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As A.I. takes a bigger role in our lives, both through our own choices and through the choices of governments and corporations, we are faced with dilemmas. Where should we draw the lines? Who should draw them? A.I. researcher Paula Gürtler joins host Terry McDonald do discuss the wider questions of A.I., and the real world issues like biases in the systems, which company to use, and the Pentagon's crackdown on Anthropic. This is an important and fun conversation about the possibly dismal future of humanity. Brought to you by the School of Governance, Law, and Society and the Baltic Film, Media, and Arts Institute at Tallinn University. Thanks to our partners at Estonian World Magazine.
The talented recorder player Vladimir Soares made a recording with harpsichordist Fabian Grosch of Flute Sonatas by Anna Bon di Venezia that I have admired (and played regularly on Sunday Baroque) for years. Vladimir Soares was introduced to music through the Orquestra Villa-Lobos, a social project that provides free musical education to children in the South of Brazil. Soon, he was graduating from the Arts Institute in Porto Alegre and winning competitions. He continued his training at the Musikhochschule Stuttgart, earning his Master's in Chamber Music in 2015 and a Master's in Recorder in 2016 under the guidance of Professor Hans-Joachim Fuss and Andrea Buchert. He also earned the Laurea Prize, which has not been given to a recorder player since 1991. VladimirSoares (with help from translator Jessica Oliveria) spoke with me about his life in music.
Danah Abdulla is a designer, educator and researcher interested in new narratives and practices in design that push the disciplinary boundaries and definitions of the subject. She is a Reader (Associate Professor) in Anti/Post/Decolonial Histories, Theories, Praxes at the Decolonising the Arts Institute at University of the Arts London (UAL). She is the author of two books: Designerly Ways of Knowing: A Working Inventory of Things a Designer Should Know (Onomatopee, 2022), and Design Otherwise: Transforming Design Education in the Arab Region (Bloomsbury, 2025). www.dabdulla.com.
On tonight’s edition of Bring It On!, hosts Clarence Boone and Liz Mitchell showcase the Neal-Marshall Black Culture Center and the African American Arts Institute on the Indiana University Bloomington Campus. Our guests today are: Dr. Gloria Howell is the director of the Neal-Marshall Black Culture Center (NMCC) at Indiana University. Professor Raymond Wise is …
Representation in art and film matters because it shapes identity, inspires change, and ensures diverse voices are seen and heard, creating a more inclusive and authentic world for all. Join me in my conversation with Karen J. Anderson. Karen is an artist, writer, photographer, publisher, and filmmaker. She uses a variety of methods to uplift, inform, and educate African Americans and people of color. She has a Master of Arts in New Art Journalism from the School of the Arts Institute in Chicago. She presented her paper, More Than A Color: The Marginalization of African American Beauty at the 2021 National Conference of Black Political Scientists. It was published in the Roots Work Journal. She had her article “Best Trip Ever” published in Chicken Soup For the Soul I'm Speaking Now in 2021. In 2023-2024 she presented the work for Illinois Humanities Road Scholar program throughout the state of Illinois. You can contact Karen Anderson at https://uppcreative.com/.JOIN SINGLE AVENUE SQUADhttps://community.singleavenuesquad.com/JOIN THE BOOKED & BLESSED BOOK CLUBhttps://www.eventbrite.com/e/booked-blessed-virtual-book-club-tickets-1222370345609?aff=oddtdtcreatorGET THE HOW TO LIVE AN EXTRAORDINARY LIFE, WITH OR WITHOUT MR. RIGHT BOOK AND WORKBOOKWebsite:https://withorwithoutmrright.com/books/Audiobook:https://withorwithoutmrright.com/books/SIGN UP FOR WEEDING OUT NEGATIVITY: A 3-DAY THOUGHT DETOX DEVOTIONALSign up here to discover how to remove the weeds from your garden.HUSTLE IN FAITH FREE RESOURCESDownload free checklists, prayer guides, etc., to help in your quest to live an extraordinary life:https://hustleinfaith.com/resources/ HOW CAN YOU SUPPORT HUSTLE IN FAITH?If you enjoy listening to Hustle in Faith and would like to support the show, please consider doing one or more of the following:Leave a review:https://ratethispodcast.com/hustleinfaith Donate:https://www.paypal.com/paypalme/hustleinfaith Check out our Shop: https://starengucrew.com/ WHERE ELSE CAN YOU FIND ME? I'm @ HustleinFaith on all social networks.SERVICESContent Creation: https://starengu.com/ Shop: https://starengucrew.com/Voiceover Service: https://latoshajohnsonvo.com/
A summer trip to the Oklahoma Arts Institute at Quartz Mountain State Park in southwestern Oklahoma is a time of creative enchantment for many high-school-aged artists around the state. Applications are now open for teenage creatives who'd like to make the trek this year. Wren Pfal, communications and outreach officer for OSAI, joins the show this week to talk about the amazing opportunity for students to develop as creatives and professionals, and the magic that can only be found at Quartz Mountain. Also on this week's show, the editors discuss their favorite types of soup, and podvents reveals a killer in our midst. You won't want to miss it!
The KOSU Daily is taking a break for the holiday, but we wanted to bring you a couple of our favorites stories from 2024:1) Sierra Pfeifer shows us how Dungeons & Dragons is being used for therapy.2) Sarah Liese takes us to the prestigious Summer Arts Institute in southwest Oklahoma.Support this podcast with a gift at Donate.KOSU.org
Nora Betyousif Lacey, founder of the Assyrian Arts Institute, shares insights into preparations for staging the opera adaptation of the 'Epic of Gilgamesh', in Los Angeles, at the end of March 2026. With a budget exceeding $1 million, Lacey discusses the process of selecting the composer and stage director, as well as the formation of a cultural advisory committee to ensure the production accurately reflects the epic's cultural and historical significance.
Out of CA, Dimitri Moraitis is not only the Co-founder of Spiritual Arts Institute but also the Director. In this podcast, we talk about his awakening, his teacher ~ Barbara Martin, magical moments, auras, the sea of energy, protective light, parenting and the maturing of the aura, lies and how we are finding God/source/spirit again in this Great Awakening.Dimitri ends with the "Just Be Practice" by leading a glorious meditation on wisdom. Love it!Connect with Dimitri and the Spiritual Arts Institute:Website: https://spiritualarts.orgFB: https://www.facebook.com/SpiritualArtsInstituteYouTube: https://www.youtube.com/c/SpiritualartsOrg/featuredInstagram: https://www.instagram.com/spiritual_arts_instituteLinkedIn: https://www.linkedin.com/company/spiritual-arts-institute/posts/?feedView=all*Host Eden Koz is a soul realignment specialist utilizing such gifts as psychological empathy, intuition, psychic ability, mediumship, meditation, mindset shift, Reiki, dimensional and galactic healing, to name a few. She can also perform a spiritual Co#id Vac+ Healing as well as remote & face-to-face sessions with individuals and groups. Contact info for Eden Koz / Just Be®, LLC:My 3D to 5D Merch here. Insta, FB, FB (Just Be), LinkedIn, TruthSocial, (see the podcast also on) BitChute, Rumble, YouTube, Odysee, Grassroots Warrior Network The Just Be~Spiritual BOOM Podcast can be found on the audio directories: Apple Podcasts, Spotify, ...
Rhythm & News Podcast interview with Langston Seattle's Ebony Arunga. Ebony Arunga has been appointed as the new Executive Director of the Langston Hughes Performing Arts Institute, a historic venue in Seattle's Central District. Arunga has a deep connection to the Institute, having performed in youth theater there and dedicated her career to social justice and the arts. She is now tasked with shaping the future of the institution and bringing her vision to life. Interview by Chris B. Bennett.
On today’s edition of Bring It On!, host Clarence Boone and guest co-host Liz Mitchell spend the hour with Dr. Raymond Wise and Gloria Howell. On the Indiana University Bloomington Campus the Neal-Marshall Black Culture Center and African American Arts Institute have a joint exhibit opening on campus at one of the university collections sites …
DeSoto Arts Institute is dedicated to supporting, training, educating, and mentoring the next generation of professional filmmakers and creatives. DAI teaches the craft of creative, positive storytelling by providing a professional working studio environment that actively demonstrates ethics, honesty, generosity, commitment, respect, and love for one another.For more information, please visit - http://desotoartsinstitute.comThe Real Hernando Podcast is presented to you by Wesley Meadows Retirement Community and SRP Studios and sponsored in part by 5M ServicesThe Real Hernando is currently seeking new business sponsors to partner with, which will support the growth of this platform and, in doing so, will create a brighter spotlight for the Hernando community as a whole.LEARN HOW TO SPONSOR THIS SERIES: https://bit.ly/4d7uWruFor all channels and socials, go to TheRealHerando.com
Carina Gardner has a Ph.D. in Design from the University of Minnesota. She taught design at the University of Minnesota and the Arts Institute before starting her design business. The Carina Gardner brand has been on dishwater, jewelry, prints, clocks, sewing patterns, and holiday products. Carina is the CEO of Design Suite, a surface pattern and crafting design program that teaches designers how to make money as they learn to design. Her popular Make and Design Podcast teaches aspiring designers how to make the transition from crafter and hobbies to profitable designer. Connect with Carina at CarinaGardnerShop and on Instagram, Facebook, YouTube, Pinterest and TikTok. Host Erin Prather Stafford launched Girls That Create in 2019. The site supports the parents and caregivers of creative girls while encouraging greater female representation across the arts. To support the parents and caregivers of creative girls while encouraging greater female representation across the arts, go to girlsthatcreate.com and follow and connect on Instagram, Facebook, Pinterest, and YouTube. WordofMomRadio.com
What if you could awaken to a deeper relationship with God? Dimitri Moraitis answers that very question - After an extraordinary awakening, he shares his journey of deep transition from learning, to becoming a master teacher, to serve others in their own spiritual growth. "In pursuing the spiritual path, you are both a scientist in the detail and attention you need to succeed and an artist in your creative expression of unfolding your soul's potential..." As co-founder of The Spiritual Arts Center with clairvoyant Barbara Y. Martin, Dimitri shares his passion for truth, bringing Eastern and Western Philosophies together, and the cycles of reincarnation, that brought us to where we are today. This is an enlightening episode for the God Seeker in you. About Dimitri Moraitis: Co-founder and co-spiritual director of Spiritual Arts Institute, Dimitri has been instrumental in bringing Spiritual Arts Institute to the place it is today as a premier metaphysical school. With Barbara, he is co-author of the international bestseller Change Your Aura, Change Your Life, Communing with the Divine, Karma and Reincarnation, The Healing Power of Your Aura and their newest book Heaven and Your Spiritual Evolution (release date, October 2021). He is an eloquent speaker on a wide variety of spiritual topics, has lectured across the country, appeared on numerous radio shows and leads the workshops and training classes offered at the Institute with Barbara. Years later, Barbara and Dimitri broke new ground with the publication of Change Your Aura Change Your Life, first in a series of mystical writings. This led to their founding Spiritual Arts Institute and Dimitri becoming a spiritual teacher. At first supporting the encyclopedic wisdom of Barbara, now through his own spiritual connection, Dimitri is an illumined teacher contributing new inspiration to the spiritual wisdom in books, workshops and course materials. Originally trained in motion pictures and television, Dimitri was pursuing a promising career in directing and producing, having received an Academy Award nomination for his film short Don't Let It Bother You. When he was twenty-five, Dimitri had a profound spiritual awakening that changed his life. About a year later, he met Barbara at a dinner party and knew that night Barbara was the spiritual teacher he had to study with. Barbara trained Dimitri in metaphysics as well as getting him involved in her spiritual mission. Following the mystery school lineage tradition, Barbara saw in him the person who was meant to help her bring the Kingdom of Light Teachings to the world and lead the spiritual mission beyond her tenure. Dimitri realized this was his spiritual purpose and redirected his life's work to pursue the path of metaphysics. www.spiritarts.org Host of Awakened: Brad Szollose --- Support this podcast: https://podcasters.spotify.com/pod/show/awakenednation/support
Phantom Electric Ghost Interviews Carina Gardner:CEO of Design Suite and Fabric and Craft Designer From Hobby to Profitable Creative Business Biography Carina has a Ph.D. in Design from the University of Minnesota. She taught design at the University of Minnesota and the Arts Institute before starting her design business. The Carina Gardner brand has been on dishwater, jewelry, prints, clocks, sewing patterns, and holiday products. Carina also is a well known fabric designer for Riley Blake Designs and die cut designer for Silhouette. Carina was the Creative Director of Carta Bella Scrapbook papers. Her kids brand Mini Lou has sold products for Nordstrom, Peek Clothing, and 500 independent retailers and museums in the US. Carina is the CEO of Design Suite, a surface pattern and crafting design program that teaches designers how to make money as they learn to design. Her popular Make and Design Podcast teaches aspiring designers how to make the transition from crafter and hobbies to profitable designer. Carina is originally from Clarksville, Tennessee. She currently lives in Sandy, Utah with her husband and three children. Links: http://www.designsuitecourses.com/free https://carinagardnershop.myshopify.com/ Donate to support PEG free artist interviews: PayPalMe link Any contribution is appreciated: https://www.paypal.com/paypalme/PhantomElectric?locale.x=en_US Support PEG by checking out our Sponsors: Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription. The best tool for getting podcast guests: Podmatch.com https://podmatch.com/signup/phantomelectricghost Subscribe to our Instagram for exclusive content: https://www.instagram.com/expansive_sound_experiments/ Donate to support PEG free artist interviews: Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRpr PEG uses StreamYard.com for our live podcasts https://streamyard.com/pal/c/6290085463457792 Get $10.00 Credit for using StreamYard.com when you sign up with our link RSS https://anchor.fm/s/3b31908/podcast/rss --- Send in a voice message: https://podcasters.spotify.com/pod/show/phantom-electric/message
Love my show? Tip me! https://tpjr.us/talkwitholiverpodcast instagram.com/yeskingoliver twitter.com/yeskingoliver Only 90% of you who listen regularly have actually subscribed on Apple & Spotify! If you love my show, can I humbly ask if you could hit that subscribe button as it really helps the show grow and reaches more people. It would mean so much to me! The bigger the show gets, the bigger the guests get! Guest info: Dimitri Moraitis has been helping souls grow at the Spiritual Arts Institute, the school he co-founded with the “Mozart of metaphysics,” Barbara Martin. This nonprofit is known by thousands of students around the world as the premier metaphysical school. Learn more about retreats and online courses to develop your spiritual path at SpiritualArts.org. Inspired by Joe Rogan - The Joe Rogan Experience. Talk with Oliver Podcast Keywords: Not perfect podcast, Poppy Jamie, The higher self podcast, Sahara Rose, sadhguru, You can heal your life, hay House, Conspirituality, The School of manifestation, carys Leah, Spiritual shit, Alea lovely, hay House meditations, manifest daily, dheandra nicolette, The white witch podcast, Carly Rose, under the skin, above the noise, this is sunday delightful, Tom bilyeu, wim hoff, Ricky gevais, school of greatness, Lewis howes, bob proctor, Abraham hicks, esther hicks, impact theory, grant cardone, cardone zone, the tai Lopez show, tai lopez, Jimmy fallon, Justin timberlake, Kanye west, will smith, opera, trump, Donald trump, Elon musk, Justin bieber, Jonny depp, Leonardo DiCaprio, Jordan Peterson, London real, Brian rose, Jordan Belford, Tony robbins, joe wicks, jake Paul, Logan Paul, Russell brand
Co-founder and co-spiritual director of the Spiritual Arts Institute (a nonprofit), Dimitri has been instrumental in bringing the Spiritual Arts Institute to the place it is today as a premier metaphysical school. With Barbara Martin, he co-authored Change Your Aura, Change Your Life (2000), Communing With the Divine (2021), Karma and Reincarnation (2021), The Healing Power of Your Aura (2020) and their newest book Heaven and Your Spiritual Evolution (2021). Barbara Y. Martin (known affectionately as the "Mozart of Metaphysics") worked with Dimitri to form the Seven Spiritual Arts Program, their proprietary metaphysical training program offered to SAI students. Participants learn effective meditation and seven mystical arts to accelerate spiritual growth. Essential Divine Light principles build an enduring foundation to apply in any aspect of life including careers, relationships, and a lasting sense of purpose. More more information about Dimitri and his wonderful programs, please see: https://spiritualarts.org/ https://www.facebook.com/SpiritualArtsInstitute https://www.instagram.com/spiritual_arts_institute/ This podcast is available on your favorite podcast platform, or here: https://endoftheroad.libsyn.com/episode-280-dimitri-moraitis-spiritual-arts-institutechrist-consciousnesstheosophy Have a blessed weekend!
Please join us in welcoming Dimitri Moraitis, the co-founder and co-spiritual director of the Spiritual Arts Institute, a metaphysical school that unites the mystical traditions of the East and West. Barbara Y. Martin and Dimitri Moraitis started the Spiritual Arts Institute in 2005 with a mission to help as people from all walks of life […]
America's Heroes Group Roundtable Community Outreach August is National Wellness Month Saturday August 12, 2023Host: Cliff Kelley Co-Host: Sean Claiborne Executive Producer: Glenda Smith Digital Media Producer: Ivan Ortega Scout's Honor Productions Saturday's Topics: 5:33-6pmPanelist:Michael Manson - US Marine Corps Veteran, Founder and President of the Musical Arts Institute Chicago
Mark your calendar for February 3rd when Peyton's campaign kicks off. She needs our help reaching her goal of raising $50K. Watch our posts for more details. 7-year-old Peyton Bono has been selected as a Teen of Impact by the American Heart Association and is 1 of 30 teens driving awareness for The American Heart Association. Peyton is the only teen who actually has a heart defect and has a goal of raising $50K and would like your help. See below for details.Peyton and her mother, Courtney, share their story of what it was like finding out she was born with Tricuspid Atresia , under going open-heart surgery at 5 months old, and how they had to navigate the process on their own. How to support:Campaign Launches February 3 – April 6, 2023Feb 4th 12-2pm Kendra Scott Preston Center University Park Visit Peyton and check out Kendra Scott's customized heart necklace. All sales during day and with special online code, will give 20% of sales back to Peyton's AHA campaign. Feb 18th 9am Peyton's Heart Walk at YMCA Park Cities Meet at YMCA, wear Red or purchase a Peyton for Hearts T-shirt ($30) and participate in an awareness walk around the community. All are welcome. March 4th 5-8pm Peyton for heARTs show at Zhen Music and Arts Studio Come purchase amazing and impressive art from well renowned artist in our community. 50-100% donated toward Peyton's campaign Zhen Music and Arts Institute 4901 W Lovers Lane Dallas TX 75209 Opening Reception starts at 5pm with Complimentary Valet Parking and clean-crafted wine provided Artwork by: Terry Currington, David Rubin, Jennifer Olivier, Sarah Janece, Bruce Tinch and Zhen Wu To donate any amount and to follow Peyton's journey, and her awareness campaign visit https://www2.heart.org/site/TR/?team_id=760118&pg=team&fr_id=8804 Instagram @Peyton_For_Hearts This episode is sponsored by The Lumen, a Dallas boutique hotel across from SMU. Please visit their website at https://www.thelumendallas.com/
How can you create a thriving volunteer artist-led exhibition space? Why is collaboration with other artists so important? How can artists approach emerging curators? What is it like to break into a contemporary art scene in a new city? What is ‘other' art and should this label be used? Vincent Uribe describes himself as an artist and creative community builder. He is the Founding Director of LVL3, an artist-run exhibition space and online publication, and the Director of Exhibitions and External Relations at non-profit Arts of Life. Through these roles, Vincent works with hundreds of artists, sourcing new talent for the gallery and creating innovative showcasing opportunities for artists with disabilities.Alongside hard work and a strong vision for each of his projects, Vincent's success is due to his open, collaborative approach - an approach that is unusual in the art world - and this has served him well over the past ten years. We discuss his journey since graduating from the School of the Arts Institute of Chicago, his experience of launching and maintaining the volunteer-run gallery for over a decade, and how he sees his own artistic practice in relation to his curatorial work.For any artist considering opening their own space or wishing to collaborate with others, this is the episode for you. I hope you enjoy it. lvl3official.comartsoflife.org@vcentu____________________________________________Hosted and produced by Sophie Loxton Lucas, The Visible Artist podcast features individual artists and their paths to success within the creative world. Alongside conversations with an array of practicing artists, Sophie chats to key art world protagonists about their experiences of working with artists. The Visible Artist podcast is a must-listen for any artists looking to make their mark in today's art world. Follow the show @thevisibleartistpodcastFollow Sophie @sophieloxtonlucaswww.thevisibleartistpodcast.comPodcast cover by AmyIsla Mccombie Hosted on Acast. See acast.com/privacy for more information.
For 50 years, the Langston Hughes Performing Arts Institute has played a vital role in fostering the talent of African American artists and performers here in Seattle. Visitors to the Central-District based arts center - many of whom live in the neighborhood - might stroll over to watch the teen summer musical, take a dance class, or tour an art exhibit. KUOW arts and culture reporter Mike Davis sat down with some of the key members behind the organization.
Transformed by a 1960s urban relief program, the former synagogue has fostered generations of Black artists even as the neighborhood around it changes. For the first half of the 20th century, the building at the southeast corner of 17th Avenue South and East Yesler Way in Seattle's Central District housed a Jewish synagogue. But by the late '60s, the neighborhood demographics looked much different, and fighting urban poverty had become a government priority. This, combined with the vision and effort of local citizens, gave the building a second life as Langston Hughes Performing Arts Institute. Federal money from the Model Cities Program helped the majority-Black Central District create a community hub and creative outlet for themselves. In the 50 years since, that hub has served as much more than just an arts space for generations of Black Seattle. And it has also continued to give young people a space to find and explore their artistic passion. But the Central District is significantly less Black now than it was back when the institute first opened in 1972. So the venue, now operated by the nonprofit LANGSTON, had to change to meet the needs of Black people displaced across King and Pierce counties while also fighting to stay a Black space. It was a battle worth fighting because, for many Black people in and around Seattle, that former synagogue is too important to lose. For this episode of the Black Arts Legacies podcast, host Brooklyn Jamerson-Flowers explores the origins of Langston Hughes Performing Arts Institute and speaks to several artists who found a platform for authentic expression there. They each help to frame the institute's importance and visions of its future. See the full Black Arts Legacies project, featuring profiles, photography and videos. --- Credit Host/producer: Brooklyn Jamerson-Flowers Story editor: Sara Bernard Executive producer: Mark Baumgarten Audio support: Jonah Cohen
A new instrumental twelve-track of Assyrian old songs was released by AAI, arranged by famous musician and Oud player Omar Bashir. The institute commissioned this project and recorded it in Hungary, where Omar Bashirr resides.
Khairani Barokka is an Indonesian writer and artist living in London. She is the co-editor of Stairs and Whispers: D/deaf and Disabled Poets Write Back, the author-illustrator of Indigenous Species, and author of debut poetry collection Rope. She was Modern Poetry in Translation's Inaugural Poet-In-Residence, National Centre for Writing's Associate Artist in 2020 and she has been a Researcher-in-Residence at UAL's Decolonising the Arts Institute. Rishi Dastidar's debut collection Ticker-tape is published by Nine Arches Press, and his work has been published by Financial Times, New Scientist and the BBC amongst many others. Okka and Rishi are poets and stable mates of independent poetry publisher Nine Arches Press. Join them for a deep dive into the unconscious process of writing poetry and what they both call 'the daze' of writing, as well as the environmental elements of Okka's writing. Check out our upcoming creative writing online courses, designed in partnership with the University of East Anglia. On sale now
Experience the Ancient Mariner Big Read as one symphonic piece. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ -- The Ancient Mariner Big Read was commissioned by The Arts Institute, University of Plymouth. Supported by The Box, Plymouth; The Edge Andrew Brownsword Gallery, University of Bath; John Hansard Gallery, University of Southampton; The Marine Institute, University of Plymouth; Arts Council England and dBs Pro. --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/40 Reader Alan Bennett Author + playwright Recorded in North London --- Farewell, farewell! but this I tell To thee, thou Wedding-Guest! He prayeth well, who loveth well Both man and bird and beast. He prayeth best, who loveth best All things both great and small; For the dear God who loveth us, He made and loveth all. The Mariner, whose eye is bright, Whose beard with age is hoar, Is gone: and now the Wedding-Guest Turned from the bridegroom's door. He went like one that hath been stunned, And is of sense forlorn: A sadder and a wiser man, He rose the morrow morn. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/39 Reader Judy Collins Singer + songwriter Recorded in New York City --- O Wedding-Guest! this soul hath been Alone on a wide wide sea: So lonely 'twas, that God himself Scarce seemèd there to be. O sweeter than the marriage-feast, 'Tis sweeter far to me, To walk together to the kirk With a goodly company!— To walk together to the kirk, And all together pray, While each to his great Father bends, Old men, and babes, and loving friends And youths and maidens gay! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/38 Reader Samuel John Taylor Coleridge Sixth-generation nephew of the poet, recorded at St Mary's Church, Ottery St Mary, Coleridge's birthplace. Bell-ringer: Gordon Bird --- Since then, at an uncertain hour, That agony returns: And till my ghastly tale is told, This heart within me burns. I pass, like night, from land to land; I have strange power of speech; That moment that his face I see, I know the man that must hear me: To him my tale I teach. What loud uproar bursts from that door! The wedding-guests are there: But in the garden-bower the bride And bride-maids singing are: And hark the little vesper bell, Which biddeth me to prayer! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/37 Reader Kathleen Jamie Poet + author Recorded at the University of Stirling --- And now, all in my own countree, I stood on the firm land! The Hermit stepped forth from the boat, And scarcely he could stand. 'O shrieve me, shrieve me, holy man!' The Hermit crossed his brow. 'Say quick,' quoth he, 'I bid thee say— What manner of man art thou?' Forthwith this frame of mine was wrenched With a woful agony, Which forced me to begin my tale; And then it left me free. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/36 Reader Timothy Morton Philosopher Recorded at Rice University, Texas --- Upon the whirl, where sank the ship, The boat spun round and round; And all was still, save that the hill Was telling of the sound. I moved my lips—the Pilot shrieked And fell down in a fit; The holy Hermit raised his eyes, And prayed where he did sit. I took the oars: the Pilot's boy, Who now doth crazy go, Laughed loud and long, and all the while His eyes went to and fro. 'Ha! ha!' quoth he, 'full plain I see, The Devil knows how to row.' --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/35 Reader John Spicer Marine zoologist Recorded at Coleridge Cottage, Nether Stowey, Somerset, where 'The Rime' was written. --- The boat came closer to the ship, But I nor spake nor stirred; The boat came close beneath the ship, And straight a sound was heard. Under the water it rumbled on, Still louder and more dread: It reached the ship, it split the bay; The ship went down like lead. Stunned by that loud and dreadful sound, Which sky and ocean smote, Like one that hath been seven days drowned My body lay afloat; But swift as dreams, myself I found Within the Pilot's boat. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/34 Reader Max Porter Author + poet Recorded at the Bath Priory, Somerset --- 'Strange, by my faith!' the Hermit said— 'And they answered not our cheer! The planks looked warped! and see those sails, How thin they are and sere! I never saw aught like to them, Unless perchance it were Brown skeletons of leaves that lag My forest-brook along; When the ivy-tod is heavy with snow, And the owlet whoops to the wolf below, That eats the she-wolf's young.' 'Dear Lord! it hath a fiendish look— (The Pilot made reply) I am a-feared'—'Push on, push on!' Said the Hermit cheerily. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/33 Reader Horatio Clare Author + adventurer Recorded at Penzance Literary Festival --- This Hermit good lives in that wood Which slopes down to the sea. How loudly his sweet voice he rears! He loves to talk with marineres That come from a far countree. He kneels at morn, and noon, and eve— He hath a cushion plump: It is the moss that wholly hides The rotted old oak-stump. The skiff-boat neared: I heard them talk, 'Why, this is strange, I trow! Where are those lights so many and fair, That signal made but now?' --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/32 Reader Helen Macdonald Author Recorded in Fitzrovia, London --- But soon I heard the dash of oars, I heard the Pilot's cheer; My head was turned perforce away And I saw a boat appear. The Pilot and the Pilot's boy, I heard them coming fast: Dear Lord in Heaven! it was a joy The dead men could not blast. I saw a third—I heard his voice: It is the Hermit good! He singeth loud his godly hymns That he makes in the wood. He'll shrieve my soul, he'll wash away The Albatross's blood. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/31 Reader Frances Barber Actress Recorded at Studio PSB, London --- Each corse lay flat, lifeless and flat, And, by the holy rood! A man all light, a seraph-man, On every corse there stood. This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart— No voice; but oh! the silence sank Like music on my heart. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/30 Reader Jodie Whittaker Actor Recorded in Netley, Hampshire --- The harbour-bay was clear as glass, So smoothly it was strewn! And on the bay the moonlight lay, And the shadow of the Moon. The rock shone bright, the kirk no less, That stands above the rock: The moonlight steeped in silentness The steady weathercock. And the bay was white with silent light, Till rising from the same, Full many shapes, that shadows were, In crimson colours came. A little distance from the prow Those crimson shadows were: I turned my eyes upon the deck— Oh, Christ! what saw I there! --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/29 Reader Stephen Dillane Actor Recorded in Sussex --- Swiftly, swiftly flew the ship, Yet she sailed softly too: Sweetly, sweetly blew the breeze— On me alone it blew. Oh! dream of joy! is this indeed The light-house top I see? Is this the hill? is this the kirk? Is this mine own countree? We drifted o'er the harbour-bar, And I with sobs did pray— O let me be awake, my God! Or let me sleep alway. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/28 Reader David Walliams Author + actor Recorded in London W1 --- And now this spell was snapt: once more I viewed the ocean green, And looked far forth, yet little saw Of what had else been seen— Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head; Because he knows, a frightful fiend Doth close behind him tread. But soon there breathed a wind on me, Nor sound nor motion made: Its path was not upon the sea, In ripple or in shade. It raised my hair, it fanned my cheek Like a meadow-gale of spring— It mingled strangely with my fears, Yet it felt like a welcoming. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/27 Reader Rupert Everett Actor + author Recorded in Wiltshire --- I woke, and we were sailing on As in a gentle weather: 'Twas night, calm night, the moon was high; The dead men stood together. All stood together on the deck, For a charnel-dungeon fitter: All fixed on me their stony eyes, That in the Moon did glitter. The pang, the curse, with which they died, Had never passed away: I could not draw my eyes from theirs, Nor turn them up to pray. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/26 Reader Zeb Soanes + Cleo Silvestre Radio announcer + Actress Recorded in Canonbury, London --- First Voice 'But tell me, tell me! speak again, Thy soft response renewing— What makes that ship drive on so fast? What is the ocean doing?' Second Voice Still as a slave before his lord, The ocean hath no blast; His great bright eye most silently Up to the Moon is cast— If he may know which way to go; For she guides him smooth or grim. See, brother, see! how graciously She looketh down on him.' First Voice 'But why drives on that ship so fast, Without or wave or wind?' Second Voice 'The air is cut away before, And closes from behind. Fly, brother, fly! more high, more high! Or we shall be belated: For slow and slow that ship will go, When the Mariner's trance is abated.' --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/25 Reader Chris Watson Naturalist + sound artist Recorded on Blyth beach, Northumberland --- How long in that same fit I lay, I have not to declare; But ere my living life returned, I heard and in my soul discerned Two voices in the air. 'Is it he?' quoth one, 'Is this the man? By him who died on cross, With his cruel bow he laid full low The harmless Albatross. The spirit who bideth by himself In the land of mist and snow, He loved the bird that loved the man Who shot him with his bow.' The other was a softer voice, As soft as honey-dew: Quoth he, 'The man hath penance done, And penance more will do.' --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/24 Reader Maggi Hambling Artist Recorded in South London --- Till noon we quietly sailed on, Yet never a breeze did breathe: Slowly and smoothly went the ship, Moved onward from beneath. Under the keel nine fathom deep, From the land of mist and snow, The spirit slid: and it was he That made the ship to go. The sails at noon left off their tune, And the ship stood still also. The Sun, right up above the mast, Had fixed her to the ocean: But in a minute she 'gan stir, With a short uneasy motion— Backwards and forwards half her length With a short uneasy motion. Then like a pawing horse let go, She made a sudden bound: It flung the blood into my head, And I fell down in a swound. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/23 Reader David Gray Singer + songwriter Recorded in Hampstead, London --- Sometimes a-dropping from the sky I heard the sky-lark sing; Sometimes all little birds that are, How they seemed to fill the sea and air With their sweet jargoning! And now 'twas like all instruments, Now like a lonely flute; And now it is an angel's song, That makes the heavens be mute. It ceased; yet still the sails made on A pleasant noise till noon, A noise like of a hidden brook In the leafy month of June, That to the sleeping woods all night Singeth a quiet tune. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/22 Reader Philip Hoare Author Recorded on Southampton Water --- The body of my brother's son Stood by me, knee to knee: The body and I pulled at one rope, But he said nought to me. 'I fear thee, ancient Mariner!' Be calm, thou Wedding-Guest! 'Twas not those souls that fled in pain, Which to their corses came again, But a troop of spirits blest: For when it dawned—they dropped their arms, And clustered round the mast; Sweet sounds rose slowly through their mouths, And from their bodies passed. Around, around, flew each sweet sound, Then darted to the Sun; Slowly the sounds came back again, Now mixed, now one by one. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/21 Reader Neil Tennant Singer + songwriter Recorded at Studio PSB, London --- The loud wind never reached the ship, Yet now the ship moved on! Beneath the lightning and the Moon The dead men gave a groan. They groaned, they stirred, they all uprose, Nor spake, nor moved their eyes; It had been strange, even in a dream, To have seen those dead men rise. The helmsman steered, the ship moved on; Yet never a breeze up-blew; The mariners all 'gan work the ropes, Where they were wont to do; They raised their limbs like lifeless tools— We were a ghastly crew. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/20 Reader Cerys Matthews Singer + Author Recorded at the Stags Head, Fitzrovia, London --- And soon I heard a roaring wind: It did not come anear; But with its sound it shook the sails, That were so thin and sere. The upper air burst into life! And a hundred fire-flags sheen, To and fro they were hurried about! And to and fro, and in and out, The wan stars danced between. And the coming wind did roar more loud, And the sails did sigh like sedge, And the rain poured down from one black cloud; The Moon was at its edge. The thick black cloud was cleft, and still The Moon was at its side: Like waters shot from some high crag, The lightning fell with never a jag, A river steep and wide. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/19 Reader Deborah Warner Opera director Recorded in Islington, London --- Oh sleep! it is a gentle thing, Beloved from pole to pole! To Mary Queen the praise be given! She sent the gentle sleep from Heaven, That slid into my soul. The silly buckets on the deck, That had so long remained, I dreamt that they were filled with dew; And when I awoke, it rained. My lips were wet, my throat was cold, My garments all were dank; Sure I had drunken in my dreams, And still my body drank. I moved, and could not feel my limbs: I was so light—almost I thought that I had died in sleep, And was a blessed ghost. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Discover more: https://www.ancientmarinerbigread.com/reading/17 Reader Olivia Laing Author Recorded at Emmanuel College Chapel, Cambridge --- An orphan's curse would drag to hell A spirit from on high; But oh! more horrible than that Is the curse in a dead man's eye! Seven days, seven nights, I saw that curse, And yet I could not die. The moving Moon went up the sky, And no where did abide: Softly she was going up, And a star or two beside— Her beams bemocked the sultry main, Like April hoar-frost spread; But where the ship's huge shadow lay, The charmèd water burnt alway A still and awful red. --- You can find the Ancient Mariner Big Read here: https://www.ancientmarinerbigread.com/ --- Copyright: The Arts Institute, University of Plymouth. The Ancient Mariner Big Read is not for profit and cannot be sold, either as a whole or in part, without permission from The Arts Institute, University of Plymouth, UK.
Synergy and Plant Based nutrition for all seasons is important if you want to optimize your health and well being. In this intriguing and enlightening interview, Dr. Plasker and Smita Daya discuss this synergy and how you can apply it to nourish your quality of life every day and your longevity.Smita is an Ayurvedic Chef and Nutritionist who co-owns Olea Oliva Olive Oil and Balsamic Vinegar Tap Room in Marietta, GA with her husband Dilip, https://oleaoliva.com. Smita holds the following nutritional certifications: "Plant-Based Nutrition" from The T. Colin Campbell Center for Nutrition Studies and eCornell."Ayurvedic Chef" and "State of Health" from Hale Pule, LLC, a recognized member of National Ayurvedic Medical Association (NAMA)"Ayurveda Nutrition and Lifestyle" from SKK Ayurveda & Panchakarma, New Delhi, India.Smita Daya worked in the legal field for 25 years prior to making this 100 Year Lifestyle career shift to follow her passion for healthy cooking. Having lived in Zambia, South Africa and England, the Marietta, Georgia native creates some unique dishes and loves to “Spice Things Up' in a healthy way. Smita learned cooking from a very young age from her grandmother and mother who taught her the importance of using super spices and how to incorporate them in everyday cooking. Smita was recently featured as a Top Chef at the Atlanta Food Service Expo and Hospitality Foundation Education of Georgia. She has also taught cooking workshops at the Arts Institute of Atlanta and worked with Forsyth County Schools on Plant Based education.Smita cooks with passion and loves to empower her customers to take control by making healthy food choices. It's not difficult and it's not about “giving up” food. Life is about making choices. Over time, making healthier choices as opposed to less healthy choices determines your path in life toward healthier outcomes, reducing the risk of disease, and promoting healthier active years as you age. Doing the cooking workshops has helped us empower the consumers in making healthy choices where we strive to share our passion with you, the consumer in our store and online as we promote a food culture driven by nutrition, flavor, education, and excitement.
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