Podcasts about folk horror

1974 was a top year for horror movies and it contains some of the most popular titles of all time. But, what do I think was the very greatest horror movie that came out during 1974? Well, here we have the top 9. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several shots of whisky and a 6 hour running time split over 4 episodes. This is 1974, A Year In Horror.   0.00 - Introduction 15.59 - The worst 10 horror movies of 1974 22.36 - Also Rans (Part 1) 30.46 - Penda's Fen (w/ Niki Jones) 49.41 - Young Frankenstein (w/ Lono)

This week we continue our EOH retrospective with corn rigs, barley rigs, woodlands and all things rural...it's the evolution of Folk Horror, as covered in the third chapter of the EOH book, out now! CW: Conversations about scenes of sexual assault in this episode Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney  Artwork by Mike Lee-Graham Get ad free episodes and weekly bonus content on our Patreon! www.patreon.com/evolutionofhorror  Visit our website www.evolutionofhorror.com  Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Email us!  Follow EOH on INSTAGRAM Follow EOH on BLUESKY Like EOH on FACEBOOK Join the EOH DISCUSSION GROUP Join the EOH DISCORD Follow EOH on LETTERBOXD  

Echoes from the Loam - Clip ClopWelcome to the Premier episode of Echoes from the Loam -  Ghostly Tales and Folk Horror, Where Every Tale Leaves a Mark,There are places where the heather grows tall enough to brush your knees and the pines stand in tight, listening clusters, their trunks dark and straight as watchmen, and if you walk there after sunset you might notice how the air changes, how it thickens with the faint sweetness of moss and the sharper scent of cold earth, how the silence feels less like absence and more like anticipation.  They spoke of her in low tones, the deer‑footed night‑woman, the Baobhan Sith, the one who came when the night thinned, and the moon hung heavy, and the world felt just a little too close to its own bones.Echoes from the Loam - Where Every Tale Leaves a MarkBecome a supporter of this podcast: https://www.spreaker.com/podcast/paranormal-uk-radio-network--4541473/support.

There is said to be a gate somewhere in County Wicklow that whistles whenever the wind blows. It never stays in the same place for long, dogs sense it before people do, and there is one rule that is not always followed: Never open the gate.In The Whistling Gate, Silke Phillips draws on the rich traditions of Irish folklore to weave an unsettling tale of curiosity, superstition, and the terrifying consequences of ignoring old warnings. Atmospheric and quietly chilling, this story captures the feeling that some legends survive because they are true.Author Bio: Silke Phillips is a freelance writer, editor, and translator from Germany who has found a new home in Ireland. In her fiction, she likes to explore the uncanny. In her real life, she enjoys art and crafting, cooking and eating, reading and writing, and her big fluffy dog and husband.LinkedIn: https://www.linkedin.com/in/silke-phillips-1a3945208/Website: https://www.text-und-lektorat-phillips.de/enThe Kaidankai Podcast features original short fiction exploring horror, fantasy, science fiction, and the strange.New episodes every Wednesday.Subscribe on Spreaker, Apple Podcasts, Spotify, or wherever you listen to podcasts.Read the stories at kaidankaistories.comFollow the show:InstagramFacebookBlueskyHave a story you'd like us to read? Send submissions to kaidankai100ghoststories@gmail.com.

We dig into Ben Wheatley's nasty little paramilitary/Folk Horror mashup on the newest installment of Sticks N' Stones, our ongoing discussion of Folk Horror.Watch the visual episode on YouTube: https://youtu.be/mNtaqby1dd0Check out The Horror Vision on Instagram: https://www.instagram.com/thehorrorvision/Join our exclusive Facebook Horror Fan Community: https://www.facebook.com/share/g/18LsUmWw5n/Check out our merch! https://the-horror-vision.creator-spring.com

Send us Fan MailWoHos!This episode we tackle comedies and found that one of the films this week fits this definition. Next time we will be looking at Folk Horror with PUMPKINHEAD from the US & NOVEMBER from Estonia. Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

Check out Cam's latest novel / audio drama here! This episode is one of our 'white whales'. Possum is a bonafide masterpiece of indie horror, one of the most haunting, symbolically-dense, and unnerving movies we've ever seen — and we think we're finally up to the task of analyzing it properly. In this episode we're diving deep into every single one of the film's veiled metaphors: what is the puppet? who is the puppet? what does the title mean? We're also exploring creature design, paradoxical runtimes, genre fusions, and a string of outlandish comparisons ranging from The Babadook to Wuthering Heights. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com 00:00 Intro / Outline 04:07 Second Impressions 11:56 Paradoxical Runtime 17:29 The Babadook 19:44 The Lighthouse 20:20 Hell House LLC 21:14 Wuthering Heights 23:25 Enemy 24:28 Grief Horror 27:00 Folk Horror 28:04 Classic Monster Movies 29:36 Creature Design 36:06 Who Kidnapped the Kid? 40:30 What is the Puppet? 51:44 What Does the Title Mean? 54:58 What is the Fox? 57:27 Punctum 01:01:47 Closing Thoughts

Insieme ad Antonio Buoso parliamo del bellissimo "The Wicker Man" un thriller/horror britannico diretto da Robin Hardy, considerato un classico del genere folk horror.Un poliziotto cristiano e puritano si reca su un'isola scozzese per indagare sulla scomparsa di una bambina. Lì scopre una comunità pagana che pratica antichi riti celtici, celebra la sessualità apertamente e sembra del tutto indifferente alla sua indagine.Un scontro culturale e religioso che, attraverso i due protagonisti/antagonisti: Christopher Lee e Edward Woodward, riesce ancora a generare tensione e inquietudine.Instagram: https://www.instagram.com/tramestrane_podcast?utm_source=qr&igsh=MWhnNm1qcXc5aTdwcA==mail: tramestranepodcast@gmail.com

In the summer of 2026, four Cajun podcasters disappeared in the dark swamps of southern Louisiana while performing a Midnight Ritual of The Blair Witch Project(1999). A few weeks later their audio was found. This is their episode. TNC: https://linktr.ee/thenightclub

As we begin the second half of Folk Horror Summer, we dip our toes into The Virgin Spring, Ingmar Bergman's Academy Award winning movie from 1960. Parallels and themes are emerging and we are beginning to see what makes Folk Horror, Folk Horror.

Fantasia International Film Festival 2026, the 30th edition. This is the annual film festival founded in 1996 and held in Montreal, Canada. It specialises in genre films, including fantasy, horror, science fiction, and cult cinema, and draws over 100,000 attendees each year including Marc Canale and myself, old hand at this now, two years on the trot for A Year in Horror. Once again we've been invited to take part in covering the big one and we can not wait to get stuck in. Today we both offer up our top 5 picks that we can not wait to see during the festival run. Plus a stack of potential greats in our also ran choices.

A woman out for an early morning run encounters something unexpected on a remote hill at the edge of the woods.Inspired by Japanese folklore surrounding the Ubume, this chilling tale blends modern life with ancient fears, asking what happens when ordinary people cross paths with something that should exist only in stories.Atmospheric, unsettling, and darkly imaginative folk horror.Alice Kinerk enjoys writing, reading, and sometimes jogging. She has published dozens of stories. Learn more at alicekinerk.comNarrated by Deborah Sale-ButlerImage: Ubume in the Moonlight by Hokusai. This is one of my absolute favorite works of art. There is so much sympathy for the character in Hokusai's work, and Ubume is a character to feel empathy towards, not enmity. Read the ekphrastic story I wrote about this art here.The Kaidankai Podcast features original short fiction exploring horror, fantasy, science fiction, and the strange.New episodes every Wednesday.Subscribe on Spreaker, Apple Podcasts, Spotify, or wherever you listen to podcasts.Read the stories at kaidankaistories.comFollow the show:InstagramFacebookBlueskyHave a story you'd like us to read? Send submissions to kaidankai100ghoststories@gmail.com.

Send us Fan MailWhat better way to celebrate the 250th birthday of the U.S., than by discussing a movie from the former Czechoslovakia? I do like to be difficult. But it's time for letter V in our little game, which means that we can pay Valerie a visit. Perhaps a somewhat polarizing film these days, we'll share our thoughts, and you can decide for yourself if you would like to spend time with Valerie and Her Week of Wonders (1970)!

In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Professor Paul Robichaud — Professor of English at Albertus Magnus College in New Haven, Connecticut — to discuss his remarkable new book, Stories of the Stones: Imagining Prehistory in Britain, Ireland, and Brittany, published by Reaktion Books on July 6th. Paul is not an archaeologist but a literary scholar, and his book takes a completely different approach to prehistoric monuments: rather than asking who built them or how, he asks what stories people have told about them across the centuries — and what those stories reveal about us. From the earliest Greek account of a possible spherical temple on a northern island (possibly Callanish), through Geoffrey of Monmouth's 12th-century account of Merlin flying Stonehenge from Ireland, through the antiquarian fantasies of Inigo Jones (who decided Stonehenge was Roman and helpfully corrected its geometry to fit) and William Stukeley (who invented the Druid connection that has never entirely gone away), through the Romantics — Wordsworth's visions of human sacrifice, Blake's prophetic paintings, Turner's atmospheric canvases — to the 1970s counterculture, folk horror films, and our own climate-anxious present, the book traces how five millennia of imagining these ancient places tells us as much about the people doing the imagining as it does about the stones themselves. Jonathan and Paul also share their personal favorite prehistoric sites, including Avebury, Wayland Smithy, and — Jonathan's top pick — Castlerigg in Cumbria. Links Stories of the Stones by Paul Robichaud (Reaktion Books, July 6) Stores of Stones - Amazon Stonehenge — English Heritage Avebury — National Trust Wayland's Smithy, Oxfordshire — English Heritage Castlerigg Stone Circle, Cumbria — National Trust Callanish Standing Stones, Isle of Lewis Stanton Drew Stone Circles, Somerset Newgrange, Ireland The Ridgeway National Trail Albertus Magnus College Friends of Anglotopia Club Takeaways The word "prehistoric" didn't exist until the mid-19th century. For most of human history, people encountering these monuments had no framework for understanding them as ancient — they were simply there, part of the landscape, and the stories told about them reflected whatever worldview the storyteller brought: giants, biblical patriarchs, Roman engineers, druid priests, or earth energies. Stonehenge is unique among stone circles not because of its age or size but because of its distinctive architecture — upright stones with lintels resting on mortise-and-tenon joints, clearly intentional and clearly extraordinary. Its location on a relatively populated southern English plain also meant it was seen by far more people across the centuries than monuments in Wales or the Outer Hebrides. The Stonehenge we see today is not how it looked for most of recorded history. Many of the stones that appear upright were raised during restoration work in the 19th and 20th centuries, and the contemporary visitor's experience of a cleaned-up, presented monument is itself a kind of modern imagination of what people thought it should look like. Geoffrey of Monmouth's 12th-century account — in which Merlin magically flies the stones from Ireland to Salisbury Plain as a memorial to fallen British nobles — dominated the medieval imagination for centuries because there simply were no rival stories. With no archaeological framework and no competing account, his version was accepted as genuine British history. Inigo Jones concluded that Stonehenge must be a Roman temple, and helpfully corrected its irregular geometry in his drawings to make it look properly classical. William Stukeley correctly identified the Druids as the likely builders — and then spent decades constructing increasingly elaborate Druidical fantasies connecting ancient Britain to biblical monotheism. Both men are cautionary examples of how we make evidence fit our assumptions. The Druid/Stonehenge association is almost entirely modern — an 18th-century invention that has almost no basis in archaeological evidence. The Iron Age Celts we associate with Druids arrived in Britain centuries after Stonehenge was built. But the association was cemented through repeated reproduction in engravings and illustrations — like a cultural meme — and has proved impossible to dislodge. The Romantics found in prehistoric monuments the perfect embodiment of the Sublime — Edmund Burke's idea of awe and terror in the presence of something vast and unknowable. Wordsworth had what he described as visions of ancient Britons and human sacrifice after being stranded near Stonehenge in a carriage accident; Blake incorporated megaliths into his prophetic paintings; Turner painted Stonehenge in dramatic atmospheric light. These Romantic responses shaped how visitors expected to feel at these sites for generations afterward. Paul's most unexpectedly moving site visit was to Wayland's Smithy in Oxfordshire — a Neolithic chambered tomb accessible via the ancient Ridgeway path. He had it entirely to himself in the rain, found a fresh offering of flowers left by a previous visitor, and experienced the kind of quiet communion with place that Stonehenge, with its crowds and visitor management, rarely allows. Jonathan's personal favorite prehistoric site is Castlerigg in Cumbria — a stone circle set on a hill and surrounded by mountains, relatively unknown and often visitable in near-solitude. Paul's is Avebury, which he recommends over Stonehenge for anyone wanting to actually walk among the stones rather than view them from a distance. Our contemporary fascination with prehistoric monuments is increasingly shaped by environmental anxiety — a need to reconnect with the landscape and with deep human time at a moment of climate crisis and technological acceleration. The stories we now tell about standing stones are as revealing of our own moment as Geoffrey of Monmouth's were of the 12th century. Soundbites "I had one book that had a picture of a druid kind of surfing on a large stone coming into Stonehenge — like he's landing. The idea was that they must have levitated the stones using Earth energies. The 70s was a time when there was a lot of interest in what we call New Age thinking. All that was kind of in the air when I was a kid." — Paul on his childhood introduction to prehistoric Britain. "I'm more interested in what these stories are doing and what they reveal about the people who are telling them. We can get some insight into what these places have meant to people who have visited them and lived alongside them for centuries and even millennia. The stories are interesting in their own right." — Paul on what a literary scholar sees that an archaeologist might not. "Geoffrey of Monmouth claimed to get his information from a mysterious book in Welsh that no one else had ever heard of and has never been identified or located. He was clearly a fabulator. But his account dominated the Middle Ages and kept getting retold all through the Renaissance because there were no rival stories." — Paul on Geoffrey of Monmouth's enduring influence. "Inigo Jones with his very careful architectural drawings, correcting the shape of Stonehenge to make it fit his vision, is a kind of exaggerated form of what we're all tempted to do — which is make things fit our assumptions about the world." — Paul on antiquarian projection. "The controversy around Druids in the 1700s was not whether they conducted their rites at Stonehenge — that was assumed — but whether the Druids were noble philosophers who had a secret wisdom, or bloodthirsty priests using human sacrifice to terrify the population into submission. Stukeley and his friend Borlase fell out over this." — Paul on the 18th-century Druid debate. "You've got a stone circle, you've got a druid there, and they're just always together. It becomes like a meme. And then they're taken up by the Romantics. So it really gets cemented in the popular imagination." — Paul on how the Druid/Stonehenge association became inescapable. "The Romantics find this admiration for the rugged beauty of these sites. Edmund Burke's idea of the sublime — that we experience awe in wild places that provoke a frisson of fear — becomes a kind of defining experience that travelers have at Stonehenge. These sites are viewed through the same lens as Niagara Falls." — Paul on the Romantic discovery of the prehistoric sublime. "I walked from the visitor center and I was glad I did. You see the barrows and the wooded land and then finally, a little bit in the distance, Stonehenge itself. And it really is impressive. You get at least a little bit of that experience of what it must have been like to suddenly see it in front of you in the landscape." — Paul's practical advice for visiting Stonehenge. "I drove up to Wayland's Smithy and I had the place to myself. It was raining, just one of those English drizzles. You walk down this pathway and then all of a sudden this really magnificent tomb is in front of you with standing stones around it. Someone had left an offering of flowers there. It was really beautiful." — Paul on his most unexpectedly moving prehistoric site visit. "As we're living in this increasingly dire moment of climate change, there's a sense of urgency in thinking about our relationship to the landscape. And we live in a time of unprecedented technological change — we spend so much of our time staring at screens. I think this interest in the deep past is something more and more people are developing as a way of connecting to our cultural and human origins." — Paul on why prehistoric monuments still matter today. Chapters 00:26 Introduction — Jonathan introduces Paul Robichaud and Stories of the Stones 02:15 Origin Story — Leonard Nimoy's In Search Of, Usborne books, and a trip to Callanish in 1998 03:42 A Literary Scholar Looks at Standing Stones — What Paul's approach reveals that archaeology alone can't 05:28 Why Britain, Ireland and Brittany? — The megalithic density of northwestern Europe and the span from 4500 BC to 3000 BC 07:42 A Catalog of Monument Types — Burial mounds, menhirs, stone circles, dolmens, earthworks, and what distinguishes them 08:57 The Word "Prehistoric" Didn't Exist Until the 19th Century — How the lack of a framework shaped every story told before it 11:13 Why Stonehenge Above All Others — The lintels, the mortise-and-tenon joints, the location, and the architecture of uniqueness 13:49 Stonehenge Is Not What It Looked Like — Restoration, re-erected stones, and why we see a cleaned-up version 16:33 Avebury vs. Stonehenge — Why Avebury often offers a more powerful experience, and the tip to walk rather than take the bus 18:06 Diodorus Siculus and the Spherical Temple — The earliest possible written reference to a British megalithic monument 20:51 Geoffrey of Monmouth and Merlin — The 12th-century account that dominated the medieval imagination for centuries 23:54 The Welsh Tradition — Arthurian connections, early saints, St. Samson, and the distinct Welsh relationship with prehistoric places 26:04 Old English Anxiety — Giants, barrow demons, Beowulf's dragon, and the fear that ran through early medieval English culture 28:26 The Antiquarians — Inigo Jones decides Stonehenge is Roman and corrects its geometry to fit 31:05 William Stukeley — The genuine archaeological pioneer who invented the Druid connection that has never gone away 36:05 Why Modern Druids at Stonehenge Are Performing a Modern Tradition — And why that doesn't make it meaningless 38:15 The Romantic Imagination — Burke's Sublime, Wordsworth's visions, Blake's prophecies, Turner's light 41:01 Wordsworth's Carriage Accident and the Wicker Man — How personal experience and literary reading combine at these sites 43:38 The Modern Era — Counterculture, New Age, Doctor Who, folk horror, and our climate-anxious present 46:33 Practical Tips for Visiting — Stonehenge, Avebury, Stanton Drew and its pub, Callanish, and what to prioritize 48:33 Personal Favorites — Wayland's Smithy (Paul) and Castlerigg in Cumbria (Jonathan) 51:00 Wrap-Up — Stories of the Stones out July 6 from Reaktion Books Video Version

Today Griffey and Dandino begin to unearth Folk Horror gems this month. We start with what is undoubtedly one of the meanest jaunts into the genre ever in Witchfinder General. They discuss how unlike other Folk Horror this film simply shows men using superstitions to their own benefit, the genius of casting Vincent Price as the Witchfinder, and the nightmarish punishments these poor victims suffer. This is the a pillar of the MESSED UP unholy trinity of British Folk Horror you must see to believe.  Synopsis: During the English Civil War, a young Roundhead seeks vengeance against a vicious witch-hunter and his henchman, who have terrorized the soldier's fiancée and wrongfully executed her uncle. Starring: Vincent Price, Ian Ogilvy, Rupert Davies, Hilary Heath Directed by Michael Reeves Youtube: https://youtu.be/VtDByBWcg8U Help us make our first feature length Messed Up Movie:  https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod

After making his feature film debut with “Sound of Violence” — a unique slasher film starring Jasmin Savoy Brown — Alex Noyer is back with a new horror film rooted in Finnish folklore. Tune in to hear all about making “Love Is the Monster,” how his Finnish background and the country's interpretation of love inspired the story, and the very Jason Voorhees-like incident that occurred at the filming location.“Love Is the Monster” is currently available to rent or buy on Amazon Prime Video.

Noyer on filmmaking, Tax Incentives, Folk Horror, and Directing Love is the Monster What do you do when your folk horror film is deeply rooted in Finnish mythology, but the financing dictates you have to shoot it in Canada? You adapt, you pivot, and you get your movie made. This week on The Filmmakers Podcast, Giles Alderson sits down with returning guest, writer-director, and genre champion Alex Noyer (Sound of Violence) to unpack the production of his latest feature, the creature-feature folk horror Love is the Monster. Starring Madeline Zima and Leonardo Nam, the film follows a toxic couple whose trip to a remote wellness retreat plunges them into a deadly mythological ritual. Alex strips back the curtain on the grueling reality of independent film financing, sharing the exact strategic choices that moved his production across the globe to secure the best tax rebates possible.

This week we timed our third Folk Horror Summer movie to align with the astrological calendar so we watched Midsommar for Midsummer. It was a very interesting movie that really captured the essence of Folk Horror and we had a lot to discuss.

Episode 259: This week we are going metal af, when we cover Panos Cosmotos' drug fueled, dark fantasy, revenge tale, Mandy from 2018. Joined by Rob of The Cinemigos podcast.Make sure to join us next week again, as we fade back with Fade to Black from 1980.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

 **Special Note: Alexandra's current workon view:The Great Mother's Dream: Metamorphosis as Power and Wisdom at Louisa Art Center LA, 7626 Santa Monica Blvd, Los Angeles 5/12-8/17 I'm always delighted when Alexandra Carter returns to our podcast: not only do we discuss some interesting movies, many of which are titles she recommends but we get to spend time in her studio surrounded by her paintings, some works in progress. Alex has an abiding interest in the worlds of the Gothic and Folk-Horror and those are genres which at times appear to have a quite direct relationship to current news and facts in our real world.More on our series “Travels with  With the Dark: Stories from humans in the “Limit-Experienc Series:Our new series concerns real occurrences of human beings when they are brought into or more aptly, up against “limit-experience”, a phrase from French and German philosophers that attempts to describe in the most general way what human beings undergo when they are thrust into situations that push them to their limits and conditions of maximum intensity. While originally this was intended to be a series in the  “True Crime” genre  I wondered to myself if subject and theme could extended outward. It might not even only encompass the most negative aspect of human experience.More on Alex and her beautiful work: Alexandra's Website: https://www.alexandra-carter.comAlexandra Carter (b. 1985, Boston, MA) is a San Diego-based artist whose work explores themes of fertility, maternity, and transformation, often drawing on her upbringing on a cranberry farm in Massachusetts. She holds an MFA from Goldsmiths University of London (2015) and a BA from Rhodes College (2009). Her recent solo exhibitions include Luna Anaïs Gallery and the Middle Room (Los Angeles), the University of Minnesota (St. Paul), and Oolong Gallery (San Diego). Carter has also exhibited internationally, with solo shows at Fusion Gallery (Turin, Italy) and Projecto'ace Foundation (Buenos Aires). She has participated in numerous residencies, including the Kone Foundation's Saari Residence (Finland), KulturKontakt Austria (Vienna), Rogers Art Loft (Las Vegas), Qwatz (Rome), Vice~Versa Foundation (Goa, India), and Graniti Murales (Sicily).Links to recent artist talks & podcast interviews:“The Explosive Female Body: Artist Alexandra Carter's Muse in Birth and Beyond” Interview by Kaitlin Solimine for Postpartum Production Podcast 8 May 2024Alexandra Carter and Christiana Updegraff Artist Talk for their exhibition "Tether," moderated by Alessandra Moctezuma, Oolong Gallery Podcast 2 May 2023Artist Spotlight: Alexandra Carter Interviewed by Rachel Larraine on the Holistic Interior Design Business Podcast 27 April 2023"Cranberry, Fertility, and the Performative Body in Painting" Artist Lecture, Rogers Studio Gallery, Las VegasFrom the Cranberry Farm to the Art Studio, our talk with Alexandra Carter Journey of an Aesthete Podcast 6 April 2022. Flora and Female: Alexandra Carter and Tiffanie Turner Virtual Artist Talk, Lamont Gallery at Phillips Exeter Academy 17 March 2021Artist Lecture for “A Sense of Heat in Her Brain” October 2020#lucaguadanino #horror #dracula #nosferatu #movies #art-horror #folk-horror #gothic #fantasy #religion #christianity #folklore #urban #country #shakespeare #sexuality #motherhood #hamnet #hamlet #tarkovsky #newengland #uk #faith #science #pandemic #aids #publichealth #vampire #monster #musical #belalugosi #garyoldman #franklangella #jackpalance #dancurtis #wescraven #santamonica #losangeles #plymouth #massachusetts #puritans #roberteggars #ariaster #metoo #witch #witchcraft #medicine #grief #birth #death #davidcronenberg #roberteggars #thesubstance #tobehooper #alfredhitchcock 

Send us Fan MailIf you look closely, you might see it. Evil. Is that evil over there in the corner? What about under the bed? Is that evil in the swimming pool? I don't know! What I do know is that in rural Argentina, you might find evil, and then you might not be able to get rid of it, avoid it, or stop it! Because no one is safe When Evil Lurks (2023)!

Si vous nous écoutez depuis quelque temps, vous connaissez certainement notre amour pour la bande dessinée Somna de Becky Cloonan et Tula Lotay. Un concentré de folk horror et d'érotisme, un mélange de genre finalement assez rare dans le paysage de la bande dessinée américaine, qui nous a fasciné (ou du moins, au moins la moitié de ce podcast) pour sa tonalité mais aussi sa splendeur graphique. Ce n'est pas pour rien que l'ouvrage a reçu un Eisner Award de l'autre côté de l'atlantique, et que nous lui avons accordé notre Grand Prix des First Print Awards l'an passé ! Aussi, quand Becky Cloonan est venue ce printemps faire un petit passage en France, il était hors de question de ne pas aller l'interroger !Becky Cloonan est sur First Print !L'autrice et dessinatrice Becky Cloonan a donc pris de son temps pour discuter à nos micros, histoire de revenir sur ses débuts dans le monde des comics, la façon dont elle a enchaîné les projets en mainstream et en indé' pour revenir sur sa collaboration avec Tula Lotay sur Somna. On évoque aussi en fin d'interview son travail sur le terrible La Guerre, fait avec Garth Ennis, et sa conclusion proprement renversante. On parle donc d'horreur, de sexe, et encore d'horreur, dans la bande dessinée bien entendu !Vous pouvez commander Somna par ici !Et La guerre, c'est par là !Si vous appréciez notre travail alors la meilleure chose que vous puissiez faire pour nous est de le faire savoir ! En partageant l'interview autour de vous, en parlant du podcast à vos potes, à votre libraire, à n'importe qui, en rejoignant notre Discord et en nous soutenant via notre Tipeee ! Merci à toutes et tous de votre écoute et à bientôt pour le prochain podcast !Soutenez First Print - Votre podcast comics (& BD) préféré sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Episode 7 and FINALE of our NEW Gundam-inspired mecha campaign, Waltz for Eternity! This brand-new cast of characters are members of a program of mech pilots within the Cavalon Empire! Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is live now on Kickstarter! Become a Backer today at https://avantr.is/neon-rpg-yt  

VYS0062 | Rabbit Trap: Sounds Like a Spell - Vayse to Face with Bryn Chainey - Show Notes In 2025 an independent film was released that blew the minds of experiencers, occult communities and connoisseur's of Weird Stuff alike - that film was Rabbit Trap, a darkly melancholic and hauntingly beautiful meditation on love, trauma and the power of the natural world, both discovered and undiscovered, to brutalise and heal in even measure, with equal ferocity and sometimes even at the same time. The man who write and directed Rabbit Trap was Bryn Chainey and in this episode he talks to Vayse. Bryn guides Hine and Buckley on a journey through the film making process, what inspired him to make this gorgeous and deeply weird film, how he made it look so good, how he made it sound so good, how he got such incredible performances from the the three lead actors and what it means to make a film with heart. And then on slightly more familiar ground for Vayse listeners Bryn talks about what it means to him to be "weird", how fantasy can provide an from reality but can also show a way to see the world more clearly, the power of the genus loci, how music is magic... and why one of his greatest fears is to have "Happy Birthday" sung at him... (Recorded 17 May 2026) Bryn Chainey Links Website Instragram Rabbit Trap - Wikipedia Rabbit Trap Trailer VYS0062 | Rabbit Trap: Sounds Like a Spell - Vayse to Face with Bryn Chainey VYS0044 | For Fear of Little Men - Vayse to Face with Jo Hickey-Hall Fairy - Wikipedia 35 mm movie film - Wikipedia Folk Horror - Wikipedia Welsh horror film shot in England due to smoking ban - BBC News North Yorkshire - Wikipedia The (Not So) Lone Tree | A Photographic Exploration on The Limestone at Malham | Yorkshire Dales - YouTube Wales - Wikipedia Everything You Need to Know About Chaos Magic - The Collector Ghostbusters - Wikipedia The Usborne Book of Ghosts by Christopher Maynard - Goodreads The White People by Arthur Machen - Project Gutenberg Weird Fiction - Wikipedia J. R. R. Tolkien - Wikipedia Brian Froud - Wikipedia Faeries by Brian Froud - Goodreads Genius loci - Wikipedia The Goblins of Labyrinth by Brian Froud - Goodreads Labyrinth - Wikipedia Labyrinth Trailer - YouTube The World of David the Gnome - Wikipedia The secret book of the GNOMES Volume 1 - Goodreads Gnomes by Wil Huygen - Goodreads Donnie Darko - Wikipedia Donnie Darko Trailer - YouTube VYS0019 – It's a Very, Very Mad World: Donnie Darko SideVayse: SVYS001 | Numinous Melancholy QAnon - Wikipedia Moritz and the Woodwose - A short film by Bryn Chainey - YouTube Faerie Morality and Its Influence on Humans - Steph Rae Moran Infrasound - Wikipedia Philippine mythology - Wikipedia Spectrevision Elijah Wood - Wikipedia A Girl Walks Home Alone at Night - Wikipedia A Girl Walks Home at Night Trailer - YouTube Mandy - Wikipedia Mandy Trailer - Youtube Beyond the Black Rainbow - Wikipedia Beyond the Black Rainbow Trailer - Youtube The Color Out of Space - Wikipedia The Color Out of Space Trailer - YouTube Ghost Box Polypores Pye Corner Audio - Wikipedia Wuthering Heights (Andrea Arnold film) - Wikipedia Wuthering Heights 2011 Trailer - YouTube Birth - Wikipedia Birth Trailer - Youtube Under the Skin - Wikipedia Stalker - Wikipedia Sculpting in Time by Andrei Tarkovsky - Goodreads The Modern Fairy Sightings Podcast Gag Order by Kesha - Wikipedia Prince - Wikipedia Billy Corgan - Wikipedia All Filler, No Killer: Ten records from our favourite bands we'd rather forget - Line of Best Fit Lucie Red Jade Croot - Wikipedia Anthony Hopkins - Wikipedia The Silence of the Lambs - Wikipedia The Death of Robin Hood - Wikipedia The Death of Robin Hood Trailer - YouTube Analog Fetishism: Sound Designer Graham Reznick on “Rabbit Trap” - Film Maker Magazine Graham Reznick - Instagram Lucrecia Dalt Daphne Oram - Wikipedia Delia Derbyshire - Wikipedia Suzanne Ciani - Wikipedia Sisters With Transistors - Wikipedia Sisters With Transistors Trailer - Youtube Look Mum No Computer Rosy McEwen - Wikipedia What came first: Music or Language? - Fagotto Books Bowie on Extras - Youtube Loch Ness Monster - Wikipedia Jacques Vallée Joshua Cutchin VYS0054 | You Can't Make An Omelette Without Breaking A Few Egregores - Vayse to Face with Joshua Cutchin On Fairy Stories by J. R. R. Tolkien The Whisperer in Darkness by H. P. Lovecraft The Jim Henson Company - Wikipedia Lucasfilm - Wikipedia Gareth Edwards - Wikipedia Rogue One - Wikipedia Rogue One: A Star Wars Story Trailer The Storyteller - Wikipedia The Storyteller Trailer - YouTube Nicolas Roeg - Wikipedia Don't Look Now - Wikipedia Don't Look Now Trailer - YouTube Walkabout - Wikipedia Walkabout Trailer - YouTube The Witches - Wikipedia The Witches Trailer - Youtube The Man who Fell To Earth - Wikipedia The Man Who Fell to Earth Trailer - YouTube Performance - Wikipedia Performance Trailer - YouTube Sarah meets Hoggle Labyrinth 1986 - Youtube Vayse online Ko-Fi Website Youtube Instagram Bandcamp (Music From Vayse) Bluesky Email: vayseinfo@gmail.comSpecial Guest: Bryn Chainey.

This week we are kicking off Folk Horror Summer with a silent movie from 1922, Häxan. Not only is it about the history of witches but it a piece of the history of movie making and one of, if not the first, Folk Horror Movies.

Bar Talk (our recommendations):Jessica is watching The Assessment (2024, dir. Fleur Fortuné); drinking Evil Twin Brewing Pils: Dandies.Damien is watching DTF St. Louis (2026; TV series); drinking Larceny Bourbon old fashioned with chipotle bitters.Ryan is watching Lee Cronin's The Mummy (2026; dir. Lee Cronin); drinking Campbeltown Journey whisky. If you liked this week's story, read  Voice of the Fire by Alan Moore. Up next: "The Badlands" by John Metcalfe Special thank you to Dr Blake Brandes for our Whiskey and the Weird music!  Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

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Join Alyson for a work of folk horror fiction she wrote in honor of the new spring season. In this episode, we follow Fiona, who has gone to the village of Eldergrove after the death of her aunt, to claim her inheritance of Aunt Erin's cottage. However, this inheritance came with an obligation that Fiona never saw coming. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.