Podcasts about Bava

Episode Summary:Menina Fortunato talks with Jessa, a dancer, choreographer, and movement coach, about her journey from Vancouver to Los Angeles. Jessa reflects on how she transitioned from musical theater to dance, highlighting her persistence despite early struggles with technique. She discusses the challenges of moving to LA and obtaining a work visa, underscoring the importance of perseverance and networking in building a successful career.Jessa shares her experiences performing with Ariana Grande at the VMAs and touring with Maluma, offering insight into her role as a movement coach. She explains how she helps artists develop confidence and stage presence, emphasizing the importance of mindset and personal growth. Jessa advises aspiring dancers on maintaining a positive attitude, being persistent, and building genuine relationships within the industry.The episode also explores the importance of mental and physical health for professional dancers, demonstrating how Jessa's story of resilience and passion helped her achieve success in a competitive industry.Show Notes:(0:00) Introduction to Jessa(2:00) Jessa's early dance journey and transition from musical theater to dance(5:30) Overcoming early struggles with technique and finding passion(9:00) The challenges of moving to LA and obtaining a work visa(12:00) Building a strong network and creating opportunities(15:00) Memorable experiences: performing with Ariana Grande at the VMAs(18:30) Touring with Maluma and traveling the world(21:00) The role of mindset in a dancer's career(25:00) Jessa's work as a movement coach and helping artists develop stage presence(28:30) The importance of mental and physical health in the dance industry(32:00) Advice for aspiring dancers on persistence and building relationships(35:00) The power of self-worth and confidence in booking jobs(40:00) Navigating the challenges of the dance industry with resilience(43:00) Building an authentic personal brand in the dance world(47:00) Jessa's advice on standing out in auditions and staying true to yourselfBiography:Jessa Doll is a commercial dancer from Vancouver, Canada, currently residing in Los Angeles. Growing up in Langley, BC, Jessa attended a Fine Arts High School where she majored in Modern Dance and Musical Theatre. In addition, she has travelled all over the world to train in various styles.After graduating, Jessa joined daCosta Talent and worked on numerous tv/film productions in the city of Vancouver. In 2014 Jessa obtained her 0-1 artist work visa for the United States. She is currently represented by Bloc Talent Agency. Her most recent credits as a dancer include; touring the world with Maluma on the 11:11/Papi Juancho World Tour, Grease: Rise of the Pink Ladies, Riverdale, Disney's Freaky Friday, Chilling Adventures of Sabrina, Lucifer, DC Legends of Tomorrow, Nickelodeon's RAGZ, Disney's Girl vs. Monster, Bravetown and Lifetime's Britney Ever After. Commercial credits include: Mountain Dew, L'oreal Paris, Kohl's, Lee Jeans and Erroca House of Brands. Jessa has also worked with artists such as: Ariana Grande, Jennifer Lopez, French Montana, Natalie La Rose, Jesse McCartney, Marianas Trench and Michael Buble. Other credits include: Sport Chek, MAC Cosmetics, American Horror Story, New Balance, etc..Jessa's passion for dance extends to choreography and movement coaching. She has had the pleasure of working with numerous up and coming artists such as Gia Woods, Julia Wolf, Jessie Chambers, Dyln, Rohan, Maxyme, Bava and Ceara Cavalieri. Jessa is also currently a faculty member at Millennium Dance Complex OC teaching heels and jazz funk.Connect on Social Media:https://www.instagram.com/jessicadollhttps://www.facebook.com/jessa.doll.7

Welcome to Giallo season.We've got a great slate of five films queued up this season to dive in and get to know one of Dan's favorite genres. Bava, Argento, and more, oh my!Up first, the OG itself - Blood and Black Lace. Get your detective hat on, friends, it's time to unpack some technicolor murders.You can shoot us an email at whatisamoviepod@gmail.com

Black Sunday (1960), Blood and Black Lace (1964), and A Bay of Blood (1971) There are films by certain directors that are truly iconic—classics of the genre we sometimes assume everyone has already seen. But it's easy to forget that, right now, there are fans just beginning their journey into horror. Whether due to age or a newfound curiosity, they're taking their first steps into the genre. For those unfamiliar with him, we'd like to introduce one of horror's true maestros: Mario Bava. And for those already acquainted with his work, maybe it's time for a revisit—to once again be stunned by what he brings to the screen. If it's been a few years, you may find yourself seeing things in a whole new way. That's one of the beautiful things about cinema. The three films we've chosen highlight important parts of Bava's career and show how his work helped shape entire subgenres—from gothic horror to giallo to the slasher film. Whether you're discovering him for the first time or coming back for a fresh look, these films are a perfect place to begin. One quick correction: Edgar Wallace was a British writer, not American. Films mentioned in this episode: Baron Blood (1972), A Bay of Blood (1971), Black Sabbath (1963), Black Sunday (1960), Blood and Black Lace (1964), Caltiki the Immortal Monster (1959), The Church (1989), Creature with the Blue Hand (1967), Curse of the Crying Woman (1963), Curse of Frankenstein (1957), Danger: Diabolik (1968), The Day the Sky Exploded (1958), Death Walks at Midnight (1972), Death Walks in High Heels (1971), Deep Red (1975), The Demon (1982), Demons (1985), Django Kill…If You Live, Shoot! (1967), Dr. Goldfoot and the Girl Bombs (1966), Dr. Jekyll and Mr. Hyde (1932), Erik the Conqueror (1961), Eyeball (1975), The Four of the Apocalypse (1975), Frankenstein '80 (1972), Frankenstein Island (1981), Friday the 13th (1980), Friday the 13th (1981), The Giant of Marathon (1959), The Girl Who Knew Too Much (1963), The Great Silence (1968), Hatchet for a Honeymoon (1970), Hercules in the Haunted World (1961), Horror of Dracula (1958), Inferno (1980), I Vampiri (1957), Knives of the Avenger (1966), Long Hair of Death (1964), Night Child (1975), Once Upon a Time in the West (1968), Planet of the Vampires (1965), Psycho (1960), She (1965), Shock (1977), Suspiria (1977), Thunderball (1965), The Toolbox Murders (1978), Torso (1973), The Whip and the Body (1963), Your Vice is a Locked Room and Only I Have the Key (1972)

Annamaria Bava"Da Botticelli a Mucha"Sale Chiablese, Musei Reali di TorinoNelle Sale Chiablese dei Musei Reali di Torino, la mostra DA BOTTICELLI A MUCHA. Bellezza, Natura, Seduzione, un viaggio nella seduzione e nella bellezza espresse attraverso il mito, la natura e l'universo femminile, da sempre principali soggetti della creazione artistica.Con oltre 100 opere tra dipinti, disegni, sculture antiche e oggetti d'arte provenienti dai Musei Reali di Torino, dalle Gallerie degli Uffizi e da molte altre prestigiose istituzioni, la mostra spazia da magnifiche statue e bassorilievi archeologici di età romana, passando da Botticelli e Lorenzo di Credi – di cui vengono messi a confronto due incredibili capolavori – proseguendo con opere rinascimentali; un excursus per temi che toccano il mito, il fascino dell'antico, la natura e l'universo femminile, fino ad arrivare all'inizio del Novecento con la seduzione delle opere di Alphonse Mucha, maestro dell'Art Nouveau.Tra i capolavori in mostra, la Venere di Botticelli della Galleria Sabauda e la Dama con l'unicorno di Luca Longhi da Castel Sant'Angelo.La mostra contiene anche preziosi focus su figure femminili straordinarie quali la Contessa di Castiglione, figura emblematica di fine Ottocento, nobildonna di rara bellezza e seducente agente segreto, o ancora principesse e regine di Casa Savoia.Vengono anche svelate, per la prima volta, le indagini diagnostiche realizzate sulla Venere di Botticelli, da cui si potranno scoprire i pensieri e i ripensamenti dell'artista.Contestualmente, ospite d'onore della mostra, lo splendido Volto di fanciulla, disegno autografo di Leonardo da Vinci realizzato tra il 1478 e il 1485 circa, proveniente dalla Biblioteca Reale ed esposto nel nuovo Spazio Leonardo al primo piano della Galleria Sabauda.Prodotta dai Musei Reali di Torino e da Arthemisia, la mostra è curata da Annamaria Bava.Anna Maria Bava, ha conseguito il dottorato di ricerca in Storia e critica d'Arte e il post-dottorato di ricerca in Storia dell'arte moderna presso l'Università di Torino. Nel 1999 è diventata funzionario della Soprintendenza per i Beni Storici Artistici ed Etnoantropologici del Piemonte. Dal 2011 è direttrice della Galleria Sabauda e ha curato il riordinamento dei nuovi settori a partire dal 2017. Ha pubblicato numerosi saggi, in particolare sul caravaggismo, sull'arte piemontese e sul collezionismo sabaudo tra il Cinquecento e il Settecento e ha curato diverse mostre in Italia e all'estero fra cui, tra le ultime, Le meraviglie del mondo: le collezioni di Carlo Emanuele I di Savoia; Van Dyck pittore di corte; Rubens. Capolavori d'arte dei Musei Italiani; Riccardo Gualino imprenditore e collezionista; Sulle tracce di Raffaello nelle collezioni sabaude; Le Signore dell'Arte. Storie di donne tra ‘500 e ‘600; Rembrandt incontra Rembrandt. Dialoghi in Galleria.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Mnoho let je herec a moderátor Aleš Háma součástí zábavních pořadů, a to televizních i rozhlasových. Jeho zatím poslední televizní rolí byla postava Karla Kadlece v seriálu Limity, kde se mimo jiné objevil poprvé bez vlasů. Jak to prožíval? „Opravdu nelpím na tom, jak vypadám, ale byl to pro mě šok. Ráno v koupelně jsem sebou trošku cukl, když jsem se viděl v zrcadle,“ usmívá se.Všechny díly podcastu Host Lucie Výborné můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Mnoho let je herec a moderátor Aleš Háma součástí zábavních pořadů, a to televizních i rozhlasových. Jeho zatím poslední televizní rolí byla postava Karla Kadlece v seriálu Limity, kde se mimo jiné objevil poprvé bez vlasů. Jak to prožíval? „Opravdu nelpím na tom, jak vypadám, ale byl to pro mě šok. Ráno v koupelně jsem sebou trošku cukl, když jsem se viděl v zrcadle,“ usmívá se.