Podcast appearances and mentions of kaiser souzai

This is the breakdown on Roc-A-Fella Records. Founded in 1995 by the trio of Shawn “Jay Z” Carter (the talent), Damon “Dame” Dash (the promoter), and Kareem “Biggs” Burke (the silent partner), it became one of hip-hop's most iconic labels.The label took time to develop. Jay's debut album, Reasonable Doubt, is now seen as a certified classic, but took time to get that recognition. It wasn't until 1997 when Def Jam acquired a 50 percent stake in the label and The Roc went to that next level.Roc-A-Fella then created Rocawear, Roc Films, and went on an unprecedented arena tour across the country — rare for rappers at the time. Other artists like Cam'Ron, Kanye West, Beanie Sigel, and Freeway joined the squad.. Despite the success, the founders grew apart, which led to its infamous split. To break it all down, I was joined by my friend and Jay Z biographer, Zack O'Malley Greenburg. Here's what we covered:1:20 Roc-A-Fella origin story7:21 Reasonable Doubt09:43 Friendly rivalry with Bad Boy Records12:43 50-50 deal with Def Jam15:59 How Roc-A-Fella's deal compared to others18:59 The Hard Knock Life Tour's impact 28:32 Expanding the brand beyond Jay Z 30:32 Why Dame and Jay's split was inevitable38:59 Artists taking sides44:21 Best Roc-a-Fella signing?45:22 Best business move?48:27 Dark Horse move?53:02 Missed opportunity? 59:07 Will Dame and Jay ever make up?1:00:45 Who won the most from Roc-a-Fella? Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblogThis episode is brought to you by Norby, your digital marketing Swiss army knife. Get started for free with a free 2-week trial (no credit card needed) AND get 50% off for 3 months after that. Start your free trial todayThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Zack Greenburg: I think it was really good for hip hop, and I don't think it was ever going to turn violent, but I think again, there was just this kind of like national paranoia around hip hop and, there is, you know, in waves.I think it was just a, good reminder that you can have like a spirited dispute and, it's okay and it's entertainment, you know? and it's, nothing that anybody needs to be afraid of. So, you know, of course like credit to Jay and Nas for resolving it amicably, yeah, I mean just, to have that end, you know, like very amicably I think was just so good for everybody involved. And then, you know, I think it's really fun to watch, Jay and Nas as their relationship has evolved And, you know, Nas was sort of always like the one who was sort of behind, when it came to the business of things.[00:00:46] Dan Runcie Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:01:13] Dan Runcie Guest Intro: This episode is a rewind. We're going back in the clock to the late nineties, early two thousands, and we are revisiting one of. The most iconic record labels at the time, the one and only Roc-A-Fella Records. Roc-A-Fella Records, is the record label started by Jay-Z Dame Dash, Big Burke, and went on to be one of the most iconic hip hop record labels and hip hop brands, and that's a key thing from this conversation.I was joined by my friend Zach O'Malley Greenberg. He wrote Empire State of Mind, a biography on Jay-Z, and he also wrote Three Kings that broke down Jay-Z, Dr. Dre, and Diddy's Business Moves. So he was a perfect person to have this conversation with. We talked about the highs of this record label, the lows, some of the best business moves where Jay-Z and Dame didn't see eye to eye, some of the dark horse business moves that they made.What was the best signing from Roc-A-Fella Records? Missed opportunities and more. If you enjoy the episodes we did on Cash Money and Interscope, this one will be right up your alley and we already know what it is when we're talking about Jay, Dave, and Big. So let's dive into it. Hope you enjoy it.[00:02:17] Dan Runcie: All right. We are back to do another breakdown on one of the most iconic record labels, the one and only Roc-A-Fella records, and I'm joined by someone who wrote the book on one of the most influential people behind this record label. Zack O'Malley Greenberg, welcome back, man.[00:02:33] Zack Greenburg: Thanks for having me on, Dan, as always.[00:02:36] Dan Runcie: Yeah, and with this one, I think it's good to start even before Roc-A-Fella records because this label was a long time coming and there were a number of things that Jay Dame and Biggs, the founders of this record label were involved before this. So set the stage. Where were we pre Roc-A-Fella launch.[00:02:55] Zack Greenburg: Yeah, so, you know, I think a lot of people forget, although Jay-Z is a billionaire now, a couple times over, back in the early nineties, he wasn't even sure that he could make it as a rapper full-time. So, you know, he'd appeared on a couple tracks with his mentor jazz. Oh, this great Golden Age rapper. He had popped up kind of here and there, but, you know, really he was finding that it was much more lucrative to be a hustler.And so he was increasingly making more and more trips outta town to New Jersey and Maryland and so forth doing his thing. And, you know, I think he really kind of saw music as a hobby at that point. so he, he did have, you know, a couple supporters, namely DJ Clark Kent, you know, one of these influential producers, at the time.And, you know, Clark Kent really believed in Jay when a lot of people did it. And so he kind of kept trying to convince him to give another shot, like he could do this as an actual profession, and finally convince him to sort of take this meeting with Damon Dash. So he thought that Jay-Z was this just like once in a generation talent, from the musical side, and that Dame was sort of this promotional mastermind.And then if the two forces kind of united, they could create something really special. So in my book, empire State of Mind, Clark Kent tells the story of how he convinced Jay and Dame to sort of meet up. And so Dame, of course is from Harlem, Jay's from Brooklyn. There's sort of like this New York City snobbery thing going on, you know, Manhattan folks kind of maybe look down sometimes on people from Brooklyn and so they get together and, Dame rolls in.He sees Jay's wearing a pair of Air Force 1s and he is like, okay, this guy's cool, you know, he has good taste in sneakers, so I, can do business with him. and that was kind of like, you know, the initial hurdle was, you know, overcome and off it went. And so they struck up this really productive partnership together where, you know, Dame would kind of, help Jay Z sell, you know, they would go around selling CDs outta the trunks of cars and stuff like that.they were trying to get a proper record deal. and they just didn't have, like, nobody was kinda like really into the whole jay thing at the time. And you know, if you think about the music that he was making, unreasonable Doubt, it's like very nuanced. you know, like a lot of words packed into not very many bars, you know, like the space and the rapidity of the, the flow was like kind of not what was happening at the time in the, you know, by this time like, getting toward the mid nineties.So, basically they decided to go and start their own, and they brought in green Bigs Burke, who was kind of a silent partner, you know, another formidable hustler in his own right. And, you know, so there was the, talent, the silent partner and, you know, the promotion guy.And you know, when their powers combined, they were Captain Planet or whatever they were Roc-A-Fella records.[00:05:42] Dan Runcie: And I think part of the thing with Jay-Z that made this unique was his age at this point as well, because by the time they start Roc-A-Fella, he's already in his mid twenties, which doesn't sound anything unusual now, but back then, the rappers that were blowing up were always teenagers.There were always early twenties. You think about Dr. Dre, everyone from NWA, you think about Nas when he dropped I Maddock or you look at LL Cool J. Everyone is a young cat. So for Jay to then drop his debut album when he is 26, Is an ancient man, a grandfather trying to get into this game?[00:06:19] Zack Greenburg: Yeah, I mean, it's like a 26 year old rookie in, you know, the NBA or in baseball or something.It's just like, you don't see it. I mean, al almost ever. And when it does happen, it's sort of like a journeyman, you know, like role player type but jay, you know, had just packed a lifetime worth of lyrics into this one album cuz he kind of viewed it as, you know, this was like a one and done, like a novelty thing.And, you know, he really fully anticipated, you know, kind of coming up from the underworld, dropping this gem of an album and then kind of like disappearing off into the ether, like Kaiser Souzai at the individual suspects. And that, I mean, that was actually his plan. you know, according to a lot of people who I talked to around the time.So, yeah, it was definitely not sort of the normal path, for creating an album. I mean, I think they thought that. You know, they could put out this album, it would do well and then, you know, maybe they would bring along other artists and he wouldn't have to be sort of at the forefront.Like he might just keep doing his thing on the hustling side or whatever. but obviously things turned out a little bit differently.[00:07:22] Dan Runcie: This album was also a bit of a slow burn from a success perspective. I know that many people now when they're debating the best Jay-Z albums, the best Roc-A-Fella albums.This one's always mentioned as well as a few others that we'll get into. But if you look at the commercial performance for this album, in the beginning, it was not that high. The same week that it came out, the Nutty Professor soundtrack sold more records than Reasonable Doubt. And around the same time, that summer, I'm pretty sure that Shaquille O'Neill's album, cuz he was putting out albums at the time, also sold more than Reasonable Doubt did.So extremely slow burn. And you mentioned something earlier about the hustle that I wanna tap into because this is one of the big value ads that Dame Dash had with this. He was relentless and we've all heard the stories. Many people that have met him have also seen what it's like upfront. A lot of it speaks to his success.But he was someone who was in many ways, notorious for going to the New York radio stations and giving them gifts, understanding, yes, this essentially is payola, but this is what everyone else is doing. This is what the people with the real money in the industry are doing. So he's leading into that as well.And you mentioned Kaiser Associates also makes me think about, there's one of the music videos that Jay had from in my Lifetime, volume one where, I forget which song it was, but the song essentially, you know, the music video essentially was a spoof, odd usual Suspects where he's impersonating the the Kevin Spacey, Kaiser Souzai character on it.Sorry for anyone that hasn't seen Usual Suspects for the spoilers I just dropped there. But there's so many things that I think tie in with that and just stay consistent with who he is at the time.[00:09:08] Zack Greenburg: Yeah, absolutely. And I mean, I think that whole album, you know, the aesthetic was very like, maybe not Kaiser Soze, but, you know, sort of like gangster movie sort of thing and, you know, all the album artwork, you know, it's him and like a fedora and black and white and all that kind of thing.and so, you know, I think that, he's been obsessed with mafia movies for like, his entire life and you don't hear it quite as much, you know, as more recent albums. But he was kind of like living this underworld life at the time. And so I think it really resonated with him and maybe in a way that, that it, it doesn't quite resonate now.[00:09:44] Dan Runcie: And I think too that was in a lot of ways the theme that we saw he did in the nineties. You definitely saw Big Do It, especially in the whole life after death era, right before he passed. And I think there were a few moments that gave him the initial bump. Even after having Reasonable Doubt drop.Jay himself was featured on the Nutty Professor soundtrack because he had the song with, Foxy Brown that was also on his album. And then he's on Fox's album, album a little bit later. Her debut, he's also on, what's the song that Jay oh, David Brooklyn's finest, on Jay's album.[00:10:18] Zack Greenburg: Going back to Callie was on there. Oh my God, what an album. Yeah. But yeah, that was not, I would say Jay-Z got the better end of the collabs. with, the Brooklyn's Finest. I mean, that is a classic. Clark Kent produce that one also. And, you know, that was kind of like, that was another funny story from the book, like, you know, that there was also a bit of a friendly rival, mean, like they were, there were buds and all like, Jay and, and Big, but there was like a little bit of a friendly rivalry between, Jay and Dame and Puff and Big, because I think, you know, like, so the Whole Bad Boy thing was more established, by the time that Roc-A-Fella Records came about, and so I think Puff was kind of like Dame Dash, like another dude from Harlem, are you trying to be me? Kind of thing, you know, and so in order to make that song happen, I think before Jay and Big were friends, Clark kept kind of tricked them into recording the song together. So he was in the session with Big, and then he accidentally played a tape of a track that he had that was just an amazing track and Big was like, that's great.I wanna get on that. and he was like, no, I'm saving it for somebody else. And things like, well, who the hell else are you saving it for? And he is like, my man, Jay, you know, he's amazing. He's a beast. and big's like, I don't who, what Jay who. and so finally like Clark Kent sort of like goded him into, unbeknownst to big, Clark Kent had arranged for like Jay and Dame to be in a car downstairs.And he was like, oh, I think he's actually just coming in. And so he went down and he brought him up and so like Jay went in and recorded his verses, I think right then and there. And he left spaces for Big to put his verses in. and when Big went in and he listened to it, he was like, oh my God, this guy's so good.I have to like, go home and really think about this, about what I'm gonna put in there in the spaces that he left for me. and I think after that they were really good friends. but you know, it's, that kind of like, good nature trickery, shall we say. that, you know, I think some of these circumstances happen when you got some egos in the building and, you wanna make some magic.And, you know, as I recall, you know, for the chorus, Jay and Big had like become fast friends and, so like, they're leaving the studio and Clark's like, you know, on the final day that Biggie came and recorded or whatever, and Clark's like, what should I do for the chorus? And they're like, just scratch something.And that, that was how it happened.[00:12:44] Dan Runcie: Classic. And that's such a New York story, and it's also such a 90s hip hop story in terms of how the industry worked. Having someone like, oh, so-and-so's just downstairs, they're gonna come up right now because you have 'em, man, how people worked. Things classic. And it speaks to where Jay was at the time too, because as we mentioned, reasonable doubt, slow bird took a while for it to get.The respect that it deserves. But then you go to 1997, he has, in my lifetime, and that album also Slow Burn and wasn't necessarily as highly regarded as Reasonable Doubt, but still had some songs. And you could tell that Jay was trying to navigate a few things, whether it was he had the flashy suit ever himself when he had the song Always Be My Sunshine.He's feeling that out. I mentioned he had the Kaiser Souzai spoof music video, but it really isn't until 1998 where things start to change. So a few things happen here. The album Volume Two, Hard Knock Life comes out. That song, Hard Knock Life changes everything for the trajectory of that label, and that's when they start the partnership with Def Jam.So let's talk about the Def Jam piece first. Can you talk a little bit about that one and break it down?[00:13:57] Zack Greenburg: Yeah. So. As I recall, you know, in early Roc-A-Fella they had struck this, distribution deal. I think it was with priority. and you know, reasonable doubt was they had already been selling it on their own, sort of informally out of the trunks of cars.And then priority, you know, was distributing it. But it was kind of a disaster. They weren't paying Jay on time and, or maybe at all, at some point. And so he just kind of went back to 'em and was like, you know, if you're not gonna be paying me, or paying me everything, you're not paying me on time or whatever.Just like give my master's back and get me out of it. and somehow that's what happened. So that freed him up to be able to take this deal with Def Jam, where Def Jam bought a piece of Roc-A-Fella records. but again, you know, because they were buying a piece of it and not signing him to a deal. you know, he continued to own, you know, considerably higher portion of his own copyrights and, you know, possess more of the cash that came in than he would've otherwise. but you know, he already had the success. They already had this apparatus set up, so he had like, you know, he had leverage in a negotiation and I think, you know, even though his second album I think was kind of a dud and he would always, like, he has said in interviews that that's his worst album and the one that he'd like to have back.you know, he had some, heat, you know, with reasonable doubt. And then kind of like coming off the heels of Biggie's death and, being sort of like the heir parent. it was tight with Puffy who produced the second album, you know, for better or worse. But, you know, I think that really gave them sort of the ability to get what they wanted at a Def Jam, which was like, I think part of the reason that first album didn't do so well, and I think it was until fairly recently, his worst selling album, until sort of the back catalog began to catch up. But, what they needed was distribution those days was really important. Like you, you needed, you know, you could have Damon Dash, like Haranging, people at rec, you know, at radio stations all you want.But in order to really have the kind of, you know, national scale, that you need to be a superstar, at least in those days, really wanted to do with the label. So that's what they did,[00:15:59] Dan Runcie: Right, you needed someone that could get 500,000 units to 7,000 distribution points, and there were barriers to entry in order to do that.And yeah, to your point, I don't care how many bottles of champagne you try to give to Hot 97, that's not gonna make that happen without it, right? The thing that I always think about with this ever though, is the terms of this deal, because at least what we've seen publicly was that Def Jam had taken a 50% stake.In Roc-A-Fella records, and it was for one and a half million dollars. And that number always stuck out to me a bit because if you look at some of the other deals that had happened in that era, you had masterpieces distribution deal that he had done with the same priority records that Roc-A-Fella had their deal with.But Master P obviously had a much more favorable distribution deal with splits in his favor. And then similarly, that same year, 1998 Cash money, does their distribution deal with Republic Records? Of course, Def Jam is a different unit and Roc-A-Fella was in a very different place. And we know that Jay-Z had always talked about ownership and it was important to him.But it's a interesting reflection of just where things looked at in the landscape because it's easy to look back in Jay's career in hindsight and think that, oh yeah, his first album was a classic and then Hard Knock Life comes and everything is just up and up. But there was still. hierarchy and there were other artists that were getting more favorable deals, more ownership for their music, for their record labels.And Roc-A-Fella still got something that was somewhat favorable, but still not at the same level of some of those other people in the mid to late 90s.[00:17:40] Zack Greenburg: Yeah, I mean, that's a really interesting point, right? I mean, Jay obviously is this brilliant businessman and, you know, Damon and bigs aren't too shabby either.And yet it was a good deal, but it wasn't, anything like, a cash money or no limit in terms of the splits, and what they were doing. So, yeah, I mean, I think to your point, you know, those other acts, had kind of like a more established operation, you know, Jay was one guy with one album that didn't sell very well, that was kind of critically acclaimed, you know, so it was like A bit more of a risk perhaps, on Def Jams parts, they weren't really risking that much capital on them. So, you know, I mean, and I guess I wonder if that initial deal had been more favorable for Roc-A-Fella, if they had managed, to have, you know, the kind of splits that Cash Money and No Limit had might they have stayed in business together longer? You know, in a way it's like if the pie that you have or like if the one big pie, and, you know, if you're a slice of the pie that you're sharing with your two business partners is that much smaller than it is, than, you know, let's say the Williams brothers were sharing a cash money, you know, maybe you feel, a lot more restless and, inclined to go elsewhere, but we can get to that later.[00:18:59] Dan Runcie: that's a good point too, because if Cash Money is still in business. And we know cuz we recorded that episode not too long ago, but Birdman and Slim are still getting tens of millions of dollars per year. It's essentially a cash cow asset that they have. Def Jam is still collecting for Roc-A-Fella, as is universal. And I know that Jay and Damon Bigs do have their splits, but it's not the same because they eventually did sell the other half of the record label to the parent company Def Jam. I think it was Island Def Jam at the time that that deal happened. But it changes the dynamics a lot. But with the story though, we are getting to the point where Roc-A-Fella is clearly on the way up.And I think there were a few things coming that did set things up for them. But one thing that I think was a big difference maker for them around 1999 was them wanting to go on tour and. Have their name out there. So 1999 they have the Hard Knock Life tour and at this time it was pretty rare for, all Hip Hop Act to have a nationwide arena tour that happened because at the time they had past shows or whether it was at Run DMC shows or other things in the late 80s, early 90s, and cause of violence and because of things like that, all these promoters and all these venue operators were so scared of hip hop.So you had Smoking Grooves and other festivals like that in the mid nineties where they always had to pair you with the R&B actor. They had to have two folks together. I know that Bad Boy had its, arena tours as well, but they always had the R&B acts that were there, so they needed to, they were really trying to do something different.But I think this is where Dame's Magic came to life because he was able to really control the narrative and be out in front with how they were making sure that violence wouldn't happen, whether they had their own security on top of whoever was there. They had the fruit of Islam that was at each of these shows standing there to have the, bodyguards there as present.When the reporters came into the trailers to see what they were doing on tour, there's this iconic video of Tie Tie and he has videos up and this VHS tapes up of, oh, you think we're just watching gangster flicks? No, here we got Goodwill Hunting right here. We got Brave Part, we got as good as it gets.Like we're here watching videos like anyone else. And with that and even, I think they did something that was either, either donating money or something as well cause in Colorado, because they had a show right around the same time that the Columbine shooting had happened there. So there were a few things they'd done there.And I think that tour in a lot of ways helped. Not just the Roc-A-Fella crew, but all the other folks that were associated with them that came along like Red and meth and Ja Rule and others. But then after that, we then saw the Up and Smoke tour. We saw Rough Riders and Cash Money go on tour. And I think that tour in a lot of ways helped propel them into that next level to continue to have a lot of that success.[00:22:06] Zack Greenburg: Totally. And you know, and I think it wasn't necessarily reflected in the bottom line. I mean, I don't remember what the gross was, but, you know, 18 million I think. Yeah. Like Taylor Swift probably grossed that in one show at,[00:22:20] Dan Runcie: I think he made that in two of the three nights at,[00:22:23] Zack Greenburg: Yeah, definitely, definitely over a weekend in the Meadowlands, but yeah, she probably had definitely, let's say, definitely crushed it in her like little weekend did in the Meadowlands. But you know, and so obviously if you're grossing $18 million. You're probably only taking home, you know, 10 of that after cost, maybe like, probably more like, you know, I don't know, seven or eight. and then you're dividing that up amongst however many people. There were a lot of people on that tour for like a fair amount of tour days, so it did not work out to a lot of sort of take home pay per show, but it really kind of opened the door. I think in the aftermath of the death of Tupac, Biggie and like all of this, you know, sort of, like moral panic around hip hop and violence and all of the, you know, whatever Tipper Gore stuff, you know, that this was sort of like a reminder that like, yes, hip hop Acts can go on tour and it's gonna be fine.And like that, you know, that had been done in the past and, run DMC and what have you. But, you know, NWA had gone on tour and, you know, had a big national tour. So there were other examples before, but I think people were like, kind of freaked out about hip hop in the national zeitgeist at the time, and this kind of really helped to kind of reset things. And, you know, opened the door for other rappers, but, you know, for Jay-Z himself down the line, you know, I mean, he's been a really prolific touring act and I think he's always been really clever, about it because, he's like, even now, like he can sell out arenas, but, you know, he's not like, I don't know, he sort of can't necessarily do, he can't sell out stadiums by himself, that's for sure. And there was a time when he couldn't sell out arenas by himself. and there's probably a time when he couldn't sell Amphitheaters by himself, but he always goes around, he brings somebody with him and he's got a really good kind of, level of self-evaluation and he's like, you know, he doesn't let his hubris get in the way of like, I can sell out whatever, whatever.unless he knows he can, you know, he, he's very accurate in that assessment. And if he can't make it, then he just brings somebody with him. He brings Eminem with them. you know, he goes out with Beyonce for the stadium tour. So, you know, Justin Timberlake with him. Yeah, yeah, exactly. Exactly. So in a way, I think that tour was kind of the beginning of that.And, you know, how he could, see some synergies by mixing and matching with other artists[00:24:35] Dan Runcie: And that tour too Hard Knock Life tour. He showed signs of that awareness there. There's this iconic clip when Jay-Z was on the shop a couple years ago and he's talking about the show. This was shortly after DMX had passed away and Jay-Z was going on tour in each of these nights after X and X's shows, you know, he's taken off his shirt, he's doing prayers at the end.So you have people that are laughing, you have people that are crying, then people that are screaming and then they come out and they're like, oh, now you go like pointed to Jay-Z. And I mean, one Jay's storytelling of that is good. When we post this episode, we'll definitely share this clip in there, but two, it showed this awareness that people have spoke about of, and it's also what you're saying, even if he may not have always been the central act and another running thing that people have said over the years, what year was Jay-Z, the top guy in hip hop?And I think that is a very debatable thing, but it's the longevity and that's the thing that speaks to it. And how he's been able to stay through that over the years. And because he was always that core piece, like we said, price is probably one of the reasons that they didn't get a no limit or a cash money type deal.It really was just him. I think there was that one R&B album that Rocefella hadn't released in 1997, but didn't really go anywhere with that artist. So things didn't really pick up until late nineties, early two thousands. And you start to see more of the artists on Roc La Familia, and they're really able to spread their wings in that way.[00:26:10] Zack Greenburg: Yeah, I mean, another thing to remember, at the time, you know, especially, I think it was 98, 99, that was when, you know, Def Jam. So I think Def Jam had already taken a pretty significant, institutional investor, but, they were selling the company or like maybe the remainder of the company or most of the remainder of the company.There's this really, really big deal happening. and I forget which sort of, European entertainment conglomerate was it Bertlesman or It was like, was, something that's since been reconstituted or, or whatever. But the, the deal was gonna happen and you know, the deal was gonna be for whatever multiple of revenue, that Roc-A-Fella had or not Roc-A-Fella, that Def Jam had produced in the prior year.And so for the, I think it was the calendar year of 1999. And so, Lyor and Russell just like leaned really hard on Jay and DMX and they were like, we need you to put out like two albums in 12 months because we're just gonna get a multiple of that. And I don't remember the exact advances that, that were given, but you know, I'm sure it was considerable.And so, you know, they were able to put out like each of them two really killer albums in the span of like about 12 months each. which is like kind of unheard of these days, right? I mean, Jay-Z goes, is like five years between albums now and, I think that was, volume two and volume three for Jay-Z.And I think for DMX, it's dark and.[00:27:38] Dan Runcie: Dark as hell and hot and then flesh and my flesh blood. And then, and those were like, like, and then there was X was the third. Oh, then there was X.[00:27:45] Zack Greenburg: That's right, that's right. So those were like, like two, like for each of them to[00:27:49] Dan Runcie: a year and a half spare albums.[00:27:51] Zack Greenburg: I mean, yeah, back to back, you know, man, like to have that much, sort of creative energy to do it so quickly, and to have it sell so well, I mean, it is quite a feat and you know, and they, personally enriched Russell and Lyor and Rick Rubin, like, I would say quite substantially cuz it just drove up that multiple.And, yeah, I think a lot of people kind of forget, how critical they were, you know, to that process. But it probably also caught thinking like, Why am I working so hard to make somebody else, you know, I'm getting rich, but they're getting wealthy and, I think the gears are continuing to turn for him at that point and he's like, Hmm, how do I kind of get to be more in their position, right?[00:28:32] Dan Runcie: Cuz I think at this time, this is when you start seeing more of the Roc-A-Fella expansions in a few ways. First Dame is already thinking about ways to extend this brand. You see Roc films, Streets is watching comes out in the late nineties and then they put out a whole documentary about the Hard Knock life tour as well.And they start selling that as the DVD Rocawear comes out. And we're gonna do a whole episode about Rocawear eventually, but, you know, Rocawear itself. And then you also just start to see more and more product coming from Roc-A-Fella that isn't necessarily from Jay himself. And I was looking back from a timeline.And this is one of the unfortunate things about Roc-A-Fella, we're gonna get to this, but right around the time they split, you could argue that they were just continuing to go up and up and up with the releases every year. Like this is the 12 month stretch that they had where I think they had the highest products.Starting in February 20th, 2003, you had freeway drops, Philadelphia Freeway, Dipset Drops, diplomatic immunity. Joels has his debut album. Jay-Z drops the Black album, Memphis Bleak drops his, and then top of 2004 Ye drops College Dropout, Young Guns drops their debut. And that's all in a 12 month span.That's some no limit cash, money level of dropping albums. And so there's so many hits and so many memorable songs that they had during that stretch.[00:29:59] Zack Greenburg: Yeah, absolutely. And you know, I think that if, you know, we were talking earlier about the splits and so forth, but it's like, can you imagine. If they had the kind of splits to catch money it had, when you have all those albums coming out and, you know, yeah, I think it really would've changed things.Not only that, but you know, to own the masters of all those artists, which you probably would've in those days. you know, to have like a hundred percent or something close to it on all those artists with all those classics. you know, it would've been very hard to walk away from, you know, as they eventually ended up doing.[00:30:33] Dan Runcie: And I think what you mentioned earlier, probably alludes to this, right? Because if there's enough of the pie to these split between the three founders and everyone else, and they're the one accruing the assets from what they have, then maybe Jay and Dame are more likely to figure out their differences in a way to make things cook because it's working for everyone.But when you're still paying Def Jam in on top of that, or you're still paying island def jam in on top of that universal even more money, it's tough to justify that. And I think this is a good time to talk about the split. The infamous split between Jay-Z and Damon Dash. You could start to see that the two of them were going in different areas where Jay-Z was wanting to be really focused in on what he was doing from a music perspective, wanting to expand there and wanting to just do different creative things.But Dame had his own approach, and we talked a little bit about that with, the films and the sports and other things too. But he also wanted to do things his way. He was starting to get a little bit more spotlight. And then there's that infamous clip of them at Summer Jam 2001, where Dame Dash is in his full element.And Jay-Z's just like expressionless. And that clip is often looked at as like you knew from this moment. That these two just were necessarily gonna be at the same page because this is 2001, Jay-Z's are drop about to drop the blueprint, his masterpiece. And granted, you know, he could have just been in the zone or whatever, but it's definitely an unfortunate thing because granted, Jay-Z was able to reach further heights, but you never know what could have happened.You just look at how much Rocawear ended up selling for you. Look at the continued success, the momentum, and I think what it boils down to is to. People that had different philosophies where it makes it tough. Jay-Z was a bit more focused on wanting to be rich. He was willing to do partnerships with others if everyone could eat and have a piece of the pie. Granted, he still wanted ownership, but as you've written about before, he has his perceptions on underdog brands and how he could move like a private equity executive and make the right investments. And even the m and a deals he's continued to do today, his live nation deal is the element of this.But Dame was a bit more wanting to be king. He wanted to have his stamp on things. And I think you see that even now today with Dame Dash Studios, Dame Dash, this, like, it's very important for him to be able to have his kids and his other folks around him be able to work with him and be the boss, not necessarily wanting anyone to tell you what you can and can't do.And that infamous Breakfast Club interview that they had, I think it was 2015 when he's yelling at DJ Envy and Charlemagne about, well, they gotta report to whoever at Power 105 and that's their manager, that they're not a real boss, is an element of that whole dynamic. So it's frustrating that it happened, but it's also not surprising.[00:33:26] Zack Greenburg: Yeah, I mean, I think, you know, Jay has kind of adjusted his views on ownership and he said recently, I mean, he's sold some of his big brands, or sold half of it into, a JV with like LVMH or you know, or whatever. And he's very much of the mind of like, well, I, you know, 50% of like a billion is a lot more than a hundred percent of, you know, a couple hundred million, and I think Dave, that's[00:33:51] Dan Runcie: that you did with Kevin Hart, right?[00:33:53] Zack Greenburg: Yeah, yeah, yeah, exactly right. So, and I don't remember the exact quote, but maybe you could, maybe you guys can pull it up, but I don't think Dame really ever got that. He was always like, well, I want a hundred percent, you know, and so, you know, he ended up with a hundred percent of like, whatever, you know, seven or eight figure amount that he ended up with.But he could have had, you know, 50% or 30% or something of like billions of many billions probably. But you know, just to kind of like, I think there was a precipitating moment that sort of like was the end of, Roc-A-Fella a s it was, a partnership between the three of them.But it really could have been anything. it was headed that way for a couple of years. And, you know, I think what it comes down to, is that, I don't know. I mean, I think that Jay also recognized that Dame was very, very valuable. The skillset was especially valuable in the come up.And, you know, like when you are not well known, you need somebody to go in and yell at somebody at the radio station. you know, but then when you get there, you need somebody to like not yell at certain people, you know? And, when you get to that next level, and sort of Dame, you know, didn't adjust, To that.And, Damon was sort of Damon or wherever he was. And it was great in one situation, not great in another situation. So I think the precipitating incident was basically when, you know, after this sale, which ironically Roc-A-Fella helped, boost, you know, the Def Jam sale. There was a reshuffling of executives, which is like so complicated.I'd have to go back to that chapter of my book to, to look at it. But the gist of it was the role of president at Def Jam, opened up and, it was offered to Jay-Z. And so, you know, Jay-Z, this is something that he had sort of, it's this like great prestige job. something that he'd always been wanting.And I don't think he wanted it, like, this is my dream job that I've always wanted. As much as it was like, if I can do this, be a CEO, this opens the door to so many other things. And it will really sort of entrench me as not being pigeonholed as an artist. And, it was a no-brainer and of course there was no way to do this without, stepping on Dame's toes.So, you know, there's this whole great drama, and I think, you know, the wheels started turning when Jay-Z was, you know, on, on a yacht in the south of France with like Beyonce and Jimmy Iovine and Bono or something and, kicking it. And, you know, there's some executives there. Some conversations were had, I think at the same time back home, Dame, like elevated camera on to VP level at Roc-A-Fella without consulting Jay.And it was this kind of like big scandal and when Jay-Z came home, he was like, no. And he kind of demoted him. So there was some awkwardness there. but you know, I think then that Jay kinda like accelerated his, push toward this CEO role, and when he got it, it's like, all right, you know, sorry Dave, I'm your boss now.I mean, because of course Def Jam was, but Roc-A-Fella, there was really. There was no way for it not to be structured like that. so, you know, when that went down, of course, like Dame immediately, you know, quit or left or whatever, and, there was a hot minute where he started the Damon Dash Music group within Universal, but, you know, then he kind of like kept doing the same thing and kind of yelling at the wrong people.And, and so that didn't really go anywhere. And, you know, the thing kind of fizzled out and Jay offered to, I think he wanted to give, at the time, he wanted to give, Biggs and Dame, like all of his preexisting masters in exchange for exclusive ownership of Reasonable Doubt. they said no. but of course, you know, I don't know that the Black album had gotten as big, is it?You know, I hadn't like really fully blossomed into what it, what it ultimately was at that time. And there's like all this other, so anyway, I mean, there's a lot of like trades being offered and you know, people sort of like, you know, it's like the guy in your family in football league, your fantasy baseball league.You kinda like overvalue his own players. Think I've made this analogy before, but, dude, come on. Like, you know, you're running back, just got injured and offering you my extra running back for this wide receiver who you're not even music anyway. it didn't really work out.Everybody got all pissed on each other, you know, at the end there's bad blood. so th there's this great moment that Dame talks about how, shortly after all this went down and they're like in the elevator at, I guess the Universal Museum, that Def Jam was housed in. and Roc-A-Fella had been housed in or something.And they're like bumping each other in the elevator and Dame is wearing a state property shirt and Jay C's like in the suit. And Dame's like, man, you know, things are really different now. Like, dude, you changed, you know? so, you know, I don't know if Jay changed so much as like Dame didn't change, you know?you could argue the problem was that Jay changed, but you could also argue that problem is that, that Dame didn't. And, you know, I mean, to some extent like power to him, you know, be you. but Jay, you know, in the way that I think you know, he's constantly changing. He's restless, he's always, everything is a chessboard.He's always evolving, you know, I think ultimately there was no way to stay locked into a partnership with someone who wasn't kind of willing to change with them.[00:38:59] Dan Runcie: One thing you mentioned there made me think about how they think about things and where they are from a strategic perspective, Dame is very much your early stage startup guy.He's great for the pre-seed era. He's great for when you're even in the seed stage, maybe even series A, but once you get to that series B, C, you're starting to get some higher level executives. You're getting more talent, you're gone to bigger things. You can't operate the same way and no different. How those organizations often need to rotate and think about leadership.That's essentially what in many ways was the opportunity there at Roc-A-Fella. And there's nothing wrong with being very successful at that pre precede seed stage. I don't think Roc-A-Fella would've got to that point if it weren't for Dame hustling in many absolutely ways, whether it was on tour radio, and I think a lot of his success traits have been carried through and things we've seen celebrated and leaders in tech and people that do things that don't scale that very much is Dame Dash. That next level, though, is where things did get a little bit tough because the label's clearly getting ready to go to that next level, and they just had their tensions there.The thing that was unique though, about their tensions is that the artists themselves that were on Roc-A-Fellas started picking sides in terms of who they wanted to be with, who they were gonna side with, Jay versus Dame, and as you mentioned, Dame was the one that had elevated Cameron, who was the leader of Dipset at the time, to that VP level.That then brings everyone from dipset under his umbrella, but Ye, who had just dropped the college dropout and he was the one that was always trying to make it. He then signs with Jay, he also has a very memorable interview on the Breakfast Club where they asked him about this, and Ye was the one that was like, me and Dame we're the same. We think the same. This is how we act and go about things but I could learn more from Jay. He knows how to talk to people and he uses Jay's iconic lines. He's like, Jay knows how to move in a room full of vultures. That's just how he is and sometimes I be talking and saying the wrong things, which is a very ironic thing.I don't know if Kanye himself would admit that now, cuz that very much is a self-serving prophecy. I do think that there's a lot of truth in that, and just how things ended up shaking out for both of them. You saw the moves that everyone continued to make, and even though ye has definitely been quite polarizing in the public spotlight, a lot of the moves that he continued to make, whether it was with Yeezy or with the partnerships he's had, I do think stemmed from how he looked up to his own big brother in Jay.[00:41:42] Zack Greenburg: Yeah. And he could have easily gone with Dame, right? I mean, you know, Jay wasn't so great to him early. Jay didn't believe in him as a rapper, he kind of wanted to keep him as a producer and Dame was, I think, the one who really advocated for Kanye as a rapper. but you know, I think Kanye, in his, you know, like more self-aware moments can say things like, oh, I think I could learn more from Jay.He brings something to table that I don't have, for Dame, I think the difference between Dame and Kanye is that they're very similar, in a lot of ways. But Dame isn't an artist. like, let's say a generationally talented artist. And so people will not put up with you if you're an executive. And you bring along those headaches in the way that they would put along, put up with you if you're a generational artist and you bring those headaches. And I think that was sort of like also, something that did Damon. And you know, in a way I think Damon Puff had a lot in common like they can just go in and kind of bulldoze their way into something.but Puff has that, that like other level where he can sort of like turn it up and down and, you know, to fit the situation. and is like more of a chameleon than Dame is. And Dame's just kind of dame all the time. so, you know, those are sort of the, personalized to play. But you know, like one person who gets lost in the shuffle here is Cameron.And because that was sort of the prime of his career that got like, entangled in this sort of higher level beef. but you know, you think about that album, come home with me and Hey man, like, I mean, Cam was really on fire, going into this whole situation. And then he got kind of like, I don't say like exactly lost in the shuffle, but almost lost in the shuffle.You know? and you just kind of wonder how his career would've gone, you know, let's say if, sort of he hadn't been like Dame's guy, you know, if what if he had gone to Def Jam? You know, what would that have looked like? could he have been on the level of somebody who signed? You know, like, I don't know.I mean, around that time, I think, Rick Ross signed a Def Jam, was it?[00:43:41] Dan Runcie: Ross, Jeezy, yeah.[00:43:43] Zack Greenburg: Yeah, like, you know, I think certainly has, you know, comparable ability, Tyler and those guys and, you know, I think both of them went on to have, You know, sort of like more longevity. but like, you know, I think, some of the Dipset classics and some of the solo stuff too, I mean, it's pretty unbeatable.So, you know, I just wonder, he's had a really good career, either way. But like, you know, I don't know that he ever like, broke through that next level, consistently, you know, to the point where he could just kind of stay there indefinitely. And, I wonder if he might have, if things had kind of gone differently in the Jay-Dame scenario,[00:44:21] Dan Runcie: The man had men wearing pink. He started his own fashion. Yeah. Unbelievable. Yeah, that's true. Unbelievable. With that, I think it's a good chance to hit through some of these categories, cuz I think you're jogging my memory the few things here. what do you think is the best signing that happened under Roc-A-Fella?[00:44:39] Zack Greenburg: Well, I guess you can't count Jay if he, you know, co-founded Right Label.But, you know, I'd say probably Kanye. it's hard to top that. And when, you know, when you think about those first few albums, you know, I mean, he brought an element into hip hop, into the mainstream that just wasn't there. and, you know, I don't think, you know, if you hadn't had Kanye, in the pink polo, and you know, talking about his feelings, like, I don't know if you get Drake right.I think that he kind of changed the discourse. he brought hiphop to the mainstream and then he also like brought a different sort of voice to hiphop, And it was fantastically lucrative, obviously, for everybody involved. So, yeah, I agree with Kanye, for sure.[00:45:22] Dan Runcie: Yeah, agreed. And then just given the longevity there, even into the early 2010s, still putting out records under the Roc-A-Fella Records umbrella that still went back to them.And longevity that lasted longer than most of the people that were assigned to that label. So I think it has to be him. Best Business Move made, I know we talked about a few of them, but what do you think is the best business move that to come from the Roc-A-Fella era?[00:45:47] Zack Greenburg: Hmm. I mean, it's funny now that we look at it, I mean, in a way, know, the deal itself that set up Roc-A-Fella was not, you know, it wasn't a bad deal, but it was not the best, move.It wasn't the best kind of financial arrangement. you know, I mean, Rocawear is kind of an offshoot. Maybe that's cheating, but I'm gonna go with Rocawear because I think in some ways they're like, well, we can't get a hundred percent of the money on this thing, so we're gonna create an adjacent brand that's like very clearly associated with it that we can really monetize fully.And you know, I mean they got paid, I mean that, that company was doing hundreds of millions in revenue and they sold it for hundreds of millions. So, you know, I think they made more off of Roca wear, than they ever made off of Roc-A-Fella. So I'll go with Rocawear, we can talk more about it when we do the full Roca too.[00:46:36] Dan Runcie: I know. Yeah. I'd Rocawear as well. I won't go into the company itself cuz Yeah. We'll get into that in the next one. But I do think the good thing about that was it was a precursor to how artists now are thinking about their own revenue, their own business models, right? How they're using streaming, how they're using anything else that gives them a platform.Use that to grow your audience, use that to grow the awareness while generating money for that, establish the base. So some of those other business units were likely more influential, thinking about them doing the deals with Def Jam and then them having the hard knock life tour. But I do think Rocawear was the best business thing to come through there for sure.[00:47:18] Zack Greenburg: And just a s like a subset of that. I think the philosophy that was embodied by Roca wear, you know, the idea of like, they wanted to go Roca wear started because they wanted to go. there, there was this Italian, knitwear brand. iceberg. And they like went to the iceberg offices and said, Hey, can you give us some free t-shirts or something for wrapping about your thing?And they're like, or no, I think they wanted an endorsement deal. They wanted some cash for an endorsement. and then the executives were like, we'll give you some free t-shirts. And, Dave was like, this is stupid. Let's go start our own thing. So, but I think that was really the beginning of, you know, like, I'm not gonna give, free publicity to other brands.I'm just gonna go start my own thing and rap about it. Like other rappers have done it. But, it became so pervasive for Jay-Z's mindset. It wasn't just like, I'm gonna do my own clothing line and I'm sorry, I'm gonna do my own champagne. I'm gonna do my own cognac. I'm gonna try to do my own car.I'm gonna try to do like a freaking video game, you know, he was involved in so many things that kind of sprung from that. so I think the implications were much broader than just, the clothing aspect.[00:48:28] Dan Runcie: Agreed. Next one here is the dark horse business move. So one that we actually haven't talked about, but I do think is one that Roc-A-Fella definitely lead into was the Jay-Z and Nas beef.The controversy that this was able to stem and start, I briefly mentioned Summer Jam 2001, but everything from then and just the drama from there, the two of them back and forth, Jay drop in takeover that, NAS drop in Ether, that whole back and forth was able to then create so much interest. They had all those beef DVDs that were g blowing up in the two thousands, I think largely came up cause of how they were able to reignite beef from essentially the biggest beef that hip hop had seen since Biggie and Tupac several years earlier.Yeah, it was huge and the level of. Bars that I think we're able to get the songs they're able to get back and forth. Just the impressiveness of Nas essentially taking on this whole entire unit by himself. People can debate whether or not who won and lost, whether you're looking specifically from a battle perspective versus who won in the long term.But we eventually see them come together on American gangster and they continue this f familiar relationship ever since. But I do think that this was the height of the time to really sell controversy. Obviously we saw 50 cent and others continue to do that too, you know, their own, putting their own flavor on as well.But I do think that Jay-Z and Nas Beef still was one of the little crown jewels that they had with this.[00:50:05] Zack Greenburg: Absolutely. And, you could tell that it was like there was real enmity there. but also, you know, the fact that it, it never turned violent, I think was just. I think it was really good for hip hop, and I don't think it was ever going to turn violent, but I think again, there was just this kind of like national paranoia around hip hop and, there is, you know, in waves.I think it was just a, good reminder that you can have like a spirited dispute and, it's okay and it's entertainment, you know? and it's, nothing that anybody needs to be afraid of. So, you know, of course like credit to Jay and Nas for resolving it amicably, but man, you know, like just being in New York and that time and like the Barbs going back and forth and man, I think that's the only time that, like a beef has gotten so nasty that, a rapper's mother has like, made him basically apologized for saying something mean, which, I think that was Jay-Z's response to Ether. I think Ether was sort of like the pinnacle of it and Jay-Z's response to it was like, not quite as good, like, how do you top ether? but I think Jay-Z's was just like, viscerally, like, you know, won't get too deep into it because if, Jay-Z had to like, call in to apologize for it, you know, I dunno if we can even talk about it on a podcast.But yeah, I mean just, to have that end, you know, like very amicably I think was just so good for everybody involved. And then, you know, I think it's really fun to watch, Jay and Nas as their relationship has evolved. And, you know, Nas was sort of always like the one who was sort of behind, when it came to the business of things.and then, you know, like he really was music first all the time. And, you know, I think some people thought that he would never really kind of blossom as a businessman, but then, you know, he became sort of the leader, within hip hop entering the venture capital world and, you know, created this great, Queensbridge Venture partners and, you know, invested early and just about every startup you can name and has had all kinds of fantastic exits.And, you know, I think it's so funny that Jay-Z then started MVP, you know, Marcy. So it, it's like definitely like a nod to Nas, you know, each of them naming their venture fund after the project where they grew up. So, I think that's super cool. And, you know, they still like drop these little subliminal, I don't know, like references, where you could tell they're kind of like tweaking each other, just like.You know, like sibling rivalry kind of thing. which is I think, really fun to watch. And, you know, I think that there's some friendly competition around deals and so forth these days. But it's just, it's so fascinating to like, watch the evolution from this real knockdown, drag out, very personal beef, that occurred, you know, to now like, sort of like comparing deal flow.And I think it speaks very positively toward like, the evolution of the business of hip hop.[00:53:03] Dan Runcie: Definitely. You think about things that they wrapped about in their most recent, songs that have been popular, right? Like Nas's song where he calls himself Cryptocurrency Scarface, or Yeah, yeah.Jay-Z. what was that line in God did with Khali where he is like, oh, we had cap tables, not that cap table, or something like that. I mean, he's clearly leading into that stuff. What do you think is the missed opportunity if of any, from Roc-A-Fella besides the split, cause I know we've talked about that, but there any other missed opportunities, especially from that 96 to 03, 04 range?[00:53:37] Zack Greenburg: I think it's Armadale Armadale, like, and you know, that kind of came to be, I think of anybody that was more Biggs's pet project, than Jay or Dame. Although, you know, Jay was kind of trying to make it happen. He would, he had it. If you recalled the MTV Unplugged album, which as actually might be my favorite Jay-Z album of all time. It's kind of cheating cause it's not a studio album, but, it's so good. He's backed up by the race anyway. He's like, some point he's like, I need to stop for some Armadale. I need an army break, you know, he was really trying to shout it out everywhere he could. But already when they started doing that, you know, they were on the outs I think.And, I think Jay-Z wasn't fully invested in it because why would he get fully invested in it? And then another thing that he was partners with Bigs and Damon, I don't think anything against Bigs, obviously. And I think they're totally cool now. And they've, been doing some stuff together more recently.but like, why would he go do that when he could just wait and then do something on his own? But, you know, I mean, Armadale could have been cRoc, right? if they'd done it right, there's no reason that it couldn't have been. I mean, it's the same formula. It's like European unknown, whatever.And then, you know, put it in videos, put it in songs, and, you make it, you know, whatever it's gonna be. And you know, we've seen what Jay has done with Deuce and Armando Biac, so we know he can do it. It's not only Puff who can do it, only a few people who can do it. Levelly can do it, but like Jay and Puff can do it and done it. And Jay could have done it with Armadale, just, you know, At the timing just didn't quite work out.[00:55:03] Dan Runcie: I think Armadale had one memorable shout out from the Jay-Z song. It was, excuse me, miss, right where he is talking about Armadale popping off. but that's also the same song. I think he gave Cristal a pretty big shout out there where he is like, it's not Cristal, it's Cristal, right? But then a couple years later, he is like, no like obviously we're done with Cristal because of, you know, comments, racist comments that the founder or the CEO had said at the time, my missed opportunity is one that highlights something that I think Jay-Z did well, but it probably could have done more of.And that's movie soundtracks. If you ask certain Jay-Z fans, I do think that they have American gangster as one of their top Jay-Z albums, as they should. It's a great album. I honestly think the album's probably even better than that movie is in particular points. But Jay-Z, so that movie, that soundtrack comes out 2007.He missed, I think an entire wave of times when movie soundtracks, in my opinion, were even, were just bigger deals than they are by even 2007 and even later on. And now I think it's very hit or miss that you could even get a soundtrack to that level. But especially during the Roc era. And I know that he had songs that were popular on the, but really being the mc behind an entire soundtrack in that type of way, I think could have been there probably could have been more opportunities to do something like that earlier on.[00:56:26] Zack Greenburg: Oh, I like that's a really deep cut.[00:56:28] Dan Runcie: So a few more things here on Roc-A-Fella, Well, we've seen just continued spats back and forth. Not necessarily jabs, but just comments back and forth between Jay and Dame. It's been nearly 20 years since this split. We've definitely seen more from Dame than Jay, and it's one of those things where it does become a bit sad to see and frustrating to see at times and not be expecting to be best of friends.We have seen Jay-Z say things that are quite complimentary. When he got inducted into the Roc and Roll Hall of Fame, he did shout out both him and Biggs and say, Hey, this wouldn't have happened without either of you, regardless of what had happened, you know, in our past. Gotta give you guys both shouts for that.But then we've also seen Dame say things during the years, and I think he's. Alternated on whether or not he's wanted to speak on them and stuff. But it's one of these things that is a bit frustrating to see because I think about it when I think about NBA players and how they've had issues over the years.Kobe and Shaq, of course, infamously, they continue to talk about each other for years and then eventually they came and they had that sit down chat on TBS, right? Where they're talking back and forth. If they and Dame ever did something like that, they don't even have to go do it on some platform. They could do it on their own thing.It would be box office. It would be great to be able to see that and just see how, then hear them talk things out. Because even another NBA thing, Kevin Garnet and Ray Allen of course said, had their infamous dispute because Ray Allen went to go join the Miami Heat. Kevin Garnet, very intense, hated that that was their rival.But then after Ray Allen had walked past him at the 75th anniversary thing last year, that's when KG was like, okay, what if Ray Allen passes the same way, passes away the same way that Kobe Bryant did? I would, yeah, be very upset with my

** ENGLISH ** Connoisseurs and true fans of TECHNO sound - welcome to the world of the LIQUID MECHANIKA podcast, full of various sub-styles of TECHNO music. From classical and chamber minimalism to HARD and ACID music that breaks space and sound. The cream of mood from world masters, the best hits of the past year and absolutely exclusive fresh releases Inside, everything is as always - by tradition, I accelerate the atmosphere, dynamics and energy both in sound style and in the amount of BPM. 17 tracks in perfect harmony with themselves from the world masters of TECHNO music ** RUSSIAN ** Ценители и настоящие поклонники TECHNO звучания – добро пожаловать в мир подкаста LIQUID MECHANIKA, насыщенного разнообразными подстилями TECHNO музыки. От классического и камерного минимализма, до разрывающего пространство и звук HARD и ACID звучания. Сливки настроений от мировых мэтров, лучшие хиты года минувшего и абсолютно эксклюзивные свежие релизы Внутри всё как и всегда - по традиции разгоняем атмосферу, динамику и энергетику как по стилю звучания, так и по количеству BPM. 17 отлично гармонирующих с собой работ от мировых мастеров TECHNO музыки 00:00 01. Kostas Maskalides - Furnace 04:45 02. Peppelino - Phenomalistic (Celic remix) 07:30 03. Neils Reno - Mustafar (Gaga & Mateo! remix) 11:45 04. Sian - Slay 15:00 05. André Winter & Heerhorst - Time-Out 18:00 06. Kaiser Souzai & Belocca - Adella (Belocca remix) 22:29 07. Eli Brown - Believe 26:27 08. HI-LO - Zeus 30:39 09. T78 & Dino Maggiorana - I Got What u Need 35:01 10. G8 - Wiki Waki Wu (Austin Price remix) 38:31 11. Sascha Audit - Electronic Dance Disability 42:26 12. Nicolas Taboada - Upside Down 46:20 13. Tomy DeClerque - Ruis (Reakson remix) 48:18 14. Tom Wax - On a Mission (CJ Bolland remix) 52:26 15. Thomas Schumacher - Interlinked 56:11 16. John Bayma - Acid Raver 59:04 17. Indecent Noise - Piledriver

Powerful beats on this edition, starting the trip with beautiful melodies taking you in a journey that will make your day, evening or night better Headphones are highly recommended Beats Unlimited presents BRKFSTBLND VOLUME SEVENTY ONE | Progressive Sessions > 1. Fanney Osk Thorisdottir, KURA - Gógó (Lulu Rouge Remix) 2. Mimram, DJ AroZe - Aquatic (Original Mix) 3. Ben Kim - Somebody To Love (Gorgon City Remix) 4. Melody Stranger - Signs (Original Mix) 5. Space Motion, Haze-M - Ariahy (Original Mix) 6. Morttagua - Arcturians (Original Mix) 7. Kaiser Souzai, BONDI - Suddenly Gone (Original Mix) 8. Maty Owl - Alchemy (Original Mix) 9. Alex Macris - Injection (Original Mix) 10. Uncloak - Hollow (Morttagua Remix) 11. Onder & Selcuk - Hiraeth (Original Mix) 12. Alex Macris - Equilibrium (Original Mix) 13. Tali Muss, Teklix - Heyecan (Original Mix)

Soundzrise 2017-07-06 (by VINYL CONVENTION) 1.CAMELPHAT,ELDERBROOK "COLA" DEFECTED 2.CHUS & CEBALLOS,DJ CHUS,PABLO CEBALLOS,RAFA BARRIOS "NOW OR NEVER" STEREO PRODUCTIONS 3.RIVA STARR,DENNIS CRUZ,GENE FARRIS "PLAY" SNATCH ! RECORDS 4.JOESKY FT JIMMY LOPEZ "THE ORISHAS" MAYA 5.ROUTE 94 "HOUSE E PRESSURE" HOT CREATIONS 6.JOESKY "MAGIC BUBBLES" NERVOUS 7.LANDMARK "JUST A MINUTE" GLASGOW UNDERGROUND 8.CAMELPHAT "THE SYSTEM" TOOLROOM 9.KAISER SOUZAI & ROLAND CLARK "RAKOON"(LUCA GUERRIERI REMIX) NATURA VIVA 10.LUCA GUERRIERI "HAVE A GOOD TIME" CLAPS RECORDS 11.KADEBOSTANY "MIND IF I STAY" (LUCA GUERRIERI REMIX) ENERGY 12.LUCA GUERRIERI FT RACHEL K COLLIER "KIDNAPPED (OHI) " D:VISION RECORDS 13.GIORGIA ANGIULI "HIDDEN GARDEN"

Heinrich & Heine isn't only a passionate music enthusiast, but one of the most fastest rising electronic acts in Germany. A long time dj with a successful story for a musical lifestyle. Within a very short period of time he made himself a name in the local Techno scene of Hamburg, and later on also across Germany and even Europe. Probably his biggest milestone is the residency at BKI:Kiezinternat, one of Hamburg's most renowned clubs directly in the heart of the world famous red-light district. Since 2010 he spread his message and the good vibes from this place to be. After lots of releases on several national and international labels, he realised, that his music had even more potential, so he decided to found his own label called Amber Recordings, where he release amazing Techno and Tech-House tracks and only a short time after that, Amber Blue Recordings followed, focusing on melodic and deep House music.                 Never being tired of the business, he always want to give something back to his fans, not just with his energetic and powerful DJ sets or with his driving and pumping productions, he also release quite some good podcasts or throw so-called “Private Pool Sessions” – he don't just produce or play music – he is living and breathing dance music. You wanna hear some name dropping? No problem: He played celebrated sets alongside big names and scene heroes like Simina Grigoriu, Perc, Gayle San, Stefano Noferini, Marika Rossa, Max Bett, Sascha Sonido, Spectre, Affkt, Paride Saraceni and many many more. And he released on labels such as Der Turnbeutel (by Oliver Schories), Jannowitz Records, Redrum (by Dema), Ballroom (by Kaiser Souzai), Kuukou (by Simina Grigoriu), GuessWhat Recordings (by Hansol), Natura Viva, Mangue Records, Patro De Musica (sublabel of Damm Records), Audio Safari, Ton Liebt Klang, Mad Mad Hatter (by Fran&Co) and of course on his own labels Amber Recordings and Amber Blue Recordings. You should have an eye on this guy. There are some more great things coming up…

Joyce Mercedes Live Streaming 20210402. Expect to hear tracks from Rebuke,Teenage Mutants & Heerhorst, Kevin Witt , Kaiser Souzai, Horisone, Luis Miranda and RSRRCT The finest techno tunes. Mixed with Elégance & Souplesse.. #joycemercedes #techno #technomusic #dj

#weekenDANCE #sergey_baribyn #gamma Каждую субботу в 22.00 (Мск) радио-шоу о клубной электронике WeekenDance на Севастополь FM . Первый час наполнен новинками из рекорд-бокса Сергея Барыбина , второй час гостевые селекции от актуальных диск-жокеев России. (Новостная лента от imixed.news) Mix -1 01.Aiwaska - Darkness (Patrice Baumel Remix) 02.Sebastien Leger - Stevie 03.Moby - Porcelain (Timo Maas James Teejs Broken China Dub) 04. Ed Ed - Lilly (My Love Is Away) 05.Gav Memnos - Be Your Oooo (Gavin Herlihy's Rhythm Lover Remix) 06. Bicep feat. Clara La San - X 07.Aaron Suiss - The Process 08.AFFKT - Fanfarra (Damon Jee Remix) Mix-2 01. Final Request - Stellar (Original Mix) 02. Maurice Kaar - Holy Ground (Original Mix) 03. Baime - In the Dark (Original Mix) 04. Kaiser Souzai & AlBird - Daedalus 05. The YellowHeads, Rebel Boy, Sam WOLFE - Adrenaline Machine 06. AQUO & Pastiche - Black Lights (Original Mix) 07.Matheus Castro, Pedrada - Dawn Temptations 08. Robert Babicz - How To Run Away From Yourself 09. Brigado Crew, Crisstiano - Bembe 10. Thomas Schumacher - On-Off 12. Kostas Maskalides- Time Traveller (Original Mix)

#weekenDANCE #sergey_baribyn #gamma Каждую субботу в 22.00 (Мск) радио-шоу о клубной электронике WeekenDance на Севастополь FM . Первый час наполнен новинками из рекорд-бокса Сергея Барыбина , второй час гостевые селекции от актуальных диск-жокеев России. (Новостная лента от imixed.news) Mix -1 01.Aiwaska - Darkness (Patrice Baumel Remix) 02.Sebastien Leger - Stevie 03.Moby - Porcelain (Timo Maas James Teejs Broken China Dub) 04. Ed Ed - Lilly (My Love Is Away) 05.Gav Memnos - Be Your Oooo (Gavin Herlihy's Rhythm Lover Remix) 06. Bicep feat. Clara La San - X 07.Aaron Suiss - The Process 08.AFFKT - Fanfarra (Damon Jee Remix) Mix-2 01. Final Request - Stellar (Original Mix) 02. Maurice Kaar - Holy Ground (Original Mix) 03. Baime - In the Dark (Original Mix) 04. Kaiser Souzai & AlBird - Daedalus 05. The YellowHeads, Rebel Boy, Sam WOLFE - Adrenaline Machine 06. AQUO & Pastiche - Black Lights (Original Mix) 07.Matheus Castro, Pedrada - Dawn Temptations 08. Robert Babicz - How To Run Away From Yourself 09. Brigado Crew, Crisstiano - Bembe 10. Thomas Schumacher - On-Off 12. Kostas Maskalides- Time Traveller (Original Mix)

Like the Track? Click the [Repost] ↻ button so more people can hear it! Follow us on Soundcloud: @nudetechno Want more music? Subscribe to our Youtube Channel - http://bit.ly/nudetechnoyoutube Support the Channel with our NUDE T-Shirts - https://nudetechno.teemill.com/ Soundcloud: https://soundcloud.com/nudetechno Mixcloud: http://mixcloud.com/nudetechno Techno Spotify Playlist: http://goo.gl/Dw8wpM Facebook: https://www.facebook.com/nudetechno NUDE is a sub-brand of Data Transmission focusing on Techno

The weekly 50:HERTZ Radioshow is hosted by KIND OF ONE, MITCH DE KLEIN, DAVID LEESE, KEVIN HELMERS, STEVE MULDER & PRECURSOR. The show is broadcasted on Tuesday nights on DI.FM (6pm >> 8pm CEST), Thursday nights on Deep Radio (NL - 8pm >> 10pm CEST) and on Friday nights on Diesel FM (Washington, USA - 6PM >> 8PM EST). Powered by Airborne Black & Vision Acoustics they're taking their edge on techno all over the world, uniting people and making new things possible. 1st Hour : Steve Mulder Studio Session 01. Tony Romanello - Nebula [@airborneblack] 02. Kostas Maskalides - Universal Vibrations [@phobiqrecordings] 03. BolsteR - Eccentriciy [@respektrecordings] 04. Superstrobe - Reset [@codexrecordings] 05. Ugur Project - Dance On [@phobiqrecordings] 06. Chris Veron - Forget About The World [@orangerecordings] 07. Julien Earle - Dark Nights [@respektrecordings] 08. Skober - Modulator [@numenrec] 09. Space 92 - 2049 [@sixteenofive] 10. BolsteR - Compound Movement [@respektrecordings] 11. John P - Flashes [@orangerecordings] 12. Kaiser Souzai, FAC3OFF - My House [@ballroomberlin] 13. Tony Romanello - Darkscapes [@airborneblack] 14. John P - Emma [@orangerecordings] 2nd Hour : KUSP (UK) 01. KUSP Ft THEO NASA - Getting Deep 02. Silicon Scally - Dormant 03. KUSP - CTRL 04. Hioll - Pagan Tools 05. JLTZ - Drift 06. PDRO - NAcht 07. Fadi Mohem - Moving on 08. MSDMNR - Let you disappear 09. KUSP - ID 10. D.Dan - Mutant Future 11. Royskopp - This is it [KUSP EDIT] 12. Robert Hood - Ignite a war 13. KUSP - Warehaus 14. Phara - Me at play 15. Vil - 97-1 16. BK - Revolution Follow Steve Mulder (@steve-mulder) info@stevemulder.com www.stevemulder.com facebook.com/djstevemulder instagram.com/steve_mulder/ twitter.com/stevemulder youtube.com/djstevemulder beatport.com/artist/steve-mulder/63773 Follow KUSP (UK) [@kusp_official] www.facebook.com/KUSPofficial www.instagram.com/kusp_official Follow All The 50:HERTZ Hosts: @kindofone // @djdavidleese // @mitchdeklein // @kevinhelmers // @steve-mulder // @precursornl Follow 50:HERTZ facebook.com/50hertz.official @50hertz-radioshow Follow Airborne Black: [@airborneblack] www.airborneblack.lnk.to/Socials Follow Vision Acoustics: www.visionacoustics.nl facebook.com/VisionAcoustics/ instagram.com/vision_acoustics/ Follow DI.FM: www.di.fm Follow Deep Radio: www.deep.radio www.facebook.com/digitallyimported/ Follow Diesel.FM: www.diesel.fm diesel.fm/technoplayer/ facebook.com/DIESELFM twitter.com/Diesel_Fm @dieselfmradio

SM KERIM - Under The Northern Sky (21#01) ++ Music for your mind, your body and your soul ++ ++ 3h Progressive / Hypnotic / Melodic House ++ ++ more infos - follow me here: www.facebook.com/smkerim ++ Tracks and Remixes by: Alexander Metzger, Hans Zimmer, Black 8, Stereo Underground, Antrim & Interaxxis, Steve Fokas, Dmitry Molosh, Monuloku, Nicolas Rada, Brian Cid, D-Nox & Stan Kolev, WhoMadeWho & Michael Mayer + Perel, Timo Maas, James Organ, D-Nox & Baya, Simply City, Super Flu, Kaiser Souzai, Superstrobe, Lopezhouse, Pablo Fierro, Magdalena, D-Nox & Gai Barone, Dabeat & Kamilo Sanclemente, Paradoks, BLANCAh, Innure, Jordan Gill, Tim Penner, Simos Tagias, Binaryh, Robert Babicz, Jerome Isma - Ae, Johannes Brecht & Fetsum ...

1. Andrea Signore – 1978 2. Juheun – Spacetime 3. Juheun – Starship 4. F.R.E.D – Trickster 5. Kaiser Souzai, FAC3OFF, One Six 6. Martin Kinrus – Entrance 7. Christian Nielsen – My Turn 8. Celic – Travelling 9. Spartaque – Do It 10. Martin Kinrus – God Complex 11. Charles D, USA – You 12. Sian, Sacha Robotti – Horizontal 13. Alan Fitzpatrick, Rebuke – Ultimate Distortion 14. Anfisa Letyago – Aviva 15. Karim Alkhayat, DREIAN 16. F.R.E.D – Liquid Plastic Photo by de-an-sun & JNT

The weekly 50:HERTZ Radioshow is hosted by MITCH DE KLEIN, FULL ON FUNK, DAVID LEESE, KEVIN HELMERS, STEVE MULDER & PRECURSOR. The show is broadcasted on Tuesday nights on DI.FM (6pm >> 8pm CEST), Thursday nights on Deep Radio (NL - 8pm >> 10pm CEST) and on Friday nights on Diesel FM (Washington, USA - 6PM >> 8PM EST). Powered by "Vision Acoustics" they're taking their edge on techno all over the world, uniting people and making new things possible. 1st Hour: David Leese (@djdavidleese) 01. Yan Cook - Worm (Original Mix) [Planet Rhythm] 02. Kmyle - Misanthrop (Original Mix) [Planet Rhythm] 03. Setaoc Mass - Neo-noir (Original Mix) [SK Eleven] 04. Linear Search - Helix (Original Mix) [Eternal Friction Records] 05. Pfirter - Tomorrow (Original Mix) [Mindtrip] 06. Nika An - Ouroboros (Original Mix) [Gigantesco] 07. Abstract Division - Immersion (Original Mix) [Dynamic Reflection] 08. Setaoc Mass - Don’t come and find me (Original Mix) [SK Eleven] 09. Kwartz - Pattern execution (Original Mix) [Polegroup] 10. Lewis Fautzi - State of pressure (Original Mix) [Soma] 11. Kwartz - Balance of power (Original Mix) [Polegroup] 12. Kaiser - Driving in a fast tool (Original Mix) [Planet Rhythm] 13. Kessel - Seed state (Original Mix) [Granulart] 14. Yan Cook - Tidal disruption (Original Mix) [Cooked] 2nd Hour: Bass Collectors (@basscollectors) 01. Demon Noise - Distance (Original Mix) [Reload Records] 02. Globurst – Whats Done Is Done (Original Mix) [Sound Dissonance] 03. Steve Sai – Turbine (Alberto Ruiz Remix) [Trigonometryk] 04. Massimiliano Lai – Liquid Sociteiy (Original Mix) [Reload Black label] 05. Mushroom Cake, Peerk – Runaterra (Ignacio M. Remix) [Homesick Music] 06. Mauro Somm - So Much Of What I Want (Original Mix) [IAMT] 07. Dok & Martin, Kuvoka – Interstellar (Original Mix) [Set About] 08. Space 92 – Humans and Robots (Original Mix) [Codex Recordings] 09. Andrea Signore – Coma (Original Mix) [Made In Brussels] 10. Kaiser Souzai, Fac3OFF – House (Original Mix) [Ballroom Black] 11. Childov – His Call (Original Mix) [IAMT] 12. Shaun Moses – Realm Of Mystery (Original Mix) [Tronic] 13. Cosmic Boys – Actaris (Original Mix) [Legend] Follow Bass Collectors: facebook.com/basscollectors facebook.com/technostateinc mixcloud.com/basscollectors instagram.com/basscollectors residentadvisor.net/profile/basscollectors beatport.com/artist/bass-collectors/696950 amsterdam-dance-event.nl/artists/bass…tors/5151697 @basscollectors Follow David Leese: facebook.com/djdavidleese twitter.com/djdavidleese instagram.com/djdavidleese vimeo.com/djdavidleese youtube.com/davidleseman info@djdavidleese.com @djdavidleese Follow All The 50:HERTZ Hosts: @full-on-funk // @djdavidleese // @mitchdeklein // @kevinhelmers // @precursornl // @steve-mulder Follow 50:HERTZ facebook.com/50hertz.official @50hertz-radioshow Follow Vision Acoustics: www.visionacoustics.nl facebook.com/VisionAcoustics instagram.com/vision_acoustics Follow DI.FM: www.di.fm www.facebook.com/digitallyimported Follow Deep Radio: www.deep.radio www.facebook.com/DeepRadioNL Follow Diesel.FM: www.diesel.fm diesel.fm/technoplayer facebook.com/DIESELFM twitter.com/Diesel_Fm @dieselfmradio

01. Mac x Groove - What s That Sound (Original Mix) 02. Wearebrut - Military Game 03. Marshall Jefferson - Move Your Body (twoDB Remix) 04. Amorhouse - My Body 05. TheDjLawyer - Oh Baby (feat. Tawnie) (Original Mix) 06. Boris Brejcha - Babamba 07. Joachim Garraud - Le laboratoire 08. Galoski - Got Me Feeling (Original Mix) 09. U.S.U.R.A. - Open Your Mind (Socievole x Adalwolf Bootleg Remix) 10. Moguai, Tim Hox, Lionshead - Blue Monday (Extended Mix) 11. Asem Shama - Proximity (Original Mix) 12. Emmanuel Top - Acid Phase 13. Kaiser Souzai, FAC3OFF - My House 14. Joachim Garraud - 3acid3 15. Valentino Khan - Deep Down Low

01. Mac x Groove - What s That Sound (Original Mix) 02. Wearebrut - Military Game 03. Marshall Jefferson - Move Your Body (twoDB Remix) 04. Amorhouse - My Body 05. TheDjLawyer - Oh Baby (feat. Tawnie) (Original Mix) 06. Boris Brejcha - Babamba 07. Joachim Garraud - Le laboratoire 08. Galoski - Got Me Feeling (Original Mix) 09. U.S.U.R.A. - Open Your Mind (Socievole x Adalwolf Bootleg Remix) 10. Moguai, Tim Hox, Lionshead - Blue Monday (Extended Mix) 11. Asem Shama - Proximity (Original Mix) 12. Emmanuel Top - Acid Phase 13. Kaiser Souzai, FAC3OFF - My House 14. Joachim Garraud - 3acid3 15. Valentino Khan - Deep Down Low

01. Mac x Groove - What s That Sound (Original Mix) 02. Wearebrut - Military Game 03. Marshall Jefferson - Move Your Body (twoDB Remix) 04. Amorhouse - My Body 05. TheDjLawyer - Oh Baby (feat. Tawnie) (Original Mix) 06. Boris Brejcha - Babamba 07. Joachim Garraud - Le laboratoire 08. Galoski - Got Me Feeling (Original Mix) 09. U.S.U.R.A. - Open Your Mind (Socievole x Adalwolf Bootleg Remix) 10. Moguai, Tim Hox, Lionshead - Blue Monday (Extended Mix) 11. Asem Shama - Proximity (Original Mix) 12. Emmanuel Top - Acid Phase 13. Kaiser Souzai, FAC3OFF - My House 14. Joachim Garraud - 3acid3 15. Valentino Khan - Deep Down Low

Rising star, Shay De Castro takes over Voyager Mix Sessions this week and delivers an exclusive guest mix, blending dark driving grooves, melodic synths and rattling percussion with dramatic and atmospheric breakdowns that erupt with devastating force. Featuring her brilliant upcoming remix of Andy Mart's ‘Somebody Scream' on Gain Records and a newly completed track yet to be named, you'll be transported into a different dimension. ➤ Soundcloud : @shaydecastro ➤ Instagram : instagram.com/shaydecastro ➤ Facebook : facebook.com/DJShaydeCastro ➤ Beatport : beatport.com/artist/shay-de-castro/710610 ➤ Spotify : open.spotify.com/artist/0v9G2owf4WLwxKH95hc9gQ Based in Los Angeles, Shay De Castro is beginning to make her mark within an ever evolving industry and has become one of the Unites States' hottest techno exports. With an abundance of prolific releases featuring on iconic labels such as Bitten, Codex Recordings, Funk'n Deep Records, Le Club Records, Prospect Records, Renesanz and Respekt Recordings, she's gained support from the likes of Adam Beyer, Amelie Lens, Enrico Sangiuliano, Oscar L, Ramon Tapia and Veerus. Her creations frequently chart within the Beatport's Top 20 and show no signs of letting up. Shay De Castro's productions and ability to move a crowd have given her the opportunity to perform at several top venues around the globe and share the stage with the unmistakable Deborah De Luca, Durtysoxxx, Skober and Spektre. As she continues to grow and develop her style, Shay De Castro is in the forefront to become a leading artist within the industry. Tracklist: 01. Kaiser Souzai, FAC3OFF - My House | Ballroom Black

Wie schaut die Zukunft des Berufes DJ aus? Was bedeutet Corona für Markus Binapf, für Kaiser Souzai und für seine Kollegen? Über dieses nicht ganz einfache, aber sehr aktuelle Thema spricht Markus im vierten und letzten Teil dieser Serie. “Es wird weiter gehen! So oder so. Die Welt hört sich nicht auf zu drehen!” Danke Markus! EDM komponieren: Basics der elektronischen Musik: https://amzn.to/39q8RDS Lecton: https://lectonapp.com/de/ Podcasts-Distribution: http://fogel-podcasting.de .tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px} .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}

Get Connected with Mladen Tomic - 104 - Guest Mix By Kaiser Souzai - Live Rakete 2020 Mix Kaiser Souzai Beatport: https://www.beatport.com/artist/kaiser-souzai/10992 Soundcloud: https://soundcloud.com/kaiser_souzai_berlin Facebook: https://www.facebook.com/WhoIsKaiserSouzai Watch on Youtube: https://www.youtube.com/user/DjMladenTomic Soundcloud: https://soundcloud.com/mladentomic/sets/get-connected-with-mladen Subscribe on itunes: https://itunes.apple.com/us/podcast/mladen-tomic/id1438315512?mt=2 Mixcloud: https://www.mixcloud.com/MladenTomic/ Deezer: https://www.deezer.com/show/379382 http://www.djmladentomic.com

Get Connected with Mladen Tomic – 104 – Guest Mix by Kaiser Souzai – Live Rakete 2020 Mix SOUNDCLOUD MIXCLOUD YOUTUBE DIFM DEEZER

“Um als DJ Erfolg zu haben, sollte man unbedingt seine eigene Musik produzieren.” In dieser Folge erzählt uns Markus Binapfl alias Kaiser Souzai wie er Musik produziert: Mit welchem Programm, welchen Plugins und wie er dabei genau vor geht wird er in dieser Folge verraten. Auf Mugent könnt ihr gratis Samples für Eure Tracks downloaden: www.mugent.com EDM komponieren: Basics der elektronischen Musik: https://amzn.to/39q8RDS Lecton: https://lectonapp.com/de/ Podcasts-Distribution: http://fogel-podcasting.de

In dieser Folge unterhalten sich Markus Binapfl alias „Kaiser Souzai“ und Thomas Foster über die Technik, die man braucht, um als DJ Musik aufzulegen. Welche Rolle spielt heute Vinyl? Warum legen die meisten DJs mit CD-Playern auf? Was können die heutigen DJ-Programme noch mehr? Und was wird die Zukunft bringen? Diese Themen besprecht Thomas mit DJ Markus Binapfl. Hier gehts zur Homepage von Kaiser Souzai: www.kaisersouzai.com EDM komponieren: Basics der elektronischen Musik: https://amzn.to/39q8RDS Lecton: https://lectonapp.com/de/ Podcasts-Distribution: http://fogel-podcasting.de

Markus Binapfl alias „Kaiser Souzai“, sollte es wissen, denn er hat in über 40 Ländern seine Musik aufgelegt. In der ersten Folge erzählt uns Markus, wie er angefangen hat Musik zu machen, und wie er DJ wurde. Live zu Gast war Markus auch in Mugent Sessions! Hier könnt ihr Mugent Sessions auf YouTube ansehen: youtu.be/Icqqc80L-Tk EDM komponieren: Basics der elektronischen Musik: https://amzn.to/39q8RDS Lecton: https://lectonapp.com/de/ Podcasts-Distribution http://fogel-podcasting.de

Ballroom Records Radioshow #285 Hallo aus Berlin, hello from Berlin! This is AlBird speaking for your Ballroom Records Radioshow, Episode number 285 this time with a lot of Techno inside! We got loads of new tracks from our labels to show you as well as tracks from Kaiser Souzai and AlBird which are out and about!!! Guestmix in the second hour comes from one of our new Ballroom family members Speed Mode all the way from Russia who recently had their premier release on Ballroom Black called “Revolution” including remixes by Danny Wabbit and Monococ! First things first: what’s in this one for the first hour? Kaiser Souzai has an upcoming release on Codex Recordings called Bantei and it’ll be out on the 7th of August. AlBird’s got a couple of remixes out there at the moment…one for Rebeca Ark on the track ‘Black’ on Ballroom Black, 2nd one on Grace Thompson on her track Memphis on Airborne Black and latest one for Berlin based Katzenjammer Rec. for .mobit on his track ‘Phangan’. Latest track on Ballroom Black is Kay Barton’s ‘Drug Thing’ including a thunderous remix by Dominik Vaillant! The Ballroom Records Radioshow is presented by AlBird! Follow us on Facebook, Instagram, Soundcloud, Mixcloud, Spotify and never miss a new episode or our current and upcoming releases! Tracklist 1st hour (AlBird): 01. Unlighted - Contemplation (Vazik Remix) [Ballroom Records] 02. Soolver - Dynan (Original Mix) [Ballroom Records] 03. Nico Banfi - Blast (Original Mix) [Ballroom Records] 04. Distale, Gunnar Stiller - Reset (Original Mix) [Ballroom Black] 05. K.A.L.I.L. - Vesunna (Original Mix) [Ballroom Black] 06. Kaiser Souzai - Bantei (Original Mix) [Codex Recordings] 07. Jerome Steam - Water Out (Grace Thompson Remix) [Ballroom Records] 08. Rebeca Ark - Black (AlBird Remix) [Ballroom Black] 09. Kaiser Souzai - Fanfaris (Mladen Tomic Remix) [Ballroom Black] 10. .mobit - Phangan (AlBird Remix) [Katzenjammer Rec.] 11. Kay Barton - Drug Thing (Original Mix) [Ballroom Black] 12. Speed Mode - Revolution (Monococ Remix) [Ballroom Black] 13. Grace Thompson - Memphis (AlBird Remix) [Airborne Black] Tracklist 2nd hour (Speed Mode): 1. DJ Murphy Dolby D - Deadpoil 3 (Original Mix) 2. Kevin York - Roar (Original Mix) 3. Push Crashguard - A Better World (Original Mix) 4. Dankoe - Rafiki (Original Mix) 5. Chris Liebeng - Trilogy (ANNA Remix) 6. Lerio Corrado - Fragile (Original Mix) 7. Push Crashguard - Intracellular (Original Mix) 8. Speed Mode - Revolution (Danny Wabbit Remix) 9. Asquith - Let Me (Original Mix) 10. Charlotte de Witte - Sgadi Li Mi (Original Mix) 11. Flug - Reality (Original Mix) 12. Gene Richards Jr - Without You (Original Mix) 13. Aitor Ronda - Touch (Original Mix) 14. Eternal Chase - Superbrute (Original Mix) 15. Toni Dextor - Demand (Original Mix) 16. Shadym Tximeleta - Close Youre Eyes (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #285 Hallo aus Berlin, hello from Berlin! This is AlBird speaking for your Ballroom Records Radioshow, Episode number 285 this time with a lot of Techno inside! We got loads of new tracks from our labels to show you as well as tracks from Kaiser Souzai and AlBird which are out and about!!! Guestmix in the second hour comes from one of our new Ballroom family members Speed Mode all the way from Russia who recently had their premier release on Ballroom Black called “Revolution” including remixes by Danny Wabbit and Monococ! First things first: what's in this one for the first hour? Kaiser Souzai has an upcoming release on Codex Recordings called Bantei and it'll be out on the 7th of August. AlBird's got a couple of remixes out there at the moment…one for Rebeca Ark on the track ‘Black' on Ballroom Black, 2nd one on Grace Thompson on her track Memphis on Airborne Black and latest one for Berlin based Katzenjammer Rec. for .mobit on his track ‘Phangan'. Latest track on Ballroom Black is Kay Barton's ‘Drug Thing' including a thunderous remix by Dominik Vaillant! The Ballroom Records Radioshow is presented by AlBird! Follow us on Facebook, Instagram, Soundcloud, Mixcloud, Spotify and never miss a new episode or our current and upcoming releases! Tracklist 1st hour (AlBird): 01. Unlighted - Contemplation (Vazik Remix) [Ballroom Records] 02. Soolver - Dynan (Original Mix) [Ballroom Records] 03. Nico Banfi - Blast (Original Mix) [Ballroom Records] 04. Distale, Gunnar Stiller - Reset (Original Mix) [Ballroom Black] 05. K.A.L.I.L. - Vesunna (Original Mix) [Ballroom Black] 06. Kaiser Souzai - Bantei (Original Mix) [Codex Recordings] 07. Jerome Steam - Water Out (Grace Thompson Remix) [Ballroom Records] 08. Rebeca Ark - Black (AlBird Remix) [Ballroom Black] 09. Kaiser Souzai - Fanfaris (Mladen Tomic Remix) [Ballroom Black] 10. .mobit - Phangan (AlBird Remix) [Katzenjammer Rec.] 11. Kay Barton - Drug Thing (Original Mix) [Ballroom Black] 12. Speed Mode - Revolution (Monococ Remix) [Ballroom Black] 13. Grace Thompson - Memphis (AlBird Remix) [Airborne Black] Tracklist 2nd hour (Speed Mode): 1. DJ Murphy Dolby D - Deadpoil 3 (Original Mix) 2. Kevin York - Roar (Original Mix) 3. Push Crashguard - A Better World (Original Mix) 4. Dankoe - Rafiki (Original Mix) 5. Chris Liebeng - Trilogy (ANNA Remix) 6. Lerio Corrado - Fragile (Original Mix) 7. Push Crashguard - Intracellular (Original Mix) 8. Speed Mode - Revolution (Danny Wabbit Remix) 9. Asquith - Let Me (Original Mix) 10. Charlotte de Witte - Sgadi Li Mi (Original Mix) 11. Flug - Reality (Original Mix) 12. Gene Richards Jr - Without You (Original Mix) 13. Aitor Ronda - Touch (Original Mix) 14. Eternal Chase - Superbrute (Original Mix) 15. Toni Dextor - Demand (Original Mix) 16. Shadym Tximeleta - Close Youre Eyes (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #284 A new episode of our weekly radioshow is out and about! Summer 2020 is in full effect and normally we’d all be dancing on festivals, open-airs or probably somewhere on an island in the south. But it all came different this year and we’ve to slow down and wait for clubs to re-open its doors. To give you at least a little bit of live feeling we’ll play you some live recordings from the past year and this time it’s labelboss Kaiser Souzai with a set recorded live at Rakete, Nuremberg, Germany last winter! Stay safe and enjoy the music! The Ballroom Records Radioshow is presented by AlBird! Follow us on Facebook, Instagram, Soundcloud, Mixcloud, Spotify and never miss a new episode or our current and upcoming releases! No tracklist available! This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #284 A new episode of our weekly radioshow is out and about! Summer 2020 is in full effect and normally we'd all be dancing on festivals, open-airs or probably somewhere on an island in the south. But it all came different this year and we've to slow down and wait for clubs to re-open its doors. To give you at least a little bit of live feeling we'll play you some live recordings from the past year and this time it's labelboss Kaiser Souzai with a set recorded live at Rakete, Nuremberg, Germany last winter! Stay safe and enjoy the music! The Ballroom Records Radioshow is presented by AlBird! Follow us on Facebook, Instagram, Soundcloud, Mixcloud, Spotify and never miss a new episode or our current and upcoming releases! No tracklist available! This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #278 Ballroom Radio Episode Number 278, this is what you’re listening right now, my name is AlBird, I’m your host and this is our weekly podcast for Techno, Melodic and Progressive sounds right from Berlin. What’s up this week? We’ve got a new EP out on Ballroom Records by Stanny Abram and Kevin Davis called ‘Mind Control’ including a remix by label homie Kaiser Souzai and a new Techno release by Distale and Gunnar Stiller is out and about since last week called ‘Disdancing’. Also, I’ve found an old remix I did about 2 years ago for Del Horno & Carlos Perez called ‘TWO’ I thought I’d play that one for you… In the first hour I’ll also play you tracks by artists like Pavel Petrov, Spartaque, Martin Kinrus, Charles D and many more.. Guestmix in the second hour comes from Ballroom Family member SamSilva who recently had a track on our Secret Ballroom Gems Vol. VII VA! Enjoy the music! For more information regarding the show, visit www.Ballroom.cc you’ll find all the links to the streaming platforms as well as all the radiostations where we’re aired week-in and week-out. Tracklist (1st hour mixed by AlBird): 01. Woo York - Epilogue (Original Mix) 02. GIGEE - Lullaby (AFFKT remix) [Mobilee Records] 03. Pugliesi - Shadows (Original Mix) [IAMT Red] 04. Procombo - Solaris (Original Mix) 05. Pavel Petrov - Ayahuasca (Original Mix) [EXA] 06. Del Horno & Carlos Perez - TWO (AlBird Remix) [Ballroom Records] 07. Distale, Gunnar Stiller - Upside Down (Original Mix) [Ballroom Black] 08. Stanny Abram & Kevin Davis (AT) - Mind Control (Original Mix) [Ballroom Records] 09. Abe Van Dam - Record (Original Mix) [Sonusfield] 10. Raffaele Rizzi - Rising Star (Original Mix) [Throne Room Records] 11. Charles D (USA) - Output (Original Mix) [Le Club Records] 12. Martin Kinrus - Ritual (Original Mix) [Loose Records] 13. Spartaque - Feel Burning (Original Mix) [IAMT] 14. Ramon Tapia - Neferu (Original Mix) [Say What] Tracklist (2nd hour mixed by Julien Riess): 1 ) mirror lake - Duke 2 ) Reverie - Devv 3 ) Neverending - Devv 4 ) MG01 - Andrea Caioni 5 ) Guilty Pleasure - Dieru, Ricardo Mejia 6 ) Luck - Arkady Antsyrev 7 ) Just Me - sidestep EP ( Vinyl Only ) 8 ) Qaacker - Jamahr 9 ) Powerful - Avance (Italy), Federico Alesi 10 ) Get me high - Red meat Therapy 11 ) Backbone - Pinto 12 ) Revolution - Fonsekas This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #278 Ballroom Radio Episode Number 278, this is what you're listening right now, my name is AlBird, I'm your host and this is our weekly podcast for Techno, Melodic and Progressive sounds right from Berlin. What's up this week? We've got a new EP out on Ballroom Records by Stanny Abram and Kevin Davis called ‘Mind Control' including a remix by label homie Kaiser Souzai and a new Techno release by Distale and Gunnar Stiller is out and about since last week called ‘Disdancing'. Also, I've found an old remix I did about 2 years ago for Del Horno & Carlos Perez called ‘TWO' I thought I'd play that one for you… In the first hour I'll also play you tracks by artists like Pavel Petrov, Spartaque, Martin Kinrus, Charles D and many more.. Guestmix in the second hour comes from Ballroom Family member SamSilva who recently had a track on our Secret Ballroom Gems Vol. VII VA! Enjoy the music! For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. Tracklist (1st hour mixed by AlBird): 01. Woo York - Epilogue (Original Mix) 02. GIGEE - Lullaby (AFFKT remix) [Mobilee Records] 03. Pugliesi - Shadows (Original Mix) [IAMT Red] 04. Procombo - Solaris (Original Mix) 05. Pavel Petrov - Ayahuasca (Original Mix) [EXA] 06. Del Horno & Carlos Perez - TWO (AlBird Remix) [Ballroom Records] 07. Distale, Gunnar Stiller - Upside Down (Original Mix) [Ballroom Black] 08. Stanny Abram & Kevin Davis (AT) - Mind Control (Original Mix) [Ballroom Records] 09. Abe Van Dam - Record (Original Mix) [Sonusfield] 10. Raffaele Rizzi - Rising Star (Original Mix) [Throne Room Records] 11. Charles D (USA) - Output (Original Mix) [Le Club Records] 12. Martin Kinrus - Ritual (Original Mix) [Loose Records] 13. Spartaque - Feel Burning (Original Mix) [IAMT] 14. Ramon Tapia - Neferu (Original Mix) [Say What] Tracklist (2nd hour mixed by Julien Riess): 1 ) mirror lake - Duke 2 ) Reverie - Devv 3 ) Neverending - Devv 4 ) MG01 - Andrea Caioni 5 ) Guilty Pleasure - Dieru, Ricardo Mejia 6 ) Luck - Arkady Antsyrev 7 ) Just Me - sidestep EP ( Vinyl Only ) 8 ) Qaacker - Jamahr 9 ) Powerful - Avance (Italy), Federico Alesi 10 ) Get me high - Red meat Therapy 11 ) Backbone - Pinto 12 ) Revolution - Fonsekas This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #277 Welcome to a new episode of the Ballroom Records Radioshow…. What’s happening? Some new tracks are coming up on Ballroom Records and I will play them for you! Same as some already released ones like the one you hear in the background by Carsten Halm which is climbing Beatport’s Melodic Hype charts on a daily basis called Kleeblatt! New ones coming up by Distale and Gunnar Stiller which is out now and Stanny Abram and Kevin Davis with Mind Control in Kaiser Souzai’s remix! Further tracks are coming from the likes of Abstraal and the Teenage Mutants, Daniel Jaeger and Cook Strummer, Rachel Raw, Simina Grigoriu, Ryan Michael Robbins, Pavel Petrov and many more… Takeover in the second hour comes from latest Ballroom Family addition Julien Riess who just released his EP ‘Helios’ on the Ballroom Records mothership! Enjoy his set in the second hour! For more information regarding the show, visit www.Ballroom.cc you’ll find all the links to the streaming platforms as well as all the radiostations where we’re aired week-in and week-out. Tracklist (1st hour mixed by AlBird): 01. Carsten Halm - Kleeblatt (Original Mix) [Ballroom Purple] [Ballroom Purple] 02. Abstraal & Teenage Mutants - Broken Smiles feat. Jim (Original Mix) [Family Piknik Music] 03. Daniel Jaeger & Cook Strummer - Just Shine (Original Mix) [Katermukke] 04. Tibi Dabo - Disbelieve (Original Mix) [Crosstown Rebels] 05. Rachel Raw - Kaws (Original Mix) [Jaw Dropping Records] 06. Planetary Assault Systems - Give It Up (Original Mix) [Mote Evolver] 07. Blenk - Vibration (Original Mix) [Enemy Records] 08. Distale, Gunnar Stiller - Reset (Original Mix) [Ballroom Black] 09. Stanny Abram & Kevin Davis (AT) - Mind Control (Kaiser Souzai Remix) [Ballroom Records] 10. Simina Grigoriu - Confiscate Original Mix [Kuukou Records] 11. Ryan Michael Robbins - Drop More (Original Mix) [Fierce Animal Recordings] 12. Pavel Petrov - Ayahuasca (Metodi Hristov Remix) [EXE AUDIO] 13. Ryan Michael Robbins - Stranger Selves (Cosmic Boys Remix) [Fierce Animal Recordings] Tracklist (2nd hour mixed by Julien Riess): 1. Patrick Hero – Metamorphose (Monococ Remix) 2. AlBird – Kestrel (Tomas Otero Remix) 3. Julien Riess – Helios (Original Mix) 4. Metodi Hristov – Meteor (Original Mix) 5. Dennis Apec – Contact (Original Mix) 6. Heerhorst – Move On (Nico Cabeza Remix) 7. Jerome Isma-Ae, Alastor – Opium (Original Mix) 8. Martin Kinrus – Network (Original Mix) 9. Filthy Kid – Rotten (Original Mix) 10. Sezer Uysal – Boycott (Teenage Mutants Remix) 11. Sam Arsh – 3.33 (Original Mix) 12. Diego Infanzon, El Bastardo – Failure (Pablo Say Remix) 13. Anahit Vardanyan – Mator (Original Mix) 14. Julien Riess – Juno (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #277 Welcome to a new episode of the Ballroom Records Radioshow…. What's happening? Some new tracks are coming up on Ballroom Records and I will play them for you! Same as some already released ones like the one you hear in the background by Carsten Halm which is climbing Beatport's Melodic Hype charts on a daily basis called Kleeblatt! New ones coming up by Distale and Gunnar Stiller which is out now and Stanny Abram and Kevin Davis with Mind Control in Kaiser Souzai's remix! Further tracks are coming from the likes of Abstraal and the Teenage Mutants, Daniel Jaeger and Cook Strummer, Rachel Raw, Simina Grigoriu, Ryan Michael Robbins, Pavel Petrov and many more… Takeover in the second hour comes from latest Ballroom Family addition Julien Riess who just released his EP ‘Helios' on the Ballroom Records mothership! Enjoy his set in the second hour! For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. Tracklist (1st hour mixed by AlBird): 01. Carsten Halm - Kleeblatt (Original Mix) [Ballroom Purple] [Ballroom Purple] 02. Abstraal & Teenage Mutants - Broken Smiles feat. Jim (Original Mix) [Family Piknik Music] 03. Daniel Jaeger & Cook Strummer - Just Shine (Original Mix) [Katermukke] 04. Tibi Dabo - Disbelieve (Original Mix) [Crosstown Rebels] 05. Rachel Raw - Kaws (Original Mix) [Jaw Dropping Records] 06. Planetary Assault Systems - Give It Up (Original Mix) [Mote Evolver] 07. Blenk - Vibration (Original Mix) [Enemy Records] 08. Distale, Gunnar Stiller - Reset (Original Mix) [Ballroom Black] 09. Stanny Abram & Kevin Davis (AT) - Mind Control (Kaiser Souzai Remix) [Ballroom Records] 10. Simina Grigoriu - Confiscate Original Mix [Kuukou Records] 11. Ryan Michael Robbins - Drop More (Original Mix) [Fierce Animal Recordings] 12. Pavel Petrov - Ayahuasca (Metodi Hristov Remix) [EXE AUDIO] 13. Ryan Michael Robbins - Stranger Selves (Cosmic Boys Remix) [Fierce Animal Recordings] Tracklist (2nd hour mixed by Julien Riess): 1. Patrick Hero – Metamorphose (Monococ Remix) 2. AlBird – Kestrel (Tomas Otero Remix) 3. Julien Riess – Helios (Original Mix) 4. Metodi Hristov – Meteor (Original Mix) 5. Dennis Apec – Contact (Original Mix) 6. Heerhorst – Move On (Nico Cabeza Remix) 7. Jerome Isma-Ae, Alastor – Opium (Original Mix) 8. Martin Kinrus – Network (Original Mix) 9. Filthy Kid – Rotten (Original Mix) 10. Sezer Uysal – Boycott (Teenage Mutants Remix) 11. Sam Arsh – 3.33 (Original Mix) 12. Diego Infanzon, El Bastardo – Failure (Pablo Say Remix) 13. Anahit Vardanyan – Mator (Original Mix) 14. Julien Riess – Juno (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #276 Yesssss music lovers!!! It's time again for a new episode of our Ballroom Records Radioshow! Episode number 276, my name is AlBird great to have you back on board listening to this one! What's new at Ballroom? Loads of releases on our labels are out now and coming up! Ballroom Purple's Carsten Halm and the Kleeblatt EP is charting in Beatport's Hype Charts. Ballroom Black's got Kaiser Souzai's ‘Adella Remix EP' and Belocca's and AlBird's remix are as well in the Hype Charts. Two great EPs are out and about on our mothership. The latest one by Julien Riess called Helios with remixes by Lampe and RanchaTek and still out and big time rocking is Aniceé's ‘Gautama' with remixes by Abstraal and Walter Albini. Takeover (2nd hour) this week is coming from the guys of Abstraal who recently had their remix of Anicee's Gautama released on our label. For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. Tracklist (1st hour mixed by AlBird): 01. Mila Journee - Sintaxe (Original Mix) [Duenia] 02. Julien Riess - Ares (Original Mix) [Ballroom Records] 03. Anicée - Gautama (Walter Albini Remix) [Ballroom Records] 04. Julien Riess - Helios (Original Mix) [Ballroom Records] 05. Distale, Gunnar Stiller - Upside Down (Original Mix) [Ballroom Black] 06. Stanny Abram & Kevin Davis (AT) - Mind Control (Original Mix) [Ballroom Records] 07. Christian Nielsen - For Myself (Original Mix) [Ellum] 08. POLS - Orion (Original Mix) [Ballroom Records] 09. Victor Ruiz - Freedom (Original Mix) [Drumcode] 10. Rebuke - Metal (Original Mix) [Drumcode] 11. Kaiser Souzai - Adella (Dominik Vaillant Remix) [Ballroom Black] 12. Dok & Martin - Paralysis (Original Mix) [Codex Recordings] 13. Chris Liebing - Trilogy (ANNA Remix) [MUTE] 14. Rebuke - Rattle (Original Mix) [Drumcode] Tracklist (2nd hour mixed by Abstraal): 01_Mano Le Tough – Return To Yoz (Original Mix) 02_ Iris_Santo – Diab (Original Mix) 03_ Abramo Laye Senè - Signero (The THC Rework) 04_ BOg - Corso (John Digweed & Nick Muir Remix) 05_ Maxim Lany - Higher Ground (Extended Mix) 06_ Ivan Masa – Sottovoce (Original Mix) 07_ Anicée - Gautama (Abstraal Remix) 08_ Abkin – Injection (Original Mix) 09_ Dj Pressing – Sara (Original Mix) 10_ Denis Horvat - Fabulous Purist (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #276 Yesssss music lovers!!! It’s time again for a new episode of our Ballroom Records Radioshow! Episode number 276, my name is AlBird great to have you back on board listening to this one! What’s new at Ballroom? Loads of releases on our labels are out now and coming up! Ballroom Purple’s Carsten Halm and the Kleeblatt EP is charting in Beatport’s Hype Charts. Ballroom Black’s got Kaiser Souzai’s ‘Adella Remix EP’ and Belocca’s and AlBird’s remix are as well in the Hype Charts. Two great EPs are out and about on our mothership. The latest one by Julien Riess called Helios with remixes by Lampe and RanchaTek and still out and big time rocking is Aniceé’s ‘Gautama’ with remixes by Abstraal and Walter Albini. Takeover (2nd hour) this week is coming from the guys of Abstraal who recently had their remix of Anicee’s Gautama released on our label. For more information regarding the show, visit www.Ballroom.cc you’ll find all the links to the streaming platforms as well as all the radiostations where we’re aired week-in and week-out. Tracklist (1st hour mixed by AlBird): 01. Mila Journee - Sintaxe (Original Mix) [Duenia] 02. Julien Riess - Ares (Original Mix) [Ballroom Records] 03. Anicée - Gautama (Walter Albini Remix) [Ballroom Records] 04. Julien Riess - Helios (Original Mix) [Ballroom Records] 05. Distale, Gunnar Stiller - Upside Down (Original Mix) [Ballroom Black] 06. Stanny Abram & Kevin Davis (AT) - Mind Control (Original Mix) [Ballroom Records] 07. Christian Nielsen - For Myself (Original Mix) [Ellum] 08. POLS - Orion (Original Mix) [Ballroom Records] 09. Victor Ruiz - Freedom (Original Mix) [Drumcode] 10. Rebuke - Metal (Original Mix) [Drumcode] 11. Kaiser Souzai - Adella (Dominik Vaillant Remix) [Ballroom Black] 12. Dok & Martin - Paralysis (Original Mix) [Codex Recordings] 13. Chris Liebing - Trilogy (ANNA Remix) [MUTE] 14. Rebuke - Rattle (Original Mix) [Drumcode] Tracklist (2nd hour mixed by Abstraal): 01_Mano Le Tough – Return To Yoz (Original Mix) 02_ Iris_Santo – Diab (Original Mix) 03_ Abramo Laye Senè - Signero (The THC Rework) 04_ BOg - Corso (John Digweed & Nick Muir Remix) 05_ Maxim Lany - Higher Ground (Extended Mix) 06_ Ivan Masa – Sottovoce (Original Mix) 07_ Anicée - Gautama (Abstraal Remix) 08_ Abkin – Injection (Original Mix) 09_ Dj Pressing – Sara (Original Mix) 10_ Denis Horvat - Fabulous Purist (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #274 New episode of our weekly podcast’s is out now! Kaiser Souzai taking over control in the first hour with some of his favourite recent Ballroom Records’ tracks and followed by a guestmix by Kalima in the second hour! Tune in and enjoy! For more information regarding the show, visit www.Ballroom.cc you’ll find all the links to the streaming platforms as well as all the radiostations where we’re aired week-in and week-out. Tracklist (1st hour mixed by AlBird): 1. Kaiser Souzai – Andrins Saber (Original Mix) [Ballroom Black] 2. Kaiser Souzai – Kaiser Waltz (Original Mix) [Ballroom Black] 3. Willing & Abel – Terminal 4 (Original Mix) [Ballroom Records] 4. Tomas Otero – Transmission (Original Mix) [Ballroom Records] 5. Dimi Mechero – Stuck in the Rain (Original Mix) [Ballroom Records] 6. Black Machine (US) – c.o.d.e. (Original Mix) [Ballroom Records] 7. Vazik – Can’t Stop (Original Mix) [Ballroom Black] 8. AlBird – Kestrel (Original Mix) [Ballroom Records] 9. Nakadia – 7 Minutes 2 Midnight (Original Mix) [Ballroom Records] 10. Giorgio Rusconi, Devid Dega – Mizar (Heerhorst Remix) [Ballroom Black] 11. AlBird – Amsel (Original Mix) [Ballroom Records] Tracklist (2nd hour mixed by Kalima): 1. OC & Verde - Only Human 2. Jam El Mar - Evo 3. Hollen, David Granha - Try To Do It 4. Devotion - Transcode 5. Twins Project - Bass In Your Face (Space 92 Remix) 6. UMEK - Cacophonous 7. Luca Morris, Mozzy Rekorder - Chill Factor 8. Andrea Signore, Mha Iri - Omnia 9. Luca Gaeta - Cosmic Transition 10. Alex Stein - Impact Theory 11. Danny Fontana - Chromosome (Bolster Remix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #274 New episode of our weekly podcast's is out now! Kaiser Souzai taking over control in the first hour with some of his favourite recent Ballroom Records' tracks and followed by a guestmix by Kalima in the second hour! Tune in and enjoy! For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. Tracklist (1st hour mixed by AlBird): 1. Kaiser Souzai – Andrins Saber (Original Mix) [Ballroom Black] 2. Kaiser Souzai – Kaiser Waltz (Original Mix) [Ballroom Black] 3. Willing & Abel – Terminal 4 (Original Mix) [Ballroom Records] 4. Tomas Otero – Transmission (Original Mix) [Ballroom Records] 5. Dimi Mechero – Stuck in the Rain (Original Mix) [Ballroom Records] 6. Black Machine (US) – c.o.d.e. (Original Mix) [Ballroom Records] 7. Vazik – Can't Stop (Original Mix) [Ballroom Black] 8. AlBird – Kestrel (Original Mix) [Ballroom Records] 9. Nakadia – 7 Minutes 2 Midnight (Original Mix) [Ballroom Records] 10. Giorgio Rusconi, Devid Dega – Mizar (Heerhorst Remix) [Ballroom Black] 11. AlBird – Amsel (Original Mix) [Ballroom Records] Tracklist (2nd hour mixed by Kalima): 1. OC & Verde - Only Human 2. Jam El Mar - Evo 3. Hollen, David Granha - Try To Do It 4. Devotion - Transcode 5. Twins Project - Bass In Your Face (Space 92 Remix) 6. UMEK - Cacophonous 7. Luca Morris, Mozzy Rekorder - Chill Factor 8. Andrea Signore, Mha Iri - Omnia 9. Luca Gaeta - Cosmic Transition 10. Alex Stein - Impact Theory 11. Danny Fontana - Chromosome (Bolster Remix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

In this episode great new tunage by Wehbba, Julian Jeweil, Klaudia Gawlas, UMEK and Drumcomplex, together with the big tunes of the moment from Kai Tracid, Moguai and Dok & Martin. Belocca also serves the usual treats from the Mainground kitchen; Belocca's new collab with Korean talent Pierre Blanche called "Light In The Dark" (out now), his latest single "Natural Satellite", a remix for Kaiser Souzai's track Adela and his jam on Spartaque's label Codex, called "Human Progress". Last but not least for desert a classic track in new pastry: Sunscream – Perfect Motion remixed by Patrice Baumel. Tracklist: 01. Klaudia Gawlas – Time Loop (Julian Jeweil Remix) 02. Klaudia Gawlas – No Face 03. Wehbba – No Sleep 04. Uncertain, Drumcomplex – Work The Bass 05. MOGUAI, Kai Tracid – DT64 06. Kaiser Souzai – Adella (Belocca Remix) 07. Belocca – Natual Satellite 08. Dok & Martin – Destroyer 09. Belocca – Human Progress 10. UMEK – Cybernetic Impant 11. Belocca, Pierre Blanche – Light On The Dark 12. Wehbba – Dove Rush 13. Sunscream – Perfect Motion (Patrice Baumel Renaissance Remix)

Ballroom Records Radioshow #265 Welcome to a new episode boys and girls! It’s Ballroom Radio #265! This time with a 2hour cut of AlBird’s set in November 2019 at Hammahalle, Sisyphos, Berlin. Sorry, we’ve been a bit lazy with recent episodes. We had to clear out our Ballroom Headquarters in Berlin. Now both AlBird and Kaiser Souzai are getting settled in their new studios, so we’re getting back to business as usual step by step and we should be back on track really soon! In the meantime, enjoy the music! For more information regarding the show, visit www.Ballroom.cc you’ll find all the links to the streaming platforms as well as all the radiostations where we’re aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Simina Grigoriu - Mama Ayahuasca (Original Mix) MESS:IAH - Tootski (AlBird Remix)[Ballroom Black] Lander B - Magnum (Metodi Hristov Remix) Ramon Tapia - Plastik (Original Mix) Kaiser Souzai - Bulldozer (Fifteen Bullets Rehab) soon on Ballroom Adoo - Percussion Night (Eric Sneo Remix) Monococ - Timewarp (Original Mix) soon on Ballroom AlBird - Amsel (Gonçalo Remix)[Ballroom Records] Kaiser Souzai - Kaprun Days (AlBird Remix) [Ballroom Records] Frankyeffe, Teenage Mutants - Run (Original Mix) Bervon - The Silence (Original Mix)[Ballroom Black] Anna Unusyan - Hidden Life (Original Mix)[Ballroom Black] Abstrakt UK - You Play Tonight (Original Mix)[Ballroom Black] Patrick Milaa - Rocka (AlBird Remix) Armitage - Distortion, Sex and Techno [Ballroom Records] Davide Nigro - Damnatio Memoriae (AlBird Remix) AlBird - Kestrel (Tomas Otero Remix) [Ballroom Records] Spartaque - Space Cat (Original Mix) Thomas Hoffknecht - Relax (Original Mix) Cari Golden, DJ Kon' - Fire (Original Mix) Lilly Palmer - Listen To Me (Original Mix) Caitlin - Freaks & Misfits (Victor Ruiz Remix) DJ Jock - Distant Lands Of Unknown (Original Mix) Christian Hornbostel, Richie Hawtin, AlBird - CLOSE combined (Sensor Acid Overload) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #265 Welcome to a new episode boys and girls! It's Ballroom Radio #265! This time with a 2hour cut of AlBird's set in November 2019 at Hammahalle, Sisyphos, Berlin. Sorry, we've been a bit lazy with recent episodes. We had to clear out our Ballroom Headquarters in Berlin. Now both AlBird and Kaiser Souzai are getting settled in their new studios, so we're getting back to business as usual step by step and we should be back on track really soon! In the meantime, enjoy the music! For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Simina Grigoriu - Mama Ayahuasca (Original Mix) MESS:IAH - Tootski (AlBird Remix)[Ballroom Black] Lander B - Magnum (Metodi Hristov Remix) Ramon Tapia - Plastik (Original Mix) Kaiser Souzai - Bulldozer (Fifteen Bullets Rehab) soon on Ballroom Adoo - Percussion Night (Eric Sneo Remix) Monococ - Timewarp (Original Mix) soon on Ballroom AlBird - Amsel (Gonçalo Remix)[Ballroom Records] Kaiser Souzai - Kaprun Days (AlBird Remix) [Ballroom Records] Frankyeffe, Teenage Mutants - Run (Original Mix) Bervon - The Silence (Original Mix)[Ballroom Black] Anna Unusyan - Hidden Life (Original Mix)[Ballroom Black] Abstrakt UK - You Play Tonight (Original Mix)[Ballroom Black] Patrick Milaa - Rocka (AlBird Remix) Armitage - Distortion, Sex and Techno [Ballroom Records] Davide Nigro - Damnatio Memoriae (AlBird Remix) AlBird - Kestrel (Tomas Otero Remix) [Ballroom Records] Spartaque - Space Cat (Original Mix) Thomas Hoffknecht - Relax (Original Mix) Cari Golden, DJ Kon' - Fire (Original Mix) Lilly Palmer - Listen To Me (Original Mix) Caitlin - Freaks & Misfits (Victor Ruiz Remix) DJ Jock - Distant Lands Of Unknown (Original Mix) Christian Hornbostel, Richie Hawtin, AlBird - CLOSE combined (Sensor Acid Overload) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #262 Episode number 262 this time! Kaiser Souzai is back from his tour in Asia and provided a 60min all Ballroom mix! Second hour takeover is by Belgian talent AM.I (https://www.facebook.com/AM.I.music.1/) For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Tracklists: 1st hour: (Kaiser Souzai) 1. Kaiser Souzai - Andrins Saber (Fifteen Bullets Rehab) [Ballroom Black] 2. Kaiser Souzai - Kaiser Waltz (Fifteen Bullets Rehab) [Ballroom Black] 3. Willing & Abel - Terminal 4 [Ballroom Records] 4. Tomas Otero - Transmission [Ballroom Records] 5. Dimi Mechero - Stuck in the Rain Black Machine (US) - c.o.d.e. [Ballroom Records] 6. Vazik - Can't Stop [Ballroom Records]AlBird - Kestrel [Ballroom Records] 7. Nakadia - 7 Minutes 2 Midnight [Ballroom Records] 8. Giorgio Rusconi, Devid Dega - Mizar (Heerhorst Remix) [Ballroom Black] 9. AlBird - Amsel [Ballroom Records] 10. Dennis Siemion - Sunshine Child [Ballroom Black] 11. Daniel Boon - Enemy [Ballroom Black] 12. Kaiser Souzai - Tokkata (Fifteen Bullets Rehab) [Ballroom Black] 2nd hour: (AM.I) 1. Paul Kalkbrenner – Queer Fellow (Horatio Reinterpretation) 2. Ronnie Spiteri – Sunrise (Oscar L Rasco Remix) 3. A.Dore – Post Human 4. Techno Red – Underground Abyss 5. AlBird – Amsel (Goncalo Remix) 6. Jay Lumen ft. Gary Beck – Lotus (Original Mix) 7. AM.I – Green Light (Original Mix) soon on Ballroom Black 8. Alberto Ruiz ft. Xenia – Off 9. AM.I – Grey Window (unreleased) 10. Alex Stein – Impact Theory 11. Raito – Ikaruga 12. Spencer Brown ft. Ratio – Star Allies 13. AM.I – Dark Glass This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #262 Episode number 262 this time! Kaiser Souzai is back from his tour in Asia and provided a 60min all Ballroom mix! Second hour takeover is by Belgian talent AM.I (https://www.facebook.com/AM.I.music.1/) For more information regarding the show, visit www.Ballroom.cc you’ll find all the links to the streaming platforms as well as all the radiostations where we’re aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Tracklists: 1st hour: (Kaiser Souzai) 1. Kaiser Souzai - Andrins Saber (Fifteen Bullets Rehab) [Ballroom Black] 2. Kaiser Souzai - Kaiser Waltz (Fifteen Bullets Rehab) [Ballroom Black] 3. Willing & Abel - Terminal 4 [Ballroom Records] 4. Tomas Otero - Transmission [Ballroom Records] 5. Dimi Mechero - Stuck in the Rain Black Machine (US) - c.o.d.e. [Ballroom Records] 6. Vazik - Can't Stop [Ballroom Records]AlBird - Kestrel [Ballroom Records] 7. Nakadia - 7 Minutes 2 Midnight [Ballroom Records] 8. Giorgio Rusconi, Devid Dega - Mizar (Heerhorst Remix) [Ballroom Black] 9. AlBird - Amsel [Ballroom Records] 10. Dennis Siemion - Sunshine Child [Ballroom Black] 11. Daniel Boon - Enemy [Ballroom Black] 12. Kaiser Souzai - Tokkata (Fifteen Bullets Rehab) [Ballroom Black] 2nd hour: (AM.I) 1. Paul Kalkbrenner – Queer Fellow (Horatio Reinterpretation) 2. Ronnie Spiteri – Sunrise (Oscar L Rasco Remix) 3. A.Dore – Post Human 4. Techno Red – Underground Abyss 5. AlBird – Amsel (Goncalo Remix) 6. Jay Lumen ft. Gary Beck – Lotus (Original Mix) 7. AM.I – Green Light (Original Mix) soon on Ballroom Black 8. Alberto Ruiz ft. Xenia – Off 9. AM.I – Grey Window (unreleased) 10. Alex Stein – Impact Theory 11. Raito – Ikaruga 12. Spencer Brown ft. Ratio – Star Allies 13. AM.I – Dark Glass This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #259 Already one month of 2020 is in the books as time is moving again. Loads of new tracks and releases out there from us and from artists and labels we love… Here’s what we’ve got for you this week. Mark Greene’s title track of his Hombre EP is going strong in beatport’s hype charts. (http://bit.ly/BLACK011) Then the upcoming EP by Dennis Siemion called ‘Sunshine Child’ is out now including remixes by Robert Babicz and Heerhorst. (http://bit.ly/BLACK013) And another upcoming one by Daniel Boon called Enemy including remixes by Torsten Kanzler and Alberto Ruiz. (http://bit.ly/BLACK012) And last but not least Ryan Dupree with Duality EP including a remix by AlBird. Coming soon! Also I will play you my latest remix for Daniel Testas called Halcyon which is out now on Rezongar Music. (https://www.beatport.com/track/halcyon-albird-remix/12930290) Takeover in the second hour is again by Kaiser Souzai with the 3rd hour of his set at MAYA in Koh Phangan, Thailand. For more information regarding the show, visit www.Ballroom.cc you’ll find all the links to the streaming platforms as well as all the radiostations where we’re aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Tracklists: 1st hour: (AlBird) 01. Daniel Testas - Halcyon (AlBird Remix) [Rezongar Music] 02. Ryan Dupree - Duality (Original Mix) [Ballroom Records] 03. Hidden Empire - Odyssee (Original Mix) [Stil Vor Talent] 04. Giorgio Rusconi - The Is the Sound (Matt Sassari Remix) [Funk n Deep Black] 05. Dennis Siemion - Sunshine Child (Robert Babicz Remix) [Ballroom Black] 06. Frankyeffe - Maximizer (Original Mix) [Senso Sounds] 07. Matador - Desire (Original Mix) [Rukus] 08. Julian Jeweil - Schema (Original Mix) [Drumcode] 09. Mark Michael - Solar Storm (Original Mix) [IAMT] 10. Daniel Boon - Enemy (Original Mix) [Ballroom Black] 11. Charles D (USA) - Addicted [Fierce Animal] 12. Dennis Siemion - Special Force (Original Mix) [Ballroom Black] 13. Ramon Tapia - Last Step (Original Mix) [Say What?] 14. Mark Greene - Hombre (Original Mix) [Ballroom Black] 2nd hour: (Kaiser Souzai) 001_v1.3AlBird Demo Kaiser Souzai VS Boho- Texel Kaiser Souzai INXS Crazy (Ballroom Black) BLRM010_Kaiser_Souzai_-_Rave_(Original_Mix) (Ballroom) Jerome Isma-Ae, Alastor Opium (Stan Kolev Remix) AlBird Gagagei (Original Mix)(Ballroom) Kaiser Souzai Into Space DEMO Felix Kröcher Territory (Original Mix) (Tronic) Pryda - Power Drive (Original Mix) (Pryda) Cid Inc Remake- A Break In The Clouds Blade Runner (Maceo Plex Renaissance Remix) KalkKillers Kaiser Souzai ReBoot Paolo Mojo & Jim Rivers Ron Hardy Said (Eric Prydz Remix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #259 Already one month of 2020 is in the books as time is moving again. Loads of new tracks and releases out there from us and from artists and labels we love… Here's what we've got for you this week. Mark Greene's title track of his Hombre EP is going strong in beatport's hype charts. (http://bit.ly/BLACK011) Then the upcoming EP by Dennis Siemion called ‘Sunshine Child' is out now including remixes by Robert Babicz and Heerhorst. (http://bit.ly/BLACK013) And another upcoming one by Daniel Boon called Enemy including remixes by Torsten Kanzler and Alberto Ruiz. (http://bit.ly/BLACK012) And last but not least Ryan Dupree with Duality EP including a remix by AlBird. Coming soon! Also I will play you my latest remix for Daniel Testas called Halcyon which is out now on Rezongar Music. (https://www.beatport.com/track/halcyon-albird-remix/12930290) Takeover in the second hour is again by Kaiser Souzai with the 3rd hour of his set at MAYA in Koh Phangan, Thailand. For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Tracklists: 1st hour: (AlBird) 01. Daniel Testas - Halcyon (AlBird Remix) [Rezongar Music] 02. Ryan Dupree - Duality (Original Mix) [Ballroom Records] 03. Hidden Empire - Odyssee (Original Mix) [Stil Vor Talent] 04. Giorgio Rusconi - The Is the Sound (Matt Sassari Remix) [Funk n Deep Black] 05. Dennis Siemion - Sunshine Child (Robert Babicz Remix) [Ballroom Black] 06. Frankyeffe - Maximizer (Original Mix) [Senso Sounds] 07. Matador - Desire (Original Mix) [Rukus] 08. Julian Jeweil - Schema (Original Mix) [Drumcode] 09. Mark Michael - Solar Storm (Original Mix) [IAMT] 10. Daniel Boon - Enemy (Original Mix) [Ballroom Black] 11. Charles D (USA) - Addicted [Fierce Animal] 12. Dennis Siemion - Special Force (Original Mix) [Ballroom Black] 13. Ramon Tapia - Last Step (Original Mix) [Say What?] 14. Mark Greene - Hombre (Original Mix) [Ballroom Black] 2nd hour: (Kaiser Souzai) 001_v1.3AlBird Demo Kaiser Souzai VS Boho- Texel Kaiser Souzai INXS Crazy (Ballroom Black) BLRM010_Kaiser_Souzai_-_Rave_(Original_Mix) (Ballroom) Jerome Isma-Ae, Alastor Opium (Stan Kolev Remix) AlBird Gagagei (Original Mix)(Ballroom) Kaiser Souzai Into Space DEMO Felix Kröcher Territory (Original Mix) (Tronic) Pryda - Power Drive (Original Mix) (Pryda) Cid Inc Remake- A Break In The Clouds Blade Runner (Maceo Plex Renaissance Remix) KalkKillers Kaiser Souzai ReBoot Paolo Mojo & Jim Rivers Ron Hardy Said (Eric Prydz Remix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #258 Techno Lovers watch out! New episode of our Ballroom Records Radioshow! This time it's a two hour cut of Kaiser Souzai's show at Maya on Koh Phangan in Thailand where the man's currently touring! Feel the sun, feel the hot temperatures and the lovely vibes from Thailand in the next two hours! Listen to the full set here: https://soundcloud.com/kaiser_souzai_berlin/kaiser-souzai-at-maya-ko-phangan-2020 For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Tracklist: Kaiser Souzai- Your Fears (Maksim Dark Remix)(Fierce Animals) Testosterone - Danny Wabbit , Karim AlKhaya (Ballroom) Tash & Dousk Future Funk (Mononoid Remix) Wally Lopez- All Has Changed Mononoid Remix Jerome Isma-Ae Remix Jam & Spoon - Follow Me AlBird Amsel (Ballroom) AlBird Mauersegler (Kaiser Souzai Remix) Maharti - The Jinnx (Ballroom) Cirez D DARE U (Original Mix) Wanna Tell You Kaiser Souzai Remix Demo Far Away Kaiser Souzai Remix SA-DOC & MODOR Parallel Connection (Original Mix)[Ballroom] Sa-Doc Space Fiction (Original Mix) [Ballroom Records] Kaiser Souzai & Dave Breeze UnReleased (Ballroom) Kaiser Souzai Love (Original Mix) (Ballroom) KaiserWalz Fifteen Bullets ReHab (Ballroom Black) LightsOut Fifteen Bullets ReHab (Ballroom Black) Tokkata Fifteen Bullets ReHab (Ballroom Black) Christian Smith & John Selway Delirium (Tronic) Banazonic Revenge [Ballroom Records] Kaiser Souzai Bulldozer (Codex) Adella (Fifteen Bullets ReHab) (Ballroom Black) AlBird - 001_v1.3AlBird Demo This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #258 Techno Lovers watch out! New episode of our Ballroom Records Radioshow! This time it’s a two hour cut of Kaiser Souzai’s show at Maya on Koh Phangan in Thailand where the man’s currently touring! Feel the sun, feel the hot temperatures and the lovely vibes from Thailand in the next two hours! Listen to the full set here: https://soundcloud.com/kaiser_souzai_berlin/kaiser-souzai-at-maya-ko-phangan-2020 For more information regarding the show, visit www.Ballroom.cc you’ll find all the links to the streaming platforms as well as all the radiostations where we’re aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Tracklist: Kaiser Souzai- Your Fears (Maksim Dark Remix)(Fierce Animals) Testosterone - Danny Wabbit , Karim AlKhaya (Ballroom) Tash & Dousk Future Funk (Mononoid Remix) Wally Lopez- All Has Changed Mononoid Remix Jerome Isma-Ae Remix Jam & Spoon - Follow Me AlBird Amsel (Ballroom) AlBird Mauersegler (Kaiser Souzai Remix) Maharti - The Jinnx (Ballroom) Cirez D DARE U (Original Mix) Wanna Tell You Kaiser Souzai Remix Demo Far Away Kaiser Souzai Remix SA-DOC & MODOR Parallel Connection (Original Mix)[Ballroom] Sa-Doc Space Fiction (Original Mix) [Ballroom Records] Kaiser Souzai & Dave Breeze UnReleased (Ballroom) Kaiser Souzai Love (Original Mix) (Ballroom) KaiserWalz Fifteen Bullets ReHab (Ballroom Black) LightsOut Fifteen Bullets ReHab (Ballroom Black) Tokkata Fifteen Bullets ReHab (Ballroom Black) Christian Smith & John Selway Delirium (Tronic) Banazonic Revenge [Ballroom Records] Kaiser Souzai Bulldozer (Codex) Adella (Fifteen Bullets ReHab) (Ballroom Black) AlBird - 001_v1.3AlBird Demo This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #256 First episode of the new century! Welcome to Ballroom Radio No.256, I'm your host for this week's show and my name is AlBird. Wow, another year in the books! Actually a century…time really flies by! There is already loads of releases waiting for you from our three labels here at Ballroom Records / Black and Purple. I will play some of our recent releases from Kaiser Souzai, AlBird, Sa-Doc & MODOR, Maharti and upcoming ones by Mark Greene, Devid Dega & Giorgio Rusconi as well some of my latest releases and remixes on Jannowitz, Click Recordings or Rezongar Guestmix in the second our comes from a dear friend of mine here in Berlin. It's Dennis Rema who's established himself a proper name for Techno here in the city! For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Tracklist: (1st Hour) 01. Amuze - Cadenza (Original Mix) [Natura Viva] 02. Rabo, Traumata - Zentauri (Original mix) [Natura Viva Black] 03. Sa-Doc, MODOR - Parallel Connection (Original Mix) [Ballroom Records] 04. Christian Bonori - Muphrid (AlBird Remix) [Click Recordings] 05. AlBird - Humming Bird (Original Mix) [Jannowitz Records] 06. Maharti - The Jinnx (Original Mix) [Ballroom Black] 07. Kaiser Souzai - Adella (Fifteen Bullets Rehab) [Ballroom Black] 08. Daniel Testas - Halcyon (AlBird Remix) [Rezongar] 09. Mark Greene - Give Me That (Original Mix) [Ballroom Black] 10. Kaiser Souzai - Belldriver (Fifteen Bullets Rehab) [Ballroom Black] 11. AlBird - Amsel (Gonçalo Remix) [Ballroom Records] 12. Metodi Hristov, DESNA - Call If Found (Original Mix) [Set About Music] 13. Devid Dega, Giorgio Rusconi - Mizar (Original Mix) [Ballroom Black] 14. Ben Champell - Jetstream (Original Mix) [Sonusfield Records] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #256 First episode of the new century! Welcome to Ballroom Radio No.256, I’m your host for this week’s show and my name is AlBird. Wow, another year in the books! Actually a century…time really flies by! There is already loads of releases waiting for you from our three labels here at Ballroom Records / Black and Purple. I will play some of our recent releases from Kaiser Souzai, AlBird, Sa-Doc & MODOR, Maharti and upcoming ones by Mark Greene, Devid Dega & Giorgio Rusconi as well some of my latest releases and remixes on Jannowitz, Click Recordings or Rezongar Guestmix in the second our comes from a dear friend of mine here in Berlin. It’s Dennis Rema who’s established himself a proper name for Techno here in the city! For more information regarding the show, visit www.Ballroom.cc you’ll find all the links to the streaming platforms as well as all the radiostations where we’re aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Tracklist: (1st Hour) 01. Amuze - Cadenza (Original Mix) [Natura Viva] 02. Rabo, Traumata - Zentauri (Original mix) [Natura Viva Black] 03. Sa-Doc, MODOR - Parallel Connection (Original Mix) [Ballroom Records] 04. Christian Bonori - Muphrid (AlBird Remix) [Click Recordings] 05. AlBird - Humming Bird (Original Mix) [Jannowitz Records] 06. Maharti - The Jinnx (Original Mix) [Ballroom Black] 07. Kaiser Souzai - Adella (Fifteen Bullets Rehab) [Ballroom Black] 08. Daniel Testas - Halcyon (AlBird Remix) [Rezongar] 09. Mark Greene - Give Me That (Original Mix) [Ballroom Black] 10. Kaiser Souzai - Belldriver (Fifteen Bullets Rehab) [Ballroom Black] 11. AlBird - Amsel (Gonçalo Remix) [Ballroom Records] 12. Metodi Hristov, DESNA - Call If Found (Original Mix) [Set About Music] 13. Devid Dega, Giorgio Rusconi - Mizar (Original Mix) [Ballroom Black] 14. Ben Champell - Jetstream (Original Mix) [Sonusfield Records] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Merry Christmas everyone! Have fun with the next 2 hours of techno! www.ballroom.cc not available This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Merry Christmas everyone! Have fun with the next 2 hours of techno! www.ballroom.cc not available This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ballroom Records Radioshow #252 Welcome everyone to the next episode of our Ballroom Records Radioshow! This week it's Kaiser Souzai's turn who is currently spending the final hours of his Australia tour before heading back to Berlin. He recorded some of the sets on the tour and we decided to play his gig from the 1st of December in Byron Bay. He mainly played tracks from his latest Album ‘Fifteen Bullets' which is out now on Beatport and Spotify and contains 13 of his best tracks in 2019 plus two new originals. Beatport: http://bit.ly/BLACK009 Spotify: https://spoti.fi/2RzoJgV Takeover in the second hour comes from new Ballroom Family member Danny Wabbit who collaborated with Karim Alkhayat for the ‘Testosterone EP' which will be out on December 16th and is available already for pre-order. Beatport: http://bit.ly/BLRM063 Enjoy the show! For more information regarding the show, visit www.Ballroom.cc you'll find all the links to the streaming platforms as well as all the radiostations where we're aired week-in and week-out. You can also subscribe to our podcast on Spotify and never miss an episode: http://bit.ly/BallroomRadioShow Tracklist 1st hour (Kaiser Souzai): not available Tracklist 2nd hour (Danny Wabbit): 1. BOHO, Vazik - Human 2. Danny Wabbit , Monococ - The shark 3. BOHO, Heerhorst - Pinkfinger 4. Carbon - Softly Twisted (Original Mix) 5. Vinicius Honorio - The Last Dark Cloud 6. Vinicius Honorio - Don't Look Back 7. Drunken Kong, Teenage Mutants - Tokyo (Original Mix) 8. Danny Wabbit , Karim AlKhayat - Unconscious 9. Tom Hutt - Shinigami 10. Charles D (USA) - Addicted (Danny Wabbit Remix) 11. Danny Wabbit , Monococ - Everything Counts This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Featuring... Larry Cadge, Kaiser Souzai, Benotmane, Jesse Perez, Johnnydangerous, Josh Butler, Daniel Steinberg, Dubfire, Hector Couto, Jesse Rose, Marcelo Castelli, Adam Gibbons, Andre Crom