Podcasts about american studies program

Advocates behind a proposed ballot question that could potentially decriminalize certain plant-based hallucinogens, a.k.a. psychedelics, are gathering signatures to put the question in front of voters on election day in November. If successful, people over 21 can use a limited amount of substances like magic mushrooms without worry of criminal penalties from the state. This week, The Common will present a three-part series that explores the past, present and future of psychedelics and what their decriminalization could mean for Massachusetts. Today, we'll delve into the past with Andrew Green Hannon, an adjunct lecturer at Emerson College who holds a Ph.d from Yale University's American Studies Program. His research focuses on the American counterculture and the New Left, and he is a local expert on psychedelics. Greater Boston's daily podcast where news and culture meet.

Join the #McConnellCenter as we host Aurelian Craiutu, Ph.D., to deliver a lecture titled "Why Not Moderation? Letters to Young Radicals." Dr. Craiutu, a political science professor at Indiana University and adjunct professor in the American Studies Program and the Lilly Family School of Philanthropic Studies at IUPUI, speaks as part of the "Tocqueville's America - and Ours" series.  Long considered a classic consideration of the origins, evolution, and future of democratic self-governance in America, we seek to read, understand, and examine Tocqueville's analysis and its implications for the United States today. Founded in 1991, the non-partisan McConnell Center at the University of Louisville seeks to identify, recruit and nurture Kentucky's next generation of great leaders. Our core principles—leadership, scholarship and service—guide us as we (1) prepare top undergraduate students to become future leaders; (2) offer civic education programs for teachers, students and the public; and (3) conduct strategic leadership development for the U.S. Army. Important Links More on Dr Craiutu Stay Connected Visit us at McConnellcenter.org Subscribe to our newsletter  Facebook: @mcconnellcenter Instagram: @ulmcenter  Twitter: @ULmCenter This podcast is a production of the McConnell Center at the University of Louisville. Views expressed in this show are those of the participants and not necessarily those of the McConnell Center.

On Broadway with Brian Jones PHDFeaturing music from Paul Motian's 5 album series On Broadway (Winter & Winter Records). I want to thank my guest Brian Jones Adjunct Instructor of Jazz Percussion University of Richmond College of William & Mary and PhD Student, American Studies Program for helping out with the show.Set List: https://jazzcloset.blogspot.com/2023/07/on-broadway-with-brian-jones-phd-081415.htmlPhoto: Some albums and CDs played on the show

Professor, political theorist, and author, Aurelian Craiutu, who has been researching the elusive virtue of moderation for over a decade sits down with Adam to discuss the complexities, richness, and virtue of our very favorite approach to politics.Despite being a complex virtue with a rich tradition and unexplored radical sides, Moderation is often presented as a simple virtue for lukewarm and indecisive minds searching for a fuzzy center between the extremes. Not surprisingly, politicians generally haven't been willing to be labelled 'moderates'. But if we making our way through much of the group think and kool-aid drenched messaging coming from each of the parties will reveal more moderates in this country than we may think.Moderation is a form of courage that requires swimming against the current and assuming important risks.  *We see you Ms. Cheney and Mr Kinzinger #fella Moderates do not have a fixed political truth; they prefer the risk of appearing politically schizoid to becoming fanatic believers in a single dogma. They understand that aligning themselves with the Left or with the Right is often, in the words of Spanish philosopher Ortega y Gasset (1883-1955),  “only one of the numberless ways open to man of being an imbecile: both are forms of moral hemiplegia.”Aurelian Craiutu (Ph.D. Princeton, 1999) is Professor in the Department of Political Science at Indiana University, Bloomington, and Adjunct Professor in the American Studies Program and the Lilly Family School of Philanthropic Studies at IUPUI, Indianapolis. Craiutu's research interests include French political and social thought (Montesquieu, Tocqueville, Constant, Madame de Staël, Guizot, Aron), political ideologies (liberalism, conservatism), comparative political theory and democratic consolidation (mostly Central and Eastern Europe). He is the author and editor of several books on modern political thought including the marvelous and thought provoking title coming out this August Why Not Moderation? Letters to Young Radicals which you can pre order now, and while you wait, you can peruse his previous books here.  We are making our way through them ourselves! Dirty Moderate Nation Book Club anyone?  In the meantime, for all things saving democracy like find us on Substack  

When it comes to religious freedom, should Christians support diversity or are there any limits to religious freedom? If so, what are those limits and how do we determine them in a diverse society? Stanley Carlson-Thies, Senior Director at the Center for Public Justice, Lauren Baas Residential Program Coordinator for the American Studies Program and Emily Fromke, Program Director at the Center for Public Justice joined us to discuss how Religious Freedom is Vital for the Common Good.Support the show

In this episode of High Theory, Eli Cook tells us about choice architecture. The term was invented by behavioral economists in 2008 who proposed it as a soft-power model of “libertarian paternalism” to influence consumer choice. Eli traces their concept through a twentieth-century history of structured choices, from personality tests and the five-star rating to the swipes and likes of platform capitalism. He shifts our attention from the rhetoric of consumer choice as freedom to the power of “choice architects” who determine the options for us. Eli takes the term “choice architecture” from Richard Thaler and Cass Sunstein's book Nudge: Improving Decisions About Health, Wealth, and Happiness (Yale UP, 2008). He mentions the industrial psychologist Walter Dill Scott and the inventors of behavioral economics, Amos Tversky and Daniel Kahneman. Amusingly, there is a New Yorker article about Tversky and Kahneman written by Thaler and Sunstein, called “The Two Friends Who Changed How We Think About How We Think.” (New Yorker 7 Dec 2016). In the full version of our conversation, Eli referenced the work of Sophia Rosenfeld on the longue durée history of choice. Eli Cook is a historian of American capitalism. He works as a Senior Lecturer in History and as head of the American Studies Program at the University of Haifa in Israel. His first book The Pricing of Progress: Economic Indicators and the Capitalization of American Life was published by Harvard University Press in 2017. Last year, he was a fellow at the Stanford Humanities Center where he worked on his new book about choice architecture. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Eli Cook tells us about choice architecture. The term was invented by behavioral economists in 2008 who proposed it as a soft-power model of “libertarian paternalism” to influence consumer choice. Eli traces their concept through a twentieth-century history of structured choices, from personality tests and the five-star rating to the swipes and likes of platform capitalism. He shifts our attention from the rhetoric of consumer choice as freedom to the power of “choice architects” who determine the options for us. Eli takes the term “choice architecture” from Richard Thaler and Cass Sunstein's book Nudge: Improving Decisions About Health, Wealth, and Happiness (Yale UP, 2008). He mentions the industrial psychologist Walter Dill Scott and the inventors of behavioral economics, Amos Tversky and Daniel Kahneman. Amusingly, there is a New Yorker article about Tversky and Kahneman written by Thaler and Sunstein, called “The Two Friends Who Changed How We Think About How We Think.” (New Yorker 7 Dec 2016). In the full version of our conversation, Eli referenced the work of Sophia Rosenfeld on the longue durée history of choice. Eli Cook is a historian of American capitalism. He works as a Senior Lecturer in History and as head of the American Studies Program at the University of Haifa in Israel. His first book The Pricing of Progress: Economic Indicators and the Capitalization of American Life was published by Harvard University Press in 2017. Last year, he was a fellow at the Stanford Humanities Center where he worked on his new book about choice architecture. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In this episode of High Theory, Eli Cook tells us about choice architecture. The term was invented by behavioral economists in 2008 who proposed it as a soft-power model of “libertarian paternalism” to influence consumer choice. Eli traces their concept through a twentieth-century history of structured choices, from personality tests and the five-star rating to the swipes and likes of platform capitalism. He shifts our attention from the rhetoric of consumer choice as freedom to the power of “choice architects” who determine the options for us. Eli takes the term “choice architecture” from Richard Thaler and Cass Sunstein's book Nudge: Improving Decisions About Health, Wealth, and Happiness (Yale UP, 2008). He mentions the industrial psychologist Walter Dill Scott and the inventors of behavioral economics, Amos Tversky and Daniel Kahneman. Amusingly, there is a New Yorker article about Tversky and Kahneman written by Thaler and Sunstein, called “The Two Friends Who Changed How We Think About How We Think.” (New Yorker 7 Dec 2016). In the full version of our conversation, Eli referenced the work of Sophia Rosenfeld on the longue durée history of choice. Eli Cook is a historian of American capitalism. He works as a Senior Lecturer in History and as head of the American Studies Program at the University of Haifa in Israel. His first book The Pricing of Progress: Economic Indicators and the Capitalization of American Life was published by Harvard University Press in 2017. Last year, he was a fellow at the Stanford Humanities Center where he worked on his new book about choice architecture. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

In this episode of High Theory, Eli Cook tells us about choice architecture. The term was invented by behavioral economists in 2008 who proposed it as a soft-power model of “libertarian paternalism” to influence consumer choice. Eli traces their concept through a twentieth-century history of structured choices, from personality tests and the five-star rating to the swipes and likes of platform capitalism. He shifts our attention from the rhetoric of consumer choice as freedom to the power of “choice architects” who determine the options for us. Eli takes the term “choice architecture” from Richard Thaler and Cass Sunstein's book Nudge: Improving Decisions About Health, Wealth, and Happiness (Yale UP, 2008). He mentions the industrial psychologist Walter Dill Scott and the inventors of behavioral economics, Amos Tversky and Daniel Kahneman. Amusingly, there is a New Yorker article about Tversky and Kahneman written by Thaler and Sunstein, called “The Two Friends Who Changed How We Think About How We Think.” (New Yorker 7 Dec 2016). In the full version of our conversation, Eli referenced the work of Sophia Rosenfeld on the longue durée history of choice. Eli Cook is a historian of American capitalism. He works as a Senior Lecturer in History and as head of the American Studies Program at the University of Haifa in Israel. His first book The Pricing of Progress: Economic Indicators and the Capitalization of American Life was published by Harvard University Press in 2017. Last year, he was a fellow at the Stanford Humanities Center where he worked on his new book about choice architecture. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode of High Theory, Eli Cook tells us about choice architecture. The term was invented by behavioral economists in 2008 who proposed it as a soft-power model of “libertarian paternalism” to influence consumer choice. Eli traces their concept through a twentieth-century history of structured choices, from personality tests and the five-star rating to the swipes and likes of platform capitalism. He shifts our attention from the rhetoric of consumer choice as freedom to the power of “choice architects” who determine the options for us. Eli takes the term “choice architecture” from Richard Thaler and Cass Sunstein's book Nudge: Improving Decisions About Health, Wealth, and Happiness (Yale UP, 2008). He mentions the industrial psychologist Walter Dill Scott and the inventors of behavioral economics, Amos Tversky and Daniel Kahneman. Amusingly, there is a New Yorker article about Tversky and Kahneman written by Thaler and Sunstein, called “The Two Friends Who Changed How We Think About How We Think.” (New Yorker 7 Dec 2016). In the full version of our conversation, Eli referenced the work of Sophia Rosenfeld on the longue durée history of choice. Eli Cook is a historian of American capitalism. He works as a Senior Lecturer in History and as head of the American Studies Program at the University of Haifa in Israel. His first book The Pricing of Progress: Economic Indicators and the Capitalization of American Life was published by Harvard University Press in 2017. Last year, he was a fellow at the Stanford Humanities Center where he worked on his new book about choice architecture. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Eli Cook tells us about choice architecture. The term was invented by behavioral economists in 2008 who proposed it as a soft-power model of “libertarian paternalism” to influence consumer choice. Eli traces their concept through a twentieth-century history of structured choices, from personality tests and the five-star rating to the swipes and likes of platform capitalism. He shifts our attention from the rhetoric of consumer choice as freedom to the power of “choice architects” who determine the options for us. Eli takes the term “choice architecture” from Richard Thaler and Cass Sunstein's book Nudge: Improving Decisions About Health, Wealth, and Happiness (Yale UP, 2008). He mentions the industrial psychologist Walter Dill Scott and the inventors of behavioral economics, Amos Tversky and Daniel Kahneman. Amusingly, there is a New Yorker article about Tversky and Kahneman written by Thaler and Sunstein, called “The Two Friends Who Changed How We Think About How We Think.” (New Yorker 7 Dec 2016). In the full version of our conversation, Eli referenced the work of Sophia Rosenfeld on the longue durée history of choice. Eli Cook is a historian of American capitalism. He works as a Senior Lecturer in History and as head of the American Studies Program at the University of Haifa in Israel. His first book The Pricing of Progress: Economic Indicators and the Capitalization of American Life was published by Harvard University Press in 2017. Last year, he was a fellow at the Stanford Humanities Center where he worked on his new book about choice architecture. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In this episode of High Theory, Eli Cook tells us about choice architecture. The term was invented by behavioral economists in 2008 who proposed it as a soft-power model of “libertarian paternalism” to influence consumer choice. Eli traces their concept through a twentieth-century history of structured choices, from personality tests and the five-star rating to the swipes and likes of platform capitalism. He shifts our attention from the rhetoric of consumer choice as freedom to the power of “choice architects” who determine the options for us. Eli takes the term “choice architecture” from Richard Thaler and Cass Sunstein's book Nudge: Improving Decisions About Health, Wealth, and Happiness (Yale UP, 2008). He mentions the industrial psychologist Walter Dill Scott and the inventors of behavioral economics, Amos Tversky and Daniel Kahneman. Amusingly, there is a New Yorker article about Tversky and Kahneman written by Thaler and Sunstein, called “The Two Friends Who Changed How We Think About How We Think.” (New Yorker 7 Dec 2016). In the full version of our conversation, Eli referenced the work of Sophia Rosenfeld on the longue durée history of choice. Eli Cook is a historian of American capitalism. He works as a Senior Lecturer in History and as head of the American Studies Program at the University of Haifa in Israel. His first book The Pricing of Progress: Economic Indicators and the Capitalization of American Life was published by Harvard University Press in 2017. Last year, he was a fellow at the Stanford Humanities Center where he worked on his new book about choice architecture. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Carrie's conversation was not what I had expected. I had read her work and seen her photography, but I was not prepared for the very personal perspective Carrie shared in how she has traveled her path. Listen. You will hear about the Yale of the late 1980s, about sexism and misogyny, and about a resilient classmate who has taken on the ideas and people who have stood in her way. I was inspired. Carrie has her own website that highlights here work: https://www.carriebakerphd.com/. If you visit, don't skip the photography -- her images are very moving. Here's a bit about Carrie: Carrie N. Baker lives, works and writes from Western Massachusetts. Dr. Baker is the Sylvia Dlugasch Bauman Chair of American Studies and a Professor in the Program for the Study of Women and Gender at Smith College and is a contributing editor at Ms. magazine. She is an expert on women's rights law and policy, specializing in sexual harassment, sex trafficking, and reproductive rights and justice. Dr. Baker has a BA ('87) in philosophy from Yale University, a JD ('94) from Emory University School of Law, and an MA ('94) and a Ph.D. ('01) from Emory University's Department of Women's, Gender, and Sexuality Studies. At Smith College, Dr. Baker has been chair of the Program for the Study of Women and Gender and was a co-founder and former co-director of the Five College Certificate in Reproductive Health, Rights and Justice. Baker is affiliated with the American Studies Program, the archives concentration, and the public policy minor. She has published three books: The Women's Movement Against Sexual Harassment (Cambridge University Press, 2007), Fighting the US Youth Sex Trade: Gender, Race and Politics (Cambridge University Press, 2018), and co-authored Sexual Harassment Law: History, Cases, and Practice (Carolina Academic Press). Her first book was the winner of the National Women's Studies Association 2008 Sara A. Whaley book prize. In addition, she writes regularly for Ms. magazine and has a monthly column in the Daily Hampshire Gazette (Northampton, MA). Baker is part of the Scholars Strategy Network, Women's Media Center SheSource, and is the co-chair of the Ms. Committee of Scholars, which trains scholars to write for the popular media.

Robert S. Chang, Professor of Law and Executive Director of the Fred T. Korematsu Center for Law and Equality at the Seattle University School of Law joins the Critical Race Theory class to discuss CRT and his work as co-counsel in the fight to save the Mexican American Studies Program that Republicans attempted to ban in 2011.

First Draft Episode #328: Helen O'Hara Helen O'Hara, film critic, editor-at-large for Empire magazine and co-host of the Empire film podcast, talks about her newest non-fiction, Women vs Hollywood: The Fall and RIse of Women in Film and host of its accompanying podcast, Women vs Hollywood With Helen O'Hara. Links to Topics Mentioned In This Episode: The Care Bears Movie (movie) My Little Pony: The Movie (movie) Black Panther (movie) Captain Marvel (movie) Terri White, former editor of Empire and author of Coming Undone: A Memoir Twilight (movie) Chris Hewitt, co-host of the Empire podcast Notting Hill (movie) Helen's other books about movies: Best Movies of the 80s and The Superhero Movie Book Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema by Maya Montañez Smukler, (Ph.D., Cinema & Media Studies, UCLA) heads the research and study center at the UCLA Film & Television Archive. Shelley Stamp, film historian, professor at UCSC, and author of Lois Weber in Early Hollywood and Movie-Struck Girls: Women and Motion Picture Culture After the Nickelodeon Karen Ward Mahar, professor of history and the co-director of the American Studies Program at Siena College, and author of Women Filmmakers in Early Hollywood The Best Pick podcast The Golden Compass (movie) The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe (movie) Reservoir Dogs (movie) Home Alone (movie) Ava DuVerney directed Selma, A Wrinkle in Time, and many more films Squid Game (Netflix TV show) Parasite (movie) Becoming by Michelle Obama Wonder Woman (2017 movie) Jurassic World (movie) Petit Maman (movie) On the Basis of Sex (movie) Shut Up and Sing (documentary)

Viewing Ourselves and Others Differently Michael J. Dorff, chair of the BYU Department of Mathematics at the time of this address, gave his devotional speech titled, "Seeing Things Differently." Kristin L. Matthews, BYU associate professor of English and coordinator of the American Studies Program at the the time of this address, gave her devotional speech titled "The Worth of Souls Is Great."

On this episode of Learning Matters, Steven Garber discusses theology of the market place and matters of vocation for the common good.Dr. Steven Garber, Professor of Marketplace Theology and Leadership at Regent College, is Director of Regent’s new graduate program, the Master of Arts in Leadership, Theology, and Society. He comes to Regent College most recently from his role as Principal of The Washington Institute for Faith, Vocation, and Culture in Washington, D.C. Dr. Garber completed his PhD in the Philosophy of Learning at Pennsylvania State University, focusing on the connection between belief and behaviour. His dissertation led to the publication of his first book, The Fabric of Faithfulness: Weaving Together Belief and Behaviour. He served for many years on the faculty of the American Studies Program in Washington, D.C., and his contribution to the book, Faith Goes to Work: Reflections from the Marketplace, was born of that institution’s unique learning-and-living vision for the moral meaning of higher education. More recently, Dr. Garber drew on his work at the Washington Institute and years of thinking about the nature of calling and career to author Visions of Vocation: Common Grace for the Common Good. His new book is titled, The Seamless Life: a Tapestry of Love & Learning Worship & Work.https://www.regent-college.edu/faculty/full-time/steven-garberhttps://www.heartsandmindsbooks.com/Support the show (https://www.twu.ca/donate-now)

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen (Dartmouth, 2017) emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities. The author examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. He also explores the links between African American literature and the Mediterranean tradition of Italian immigrants, and then examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. Sameule F. S. Pardini is the coordinator of the American Studies Program and Faculty-in-Residence of the Honors Pavilion at Elon University. He holds a Laurea degree in Letters and Philosophy from the Universita’ degli Studi di Pisa, Italy, and an M.A. and a Ph.D in Comparative Literature from the State University of New York (SUNY) at Buffalo. Dr. Pardini’s teaching and research interests focus on 20th century Italian studies, Italian American studies, American studies, cinema and literary criticism. Prior to this work, Pardini edited and translated into Italian two collections of writings of the famed critic Leslie Fiedler titled Vacanze Romane: Un critico americano a spasso nell’Italia letteraria and Arrivederci alle armi. He also edited The Devil Gets His Due: The Uncollected Essays of Leslie Fiedler. Pardini is currently pursuing a new book-length research project called Modernity on Wheels: Speed and Automobile Culture from Futurism to Fascism and the New Deal, which examines the theme of speed in automobile culture of the first half of the 20th century in Italy and the United States. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen (Dartmouth, 2017) emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities. The author examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. He also explores the links between African American literature and the Mediterranean tradition of Italian immigrants, and then examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. Sameule F. S. Pardini is the coordinator of the American Studies Program and Faculty-in-Residence of the Honors Pavilion at Elon University. He holds a Laurea degree in Letters and Philosophy from the Universita’ degli Studi di Pisa, Italy, and an M.A. and a Ph.D in Comparative Literature from the State University of New York (SUNY) at Buffalo. Dr. Pardini’s teaching and research interests focus on 20th century Italian studies, Italian American studies, American studies, cinema and literary criticism. Prior to this work, Pardini edited and translated into Italian two collections of writings of the famed critic Leslie Fiedler titled Vacanze Romane: Un critico americano a spasso nell’Italia letteraria and Arrivederci alle armi. He also edited The Devil Gets His Due: The Uncollected Essays of Leslie Fiedler. Pardini is currently pursuing a new book-length research project called Modernity on Wheels: Speed and Automobile Culture from Futurism to Fascism and the New Deal, which examines the theme of speed in automobile culture of the first half of the 20th century in Italy and the United States.   James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen (Dartmouth, 2017) emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities. The author examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. He also explores the links between African American literature and the Mediterranean tradition of Italian immigrants, and then examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. Sameule F. S. Pardini is the coordinator of the American Studies Program and Faculty-in-Residence of the Honors Pavilion at Elon University. He holds a Laurea degree in Letters and Philosophy from the Universita’ degli Studi di Pisa, Italy, and an M.A. and a Ph.D in Comparative Literature from the State University of New York (SUNY) at Buffalo. Dr. Pardini’s teaching and research interests focus on 20th century Italian studies, Italian American studies, American studies, cinema and literary criticism. Prior to this work, Pardini edited and translated into Italian two collections of writings of the famed critic Leslie Fiedler titled Vacanze Romane: Un critico americano a spasso nell’Italia letteraria and Arrivederci alle armi. He also edited The Devil Gets His Due: The Uncollected Essays of Leslie Fiedler. Pardini is currently pursuing a new book-length research project called Modernity on Wheels: Speed and Automobile Culture from Futurism to Fascism and the New Deal, which examines the theme of speed in automobile culture of the first half of the 20th century in Italy and the United States. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen (Dartmouth, 2017) emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities. The author examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. He also explores the links between African American literature and the Mediterranean tradition of Italian immigrants, and then examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. Sameule F. S. Pardini is the coordinator of the American Studies Program and Faculty-in-Residence of the Honors Pavilion at Elon University. He holds a Laurea degree in Letters and Philosophy from the Universita’ degli Studi di Pisa, Italy, and an M.A. and a Ph.D in Comparative Literature from the State University of New York (SUNY) at Buffalo. Dr. Pardini’s teaching and research interests focus on 20th century Italian studies, Italian American studies, American studies, cinema and literary criticism. Prior to this work, Pardini edited and translated into Italian two collections of writings of the famed critic Leslie Fiedler titled Vacanze Romane: Un critico americano a spasso nell’Italia letteraria and Arrivederci alle armi. He also edited The Devil Gets His Due: The Uncollected Essays of Leslie Fiedler. Pardini is currently pursuing a new book-length research project called Modernity on Wheels: Speed and Automobile Culture from Futurism to Fascism and the New Deal, which examines the theme of speed in automobile culture of the first half of the 20th century in Italy and the United States. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen (Dartmouth, 2017) emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities. The author examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. He also explores the links between African American literature and the Mediterranean tradition of Italian immigrants, and then examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. Sameule F. S. Pardini is the coordinator of the American Studies Program and Faculty-in-Residence of the Honors Pavilion at Elon University. He holds a Laurea degree in Letters and Philosophy from the Universita' degli Studi di Pisa, Italy, and an M.A. and a Ph.D in Comparative Literature from the State University of New York (SUNY) at Buffalo. Dr. Pardini's teaching and research interests focus on 20th century Italian studies, Italian American studies, American studies, cinema and literary criticism. Prior to this work, Pardini edited and translated into Italian two collections of writings of the famed critic Leslie Fiedler titled Vacanze Romane: Un critico americano a spasso nell'Italia letteraria and Arrivederci alle armi. He also edited The Devil Gets His Due: The Uncollected Essays of Leslie Fiedler. Pardini is currently pursuing a new book-length research project called Modernity on Wheels: Speed and Automobile Culture from Futurism to Fascism and the New Deal, which examines the theme of speed in automobile culture of the first half of the 20th century in Italy and the United States. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen (Dartmouth, 2017) emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities. The author examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. He also explores the links between African American literature and the Mediterranean tradition of Italian immigrants, and then examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. Sameule F. S. Pardini is the coordinator of the American Studies Program and Faculty-in-Residence of the Honors Pavilion at Elon University. He holds a Laurea degree in Letters and Philosophy from the Universita’ degli Studi di Pisa, Italy, and an M.A. and a Ph.D in Comparative Literature from the State University of New York (SUNY) at Buffalo. Dr. Pardini’s teaching and research interests focus on 20th century Italian studies, Italian American studies, American studies, cinema and literary criticism. Prior to this work, Pardini edited and translated into Italian two collections of writings of the famed critic Leslie Fiedler titled Vacanze Romane: Un critico americano a spasso nell’Italia letteraria and Arrivederci alle armi. He also edited The Devil Gets His Due: The Uncollected Essays of Leslie Fiedler. Pardini is currently pursuing a new book-length research project called Modernity on Wheels: Speed and Automobile Culture from Futurism to Fascism and the New Deal, which examines the theme of speed in automobile culture of the first half of the 20th century in Italy and the United States. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen (Dartmouth, 2017) emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities. The author examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. He also explores the links between African American literature and the Mediterranean tradition of Italian immigrants, and then examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. Sameule F. S. Pardini is the coordinator of the American Studies Program and Faculty-in-Residence of the Honors Pavilion at Elon University. He holds a Laurea degree in Letters and Philosophy from the Universita’ degli Studi di Pisa, Italy, and an M.A. and a Ph.D in Comparative Literature from the State University of New York (SUNY) at Buffalo. Dr. Pardini’s teaching and research interests focus on 20th century Italian studies, Italian American studies, American studies, cinema and literary criticism. Prior to this work, Pardini edited and translated into Italian two collections of writings of the famed critic Leslie Fiedler titled Vacanze Romane: Un critico americano a spasso nell’Italia letteraria and Arrivederci alle armi. He also edited The Devil Gets His Due: The Uncollected Essays of Leslie Fiedler. Pardini is currently pursuing a new book-length research project called Modernity on Wheels: Speed and Automobile Culture from Futurism to Fascism and the New Deal, which examines the theme of speed in automobile culture of the first half of the 20th century in Italy and the United States. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Three graduate students from Montana State University–Bozeman share recent research findings based on oral history interviews conducted as part of MSU’s 125th Anniversary Celebration History Project under the supervision of Drs. Molly Todd and Robert W. Rydell. Jimi DelDuca—a PhD student in the American Studies Program—discussses "The History of the Native American Studies Department." Guthrie Meeker—a candidate for a master’s degree in history—presents his work, "Connecting Montana to the World: A Rich History of Local Ceramic Production." Micaela Young—a PhD student in the American Studies Program—shares "Twenty-Five Years of Water in Montana: An Investigation of the MSU Water Center and Its Role in Creating a Community of Water Professionals." Barry Sulam of the MSU American Studies Doctoral Candidate Program, acts as moderator. Dr. Molly Todd, who served as the faculty jury for submitted student papers, offers comments.

Three graduate students from Montana State University–Bozeman share recent research findings based on oral history interviews conducted as part of MSU’s 125th Anniversary Celebration History Project under the supervision of Drs. Molly Todd and Robert W. Rydell. Jimi DelDuca—a PhD student in the American Studies Program—discussses "The History of the Native American Studies Department." Guthrie Meeker—a candidate for a master’s degree in history—presents his work, "Connecting Montana to the World: A Rich History of Local Ceramic Production." Micaela Young—a PhD student in the American Studies Program—shares "Twenty-Five Years of Water in Montana: An Investigation of the MSU Water Center and Its Role in Creating a Community of Water Professionals." Barry Sulam of the MSU American Studies Doctoral Candidate Program, acts as moderator. Dr. Molly Todd, who served as the faculty jury for submitted student papers, offers comments.

Three graduate students from Montana State University–Bozeman share recent research findings based on oral history interviews conducted as part of MSU’s 125th Anniversary Celebration History Project under the supervision of Drs. Molly Todd and Robert W. Rydell. Jimi DelDuca—a PhD student in the American Studies Program—discussses "The History of the Native American Studies Department." Guthrie Meeker—a candidate for a master’s degree in history—presents his work, "Connecting Montana to the World: A Rich History of Local Ceramic Production." Micaela Young—a PhD student in the American Studies Program—shares "Twenty-Five Years of Water in Montana: An Investigation of the MSU Water Center and Its Role in Creating a Community of Water Professionals." Barry Sulam of the MSU American Studies Doctoral Candidate Program, acts as moderator. Dr. Molly Todd, who served as the faculty jury for submitted student papers, offers comments.

Bethlehem, Pennsylvania, was once synonymous with steel. But after the factories closed, the city bet its future on a new industry: casino gambling. On the site of the former Bethlehem Steel plant, thousands of flashing slot machines and digital bells replaced the fires in the blast furnaces and the shift change whistles of the industrial workplace. From Steel to Slots tells the story of a city struggling to make sense of the ways in which local jobs, landscapes, and identities are transformed by global capitalism. Postindustrial redevelopment often makes a clean break with a city’s rusted past. In Bethlehem, where the new casino is industrial-themed, the city’s heritage continues to dominate the built environment and infuse everyday experiences. Through the voices of steelworkers, casino dealers, preservationists, immigrants, and executives, Chloe Taft examines the ongoing legacies of corporate presence and urban development in a small city—and their uneven effects. Chloe E. Taft is a Mellon Postdoctoral Associate in the Integrated Humanities in the American Studies Program at Yale University.

"From 1968 through 2002, Albert Gelpi taught American literature, particularly American poetry, from its Puritan beginnings to the present day. Gelpi’s books include Emily Dickinson: The Mind of the Poet and The Tenth Muse: The Psyche of the American Poet,which centers on American Romantic poetry; its sequel, A Coherent Splendor: The American Poetic Renaissance, 1910–1950,continues the historical argument by relating American Modernist poetry to its Romantic antecedents. He is also the author ofLiving in Time: The Poetry of C. Day Lewis and has edited The Poet in America 1650 to the Present; Wallace Stevens: The Poetics of Modernism; Denise Levertov: Selected Criticism; and (with Barbara Charlesworth Gelpi) Adrienne Rich’s Poetry and Prose. With Robert Bertholf he edited The Letters of Robert Duncan and Denise Levertov. His latest book is American Poetry After Modernism: The Power of the Word, and his next project is the selected prose of C. Day Lewis, The Golden Bridle. Join Hilton Obenzinger, an accomplished fiction and nonfiction writer and lecturer in the Stanford Department of English, American Studies Program, and Stanford Continuing Studies, as he engages Gelpi in conversation, focusing on the techniques, quirks, and joys of writing."

"Harriet Scott Chessman is the author most recently of the acclaimed novel ""The Beauty of Ordinary Things"", the story of the unexpected love between a young Vietnam veteran and a Benedictine nun. Her other books include the novels ""Someone Not Really Her Mother"", ""Lydia Cassatt Reading the Morning Paper"", and ""Ohio Angels"" as well as ""The Public Is Invited to Dance"", a book about Gertrude Stein. Her fiction has been translated into ten languages. She has taught literature and writing at Yale, the Bread Loaf School of English, and Stanford Continuing Studies. She received a PhD from Yale. Join Hilton Obenzinger, an accomplished fiction and nonfiction writer and lecturer in the Stanford Department of English, American Studies Program, and Stanford Continuing Studies, as he engages Harriet Scott Chessman in conversation, focusing on the techniques, quirks, and joys of writing. This program is co-sponsored by Stanford Continuing Studies and the Hume Center for Writing and Speaking."

Join Hilton Obenzinger, an accomplished fiction and nonfiction writer and lecturer in the Stanford Department of English, the American Studies Program, and Stanford Continuing Studies, as he engages Ian Morris in conversation, focusing on the techniques, quirks, and joys of writing.

A multi-media presentation of Vikram's Seth's The Golden Gate as Novel in Verse and Opera that includes readings of Seth's verse, a video of a 2010 staged workshop of the opera at Lincoln Center, and a discussion with composer Conrad Cummings. The homecoming is long overdue: The Golden Gate, Vikram Seth's 1986 novel-in-verse, was born among Stanford's sandstone buildings and palm trees. Now the Bay Area has a chance to hear highlights of composer Conrad Cummings' opera of the novel. John Henry Davis, who directed the Lincoln Center workshop production, also directs the Stanford program. Seth provides a video welcome. Sponsored by the English Department, American Studies Program, and the Arts Institute at Stanford University.

Steven Garber is the director of The Washington Institute for Faith, Vocation & Culture, an educational center in Washington, D.C., focused on helping people understand the integral character of their lives and the ways that belief shapes behavior in the context of history. Formerly on InterVarsity Christian Fellowship staff, for many years he was also a member of the faculty of the American Studies Program on Capitol Hill. He served as Scholar in Residence for the Council of Christian Colleges and Universities and as Lilly Faculty Scholar at Calvin College. Garber is a Senior Fellow for both the C. S. Lewis Institute and the Fellows Initiative. He recently contributed to the book Get Off Your Knees: Preaching the U2 Catalogue

The question and answer period for the Women and Aging Lectures sponsored by the Kennesaw State University Gender and Women’s Studies program, English Department, College of Humanities and Social Sciences, American Studies Program, and the Institute for Global Initiatives, Conflict Management. Roberta Maierhofer is Professor at the Department of American Studies at the University of Graz, Austria, as well as Adjunct Professor at Binghamton University, New York. She wrote her dissertation on William H Gass and has taught and published on US writers of the 1930s, documentary file, American culture in the 1980s and on various aspects of women and again in American literature and culture. Her most recent book is Narratives of Life: Mediating Age (co-edited with Heike Hartung).

The Women and Aging Lectures were sponsored by Kennesaw State University Gender and Women’s Studies program, English Department, College of Humanities and Social Sciences, American Studies Program, and the Institute for Global Initiatives, Conflict Management. Roberta Maierhofer is Professor at the Department of American Studies at the University of Graz, Austria, as well as Adjunct Professor at Binghamton University, New York. She wrote her dissertation on William H Gass and has taught and published on US writers of the 1930s, documentary file, American culture in the 1980s and on various aspects of women and again in American literature and culture. Her most recent book is Narratives of Life: Mediating Age (co-edited with Heike Hartung).

1997/02/10. Describes integrating learning, belief, and behavior as one of the hardest yet most important tasks of the university student, and offers principles to help. Steve Garber, Director, American Studies Program. Symposium on Evangelicalism and Higher Education.

1997/02/11. Tries to understand God's role in the horrifically unjust world and how to look at it through the lens of the gospel, loving what God loves. Steve Garber, Director, American Studies Program. Symposium on Evangelicalism and Higher Education.