, The Four Tops, and many, many more!

On today's episode of The Morning Rush: Iconic singer JESSE MCCARTNEY joins Chico and Hazel on the show to talk about his new music 'Faux Fur'! Today's top 10: #TagalMongNawala - thanks @designer_dad_ for the topic! The Morning Rush, the multi-award-winning comedy radio program, is now on your favorite streaming platforms! Join Chico, Hazel and Markki for a daily dose of laughter and hilarity as they cover the latest news, pop culture, celebrity gossip with Tea over Coffee, and of course, the Daily Top 10's. With our hilarious hosts and engaging guests, The Morning Rush is the perfect way to start your day with a smile. Join our daily Top 10 entries by sending us a post on X with the hashtag of the day's Top 10 topic and #TheMorningRush Send in your greets or requests via the Monster text line on Viber or Telegram: +63 961 1367 931 Follow us on our socials: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel for more content! Follow our TMR hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chico⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hazel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Markki⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

Oh, snap! The "That's So Raven" soundtrack is turning 20 and we're going track by track through some of the 2000s biggest hits from Raven, Jesse McCartney, and Stacie Orrico that are on the same CD as Kool and the Gang and Chaka Khan?! Plus, some updates on the Wizards reboot and the fate of Raven's Home. ----- Follow The Time Mousechine: Instagram Twitter TikTok Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

I don't want another pretty face, I don't want just - you guys know how the song goes. Today we welcome Jesse McCartney aka teen heartthrob turned…dating expert? At least as far as Sofia is concerned. Jesse and Sofia join forces to discuss the realities of dating in your 30's and how “real” you have to keep it, even if you do feel crazy. Also there's something about foot fetishes with an F…? This one is crazy - tune in Sloots!  Jesse McCartney is on: https://www.jessemccartney.com/  https://www.instagram.com/jessemccartney  https://www.tiktok.com/@jessemccartney  https://www.youtube.com/channel/UCvrV-FW45n93xi0RZBVE0Xg  https://www.facebook.com/JesseMcCartney/  Follow Sofia on:  Instagram - https://www.instagram.com/sofiafranklyn   TikTok - https://www.tiktok.com/@sofiafranklyn   Twitter - https://twitter.com/sofiafranklyn    Threads - https://www.threads.net/@sofiafranklyn  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In tonight's episode of "Crystal's Nightcap" I made Jesse McCartney laugh, the biggest flop of my radio career, I was on TV again, Willow Smith's album listening party, my ex is rich and famous now, flying first class for the first time, surprising my mommy for her birthday, I almost killed a woman on the West Side Highway, and MORE!

Well it's only been a week since we last recorded but it feels like it's been months! This week we chat about how our week has been which (no shocker herr) includes lots of emotional whiplash and questioning why it feels like it's  so "easy" for everyone else but us. Annalee chats about her busy weekend (a creator meetup AND Jesse McCartney?!) and Ethan shares how he handles his cleaning OCD with messy kids. Thanks for listening! Please subscribe and leave a review ❤️ You can find us on the following platforms: Instagram.com/Annalee15 Tiktok.com/@annaleegrace15 Instagram.com/alongthewavesco Ethan does not have social media... I KNOW!! http://www.alongthewaves.com

This morning we talk to Anna Halberg - a writer of the new movie 'Tarot', who actually went to school in Minnesota. Dave shares a list of things people regret doing or not doing when younger in You Can't Make This Stuff Up, Jenny sings her heart out to Jesse McCartney and more.

We learned that Vont was on The Tonight Show doing a Donald Trump impression. Tell us about your 15 Minutes of Fame in Talkback Tuesday. We play Did This Happen Before or After 2004 for some Jesse McCartney tickets. Plus, a listener tries to put us onto a new song called, House with A View, Dave found an AI song generator House With A View, Dave's Dirt and more.

Former juvenile detainees seek justice over alleged sex abuse; Jesse McCartney opens up about new music, career milestones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Crack open a bottle and join us as my rejuvenated voice teams up with the effervescent pop of Cava Codorniu to toast to life's quirky pleasures. From the crisp, bubbly nuances of our favorite Barcelona Brut Reserve to the subtle art of crafting the perfect dry mimosa, we're serving up a symphony of tastes and tales. Our brunch banter spans from the charm of family-owned eateries to the predictability of dining chains, before taking a sharp turn into the unpredictable realm of reality TV – notably, "The Circle's" latest foray into AI contestants. Can a machine truly mimic the complexities of human emotion and humor? Let's raise our glasses and our eyebrows to find out.Turning the page, we dive into the bittersweet chapters of our current cultural obsessions, with the final arcs of "Lore Olympus" tugging at our heartstrings. Meanwhile, our gaming exploits in "Torn" and the wild west wonders of "Magic: The Gathering" keep our adrenaline pumping. When it comes to the latest earworms, we've got the lowdown on the infectious beats of Yung Gravy, Jesse McCartney, and Snoop Dogg, and ponder why throwbacks like "One Week" still strike a chord with us decades later. It's a melody of musings that's sure to resonate with fellow cultural connoisseurs.As we wind down, the conversation shifts to a more contemplative note, exploring the tenuous ballet between wildlife and urban sprawl. We share feather-ruffling stories of peacock run-ins and reflect on the larger tapestry of wildlife management issues, all peppered with a satirical twist. The tech-savvy among us will find intrigue in the discussion on AI-generated voiceovers – is the synthetic voice the future of storytelling, or will the human touch remain irreplaceable? So, uncork your curiosity and join us for a session that's brimming with insight, wit, and a dash of the wild side.

The one and only Jesse McCartney is our newest Main Pod Girl! We talk about his new EP All's Well and what we can expect on tour, as well as reflect on his past albums and legendary appearance on Suite Life of Zack and Cody. We also play Call DM Block with Jesse's name twins and Song Interrogation.

Join Jeff Kaufman, attorney, radio host, and comic book writer, as he uncovers the untold tales of celebrities, infamous figures, and unsung heroes. From the glamour of Hollywood to the gritty stories of true crime survivors, every episode of "Under Oath" promises a captivating journey into the lives of those who've made a mark.Listen to the show live on Saturdays, at 7:30am EST, on Real Radio 104.1, or catch the stream on your iHeartRadio app (or wherever you get your shows and podcasts). You can also watch the show on YouTube.

Today on The Neil Haley Show Neil "The Media Giant" and co-host Dr Robert Marx interview Jesse McCartney. Born April 9, 1987 in Ardsley, New York, to Ginger and Scot McCartney, Jesse began his career in theater with a national revival tour of The King and I with Hayley Mills (1997/98), and a notable New York Production of A Christmas Carol (1998) with Roger Daltrey. Jesse got the part of 'Adam Chandler Jr.' on the show All My Children for which he would eventually Emmy nominations in 2001 and 2002. After a brief stint in a children's musical group Sugar Beats, and later in teen boy band Dream Street, Jesse was signed as a solo artist to Hollywood Records. He released his first full length album on September 28, 2004. His song, "Beautiful Soul" was an instant hit and the album of the same title was certified platinum on February 24, 2005. His Departure album yielded another smash single, "Leavin'," landing him a #1 spot on the charts and was Top 40 Radio's most played song of of the year. His next single "How Do You Sleep" also charted in the top 10 in the following year. His songwriting credits include co-writing the smash "Bleeding Love" for singer Leona Lewis, which was a #1 hit in 34 countries; the only song in over a decade to achieve this status. It also won ASCAP's song of the year and was nominated for a Grammy Award. In addition to starring in Keith, which won five international film festival awards, McCartney's film credits include the Tribeca Film Festival's darling Beware The Gonzo (opposite Ezra Miller) and Oren Peli's Chernobyl Diaries. McCartney has voiced numerous animated characters for films, video games, and television series including all of the Alvin and the Chipmunks films, Horton Hears a Who, Kingdom Hearts, and Cartoon Network's Young Justice.

This week, Meghan's "first husband," Jesse McCartney joins the pod. He talks about his early career life, going to high school while his song "Beautiful Soul" is at the top of the charts, and how he was able to collab with Yung Gravy for his new single "Make A Baby." Follow, Follow, Follow!Workin' On It @workinonitpodMeghan Trainor @meghantrainorRyan Trainor @ryan.trainorRyan's Twitch: https://m.twitch.tv/trainortv Daryl Sabara @darylsabara Jesse McCartney @jessemccartneySee omnystudio.com/listener for privacy information.

This week, Meghan's "first husband," Jesse McCartney joins the pod. He talks about his early career life, going to high school while his song "Beautiful Soul" is at the top of the charts, and how he was able to collab with Yung Gravy for his new single "Make A Baby." Follow, Follow, Follow!Workin' On It @workinonitpodMeghan Trainor @meghantrainorRyan Trainor @ryan.trainorRyan's Twitch: https://m.twitch.tv/trainortv Daryl Sabara @darylsabara Jesse McCartney @jessemccartneySee omnystudio.com/listener for privacy information.

Emma is joined by singer-songwriter Jesse McCartney, to talk about his new EP All's Well, navigating teen stardom, and the scariest forms of self expression. In the Why Do Men? Segment, Jesse answers a listener email about going no contact with an ex. Then, Emma asks Jesse anything, from starting a family, to writing songs about exes, and why not all press is good press. And finally, they wrap with a lightning round about dads, pizza, and asking for directions. Email us at ama@betches.com or leave us a voicemail at (201) 754-8351 with your AMA, Why Do Men?, and Apology Surrogate questions, and we'll answer them in a future episode. Guest: @jessemccartney Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the KJ Today Show, host KJ interviews the talented Jesse McCartney about his upcoming EP "All's Well," his music career, voice acting work, and love for rescue dogs. Jesse shares insights into his music, upcoming tour, and the joy of performing live. Join KJ and Jesse as they discuss everything from kitchen dance parties to voice acting in popular video games. Plus, find out about Jesse's viral video singing to rescue puppies and his love for dogs. Don't miss this engaging and fun interview with Jesse McCartney on the KJ Today Show.

On Celebrity Jobber with Jeff Zito this week, Jesse McCartney. What type of work would Jesse do if not for being famous for being on All My Children as JR Chandler, being in the band Dream Street, and having a solo musical career? Many celebrities will tell you they would be an eye doctor, or selling cars somewhere. They may have been just a jobber. Thanks for listening, Please rate, review, and subscribe to the Celebrity Jobber with Jeff Zito wherever you pod.

Jesse McCartney has a new song with Yung Gravy out he stops by to tell us all about it! Plus, Don from American Dream has an exciting announcement for us, we play Connections, and Andrew is a menace!See omnystudio.com/listener for privacy information.

Jesse McCartney's new single, "Make a Baby", features Yung Gravy and is off his new EP "Alls Well"!See omnystudio.com/listener for privacy information.

SKOR North's Judd Zulgad is back in the driver's seat today with Tom off for the week and opens the show with a scare for Twins fans after Buron Buxton was nearly taken out by a fan dressed as a giant bratwurst! - KSTP's Chris Egert joins shares and updates about the trial currently underway involving the man who stabbed and killed a teen while he and his friends were in a river in Wisconsin, talks about the one time he tried to sell copper piping to a scrapyard, and talks about some of his tougher past jobs before getting into tv. - Singer Jesse McCartney joins the show to talk about his newest EP "All's Well" that is releasing on April 5th which will feature a 24-city tour the following week with a stop in Minneapolis on May 4th! - Kristyn Burtt has the latest on Dev Patel's new film Monkey Man and how it could thrust him back into the spotlight of Hollywood, hears about a Timothee Chalamet super fan being arrested, talks about a celebrity insider Instagram account, and shares the latest on what's coming to streaming! Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

SKOR North's Judd Zulgad is back in the driver's seat today with Tom off for the week and opens the show with a scare for Twins fans after Buron Buxton was nearly taken out by a fan dressed as a giant bratwurst!- KSTP's Chris Egert joins shares and updates about the trial currently underway involving the man who stabbed and killed a teen while he and his friends were in a river in Wisconsin, talks about the one time he tried to sell copper piping to a scrapyard, and talks about some of his tougher past jobs before getting into tv.- Singer Jesse McCartney joins the show to talk about his newest EP "All's Well" that is releasing on April 5th which will feature a 24-city tour the following week with a stop in Minneapolis on May 4th!- Kristyn Burtt has the latest on Dev Patel's new film Monkey Man and how it could thrust him back into the spotlight of Hollywood, hears about a Timothee Chalamet super fan being arrested, talks about a celebrity insider Instagram account, and shares the latest on what's coming to streaming!Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jesse McCartney came by to talk about his new EP 'All's Well', Make A Baby with Yung Gravy, 20 years of Beautiful Soul and writing Bleeding Love for Leona Lewis!Stream "All's Well" ►► https://jesse-mccartney.ffm.to/allswellCheck out our partners Beyond Sleep Here:https://www.beyondsleeptech.com/pages/zach-sangYou can always leave us a voicemail - (262) 515-9224!Follow Us On Social!TikTokTwitterInstagramFacebookFollow ZachFollow Dan

Jesse McCartney came by to talk about his new EP 'All's Well', Make A Baby with Yung Gravy, 20 years of Beautiful Soul and writing Bleeding Love for Leona Lewis! Stream "All's Well" ►► https://jesse-mccartney.ffm.to/allswell Check out our partners Beyond Sleep Here: https://www.beyondsleeptech.com/pages/zach-sang You can always leave us a voicemail - (262) 515-9224! Follow Us On Social! TikTok Twitter Instagram Facebook Follow Zach Follow Dan Learn more about your ad choices. Visit megaphone.fm/adchoices

00's icon & heartthrob Jesse McCartney joins Smallzy to chat about his new song with Yung Gravy, 'Make A Baby' & spill on details from the iconic 'Beautiful Soul' music video! See omnystudio.com/listener for privacy information.

Covering season 1 is a RIDE and no episodes better exemplify that than episodes 13, 17, 19, 20, 21, and 22. London loses all of her money, Jesse McCartney stays at the Tipton, Max kisses Zack, Zack runs away with his dad, there's a ghost in room 613, and baby Jesus is born in the Tipton?? And that's just the start. Please rate & review us wherever you listen, and let us know your thoughts on the episode on any of our socials.OUR SOCIALSInstagram: https://www.instagram.com/ninetiesbabiesnostalgia/ YouTube: https://www.youtube.com/channel/UCgmyQV7STEmjISJKCZr362w Twitter: https://twitter.com/Nineties_Babies TikTok: https://www.tiktok.com/@90sbabiesnostalgia Theme Song by Patrick Dunnevant, (https://www.youtube.com/c/AcappellaVGM)Artwork by Dawn Wheeler (https://www.instagram.com/wool_and_stone) 

“You should reach out to Joni.” I'm reading a text from my step-mom and she is suggesting I contact a dear friend of hers because her focus on Musical Improv can take performances to the next level. I've met Joni and she's fantastic. The challenge is: I'm directing a big Improv show this Friday… and it's already Tuesday. So there's not much time to bring her in.  I'm thinking, “What if introducing music now ends up throwing off the performers or intimidating those who aren't so musically inclined?” I decided to go for it anyway. I invited Joni to our Tuesday evening class so she could be part of our rehearsal and get to know the players before Friday's show.  And I create a game set list that involves everyone–from those highly inclined in Musical Improv to those who have zero experience. I want them all to feel like musical superheroes. After the class is over, my phone starts blowing up with text messages from different students. Everyone loved the addition of Joni and her music. And she had a great time too! Experiences like this are just a reminder that it's good to mix things up sometimes. When you try new things and put yourself even a little out of your comfort zone, you open yourself up to a new story of possibility. And when it comes to music, my special guest Dan Kalisher knows a lot about mixing it up. In this episode of the Storytelling School Podcast, you'll learn how music can impact the story you're telling (whether in a performance or a Talk), as well as get answers to questions such as: Why does music transcend spoken language? And what's one reason why people can feel creatively stuck or like they've hit a roadblock? What you will learn in this episode: How the emotional side of storytelling in front of a live audience differs from that in a studio How location can influence you as a storytelling artist What key aspect can help you keep your creativity well-flowing Who is Dan? Dan Kalisher is a session guitar and pedal steel player, producer, and songwriter based in Los Angeles. He has played all over the world performing and recording with artists such as Noah Cyrus, Grace Potter, Louis Tomlinson, Fitz and the Tantrums, Bea Miller, AJ McClean, Don Felder, Matthew Morrison, JC Chasez, and Jesse McCartney. He has also performed at countless music festivals, with regional orchestras nationwide, and has appeared on several major network morning and late-night television shows.  As an award-winning songwriter and producer, Dan has over 25 placements of original music in network TV and worldwide ad campaigns. Most recently, he contributed over 100 original songs for the Meta Sound Collection.  Links and Resources: @dankalisher on Instagram @dankalisher on TikTok Storytelling School Website @storytellingschool on Instagram @storytellingSchool on Facebook

The Breathe Bible Audio New Testament is a remarkably vivid listening experience that transports you into the world of the Bible.  Performed in the New Living Translation by a cast of internationally acclaimed film, television and recording artists, this captivating multi-million dollar audio production features cinema-quality sound with an original music score. It's an experience you will never forget. The Breathe Bible Audio New Testament -“It's like being there.”  Subscribe to Breathe Bible on Apple Podcasts and Spotify!  Created by an award-winning team, this dramatic production features a cast of leading Hollywood entertainers, over 80 supporting actors, a full-orchestral score, and cutting-edge sound design. Stars of stage and film such as Kevin Sorbo (Voice of God), Josh Lucas (Jesus), John Rhys-Davies (narrator), Jesse McCartney (Matthew), Hill Harper (Mark), Corbin Bleu (John), Christian Stolte (Luke), Marshall Allman (John the Baptist), Wintley Phipps (Peter), and Bailee Madison (Young Mary Mother of Jesus) headline this $2 million production, bringing a new level of excitement to the forefront of Bible audio innovation. Features the New Living Translation, the first translation created to be read aloud. Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

This week Jason is joined by hit singer-songwriter, Justin Jesso who has over 8 billion streams on his collaborations with artists such as Ricky Martin, The Backstreet Boys, and Kyga!       Justin has since made his mark as a solo artist within the music industry starting by coming up within the music theater space in Chicago at a young age. After releasing his debut album at just 18, he eventually found himself touring with Disney artists such as Jesse McCartney, Jordin Spark, and Raven Simone all over the country. His song “Stargazing” has over 500 million streams on Spotify.    Justin gives insight to the importance of a song having his name and voice associated with it, how attending a camp sparked his interest in songwriting, how he got noticed by Radio Disney, breaking down what goes into a song, and how the payment is distributed for a song.  Justin also reveals how he ended up on tour with Jesse McCartney, Jordan Sparks, Raven Simone, and Mitchel Musso,  the different ways to monetize off a song, how much can be made on a general deal as a songwriter, the complexities of copyright in music, what inspired the screenplay he has written, and breaking down the role publishing and masters play with the Taylor Swift/Scooter Braun example. When did he get discovered? Does streaming or radio pay more for the publisher? What is his biggest issue with the music industry?  How long does it take for publishing money to come in? How did he get this stage name?   Justin reveals all that and so much more in another episode you can't afford to miss!    Be sure to follow the Trading Secrets Podcast on Instagram & join the Facebook   Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.   Sponsors: It's golf. It's not golf. It's Topgolf. Pro-tip, download the app & book ahead of time to Come Play Around on Half-Price Tuesday, or any other day. Visit cort.com/podcast to learn more and find the furniture package that fits your life   Host: Jason Tartick Voice of Viewer: David Arduin Executive Producer: Evan Sahr   Produced by Dear Media.