Podcast appearances and mentions of Robert Culp

Movie Reviews #618 movies to review today so Autobots rollout.1 (Wanda 1970) here we have a Writer, director, and actor with no money kicking ass. Her name is Barbara Loden, and we had all never seen this movie before, a buried early feminist film finally unearthed, and by Criterion who has been quick to resurrect  some crud like that Nazi porn film, and leave a lot of the women, people of color and other marginalized groups films still on my list buried. So, more like this Criterion and thank you.2 (See the man Run 1971) I did the write up for this and I now have no memory of this film, lemme grab my notes. Oh yeah I dug this one, it's just got one of those dumb vague titles. Here is a plot for me that is NOT Freebox. Angie Dickenson, Robert Culp and Eddie Albert star in this, and you can and should watch it right now on the youtubes. It refreshingly has a plot and also has some odd acting choices and 70's insanity that this cat craves.3 (Man on a String 1972) Joseph Sargent directed this. He directed many 70's movies that we love annnnnnd this. Kitty Winn, Jack Warden and a bunch of white guys that look alarmingly alike are here in this movie where this sharp shooter makes an impossible shot because he is impossibly, that good.4 (Play it as it Lays 1972) Here we have another film by director Frank Perry that for me, knocks my socks off, I had no idea it was gonna go where it goes. Film is based on Joan Didion's book, great, I have been so behind on books I need to read since I got my first iPhone, damn!5 (The Man who could Talk to Kids 1973) Oh my Mr. Brady and the doctor from Jaws 2 are parents that are struggling with what the film calls, their emotionally disturbed Son, so they find a guy who can “talk to kids”. Important subject that we liked save the fact that the “guy” is just a guy that they let take their son and go wherever.  When I get my Time Machine, it will be on my list to find the writer and add at least one degree to this “guy” who talks to kids and NOT have him say, it's just a hobby.6 (Watched 1974) Not as good as the bootleg dvd box says it is, but for me it was worth a watch. Stacy Keach and his mates seem to have a lil time, some film equipment, and maybe some drugs, let's make a movie. Why not?!7 (News from Home 1976) Here we have a Rad Feminist writer and director Chantell Ackerman, who's Belgian film Quai Du Commerce, 1080 Bruxelles we really liked and were moved by. Here, let's just say this is mollases ass slow. She films New York doin nothing and reads an occasional letter from her Mother.8 (Cotton Candy 1979) Here is a made for tv movie I saw when it aired at 8 years old. It's about friends forming a band. Even then I knew it was corny, but that I also wanted to someday be in a band. When I meet  Clint Howard I want him to sign his poster from this.Hey as always, thanks for listening friends. Maybe give us all the stars and write a review, thank you.

Original Release Date: Monday 1 June 2026    Description:   Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”.  The Coen Brothers' 1991 masterpiece Barton Fink gets revisited at 35 and is found to be better than ever. The film genre of neo-noir gets analyzed, and the all-too-overlooked Hickey & Boggs (directed by Robert Culp and co-starring Culp and Bill Cosby) gets championed as an outstanding exemplar of that genre. The death of certain kinds of horror tropes are foremost on Dean's mind after seeing Scream 7, whereas Phil is intrigued by the new generation of horror exemplified by the current box office sensations Backrooms and Obsession. Then, Dean and Phil switch genres yet again, and examine cinematic comedy through two documentaries (Mel Brooks: The 99 Year Old Man! and Marty, Life is Short), one all-time classic (Some Like it Hot) and two current releases in theaters (I Love Boosters and The Sheep Detectives).

You can watch the VIDEO version of this episode here, on the Mom and Pop Video Shop YouTube channel: https://youtu.be/5OFB5R5Is1w?si=ksvQUzz5qNGvSFA8 On Terror On The Tube, Joel, Peter, and Allyson pick, at random, a made-for-TV horror/suspense movie that aired sometime during the decades of the 1970s, 80s, or 90s. In this episode we’re joined by Darrell to talk about Spectre from 1977. Originally released on NBC on Saturday, May 21, 1977, Spectre stars Robert Culp, Gig Young, John Hurt, Gordon Jackson, and Ann Bell. Synopsis: A criminologist turned occult investigator recruits his former partner to assist in his current case. A sister of a prominent British businessman believes her brother dabbles in the black arts. The two investigate the matter. ……………………………………………………………………………………………………………………………… Subscribe to Mom and Pop Video Shop for more Terror on the Tube episodes, retro horror reviews, and original content like our short film “The One Who Waits Below”: https://youtu.be/k7lLcQ1hqPw Special Thanks to Darren Curtis for the use of his music. You can find more from this amazing artist HERE: https://www.youtube.com/@DarrenCurtisMusic AND HERE: https://www.darrencurtismusic.com/

Movie reviews number sixty. Seven films to review today so let's get goin.
1. (Deadhead Miles1972)
Terrence Malick is the writer here and this is an early work of his. Alan Arkin is here in the starring role along with support from the butler from the Jeffersons, Doc Hopper from the Muppet movie, and Jaws from the Bond movies. The film cinematically answers the burning question, “Did they ever make a more ethereal stream of of consciousness Trucker movie?”
2. (The Execution of private Slovik 1974) This is a heavy made for tv based on the real story of Eddie getting executed for desertion 1945 by firing squad. 49 others were sentenced to death for desertion in that war but all were commuted except for Slovik, apparently to send a message, but then they covered it up. Martin Sheen, Mariclare Costello, and about a baker's dozen of recognizable characters from the time appear in this one. What else to say except maybe strap in fam.
3. (My Father's house 1975)
Spiderman's Uncle, the rad guy from the Music Man, Mrs Peacock from Clue, and Rosemary Forsyth star in this thoughtful made for tv movie about a dad recovering from a heart attack who is thinking about life and his dad.
4. (The Grateful Dead Movie 1977) I think I liked this more than the others here. We all don't dig the Grateful Dead much but Agree that the story is very interesting. It could have been more coherent but as Jerry himself said “We just keep trying to describe the Indescribable.”
5. (Spectre 1977) Here we have another Gene Roddenberry tv movie starring Robert Culp and Gig Young. The lil promo film we saw about this says that it's trying to cash in on the Exorcist dollar, but this is waaaaaaay more bizarre, is it good though?
6. (Players 1979) Got a bootleg of this and for a 70's movie completionist, it is fun for me to see Ali MacGraw, Maximilan Schell, Steve Guttenberg, and Melissa Prophet in this rather bad massive flop of a movie about Tennis, kinda.
7. (Sunburn 1979) The Plastic Surgeon's assistant from Logan's Run, The guy who made the worst writing studio for Carol Burnett in their garage in The grass is always greener over the Septic tank, the guy who gives grandpa Wookie space porn in the Star Wars holiday special, Edith Keeler from Star Trek, the Boss of Magnum P.I., and the Baroness from the Sound of Music, are all here in this, so it's just got to be the best thing ever, we'll see. Thanks film friends for listening, please consider writing a review, it helps a lot.

We are back for our FIFTH SEASON!!! Can you believe that we've been at this for five years now??? I know we can't, but we have 58 episodes where we've paired pot with 117 movies as evidence here. Our earliest film was Georges Méliès' "The Infernal Caudron" from 1903, and our most recent is "Hanky Panky" from 2023. That's getting up on three years old now? Does that count as vintage in tubi years? But enough of our unexpected achievements. We've got our 59th episode right here, and with Valentine's Day just around the corner, we're exploring human sexuality with a pair of films that Philena describes as "more gross than romantic." Everything about BOB & CAROL & TED & ALICE (1969) screams the 60s, from Robert Culp in love beads right down to a Burt Bacharach song closing it out, but our crew found it's definitely worth a look as so many people are trying out polyamory with the same level of awkward as our film's titular couple. Plus Robert Culp and Natalie Wood smoke weed like pros Definitely stay tuned for Philena's title for a queer remake that she should really get crackin' on writing! The film also stars Ryan Cannon and Elliot Gould. How is it that Gould is making his Old Movies for Young Stoners debut just now??? BOB & CAROL & TED & ALICE is streaming on the Criterion and Roku Channels. Since we featured one of Mexico's most spectacularly-bad films in our last episode with the baffling SANTA CLAUS (1959), Bob felt it was time we explored the Golden Age of Mexican Cinema (1930-1960) with VICTIMS OF SIN (1951), a prime example of the Rumberas genre, a unique combination of musical, noir and intense melodrama. In fact, the emotions may have burned a bit too hot for some of our hosts. Ninón Sevilla is a dancer at the Club Changoo in Mexico City whose life goes to hell after she rescues a baby from a trash can. Directed by the great Emilio Fernández who was the John Huston or Kurosawa of Mexico's Golden Age, but is best known to gringos for playing the Mexican warlord Mapache in Sam Peckinpah's THE WILD BUNCH (1969). Legend also has it that Fernández was the sculptor's model for the Oscar statuette when he was chilling with Dolores del Río in Hollywood after he was a part of a failed rebellion in Mexico and had to flee to the United States for a while. The contrast of light and shadows of Gabriel Figueroa's cinematography are the equal of anything seen in the best American noirs. VICTIMS OF SIN is now streaming on Criterion Channel. Cory, Bob and Greg begin the show by talking about the pending closures of The Bottom of the Hill and Thee Parkside, two San Francisco punk clubs that they have all played and see a lot of shows at. The conversation brings up the Canadian rock god Thor, which is always welcome. Bottom of the Hill closes at the end of 2026, so please check out a show or ten there while you still can. https://www.bottomofthehill.com/calendar.html And Philena was not one of the influencers invited to screenings of the "Wuthering Heights," which really seems like an oversight by the Warner Bros publicity team if you ask us. Hey movie PR people, contact us at oldmoviesforyoungstoners@gmail.com and invite Philena to your premieres! She's got the power! Join us in March for our CHILDHOOD TRAUMA episode with THE 5,000 FINGERS OF DR. T (1953) and THE BOY WITH GREEN HAIR (1948). Subscribe on your preferred podcast app so you don't miss it. Theme song: Chaki the Funk Wizard, used with permission. "Cha Cha Fontanez" by Jimmy Fontanez and "Scale the Wall" by Everet Almond courtesy of YouTube Audio Library. Trailer and archival audio courtesy of Archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

On this episode of To the Outer Limits, John Siuntres is joined by Gabe Hardman, William J. Meyer, Ian Brill, Jeff Parker, and Ande Parks for a deep-dive discussion of the classic 1964 episode “Demon with a Glass Hand.” Written by Harlan Ellison and directed by Byron Haskin, this landmark story starring Robert Culp remains one of the series' most haunting and influential hours. The panel unpacks the episode's noir atmosphere, its striking use of the Bradbury Building, and Ellison's blend of human emotion with high-concept science fiction. Along the way, they explore the show's visual style, its lasting influence on later genre storytelling—from The Terminator to modern cyber-noir—and what makes Demon with a Glass Hand one of The Outer Limits' definitive masterpieces.

Before Watchmen shocked readers with the idea of a staged alien invasion meant to unite humanity, The Outer Limits had already explored that same chilling premise more than two decades earlier. “The Architects of Fear,” one of the series' most haunting episodes, aired in 1963 at the height of Cold War anxiety. In it, a group of idealistic scientists concoct a desperate plan to save the world from nuclear annihilation by creating a common enemy—an extraterrestrial threat—through grotesque transformation and deception.The story's moral gravity and tragic human core—anchored by Robert Culp's anguished performance—make it an emotional blueprint for Alan Moore and Dave Gibbons' Watchmen. Where Moore's Adrian Veidt executes his plan with cold perfection, The Outer Limits delivers the same concept as human tragedy rather than triumph. It's a tale not about success, but about sacrifice and futility—a broadcast parable warning that even the noblest lies can't save us from ourselves.

Warren Oates.  You either LOVE him or have no effing clue who he is.  Either way, you need to join me as we journey through his credits to determine his Hall of Fame eligibility.  Part 1 focuses on his early TV years as he guests on dozens of western TV shows like The Rifleman, The Westerner, Johnny Ringo, and Trackdown.  In only his fist few years of screen acting, Warren shares the screen with legends like James Coburn, Charlton Heston, and Robert Culp.  More importantly, he forges a friendship with Sam Peckinpah that will soon begin to pay major dividends.  Enjoy!

The "Summer Surprise" randomizer brings us yet another classic TV show turned big-budget movie, this time with a look at 2002's I Spy, a groundbreaking dramatic spy series from the '60s starring Robert Culp and Bill Cosby, now re-imagined as an action-comedy big-screen adventure starring Owen Wilson and Eddie Murphy. The cinematic I Spy clearly failed to make the impact the filmmakers hoped for, but is it entirely the movie's fault? How much did Eddie Murphy's other then recent box-office bombs hurt the perception of this film? Does original star Bill Cosby's tarnished legacy now further diminish the movie's reputation? Or did the movie itself just miss the mark with the changes it made to the source material? We ponder all these questions and more, in - surprisingly - one of our most contentious episodes in some time! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

Every day after school, I would take my little latchkey self home and immediately turn on the WAVE TV 3 afternoon movie. They were always things that were not meant for mine young eyes, and I was dealt more than a few traumas from them. Easily in my top three was the 1973 made-for-tv film Outrage with Robert Culp. The scene that did me in was when a group of thugs lured Culp's sweet St. Bernard into the street and ran him over. The drive of that car is today's guest! But don't worry, Tom Leopold is an actual dog lover, and he happens to have done a lot more than just harass Robert Culp. As an actor he started with a Sidney Lumet film, worked with legends like George Burns and Steve Allen, and was almost The Fonz. As a writer he has written some of the most iconic episodes of beloved shows like Seinfeld and Cheers. He has stories for days and he shared many of them. We also talk about the process of writing for a tv show, the difference between a writer's room and flying solo, and what to do when a clown shows up late to the audition. Find out more about Tom here: Instagram See him at his most dastardly here: Outrage (Yes, it's cued to that scene, so viewer beware.)

We finish up the 2024 holiday season with the absolutely hysterical, Santas Slay (2005) with Bill Goldberg. It's an absolute delightful 80 minute splatstick bad santa tale which also stars Robert Culp, Fran Drescher, Chris Kattan, and James Caan! Ween covers Saturday the 14th for Tubi or Not Tubi this week! Up Next: The Thing! What We're Watching: Heather Allen Esthetics Tales Beneath The Winter Sky: A Distracted Inkling's Collection of Holiday Romance & Fantasy Short Stories Where to Find us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ boozeboobsandbloodpodcast@gmail.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠boozeboobsandbloodpodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  bluesky: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠b3podcast.bsky.social⁠⁠⁠⁠⁠

We really haven't talked about any Christmas movies all month so, when the subject was brought up, Geek Dad Brien suggested one he recently saw...the other Dads (mostly) said "sounds good" and we all sat down and watched Santa's Slay, a film from 2005 that none of us had heard of, despite some big name actors (James Caan anyone?) popping up in the opening scenes! In this film Santa Claus is actually a demon who lost a bet with an angel, so, for 1000 years, he becomes the giver of toys and happiness. But when those thousand years are up and the bet is off, he returns to his evil ways! Starring ex-wrestler, Bill Goldberg as the rampaging Santa and Robert Culp as the grandpa/angel. Listen in and find out what we thought of it!

On today's episode, we welcome Jim Wynorski, a filmmaker whose career is a kaleidoscope of genres, relentless creativity, and a staggering portfolio of over 160 films. Known for his ability to churn out projects with unmatched efficiency, Jim's journey through the cinematic landscape is nothing short of fascinating. From cult classics like Chopping Mall to unexpected forays into family-friendly territory, his career offers insights into filmmaking's raw, unpolished edges.In this conversation, Jim Wynorski shares the story of how he transitioned from directing commercials in New York to working under the legendary Roger Corman in Hollywood. "I packed up my stuff in a car and drove across the country. I struggled for a few years doing anything I could, and eventually, my scripts got into the right hands," Jim says. It's a tale of grit and determination, emblematic of the relentless pursuit of dreams that fuels so many creative spirits.Jim's approach to filmmaking is a study in versatility. Whether crafting low-budget horror or light-hearted family films, he has always been deeply attuned to audience preferences. He reflects on this ability, explaining how understanding the marketplace keeps him relevant. "You don't make a movie for yourself; you make it for the audience. If you don't, it's not going to sell," he advises, underscoring the pragmatism that has defined his work ethic.The discussion takes a humorous turn when Jim recounts some of the challenges of working with temperamental actors, including notorious on-set dramas. While he speaks fondly of most collaborators, a few experiences left lasting impressions. "Robert Culp, who I loved as a kid, was a prick and a half. He complained about everything—from the lenses to the meals. The entire crew booed him on his last day!" Jim laughs, offering a behind-the-scenes glimpse into the human side of filmmaking.But Jim isn't only about business and conflict—his passion for storytelling shines when discussing his favorite films and the joy of working in diverse genres. From the fantastical to the comedic, his projects reflect a deep curiosity about the possibilities of cinema."Each film took me to new places, both literally and creatively," Jim recalls, noting how travel and novelty kept the work exciting even during grueling production schedules.He also touches on the changing dynamics of the film industry, particularly the impact of digital platforms and the decline of physical media. Ever adaptable, Jim explains how these shifts inspired him to pivot from horror to family films, seizing opportunities in a dwindling DVD market. "I walked into Walmart, saw family films selling well, and decided to make one about a dog and Christmas," he says. The resulting success is a testament to his knack for spotting trends and evolving with the times.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

My crush on William Katt began decades ago with the tumbling blonde spirals of Tommy Ross in Carrie, the close-cropped Sundance, to the shorter golden curls of Pippin… it wasn't just the hair, of course… that face, the smile, his voice… the whole damn package. Like millions of other baby boomers, he had us swooning for years. How lovely to sit down with Bill, these almost 50 years later, to discover he's still got that boyhood charm, mischievous sense of fun, with just a teeny touch of bad boy (note him playfully admonishing his wife when she sneaks into the “set.” And, the au courant platinum do, and facial hair he's currently sporting still make him a handsome standout. That's the trivial superficialities - but, what do you expect when you're talking about a movie star heartthrob? Well, there is the laid-back, easy-going, real as-beans, straight-shooter, who was crazy fun to chat with and get his inside perspective on his parents, actors, Bill Williams (Kit Carson) and Barbara Hale - loved to learn that she was also funny- Betty White funny, and inspired at least one woman to great professional heights, on Angie Dickenson, his first TV co-star, his passion for theatre, always, working with Bob Fosse, and Ben Vereen, Auditioning for George Lucas, to play Luke Skywalker with Kurt Russell as Hans Solo - doing a great job, instead being cast by Brian DePalma in his seminal work, Carrie, alongside his friend, and perhaps for a brief moment something more, Amy Irving, visited on the set by Steven Spielberg, perhaps where that all began, alongside beloved Nancy Allen (who is responsible for connecting me with Bill, making this conversation possible), John Travolta, Betty Buckley, Piper Laurie, Cissy Spacek-some great stories there, we talked about The Greatest American Hero, and the risk back then of going from film to TV, working with Robert Culp, and Connie Selleca, House, and George Wendt, great Sci-Fi with The Man From Earth, why he no longer does theatre, does only good films for friends, like last years' Pursuit with John Cusack and an upcoming film with Alfred Molina. We talked about music throughout his life, bands in high school, playing clubs later on, a pop hit, lots of musical theatre culminating with Pippin and Fosse, and a musical about and working with, Randy Newman, which his love for came out his pores when describing, to his current passion Jazz project. William Katt is a Renaissance man. We already know he looks great in tights. What FUN!!!! Wiliam Katt Live on Game Changers With Vicki Abelson Wednesday, 10/2/24, 5 pm PT, 8 pm ET Streamed Live on my Facebook Replay here: https://bit.ly/3Y9jGGa

Paul Mazursky's 1969 new age relationship comedy, BOB & CAROL & TED & ALICE, is our feature presentation this week! We talk about the Big Sur New Age inspiration to the film, the third act orgy, Elliott Gould and Robert Culp's underwear choices, Natalie Wood, and much more! We also pick our top 7 DONALD SUTHERLAND MOVIES in this week's SILVER SCREEN 7. Check out the show, subscribe and become a regular here at THE BROKEN VCR! To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early.

We are joined by the actor Patrick Strain, who has taken us on a breathtaking romp through 1970s Berlin on a search for Nazi gold.  And most importantly, no emotions called Joy, Sadness, etc. whatsoever.  Join us for INSIDEOUT.END CREDITS- Presented by Robert Johnson and Christopher Webb- Produced/edited by Christopher Webb- "Still Any Good?" logo designed by Graham Wood & Robert Johnson- Crap poster mock-up by Christopher Webb- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2024 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram @stillanygoodpodEmail stillanygood@gmail.comFind Patrick:Twitter @paddystrainInstagram @pstrain89Support the Show.

TVC 644.3: Greg Ehrbar reviews the Shirley Temple Storybook Collection, a six-DVD set featuring some of the best episodes of her popular Sunday night series, Shirley Temple's Storybook (NBC, 1958-1959, 1960-1961). The DVD collection includes adaptations of such beloved children's classics as The Little Mermaid, Winnie the Pooh, Babes in Toyland, Pippi Longstocking, Kim, The Reluctant Dragon, The Land of Oz, and Madeline, and features such stars as Jonathan Winters, Ray Walston, Martin Landau, Agnes Moorehad, Robert Culp, Sterling Holloway, Margaret Hamilton, John Raitt, David Frankham, and Jonathan Harris. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's our 2nd week of #Aprilsweeps where we continue to celebrate the TV movies made by New World Television. This week we immerse ourselves in the exciting/dangerous/sexy?/cigarette 1986 made for TV vigilante-action film THE GLADIATOR (not that GLADIATOR)! Starring Ken Wahl, Nancy Allen, and Robert Culp and surprise (spoiler) appearance by Rick Dees!  Join Marc, Erica, and Ryan as they reminisce about a simpler time when seat belts were optional, Weinerschnitzel went by Der, and soccer refs needed no prior experience or knowledge of the game. Marc teases out a possible fall lineup for NWPP and resurfaces a deep musical cut.

It's our 2nd week of #Aprilsweeps where we continue to celebrate the TV movies made by New World Television. This week we immerse ourselves in the exciting/dangerous/sexy?/cigarette 1986 made for TV vigilante-action film GLADIATOR. Not that Gladiator! Starring Ken Wahl, Nancy Allen, and Robert Culp and surprise (spoiler) appearance by Rick Dees! Join the Marc, Erica, and Ryan as they reminisce about a simpler time when seat belts were optional, Weinerschnitzel went by Der, and soccer refs needed no prior experience or knowledge of the game. Marc teases out a possible fall lineup for NWPP and resurfaces a deep musical cut.  Plus we learn serious impact smoking has on your ability to discern food flavors.  They don't make TV movies like this anymore.

Matt & Todd discuss their fondness for the critical and commercial flop Turk 182. Sure this movie has its problems and plot holes, but it's still a fun little film. It has excellent performances by Timothy Hutton and Robert Culp. Also starring Robert Urich, Peter Boyle, and Kim Cattrall. Directed by Bob Clark.

Robert Culp is back for his third time in the villain position as Dr. Bart Kepple, a big shot media consultant who uses subliminal images to murder one of his clients as well as his projectionist Chuck McCann ("The Far Out Space Nuts") in a solid turn from Stephen J. Cannell.

Susan and Sharon sit down with actor, director, and writer Elayne Heilveil. Elayne has worked with Mike Nichols and Mark Rydell in the classic 70s television series Family and has guested on such shows as The Rockford Files, The Waltons, Emergency!, Hawaii 5-0, Hill Street Blues and The Mary Tyler More Show. She has appeared opposite such legendary stars such as James Garner, Rip Torn, Ben Vereen, Jeff Goldblum, Valerie Bertinelli, David Jansen, Robert Culp and Dame Judith Anderson.In this layered conversation, Elayne discusses standing up for yourself on set, learning to trust your instincts, navigating dicey auditions -- and discovering the joy and artistic rewards of writing.THE CONVERSATIONHow a “mystical” experience reading “The Creation” by James Weldon Johnson at eleven years old led to Elayne's start in show business.Going to the Fame school –the movie and TV show barely scratched the surface!Topless go-go dancers and drunk bodies in the streets: living and acting in 70's New York.What do you say when an agent wants you to change your name – to Daisy Astor?On being asked to take her top off at an audition: “I broke out laughing and said, ‘Are women buying this bullshit?' ”On casting quirks: “I've played three nuns. It's every Jewish girl's dream to be a nun.”Being “beyond nervous” auditioning for Mike Nichols.Doing the TV movie, A Cry For Help – and wearing Columbo's trench coat the whole time!What do you do when your lines aren't quite right on The Waltons? Give them to Richard Thomas' John-Boy!LIVING WITH AN ‘ANGEL' – what's it like secretly living with Stuart Margolin, and then getting “married” on-screen?What's the best therapy after an abusive moment on set? Try throwing drinking glasses at a brick wall.So join Susan and Sharon – and Elayne – as they talk nude photos, James Garner, reverse nepotism, finding your sweet spot – and getting tear-gassed by Rip Torn! AUDIOGRAPHYThe Rockford Files is streaming FREE on Roku.So Fetch, The Making of Mean Girls (and Why We're Still Obsessed with It) by Jennifer Keishin Armstrong. Get it at Bookshop or your favorite bookstore.Pre-order the book: The Girls: From Golden to Gilmore by Stan Zimmerman. Will ship Feb. 13.Read The Creation by James Weldon Johnson.8TL EXCLUSIVE OFFERS!Invest in yourself at TheNextish.com - Special 80s TV Ladies offer! Get 10% off an already 30% off promotion on their newest online course that will help you chart a course forward: "Be The Disruptor" - Use code "8TL24" at checkout at TheNextish.com.CONNECTRead transcripts and more at 80sTVLadies.com.Sign up for the 80s TV Ladies mailing list.Follow 8TL on Facebook.Check out 8TL on Linkedin.Get ad-free episodes and exclusive videos on PATREON.Find more cool podcasts at our host sight, Weirding Way Media.The 80s TV Ladies travel to Podfest 2024! If you'll be there, find us and say hello to Sharon and Susan.

Hello and welcome back to another episode of B Bin Horror! This is our last Christmas episode of the year and what a better way to go out then with the 2005 Slasher/Comedy, Santa's Slay! Santa's Slay was written and directed by David Steiman and stars Bill Goldberg, Douglas Smith, Emilie de Ravin, Robert Culp, Saul Rubinek, Dave Thomas, Rebecca Gayheart, Chris Kattan and Fran Drescher. On this week's episode we talk about the film and Bill Goldberg's wrestling career and Brandon shares a story about birds tormenting him outside of his house. If you like what you hear please follow us on Instagram and Facebook @bbinhorror. You can also send us emails at bbinhorror@gmail.com and please don't forget to subscribe to B Bin Horror on whatever podcast platform you listen on!

Tis the season to be jolly, and Adam and Jared get jolly by doing a full commentary of 1989's Silent Night Deadly Night 3: Better Watch Out. The boys cover off on all manner of topics including the writers surname, what that ridiculous thing on Ricky's head is and a surprising performance from Robert Culp!

If what you wanted for Christmas was a whole bunch of jokes about male genitalia, well, you must've been a very good little Spooky this year! For our latest installment of B-cember — and our last episode of Spooky Tuesday until 2024 — we decided to spice up the season with Santa's Slay (2005), a holiday horror featuring wrestling star Goldberg as Jolly Old Saint Nick. Take a look under the tree and you'll find a flick full of all three grindhouse Gs, enough innuendo to kill a flying bison, and more than a few familiar faces. There's no better way to celebrate, so join us as we close out the year with a Father Christmas who could clothesline Mannheim and his signature Steamroller move with ease.  Resources:https://www.history.com/topics/christmas/santa-claus  https://wrestlingatthemovies.tumblr.com/post/154722232254/ 

You can watch the VIDEO version of this episode here: Ep. 41 - A Cold Night s Death (1973) (youtube.com) On Terror On The Tube, Joel, Peter, and Allyson pick, at random, a made-for-TV horror/suspense movie that aired sometime during the decades of the 1970s, 80s, or 90s. In this episode we talk about A Cold Night's Death from 1973. Originally released on ABC on Tuesday, January 30th, 1973, A Cold Night's Death stars Robert Culp, Eli Wallach, Michael C. Gwynne, and Vic Perrin. ................................................................................................................................................ Synopsis: Two scientists suspect that there is someone other than their research primates inhabiting their polar station. ................................................................................................................................................ ................................................................................................................................................ Special thanks to Ross Bugden for the use of his music for the theme of this podcast under the Creative Commons Attribution 4.0 International License. You can find the track titled Something Wicked here.

The Jolly Old Fat Man is done delivering gifts and is just bringing the pain in 2005's “Santa's Slay” starring wrestler Bill Goldberg, Emilie de Ravin, Douglas Smith and Robert Culp. --- Send in a voice message: https://podcasters.spotify.com/pod/show/stan-the-movie-man9/message

David and Justus ring in the holiday season with the show's first listener request as they tackle the direct-to-video holiday slasher Santa's Slay! In this film, legendary wrestler Bill Goldberg dons the red coat of a Satanic Santa Claus who descends upon a small township to spread some holiday fear. Stay tuned for deadly suplexes, sharpened candy canes and bad puns as we kick off the holiday season on the Greatest Movie Ever Made! Santa's Slay (2005) is directed by David Steiman and stars Bill Goldberg, Douglas Smith, Emilie de Ravin, Robert Culp, and Dave Thomas. Music: “Fractals” by Kyle Casey and White Bat Audio

Sermon for Christ the King Sunday (November 26, 2023) - Matthew 25:31-46

Watch the video of this podcast. Extended cut video on Patreon! Patrons get early access, Bonus episodes, and listen ad-free! patreon.com/perfectlymarvelouspodcast3rd installment in our MVP series: Jade and Paul shamelessly gush about Colombo and deep-dive into villain territory! Who reigns supreme? Cassidy or Culp? We discuss 6 episodes in total!Jack Cassidy's episodes – Murder by the Book S1E1, Publish or Perish S3E4, and Now You See Him S5E5.Robert Culp's episodes – Death Lends a Hand S1E2, The Most Crucial Game S2E3, and Double Exposure S3E4. Get your rewatch on and join the party because this one was definitely a favorite to record! Enjoy! XOXO

Subscribe to "Shall We Compare Thee" Podcast feed HERE! Never miss an episode ;-)Watch the video of this podcast. Extended cut video on Patreon! Patrons get early access, Bonus episodes, and listen ad-free! patreon.com/perfectlymarvelouspodcast3rd installment in our MVP series: Jade and Paul shamelessly gush about Colombo and deep-dive into villain territory! Who reigns supreme? Cassidy or Culp? We discuss 6 episodes in total!Jack Cassidy's episodes – Murder by the Book S1E1, Publish or Perish S3E4, and Now You See Him S5E5.Robert Culp's episodes – Death Lends a Hand S1E2, The Most Crucial Game S2E3, and Double Exposure S3E4. Get your rewatch on and join the party because this one was definitely a favorite to record! Enjoy! XOXO

The third and final installment of my exploration of all things Culp.  We start in 1980 with The Love Boat and weave our way through The Greatest American Hero, Columbo Goes To College, I Spy Returns, and tons more.  Speaking of weaving, we'll also weave in some of my thoughts on Jack Tripper sleeping with a hot MILF, Eddie and the Cruisers, Julie McCullough's saga with both Kirk Cameron and Scott Baio, the creepy Jason Hervey, and The Pigeon Underwear...you had to be there.  Enjoy!

Fanacek is back and so is Bob Culp.  More trivia, more credits, and more tangents.  We'll start with Bob & Carol & Ted & Alice and we'll work our way through Columbo and other films and TV shows.  And the tangents, you ask?  Well, try these on for size: Emo Rap, The Doodletown Pipers, Raquel Welch movie posters, casting couches, The ACTUAL Apollo 13 "Houston" quote, nostalgic TV Guide ads, the ease of film making in the 70s, Arnold Horseshack and The Old Testament, and the beloved 21 Jumpstreet Pilot.  Boom.

Damn I love Robert Culp.  I've just always dug his vibe.  He is the king of guest stars and maybe the best Columbo killer of all time.  Sadly, I never knew much else about him.....until now.  I'm inviting you to join me on a wondrous journey where we'll yap incessantly about all 174 of Robert Culp's screen credit.  Maybe not ALL 174, but pretty damn close.  I'm also going to veer off the road a bit to talk about Friday the 13th Part 8, my desire to hang out at the Playboy Mansion in the late 60s, Leonard Nimoy as a Native American, and the many comebacks of The Twilight Zone.  It' exhausting being Fanacek.

Sean and Steve make an appearance on The Novice Elitists podcast to discuss the classic Columbo episode "Double Exposure", starring Peter Falk and Robert Culp.

What's as absurd as the title of this episode? A few of the 18 flicks that crossed our path since our last outing.This time we learn that sometimes re-visits are just as bad as the original one, Albert Pyun teams up with JCVD with better than expected results, a few series we've been picking at are concluded, stop motion gets the spotlight it deserves, Robert Culp isn't going to put up with some juvenile delinquents, evil kids who don't worship corn do their thing and so much more!Thanks for listening! Be sure to subscribe, rate and review the show wherever you listen to podcasts; join in the discussion on our Facebook group, and if you like what you hear - tell a friend and spread the word - every little bit helps!Links to all our web stuff at www.gbwpodcast.com

On this episode, I pretend I'm a high profile big shot that's in town to make sure everything is running smoothly.  That was just for fun.  I'm trying to have fun.  I mean, why not?  I was going to make this episode all about Robert Culp but then it just seemed pointless.  I don't really know that much about him and I couldn't find that much interesting audio to use.  I also was going to have a song where I had Joe Biden singing with the autotune but he sounds so winded lately, it just didn't work.  I was a little surprised at how he sounds so feeble and it sounds like he's wheezing.  If he wanted to join a band he could join Weezer.  He could be married to George Jefferson because he's Wheezy.  This is the sort of high brow humor that you can expect from this and all the episodes.547 DaysWelcome to 547 Days, the podcast that gives you an inside look at two musicians...Listen on: Apple Podcasts SpotifySupport the showhunchbunny.com

In honour of the recently deceased Raquel Welch, Lee and Daniel cover two of her westerns she did at the height of her fame. First up is an American take on the Zapata Western, where Welch co-stars with Jim Brown and Burt Reynolds in the Tom Gries-directed "100 Rifles" (1969), and then it's alongside Robert Culp in the british rape-revenge Western "Hannie Caulder" (1971), directed by Burt Kennedy. The host also talk about what they've watched recently. Put on something tight, sexy and wet, won't you, and come listen. "100 Rifles" IMDB  "Hannie Caulder" IMDB  Featured Music: "Ready for Ambush" & "Lyedecker and Sarita" by Jerry Goldsmith, and "Life is Never Easy" by Bobby Hanna.

On the latest episode of The Shabby Detective, Mike and Chris discuss the return of Robert Culp, the death of Dean Stockwell, the cost of shoes, and we're visited by special guest, director Jeremy Kagan.

Gay homosexuals Nick and Joseph discuss Hannie Caulder - a 1971 British Western film directed by Burt Kennedy, starring Raquel Welch, Robert Culp, and Ernest Borgnine. Additional topics include: Chris Rock's live Netflix stand-up comedy special Selective Outrage Being confronted by angry filmmakers Quentin Tarantino's self-indulgence The deaths of Tom Sizemore and Ricou Browning And too many films to mention Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Find them on Letterboxd: https://letterboxd.com/ragingbells/, https://letterboxd.com/joroyolo/ Nick's Apple Music playlist: https://music.apple.com/us/playlist/lamour-de-nico/pl.u-PDb4zlpsLVrvqE1 Joseph's Apple Music playlist: https://music.apple.com/us/playlist/josephs-vibe/pl.u-6mo448yuBWzNE1 Check them out on YouTube: https://www.youtube.com/channel/UChVV6ezEYnPv9XaLZtUlZdw Nick's IG: ragingbells Joseph's IG: joroyolo --- Support this podcast: https://anchor.fm/fish-jelly/support

This week the kids discuss the 1997 Japanese classic, Cure, by Kiyoshi Kurosawa. But first! They discuss L.A. finance, Jane Fonda, Tales from the Crypt: Demon Knight, Ernest Dickerson, Billy Zane, William Sadler, the weird career of Dennis Miller, Disclosure, The Net, Bob & Carol & Ted & Alice, Columbo, Robert Culp, Straw Dogs, Video Archives, The Loved One, and more.  From Wiki: “Cure (キュア, Kyua) is a 1997 Japanese psychological thriller film written and directed by Kiyoshi Kurosawa, starring Kōji Yakusho, Masato Hagiwara, Tsuyoshi Ujiki and Anna Nakagawa. The story follows a detective investigating a string of gruesome murders where an X is carved into the neck of each victim, and the murderer is found near the victim of each case and remembers nothing of the crime. It is considered a progenitor of the explosion of Japanese horror media in the late 1990s and early 2000s, preceding other releases like Hideo Nakata's Ring and Takashi Shimizu's Ju-On: The Grudge.[1]” NEXT WEEK: Pearl Website: http://www.bloodhauspod.com  Twitter: https://twitter.com/BloodhausPod Instagram: https://www.instagram.com/bloodhauspod/ Email: bloodhauspod@gmail.com        Drusilla's art: https://www.sisterhydedesign.com/  Drusilla's Instagram: https://www.instagram.com/hydesister/  Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/        Joshua's website: https://www.joshuaconkel.com/  Joshua's Twitter: https://twitter.com/JoshuaConkel   Joshua's Instagram: https://www.instagram.com/joshua_conkel/  Joshua's Letterboxd: https://letterboxd.com/joshuaconkel   

Come and knock on our door... we've been waiting for... this interesting piece of cinematic disastrophe... an action film starring Nemesis' Olivier Grunner and Three's Company's John Ritter... But who better to discuss it than Will and Matt?!**Note: I said "who better", not "more qualified".  DISCLAIMER: Language and Spoilers!!MERCENARYdir. Avi Nesherstarring: John Ritter; Olivier Grunner; Robert Culp

Mike and Jesse present an encore discussion of the 2005 horror comedy Santa's Slay, starring Bill Goldberg, Robert Culp, Douglas Smith and Emilie de Ravin. We promise we'll have new episodes in January! Leave us a message at https://speakpipe.com/cdfpod Get your CDF Pod merch at https://cdfpodmerch.com Our theme music was composed by CollinDomo AKA Chunky Krill. Find more of his work at soundcloud.com/chunky-krill Facebook: facebook.com/cdfpod Instagram: instagram.com/cdfpod/ Twitter: twitter.com/cdf_pod

A Walter Hill Film is the first critical biography of Walter Hill, the legendary writer-director producer whose filmography includes 48 HRS. films, The Warriors, The Long Riders, Southern Comfort, Geronimo, Streets of Fire, Wild Bill, Broken Trail, the Alien films, and the pilot for Deadwood.The author is Walter Chaw, film critic for Film Freak Central and a contributor to The New York Times, Vulture, NPR and many other publications. The James Joyce of crime fiction James Ellroy wrote the introduction. The foreword is by Larry Gross, Hill's writing partner on 48 HRS. The book also includes a note from Edgar Wright (Shaun of the Dead, Hot Fuzz, and Last Night in Soho.From the author: "A Walter Hill Film is a 400-page critical study of Walter Hill's films and early screenplays that began, as a lot of these projects do, with a question. I had recently gotten the opportunity to watch The Warriors and Streets of Fire on 35mm archival prints and even though I had seen them before, revisiting them at this time, in that format, was… visceral? Kinetic? Exhilarating. All of those things in a way almost physical, and I wanted to know what it was about these pictures - and their director, Walter Hill, that could inspire so specific a response. I felt like I was on fire. Along with a couple hundred devotees, I floated out of the auditorium. Who the hell was this guy?So I looked for books about Hill and discovered that there was one - but it was in Italian. There might be another in German, I'm not sure. But there had been no serious critical studies of him in English. Charles Taylor wrote an incredible essay about Robert Culp's Hickey & Boggs, Hill's first produced screenplay, but aside from a few rich interviews and archival videos, there wasn't much scholarship. Part of that has to do I think with Hill's own aversion to dwelling too much on his own work; but mostly, I think Hill's films are seen as merely action movies, ‘guy flicks' easily digestible and just as easily disposable. The more I watched his movies, though, the more I saw Hill as continuing in the tradition of filmmakers like Nicholas Ray, Sam Peckinpah, Howard Hawks and, especially, Robert Aldrich. Aldrich who, born to wealth and privilege, gave it all up to make ‘guy flicks' that were nonetheless rooted in social awareness and protest.I'm not an archivist, not a historian, really, and though I enjoy interviewing my heroes, I wouldn't say I have a particular gift nor interest in it. What I can do, though, is watch a body of work and identify throughlines in it that speak to me. I can, in other words, write about myself. I think that's what good critics do. A Walter Hill Film is a study of a career that has revealed itself to me as extraordinarily sensitive to issues around race and gender; a “man's man” director actually brave enough to show things as they really are in our world: broken, hostile towards culturally-proscribed underclasses. with pieces consistent through what is now a seventh decade. Of course James Ellroy wrote the introduction for it.I spoke with Hill throughout the long, four-year process of this volume, and to a few of his collaborators as well, but this isn'ta “behind-the-scenes” or 'making of' memoir. It's a process of unpacking the life's work of an important American artist. It's a book about figuring out something about these movies that set me on fire."A Walter Hill Film is being published by MZS Press, Matt Zoller Seitz's arts books imprint. The store is offering a limited number of these hardcovers signed by the author.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

Paul Kyriazihttps://www.bondlife.com/Jerome Segalauthor of THE OLIVE BRANCH FROM PALESTINE:; The Palestinian Declaration of Independence and the Path Out of the Current Impasse.Hugh Woodwardhttps://twist25.com/promo: frankiePaul Kyriazi is a writer / director of seven feature films, including Forbidden Power (2018). 38 international awards, including Best Picture, Best Screenplay, Best Director. Producer of seven full-cast audiobooks with 19 stars of the '60s, including: Rod Taylor, Robert Culp, David Hedison & Alan Young, Henry Silva & Frank Sinatra Jr. https://www.imdb.com/name/nm0439254/Jerome Segal is author of The Olive Branch from Palestine: The Palestinian Declaration of Independence and the Path Out of the Current Impasse. Jerome Segal has been a leader of the American Jewish peace movement, starting in 1982 with Washington Area Jews for Israeli-Palestinian Peace (WAJIPP), a group that opposed the Israeli invasion of Lebanon. In 1987, he traveled to Tunis to meet Yasser Arafat and leaders of the Palestine Liberation Organization. https://www.thriftbooks.com/a/jerome-m-segal/346607/Hugh Woodward is President of Health2Go. He is a subject matter expert on DHEA. In 2007, Mr. Woodward started Health2Go, Inc. to research and develop leading edge science based anti-aging and wellness products and bring them to customers conveniently and cost effectively. His father, Dr. John Woodward, a highly respected Medical Doctor, invented Twist 25 DHEA cream. https://twist25.com/--------------------------Frankie Boyer is an award winning talk show host that empowers listeners to live healthy vibrant lives http://www.frankieboyer.com

Author and dear friend Khalonji Bulluck enters the Barone Zone to help the fellas wade into the shallow end of the hellmouth that is Season 1, Episode 8 of Everybody Loves Raymond. First, Khalonji answers Question Zero, employs a puppet metaphor, and gives a tripartite review of "In-Laws." Then, as they go scene-by-scene through the episode, they discuss Robert Culp and the Columboverse, the truly unhinged studio audience, and how Debra's parents are really just nice people. Plus, Khalonji writes a better ending for the episode, Adam disdains "Stomp", Alex makes the fatal mistake of suggesting a spin-off for Robert, and Mike says his famous catchphrase. Follow Khalonji on Instagram, send in a hot take for Judge Debra or a precious Raymembrance to us on Instagram, on Facebook, on Reddit, or to raymond@postfun.info, and check out this week's sponsor, BarkBox, at postfun.info/ads!

Author and dear friend Khalonji Bulluck enters the Barone Zone to help the fellas wade into the shallow end of the hellmouth that is Season 1, Episode 8 of Everybody Loves Raymond. First, Khalonji answers Question Zero, employs a puppet metaphor, and gives a tripartite review of "In-Laws." Then, as they go scene-by-scene through the episode, they discuss Robert Culp and the Columboverse, the truly unhinged studio audience, and how Debra's parents are really just nice people. Plus, Khalonji writes a better ending for the episode, Adam disdains "Stomp", Alex makes the fatal mistake of suggesting a spin-off for Robert, and Mike says his famous catchphrase. Follow Khalonji on Instagram, send in a hot take for Judge Debra or a precious Raymembrance to us on Instagram, on Facebook, on Reddit, or to raymond@postfun.info, and check out this week's sponsor, BarkBox, at postfun.info/ads!

Mike and Chris discuss the Levinson & Link-penned episode Death Lends a Hand in which we first encounter Robert Culp as Columbo's nemesis. Culp plays a professional private eye who tries to blackmail the wife of newspaper magnate Arthur Kennicutt (Ray Milland). We get our first glimpse of Columbo's car which plays perfect into the automotive theme of the episode. Our special guest Mark Dawidziak literally wrote the book on Columbo, The Columbo Phile: A Casebook. Get your copy at https://amzn.to/3a6c5BF

Does Subliminal Messaging really work? What happened when Peter Falk directed a Columbo episode? And who should be on the Mt. Rushmore of television characters? Listen now to find out! Scott Croco, Mike Young, and Jay Holavarri unhack Columbo, "Double Exposure" (1973). When a man is murdered during a film presentation it's up to Columbo to solve the mystery. Peter Falk and Robert Culp star in Columbo, "Double Exposure" (1973)! Episode Log: Mount Rushmore of television characters (2:30) December 1973 trivia (5:10) Behind the creation of season 1 (8:40) Summary of Double Exposure's story (19:50) Inverted Detective Story format (22:10) Episode recommendation/review (27:00) Tech talk (51:45) Subliminal messaging (1:00:05) Critical reactions (1:26:00) "Fiction or Fake?" game (1:28:50) Episode 067 - Columbo, "Double Exposure" (1973) unhacked! Full Shownotes: https://www.moviesunhacked.com/2022/columbo-double-exposure/ Movies Unhacked compares technology in movies to technology in real life. We analyze everything from Hollywood blockbusters to television shows, from sci-fi to horror and classic cinema. A podcast for fans of cinema and technology! Online: moviesunhacked.com Twitter: @moviesunhacked Instagram: @moviesunhacked Facebook: facebook.com/moviesunhackd Music by Sean Haeberman Copyright © 2022 Movies Unhacked. All rights reserved.

When an assassin targets the SCOTUS, it's up to Denzel Washington and Julia Roberts to expose a POTUS.   Robert Culp is the nameless (but not blameless) President in this 1993 adaptation of John Grisham's most political thriller. Future fake president Tony Goldwyn is the person who really runs the White House. Stanley Tucci is the mysterious international assassin. And...nobody is the actual bad guy of the movie?   Join the conversation by finding us on Twitter (@Fake_Presidents) and/or Instagram (@Fake_Presidents)