Podcasts about Gleaners

Screenwriter Stuart Wright talks with Daniel Draper about his new documentary film LIVERPOOL STORY and "3 Films That Have Impacted Everything In Your Adult Life"  LIVERPOOL STORY is out now and for screenings see the producers social media https://www.instagram.com/_liverpoolstory/      "3 Films That Have Impacted Everything In Your Adult Life" DISTANT VOICES, STILL LIVES (1988) THE GLEANERS & I (2000) MARCELA (2007) "3 FILMS THAT HAVE IMPACTED EVERYTHING IN YOUR ADULT LIFE" is a podcast by screenwriter Stuart Wright that explores the transformative power of cinema. From emotional masterpieces to thought-provoking classics, each episode delves into the films that have had a profound impact on our personal growth and perspective. Through engaging storytelling, critical analysis, and cultural commentary, Stuart aims to uncover the lasting influence that movies have had on his guests. Please join him on an emotional journey through the world of film and discover how just three movies can change the direction of a life, cement memories you will never forget or sometimes change how you see the world." Credits Intro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/) Podcast for www.britflicks.com https://www.britflicks.com/britflicks-podcast/ Written, produced and hosted by Stuart Wright Learn more about your ad choices. Visit megaphone.fm/adchoices

The Beastly Gleaners, Part 2: Kinsman Redeemer by Church at the Red Door

The Moneywise Radio Show and Podcast Monday, March 24th BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Guys" podcast call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management instagram: MoneywiseWealthManagement Guest: Scott Salters, Golden Empire Gleaners + Sr. Director with Cushman & Wakefield  website: www.goldenempiregleaners.com/ www.cushmanwakefield.com/en  

The Beastly Gleaners:The Kinsman Redeemer by Church at the Red Door

March 11, 2025 ~ There has been a significant reduction in USDA food donations, with Gleaners expecting a shortfall of 1.4 million pounds, which translates to an $850,000 cost to replace. Kristin Sokul, senior director of advancement communications for Cleaners Community food Bank, talks with Guy, Lloyd, and Jamie the impact this has on their ability to provide food to those in need.

Here I go again, Bivol the magnificent, reading the signs, the tragedy of the five seasons, viddy well little brother, beer is overrated, a new drug on the horizon, an epic dig from Johnny Carson, I'm big in Paris, the rhythm method, the genius of Michel Legrand, the amazing Agnes Varda, a goofy ass yet enjoyable Pierce Brosnan curio, it's all about the traction, more made up quotes, and some wisdom from George Carlin. Stuff mentioned: Whitesnake "Here I Go Again" (1982), Dmitry Bivol vs. Artur Beterviev II (February 22, 2025), Derek and the Dominos "Bell Bottom Blues" (1970), Somebody Up There Likes Me (1956), The Box (2009), Frankie Valli and the Four Seasons "Opus 17/Don't You Worry 'bout Me" (1966), A Clockwork Orange (1971), Danny Sugerman and Jerry Hopkins No One Here Gets Out Alive (1980), Anthony Burgess A Clockwork Orange (1962), The Chevy Chase Show (1993), Hudson Hawk (1991), Howard the Duck (1986), An American in Paris (1951), Liza: A Truly Terrific Absolutely True Story (2024), Gene Kelly "I Got Rhythm" (1951), Michel Legrand "The Windmills of Your Mind" (1968), The Thomas Crown Affair (1968), The Thomas Crown Affair (1999), Die Hard (1988), The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), Michel Legrand "Devant le Garage" (1964), Michel Legrand "Chanson des Jumelles" (1967), Cleo from 5 to 7 (1962), Vagabond (1985), The Gleaners and I (2000), Taffin (1988), and Sayonara (1957).

The Author Events Series presents Carrie Rickey | A Complicated Passion, The Life and Work of Agnès Varda  REGISTER In conversation with Gary Kramer Born in Los Angeles, Carrie Rickey is an award-winning film critic, art critic, and film historian. She was the film critic at the Philadelphia Inquirer for twenty-five years and has also written for Artforum, Art in America, Film Comment, the New York Times, the Village Voice, and Politico. She has taught at the School of the Art Institute of Chicago and the University of Pennsylvania. She lives in Philadelphia. A Complicated Passion, The Life and Work of Agnès Varda is the first major biography of the storied French filmmaker, who was hailed by Martin Scorsese as ''one of the Gods of cinema.'' Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928 – 2019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cléo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the ''complicated passions'' that informed Varda's charmed life and indelible work. Rickey traces Varda's three remarkable careers - as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda's impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda's incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy. A Complicated Passion is the vibrant biography that Varda, regarded by many as the greatest female filmmaker of all time, has long deserved. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night The views expressed by the authors and moderators are strictly their own and do not represent the opinions of the Free Library of Philadelphia or its employees. (recorded 9/16/2024)

Jim Van Tuinen of Kalamazoo Valley Gleaners describes the mission of the organization to share locally grown produce to feed the hungry around the world.See omnystudio.com/listener for privacy information.

Katie McCashland was nominated as a Beck's Player with Heart for her commitment and passion on and off the court and field. The things she loves most about high school sports are the relationships she has been able to build with her teammates. They are friendships she will cherish forever. Katie is involved in volleyball, basketball, and is a member of the track & field team. She is also involved in Student Council, National Honor Society, FFA, Unified Sports, Patriot Singers, UC World Travelers, and FCA. She is also getting ready to start her 10th year of 4-H where she shows dairy goats, swine, and participates in the photography, arts & crafts, and sewing construction projects. Katie has been involved in a variety of community activities throughout her high school career. Some of the most memorable activities being youth sports camps, Family Fun Nights and the School Carnival at her local elementary school, helping the local Pack 40 Boy Scout clean up the local state park, distributing food boxes to the residents of Union County through Gleaners' Mobile Food Bank, and most recently being able to help stock and set up a sensory room at Liberty Elementary School. To Katie, agriculture means family. She is the 5th generation to live on her family farm and believes it is really something special being part of a multi-generational farming family. It connects her to the land, ancestors, and the cycle of life. Katie is currently undecided on a college, but she would like to be a physical therapist. She also plans to study kinesiology before going to PT school. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nov 25, 2024 ~ Gerry Brisson, President and CEO of Gleaners joins Paul for Hunger Free in the D.

November 25, 2024 ~ Metro Detroiters continue to support the hungry in our community. Gerry Brisson, President and CEO of Gleaners Community Food Bank of Southeasthern Michigan, sits down with Kevin at the Hunger Free in the D radiothon to share how much a supporting can help our community.

When we asked prolific novelist Laura Pritchett to speak with us about writing fiction, little did we realize that not only would she offer us a host of practical advice about character, revision and ambition, she would also teach us about meeting our art with great self-compassion.  We speak about her two new novels out this year, Playing with Wildfire (Torrey House Press) and Three Keys (Random House Books), writing without a plot outline, and much more, including why joy must be a part of a fiction writer's practice. Laura Pritchett is the author of seven novels. Known for championing the complex and contemporary West and giving voice to the working class, her books have garnered the PEN USA Award, the Milkweed National Fiction Prize, the WILLA, the High Plains Book Award, several Colorado book awards, and others. She's also the author of two nonfiction books, one play, and was editor of three environmental-based anthologies. One novel, Stars Go Blue, has been optioned for TV rights. She's published hundreds of essays and short stories in national venues, most recently in The Sun, Terrain, Camas, Orion, Creative Nonfiction, and others. She directs the MFA in Nature Writing at Western Colorado University and holds a PhD from Purdue University. When not writing or teaching, she can be found sauntering around the West, especially her home state of Colorado. She particularly likes looking at clouds and wildflowers.Laura's websiteGOING GREEN: True Tales from Gleaners, Scavengers, and Dumpster Diver Edited by Laura Pritchett (with contributions by Christie and her mom, Ruth Friesen). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit emergingform.substack.com/subscribe

Hanna, James, and Brandon discuss a grab bag of self-reflective documentaries directed by Agnès Varda, starting with her 2000 dumpster-diving doc The Gleaners and I https://swampflix.com/ 00:00 Welcome 01:20 The Company of Strangers (1990) 05:21 Adua and Her Friends (1960) 10:39 Corrina, Corrina (1994) 14:44 The Gleaners and I (2000) 32:25 Jane B for Agnès V (1988) 44:52 The Beaches of Agnès (2008) 54:26 Faces Places (2017)

Rob sits down with Katie Choate, Senior Director of Community Engagement from Gleaners Community Food Bank of Southeast Michigan, to shed light on a hidden reality: even in affluent Livingston County, there are neighbors in need. They talk about the organization's mission to feed people and nourish lives, dive into their incredible campaigns like Hunger Free Summer, and share how everyone can lend a hand. Plus, don't miss the scoop on their festive “12 Days of November” fundraiser! Get inspired to help build a hunger-free community—one meal, one volunteer, one campaign at a time.   Show Links Learn more about the Brighton Chamber by visiting our website. Website: https://www.brightoncoc.org/   Guest Links Website: https://www.gcfb.org/ Facebook: https://www.facebook.com/Gleanersfan/ Instagram: https://www.instagram.com/GleanersFoodBank/ LinkedIn: https://www.linkedin.com/company/gleaners/

David A. Davis preaches on Ruth 2:1-13. November 3, 2024.

The indie filmmaker Alan Rudolph ("Choose Me", "Trouble in Mind") makes his first appearance on the podcast. His 1999 film, originally written for his mentor Bob Altman to direct but ended up in his hands some years later. That film is"Breakfast of Champions" and, after 25 years, is returning to theaters. The film was adapted from the unadaptable novel by Kurt Vonnegut, and stars Bruce Willis and Albert Finney. In this special conversation, Rudolph reflects on his year as Altman's assistant director and his career at large. "Breakfast of Champions" tells the story of a fictional town in the mid west that is home to a group of idiosyncratic and slightly neurotic characters. Dwayne Hoover is a wealthy car dealership owner that's on the brink of suicide and is losing touch with reality. https://youtu.be/SaOQbpBJ6t0 Carrie Rickey is a film journalist and author. Her new book is a biography of the French New Wave filmmaker Agnès Varda called "A Complicated Passion: The Life and Work of Agnès Varda" (W.W. Norton, 2024). Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928–2019) wrote and directed some of the most acclaimed films of her era, from her tour de force "Cléo from 5 to 7" (1962), a classic of modernist cinema, to the beloved documentary "The Gleaners and I" (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the complicated passions that informed Varda's charmed life and indelible work. Rickey traces Varda's three remarkable careers—as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. https://youtu.be/DwECtUfablw

On this episode of What a Picture, Bryan and Hannah recycle all their old bits while talking about The Gleaners and I, the 2000 movie directed by Agnès Varda that ranks #67 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠ Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

A big name vodka brand and a local non-profit team up to help keep a local farm thriving. WBZ's Kyle Bray explains.

Anna Smith speaks to Lily Ahree Siegel, director of Equal Play, a new short documentary that discusses the importance of equal access to school sports for disabled children. Anna is also joined by Lindsey Dryden, director, writer, producer, executive producer, as well as co-founder of FWD-DOC, and Clare Baines, the BFI's Inclusion Partner, to talk about equal access within the film industry and the bigger issues touched on in Equal Play. First, Clare discusses her personal connection to the documentary, revealing to Anna how losing her eyesight at 15 affected her ability to participate in school sports. Clare also advocates the importance of educating kids about their bodies. As a disabled woman in the film industry, Lindsey highlights the inaccessibility of disabled people entering the world of entertainment. She questions the disparity between disabled stories in documentaries vs narratives and encourages more joyous cinematic portrayals of the disabled experience. Lindsey and Clare share their favourite film depictions that capture the disabled experience. They also call for a disability revolution including more on-screen celebrations about disabilities. Next up, Lily Ahree Siegel discusses her background within the arts and what inspired her to become a documentary filmmaker. Lily highlights access to PE and sports as an issue affecting kids worldwide, discusses the importance of inclusion passports, and shares her favourite moment on set. Equal Play is available to watch on Channel 4 - https://www.channel4.com/programmes/equal-play A reminder that you can read a transcript of our episodes on Apple Podcasts by clicking the ‘transcript' option in settings in the episode description. This episode is brought to you by Harder Than You Think. Films/TV Shows/Books mentioned: The Gleaners and I (Agnes Varda) We Might Regret This (created by Kyla Harris) - available on BBC The Callers (Lindsey Dryden) Lost In Sound (Lindsey Dryden) Coda (Sian Heder) Trans In America (produced by Lindsey Dryden and Shaleece Haas) Unrest (Jennifer Brea) Patrice: The Movie (Ted Passon) - available on Hulu and showing at LFF 2024 Crip Camp (James Lebrecht and Nicole Newnham) - available on Netflix I Didn't See You There (Reid Davenport) - available to rent on Apple TV, Prime Video, and Google Play Is Anybody Out There (Ella Bee Glendining) - available on ITVX and Netflix The Tube Thieves (Alison O'Daniel) - available on PBS Feminist, Queer, Crip by Alison Kafer Websites mentioned: TV Access - https://www.channel4.com/4producers/creative-equity/tv-access-project Sins Invalid - https://www.sinsinvalid.org/blog/10-principles-of-disability-justice FWD-DOC - https://www.fwd-doc.org/ TripleC - https://triplec.org.uk/ DANC - https://triplec.org.uk/danc/ Deaf and Disabled People in TV - https://www.ddptv.org/ Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Assistant Producer: Jade Evans Intern: Anna Swartz Audio editor: Benjamin Cook band: MX Tyrants © HLA Agency

Trash. Agnes Varda. Waste. France. Debris. Aging. Detritus. Death. Junk. All this and more swings in the orbit of THE GLEANERS AND I, the 2000 French documentary by legendary maverick filmmaker Agnes Varda. Filled to the brim with quirky characters, Varda among them, THE GLEANERS AND I takes Charlie and Antonio for an easy, breezy ride. Hop in! Intro/outro music: "Flitcraft" by Mekons THE GLEANERS AND I (2000), France, directed and shot by Agnes Varda

The first major biography of the French filmmaker hailed by Martin Scorsese as “one of the Gods of cinema.”Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928–2019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cléo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards.In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the “complicated passions” that informed Varda's charmed life and indelible work. Rickey traces Varda's three remarkable careers―as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda's impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda's incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy.A Complicated Passion is the vibrant biography that Varda, regarded by many as the greatest female filmmaker of all time, has long deserved.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

HVAF's food, clothing, and hygiene pantry is open for veterans on Tuesdays and Thursdays from 11:30 AM to 2:30 PM. Before COVID, we were seeing around 100 veterans per month. Now, we're seeing more than double, with a record high in July of 258 veterans. As we see an increase in visits, donations to our pantry are more critical than ever before. Thankfully, we have many partners around the community that help us stock the pantry. One of them is Gleaners Food Bank of Indiana, who helps keep our shelves full of essential food items. Today on Roger That, you will meet Gleaners CEO Fred Glass. Fred became the president and CEO of in 2022, and it's the largest food bank in Indiana and part of the national Feeding America Network.   SHOW NOTES: Podcast questions? Topic ideas? E-mail Lauren: LVCarpenter@hvaf.org Sign up to receive our e-mails: https://hvafofindiana.us17.list-manage.com/subscribe?u=84c1e98757e710e154ef48517&id=35b0d23a76   Follow us on social media: @hvafofindiana Are you a veteran needing help? Contact us today: 317-951-0688https://www.hvafofindiana.org/i-need-help/ Fred Glass' bio: https://www.gleaners.org/fred-glass/ More on Gleaners' programs: https://www.gleaners.org/our-programs/ Get involved with Gleaners: https://www.gleaners.org/volunteer/ Get involved with HVAF's pantry: https://www.hvafofindiana.org/take-action/ More information on HVAF's pantry: https://www.hvafofindiana.org/our-mission/pantry/ Map the Meal Gap 2022 results: https://www.gleaners.org/map-the-meal-gap-2022-data-shows-sharp-rise-in-food-insecurity/

Electric Vehicles are having a real moment. People by and large prefer EVs because they're greener, quieter, and often more fun to drive than gas cars. But one sticking point in the EV revolution is charging. There are more charging stations now than there have ever been, but it's still not enough. And how those stations are distributed can make driving long distances in an EV feel like a bit of a gamble.This week on Gadget Lab, WIRED staff writer Aarian Marshall joins the show to talk about the state of EV charging, the feelings of “charging anxiety,” and whether people really need to worry all that much about those EV battery fires in the news.Show Notes:Read Aarian's story on the current state of EV charging prices. Aarian writes for WIRED about all things electric vehicle and transportation related.Recommendations:Aarian recommends three different episodes of PJ Vogt's Search Engine podcast featuring Ezra Klein as a guest. Mike recommends Agnes Varda's film The Gleaners and I from the year 2000. Lauren is out this week.Aarian Marshall can be found on social media @AarianMarshall. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. Lauren Goode is @LaurenGoode. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

If you've been to the grocery store lately, you've likely experienced a little sticker shock at the cash register. Or maybe you've been stressed about affording rent due to cost of living going up, or deciding to hold off on buying a home due to the record highs for interest rates. We've all experienced the struggles of inflation these last few years, and it's affected us all in different ways. For a lot of Hoosier Heroes, they're facing food insecurity. On this episode of Roger That, we'll share more about the increased food insecurity rates in Indiana and how Gleaners & HVAF partner together to feed those who are hungry. The show notes for this episode can be found on HVAF's blog. Check out the blog and more information on HVAF's website: hvaf.org.    SHOW NOTES: Podcast questions? Topic ideas? E-mail Lauren: LVCarpenter@hvaf.org Sign up to receive our e-mails: https://hvafofindiana.us17.list-manage.com/subscribe?u=84c1e98757e710e154ef48517&id=35b0d23a76   Follow us on social media: @hvafofindiana Are you a veteran needing help? Contact us today: 317-951-0688https://www.hvafofindiana.org/i-need-help/ HVAF's CEO Emmy's blog post on food insecurity: https://www.hvafofindiana.org/message-from-the-ceo-food-insecurity-among-our-neighbors-veterans/ Staff Spotlight on Katie: https://www.hvafofindiana.org/meet-team-hvaf-community-center-specialist-katie-joins-indy-hunger-network-board/ Map the Meal Gap 2022 results: https://www.gleaners.org/map-the-meal-gap-2022-data-shows-sharp-rise-in-food-insecurity/ Fred Glass' bio: https://www.gleaners.org/fred-glass/ More on Gleaners' programs: https://www.gleaners.org/our-programs/ Get involved with Gleaners: https://www.gleaners.org/volunteer/ Get involved with HVAF's pantry: https://www.hvafofindiana.org/take-action/ More information on HVAF's pantry: https://www.hvafofindiana.org/our-mission/pantry/

‘But the darkness is a kind of blanket, and she comforts me…' This week, we join Sally on a sleepless night, on a journey through Millet's The Gleaners (1857), via her character Pond Man. Follow her through this meditation on voice, place, and the spaces in between events. More information on the painting can be found here. The wonderful piano music in the opening section is ‘Doubt', by Paul Sebastian. The guitar piece is by Dylan Gwalia. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

June 17, 2024 ~ Kristin Sokul, Senior Director of Advancement Communications, Marketing and Media/PR, Gleaners Community Food Bank of Southeastern Michigan

The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women's writing in Japan. Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland's research and teaching interests include modern and contemporary women's writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo's Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021. Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers' war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women's writing in Japan. Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland's research and teaching interests include modern and contemporary women's writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo's Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021. Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers' war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women's writing in Japan. Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland's research and teaching interests include modern and contemporary women's writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo's Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021. Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers' war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women's writing in Japan. Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland's research and teaching interests include modern and contemporary women's writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo's Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021. Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers' war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women's writing in Japan. Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland's research and teaching interests include modern and contemporary women's writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo's Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021. Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers' war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women's writing in Japan. Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland's research and teaching interests include modern and contemporary women's writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo's Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021. Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers' war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The fifth episode of our season on the awesome movie year of 2000 features our documentary pick, Agnes Varda's The Gleaners and I. Directed by and featuring Agnes Varda, The Gleaners and I is considered one of the greatest documentaries of all time.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/the-gleaners-and-i-2001), Kevin Thomas in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-2001-apr-06-ca-47419-story.html), and Stephanie Zacharek in Salon (https://www.salon.com/2001/03/08/gleaners/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2000 installment, featuring Josh's personal pick, Curtis Hanson's Wonder Boys.

Join me for a conversation with Sharon Kallis who brings us thought provoking insights from her work exploring the place of textiles within our lives. Inspiring us to reconnect with ourselves, community and heal the world around us through rediscovering the materials which we wrap around ourselves and our homes.Sharon is the founding director of EartHand Gleaners SocietyAlongside her artistic and practical endeavours transforming fibres into clothing, Sharon's work also includes community projects that layer up the opportunities for people to reconnect with one another, with plants and with place. Combined with a personal challenge of 'growing her own clothing' this all comes through to bring us a story of re-finding what it means to be human; exploring a slower, more purposeful pace of life as an outcome of acting more sustainably in the creation of the stuff we use and depend upon. For a further breakdown of this discussion see the timestamps below.See the video version of this episode here: https://www.wearecarbon.earth/sustainable-textiles-sharon-kallis/-------More Formats from We Are Carbon: [Shorter Video Format with Animations] - Can All Food be Regenerative. With Patrick Holden: https://www.wearecarbon.earth/can-all-food-be-regenerative/[Story Telling Audio Format] - Soil (My Common Sense Take) : https://www.wearecarbon.earth/soil-path-to-whole-systems-thinking/Explore ways to support this content: https://www.wearecarbon.earth/your-support/----------------------Timestamps:00:00:00 - Intro00:07:00 - Sharon's work integrating textiles within community gardens00:16:40 - Connectivity, well being & complexity00:28:08 - Challenges of community land access00:34:26 - Invasive plant species for textile use00:37:52 - Modern disconnection & unsustainable textiles00:48:08 - Growing your own clothes! Sharon's journey01:02:27 - The steps we can all take towards more sustainable textiles

The fourth episode of our season on the awesome movie year of 2000 features the Cannes Film Festival Palme d'Or winner, Lars von Trier's Dancer in the Dark. Written and directed by Lars von Trier and starring Björk, Catherine Deneuve, David Morse and Peter Stormare, Dancer in the Dark also won the Best Actress award at Cannes for Björk's lead performance.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/dancer-in-the-dark-2000), Edward Guthmann in the San Francisco Chronicle (https://www.sfgate.com/movies/article/Dancer-Dares-to-Be-Different-Singer-Bjork-3303305.php), and Peter Bradshaw in The Guardian (https://www.theguardian.com/film/2000/sep/15/1).Thanks to our special guest, skateboarder Justin Bishop, for joining us. Check out Justin on Instagram at @justinthebishop.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2000 installment, featuring our documentary pick, Agnes Varda's The Gleaners and I.

The DBG (you might know them as the Downtown Boxing Gym) is making some big moves supporting Detroit's youth, along with plans for a new facility. Khali Sweeney and Peter Feezey from the organization join me to talk about it more. Then I send you out the door with three stories to know around Metro Detroit. 00:30 - Ad for City Bird - https://www.citybirddetroit.com/ 01:31 - DBG Conversation with Khali Sweeney and Peter Feezey Three things to know: 16:07 - Gleaners has a new store concept to address the growing need for emergency food near Warren and Detroit 17:44 - About 1,000 workers vote to authorize a stroke at the Warren Stamping plant, key to a number of Stellantis brands 18:41 - The office of a U.S. Representative in Detroit was vandalized by protestors Feedback as always - dailydetroit - at - gmail - dot - com or 313-789-3211 Follow us on Apple Podcasts: https://lnk.to/dailydetroitonapple  Or Spotify: https://lnk.to/dailydetroitonspotify  Thanks to our members: http://www.patreon.com/dailydetroit  

Enjoy this sample of Bonus Episode #103.  The full version (~2 hours) is now available on the Sleep Whispers-Bonus Podcast for Silk+ Members.  Summary: I took 4 prior episodes with Guided Imageries of Famous Paintings, extracted their opening music, removed or shortened their introductions, deleted any ads/commercials/promos, normalized their volumes, and stitched them together. Become … Continue reading *Sample* 2-Hours of Guided Imageries of Famous Paintings: Mona Lisa, American Gothic, Birth of Venus, The Gleaners (Bonus Episode #103)

What is expressionism? A school? A movement? A philosophy? At the end of this episode, Phil and JF agree that it is, above all, a sensibility, one that surfaces periodically in history, punctuating it with occasional bursts of frenetic colour and eruptions of light and shadow. Whenever it appears, expressionism challenges our tendency to divide the world up into neat quadrants: mind and matter, subject and object lose their legitimacy as they start to bleed into one another. Prior to recording, your hosts agreed to focus on two pieces of writing: Victoria Nelson's The Secret Life of Puppets and a recent Internet post on eighties and nineties American films entitled "Neo-Expressionism: The Forgotten Studio Style." Though focused on a number of films, the conversation includes forays into the world of the visual arts, literature, and music. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES comradeyui, “neo-expressionism: the forgotten studio style” (https://letterboxd.com/comrade_yui/list/neo-expressionism-the-forgotten-studio-style/#:~:text=many%20neo%2Dexpressionist%20films%20are,visual%20grammar%20of%20those%20works.) Victoria Nelson, _The Secret Life of Puppets (https://bookshop.org/a/18799/9780674012448) Francis Ford Coppola, Bram Stoker's Dracula (https://www.imdb.com/title/tt0103874/) Weird Studies, Episode 161 on ‘From Hell' (https://www.weirdstudies.com/161) Bram Stoker, Dracula (https://bookshop.org/a/18799/9780141439846) E. H. Gombrich, The Story of Art (https://bookshop.org/a/18799/9780714832470) Jean-Francois Millet, “Gleaners” (https://artsandculture.google.com/asset/gleaners/GgHsT2RumWxbtw?hl=en) Kathe Kollwitz, “Need” (https://www.kollwitz.de/en/sheet-1-need) Robert Weine, The Cabinet of Dr. Caligari (https://www.imdb.com/title/tt0010323/) Arnold Schoneberg, Pierrot Lunaire (https://imslp.org/wiki/Special:ImagefromIndex/315809/hfva) Gilles Deleuze, Cinema 1 (https://bookshop.org/a/18799/9780816614004) Peter Yates (dir.), Krull (https://www.imdb.com/title/tt0085811/) Wilhelm Worringer, (https://en.wikipedia.org/wiki/Wilhelm_Worringer) German art historian Weird Studies, Episode 136 on ‘The Evil Dead' (https://www.weirdstudies.com/136) In Camera The Naive Visual Effects of Dracula (https://www.weirdstudies.com/136) Kenneth Gross, Puppet: An Essay on Uncanny Life (https://bookshop.org/a/18799/9780226005508) Weird Studies, Episode 121 ‘Mandwagon' (https://www.weirdstudies.com/121)

Another Agnes Varda doc another bunch of...what the hell did I just watch? Although some redeeming qualities...like who knew what a Gleaner was other than a food bank...the dudes sure didn't. --- Send in a voice message: https://podcasters.spotify.com/pod/show/threedudespod/message

In this segment of Stories Of Hope, we take a minute to learn about what we as a community can do with produce that would usually go into landfills to help those in need. To learn more about the Kalamazoo Valley Gleaners, visit https://kalamazoogleaners.org.

This episode is a short retrospective of highlights from nearly a decade of The Numinous Podcast! Below, I've sorted ten years of episodes into 14 playlists. Enjoy!   Intuition, Spirituality, and the Mysteries of Life TNP4: Love and Angels with Robin Arnold TNP5: Nature, Mind and the Mystical with J.B.MacKinnon TNP7: Spirituality + Recovery with Trinity Donnelley MacRae TNP9: Meditation, Channeling and Connection with Dr.Jonni Gray TNP11: Public, Private and Political with Louise TNP13: Spiritual Self-Esteem and Professional Integrity as an Intuitive Practitioner with Judee Gee TNP14: Carl-Greger on Spontaneous Spiritual Awakening and Direct Experience TNP16: Jenna DellaGrottaglia on Art + Intuition TNP17: Shakti Roumagoux: Catholic, Quaker, Engaged Buddhist TNP18: Arthurian Legend Leadership Lessons with Kent Osborne TNP22: The Vision Quest with Sparrow Hart TNP25: Findhorn and Facilitating Inner Knowing with Kate Sutherland TNP27: Shamanism and the Corporate World with Agneta TNP30: Kate Sitka on Intuitive Communication with the Animal Kingdom TNP32: Sex, Spirituality and Intuition with Lesley Stedmon TNP35: Carmen Answers Listener Questions, Part 1- Trusting Your Intuition TNP36: Carmen Answers Listener Questions, Part 2 - Trusting Your Pendulum TNP37: Carmen Answers Listener Questions, Part 3 - Common Questions About Intuition TNP41: Elle North on Tarot + Intuition TNP42: Mark Silver on Sufism and the Heart of Business TNP44: John Michael Greer on Mystery Teaching from the Living Earth TNP46: Mirabella Ponders the Mystery TNP50: Carmen & Ruben on Badass Backyard Spirituality TNP52: Humanism, Atheism and Optimism with Emrys Damon Miller TNP53: Astronomy's Mysteries with John Reid TNP59: Ritual + Magic with John Michael Greer TNP61: Healing the Abandonment Wound, Part 1 TNP62: Healing the Abandonment Wound, Part 2 TNP63: Healing the Abandonment Wound, Part 3 TNP64: {Special Episode} Learning to See in the Dark TNP72: Alexis P. Morgan on Witchcraft, Magic, and Liberation TNP73: Charlene Spretnak on Reclaiming Pre-Patriarchal Goddesses TNP74: Sacred Beekeeping with Nikiah Seeds TNP76: L'Erin Alta on Lineage and Legacy TNP77: Digging Deep with Forensic Archeologist Juliana Kabal Xoc TNP78: Niana Hierlander on the Uncommon Marriage of Celtic Shamanism and Catholic Mysticism TNP79: Layla Saad on Perspectives of a Black Muslim Woman on the Priestess Path TNP81: {Numinous School Tutorial} Your Intuition Questions Answered TNP82: The Eclipse, The Gleaners, and Ruben and I TNP85: Thérèse Cator on Shadow Alchemy and Life as Ceremony TNP89: The Journey of the Psychopomp with Cat Webb TNP90: The Celtic Golden Dawn with John Michael Greer TNP92: Sufism, Dreamwork and Belonging with Toko-pa Turner TNP96: Secrets of the Temple with John Michael Greer TNP98: Priestess, Shaman, Mystic, Scapegoat with Sarah Kerr TNP99: Monsters and Magical Beings with John Michael Greer TNP101: Layla Feghali on Plantcestral Medicine TNP102: Sarah Selecky and Radiant Shimmering Light TNP103: Witchcraft and Parenting Wisdom with Beth and John Threlfall TNP104: Magical Cookery and EcoFeminism with Danielle Prohom Olson TNP124: Elizabeth Brown on Dowsing and Causative Diagnosis TNP126: Controlled Remote Viewing with Laurie Lambert Williams TNP127: Moon Magic with Sarah Faith Gottesdiener TNP128: Scottish Folk Magic with Scott Richardson Reid of the Cailleach's Herbarium TNP129: Palm Reading with Helene Saucedo TNP130: Sigil Witchery with Laura Tempest Zakroff TNP131: The Twelve Faces of the Goddess with Danielle Blackwood TNP136: Maia Toll on Working with Plant, Animal and Crystal Allies in Troubled Times TNP140: Darius Mills on Hoodoo Manifestation Magic TNP141: Eric Tyrone - Get Woke in Your Dreamtime TNP144: Mimi Young on Intuition and Pandemic Plant Medicine TNP149: Spiritual Hygiene for the Holidays with Carmen Spagnola TNP150: Hekatean Witchcraft with Dr.Cyndi Brannen TNP158: Beyond Crystal Basics with Nicholas Pearson TNP159: Norse Ritual Animism and Seidr with Maris Bergrune TNP162: Entering Hekate's Garden with Dr.Cyndi Brannen TNP169: Sophie Macklin on Antifascist Folklore and Ungovernable Bodies TNP170: Flower Essences from the Witch's Garden with Nicholas Pearson TNP173: Creative Witchcraft with Natalie Rousseau TNP174: Sovereign and Supernatural - Manifesting Beyond Capitalism with L'Erin Alta TNP175: Ancestral Reverence and Seasonal Traditions with Thérèse Cator TNP176: Mimi Young on Animism, Numerology and Chinese Astrology TNP180: What Makes a Witch? with Carmen Spagnola TNP183: Journey from Maiden to Mother with Sarah Durham Wilson TNP184: Art and the Moon with Dana da Ponte TNP185: Trance, Dreams and the Collective with Carmen Spagnola TNP188: Fumbling Through...All Of It with Kael Klassen TNP190: Celtic Embodiment with Jen Murphy TNP191: Entering Hekate's Cave with Dr.Cyndi Brannen TNP205: Sophie Strand on Mary Magdalene and Miracles TNP209: {Special Class Recording} Connecting with Plants with Carmen TNP212: Shauna Janz on Ancestral Veneration in Child-Free and Queer Lineages TNP216: Success and Spiritual Leadership with Colette Baron-Reid TNP219: Take Down the Patriarchy and Take Back the Magic with Perdita Finn   Attachment, Human Relationships, Parenting, Families, and Cults TNP19: Monique Gray Smith on Ceremony and Sacredness with Children TNP29: Conscious Parenting with Colleen Adrian TNP31: Creating Community with Carolyne Taylor TNP33: Community, Autonomy and Forgiveness with Michael Phillips TNP39: Rachelle Lamb on Relating, Language and Poetry TNP40: Bethany Webster on Healing the Mother Wound TNP46: Mirabella Ponders the Mystery TNP49: Carolyn Baker on Grief and Love During Collapse TNP50: Carmen & Ruben on Badass Backyard Spirituality TNP51: Love in the Apocalypse with Carolyn Baker, PhD TNP56: Motherless Daughter, Mother: Sheila Webster TNP61: Healing the Abandonment Wound, Part 1 TNP62: Healing the Abandonment Wound, Part 2 TNP63: Healing the Abandonment Wound, Part 3 TNP69: Tiffany Joseph on Language, Land, and Everything Important TNP76: L'Erin Alta on Lineage and Legacy TNP82: The Eclipse, The Gleaners, and Ruben and I TNP83: Nora Samaran - The Opposite of Rape Culture is Nurturance Culture TNP84: Honouring Ancestors with Rachael Rice TNP86: Channelling Change with Jenn Richardson TNP88: Monique Gray Smith is Speaking Truth TNP103: Witchcraft and Parenting Wisdom with Beth and John Threlfall TNP115: Solara Goldwyn on Edible Landscapes, Sustainability, and Climate Dread TNP116: Matthew Remski on Attachment, High Demand Communities and Yoga's Culture of Abuse TNP118: Patti Elledge on Attachment, Grieving Together, and Mobilizing Outrage TNP121: Alexandra Stein on Disorganized Attachment in Cults and Totalitarian Regimes TNP138: Mara Cur on Hide Tanning and the Orphan's Journey TNP151: Oliver Choquette on the Intersection of Gender Diversity and Neurodivergence TNP153: Parenting a Trans Teen with Paria Hassouri TNP166: Cultivating Sisterhood at (Trans)Midlife with Aurelie Richards TNP172: A Love Note to Grievers with Angela E Morris TNP189: Recovering Towards Mothering with Taryn Strong TNP194: Portrait of a Marriage with Carmen & Ruben, Part 1 TNP195: Portrait of a Marriage with Carmen & Ruben, Part 2 TNP196: Portrait of a Marriage with Carmen & Ruben, Part 3 TNP197: Portrait of a Marriage with Carmen & Ruben, Part 4 TNP208: {Special Class Recording} Attachment + Contact Nutrition  TNP213: Parenting Beyond Power with Jen Lumanlan TNP219: Take Down the Patriarchy and Take Back the Magic with Perdita Finn   Voices of the Global Majority TNP19: Monique Gray Smith on Ceremony and Sacredness with Children TNP47: Indigo Ocean Dutton on Saying Yes to Happiness TNP57: Homeless and Hopeless, to Unbounded Joy with Shayla Logan TNP65: Jessie Hemphill on Walking Between the Worlds TNP66: Aftab Erfan on Safe Spaces TNP68: Janet Rogers on Art, History, and Strong Women TNP69: Tiffany Joseph on Language, Land, and Everything Important TNP70: Sewit Thomas Jones on Language and Belonging TNP72: Alexis P. Morgan on Witchcraft, Magic, and Liberation TNP76: L'Erin Alta on Lineage and Legacy TNP77: Digging Deep with Forensic Archeologist Juliana Kabal Xoc TNP79: Layla Saad on Perspectives of a Black Muslim Woman on the Priestess Path TNP85: Thérèse Cator on Shadow Alchemy and Life as Ceremony TNP88: Monique Gray Smith is Speaking Truth TNP93: Queer Nature with Pinar and So Sinopoulos-Lloyd TNP95: Preparing with Quest with Patricia and Ashley TNP97: Ancestry, Funerals, and Writing at 4:30am with Leesa Renee Hall TNP101: Layla Feghali on Plantcestral Medicine TNP105: Tending the Threshold with Tannur Ali TNP106: Tending the Threshold with Aftab Erfan TNP107: Tending the Threshold with Aaron Ortega TNP110: Tending the Threshold with Desiree Adaway TNP111: Tending the Threshold with Bayo Akomolafe TNP114: Jessie Hemphill on Indigenizing Urban Design and Collapse Awareness TNP117: Monique Gray Smith on the What, Why, and How of Territorial Acknowledgements TNP120: Tiffany Śwxeloselwet Jospeh on Adaptation TNP125: Stephanie Papik on Inuit tattoos and Cultural Reclamation TNP137: Sharon Ross (Afrovivalist) on Emergency Preparedness TNP140: Darius Mills on Hoodoo Manifestation Magic TNP141: Eric Tyrone - Get Woke in Your Dreamtime TNP144: Mimi Young on Intuition and Pandemic Plant Medicine TNP152: Conscious Grieving with Taraneh Erfan TNP153: Parenting a Trans Teen with Paria Hassouri TNP154: Fuck Capitalism – But Wait, What is Capitalism Exactly? With Toi Smith TNP156: Elaine Alec on Calling Your Spirit Back from Trauma TNP174: Sovereign and Supernatural - Manifesting Beyond Capitalism with L'Erin Alta TNP175: Ancestral Reverence and Seasonal Traditions with Thérèse Cator TNP176: Mimi Young on Animism, Numerology and Chinese Astrology TNP186: Time as a Tool of Empire with Desiree Adaway TNP187: Sinking Into Sacred Truth and Giving It Voice with Velda Thomas TNP201: {AstroMagic Miniseries} The Magic of Mercury with Thea Anderson TNP211: Taraneh Erfan on Processing Anger TNP219: The Metaskills of Healing with Thérèse Cator   Collapse, Dismantling Systems of Oppression, and Revolution TNP21: Culture, Colonialism and Spirituality with Josiah Neufeld TNP24: Grieving for Susan and Civilization with Michael Phillips TNP28: Communism, the Beatniks and the Guru with Michael Phillips TNP43: Miss Rosie Bitts on Feminism, Burlesque and Self-Expression (Or, Learning to Love Your Jiggly Bits) TNP49: Carolyn Baker on Grief and Love During Collapse TNP54: Nicole Foss on Navigating the Perfect Financial Storm TNP55: How to Build a Life Boat with Nicole Foss TNP64: {Special Episode} Learning to See in the Dark TNP65: Jessie Hemphill on Walking Between the Worlds TNP67: Confronting Whiteness with Rachael Rice and Marybeth Bonfiglio TNP66: Aftab Erfan on Safe Spaces TNP68: Janet Rogers on Art, History, and Strong Women TNP71: Kelly Diels on the Female Lifestyle Empowerment Brand TNP73: Charlene Spretnak on Reclaiming Pre-Patriarchal Goddesses TNP75: Jennifer Jacquet Asks, Is Shame a Necessary Tool for Social Cooperation? TNP82: The Eclipse, The Gleaners, and Ruben and I TNP83: Nora Samaran - The Opposite of Rape Culture is Nurturance Culture TNP85: Thérèse Cator on Shadow Alchemy and Life as Ceremony TNP88: Monique Gray Smith is Speaking Truth TNP93: Queer Nature with Pinar and So Sinopoulos-Lloyd TNP104: Magical Cookery and EcoFeminism with Danielle Prohom Olson TNP105: Tending the Threshold with Tannur Ali TNP106: Tending the Threshold with Aftab Erfan TNP107: Tending the Threshold with Aaron Ortega TNP109: Tending the Threshold with Rachael Rice and Bec Stupak TNP110: Tending the Threshold with Desiree Adaway TNP111: Tending the Threshold with Bayo Akomolafe TNP114: Jessie Hemphill on Indigenizing Urban Design and Collapse Awareness TNP115: Solara Goldwyn on Edible Landscapes, Sustainability, and Climate Dread TNP117: Monique Gray Smith on the What, Why, and How of Territorial Acknowledgements TNP119: John Michael Greer on The Long Descent TNP120: Tiffany Śwxeloselwet Jospeh on Adaptation TNP133: Permission to Grieve with Francis Weller TNP134: Decolonizing Scottish Highland History and Radicalizing Gaelic Folk Culture with Michael Newton TNP137: Sharon Ross (Afrovivalist) on Emergency Preparedness TNP139: Colonial Influence on Hide Tanning Past and Present with Mara Cur TNP143: Bear Hebert on Unlearning Oppression TNP145: Holly Truhlar on Tending the Threshold of Collapse TNP146: Carmen + Holly on Collapse Psychology and the Importance of Grief, Ritual, Accountability and Play TNP147: Tom Hirons Tracks Collapse and Meaning Through Poetry TNP148: Seeing Yourself Through the Apocalypse with Lindsay Tunkl TNP154: Fuck Capitalism – But Wait, What is Capitalism Exactly? With Toi Smith TNP161: Collapse in a Nutshell with Carmen Spagnola TNP168: Somatics for White-Bodied Folks Recovering Ancestral Wisdom with Marika Heinricks TNP169: Sophie Macklin on Antifascist Folklore and Ungovernable Bodies TNP171: Crystie Kisler is Connecting Land and Food TNP186: Time as a Tool of Empire with Desiree Adaway TNP193: How Much is Enough in Collapse? with Carmen & Ruben TNP207: {Special Class Recording} Fascism 101 for Collapse Times TNP215: Before Capitalism (from a European Perspective) with Sophie Macklin TNP219: Take Down the Patriarchy and Take Back the Magic with Perdita Finn TNP221: Waking Up to the Dark with Clark Strand   Grief, Death, and Mortality TNP24: Grieving for Susan and Civilization with Michael Phillips TNP49: Carolyn Baker on Grief and Love During Collapse TNP77: Digging Deep with Forensic Archeologist Juliana Kabal Xoc TNP84: Honouring Ancestors with Rachael Rice TNP86: Channelling Change with Jenn Richardson TNP89: The Journey of the Psychopomp with Cat Webb TNP97: Ancestry, Funerals, and Writing at 4:30am with Leesa Renee Hall TNP122: Pashta MaryMoon on Accompanying the Dying, Hospice Singing and Preparing for our Death TNP123: Sarah Kerr on Being a Death Doula and Coping with Loss When a Pet or Plant Dies TNP133: Permission to Grieve with Francis Weller TNP138: Mara Cur on Hide Tanning and the Orphan's Journey TNP152: Conscious Grieving with Taraneh Erfan TNP172: A Love Note to Grievers with Angela E. Morris TNP219: Take Down the Patriarchy and Take Back the Magic with Perdita Finn   Midlife/Perimenopause TNP165: Embracing Sovereignty at Midlife with Nikiah Seeds TNP179: Navigating Creative Drought and Change with Nikiah Seeds TNP164: The Astrology of Midlife with Danielle Blackwood TNP166: Cultivating Sisterhood at (Trans)Midlife with Aurelie Richards TNP182: Reimagining Elderhood with Sharon Blackie TNP191: Entering Hekate's Cave with Dr.Cyndi Brannen TNP216: Success and Spiritual Leadership with Colette Baron-Reid TNP197: Portrait of a Marriage with Carmen and Ruben (Part Four) TNP173: Creative Witchcraft with Natalie Rousseau (this one is maybe indirectly related - I can't remember specifics but it feels aligned!) TNP217: Burnout and Recovery at Midlife with Annie Bray   Creativity, Business, and Practitioner Skills TNP5: Nature, Mind and the Mystical with J.B.MacKinnon TNP8: Better Living Through Metaphor with Sarah Selecky TNP15: Lauren Bacon with Tools to Diffuse Imposter Syndrome and Comparison TNP18: Arthurian Legend Leadership Lessons with Kent Osborne TNP38: Brooke Semple on Culture, Design, and Authenticity TNP42: Mark Silver on Sufism and the Heart of Business TNP45: Emrys Damon Miller on Graphic Design and Shamanism TNP58: Kindness and Goodness, in Business and Life with Carrie Klassen TNP60: How the Healer Heals Herself with Lindsay Rose Turner TNP65: Jessie Hemphill on Walking Between the Worlds TNP68: Janet Rogers on Art, History, and Strong Women TNP71: Kelly Diels on the Female Lifestyle Empowerment Brand TNP77: Digging Deep with Forensic Archeologist Juliana Kabal Xoc TNP91: Emelia Symginton Fedy is Trying to be Good TNP97: Ancestry, Funerals, and Writing at 4:30am with Leesa Renee Hall TNP102: Sarah Selecky and Radiant Shimmering Light TNP109: Tending the Threshold with Rachael Rice and Bec Stupak TNP114: Jessie Hemphill on Indigenizing Urban Design and Collapse Awareness TNP115: Solara Goldwyn on Edible Landscapes, Sustainability, and Climate Dread TNP167: Lessons Learned from Ira Glass, Roxane Gay, and the Making of The Spirited Kitchen TNP173: Creative Witchcraft with Natalie Rousseau TNP177: Journal as Altar, Pages as Portals with Erin Fairchild TNP178: Eliza Robertson on Writing with the Stars and Magic with the Muses TNP181: {Takeover Episode} The Making of The Spirited Kitchen TNP184: Art and the Moon with Dana da Ponte TNP216: Success and Spiritual Leadership with Colette Baron-Reid TNP219: The Metaskills of Healing with Thérèse Cator   Land, Nature, and Animism TNP5: Nature, Mind and the Mystical with J.B.MacKinnon TNP22: The Vision Quest with Sparrow Hart TNP30: Kate Sitka on Intuitive Communication with the Animal Kingdom TNP44: John Michael Greer on Mystery Teaching from the Living Earth TNP65: Jessie Hemphill on Walking Between the Worlds TNP68: Janet Rogers on Art, History, and Strong Women TNP70: Sewit Thomas Jones on Language and Belonging TNP93: Queer Nature with Pinar and So Sinopoulos-Lloyd TNP95: Preparing with Quest with Patricia and Ashley TNP101: Layla Feghali on Plantcestral Medicine TNP104: Magical Cookery and EcoFeminism with Danielle Prohom Olson TNP115: Solara Goldwyn on Edible Landscapes, Sustainability, and Climate Dread TNP117: Monique Gray Smith on the What, Why, and How of Territorial Acknowledgements TNP136: Maia Toll on Working with Plant, Animal and Crystal Allies in Troubled Times TNP144: Mimi Young on Intuition and Pandemic Plant Medicine TNP155: Growing Great Pumpkins with BC Record-Breaker Dave Chan TNP162: Entering Hekate's Garden with Dr.Cyndi Brannen TNP170: Flower Essences from the Witch's Garden with Nicholas Pearson TNP171: Crystie Kisler is Connecting Land and Food TNP205: Sophie Strand on Mary Magdalene and Miracles TNP206: Alexa Linton on Interspecies Relating and Healing with Horses TNP209: {Special Class Recording} Connecting with Plants with Carmen   Astrology TNP12: Georgia Nicols on Astrology and Patterns of Knowing TNP23: Making the Most of Mercury Retrograde with Georgia Nicols TNP164: The Astrology of Midlife with Danielle Blackwood TNP178: Eliza Robertson on Writing with the Stars and Magic with the Muses TNP198: {AstroMagic Miniseries} Eliza Robertson and the Sun TNP199: {AstroMagic Miniseries} Bronwyn Simons on Moon Magic + Lunar Consciousness TNP200: {AstroMagic Miniseries} Mars Magic with Carmen Spagnola TNP201: {AstroMagic Miniseries} The Magic of Mercury with Thea Anderson TNP202: {AstroMagic Miniseries} Maeg Keane on Connecting with Jupiter TNP203: {AstroMagic Miniseries} Kristin Mathis, Venus and the Orphic Hymns TNP204: {AstroMagic Miniseries} ET Shipley on the Power of Saturn   Somatics, the Body, and Healing Journeys TNP32: Sex, Spirituality and Intuition with Lesley Stedmon TNP43: Miss Rosie Bitts on Feminism, Burlesque and Self-Expression (Or, Learning to Love Your Jiggly Bits) TNP47: Indigo Ocean Dutton on Saying Yes to Happiness TNP57: Homeless and Hopeless, to Unbounded Joy with Shayla Logan TNP60: How the Healer Heals Herself with Lindsay Rose Turner TNP91: Emelia Symginton Fedy is Trying to be Good TNP94: Mapping Reclamation with Rachael Maddox TNP132: Somatic Mentoring with Patti Elledge TNP156: Elaine Alec on Calling Your Spirit Back from Trauma TNP168: Somatics for White-Bodied Folks Recovering Ancestral Wisdom with Marika Heinricks TNP169: Sophie Macklin on Antifascist Folklore and Ungovernable Bodies TNP187: Sinking Into Sacred Truth and Giving It Voice with Velda Thomas TNP190: Rooting the Myths of Celtic Embodiment with Jen Murphy TNP210: RCCX Theory of Complex Illness with Carmen Spagnola TNP211: Taraneh Erfan on Processing Anger   Poetry TNP20: Llynne Phillips and Sacred Poetry TNP39: Rachelle Lamb on Relating, Language and Poetry TNP147: Tom Hirons Tracks Collapse and Meaning Through Poetry   Elder Wisdom TNP12: Georgia Nicols on Astrology and Patterns of Knowing TNP20: Llynne Phillips and Sacred Poetry TNP24: Grieving for Susan and Civilization with Michael Phillips TNP28: Communism, the Beatniks and the Guru with Michael Phillips TNP33: Community, Autonomy and Forgiveness with Michael Phillips TNP49: Carolyn Baker on Grief and Love During Collapse TNP73: Charlene Spretnak on Reclaiming Pre-Patriarchal Goddesses TNP122: Pashta MaryMoon on Accompanying the Dying, Hospice Singing and Preparing for our Death TNP132: Somatic Mentoring with Patti Elledge TNP155: Growing Great Pumpkins with BC Record-Breaker Dave Chan TNP216: Success and Spiritual Leadership with Colette Baron-Reid   Carmen & Ruben / Rubenations TNP50: Carmen & Ruben on Badass Backyard Spirituality TNP75: Jennifer Jacquet Asks, Is Shame a Necessary Tool for Social Cooperation? TNP82: The Eclipse, The Gleaners, and Ruben and I TNP83: Nora Samaran - The Opposite of Rape Culture is Nurturance Culture TNP100: Cocktail Pairings for Your Listening Pleasure TNP133: Permission to Grieve with Francis Weller TNP155: Growing Great Pumpkins with BC Record-Breaker Dave Chan TNP193: How Much is Enough in Collapse? with Carmen & Ruben TNP194: Portrait of a Marriage with Carmen & Ruben, Part 1 TNP195: Portrait of a Marriage with Carmen & Ruben, Part 2 TNP196: Portrait of a Marriage with Carmen & Ruben, Part 3 TNP197: Portrait of a Marriage with Carmen & Ruben, Part 4   Just Me Talkin' TNP1: Becoming Your Own Spiritual Advisor, (Premiere Episode, March 30, 2014) TNP2: Becoming Your Own Spiritual Advisor TNP3: Becoming Your Own Spiritual Advisor TNP35: Carmen Answers Listener Questions, Part 1- Trusting Your Intuition TNP36: Carmen Answers Listener Questions, Part 2 - Trusting Your Pendulum TNP37: Carmen Answers Listener Questions, Part 3 - Common Questions About Intuition TNP61: Healing the Abandonment Wound, Part 1 TNP62: Healing the Abandonment Wound, Part 2 TNP63: Healing the Abandonment Wound, Part 3 TNP64: {Special Episode} Learning to See in the Dark TNP81: {Numinous School Tutorial} Your Intuition Questions Answered TNP149: Spiritual Hygiene for the Holidays with Carmen Spagnola TNP160: The Bruce Springsteen Soundtrack TNP161: Collapse in a Nutshell with Carmen Spagnola TNP180: What Makes a Witch? with Carmen Spagnola TNP185: Trance, Dreams and the Collective with Carmen Spagnola TNP200: {AstroMagic Miniseries} Mars Magic with Carmen Spagnola TNP207: {Special Class Recording} Fascism 101 for Collapse Times TNP208: {Special Class Recording} Attachment + Contact Nutrition  TNP209: {Special Class Recording} Connecting with Plants with Carmen   ✨ ☎️ Leave feedback!

The Moneywise Guys Radio Show + Podcast Friday, December 1st BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Guys" podcast call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management instagram: MoneywiseWealthManagement linkedin: MoneywiseWealthManagement Guests: Debbie Powers, Executive Director for the Golden Empire Gleaners website: www.goldenempiregleaners.com/ phone: 661-324-2767 Greg Kerr, Host of, "The Greg Kerr Show" and "Hometown Sports"  website: https://bakersfieldnow.com/sports/hometown_sports  

Platemark hosts Ann Shafer and Tru Ludwig offer up a bonus HoP episode featuring a conversation about a single work of art. Occasionally we will drop a BONUS EP ONE PRINT, which will take a single work and pull it apart with an eye toward exploring subject matter, technique, style, and composition. The first of these episodes features the etching Battlefield, 1907, by Käthe Kollwitz.   We hope this new kind of conversation resonates, and we'd love to hear your feedback and suggestions for other great prints worthy of a 90-minute episode.   Fun fact: Käthe is pronounced KAY-tuh, not Cathy; in Kollwitz, the W sounds like a V.   Episode image: Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Käthe Kollwitz Museum, Cologne.   Pierre-August Renoir. (French, 1841–1919). Luncheon of the Boating Party, 1881. Oil on canvas, The Phillips Collection, Washington, D.C. John Constable (English, 1776–1837). The Hay Wain, 1821. Oil on canvas. 130.2 × 185.4 cm. National Gallery, London. Wassily Kandinsky (Russian, 1866–1944). Composition IV, 1911. Oil on canvas. 62.8 × 98.6 in. (159.5 × 250.5 cm.). Kunstsammlung Nordrhein-Westfallen, Düsseldorf. Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Käthe Kollwitz Museum, Cologne. Jackson Pollock (American, 1912–1956). Number 1, 1950 (Lavender Mist), 1050. Oil, enamel, and aluminum on canvas. 221 x 299.7 cm (87 x 118 in.). National Gallery of Art, Washington, DC. Marcel Duchamp (American, born France, 1887–1968). The Bride Stripped Bare by Her Bachelors, Even (Large Glass), 1915–23. Oil, varnish, lead foil, lead wire, and dust on two glass panels. 9 ‘ 1 ¼” × 70” x 3 3/8” (277.5 × 177.8 × 8.6 cm). Philadelphia Museum of Art, Philadelphia. Rembrandt (Dutch, 1606–1669). Militia Company of District II under the Command of Captain Frans Banninck Cocq, also known as The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch (commonly known as The Night Watch), 1642. Oil on canvas. 437 x 363 cm. City of Amsterdam. Henri Matisse (French, 1869–1954). The Blue Nude (Memory of Biskra), 1907. Oil on canvas. 36 1/4 x 55 1/4 in. (92.1 x 140.3 cm.). Baltimore Museum of Art, Baltimore. Mark Rothko (American, 1903–1970). No. 17, 1957. Oil on canvas. 232.5 x 176.5 cm. (91.5 x 69.5 in.). Christies. [DETAIL] Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Käthe Kollwitz Museum, Cologne. [DETAIL] Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Käthe Kollwitz Museum, Cologne. [DETAIL] Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Käthe Kollwitz Museum, Cologne. [DETAIL] Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Käthe Kollwitz Museum, Cologne. [DETAIL] Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Käthe Kollwitz Museum, Cologne. [DETAIL] Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Käthe Kollwitz Museum, Cologne. [DETAILS] Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Käthe Kollwitz Museum, Cologne. Käthe Kollwitz (German, 1867–1945). The Ploughmen, no. 1 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 31.5 x 45.7 cm (12 3/8 x 18 in.). Käthe Kollwitz Museum, Cologne. Käthe Kollwitz (German, 1867–1945). Raped, no. 2 from the series Peasants War, 1907–08. Etching, drypoint, sandpaper and softground etching. Plate: 308 x 529 mm. (12 1/8 x 20 13/16 in.). Käthe Kollwitz Museum, Cologne. Käthe Kollwitz (German, 1867–1945). Sharpening the Scythe, no. 3 from the series Peasants War, 1908. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 11 3/4 × 11 11/16 inches (29.8 × 29.7 cm). Käthe Kollwitz Museum, Cologne. Käthe Kollwitz (German, 1867–1945). Arming the Vault, no. 4 from the series Peasants War, 1906. Etching, drypoint, aquatint, and softground etching. Plate: 19 1/2 x 12 7/8 in. Käthe Kollwitz Museum, Cologne. Käthe Kollwitz (German, 1867–1945). Charge, no. 5 from the series Peasants War, 1902–03. Etching, drypoint, and softground etching. Plate: (49.2 x 57.5 cm.). Käthe Kollwitz Museum, Cologne. [DETAIL] Käthe Kollwitz (German, 1867–1945). Charge, no. 5 from the series Peasants War, 1902–03. Etching, drypoint, and softground etching. Plate: (49.2 x 57.5 cm.). Käthe Kollwitz Museum, Cologne. [DETAIL] Käthe Kollwitz (German, 1867–1945). Charge, no. 5 from the series Peasants War, 1902–03. Etching, drypoint, and softground etching. Plate: (49.2 x 57.5 cm.). Käthe Kollwitz Museum, Cologne. Käthe Kollwitz (German, 1867–1945). The Prisoners, no. 7 from the series Peasants War, 1908. Etching, drypoint, sandpaper and softground etching. Plate: 328 x 426 mm. (12 15/16 x 16 3/4 in.). Käthe Kollwitz Museum, Cologne. [DETAIL] Käthe Kollwitz (German, 1867–1945). The Prisoners, no. 7 from the series Peasants War, 1908. Etching, drypoint, sandpaper and softground etching. Plate: 328 x 426 mm. (12 15/16 x 16 3/4 in.). Käthe Kollwitz Museum, Cologne. [DETAIL] Käthe Kollwitz (German, 1867–1945). The Prisoners, no. 7 from the series Peasants War, 1908. Etching, drypoint, sandpaper and softground etching. Plate: 328 x 426 mm. (12 15/16 x 16 3/4 in.). Käthe Kollwitz Museum, Cologne. Jean-François Millet (French, 1814–1875) The Gleaners, 1957. Oil on canvas. 83.8 × 111.8 cm. (33 × 44 in.). Musée d'Orsay, Paris. Jean-François Millet (French, 1814–1875). The Gleaners, 1955. Etching. 192 x 253 mm. Rijksmuseum, Amsterdam. Käthe Kollwitz (German, 1867–1945). Self-Portrait, 1926–36. Bronze. Käthe Kollwitz Museum, Cologne. Georges Seurat (French, 1859–1891). Landscape, 1876–86. Black Conté crayon. 24.9 × 31.6 cm (9 13/16 × 12 1/2 in.). Art Institute of Chicago, Chicago. Ernst Barlach (German, 1870–1938). The Avenger, 1914. Bronze. 22.9 x 44.5 x 61 cm. Harvard Art Museums, Cambridge. Jacques Muron (French, born 1950). Egret, 1996. Engraving on chine collé. Plate: 14 ½ x 3 ¾ in. [DETAIL] Jacques Muron (French, born 1950). Egret, 1996. Engraving on chine collé. Plate: 14 ½ x 3 ¾ in. [DETAIL] Jacques Muron (French, born 1950). Egret, 1996. Engraving on chine collé. Plate: 14 ½ x 3 ¾ in. Mary Cassatt (American, 1844–1926). The Banjo Lesson, c. 1893. Color drypoint and aquatint with monoprint inking. Plate: 29.85 × 23.81 cm (11 3/4 × 9 3/8 in.); sheet: 41.9 x 29.2 cm (16 1/2 x 11 1/2 in.). National Gallery of Art, Washington, DC. Andrea Mantegna (Italian, c. 1431–1506). Lamentation over the Dead Christ, c. 1483. Tempera on canvas. 680 x 810 mm. Pinacoteca di Brera, Italy. Käthe Kollwitz (German, 1867–1945). Battlefield, no. 6 from the series Peasants War, 1907. Etching, drypoint, aquatint, sandpaper and softground etching. Plate: 16 ¼ x 20 7/8 in. (41.28 x 53 cm.). Baltimore Museum of Art, Baltimore. Rembrandt (Dutch, 1606–1669). The Hundred Guilder Print: Christ with the Sick around Him, c. 1648. Etching, drypoint, and engraving on Japanese paper. 280 x 394 mm. Rijksmuseum, Amsterdam.

Felicia is joined by Jane Waldner to discuss Agnès Varda and J.R.s collaborative documentary, Faces Places (2017), focusing on the lives of the everyday working class. We discuss the ways Varda is able to highlight the beauties of everyday people and how this has been a reoccurrence throughout her career. Along with her dynamic with the younger J.R. and his artistry. This is the fourth and final film part of the Agnès Varda month, make sure to check out our previous episodes on The Gleaners and I, Cléo From 5 to 7, and Le Bonheur. Send us your thoughts on the episode - what were your favourite moments in the film? What are your thoughts on the Varda and J.R. friendship? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Jane here: IG: @janesviews Twitter: @janesviews Sources: Taubin, A., Koresky, M., Vincendeau, G., Mayer, S., Hidalgo, A., & Bengal, R. (2020). The complete films of Agnès Varda. The Criterion Collection. https://www.imdb.com/title/tt5598102/ https://www.criterion.com/current/posts/7049-godmotherly-love https://www.newyorker.com/culture/richard-brody/agnes-varda-and-jrs-faces-places-honors-ordinary-people-on-a-heroic-scale https://film-grab.com/2020/03/18/faces-places/# Agnès Varda: Martin Scorsese, Ava DuVernay, Madonna Pay Tribute – Deadline FILMS MENTIONED: Funny Games (Michael Haneke 1997 & 2007) Cléo From 5 to 7 (Agnès Varda 1962) La Pointe Courte (Agnès Varda 1955) Withnail & I (Bruce Robinson 1987) Until The End of the World (Wim Wenders 1991) Kings of the Road (Wim Wenders 1976)

For our first Agnès Varda film of the month, Felicia is joined by José Roldan (Movie Executive) to discuss Varda's exploration of gleaning through France, The Gleaners & I (2000). We discuss how Varda's essence is filtered throughout the film, and her delicate nature when talk to every day people about their lives. Send us your thoughts on the episode - what are some of your other favourite first person documentaries? What are your thoughts on Varda's self-exploration through the films narrative? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow José here: IG: @channel.jose Tik Tok: @channel.jose Sources: https://www.screendaily.com/news/martin-scorsese-helps-to-launch-film-school-initiative-of-agnes-vardas-the-gleaners-and-i/5182618.article Criterion - Godmotherly Love Criterion - The Gleaners & I Criterion - A Woman's Truth The Gleaners and I (2000) Agnès Varda press TIFF press conference An excerpt, featuring Varda from a documentary entitled “To Tell the Truth: A History of Documentary Film” Conway, K. (2015). Agnès Varda. University of Illinois Press. FILMS MENTIONED: SHERMAN'S MARCH (1986) TARNATION (2003) VORTEX (2021) BURDEN OF DREAMS (1982) OTHER MENTIONS: “It's like writing history with lightning” ( Pres. Woodrow Wilson on THE BIRTH OF A NATION

A meditation preached by Fr. Eric Nicolai at Lyncroft Centre in Toronto in July 2023. It's all about the details of the parable of the sower who went out to sow. Matthew tells us: “The kingdom of heaven is like a man who sowed good seed in his field. But while everyone was sleeping, his enemy came and sowed weeds among the wheat, and went away. When the wheat sprouted and formed heads, then the weeds also appeared. “The owner's servants came to him and said, ‘Sir, didn't you sow good seed in your field? Where then did the weeds come from?' “‘An enemy did this,' he replied. (Matt 13, 24-29) The weeds in our life. The danger of becoming toxic to others by our attitude and behaviour Rather we should have the qualities of good vitamins for the system. Music: Chiquinha Gonzaga, Lua Branca, Arranged for guitar Bert Alink. Thumbnail: Jean-Francois Millet, The Gleaners, Musée D'Orsay 1857

Sometimes the world gets away from you and you have to pack two months of podcast into one episode.  So whether your mood swings to the raucous sound of LO! and their new album The Gleaners or the more trepidatious approach of The Ocean and their latest Holocene (both coincidentally on Pelagic  Records) Buke and the 9C staff have you covered with what is sure to be a conversation composed of many, many, MANY words.  I mean, it's over three hours long - I'm assuming this is because of the amount of words being spoken but I supposed it could be something else: maybe there's some bird calls?  Smoke 'em if you got 'em...it's another Album of the Month episode of the Nine Circles Audio Thing.9C LINKS: Website | Facebook | Twitter | Instagram

Joey sat down with Sam from Sydney-based Blackened- hardcore band Lo! The two had a chat about their new album 'The Gleaners', getting covered in pink sludge in the name of art, and cock socks.

Hyperblasts reviews new EPs from Scowl, Tribulation, and the split from Fit for an Autopsy, Thy Art is Murder, and Malevolence, and takes in news of Motley Crue's lawsuit, petty KISS drama, and Josh Klinghoffer's sky high self-confidence.Releases:Scowl - Psychic Dance RoutineTribulation - HamartiaFit for an Autopsy/Thy Art is Murder/Malevolence - The Aggression SessionsPowerwolf - InterludiumRise of the Northstar - ShowdownThe Nightmares - SéanceMudhoney - Plastic EternityWorriers - Warm Blankethealthyliving - Songs of Abundance, Psalms of GriefUnderstand - Real Food At LastAnthropophagous - Abuse of a CorpseMidnight Betrothed - Death…My Faithful BrideSunrot - The Unfailing RopeLo! - The Gleaners

Another documentary that brought about mixed results - Agnes Varda's "The Gleaners and I".  (Ian rec “They Shall Not Grow Old” – Adam rec “Remember the Titans”)