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Representation in art and film matters because it shapes identity, inspires change, and ensures diverse voices are seen and heard, creating a more inclusive and authentic world for all. Join me in my conversation with Karen J. Anderson. Karen is an artist, writer, photographer, publisher, and filmmaker. She uses a variety of methods to uplift, inform, and educate African Americans and people of color. She has a Master of Arts in New Art Journalism from the School of the Arts Institute in Chicago. She presented her paper, More Than A Color: The Marginalization of African American Beauty at the 2021 National Conference of Black Political Scientists. It was published in the Roots Work Journal. She had her article “Best Trip Ever” published in Chicken Soup For the Soul I'm Speaking Now in 2021. In 2023-2024 she presented the work for Illinois Humanities Road Scholar program throughout the state of Illinois. You can contact Karen Anderson at https://uppcreative.com/.JOIN SINGLE AVENUE SQUADhttps://community.singleavenuesquad.com/JOIN THE BOOKED & BLESSED BOOK CLUBhttps://www.eventbrite.com/e/booked-blessed-virtual-book-club-tickets-1222370345609?aff=oddtdtcreatorGET THE HOW TO LIVE AN EXTRAORDINARY LIFE, WITH OR WITHOUT MR. RIGHT BOOK AND WORKBOOKWebsite:https://withorwithoutmrright.com/books/Audiobook:https://withorwithoutmrright.com/books/SIGN UP FOR WEEDING OUT NEGATIVITY: A 3-DAY THOUGHT DETOX DEVOTIONALSign up here to discover how to remove the weeds from your garden.HUSTLE IN FAITH FREE RESOURCESDownload free checklists, prayer guides, etc., to help in your quest to live an extraordinary life:https://hustleinfaith.com/resources/ HOW CAN YOU SUPPORT HUSTLE IN FAITH?If you enjoy listening to Hustle in Faith and would like to support the show, please consider doing one or more of the following:Leave a review:https://ratethispodcast.com/hustleinfaith Donate:https://www.paypal.com/paypalme/hustleinfaith Check out our Shop: https://starengucrew.com/ WHERE ELSE CAN YOU FIND ME? I'm @ HustleinFaith on all social networks.SERVICESContent Creation: https://starengu.com/ Shop: https://starengucrew.com/Voiceover Service: https://latoshajohnsonvo.com/
A summer trip to the Oklahoma Arts Institute at Quartz Mountain State Park in southwestern Oklahoma is a time of creative enchantment for many high-school-aged artists around the state. Applications are now open for teenage creatives who'd like to make the trek this year. Wren Pfal, communications and outreach officer for OSAI, joins the show this week to talk about the amazing opportunity for students to develop as creatives and professionals, and the magic that can only be found at Quartz Mountain. Also on this week's show, the editors discuss their favorite types of soup, and podvents reveals a killer in our midst. You won't want to miss it!
The KOSU Daily is taking a break for the holiday, but we wanted to bring you a couple of our favorites stories from 2024:1) Sierra Pfeifer shows us how Dungeons & Dragons is being used for therapy.2) Sarah Liese takes us to the prestigious Summer Arts Institute in southwest Oklahoma.Support this podcast with a gift at Donate.KOSU.org
Nora Betyousif Lacey, founder of the Assyrian Arts Institute, shares insights into preparations for staging the opera adaptation of the 'Epic of Gilgamesh', in Los Angeles, at the end of March 2026. With a budget exceeding $1 million, Lacey discusses the process of selecting the composer and stage director, as well as the formation of a cultural advisory committee to ensure the production accurately reflects the epic's cultural and historical significance.
Out of CA, Dimitri Moraitis is not only the Co-founder of Spiritual Arts Institute but also the Director. In this podcast, we talk about his awakening, his teacher ~ Barbara Martin, magical moments, auras, the sea of energy, protective light, parenting and the maturing of the aura, lies and how we are finding God/source/spirit again in this Great Awakening.Dimitri ends with the "Just Be Practice" by leading a glorious meditation on wisdom. Love it!Connect with Dimitri and the Spiritual Arts Institute:Website: https://spiritualarts.orgFB: https://www.facebook.com/SpiritualArtsInstituteYouTube: https://www.youtube.com/c/SpiritualartsOrg/featuredInstagram: https://www.instagram.com/spiritual_arts_instituteLinkedIn: https://www.linkedin.com/company/spiritual-arts-institute/posts/?feedView=all*Host Eden Koz is a soul realignment specialist utilizing such gifts as psychological empathy, intuition, psychic ability, mediumship, meditation, mindset shift, Reiki, dimensional and galactic healing, to name a few. She can also perform a spiritual Co#id Vac+ Healing as well as remote & face-to-face sessions with individuals and groups. Contact info for Eden Koz / Just Be®, LLC:My 3D to 5D Merch here. Insta, FB, FB (Just Be), LinkedIn, TruthSocial, (see the podcast also on) BitChute, Rumble, YouTube, Odysee, Grassroots Warrior Network The Just Be~Spiritual BOOM Podcast can be found on the audio directories: Apple Podcasts, Spotify, ...
Rhythm & News Podcast interview with Langston Seattle's Ebony Arunga. Ebony Arunga has been appointed as the new Executive Director of the Langston Hughes Performing Arts Institute, a historic venue in Seattle's Central District. Arunga has a deep connection to the Institute, having performed in youth theater there and dedicated her career to social justice and the arts. She is now tasked with shaping the future of the institution and bringing her vision to life. Interview by Chris B. Bennett.
DeSoto Arts Institute is dedicated to supporting, training, educating, and mentoring the next generation of professional filmmakers and creatives. DAI teaches the craft of creative, positive storytelling by providing a professional working studio environment that actively demonstrates ethics, honesty, generosity, commitment, respect, and love for one another.For more information, please visit - http://desotoartsinstitute.comThe Real Hernando Podcast is presented to you by Wesley Meadows Retirement Community and SRP Studios and sponsored in part by 5M ServicesThe Real Hernando is currently seeking new business sponsors to partner with, which will support the growth of this platform and, in doing so, will create a brighter spotlight for the Hernando community as a whole.LEARN HOW TO SPONSOR THIS SERIES: https://bit.ly/4d7uWruFor all channels and socials, go to TheRealHerando.com
Carina Gardner has a Ph.D. in Design from the University of Minnesota. She taught design at the University of Minnesota and the Arts Institute before starting her design business. The Carina Gardner brand has been on dishwater, jewelry, prints, clocks, sewing patterns, and holiday products. Carina is the CEO of Design Suite, a surface pattern and crafting design program that teaches designers how to make money as they learn to design. Her popular Make and Design Podcast teaches aspiring designers how to make the transition from crafter and hobbies to profitable designer. Connect with Carina at CarinaGardnerShop and on Instagram, Facebook, YouTube, Pinterest and TikTok. Host Erin Prather Stafford launched Girls That Create in 2019. The site supports the parents and caregivers of creative girls while encouraging greater female representation across the arts. To support the parents and caregivers of creative girls while encouraging greater female representation across the arts, go to girlsthatcreate.com and follow and connect on Instagram, Facebook, Pinterest, and YouTube. WordofMomRadio.com
What if you could awaken to a deeper relationship with God? Dimitri Moraitis answers that very question - After an extraordinary awakening, he shares his journey of deep transition from learning, to becoming a master teacher, to serve others in their own spiritual growth. "In pursuing the spiritual path, you are both a scientist in the detail and attention you need to succeed and an artist in your creative expression of unfolding your soul's potential..." As co-founder of The Spiritual Arts Center with clairvoyant Barbara Y. Martin, Dimitri shares his passion for truth, bringing Eastern and Western Philosophies together, and the cycles of reincarnation, that brought us to where we are today. This is an enlightening episode for the God Seeker in you. About Dimitri Moraitis: Co-founder and co-spiritual director of Spiritual Arts Institute, Dimitri has been instrumental in bringing Spiritual Arts Institute to the place it is today as a premier metaphysical school. With Barbara, he is co-author of the international bestseller Change Your Aura, Change Your Life, Communing with the Divine, Karma and Reincarnation, The Healing Power of Your Aura and their newest book Heaven and Your Spiritual Evolution (release date, October 2021). He is an eloquent speaker on a wide variety of spiritual topics, has lectured across the country, appeared on numerous radio shows and leads the workshops and training classes offered at the Institute with Barbara. Years later, Barbara and Dimitri broke new ground with the publication of Change Your Aura Change Your Life, first in a series of mystical writings. This led to their founding Spiritual Arts Institute and Dimitri becoming a spiritual teacher. At first supporting the encyclopedic wisdom of Barbara, now through his own spiritual connection, Dimitri is an illumined teacher contributing new inspiration to the spiritual wisdom in books, workshops and course materials. Originally trained in motion pictures and television, Dimitri was pursuing a promising career in directing and producing, having received an Academy Award nomination for his film short Don't Let It Bother You. When he was twenty-five, Dimitri had a profound spiritual awakening that changed his life. About a year later, he met Barbara at a dinner party and knew that night Barbara was the spiritual teacher he had to study with. Barbara trained Dimitri in metaphysics as well as getting him involved in her spiritual mission. Following the mystery school lineage tradition, Barbara saw in him the person who was meant to help her bring the Kingdom of Light Teachings to the world and lead the spiritual mission beyond her tenure. Dimitri realized this was his spiritual purpose and redirected his life's work to pursue the path of metaphysics. www.spiritarts.org Host of Awakened: Brad Szollose --- Support this podcast: https://podcasters.spotify.com/pod/show/awakenednation/support
Phantom Electric Ghost Interviews Carina Gardner:CEO of Design Suite and Fabric and Craft Designer From Hobby to Profitable Creative Business Biography Carina has a Ph.D. in Design from the University of Minnesota. She taught design at the University of Minnesota and the Arts Institute before starting her design business. The Carina Gardner brand has been on dishwater, jewelry, prints, clocks, sewing patterns, and holiday products. Carina also is a well known fabric designer for Riley Blake Designs and die cut designer for Silhouette. Carina was the Creative Director of Carta Bella Scrapbook papers. Her kids brand Mini Lou has sold products for Nordstrom, Peek Clothing, and 500 independent retailers and museums in the US. Carina is the CEO of Design Suite, a surface pattern and crafting design program that teaches designers how to make money as they learn to design. Her popular Make and Design Podcast teaches aspiring designers how to make the transition from crafter and hobbies to profitable designer. Carina is originally from Clarksville, Tennessee. She currently lives in Sandy, Utah with her husband and three children. Links: http://www.designsuitecourses.com/free https://carinagardnershop.myshopify.com/ Donate to support PEG free artist interviews: PayPalMe link Any contribution is appreciated: https://www.paypal.com/paypalme/PhantomElectric?locale.x=en_US Support PEG by checking out our Sponsors: Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription. The best tool for getting podcast guests: Podmatch.com https://podmatch.com/signup/phantomelectricghost Subscribe to our Instagram for exclusive content: https://www.instagram.com/expansive_sound_experiments/ Donate to support PEG free artist interviews: Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRpr PEG uses StreamYard.com for our live podcasts https://streamyard.com/pal/c/6290085463457792 Get $10.00 Credit for using StreamYard.com when you sign up with our link RSS https://anchor.fm/s/3b31908/podcast/rss --- Send in a voice message: https://podcasters.spotify.com/pod/show/phantom-electric/message
Love my show? Tip me! https://tpjr.us/talkwitholiverpodcast instagram.com/yeskingoliver twitter.com/yeskingoliver Only 90% of you who listen regularly have actually subscribed on Apple & Spotify! If you love my show, can I humbly ask if you could hit that subscribe button as it really helps the show grow and reaches more people. It would mean so much to me! The bigger the show gets, the bigger the guests get! Guest info: Dimitri Moraitis has been helping souls grow at the Spiritual Arts Institute, the school he co-founded with the “Mozart of metaphysics,” Barbara Martin. This nonprofit is known by thousands of students around the world as the premier metaphysical school. Learn more about retreats and online courses to develop your spiritual path at SpiritualArts.org. Inspired by Joe Rogan - The Joe Rogan Experience. Talk with Oliver Podcast Keywords: Not perfect podcast, Poppy Jamie, The higher self podcast, Sahara Rose, sadhguru, You can heal your life, hay House, Conspirituality, The School of manifestation, carys Leah, Spiritual shit, Alea lovely, hay House meditations, manifest daily, dheandra nicolette, The white witch podcast, Carly Rose, under the skin, above the noise, this is sunday delightful, Tom bilyeu, wim hoff, Ricky gevais, school of greatness, Lewis howes, bob proctor, Abraham hicks, esther hicks, impact theory, grant cardone, cardone zone, the tai Lopez show, tai lopez, Jimmy fallon, Justin timberlake, Kanye west, will smith, opera, trump, Donald trump, Elon musk, Justin bieber, Jonny depp, Leonardo DiCaprio, Jordan Peterson, London real, Brian rose, Jordan Belford, Tony robbins, joe wicks, jake Paul, Logan Paul, Russell brand
Co-founder and co-spiritual director of the Spiritual Arts Institute (a nonprofit), Dimitri has been instrumental in bringing the Spiritual Arts Institute to the place it is today as a premier metaphysical school. With Barbara Martin, he co-authored Change Your Aura, Change Your Life (2000), Communing With the Divine (2021), Karma and Reincarnation (2021), The Healing Power of Your Aura (2020) and their newest book Heaven and Your Spiritual Evolution (2021). Barbara Y. Martin (known affectionately as the "Mozart of Metaphysics") worked with Dimitri to form the Seven Spiritual Arts Program, their proprietary metaphysical training program offered to SAI students. Participants learn effective meditation and seven mystical arts to accelerate spiritual growth. Essential Divine Light principles build an enduring foundation to apply in any aspect of life including careers, relationships, and a lasting sense of purpose. More more information about Dimitri and his wonderful programs, please see: https://spiritualarts.org/ https://www.facebook.com/SpiritualArtsInstitute https://www.instagram.com/spiritual_arts_institute/ This podcast is available on your favorite podcast platform, or here: https://endoftheroad.libsyn.com/episode-280-dimitri-moraitis-spiritual-arts-institutechrist-consciousnesstheosophy Have a blessed weekend!
Please join us in welcoming Dimitri Moraitis, the co-founder and co-spiritual director of the Spiritual Arts Institute, a metaphysical school that unites the mystical traditions of the East and West. Barbara Y. Martin and Dimitri Moraitis started the Spiritual Arts Institute in 2005 with a mission to help as people from all walks of life […]
America's Heroes Group Roundtable Community Outreach August is National Wellness Month Saturday August 12, 2023Host: Cliff Kelley Co-Host: Sean Claiborne Executive Producer: Glenda Smith Digital Media Producer: Ivan Ortega Scout's Honor Productions Saturday's Topics: 5:33-6pmPanelist:Michael Manson - US Marine Corps Veteran, Founder and President of the Musical Arts Institute Chicago
Mark your calendar for February 3rd when Peyton's campaign kicks off. She needs our help reaching her goal of raising $50K. Watch our posts for more details. 7-year-old Peyton Bono has been selected as a Teen of Impact by the American Heart Association and is 1 of 30 teens driving awareness for The American Heart Association. Peyton is the only teen who actually has a heart defect and has a goal of raising $50K and would like your help. See below for details.Peyton and her mother, Courtney, share their story of what it was like finding out she was born with Tricuspid Atresia , under going open-heart surgery at 5 months old, and how they had to navigate the process on their own. How to support:Campaign Launches February 3 – April 6, 2023Feb 4th 12-2pm Kendra Scott Preston Center University Park Visit Peyton and check out Kendra Scott's customized heart necklace. All sales during day and with special online code, will give 20% of sales back to Peyton's AHA campaign. Feb 18th 9am Peyton's Heart Walk at YMCA Park Cities Meet at YMCA, wear Red or purchase a Peyton for Hearts T-shirt ($30) and participate in an awareness walk around the community. All are welcome. March 4th 5-8pm Peyton for heARTs show at Zhen Music and Arts Studio Come purchase amazing and impressive art from well renowned artist in our community. 50-100% donated toward Peyton's campaign Zhen Music and Arts Institute 4901 W Lovers Lane Dallas TX 75209 Opening Reception starts at 5pm with Complimentary Valet Parking and clean-crafted wine provided Artwork by: Terry Currington, David Rubin, Jennifer Olivier, Sarah Janece, Bruce Tinch and Zhen Wu To donate any amount and to follow Peyton's journey, and her awareness campaign visit https://www2.heart.org/site/TR/?team_id=760118&pg=team&fr_id=8804 Instagram @Peyton_For_Hearts This episode is sponsored by The Lumen, a Dallas boutique hotel across from SMU. Please visit their website at https://www.thelumendallas.com/
How can you create a thriving volunteer artist-led exhibition space? Why is collaboration with other artists so important? How can artists approach emerging curators? What is it like to break into a contemporary art scene in a new city? What is ‘other' art and should this label be used? Vincent Uribe describes himself as an artist and creative community builder. He is the Founding Director of LVL3, an artist-run exhibition space and online publication, and the Director of Exhibitions and External Relations at non-profit Arts of Life. Through these roles, Vincent works with hundreds of artists, sourcing new talent for the gallery and creating innovative showcasing opportunities for artists with disabilities.Alongside hard work and a strong vision for each of his projects, Vincent's success is due to his open, collaborative approach - an approach that is unusual in the art world - and this has served him well over the past ten years. We discuss his journey since graduating from the School of the Arts Institute of Chicago, his experience of launching and maintaining the volunteer-run gallery for over a decade, and how he sees his own artistic practice in relation to his curatorial work.For any artist considering opening their own space or wishing to collaborate with others, this is the episode for you. I hope you enjoy it. lvl3official.comartsoflife.org@vcentu____________________________________________Hosted and produced by Sophie Loxton Lucas, The Visible Artist podcast features individual artists and their paths to success within the creative world. Alongside conversations with an array of practicing artists, Sophie chats to key art world protagonists about their experiences of working with artists. The Visible Artist podcast is a must-listen for any artists looking to make their mark in today's art world. Follow the show @thevisibleartistpodcastFollow Sophie @sophieloxtonlucaswww.thevisibleartistpodcast.comPodcast cover by AmyIsla Mccombie Hosted on Acast. See acast.com/privacy for more information.
For 50 years, the Langston Hughes Performing Arts Institute has played a vital role in fostering the talent of African American artists and performers here in Seattle. Visitors to the Central-District based arts center - many of whom live in the neighborhood - might stroll over to watch the teen summer musical, take a dance class, or tour an art exhibit. KUOW arts and culture reporter Mike Davis sat down with some of the key members behind the organization.
Transformed by a 1960s urban relief program, the former synagogue has fostered generations of Black artists even as the neighborhood around it changes. For the first half of the 20th century, the building at the southeast corner of 17th Avenue South and East Yesler Way in Seattle's Central District housed a Jewish synagogue. But by the late '60s, the neighborhood demographics looked much different, and fighting urban poverty had become a government priority. This, combined with the vision and effort of local citizens, gave the building a second life as Langston Hughes Performing Arts Institute. Federal money from the Model Cities Program helped the majority-Black Central District create a community hub and creative outlet for themselves. In the 50 years since, that hub has served as much more than just an arts space for generations of Black Seattle. And it has also continued to give young people a space to find and explore their artistic passion. But the Central District is significantly less Black now than it was back when the institute first opened in 1972. So the venue, now operated by the nonprofit LANGSTON, had to change to meet the needs of Black people displaced across King and Pierce counties while also fighting to stay a Black space. It was a battle worth fighting because, for many Black people in and around Seattle, that former synagogue is too important to lose. For this episode of the Black Arts Legacies podcast, host Brooklyn Jamerson-Flowers explores the origins of Langston Hughes Performing Arts Institute and speaks to several artists who found a platform for authentic expression there. They each help to frame the institute's importance and visions of its future. See the full Black Arts Legacies project, featuring profiles, photography and videos. --- Credit Host/producer: Brooklyn Jamerson-Flowers Story editor: Sara Bernard Executive producer: Mark Baumgarten Audio support: Jonah Cohen
A new instrumental twelve-track of Assyrian old songs was released by AAI, arranged by famous musician and Oud player Omar Bashir. The institute commissioned this project and recorded it in Hungary, where Omar Bashirr resides.
Live theatrical performance at Langston Hughes Performing Arts Institute for Artists of Color Expo & Symposium 2022. Written and Directed by Miz Floes --- Send in a voice message: https://anchor.fm/jazzysoltheater/message Support this podcast: https://anchor.fm/jazzysoltheater/support
Khairani Barokka is an Indonesian writer and artist living in London. She is the co-editor of Stairs and Whispers: D/deaf and Disabled Poets Write Back, the author-illustrator of Indigenous Species, and author of debut poetry collection Rope. She was Modern Poetry in Translation's Inaugural Poet-In-Residence, National Centre for Writing's Associate Artist in 2020 and she has been a Researcher-in-Residence at UAL's Decolonising the Arts Institute. Rishi Dastidar's debut collection Ticker-tape is published by Nine Arches Press, and his work has been published by Financial Times, New Scientist and the BBC amongst many others. Okka and Rishi are poets and stable mates of independent poetry publisher Nine Arches Press. Join them for a deep dive into the unconscious process of writing poetry and what they both call 'the daze' of writing, as well as the environmental elements of Okka's writing. Check out our upcoming creative writing online courses, designed in partnership with the University of East Anglia. On sale now
Your Afterlife Guide with Dimitri Moraitis, co-founder of the SAITheresa chats to Dimitri Moraitis: co-founder and co-spiritual director of The Spiritual Arts Institute or SAI. Dimitri is an illumined metaphysical teacher, healer and co-author of numerous bestselling books as well as co-creator of the SAI programs, course curriculums and numerous workshops.To find out more and order, ‘Heaven And Your Spiritual Evolution' visit:http://spiritualarts.orgTo find out more about Theresa's bestselling dream, intuition, afterlife, astrology and mystical titles and mission, visit:Www.theresacheung.comhttp://linktr.ee/theresacheungYou can contact Theresa via @thetheresacheung on Instagram and her author pages on Facebook and Twitter and you can email her directly at: angeltalk710@aol.comThank you to Cluain Ri for the blissful episode musicWhite Shores is produced by Robert Cheung
Sketches, sketches, and more sketches – the unending quest for the fullest possible expression Listen as acclaimed pianist Dr Robert Taub and historian Professor James Daybell animate Beethoven today in our world. Beethoven was a non-conforming troublemaker whose revolutionary music continues to withstand all tests of time. Join us throughout this five-part series to take a fresh look at musical topics including how we perceive music, how our range of hearing has evolved over time, and how and why Beethoven composed. Part of Beethoven: Innovator – a 250th celebration music festival, 30 September - 2 October 2021. Brought to you by The Arts Institute, University of Plymouth. Discover more about Beethoven: Innovator - the podcast Intro music: Beethoven Piano Sonata Op. 57, (Appassionata), Allegro assai Robert Taub, pianist Recording used by permission.
“The Myth of the Authentic Pianoforte” – how we hear music and how our perceptions have evolved over time Listen as acclaimed pianist Dr Robert Taub and historian Professor James Daybell animate Beethoven today in our world. Beethoven was a non-conforming troublemaker whose revolutionary music continues to withstand all tests of time. Join us throughout this five-part series to take a fresh look at musical topics including how we perceive music, how our range of hearing has evolved over time, and how and why Beethoven composed. Part of Beethoven: Innovator – a 250th celebration music festival, 30 September - 2 October 2021. Brought to you by The Arts Institute, University of Plymouth. Discover more about Beethoven: Innovator - the podcast Intro music: Beethoven Piano Sonata Op.27 no.2 (Moonlight), Adagio sostenuto Robert Taub, pianist Recording used by permission.
“Mistakes, mistakes, mistakes. You yourselves are a mistake!” wrote Beethoven to publisher Breitkopf und Härtel. Beethoven cared deeply about how his music would be interpreted by others, and how it would outlive him. Listen as acclaimed pianist Dr Robert Taub and historian Professor James Daybell animate Beethoven today in our world. Beethoven was a non-conforming troublemaker whose revolutionary music continues to withstand all tests of time. Join us throughout this five-part series to take a fresh look at musical topics including how we perceive music, how our range of hearing has evolved over time, and how and why Beethoven composed. Part of Beethoven: Innovator – a 250th celebration music festival, 30 September - 2 October 2021. Brought to you by The Arts Institute, University of Plymouth. Discover more about Beethoven: Innovator - the podcast Intro music: Beethoven Piano Sonata Op. 110, Moderato cantabile molto espressivo Robert Taub, pianist Recording used by permission.
Tempo, tempo, tempo – the most important element of music? Listen as acclaimed pianist Dr Robert Taub and historian Professor James Daybell animate Beethoven today in our world. Beethoven was a non-conforming troublemaker whose revolutionary music continues to withstand all tests of time. Join us throughout this five-part series to take a fresh look at musical topics including how we perceive music, how our range of hearing has evolved over time, and how and why Beethoven composed. Part of Beethoven: Innovator – a 250th celebration music festival, 30 September - 2 October 2021. Brought to you by The Arts Institute, University of Plymouth. Discover more about Beethoven: Innovator - the podcast Intro music: Beethoven Piano Sonata Op. 106 (Hammerklavier), Allegro Robert Taub, pianist Recording used by permission.
Beethoven's 32 Piano Sonatas are considered the Mt Everest for pianists. Why did he write them? Listen as acclaimed pianist Dr Robert Taub and historian Professor James Daybell animate Beethoven today in our world. Beethoven was a non-conforming troublemaker whose revolutionary music continues to withstand all tests of time. Join us throughout this five-part series to take a fresh look at musical topics including how we perceive music, how our range of hearing has evolved over time, and how and why Beethoven composed. Part of Beethoven: Innovator – a 250th celebration music festival, 30 September - 2 October 2021. Brought to you by The Arts Institute, University of Plymouth. Discover more about Beethoven: Innovator - the podcast Intro music: Beethoven Piano Sonata Op. 53 (Waldstein), Allegro con brio Robert Taub, pianist Recording used by permission.
Founded in 1919, Munson Williams Proctor Arts Institute in Utica, New York continues to evolve while maintaining traditions of fine art and culture. The Institute features a renowned permanent collection, fascinating exhibitions and education for all ages. MWPAI President Anna D'Ambrosio joins us to discuss an ambitious long-range initiative. “MWP 2025” is a strategic plan that will guide all aspects of Munson-Williams programming and evaluation as it embarks on its second century.
The new exhibit: “Emma Amos: Color Odyssey,” is on view through September 12th at Munson-Williams-Proctor Arts Institute , the first retrospective of this important artist's work., featuring more than 60 bold mixed-media paintings by Amos, an African American woman, who challenged society with her art on race, gender, and privilege. A companion exhibition, “Call & Response: Collecting African American Art,” running through November 28, explores Munson-Williams' efforts to enhance its collection with works by Black artists over the past 30 years. To tell us more we welcome Curator of Modern and Contemporary Art Museum of Art Mary Murray.
In this episode of "What's Going On", Wendy Ostrom-Price talks to the Director of FVCC's Culinary Arts Institute, Chef Manda Hudak, about the program.
Marcelo Campos nasceu no Rio de Janeiro, Rio de Janeiro, Brasil, em 1972. Professor associado do Instituto de Artes da UERJ. Curador Chefe do Museu de Arte do Rio. Doutor em Artes Visuais pelo EBA/UFRJ. Desenvolveu tese de doutorado sobre o conceito de brasilidade na arte contemporânea. Diretor da Casa França-Brasil, no Rio de Janeiro, entre 2016 e 2017. Autor do livro "Escultura contemporânea no Brasil" (2016). [Marcelo Campos was born in Rio de Janeiro, Rio de Janeiro, Brazil, in 1972. Associated professor at the Arts Institute of the State University of Rio de Janeiro. Chief curator at the Museu de Arte do Rio. He has a PhD in Visual Arts from the Fine Arts School of the Federal University of Rio de Janeiro. He developed a PhD thesis about the concept of Brazilianness in contemporary art. He was the director of Casa França-Brasil, in Rio de Janeiro, from 2016 to 2017. Author of the book "Escultura contemporânea no Brasil" (2016)] ///imagem selecionada|selected image: printscreen de postagem do Acervo da Laje no Instagram, 25 de julho de 2020 [printscreen of a post by Acervo da Laje, on Instagram, July 25th, 2020]/// [entrevista realizada em 07 de setembro de 2020|interview recorded on september 7th, 2020] [link para YouTube: https://youtu.be/TxeyHpzbTaA]
Asata Reid MPH, MS Ed., is a professional chef and community health educator, and the founder of Life Chef LLC - a culinary education service focused on healthy cooking and nutrition for all of life's stages. As a partner of Small Bites Adventure Club, Chef Asata helps to develop recipes and activities for Farm to Home Explorer Kits and the Taste Test Boxes that are sent to classrooms and organizations. These turnkey activities help children discover, love and eat fruits and vegetables. Asata has worked with Kaiser Permanente for over 13 years as a Health Educator, and facilitates classes in smoking cessation, sleep improvement, diabetes prevention and other wellness topics that impact the community.With partners such as Georgia Organics, the Atlanta Community Food Bank, the Georgia Department of Public Health, and Quality Care for Children, she provides nutrition and culinary training for youth, adults and seniors, as well as professional development for school nutrition staff, and technical assistance for Farm to School/ECE programs. Chef Asata teaches cooking and nutrition in the afterschool program at Drew Charter School where she also recently (2018/19) launched a life skills Cooking Club for upperclassmen as a continuation of the work from Michelle Obama's health initiative Chefs Move to Schools. She co-founded the Cooking School at Irwin Street, served as the Health Education Director for Sevananda Natural Foods Market and Truly Living Well Center for Natural Urban Agriculture, and is the former Nutrition Health Educator at the HEALing Community Center in Atlanta's historic West End.Asata completed her Master of Public Health at Emory University's Rollins School of Public Health where she completed a thesis on the complexities of picky eating. Asata also holds a Master of Science in Education from the University of Kansas where she developed a plan for integrating health and nutrition into PreK to 5th grade STEM curriculum. She is an honors graduate of Florida A&M University where she earned her BS in Journalism, and graduated with honors from the International Culinary School at the Arts Institute of Atlanta. As a wife and mother, Asata enjoys slow family meals and her superpower is getting people to love eating their vegetables. In 2021, she self-published her first book “How to Feed a Kid: A Parent's Guide”.To learn more please visit:New self-published book, How to Feed a Kid: A Parent's Guide available on Amazon for print or download.Ongoing virtual kids' cooking classes with the Hand Heart and Soul Project.Farm to Home Explorer Kits and Farm to School Taste Test Boxes with Small Bites Adventure Club: https://smallbites.club/Good Food Good Mood series with Atlanta Eats and Kaiser Permanente (for Peachtree TV) GOOD FOOD GOOD MOOD RECIPE SERIES: Pistachio Crusted Salmon and Kale SaladPower Up BreakfastSouthwestern Black Bean BurgerAntioxidant Bomb ParfaitButternut Squash & Black Bean Chili Social Media:Instagram: @chefasata.lifechefFB: https://www.facebook.com/lifechef/Twitter: @Chefasata This podcast is brought to you by Emory Lifestyle Medicine & Wellness. To learn more about our work, please visithttps://bit.ly/EmoryLM
Filipa Ramos is a writer, curator, and educator, who has been working on the relationships between contemporary art and cinema, and the way environmental and ecological matters of concern are tackled or manifested in and through art.She is one of the founding curators of Vdrome, a self-proclaimed online cinema. She is also the Curator of Art Basel Film. and a Lecturer in the MRes Art: Moving Image of Central Saint Martins, London and the Master’s Program of the Arts Institute in Basel. She is co-curating the symposia series, or the “interdisciplinary festival” The Shape of a Circle in the Mind of a Fish with Lucia Pietroiusti for the Serpentine Galleries, London. Ramos is currently the Head of Research and Publications for the 13th Shanghai Biennale.Filipa's writing and research on art, film, and nature have been published in magazines and catalogs worldwide. She authored "Lost and Found" (Milan: Silvana Editoriale, 2009) https://en.silvanaeditoriale.it/libro/9788836613397 and edited "Animals" (London: Whitechapel Gallery/MIT Press, 2016). https://www.whitechapelgallery.org/events/documents-contemporary-art-animals/She curated "Animalesque", a group exhibition on becoming other at the Bildmuseet Umeå (Summer 2019) http://www.bildmuseet.umu.se/en/exhibition/animalisk/35302Filipa is also the curator of Art Basel's film sector. https://www.artbasel.com/stories/online-viewing-rooms-filipa-ramosV-drome is a perennial online program that presents films by visual artists and filmmakers. http://www.vdrome.orgLucia Pietrouisti is the head of the general ecology department of the Serpentine Galleries where she also curated the interdisciplinary festival titled "The Shape of a Circle in the Mind of a Fish" along with Filipa. https://www.serpentinegalleries.org/general-ecology/The 13th Shanghai Biennale aims to advocate for processes of planetary re-alliance relying on transspecies collectivity. https://www.powerstationofart.com/whats-on/programs/shanghai-bienniale/homeBeatriz Colomina is an architecture historian, theorist, and curator. Her text titled “Diary of a Disease” is published online as part of the "Sick Architecture", https://www.e-flux.com/architecture/sick-architecture/364166/diary-of-a-disease/Inspired by ‘Cyborg Manifesto’ by Donna Haraway, Milanese Fashion House Gucci’s AW 2018 collection titled "Paradoxical Creatures" was designed by Alessandro Michele. https://www.gucci.com/uk/en_gb/st/stories/runway/article/fall-winter-2018-detailsHannah Marriott’s detailed account of the story features how other houses such as Prada and D&G were embracing similar concepts for the 2018 fashion week. https://www.theguardian.com/fashion/2018/feb/27/miquela-cyborg-handbag-drones-milan-fashion-week-weird-vision-futureDirector Gus Van Sant and Gucci's creative director Alessandro Michele's film "At Home" features a television lecture performed by writer and philosopher Paul B Preciado. https://www.gucci.com/tr/en_gb/st/stories/article/guccifest-episode-1Published in 1998, “The Power of Display: a history of exhibition installations at the Museum of Modern Art" is a seminal study of installation design as an aesthetic medium and cultural practice by Mary Anne Staniszewski."Plant Sex" is a mind-boggling public program that took place at the Serpentine galleries. Co-curated as a prelude to "The Shape of a Circle in the Mind of a Fish with Plants" by Filipa, it sought to reflect on the long and deep relationship between botany and eroticism. https://www.serpentinegalleries.org/whats-on/plantsex/Carl Linnaeus was a Swedish botanist, zoologist, and physician who formalized binomial nomenclature, the modern system of naming organisms. He is known as the "father of modern taxonomy" https://en.wikipedia.org/wiki/Carl_LinnaeusAcclaimed curator Chus Martinez was our guest at the previous episode. Make sure to dive into her ocean-like mind to make discoveries about nature, the ocean, and the sciences' potential relations with art through her dazzling array of thoughts. https://www.ahali.space/episodes/episode-10-chusmartinezOctavia Butler was a groundbreaking afro-futurist science-fiction writer. Her short essay, “The Lost Races of Science Fiction" tackled the issue of racial presentation within the field of science fiction was first published in Transmission Magazine's summer issue in 1980. https://garage.vice.com/en_us/article/d3ekbm/octavia-butler"Sex, Botany, and Empire" explores the entwined destinies of Carl Linnaeus and Joseph Banks’ influence served both science and imperialism by Patricia Fara. http://cup.columbia.edu/book/sex-botany-and-empire/9780231134262“The Company One Keeps: Laptops, Lap Dances, Lapdogs” was published at e-flux journal #93 in 2018 https://www.e-flux.com/journal/93/215746/the-company-one-keeps-laptops-lap-dances-lapdogs/Episode recorded on Zoom on December 7th, 2020. Interview by Can Altay. Produced by Aslı Altay & Sarp Renk Özer. Music by Grup Ses.
Hoy tuve el placer de hablar con Dee Mendoza. Esta entrevista te va a encantar ! YouTube : https://youtu.be/eLthhkwx0d4 Siguela @makeupbydeemua #mymicroschool #soybella #mujeres #madressolteras #makeupartists About Dianna: I am a Beauty Coordinator and Professional Makeup Artist with over 16 years of experience in the beauty and fashion industry. Born in Caracas, Venezuela; I was always attracted to the arts and felt inclination for the fashion shows, models and fashion designers! Graduated from The Arts Institute as Fashion Designer and moved to NYC to pursue a Bachelor degree in Fashion Design and Merchandising. Worked as Fashion Stylist and Key Artist for shows in the New York Mercedes Benz Fashion Week including: Angel Sanchez, Carolina Herrera, Kimora Lee Simmons, Willian Rast and many others. Worked with prestige beauty lines like: Chanel, MAC, Laura Mercier, Nars, Bobbi Brown and Estée Lauder. I enjoy empowering women by teaching them simple skin care and makeup routines they can easily recreate at home for work or big events. Follow me on IG: makeupbydeemua and share what would you like to learn from me!
Today I am joined by my good friend, Ron Amran, the head coach of Combat Arts Institute of Australia, and we are talking and sharing about life and martial arts. Ron is born in Israel, lives in Perth with his wife and daughter and is a part of Risk 2 Solution working in the team with Joe Saunders. We finally managed to do this interview after we talked about it when I started my podcast in april. https://combatartsinstitute.com.au/
Francisco Dalcol nasceu em Bento Gonçalves, Rio Grande do Sul, Brasil, em 1981. Doutor e mestre em Teoria, Crítica e História da Arte. Atual diretor-curador do Museu de Arte do Rio Grande do Sul (MARGS). Professor-colaborador do curso de especialização (lato sensu) Práticas Curatoriais, do Instituto de Artes da Universidade Federal do Rio Grande do Sul (UFRGS). Membro da Associação Internacional de Críticos de Arte (AICA), da Associação Brasileira de Críticos de Arte (ABCA) e da Associação Brasileira de Pesquisadores em Artes Plásticas (ANPAP). É crítico de arte, historiador da arte, pesquisador, curador e editor. [Francisco Dalcol was born in Bento Gonçalves, Rio Grande do Sul, Brazil, in 1981. He holds a PhD and master degrees in Theory, Critic and Art History. At the moment he's the director-curator of the Art Museum of Rio Grande do Sul (MARGS). Collaborator-professor at the postgraduate course of Curatorial Practices, at the Arts Institute of the Federal University of Rio Grande do Sul (UFRGS). Member of the International Association of Art Critics, Brazilian Association of Art Critics and the Brazilian Association of Researchers in Plastic Arts. He's an art critic, art historian, researcher, curator and editor.] [entrevista realizada em 17 de julho/interview recorded on july 17th] [link para YouTube: https://www.youtube.com/watch?v=vjscIye7YCw]
Each summer hundreds of the state’s elite arts students travel to Quartz Mountain, on the picturesque outskirts of the Wichita Mountains in southwest Oklahoma for the Oklahoma Arts Institute. But this year the normally two week arts program was moved online and shortened because of the coronavirus. StateImpact’s Robby Korth reports on how the selective arts program made the move.
jamilah malika is a Mentorship Lead at New Leaf Foundation which does work to bring mindfulness and yoga-based tools into spaces that are least-served and often most stigmatized; increasing access to positive resources for youth who face violence, neglect, poverty and marginalization. As well as an artist and writer passionate about anti-oppression, jamilah has completed an MFA in Writing at the School of the Arts Institute of Chicago. All of the links that jamilah shares are included in our show notes click here.
Experience the Ancient Mariner Big Read as one symphonic piece. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ -- The Ancient Mariner Big Read was commissioned by The Arts Institute, University of Plymouth. Supported by The Box, Plymouth; The Edge Andrew Brownsword Gallery, University of Bath; John Hansard Gallery, University of Southampton; The Marine Institute, University of Plymouth; Arts Council England and dBs Pro. --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/40 Reader Alan Bennett Author + playwright Recorded in North London --- Farewell, farewell! but this I tell To thee, thou Wedding-Guest! He prayeth well, who loveth well Both man and bird and beast. He prayeth best, who loveth best All things both great and small; For the dear God who loveth us, He made and loveth all. The Mariner, whose eye is bright, Whose beard with age is hoar, Is gone: and now the Wedding-Guest Turned from the bridegroom's door. He went like one that hath been stunned, And is of sense forlorn: A sadder and a wiser man, He rose the morrow morn. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/39 Reader Judy Collins Singer + songwriter Recorded in New York City --- O Wedding-Guest! this soul hath been Alone on a wide wide sea: So lonely 'twas, that God himself Scarce seemèd there to be. O sweeter than the marriage-feast, 'Tis sweeter far to me, To walk together to the kirk With a goodly company!— To walk together to the kirk, And all together pray, While each to his great Father bends, Old men, and babes, and loving friends And youths and maidens gay! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/38 Reader Samuel John Taylor Coleridge Sixth-generation nephew of the poet, recorded at St Mary's Church, Ottery St Mary, Coleridge's birthplace. Bell-ringer: Gordon Bird --- Since then, at an uncertain hour, That agony returns: And till my ghastly tale is told, This heart within me burns. I pass, like night, from land to land; I have strange power of speech; That moment that his face I see, I know the man that must hear me: To him my tale I teach. What loud uproar bursts from that door! The wedding-guests are there: But in the garden-bower the bride And bride-maids singing are: And hark the little vesper bell, Which biddeth me to prayer! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/37 Reader Kathleen Jamie Poet + author Recorded at the University of Stirling --- And now, all in my own countree, I stood on the firm land! The Hermit stepped forth from the boat, And scarcely he could stand. 'O shrieve me, shrieve me, holy man!' The Hermit crossed his brow. 'Say quick,' quoth he, 'I bid thee say— What manner of man art thou?' Forthwith this frame of mine was wrenched With a woful agony, Which forced me to begin my tale; And then it left me free. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/36 Reader Timothy Morton Philosopher Recorded at Rice University, Texas --- Upon the whirl, where sank the ship, The boat spun round and round; And all was still, save that the hill Was telling of the sound. I moved my lips—the Pilot shrieked And fell down in a fit; The holy Hermit raised his eyes, And prayed where he did sit. I took the oars: the Pilot's boy, Who now doth crazy go, Laughed loud and long, and all the while His eyes went to and fro. 'Ha! ha!' quoth he, 'full plain I see, The Devil knows how to row.' --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/35 Reader John Spicer Marine zoologist Recorded at Coleridge Cottage, Nether Stowey, Somerset, where 'The Rime' was written. --- The boat came closer to the ship, But I nor spake nor stirred; The boat came close beneath the ship, And straight a sound was heard. Under the water it rumbled on, Still louder and more dread: It reached the ship, it split the bay; The ship went down like lead. Stunned by that loud and dreadful sound, Which sky and ocean smote, Like one that hath been seven days drowned My body lay afloat; But swift as dreams, myself I found Within the Pilot's boat. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/34 Reader Max Porter Author + poet Recorded at the Bath Priory, Somerset --- 'Strange, by my faith!' the Hermit said— 'And they answered not our cheer! The planks looked warped! and see those sails, How thin they are and sere! I never saw aught like to them, Unless perchance it were Brown skeletons of leaves that lag My forest-brook along; When the ivy-tod is heavy with snow, And the owlet whoops to the wolf below, That eats the she-wolf's young.' 'Dear Lord! it hath a fiendish look— (The Pilot made reply) I am a-feared'—'Push on, push on!' Said the Hermit cheerily. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/33 Reader Horatio Clare Author + adventurer Recorded at Penzance Literary Festival --- This Hermit good lives in that wood Which slopes down to the sea. How loudly his sweet voice he rears! He loves to talk with marineres That come from a far countree. He kneels at morn, and noon, and eve— He hath a cushion plump: It is the moss that wholly hides The rotted old oak-stump. The skiff-boat neared: I heard them talk, 'Why, this is strange, I trow! Where are those lights so many and fair, That signal made but now?' --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/32 Reader Helen Macdonald Author Recorded in Fitzrovia, London --- But soon I heard the dash of oars, I heard the Pilot's cheer; My head was turned perforce away And I saw a boat appear. The Pilot and the Pilot's boy, I heard them coming fast: Dear Lord in Heaven! it was a joy The dead men could not blast. I saw a third—I heard his voice: It is the Hermit good! He singeth loud his godly hymns That he makes in the wood. He'll shrieve my soul, he'll wash away The Albatross's blood. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/31 Reader Frances Barber Actress Recorded at Studio PSB, London --- Each corse lay flat, lifeless and flat, And, by the holy rood! A man all light, a seraph-man, On every corse there stood. This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart— No voice; but oh! the silence sank Like music on my heart. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/30 Reader Jodie Whittaker Actor Recorded in Netley, Hampshire --- The harbour-bay was clear as glass, So smoothly it was strewn! And on the bay the moonlight lay, And the shadow of the Moon. The rock shone bright, the kirk no less, That stands above the rock: The moonlight steeped in silentness The steady weathercock. And the bay was white with silent light, Till rising from the same, Full many shapes, that shadows were, In crimson colours came. A little distance from the prow Those crimson shadows were: I turned my eyes upon the deck— Oh, Christ! what saw I there! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/29 Reader Stephen Dillane Actor Recorded in Sussex --- Swiftly, swiftly flew the ship, Yet she sailed softly too: Sweetly, sweetly blew the breeze— On me alone it blew. Oh! dream of joy! is this indeed The light-house top I see? Is this the hill? is this the kirk? Is this mine own countree? We drifted o'er the harbour-bar, And I with sobs did pray— O let me be awake, my God! Or let me sleep alway. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/28 Reader David Walliams Author + actor Recorded in London W1 --- And now this spell was snapt: once more I viewed the ocean green, And looked far forth, yet little saw Of what had else been seen— Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head; Because he knows, a frightful fiend Doth close behind him tread. But soon there breathed a wind on me, Nor sound nor motion made: Its path was not upon the sea, In ripple or in shade. It raised my hair, it fanned my cheek Like a meadow-gale of spring— It mingled strangely with my fears, Yet it felt like a welcoming. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/27 Reader Rupert Everett Actor + author Recorded in Wiltshire --- I woke, and we were sailing on As in a gentle weather: 'Twas night, calm night, the moon was high; The dead men stood together. All stood together on the deck, For a charnel-dungeon fitter: All fixed on me their stony eyes, That in the Moon did glitter. The pang, the curse, with which they died, Had never passed away: I could not draw my eyes from theirs, Nor turn them up to pray. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/26 Reader Zeb Soanes + Cleo Silvestre Radio announcer + Actress Recorded in Canonbury, London --- First Voice 'But tell me, tell me! speak again, Thy soft response renewing— What makes that ship drive on so fast? What is the ocean doing?' Second Voice Still as a slave before his lord, The ocean hath no blast; His great bright eye most silently Up to the Moon is cast— If he may know which way to go; For she guides him smooth or grim. See, brother, see! how graciously She looketh down on him.' First Voice 'But why drives on that ship so fast, Without or wave or wind?' Second Voice 'The air is cut away before, And closes from behind. Fly, brother, fly! more high, more high! Or we shall be belated: For slow and slow that ship will go, When the Mariner's trance is abated.' --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/25 Reader Chris Watson Naturalist + sound artist Recorded on Blyth beach, Northumberland --- How long in that same fit I lay, I have not to declare; But ere my living life returned, I heard and in my soul discerned Two voices in the air. 'Is it he?' quoth one, 'Is this the man? By him who died on cross, With his cruel bow he laid full low The harmless Albatross. The spirit who bideth by himself In the land of mist and snow, He loved the bird that loved the man Who shot him with his bow.' The other was a softer voice, As soft as honey-dew: Quoth he, 'The man hath penance done, And penance more will do.' --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/24 Reader Maggi Hambling Artist Recorded in South London --- Till noon we quietly sailed on, Yet never a breeze did breathe: Slowly and smoothly went the ship, Moved onward from beneath. Under the keel nine fathom deep, From the land of mist and snow, The spirit slid: and it was he That made the ship to go. The sails at noon left off their tune, And the ship stood still also. The Sun, right up above the mast, Had fixed her to the ocean: But in a minute she 'gan stir, With a short uneasy motion— Backwards and forwards half her length With a short uneasy motion. Then like a pawing horse let go, She made a sudden bound: It flung the blood into my head, And I fell down in a swound. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/23 Reader David Gray Singer + songwriter Recorded in Hampstead, London --- Sometimes a-dropping from the sky I heard the sky-lark sing; Sometimes all little birds that are, How they seemed to fill the sea and air With their sweet jargoning! And now 'twas like all instruments, Now like a lonely flute; And now it is an angel's song, That makes the heavens be mute. It ceased; yet still the sails made on A pleasant noise till noon, A noise like of a hidden brook In the leafy month of June, That to the sleeping woods all night Singeth a quiet tune. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/22 Reader Philip Hoare Author Recorded on Southampton Water --- The body of my brother's son Stood by me, knee to knee: The body and I pulled at one rope, But he said nought to me. 'I fear thee, ancient Mariner!' Be calm, thou Wedding-Guest! 'Twas not those souls that fled in pain, Which to their corses came again, But a troop of spirits blest: For when it dawned—they dropped their arms, And clustered round the mast; Sweet sounds rose slowly through their mouths, And from their bodies passed. Around, around, flew each sweet sound, Then darted to the Sun; Slowly the sounds came back again, Now mixed, now one by one. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/21 Reader Neil Tennant Singer + songwriter Recorded at Studio PSB, London --- The loud wind never reached the ship, Yet now the ship moved on! Beneath the lightning and the Moon The dead men gave a groan. They groaned, they stirred, they all uprose, Nor spake, nor moved their eyes; It had been strange, even in a dream, To have seen those dead men rise. The helmsman steered, the ship moved on; Yet never a breeze up-blew; The mariners all 'gan work the ropes, Where they were wont to do; They raised their limbs like lifeless tools— We were a ghastly crew. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/20 Reader Cerys Matthews Singer + Author Recorded at the Stags Head, Fitzrovia, London --- And soon I heard a roaring wind: It did not come anear; But with its sound it shook the sails, That were so thin and sere. The upper air burst into life! And a hundred fire-flags sheen, To and fro they were hurried about! And to and fro, and in and out, The wan stars danced between. And the coming wind did roar more loud, And the sails did sigh like sedge, And the rain poured down from one black cloud; The Moon was at its edge. The thick black cloud was cleft, and still The Moon was at its side: Like waters shot from some high crag, The lightning fell with never a jag, A river steep and wide. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/19 Reader Deborah Warner Opera director Recorded in Islington, London --- Oh sleep! it is a gentle thing, Beloved from pole to pole! To Mary Queen the praise be given! She sent the gentle sleep from Heaven, That slid into my soul. The silly buckets on the deck, That had so long remained, I dreamt that they were filled with dew; And when I awoke, it rained. My lips were wet, my throat was cold, My garments all were dank; Sure I had drunken in my dreams, And still my body drank. I moved, and could not feel my limbs: I was so light—almost I thought that I had died in sleep, And was a blessed ghost. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/18 Reader Chris Packham Naturalist Recorded in the New Forest, Hampshire --- Beyond the shadow of the ship, I watched the water-snakes: They moved in tracks of shining white, And when they reared, the elfish light Fell off in hoary flakes. Within the shadow of the ship I watched their rich attire: Blue, glossy green, and velvet black, They coiled and swam; and every track Was a flash of golden fire. O happy living things! no tongue Their beauty might declare: A spring of love gushed from my heart, And I blessed them unaware: Sure my kind saint took pity on me, And I blessed them unaware. The self-same moment I could pray; And from my neck so free The Albatross fell off, and sank Like lead into the sea. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/17 Reader Olivia Laing Author Recorded at Emmanuel College Chapel, Cambridge --- An orphan's curse would drag to hell A spirit from on high; But oh! more horrible than that Is the curse in a dead man's eye! Seven days, seven nights, I saw that curse, And yet I could not die. The moving Moon went up the sky, And no where did abide: Softly she was going up, And a star or two beside— Her beams bemocked the sultry main, Like April hoar-frost spread; But where the ship's huge shadow lay, The charmèd water burnt alway A still and awful red. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/16 Reader Alan Cumming Actor Recorded in New York City --- I looked upon the rotting sea, And drew my eyes away; I looked upon the rotting deck, And there the dead men lay. I looked to heaven, and tried to pray; But or ever a prayer had gusht, A wicked whisper came, and made My heart as dry as dust. I closed my lids, and kept them close, And the balls like pulses beat; For the sky and the sea, and the sea and the sky Lay dead like a load on my weary eye, And the dead were at my feet. The cold sweat melted from their limbs, Nor rot nor reek did they: The look with which they looked on me Had never passed away. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/15 Reader Marianne Faithfull Singer, songwriter, actor Recorded in West London --- 'I fear thee, ancient Mariner! I fear thy skinny hand! And thou art long, and lank, and brown, As is the ribbed sea-sand. I fear thee and thy glittering eye, And thy skinny hand, so brown.'— Fear not, fear not, thou Wedding-Guest! This body dropt not down. Alone, alone, all, all alone, Alone on a wide wide sea! And never a saint took pity on My soul in agony. The many men, so beautiful! And they all dead did lie: And a thousand thousand slimy things Lived on; and so did I. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/14 Reader Cyrus Larcombe Moore Poet Recorded at St Mary's Church, Ottery St Mary, Devon --- One after one, by the star-dogged Moon, Too quick for groan or sigh, Each turned his face with a ghastly pang, And cursed me with his eye. Four times fifty living men, (And I heard nor sigh nor groan) With heavy thump, a lifeless lump, They dropped down one by one. The souls did from their bodies fly,— They fled to bliss or woe! And every soul, it passed me by, Like the whizz of my cross-bow! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/13 Reader Lemn Sissay Poet + Author Recorded at Folkestone Book Festival --- The Sun's rim dips; the stars rush out; At one stride comes the dark; With far-heard whisper, o'er the sea, Off shot the spectre-bark. And stifled words and groans of pain Mix'd on each murmuring lip, We look'd round and we looked up And Fear at our hearts as at a Cup, The Life-blood seemed to sip. The Sky was dull and dark the Night, The Helmsman's face by his lamp gleam'd bright, From the Sails the Dew did drip— Till clomb above the eastern bar The hornèd Moon, with one bright Star Within the nether tip. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/12 Reader Ali Smith Author Recorded at Emmanuel College Chapel, Cambridge --- Alas! (thought I, and my heart beat loud) How fast she nears and nears! Are those her sails that glance in the Sun, Like restless gossameres? Are those her ribs through which the Sun Did peer, as through a grate? And is that Woman all her crew? Is that a DEATH? and are there two? Is DEATH that woman's mate? Her lips were red, her looks were free, Her locks were yellow as gold: Her skin was as white as leprosy, The Night-mare LIFE-IN-DEATH was she, Who thicks man's blood with cold. The naked hulk alongside came, And the twain were casting dice; 'The game is done! I've won! I've won!' Quoth she, and whistles thrice. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/11 Reader Robert Macfarlane Author Recorded at Emmanuel College Chapel, Cambridge --- With throats unslaked, with black lips baked, Agape they heard me call: Gramercy! they for joy did grin, And all at once their breath drew in. As they were drinking all. See! see! (I cried) she tacks no more! Hither to work us weal; Without a breeze, without a tide, She steadies with upright keel! The western wave was all a-flame. The day was well nigh done! Almost upon the western wave Rested the broad bright Sun; When that strange shape drove suddenly Betwixt us and the Sun. And straight the Sun was flecked with bars, (Heaven's Mother send us grace!) As if through a dungeon-grate he peered With broad and burning face. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/10 Reader Beth Gibbons Singer + songwriter --- There passed a weary time. Each throat Was parched, and glazed each eye. A weary time! a weary time! How glazed each weary eye, When looking westward, I beheld A something in the sky. At first it seemed a little speck, And then it seemed a mist; It moved and moved, and took at last A certain shape, I wist. A speck, a mist, a shape, I wist! And still it neared and neared: As if it dodged a water-sprite, It plunged and tacked and veered. With throats unslaked, with black lips baked, We could nor laugh nor wail; Through utter drought all dumb we stood! I bit my arm, I sucked the blood, And cried, A sail! a sail! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/9 Reader Iggy Pop Singer + songwriter Recorded in Miami --- About, about, in reel and rout The death-fires danced at night; The water, like a witch's oils, Burnt green, and blue and white. And some in dreams assurèd were Of the Spirit that plagued us so; Nine fathom deep he had followed us From the land of mist and snow. And every tongue, through utter drought, Was withered at the root; We could not speak, no more than if We had been choked with soot. Ah! well a-day! what evil looks Had I from old and young! Instead of the cross, the Albatross About my neck was hung. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/8 Reader Tilda Swinton Actor Recorded in the Scottish Highlands --- All in a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean. Water, water, every where, And all the boards did shrink; Water, water, every where, Nor any drop to drink. The very deep did rot: O Christ! That ever this should be! Yea, slimy things did crawl with legs Upon the slimy sea. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/7 Reader Simon Armitage Poet Recorded in the West Yorkshire Pennines --- Nor dim nor red, like God's own head, The glorious Sun uprist: Then all averred, I had killed the bird That brought the fog and mist. 'Twas right, said they, such birds to slay, That bring the fog and mist. The fair breeze blew, the white foam flew, The furrow followed free; We were the first that ever burst Into that silent sea. Down dropt the breeze, the sails dropt down, 'Twas sad as sad could be; And we did speak only to break The silence of the sea! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/6 Reader Hilary Mantel Author Recorded at St Mary's Church, Ottery St Mary, Devon, Coleridge's 'sweet birthplace' --- The Sun now rose upon the right: Out of the sea came he, Still hid in mist, and on the left Went down into the sea. And the good south wind still blew behind, But no sweet bird did follow, Nor any day for food or play Came to the mariner's hollo! And I had done a hellish thing, And it would work 'em woe: For all averred, I had killed the bird That made the breeze to blow. Ah wretch! said they, the bird to slay, That made the breeze to blow! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/5 Reader Willem Dafoe Actor Artwork Gordon Cheung Albatross Glitch --- And a good south wind sprung up behind; The Albatross did follow, And every day, for food or play, Came to the mariner's hollo! In mist or cloud, on mast or shroud, It perched for vespers nine; Whiles all the night, through fog-smoke white, Glimmered the white Moon-shine.' 'God save thee, ancient Mariner! From the fiends, that plague thee thus!— Why look'st thou so?'—With my cross-bow I shot the ALBATROSS. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/4 Reader Peter Wilson Polar guide Filmed + recorded by Eric Wehrmeister, Point Wild, Antarctica Lat: 61°05 S Lon: 54°52 W --- And through the drifts the snowy clifts Did send a dismal sheen: Nor shapes of men nor beasts we ken— The ice was all between. The ice was here, the ice was there, The ice was all around: It cracked and growled, and roared and howled, Like noises in a swound! At length did cross an Albatross, Thorough the fog it came; As if it had been a Christian soul, We hailed it in God's name. It ate the food it ne'er had eat, And round and round it flew. The ice did split with a thunder-fit; The helmsman steered us through! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/3 Reader Samuel West Actor + director Recorded in Islington, London --- And now the STORM-BLAST came, and he Was tyrannous and strong: He struck with his o'ertaking wings, And chased us south along. With sloping masts and dipping prow, As who pursued with yell and blow Still treads the shadow of his foe, And forward bends his head, The ship drove fast, loud roared the blast, And southward aye we fled. And now there came both mist and snow, And it grew wondrous cold: And ice, mast-high, came floating by, As green as emerald. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/2 Reader: Jeanette Winterson Author Recorded at The Charterhouse, London --- 'The ship was cheered, the harbour cleared, Merrily did we drop Below the kirk, below the hill, Below the lighthouse top. The Sun came up upon the left, Out of the sea came he! And he shone bright, and on the right Went down into the sea. Higher and higher every day, Till over the mast at noon—' The Wedding-Guest here beat his breast, For he heard the loud bassoon. The bride hath paced into the hall, Red as a rose is she; Nodding their heads before her goes The merry minstrelsy. The Wedding-Guest he beat his breast, Yet he cannot choose but hear; And thus spake on that ancient man, The bright-eyed Mariner. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/1 Reader Jeremy Irons Actor Recorded at Bath Priory, Somerset --- It is an ancient Mariner, And he stoppeth one of three. 'By thy long grey beard and glittering eye, Now wherefore stopp'st thou me? The Bridegroom's doors are opened wide, And I am next of kin; The guests are met, the feast is set: May'st hear the merry din.' He holds him with his skinny hand, 'There was a ship,' quoth he. 'Hold off! unhand me, grey-beard loon!' Eftsoons his hand dropt he. He holds him with his glittering eye— The Wedding-Guest stood still, And listens like a three years' child: The Mariner hath his will. The Wedding-Guest sat on a stone: He cannot choose but hear; And thus spake on that ancient man, The bright-eyed Mariner. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Synergy and Plant Based nutrition for all seasons is important if you want to optimize your health and well being. In this intriguing and enlightening interview, Dr. Plasker and Smita Daya discuss this synergy and how you can apply it to nourish your quality of life every day and your longevity.Smita is an Ayurvedic Chef and Nutritionist who co-owns Olea Oliva Olive Oil and Balsamic Vinegar Tap Room in Marietta, GA with her husband Dilip, https://oleaoliva.com. Smita holds the following nutritional certifications: "Plant-Based Nutrition" from The T. Colin Campbell Center for Nutrition Studies and eCornell."Ayurvedic Chef" and "State of Health" from Hale Pule, LLC, a recognized member of National Ayurvedic Medical Association (NAMA)"Ayurveda Nutrition and Lifestyle" from SKK Ayurveda & Panchakarma, New Delhi, India.Smita Daya worked in the legal field for 25 years prior to making this 100 Year Lifestyle career shift to follow her passion for healthy cooking. Having lived in Zambia, South Africa and England, the Marietta, Georgia native creates some unique dishes and loves to “Spice Things Up' in a healthy way. Smita learned cooking from a very young age from her grandmother and mother who taught her the importance of using super spices and how to incorporate them in everyday cooking. Smita was recently featured as a Top Chef at the Atlanta Food Service Expo and Hospitality Foundation Education of Georgia. She has also taught cooking workshops at the Arts Institute of Atlanta and worked with Forsyth County Schools on Plant Based education.Smita cooks with passion and loves to empower her customers to take control by making healthy food choices. It's not difficult and it's not about “giving up” food. Life is about making choices. Over time, making healthier choices as opposed to less healthy choices determines your path in life toward healthier outcomes, reducing the risk of disease, and promoting healthier active years as you age. Doing the cooking workshops has helped us empower the consumers in making healthy choices where we strive to share our passion with you, the consumer in our store and online as we promote a food culture driven by nutrition, flavor, education, and excitement.
Jason Gray https://www.instagram.com/kindofgray/ is currently a Theatre Management MFA Candidate at Yale, he is an actor, writer, and was the founding Program Director of Black Arts Institute https://stellaadler.com/classes/black-arts-theater/ The Billie Holiday Theatre and the Stella Adler Studio of Acting are excited to launch the Black Arts Institute. The Institute offers two programs in 2020 exploring the history of the contemporary Black theater tradition with courses held at the Billie Holiday Theatre in Brooklyn, NY. The Black Arts Institute offers both a one-week winter and five-week summer comprehensive exploration of the history of the contemporary Black theater tradition, led by a world-class faculty including Stephen McKinley Henderson, Ruben Santiago-Hudson, Phylicia Rashad, Michele Shay and Sonia Sanchez. Both programs highlight certain key historical moments like the Harlem Renaissance, the Black Power movement and the genesis of the Negro Ensemble Company, as well as many Black theaters that emerged during the Black Arts Movement. Students will leave with an understanding of the aesthetic, socio-cultural and historical components involved in bringing contemporary black theater to life.
The Seattle Public Library - Author Readings and Library Events
We're ready to set sail with plenty of whale puns... Don't have your book yet? The Library has unlimited copies in eBook and eAudiobook. Or you could listen to the Moby-Dick Big Read podcast produced by the Arts Institute at the University of Plymouth. And don't forget to join the What the Whale! Facebook group before Sunday night's online discussion at 8 p.m. Palate cleansers: Jennie - "Say Nothing: A True Story of Murder and Memory in Northern Ireland" by Patrick Radden Keefe Pete - "Emergency Contact" by Mary H. K. Choi Megan - "Bookish Boyfriends: A Date with Darcy" by Tiffany Schmidt Alex - "Prisoners of Geography: Ten Maps that Explain Everything About the World" by Tim Marshall
Denise Poland is an education director for D'Avolio Culinary Institute in Buffalo, New York. Even though this is an adult education program, they work closely with high schools to advance the culinary arts for graduating students with disabilities. As you will hear, work-based learning, coupled with individualized planning, is at the center of their recruitment and educational strategies.
Working in many fields from painting and architecture, to typeface, furniture and stage design. UK artist Roger Dean is perhaps best known for his album covers for groups such as Yes, Asia, Osibisa and Pink Floyd. More than sixty million copies of Roger's images have been sold around the world, as album covers, posters, cards, calendars and books. His work has been exhibited in many galleries and museums, including the V&A, The Royal Academy and The Royal College of Art. In 2010, the Daelim Contemporary Art Museum in Seoul, Korea, held a major retrospective of his work. Roger studied at Canterbury College of Art and then between 1965-1968 at The Royal College of Art, where he received a first for his Master's Degree and a silver medal, for Work Of Special Distinction. He has since been awarded an Honorary Doctorate by the San Francisco Academy of Art University and an Honorary Fellowship by the Arts Institute of Bournemouth. With his brother Martyn, Roger has formed two publishing companies and also developed architectural prototypes, which have been exhibited at the National Exhibition Centre, Birmingham. Since 2007, he has worked with his daughter Freyja on projects such as the sets and costumes for the 150th anniversary of the Puccini Festival. Not only being referenced in countless films, his work has inspired generations of students who have gone on to become professional designers and artists as well as demonstrating the importance of never going anywhere without a sketchbook and pencil. Roger's work is chronicled in three volumes: ‘Views’ (1975), Magnetic Storm(1984) and Dragons Dream (2008).
Clyde McCulley was the director of a School of Art and Arts Institute and was a Professor of art for several Colleges but after 20 years he left and discovered he had a goal of changing his life perhaps graphically using the written word but in the form of writing and publishing. Having always used painting and photography as his creative outlet personally and professionally, Clyde had the urge to try a new way of creating. His children had been asking him to write a book about the stories he had told them when they were children. In his late seventies, that is what this creative gentleman decided to do, and is now loving every minute of it beginning with writing about his childhood growing up. ‘The Boy on Shady Grove Road’ was the result. The last of six kids in a poor family, in a poor community, on a poor farm, with poor soil in the backwoods of Arkansas following World War II in the 1950s in the segregated South his creative endeavours with words flourished. Clyde is now writing more books and found this endeavour enormously fulfilling and with his website he is receiving hundreds of emails from people keen to know more ‘real’ stories and learn how to do the same. Clyde’s website name mamaswhitegravy is a wonderful story about his Grandma. Throughout the interview guest Clyde and Host Diana discuss how to write a book when you don’t know how to write one, as well there are many wonderful tips for would be writers and is why this Podcast is well worth listening to.
Trish recently joins the game industry at the Arts Institute of Houston. Before that, she was the executive director of Houston Cinema Arts Society and Director of Theatre at Rice University. We talk about how film and video games are connected through the use of cinematics, lighting, art, and sound. Video games have come a long way.
Wesley Lowery is a national reporter at the Washington Post, where he worked on the Pulitzer-winning project, "Fatal Force." His new book is They Can’t Kill Us All: Ferguson, Baltimore, and a New Era in America’s Racial Justice Movement. “I think that we decided at some point that either you are a journalist or you are an activist. And I identify as a journalist, to be clear, but one of the reasons I often don’t engage in that conversation—when someone throws that back at me I kind of deflect a little bit—is that I think there’s some real fallacy in there. I think that every journalist should be an activist for transparency, for accountability—certainly amongst our government, for first amendment rights. There are things that by our nature of what we do we should be extremely activist.” Thanks to MailChimp, Harry’s, Casper, and School of the Arts Institute of Chicago for sponsoring this week's episode. @WesleyLowery [03:15] Detroit Free Press [03:15] The Plain Dealer [03:15] North Jersey [03:15] Diversity Inc. [03:15] Black Enterprise [05:00] They Can’t Kill Us All: Ferguson, Baltimore, and a New Era in America’s Racial Justice Movement (Little, Brown and Company • 2016) [05:45] "Same-sex marriage is gaining momentum, but some advocates don’t want it on the ballot in Ohio" (Washington Post • Jun 2014) [06:00] "Senate votes to restore federal funding for extended unemployment benefits" (Washington Post • Apr 2014) [06:15] "Congressional Democrats to introduce new Voting Rights Act fix" (Washington Post • Jun 2015) [07:30] "Police use tear gas on crowd in Ferguson, Mo., protesting teen’s death" (Washington Post • Aug 2014) [10:45] "The story behind that Boston Marathon photo of runners carrying a competitor toward the finish" (Washington Post • Apr 2014) [10:45] "Aaron Hernandez indicted, accused of killing two men in 2012" (Washington Post • May 2014) [13:15] O.J.: Made in America [30:00] "Fatal Force" (Washington Post • 2015) [31:30] "The DC Investigates: Is WaPo’s Wesley Lowery Black?" (Betsy Rothstein • Daily Caller • Dec 2014) [40:15] "Police: Multiple witnesses say Antonio Martin pulled gun on officer" (Washington Post • Dec 2014)
A.J. Daulerio is the former editor-in-chief of Gawker. “The choices they’ve given me are take back everything that you loved about Nick [Denton], Gawker, and your job, and we’ll give you your $1,000 back or your ability to make money. You can walk away from this, but you just can’t talk about it ever again. I don’t see there’s any question for me. I definitely thought long and hard about it, and I’ve talked to a lot of people about it. It’s just not in me. Some days I absolutely wish I could say, ‘Is there a phone call I could make to make this all go away?’ Because I want my life back. That’s happened. But for the most part I just think I would regret doing that.” Thanks to MailChimp, EA SPORTS FIFA 17, School of the Arts Institute of Chicago, Casper, and Texture for sponsoring this week's episode. Daulerio on Longform [18:00] Gabriel Sherman on the Longform Podcast [24:30] "This Is Apple’s Next iPhone" (Jason Chen • Gizmodo • Apr 2010) [28:15] Leah Finnegan on the Longform Podcast [29:15] "’Brett Favre Once Sent Me Cock Shots’: Not a Love Story" (Deadspin • Aug 2010) [35:30] "Even for a Minute, Watching Hulk Hogan Have Sex in a Canopy Bed is Not Safe For Work but Watch it Anyway" (Gawker • Oct 2012) [39:30] "Did I Kill Gawker?" (Max Read • Select All • Aug 2016) [40:00] Ratter [44:00] "Gawker Editor’s Testimony Stuns Courtroom in Hulk Hogan Trial" (Nick Madigan • New York Times • Mar 2016) [49:30] Nick Denton’s statement about the Geithner story [49:30] "New Gawker will be ’20 percent nicer,’ Denton tells staff" (Peter Sterne • Politico • Jul 2015)
On this week’s edition of Arts Magazine, guests from the Unicorn Theatre will talk about their Kansas City premier play Hand To God, and in the second half of the […] The post “Hand To God” & Puppetry Arts Institute appeared first on KKFI.
A multi-media presentation of Vikram's Seth's The Golden Gate as Novel in Verse and Opera that includes readings of Seth's verse, a video of a 2010 staged workshop of the opera at Lincoln Center, and a discussion with composer Conrad Cummings. The homecoming is long overdue: The Golden Gate, Vikram Seth's 1986 novel-in-verse, was born among Stanford's sandstone buildings and palm trees. Now the Bay Area has a chance to hear highlights of composer Conrad Cummings' opera of the novel. John Henry Davis, who directed the Lincoln Center workshop production, also directs the Stanford program. Seth provides a video welcome. Sponsored by the English Department, American Studies Program, and the Arts Institute at Stanford University.
Join the conversation: should Jamaicabecome a state of USA I am Ras Astor Black is the Founder/Chairman of the Board of Ras Astor Black School for the Arts Institute, Falmouth, Trelawny – JAMAICA. I am a Television producer and Host on the BobArtsTV- a local Community Access Cable channel. I am also the Vice Chairman of the Trelawny Jamaica Cultural Commission and he is now collaborating with Royal Caribbean Cruise line on the “Reggae Walk of Fame".I served for many years as the host of the "Reggae Vibration" Radio Show, Northwestern University WNUR Radio and Comcast Community Cable TV in Chicago. It was while living in Chicagothat I took my popular radio show and used it to give upcoming Jamaican artists their first start in the music business. I promote the "Brand Jamaica" tourist theme, thus building my popular Jamaica Connection Tours in Illinoiswhere I would bring hundreds of visitors to vacation in Jamaica. Martins Reggae Music Awards honoured me as the Pioneer Reggae Promoter 1987 and in 1988 as the Promoter of the Year Free-i-Radio Jamaica-CaribbeanMusic live right now. Please call I Ras AstorStudio FREEiRADIO.net Office: 561-839-4495/Cell: 8764358401
The Queenz Of Media™ are thrilled to welcome one of the world's most prolific filmmakers Susi Graf. Susi Graf was born in Vienna Austria. There she studied Theater and Journalism at The University of Vienna. After receiving two Fulbright scholarships Susi came to New York to study Film at New York University's Tisch School of the Arts. Susi's early work was as a TV producer interviewing Oscar winning directors and actors. Susi currently resides in Brooklyn, New York and is a film professor at The Arts Institute of New York City located in the historic neighborhood of Tribeca. For almost seven years Susi has been working on the documentary 'Lost In The Crowd' , an extraordinary film about transgender youth and the infamous Ballroom Scene in New York City. This Amazing film also features a never before seen interview with the Legandary Willi Ninja filmed shortly before his death. The Legendary House Of Ninja
Dr. Valerie Bridgeman is associate professor of Hebrew Bible and Homiletics at Memphis Theological Seminary. She also is founding director of the seminary's Return Beat Theology and Arts Institute. She is general editor of Africana worship resources for The United Methodist Church.
Andrew Middleton attends a mooting session. He joins Leslie Lomax and her undergraduate law students from the Mooting One module in a two hour mooting session to find out how this form of professional role play works and to consider its application to non-law disciplines. The Faculty of Development and Society's 'Mooting One' is an exciting module designed to develop research, legal argument, advocacy, team work, self-management and reflection skills. He references a session by Kirsten Hardie from the Arts Institute at Bournemouth presented at the HE Academy Conference 2006 entitled 'On trial: teaching without talking'. Hardie had used mooting with art students. Check the Show Notes at http://ltapodcast.blogspot.com
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