Podcasts about schifrin

durée : 00:04:26 - Schifrin déchiffré : le thème de "Mission Impossible" - par : Max Dozolme - A l'occasion de la présentation du film Mission Impossible : The Final Reckoning hier soir à Cannes, Max Dozolme vous propose comme mission, ce matin, si vous l'acceptez, d'espionner et de découvrir les secrets du thème musical de la saga signé Lalo Schifrin !

durée : 00:03:20 - Le Regard culturel - par : François Angelier - En un coffret de 16 CD, le producteur Stéphane Lerouge offre un parcours complet des musiques de films de Lalo Schifrin et donne à entendre l'univers sonore d'un des plus grands musiciens contemporains, entre Stravinsky et Dizzy Gillespie.

Dirty Harry (1971) is a film that not only redefined the crime thriller genre but also cemented Clint Eastwood's place as one of cinema's most iconic leading men. In this week's episode of Born to Watch, Whitey and Gow are joined by special guest Will the Worky to discuss this gritty masterpiece that follows the relentless pursuit of justice by Inspector Harry Callahan. With its unforgettable storytelling, striking cinematography, and the moral dilemmas it raises, Dirty Harry is more than just a film—it's a cultural landmark. In this Dirty Harry Movie Review, we'll break down why this movie remains a genre-defining classic.A Plot as Sharp as Harry's MagnumThe plot of Dirty Harry grips you from the very first frame. San Francisco is under siege by the Scorpio Killer, a psychopathic sniper terrorising the city with seemingly random acts of violence. From the chilling opening, where a woman is gunned down while swimming in a rooftop pool, to Scorpio's taunting letters to the police, the film wastes no time establishing the stakes. Harry Callahan is assigned to the case, and the audience is quickly introduced to his no-nonsense approach to law enforcement.The tension escalates as Scorpio's crimes become more horrifying, including a demand for ransom and threats to kill schoolchildren. As Harry tracks the killer, the film raises moral questions about justice. Harry's unorthodox and often brutal tactics contrast sharply with the red tape and legal technicalities that allow Scorpio to evade justice. This moral grey area forms the backbone of the film, making every decision Harry makes feel weighty and consequential.Clint Eastwood as Harry CallahanClint Eastwood's magnetic performance as Inspector Harry Callahan is at the heart of the film. Already a star thanks to his roles in Sergio Leone's Westerns, Eastwood brings a rugged charisma to Harry, a man hardened by years of dealing with San Francisco's worst criminals. Harry's disdain for bureaucracy and willingness to cross ethical boundaries make him a fascinating antihero.Eastwood's portrayal balances toughness with a quiet vulnerability. Harry isn't a superhero; he's a man doing what he believes is necessary to protect the innocent, even if it means operating outside the boundaries of the law. His stoic demeanour and undeniable screen presence make Harry Callahan one of cinema's most enduring characters.A Villain Who Gets Under Your SkinA great hero needs a formidable villain, and Dirty Harry delivers one of the most unsettling antagonists in film history with the Scorpio Killer, played by Andrew Robinson. Inspired by the real-life Zodiac Killer, Scorpio is a sadistic predator who revels in chaos and fear. Robinson's performance is chilling, blending moments of eerie calm with outbursts of unhinged violence.Scorpio's unpredictability keeps the audience on edge, and his ability to manipulate the legal system adds another layer of tension. This isn't a villain Harry can overpower; he must outwit him while navigating the constraints of the justice system. The dynamic between Harry and Scorpio elevates the film, making their battle a thrilling game of cat-and-mouse.Cinematography and the Gritty Streets of San FranciscoOne of Dirty Harry's standout features is its use of San Francisco as a backdrop. The city becomes a character in its own right, with its steep hills, foggy streets, and iconic landmarks providing a rich, atmospheric setting for the story. The cinematography by Bruce Surtees captures the grittiness of urban life in the 1970s, grounding the film in a harsh reality that feels both timeless and authentic.Surtees uses natural light and shadow to great effect, particularly in the nighttime sequences, which heighten the tension and give the film a noir-like quality. The action scenes, from the tense stakeouts to the thrilling final showdown, are shot with a rawness that makes them feel immediate and visceral. The result is a film that immerses viewers in its world, making the stakes feel all the more real.Action and Suspense Done RightDirty Harry masterfully balances moments of quiet suspense with bursts of intense action. The pacing is deliberate, building tension as Harry gets closer to catching Scorpio. When the action erupts, it's brutal and unrelenting, reflecting the story's high stakes. The film's most memorable sequences, including Harry's iconic “Do I feel lucky?” confrontation and the climactic chase through a quarry, are perfectly executed, blending taut direction with Eastwood's commanding screen presence.Dirty Harry's grounding in the story sets the action apart. Every gunshot, every punch, every chase serves a narrative purpose, heightening the stakes and revealing more about Harry's character. The action is never gratuitous; it's a natural extension of the film's themes and conflicts.A Soundtrack That Sets the ToneThe film's score, composed by Lalo Schifrin, is another standout element. The music combines jazz and orchestral elements with avant-garde sounds, creating a sense of unease that mirrors the tension onscreen. Schifrin's unconventional rhythms and eerie melodies enhance the film's atmosphere, making the viewer feel the menace of Scorpio's presence and the relentless drive of Harry's pursuit.Themes of Justice and MoralityOne of the reasons Dirty Harry remains so compelling is its exploration of justice and morality. The film asks difficult questions about the balance between individual freedoms and the need for public safety. Harry's methods are controversial, often skirting the line between heroism and vigilantism. He's a character who doesn't fit neatly into the role of a traditional hero, which makes him all the more fascinating.The film also critiques the bureaucracy of law enforcement, highlighting how red tape and legal loopholes can prevent justice from being served. This theme resonated deeply in the 1970s, a time of social unrest and disillusionment with authority, and it remains relevant today.A Legacy That EnduresMore than 50 years after its release, Dirty Harry continues influencing the crime thriller genre. Its impact can be seen in countless films and TV shows, from Lethal Weapon to Breaking Bad. Harry Callahan's uncompromising attitude and moral complexity have become archetypes for antiheroes, and the film's gritty realism set a new standard for action cinema.Dirty Harry also launched a successful franchise, with Eastwood reprising the role in four sequels. While the later films vary in quality, the original remains a benchmark for the genre—a film that challenges, thrills and entertains in equal measure.Dirty Harry is more than just a movie; it's a cultural phenomenon that redefined what a crime thriller could be. With its sharp storytelling, unforgettable characters, and moral complexity, the film has earned its place as a timeless classic. Whether you're a first-time viewer or a longtime fan, Dirty Harry remains a must-watch for anyone who loves cinema.This week on Born to Watch, Whitey, Gow, and special guest Will the Worky explore why this 1971 masterpiece still resonates with audiences today. Tune in to the latest episode to dive deeper into the legacy of Harry Callahan and the world of Dirty Harry.Please follow the Podcast and join our community at 

Atonalité, musique sérielle, funk, fusion, jazz, rien n'échappe à l'oreille sagace de Schifrin, l'agité de la B.O., fan de Stravinsky, Berg et Dizzy Gillespie. A Hollywood, l'Argentin a pu laisser libre court à sa créativité débordante. Dans ce troisième et dernière épisode, nous irons dans les coulisses de ses plus grandes musiques de film et de série, de Dirty Harry à Mannix en passant, bien sûr, par Mission Impossible !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A 24 ans, Lalo Schifrin dirige l'orchestre de jazz officiel de la radio argentine. Pour celui qui vient de boucler ses études au conservatoire de Paris avec le compositeur Olivier Messiaen, c'est une consécration. Mais plus qu'un pianiste, Schifrin est un arrangeur né et un passionné de musique à l'image. C'est lors de son séjour à Paris qu'il s'est fait sa culture cinéma, dans les salles des Champs Elysées. Et en  juillet 1956, sa vie va basculer lorsqu'il rencontre son idole de jeunesse : Dizzy Gillespie. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:58:37 - Legrand/Schifrin, parcours croisés (3/3) - par : Thierry Jousse - Pour le troisième et dernier volet de notre feuilleton Schifrin/Legrand, un bouquet de reprises et de chansons de films qui vous permettront de finir l'année en beauté… - réalisé par : Béatrice Trichet

durée : 00:58:37 - Legrand/Schifrin, parcours croisés (2/3) - par : Thierry Jousse - Deuxième épisode de notre série dédiée à Lalo Schifrin et Michel Legrand, avec un focus sur leur travail au cœur du Hollywood des années 1960-70, auprès de Steve McQueen et de Clint Eastwood… - réalisé par : Béatrice Trichet

durée : 00:58:57 - Lalo Schifrin / Michel Legrand, parcours croisés (1/3) - par : Thierry Jousse - Pour fêter la sortie simultanée du coffret The Sound of Lalo Schifrin et du film Il était une fois Michel Legrand, premier épisode d'un parcours croisé entre deux compositeurs de la même génération, tous deux marqués par le jazz.

durée : 00:29:04 - Stéphane Lerouge, spécialiste de musique à l'image, restaurateur de bandes originales de films et concepteur de la collection discographique Ecoutez le cinéma ! au sein d'Universal Music France - De "Mission Impossible" à "Mannix", Lalo Schifrin a révolutionné la musique pour l'écran. Pianiste virtuose, il a mêlé jazz, classique et rythmes latins pour créer des BO cultes. Retour sur la carrière du compositeur argentin de 92 ans avec Stéphane Lerouge, auteur d'une riche anthologie.

durée : 02:05:20 - Musique matin du jeudi 05 décembre 2024 - par : Jean-Baptiste Urbain - De "Mission Impossible" à "Mannix", Lalo Schifrin a révolutionné la musique pour l'écran. Pianiste virtuose, il a mêlé jazz, classique et rythmes latins pour créer des BO cultes. Retour sur la carrière du compositeur argentin de 92 ans avec Stéphane Lerouge, auteur d'une riche anthologie. - réalisé par : Yassine Bouzar

durée : 00:59:17 - Banzzaï du jeudi 28 novembre 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Summary Brett Forrest and Warren Strobel join Andrew to discuss reporting intelligence. Brett and Warren are national security reporters for The Wall Street Journal.  What You'll Learn Intelligence The intelligence learning curve  Stories from the front lines of modern conflicts and critical moments  The unique challenges that come with reporting on intelligence, and ... The risks, including being a target of espionage Reflections Privacy and protection  The power, and danger, of sharing information And much, much more … Episode Notes This week on SpyCast, Andrew was joined in the studio by Brett Forrest and Warren Strobel, intelligence correspondents at the Wall Street Journal. As SpyCast listeners will know, issues of intelligence and espionage are constantly going on all around us – But how does the public stay in the know and up to date on the latest cases and news from around the world? Well, that's where these two come in.  Quotes of the Week “It's about knocking on every possible door that you can imagine, that you can come up with, that you can dig up. And, all you're hoping for is one of those doors to open. You know, you knock on a hundred doors, you get 99 doors to open. You just want that one door to open because that's where the information is. That's where the source is. So, I don't know if I would call that luck, I would call that persistence.” - Brett Forrest Resources  SURFACE SKIM *SpyCasts* Zelensky, Ukraine, and Intelligence with Simon Shuster (2024) China's Corporate Spy War with CNBC's Eamon Javers (2023) My Life Looking at Spies & the Media with Paul Lashmar (2021) The Women of NatSec Journalism – 6 Leading Journalists (2017) *Beginner Resources* A Brief History of Journalism in America, M. A. McIntosh, Brewminate (2022) [Short article] A History of The Wall Street Journal, G. Hughes, Historic Newspapers (2021) [Short article] What Is Journalism and Why Does it Matter? CTRL-F, YouTube (2018) [3 min. Video] DEEPER DIVE Books Spies, Spin and the Fourth Estate, P. Lashmar (EUP, 2021) Spies and the Media in Britain, R. Norton-Taylor (IBT, 2018) Spinning Intelligence, R. Dover and M. Goodman (CUP, 2009) Articles How Cuba Recruits Spies to Penetrate Inner Circles of the U.S. Government, B. Forrest & W. Strobel, The Wall Street Journal (2024) Reporters who covered U.S. invasion of Iraq reflect on impact of war, N. Schifrin & Z. Warsi, PBS News (2023) Russian Spy or Ukrainian Hero? The Strange Death of Denys Kiryeyev, B. Forrest, The Wall Street Journal (2023) In Ukraine, New Reports of War Crimes Emerge as Russians Retreat From Kyiv Area, B. Forrest, The Wall Street Journal (2022) Questioning the Case for War, C. A. Preble, CATO Institute (2018)  CIA Intercepts Underpin Assessment Saudi Crown Prince Targeted Khashoggi, W. Strobel, The Wall Street Journal (2018) Video Lost Son with Brett Forrest, International Spy Museum, YouTube (2023)  Ukrainians in Bucha reflect on horrors and brutality suffered at hands of Russian forces, PBS News (2023) Primary Sources  It is time to do everything to make the war crimes of the Russian military the last manifestation of this evil on earth - address by the President of Ukraine (2022)  UN Report on the Killing of Civilians in Ukraine (2022) McClatchy (Knight Ridder) Iraq Intelligence Archive (2001-2007) Reporting the War (2005) *Wildcard Resource* Shock and Awe (2017) Starring James Marsden as Warren Strobel!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest is a DJ, Movie Critic and stand up Comedian. His career is varied and so are his selctions in film scores as we explore composres like Barry, Goldsmith, Horner and Schifrin. He is the creator of a fabulous Facebook page called "The Spectacular Cinema Showcase" which you should check out. His story as well as his thoughts on films and scores are worth a listen. Take a listen to this episode with Kelly Smith.

durée : 00:59:25 - Un peu d'amour - par : Nathalie Piolé -

The information you receive is only as strong as the questions you ask.This week we revisit Matt's discussion with Debra Schifrin about how to craft inquiries that can lead to better communication outcomes. Questions are also instrumental in building relationships, Schifrin points out. “If you're asking questions, you're signaling to the other person that you value them. You're taking time to listen to their answers.”For a full transcript of this conversation, visit our website.Chapters:(00:00) Introduction to the Episode and Guest(01:47) The Role and Importance of Questions Debra Schifrin discusses the various goals and purposes of asking questions, such as getting information and building relationships.(02:36) Questions in Building Relationships and Coaching Focus on how questions help in building relationships and their use in coaching and mentoring.(04:41) Negative Aspects of Question Asking Discussion about the darker goals of asking questions, like intimidation or avoiding responsibility.(06:57) The Impact of Tone in Question Asking Examination of how tone can significantly alter the perception and effectiveness of questions.(08:19) Creating Effective Questions Strategies for formulating good questions, emphasizing the use of value-related words.(10:10) Advice for Business Leaders on Question Asking Guidance for leaders on the importance of bravery in asking questions and being open to unexpected answers.(11:53) Context and Best Practices in Question Asking The relevance of context in questioning and best practices rooted in a mindset of curiosity.(15:25) Debra Schifrin's Secret Weapon in QuestioningSchifrin's "killer last question" technique and its effectiveness in eliciting insightful responses.(17:19) Experiment with Different Questioning Styles An experiment demonstrating the impact of different ways of asking questions on the responses received.(19:00) Wrap-up and Final Questions Concluding part where Matt asks Debra Schifrin his three standard questions for all podcast guests, focusing on communication advice, admired communicators, and successful communication ingredients.Connect:Episode Transcripts >>> Think Fast Talk Smart WebsiteThink Fast Talk Smart >>> LinkedIn Page & InstagramMatt Abrahams >>> LinkedInStanford GSB >>> LinkedIn & TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There are many forgotten television shows with scores by the likes of Williams, Goldsmith and Schifrin.

Uma série de TV dos anos 1960 com um tema musical icônico e que virou uma das franquias mais lucrativas da história do cinema: este episódio, caso você aceite ouvi-lo, fala de todas as trilhas de Missão:Impossível. Schifrin, Elfman, Zimmer (e muitos amigos!), Giacchino, Kramer e Balfe, num episódio que se auto-destruirá em 105 minutos.

durée : 00:04:20 - Capture d'écrans - par : Dorothée Barba - Sous la direction du Victor Jacob, l'orchestre philharmonique de Radio France réinterprète les plus grandes œuvres de Lalo Schifrin. Un concert hommage sublime disponible sur le site d'Arte

Synopsis Today's the birthday of the versatile Argentinean-born American composer, arranger and jazz pianist, Boris Claudio “Lalo” Schifrin, who was born in Buenos Aires on today's date in 1932.From his background, you'd guess Schifrin was destined for a concert career. His father was a violinist in the orchestra of Argentina's premiere opera house, the Teatro Colon. As a boy he studied with Enrique Barenboim, father of pianist/conductor Daniel Barenboim, and in Paris he studied composition with Olivier Messiaen and Charles Koechlin. But Lalo Schifrin also loved jazz, and after studies by day with Messiaen, his nights were spent performing in Parisian jazz clubs. Eventually Dizzy Gillespie commissioned him to write for his band. Around the same time, Schrifin began writing film and TV scores. When he started working on the TV series “Alfred Hitchcock Presents,” he came into contact with legendary film composer Bernard Herrmann, who became a friend and mentor. Schifrin has written more than 100 scores for film and television but his most famous composition is this catchy theme of the 1960s TV series, “Mission Impossible”—and still used in the subsequent movie remakes. Music Played in Today's Program Lalo Schifrin (b. 1932) Hommage a Ravel Eaken Piano Trio Naxos 8.559062 Lalo Schifrin (b. 1932) Theme fr Mission Impossible studio orchestra BBC Records 763

Franceska Schifrin is a figurative expressionist painter who finds inspiration from her travels all around the world. She discovered the power of painting internationally on a trip with her artist father to Mexico in 1979 and hasn't stopped since. Hear how to work with any material, paint the truth, and find inspiration from the places you visit and people you meet. Check out Franceska's art at ArtDimensionsOnline.com

Peter Schifrin, president from independent adjusting firm Schifrin, Gagnon & Dickey, Inc. in California discusses the latest developments with autonomous vehicles and their potential impact on claims.

Peter Schifrin, president from independent adjusting firm Schifrin, Gagnon & Dickey, Inc. in California discusses the latest developments with autonomous vehicles and their potential impact on claims.

Making this episode was a lot of fun for us. We hope you'll find it fascinating as well. In this week's episode of Scale Your Sales podcast, my guest Michelle Schifrin discusses the revenue operations function in a young, accelerating growth tech firm.   Michelle discusses how their nimbleness enabled Hubilo to break down the conventional silos of sales, marketing, and product development, and how crucial it was for the developing business.   Michelle says, without clients, you can not generate revenue, so it is important not to lose sight of why you're here. Additionally, customer-centricity helps to close the gaps within all sales organisations.   Michelle has led the new business customer success teams for SDRs and BDRs throughout her career as a sales professional, and she gets energized by the meeting of process and people.   Sharing her experiences newly in the role and how the organization had to immediately change directions; during the pandemic, so as not to perish. Now working in revenue operations, she helps the sales team expand and increase revenue.    Please welcome to Scale Your Sales Podcast Michelle Schifrin.   Timestamps:   00:00 - Leverage Technology to Matchmake Business Relationships 5:30 - How to create an engaging event 9:00 - Meeting the customer in their buying journey 12:30 - Importance of communication in a global environment 16:00 - How to train effectively in a remote world 18:30 - The Value of Curiosity and Tonality in Diversity in Sales Michelle's Profile linkedin.com/in/michelleschifri https://www.hubilo.com/   Janice B Gordon, the awarding-winning Customer Growth Expert and founder of Scale Your Sales Framework. She is by LinkedIn Sales 15 Innovating Sales Influencers to Follow 2021, the Top 50 Global Thought Leaders and Influencers on Customer Experience Nov 2020 and 150 Women B2B Thought Leaders You Should Follow in 2021 Janice helps companies worldwide to reimagine revenue growth through customer experience and sales. Book Janice to speak virtually at your next event https://janicebgordon.com LinkedIn: https://www.linkedin.com/in/janice-b-... Twitter: https://twitter.com/JaniceBGordon Scale Your Sales Podcast: http://scaleyoursales-podcast.co.uk/ More on the blog https://scaleyoursales.co.uk/blog Instagram: https://www.instagram.com/janicebgordon Facebook: https://www.facebook.com/ScaleYourSal... 

Levon Sogomonian v. Imperial & Lloyd's https://zalma.com/blog Since I began writing these stories in 1990 I have changed the names of the parties to protect the guilty. This is an exception. In 1981, Levon Sogomonian, a person who claimed to be a refugee from Soviet Armenia purchased a homeowners policy from Imperial Casualty. Simultaneously he purchased a Personal Articles Floater (PAF) from Underwriters at Lloyd's, London insuring him up to a limit of liability in excess of $2 million for the loss of his house and its contents. Shortly after receiving the policies, an arson fire occurred destroying the house and its contents. On investigation Mr. Sogomonian's insurers proved that he had lied on the applications for insurance to Imperial Casualty and Lloyd's. The Superior Court granted the insurers' motion for summary judgment. The Court affirmed the insurers rescission of the policies from their inception. Mr. Sogomonian appealed, and that decision is reported as Imperial Casualty v. Sogomonian 198 Cal.App. 3d 169, 243 Cal. Rptr. 639 (1988) The Appellate Court, noting that the trial court failed to determine how much money Mr. Sogomonian owed to the insurers as a result of his fraud sent the case back down to the trial court for a determination of the amounts owed by Mr. Sogomonian. Judge Miriam Vogel (now justice of the Court of Appeal) tried the case without a jury. Mr. Sogomonian contended that he should not be obligated to repay any funds to the insurer. He claimed the insurers' acted in bad faith by losing the debris from the fire Sogomonian valued at $2,000,000. Imperial and Lloyd's had, to protect the evidence, collected all of the debris of the personal property destroyed in the fire and stored it at Bekins Van & Storage. Sogomonian claimed the loss of the valuable debris was a malicious act that should deprive the insurers of any reimbursement. After hearing several days of sworn testimony, Judge Vogel made the following conclusions: The fire at the Sogomonian residence was an arson that was probably committed by, or at the direction of Mr. Sogomonian. After viewing the debris at Bekins Van & Storage she concluded that nothing was missing and, even if it was missing, the debris was valueless. Mr. Sogomonian was required to reimburse Imperial and Lloyd's for all of the money expended by them in making advance payments, making payments to innocent mortgagees, and for attorney's fees and costs incurred in the declaratory relief action a sum over $500,000. Sogomonian, however, was unwilling to acknowledge his loss. He was angry and desired retribution. He concluded that his loss of the $2 million he expected to make from his fraudulent insurance claim was due to the activities of the investigators retained by Lloyd's and Imperial, the late Leslie M. Schifrin of Schifrin, Gagnon & Dickey, in Van Nuys, California. Sogomonian filed a lawsuit, in propria persona, in the Los Angeles Superior Court naming Mr. Schifrin and his firm as defendants. Sogomonian alleged that Mr. Schifrin had converted, lost or stolen $2 million in valuable fire debris that Judge Vogel had decided was not lost and had no value. Mr. Schifrin hired counsel to defend himself and his firm from this frivolous lawsuit and obtained, after spending more than $10,000 in attorney's fees, a judgment in his favor. --- Support this podcast: https://anchor.fm/barry-zalma/support

El nuevo largometraje del director mexicano Alonso Ruizpalacios se centra en la vida de dos patrulleros de la policía y las dificultades que enfrentan en el día a día. Tuvo su estreno en el Festival Internacional de Cine de Berlín en marzo de 2021. Disponible en Netflix.

durée : 01:25:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Philip de La Croix - Avec Lalo Schifrin - Réalisation Marie-Noëlle Barbarin - réalisation : Virginie Mourthé

durée : 00:57:54 - « The fox » (Lalo Schifrin) (1967) - par : Laurent Valero - "Thème de la comédie dramatique canadienne "The Fox" une histoire d’amour entre 2 femmes et un homme d’après un roman de D.H Lawrence, romancier et poète britannique connu pour "L’Amant de Lady Chaterley". Le film réalisé par Mark Rydell est mis en musique par le compositeur argentin Lalo Schifrin." - réalisé par : Vivian Lecuivre

durée : 00:57:54 - « The fox » (Lalo Schifrin) (1967) - par : Laurent Valero - "Thème de la comédie dramatique canadienne "The Fox" une histoire d’amour entre 2 femmes et un homme d’après un roman de D.H Lawrence, romancier et poète britannique connu pour "L’Amant de Lady Chaterley". Le film réalisé par Mark Rydell est mis en musique par le compositeur argentin Lalo Schifrin." - réalisé par : Vivian Lecuivre

The information you receive is only as strong as the questions you ask. In this episode of Think Fast, Talk Smart, Stanford Graduate School of Business lecturers Matt Abrahams and Debra Schifrin discuss how to craft inquiries that can lead to better communication outcomes. Questions are also instrumental in building relationships, Schifrin points out. “If you’re asking questions, you’re signaling to the other person that you value them. You’re taking time to listen to their answers.”Think Fast, Talk Smart is a podcast produced by Stanford Graduate School of Business and hosted by Matt Abrahams. Each episode provides concrete, easy-to-implement tools and techniques to help you hone and enhance your communication.

durée : 00:30:11 - Lalo Schifrin par Vincent Beer Demander - par : Sébastien Llinares - Autour de l'album de "Lalo Schifrin for Mandolin" par Vincent Beer Demander, mandoline accompagné de Nicolas Mazmanian, piano et Grégory Daltin, accordéon édité par Maison Bleue - réalisé par : Patrick Lérisset

Michelle Schifrin is a sales and account management professional with 10+ years of experience within fast-growing technology companies and enterprise SaaS organizations. Currently, she works for Carta, a company working to create more liquidity in the private market. Their mission is to create more owners, which resonates with Michelle, since she is passionate about democratizing wealth in a disruptive way.   A passionate manager, Michelle oversees a sales team that works primarily with early-stage founders and companies, and spends her time coaching sales reps, optimizing usage of Salesforce, and onboarding new clients with a hands-on customer-centric approach.

This month, we listen to an interview with the faculty of both Trinity and the North American Lutheran Seminary, based on Trinity School for Ministry's campus.  The Rev. Dr. Eric Riesen (President of the NALS) speaks with President Emeritus of the NALS and Associate Professor of Liturgy & Homiletics, the Rev. Dr. Amy C. Schifrin, STS,  and Professor of Systematic Theology and Ethics, Dr. David Yeago.New episodes every Monday.If you want  to support Trinity School for Ministry, and pick up some tasteful Trinity logo merchandise at the same time, head over to our new online store at: --- https://www.thetrinitystore.org/en/usd ---

Hey, everyone! Mack, here, with the first episode of Mack & the Movies for 2021. We'll be looking at the wild cinema of William Girdler.! Time Codes: Intro: 0:00-3:12 Asylum of Satan: 3:12-6:27 Project: Kill: 6:27-12:51 Grizzly: 12:51-18:17 Day of the Animals: 18:17-24:15 Closing: 24:15-26:08 Support the Program: Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=UXZNDGDH4M42W Cash App: $mjl716 Venmo: Mackenzie-Lambert716 Subscribestar: https://www.subscribestar.com/mack-the-movies Social Media: Facebook: https://www.facebook.com/CinemaMack/ Twitter: @Cinemamack Instagram: mackenzielambert7928 Bitchute: https://www.bitchute.com/channel/R67A7D5vQ1eW/ Twitch: https://www.twitch.tv/cinemamack Inquiries: Contact: m.j.lambert2283@gmail.com Audio/Visual Credits: Mack & the Movies logo by masteringsounds https://www.fiverr.com/masteringsounds Intro by androzguitar https://www.fiverr.com/androzguitar Audio Clips Used: Day of the Animals (Film Ventures Int'l) Mystery Science Theater 3000 (Best Brains) "Asylum of Satan (Main Theme)" (W. Girdler) Project: Kill trailer (Troma Entertainment) Grizzly trailer (Film Ventures Int'l) "Grizzly (Main Theme)" (R. O. Ragland) Ghostbusters '16 (Sony Pictures) Goofy scream (Disney) Day of the Animals trailer (Film Ventures Int'l) "Day of the Animals (Main Theme)" (L. Schifrin)

durée : 00:58:35 - L'Incomparable Lalo Schifrin (4/4) - par : Thierry Jousse - Quatrième et dernière ballade dans l’œuvre immense de Lalo Schifrin avec, en vedette, un thème célèbre et, surtout, quelques bandes originales bien plus rares. - réalisé par : Thomas Jost

durée : 01:25:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Philip de La Croix - Avec Lalo Schifrin - Réalisation Marie-Noëlle Barbarin - réalisation : Virginie Mourthé

durée : 00:58:44 - L'incomparabble Lalo Schifrin (3/4) - par : Thierry Jousse - Troisième épisode de notre feuilleton consacré au grand Lalo Schifrin. Aujourd’hui, retour dans les années 1970 avec quelques classiques (Opération Dragon…) et des bandes originales plus rares. Entre funk, douceur de vivre et virtuosité orchestrale. - réalisé par : Thomas Jost

durée : 00:58:56 - L'incomparable Lalo Schifrin (2/4) - par : Thierry Jousse - Deuxième épisode de notre série consacrée au grand Lalo Schifrin, avec, aujourd’hui, un coup d’œil sur ses fantastiques années 60 qui, des Félins à Bullitt, auront vu le compositeur américano-argentin tracer son chemin vers la gloire. - réalisé par : Thomas Jost

durée : 00:58:48 - L'incomparable Lalo Schifrin (1/4) - par : Thierry Jousse - En contrepoint de la rétrospective Don Siegel à la Cinémathèque Française, Ciné Tempo vous propose une série en 4 épisodes autour de son compositeur de prédilection : le grand Lalo Schifrin. Au sommaire du premier épisode : L’Inspecteur Harry dans tous ses états… - réalisé par : Thomas Jost

Today's the birthday of the versatile Argentinean-born American composer, arranger and jazz pianist, Boris Claudio "Lalo" Schifrin, who was born in Buenos Aires on today's date in 1932. From his background, you'd guess Schifrin was destined for a concert career. His father was a violinist in the orchestra of Argentina's premiere opera house, the Teatro Colon. As a boy he studied with Enrique Barenboim, father of pianist/conductor Daniel Barenboim, and in Paris he studied composition with Olivier Messiaen and Charles Koechlin. But Lalo Schifrin also loved jazz, and after studies by day with Messiaen, his nights were spent performing in Parisian jazz clubs. Eventually Dizzy Gillespie commissioned him to write for his band. Around the same time, Schrifin began writing film and TV scores. When he started working on the TV series "Alfred Hitchcock Presents," he came into contact with legendary film composer Bernard Herrmann, who became a friend and mentor. Schifrin has written more than 100 scores for film and television, garnering Grammy awards and Oscar nominations along the way. Undoubtedly his most famous composition is this catchy theme of the 1960s TV series, "Mission Impossible"—and still used in the subsequent movie remakes. For the concert hall, Schifrin has composed concertos and arrangements for cellist Mstislav Rostropovich, and guitarist Angel Romero, and was the arranger of choice for those "Three Tenor" song medleys sung by Pavarotti, Carreras and Domingo.

Today's the birthday of the versatile Argentinean-born American composer, arranger and jazz pianist, Boris Claudio "Lalo" Schifrin, who was born in Buenos Aires on today's date in 1932. From his background, you'd guess Schifrin was destined for a concert career. His father was a violinist in the orchestra of Argentina's premiere opera house, the Teatro Colon. As a boy he studied with Enrique Barenboim, father of pianist/conductor Daniel Barenboim, and in Paris he studied composition with Olivier Messiaen and Charles Koechlin. But Lalo Schifrin also loved jazz, and after studies by day with Messiaen, his nights were spent performing in Parisian jazz clubs. Eventually Dizzy Gillespie commissioned him to write for his band. Around the same time, Schrifin began writing film and TV scores. When he started working on the TV series "Alfred Hitchcock Presents," he came into contact with legendary film composer Bernard Herrmann, who became a friend and mentor. Schifrin has written more than 100 scores for film and television, garnering Grammy awards and Oscar nominations along the way. Undoubtedly his most famous composition is this catchy theme of the 1960s TV series, "Mission Impossible"—and still used in the subsequent movie remakes. For the concert hall, Schifrin has composed concertos and arrangements for cellist Mstislav Rostropovich, and guitarist Angel Romero, and was the arranger of choice for those "Three Tenor" song medleys sung by Pavarotti, Carreras and Domingo.

Peter Schifrin, President and CEO of Schifrin, Gagnon & Dickey, Inc. discusses how the California wildfires have changed the landscape of claims adjusting in California. Special thanks to our sponsor, AM Best Company, Best’s Insurance Professional Resources, including Qualified Member attorneys, adjusters and expert service providers.

Peter Schifrin, President and CEO of Schifrin, Gagnon & Dickey, Inc. discusses how the California wildfires have changed the landscape of claims adjusting in California. Special thanks to our sponsor, AM Best Company, Best’s Insurance Professional Resources, including Qualified Member attorneys, adjusters and expert service providers.

durée : 00:04:06 - Pop N' Co - par : Rebecca Manzoni - Pour le dernier épisode d'une série de Pop N' Co dédiée aux musiques de films, Rebecca Manzoni s'attarde ce jeudi sur les bandes-originales composées par Lalo Schifrin. Quelques-unes des plus belles bandes-originales du cinéma américain ont en effet été composées par cet émigré argentin.

Damos la bienvenida al maestro Lalo Schifrin en esta sección. Iván recupera este genial tema principal después de revisionar la peli protagonizada por Steve McQueen de la que todos recordamos esa increíble persecución por San Francisco. Disfrutad del tema porque Schifrin es un grande y aquí se saca la chorra. ¡Escuchad y comentad! ¡Y acordaros de clicar el "Me gusta" en Ivoox! itunes: https://itunes.apple.com/es/podcast/los-tres-amigos/id1198252523?mt=2 Spotify: https://open.spotify.com/show/52i1iqZ56ACal18GPkCxiW https://www.facebook.com/LosTresAmigosPodcast/ Twitter: @tresamigospod Instagram: lostresamigospodcast

durée : 00:50:32 - "Mission Impossible" (Lalo Schifrin) (1965) - par : Laurent Valero - "La musique d'une série télévisée emblème musical de la super équipe d'agents secrets, rompus à des missions aussi secrètes que périlleuses. 48 secondes pour un superbe générique avec on s'en souvient, la mèche allumée qui parcours toutes les images des protagonistes en action..." Laurent Valero - réalisé par : Patrick Lérisset

durée : 00:50:32 - "Mission Impossible" (Lalo Schifrin) (1965) - par : Laurent Valero - "La musique d'une série télévisée emblème musical de la super équipe d'agents secrets, rompus à des missions aussi secrètes que périlleuses. 48 secondes pour un superbe générique avec on s'en souvient, la mèche allumée qui parcours toutes les images des protagonistes en action..." Laurent Valero - réalisé par : Patrick Lérisset

Entrega número 200 de La Gran Evasión, un número redondo para una partida redonda, en 1965, Norman Jewison se hizo cargo del proyecto The Cincinnati Kid, tras el despido fulminante de Sam Peckinpah, El Rey del juego es mucho más que una partida de Poker descubierto, es un tratado sobre el Éxito y el Fracaso, un gran retrato de esa batalla, de esa línea tan delgada que separa esos dos mundos, como siempre, veremos que una cosa es sufrir una derrota y otra fracasar, ahí aparece el honor en letras mayusculas, la amistad, el odio y sobre todo el…. Amor…que, quizás te espere en la esquina, aun después de una traición… A través de un enfrentamiento inevitable entre un veterano y un joven aspirante, entre lo nuevo y lo viejo, el intento por destronar al rey, una lucha tan antigua como el mundo, a través de esa batalla, recorremos la fauna de los Estados Unidos en plena depresión, con el Jazz y el Poker como el lubricante que mueve el mecanismo, un juego de resistencia, física y sobre todo mental, en el que el objetivo es despojar a tu adversario de toda sus fichas, de todo su dinero, de toda su confianza, de toda su moral. Una reflexiva historia de Richard Jessup, con un elenco de actores simplemente extraordinario. Por esta partida maratoniana pasan unos secundarios de lujo, Karl Malden, Genio, Lady Fingers, Lady Manitas una Joan Blondell magnifica, Ann Margret, esa Melba libidinosa e irresistible, la dulce y cándida Christian, Tuesday Weld, Rip Torn, Slade… Pero sobre todo el Rey del Juego es Edward Goldenberg Robinson, un actor formidable, una presencia imponente, capaz de dominar la escena con un simple gesto, una figura frágil, casi abatido y superado por el tiempo, y a la vez elegante, seguro, inteligente, invencible…su duelo con otro monstruo de la pantalla, con Steve McQueen, es la película, dos generaciones, dos formas de interpretar, que se fusionan con sus personajes, el novato arrogante que quiere desbancar al veterano, el cachorro prepotente que quiere expulsar del trono al viejo león, una obra exquisita, que decanta toda una época, la depresión y como salir adelante en plena crisis, una apuesta a una sola carta. Toda la película se presenta como un gran combate de boxeo, administrando el enfrentamiento final, con la insoportable espera de cada púgil hasta ese duelo final, Jewison juega con esa espera, marca el tempo y se toma su pausa, para mostrarnos los motivaciones y el interior de cada personaje, tanto de los dos protagonistas, como de toda esa pléyade de secundarios, todos son definidos con maestría, vemos las miserias y las ambiciones de cada personaje. La filmación de la partida está magníficamente realizada, no te pierdes en ningún momento aunque no sepas las reglas del juego, controlando la tensión y la intriga, perfecto Norman Jewison y el montaje. Acompañada por una grandísima banda sonora de Lalo Schifrin, la melodía define el ambiente y las situaciones, retratando a la ciudad del Jazz, con un estupendo homenaje a la generación anterior, a los viejos precursores, aparece Cab Calloway interpretando al Cisne, también escuchamos a la gran Sweet Emma Barret tocando una pieza de blues. Queda perfectamente retratada la Nueva Orleans de los años 30, una ciudad deprimida, sucia, desalentadora, con los negros honrando a la muerte celebrando la vida, cantando y bailando de camino al sepulcro, el director nos lleva por los recovecos de la ciudad, esas timbas ilegales, las peleas de gallos, las mansiones de los ricos, los burdeles, siempre bajo la presencia del dinero, montones de sucios y arrugados billetes, una oportunidad de Fama y Fortuna para salir del fango, un niño negro, un limpiabotas que vive en las calles, es la prueba. El Rey del Juego es una película de miradas, las de Steve McQueen y Edward G. Robinson, las que se dedican Lancey y Kid, memorables, los padres de Christian cuando los visita el chico de la gran ciudad, también lo dicen todo con esos ojos inocentes. Las miradas de Kid al Genio cuando se da cuenta de que lo está ayudando en al partida, la fiereza y el rencor que desprenden los de Slade, el sexo y la tragedia que nos cuentan los de Melba…..Todos los personajes tienen características psicológicas perfectamente definidas, todo gira en torno a desbancar al campeón, la delgada línea entre el éxito y el fracaso en una última carta, no hay premio para el segundo, el numero uno se lo lleva todo, el amor queda fuera de la partida…el honor y el ímpetu por ganar pueden nublar tu juicio. La timba de la Torre de Radiopolis está atestada de humo, desprende aromas de Jazz y los billetes se amontonan en el tapete, mientras José Miguel Moreno reparte las últimas cartas, Gervi Navio y César Bardés se miran sin pestañear…..habrá que aceptar el envite para ver ese proyecto de escalera…. Nos vamos con la escena final, unido al Minnie de Moocher de Calloway y de bonus track, os dejamos otra pieza de la banda sonara de Schifrin, un tema en honor al Genio, Shooter. Gervi Navío.

Edición 177 de La Gran Evasión, 10/4/2018, esta noche de tormenta veremos que la voluntad del hombre es inconquistable, asistiremos a la forja de una leyenda, de un mito, de Luke el indomable, un excelso Paul Newman en la obra cumbre de Stuart Rosenberg, La Leyenda del Indomable, 1967. Magnifica parábola este Cool Hand Luke, todo un análisis de esos soldados que regresaron de la segunda guerra mundial y se trajeron la guerra con ellos, una premonición de la desconexión con el sistema, que llegaría en los años sesenta, pero la película es mucho más, de fondo, deja profundas reflexiones: Preferir la muerte a vivir entre grilletes, el Sacrificio que conlleva una autentica amistad, el Precio a pagar por tus Principios, la Dignidad del ser humano, el Cruel y Brutal sistema penitenciario, la Religión, la Forja de los mitos, esos Mártires que todos necesitamos, para no rendirnos, para no olvidar lo que somos, hombres, ni bestias, ni esclavos, simplemente, Hombres. La película de Rosenberg se mueve por el gran guión de Donn Pearce y Frank Pierson, basado en la novela, con trazos autobiográficos, de éste último, con emoción y cine, transita por la voluntad de Luke a través de escenas míticas, que ya forman parte de la historia del cine, la de los huevos, el alquitranado de la carretera, la llegada de la madre, el símbolo fascista y represor de ese guardián con gafas de espejo, el sadismo del Capitán, el sometimiento de la voluntad a partir de la rutina, de las reglas… Luke es un canto rodado, un insurrecto por genética, su obstinación es admirada por los reclusos y también rechazada, lo convierten en un ídolo, al que adoran primero y repudian después, otra alegoría cristiana. Para ser una leyenda, un mártir, debe haber un sacrificio, una entrega, unos “milagros”, que son sus hazañas… Pocos confían en ese espíritu, incluso los espectadores nos creemos su rendición, cuando lo atrapan por segunda vez, su sometimiento, tras la escena de la zanja, terrible, literalmente cava su tumba y se sepulta, su cuerpo se rinde pero su alma…NO. Se convierte en un mártir y tiene sus apóstoles, su acólito, Dragline, George Kennedy, su misión será mantener vivo el recuerdo de Luke, de un tipo indomable que realizó prodigios increíbles, y que sobre todo, era su amigo. Paul Newman está pletórico, nos brinda una gran interpretación, el Oscar se lo arrebató Rod Steiger por En el Calor de la noche (Jewison), pero Luke merecía la estatuilla, ese laconismo con el que se expresa, sólo habla para sentenciar, brillante. Consigue transmitir esa terquedad con su presencia, con su actitud ante el poder y la autoridad, fue ascendido y condecorado en la guerra, pero también degradado a soldado raso, ante alguna injusticia que no permitió, es un rebelde que no sabe que hacer ni como actuar en el mundo civil, siempre fuera de lugar, incapaz de acatar las reglas, los corsés sociales. Romper unos parquímetros le acarrean dos años de trabajos forzados… Los secundarios, vistos hoy en día son tremendos, Hopper, Dean Stanton, Strother Martin, George Kennedy, a destacar el breve, pero inolvidable papel, de la madre de Luke, Arletta, la gran Jo Van Fleet, una actriz de teatro inmensa, que en apenas unos minutos deja marca. La película realiza una clara denuncia de la crueldad penitenciaria, de los abusos de poder, de la vileza de los poderosos, el despotismo, la arbitrariedad y el sadismo de los jefes, acrecentado con ese “Jefe, ¿puedo...?” Todos deben pedir permiso, para secarse el sudor, para quitarse la camisa, para beber agua, hasta para mear, una humillación constante. La fotografía de Conrad L. Hall es muy importante, la narración se nutre de esa estética realista, notamos el calor, el sofocante calor, los sudores, los mosquitos, la atmósfera opresiva del barracón, los atardeceres llenos de simbolismo y libertad, con las siluetas de hombres engrilletados, esos crepúsculos desde una carretera interminable, geniales, ademas utiliza muchos ángulos ingeniosos, ver la fuga a través del reflejo de las gafas del jefe, las tomas desde arriba de Luke en la escena de los huevos, prácticamente un Cristo crucificado… El ritmo es pausado, pero cuando la historia lo requiere, salimos de la rutina y respiramos con los prodigios de Luke, ahí el montaje y el ritmo se aceleran, como en la primera fuga y su astucia para despistar a los sabuesos, otro golpe más a la conciencia, pues se siente más la muerte de un animal que la de un preso. Todo el conjunto está apoyado en una genial banda sonora de Lalo Schifrin, mezclando esos temas de guitarra y banjo, llenos de sentimiento y dolor, canciones populares del sur, de esos desposeídos, y las mezcla, con la emoción del uso de instrumentos de viento. Schifrin era un auténtico maestro en melodías. Bonus Track: Os dejamos como bonus un par de maravillas, otro tema de la banda sonora de Schifrin, el del concurso de comer huevos duros y una versión del Cotton Field, a cargo de la Creedence Clearwater Revival, que aparece en su memorable disco "Willy And The Poor Boys" (1969). Disfrutad de la libertad. -Egg Eating Contest -Cotton Fields Huimos del campo de trabajos forzados de Radiopolis, despistando a los sabuesos…..José Miguel Moreno, Gervi Navío y moviendo astutamente las ramas del cine con un cordelito, nuestro crítico, César Bardés Gervasio Navío Flores.

Brownie nació con la intención de disolver la frontera entre la música mainstream y el gusto por las músicas negras y del mundo. Así, ocupa un espacio ahora libre dentro de la industria radiofónica: Músicas especializadas tratadas para todos los públicos y, aun así, salpicadas por la dinámica realidad de estos tiempos. Dirigido por Andrés Ayala (@winitwo). Tracklist: Eugene Record - Here Comes The Sun Alice Merton - No Roots Talc - Sambuca Chaser Dizzy Gilespie and Lalo Schifrin - Unicorn (Paul Nice Edit) Andreya Triana - The Changing Shapes of Love Earth, Wind & Fire - Shining Star Rejjie Snow - Charlie Brown (ft. Anna Of The North) Criolo - Pegue Pra Ela Yazmin Lacey - Black Moon Otis Clay - The Only Way is Up (Dj XS Edit) Rockie Robbins - Look Before You Leap Prince - Head Gil Scott-Heron & Brian Jackson - Shah Mot (The Shah Is Dead-Checkmate)

Nikolai DiPippa, Clinton School Director of Public Programs, sat down with Nick Schifrin. Nick Schifrin is PBS NewsHour’s foreign affairs and defense correspondent. He has created week-long, in-depth series for NewsHour from Russia, Ukraine, Nigeria, Egypt, Kenya, Cuba, Mexico, and the Baltics. The series “Inside Putin’s Russia” won a 2018 Peabody Award. Prior to PBS, Schifrin was Al Jazeera America’s Middle East correspondent. He led the channel’s coverage of the 2014 war in Gaza; reported extensively on the Syrian war from Syria’s Turkish, Lebanese and Jordanian borders; and covered the  conflict in and annexation of Crimea. He won an Overseas Press Club award for his Gaza coverage and a National Headliners Award for his Ukraine coverage. From 2008-2012, Schifrin served as the ABC News correspondent in Afghanistan and Pakistan. In 2011 he was one of the first journalists to arrive in Abbottabad, Pakistan after Osama bin Laden’s death and delivered one of the year’s biggest exclusives: the first video from inside bin Laden’s compound. His reporting helped ABC News win an Edward R. Murrow award for its bin Laden coverage. He ran the Islamabad and Kabul bureaus for nearly four years, beginning at age 28. He is a visiting fellow at the Clinton School, where he lectures and teaches a foreign policy class. He is a Council on Foreign Relations term member, and an Overseas Press Club Foundation board member. He earned a bachelor’s degree from Columbia University and a master’s in international relations from the Johns Hopkins School of Advanced International Studies (SAIS), where he graduated with distinction.

Lalo Schifrin is 85 this year, and his career as a jazz pianist and composer of film and TV scores ("Mission Impossible") has been stellar. WNYC's Sara Fishko talked to Schifrin - who was born in Argentina - about his gift for capturing the American sound. (Produced in 2008) A new CD of Schifrin classical piano works has just been released by fellow Argentinian pianist Mirian Conti on the Grand Piano label. Schifrin: Piano Works is available on Amazon. Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Wayne ShulmisterEditor: Karen Frillmann

Born in Argentina in 1932, Lalo Schifrin journeyed from his early classical training to study with Messiaen in Paris, before transforming into a jazz pianist, composer and arranger whose services were sought after by no less a luminary than Dizzy Gillespie. The composer of more than a hundred scores for film and television, in addition to over sixty classical works, Schifrin is the recipient of 5 GRAMMY® awards and 22 nominations. Raymond Bisha introduces a new recording of his stylistically intriguing piano works that encompass a jazz sonata, tango, Argentine folk dance, and a Lullaby for Jack.

Chance and fate are synonymous in the life of Lalo Schifrin. From meeting Dizzy Gillespie to finding his way to Hollywood to write the immortal themes of Mission Impossible and Tango, Lalo's talent and meticulous preparation sealed his fate.

Épisode 48: Les montages sonores sont teintés par les années 80 pour cet épisode. On parcourt à travers extraits audio et musique de films quelques univers où s'entremêlent des créatures d'autres mondes. Carpenter, Schifrin, Tangerine Dream, De Vorzon, Nitzsche, Sato... et.. oui.. Stranger Things trouve le tour de se glisser là dedans de diverses manières.

Épisode 48. Les montages sonores sont teintés par les années 80 pour cet épisode. On parcourt à travers extraits audio et musique de films quelques univers où s’entremêlent des créatures d'autres mondes. Carpenter, Schifrin, Tangerine Dream, De Vorzon, Nitzsche, Sato... et.. oui.. Stranger Things trouve le tour de se glisser là dedans de diverses manières.

Just like Exploitation movies could be a possibility for filmmakers to realize their dirty and in many cases cheaper visions – at least compared to Hollywood's standards – the soundtracks to those films could also be a playground for musicians to try out different techniques and sounds. For the latest UV Funk show @philipp-demankowski put a mix together with his favorite soundtrack tunes to praise those often forgotten tunes. From the legendary Funk soundtracks of the Blaxploitation movies to the raunchy rhythms of early sex comedies. There are some big names like Morricone and Schifrin but also a lot of composers who aren't on your check list. The selected movies aren't Exploitation movies at all costs but there is a similar vibe to the music. And if you're more into those synth heavy Horror soundtracks check out the second part of UV Funk's Soundtrack Special which will be uploaded soon. There are two versions of the show. You can just listen to the music here at Soundcloud. Or you can listen to the complete radio show at Mixcloud with Philipp talking about the music and the associated movies in German: https://www.mixcloud.com/uncannyvalleydd/uv-funk-soundtrack-special-part-1-exploitation-movies/ Tracklist: Bill Conti - Reflections [Rocky] Franco Micalizzi - Robert's Theme [Chi Sei] Manfred Hübler und Sigfried Schwab - The Lions And The Cucumber [Vampyros Lesbos] Fred Myrow And Malcolm Seagrave - End Of The Game [Phantasm] Art Ensemble of Chicago - Thème De Yoyo [Les Stances à Sophie] Lalo Schifrin - Torture Sequence Prison Talk Sequence [THX - 1138] Vangelis - Roxane's Dance [Alexander] Stelvio Cipriani - Sex Chase [Femina Ridens] Ennio Morricone - Pazzia In Cielo [Maddalena] Nino Rota - O Venezia (Coming Home by Nouvelle Vague) Riz Ortolani - Massacre Of The Troupe [Cannibal Holocaust] Barry De Vorzon - Theme From 'The Warriors' [The Warriors] Goblin - Death Dies (Album) [Profondo Rosso] Gerhard Heinz - Isle Of Reggae [Sex Fever] Manu Dibango - Motapo [Kusini] Deodato - Also Sprach Zarathustra [2001: A Space Odyssey] Roy Ayers - Brawling Broads [Coffy] Marvin Gaye - T Stands For Trouble [Trouble Man] Curtis Mayfield - Pusherman [Superfly] Alain Goraguer - Deshominisation (I) [La Planete Sauvage] Serge Gainsbourg - Requiem Pour Un Con [Le Pacha] Annibale E I Cantori Moderni - Trinity (Titoli) [Lo chiamavano Trinità] UV Funk is a radio show which is broadcasted every third Friday from 9:30 pm to 11:00 pm on Dresden based community radio station coloRadio. Radio listeners in Dresden can tune in to the program on 98,3 or 99,4 MHz. Any other listeners can recall it here. The show is hosted by @philipp-demankowski. It's all about stories, interviews and tracks out of the world of Cosmic Electronic Music. The show was aired on 20th May 2016.

Il batterista messicano è venuto a presentarci dal vivo i brani del suo splendido Invocations, il gran finale è dedicato alla grande musica da film con brani di Morricone, Schifrin, Mancini e altri

Matt Schifrin is the Vice President at Forbes Publishing and Managing Editor of Investing for Forbes Media. He joins the show to give us his tips for investing in 2014.   Schifrin shares one investment to avoid at all costs and the best ways to get rich. He explains why Wells Fargo is so great and whether Apple investors should reinvest their dividends.   Find out more about Matt Schifrin at www.mattschifrin.com. Read Schifrin's work at blogs.forbes.com.   

ZoneOneRadio's illegitimate ex-pat son Zeff presents #EmailfromAmerica - your weekly missive from across The Pond. This week, a very special show. Zeff talks to legendary Hollywood composer Lalo Schifrin. There’s plenty of Mr Schifrin’s music from films such as Bullitt, Dirty Harry, and Cool Hand Luke, as well as a couple of other American tunes! And in his e-mail, Zeff talks snowstorms. Go ahead, make your day! -- http://www.twitter.com/ZeffRadio and http://www.twitter.com/z1radio http://www.ZoneOneRadio.com http://www.facebook.com/ZoneOneRadio

ZoneOneRadio's illegitimate ex-pat son Zeff presents #EmailfromAmerica - your weekly missive from across The Pond. Download from iTunes or listen on demand... This week, a very special show. Zeff talks to legendary Hollywood composer Lalo Schifrin. There’s plenty of Mr Schifrin’s music from films such as Bullitt, Dirty Harry, and Cool Hand Luke, as well as a couple of other American tunes! And in his e-mail, Zeff talks snowstorms. Go ahead, make your day! -- http://www.twitter.com/ZeffRadio and http://www.twitter.com/z1radio http://www.ZoneOneRadio.com http://www.facebook.com/ZoneOneRadio

On the show this week it’s all fear, paranoia, black ops and extraordinary rendition as we take on the Axis of Evil. This was inspired by a truly wonderful song on the latest album by “Weird Al” Jankovic (Alpocalypse) which … Continue reading →

We were saddened to hear of the recent passing of the man who played the greatest scruffy detective on TV, Peter Falk. We’re great fans of Mr Falk here at the Moonbase and so we thought we’d turn this week’s … Continue reading →

On the show this week we celebrate the world of French soundtrack music in the form of music by Francois de Roubaix and Michel Magne. We also have another hypnotic track from Jon Brooks’ recent opus as well as music … Continue reading →

According to Forbes editor Matt Schifrin not only are outstanding self-directed investors trouncing market indexes, but they are also taking control of their own capital in order to repair cracked nest-eggs and improve their lot in life. In Matt Schifrin's new book THE WARREN BUFFETTS NEXT DOOR: The World's Greatest Investors You've Never Heard Of and What You Can Learn From Them, he profiles 10 regular people who can pick stocks better than the vast majority of all professional advisors and money managers employed by firms like Merrill Lynch and Fidelity. These armchair investors don't seek the riches of Wall Street, but rather have more modest goals—being able to afford a family vacation every year, sending their kids to a good college, and having enough income to last them through retirement. Schifrin details their personal stories, along with their investment strategies, trading philosophies, and rules for investing.

According to Forbes editor Matt Schifrin not only are outstanding self-directed investors trouncing market indexes, but they are also taking control of their own capital in order to repair cracked nest-eggs and improve their lot in life. In Matt Schifrin's new book THE WARREN BUFFETTS NEXT DOOR: The World's Greatest Investors You've Never Heard Of and What You Can Learn From Them, he profiles 10 regular people who can pick stocks better than the vast majority of all professional advisors and money managers employed by firms like Merrill Lynch and Fidelity. These armchair investors don't seek the riches of Wall Street, but rather have more modest goals—being able to afford a family vacation every year, sending their kids to a good college, and having enough income to last them through retirement. Schifrin details their personal stories, along with their investment strategies, trading philosophies, and rules for investing.

This Feature is a large orchestral piece written by Boris (Lalo) Schifrin that features Dizzy Gillespie as chief soloist. It was Lalo's last contribution to Dizzy's music after spending two years with Mr. Gillespie as his pianist and arranger. Lalo, of course had written the more famous "Gillespiana Suite" for Dizzy but this six movement piece is much more of an orchestral excursion and is much more about Lalo than Dizzy. It features the Gillespie quintet of the time (Dizzy, James Moody, Chris White on bass and Rudy Collins on drums) with a large orchestra filled with Jazz playing studio players like Al Porcino and Conte Candoli, Phil Woods, Bill Perkins, Frank Rosolino, Mel Lewis and so many more. In all a 27 piece orchestra. The eminent Benny Carter conducts the band and the date was produced in Hollywood by Quincy Jones and the suite was introduced at the 1962 Monterey Jazz Festival. It was issued on Limelight Records (a subsidiary of Mercury records) and remains unissued on CD. The composition is a tribute to Gillespie in that it musically acknowledges Dizzy's contribution to Jazz, other than being a ground breaking trumpeter, as a person who was able to introduce other musics into the mainstream of Jazz. Dizzy was the first to bring Afro-Cuban concepts into Jazz in the 1940's. He brought Middle Eastern concepts and ideas into Jazz and was the first to bring the Brazilian form, the Bossa Nova into Jazz music's mainstream. This is what "The New Continent" is about. Aside from Gillespie, we hear solos by Larry Bunker on vibes, Al Henrickson on guitar, Frank Rosolino on trombone and from Schifrin himself on piano. The real star is the orchestra which navigates of the changing moods with ease. If you use your imagination you can create your own movie from the various themes, moods and tempos of this amazing piece. This album was the last collaboration between Lalo Schifrin and Dizzy Gillespie and it's a fitting farewell.