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5 episodes with Khali
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2 episodes with Khali
3 episodes with Khali
2 episodes with Khali
2 episodes with Khali
2 episodes with Khali
2 episodes with Khali
2 episodes with Khali
2 episodes with Khali
2 episodes with Khali
2 episodes with Khali
2 episodes with Khali
15 episodes with Khali
13 episodes with Khali
13 episodes with Khali
durée : 00:05:12 - Avec sciences - par : Alexandre Morales - Une étude publiée dans Communications, Earth and Environment dévoile le passé verdoyant du Rub al-Khali, l'un des plus grands déserts du monde et son influence sur les déplacements de populations.
Nachdem Lutz Jäkel einige Zeit in Sana'a gelebt hat, der Hauptstadt des Jemen, entscheidet er, auch das übrige Land kennenlernen zu wollen. Kurzentschlossen schließt er sich einem Trupp Schmuggler an – und fährt mit ihnen durch die Wüste Rub al-Khali gen Osten. Was ihm unterwegs – im endlosen Sandmeer – in den Händen der Schmuggler widerfuhr, erzählt Lutz in dieser Folge der Reiseflops. Hosted on Acast. See acast.com/privacy for more information.
Khali started Downtown Boxing Gym to use boxing as the hook to teach vulnerable Detroit kids about life. Ironically, none of the kids are now using their boxing ring, but their STEAM Lab and other awesome stuff have helped 1,500 kids graduate high school and 98% go on to post-secondary education! Support the show: https://www.normalfolks.us/premiumSee omnystudio.com/listener for privacy information.
Khali started Downtown Boxing Gym to use boxing as the hook to teach vulnerable Detroit kids about life. Ironically, none of the kids are now using their boxing ring, but their STEAM Lab and other awesome stuff have helped 1,500 kids graduate high school and 98% go on to post-secondary education! Support the show: https://www.normalfolks.us/premiumSee omnystudio.com/listener for privacy information.
Sand mode on! Tokratna epizoda Atmosfercev je nekaj posebnega - ekspedicija v legendarno puščavo Empty Quarter (Rub' al Khali), kamor smo se podali na povabilo Andreja in s podporo Forda. V tej uri in pol dolgi podcast pustolovščini se poglobimo v izkušnjo vožnje po največjem peščenem prostranstvu na svetu, kjer vsaka sipina piše svojo zgodbo, veter riše nenehno spreminjajočo se pokrajino, sonce pa osvetljuje oder osupljive praznine.Spoznali smo, kaj pomeni prava avtomobilska turna smuka, kjer ni prostora za nespoštljivo tiščanje plina - samo prefinjena tehnika, pravilna razporeditev moči in branje terena ti omogočijo , da se zliješ s pokrajino.Prisluhni epizodi ter se z nami zapelji v divjo avanturo, kjer moč konjev sreča veličino sipin, in kjer vsak zavoj volana pomeni lekcijo spoštovanja narave..ZAPISKI:Andrej na Instagramu - https://www.instagram.com/ai_dxb_offroad?igsh=MXF5MHRrMGc1aTJzeQ==Rashed na Instagramu - https://www.instagram.com/rashed_marak?igsh=ZWlia3oyaDJtNXYxUroš Podlogar Photography - https://www.instagram.com/uros_podlogar_photography?igsh=dHh0MjF5aTZtcDdyhttps://urospodlogar.com/
Le seul podcast qui aborde avec passion l'underground français. Perçus comme un teasing pour un album, Khali a tenu clarifier les choses : les 4 derniers clips sortis n'ont aucun lien avec ce qui suivra. Il annonce toutefois une œuvre d'envergure, prévue pour les prochaines années.Si vous appréciez notre contenu, n'hésitez pas à mettre 5 étoiles. Merci
Le seul podcast qui aborde avec passion l'underground français. Chef de projet chez Jeune à Jamais, Roman nous a partagé les projets qui lui ont procuré le plus de fierté au cours de son aventure. Connue pour accompagner des artistes comme Babysolo 33, Bricksy & 3G, Zuukou Mayzie ou Gen, cette structure ne cesse de monter en puissance. L'occasion également de mettre en lumière les rôles des labels et d'explorer les différents types de contrats qui structurent l'industrie musicale.Pour la suite de l'émission nous sommes revenus sur le nouveau projet de Chad de la Cour, les derniers clips de Khali et leur signification, puis bien sûr notre retour d'expérience à propos de la Rêves 11.Pour retrouver notre invité : InstagramSi vous appréciez notre contenu, n'hésitez pas à mettre 5 étoiles. Merci
Tap in with the latest DJ Mix provided by DJ @khalimelon. IMPORTANT: *INVISIBLE Podcast Radio DOES NOT OWN the rights to the music played in this DJ mix.* Tracklist Michelle Melodi - Eternity Luv Moore - Say It Kelela - SANTA_MUERTE_BLUFF_94 BPM Bryson Tiller - Whatever she wants Maxwell - Ascension (don't ever wonder) Rick James - Moonchild Young Jeezy - I Luv It Mary J Blige - I Can Love you feat Lil Kim Stimulator Jones - Soon Never comes 702 - I still Love You Michael Jackson - I can't help it Kaytranada - Dance Dance Dance Dance
Dr. Nora Khaldi is a renowned biotech entrepreneur, mathematician, scientist and founder and CEO at Nuritas, an AI-enabled synthetic biology company focused on creating the next generation of intelligent ingredients. Dr. Khaldi is an industry leader in the field of life science, biotechnology and food technology. She holds a Ph.D. in Molecular Evolution, Comparative Genomics and Bioinformatics from Trinity College Ireland and a masters in mathematics from Aix-Marseille University. Her research has focused primarily on research evolution and comparative genomics. Nora holds over 30 patents and is a highly published author. Together Dr. Khaldi and I dive into the world of peptides and the infinite possibilities of the Nuritas peptide finder. We explore the characteristics of peptides that can change and improve targeted areas, including maintaining muscle health while losing weight, skin health and wrinkles through collagen production and reduced inflammation, and glucose, craving control, sleep promotion, and skin health. Dr. Khaldi reviews the PeptiStrong timeline, highlights targeted populations and shares observations from her personal use. She also addresses the possibilities and concerns associated with AI, reminding us how scientists can enhance their research with its assistance. I'm your host, Evelyne Lambrecht, thank you for designing a well world with us. Episode Resources: Dr. Nora Khaldi - https://www.nuritas.com/team/dr%E2%81%9Fnora%E2%81%9Fkhaldi/ Design for Health Resources: Designs for Health - https://www.designsforhealth.com/ Research Blog: Decoding Peptides: The Body's Little Helpers - https://www.casi.org/decoding-peptides-bodys-little-helpers Research Blog: Bioactive Peptides From the Fava Bean: The Future of Muscular Health? - https://www.casi.org/bioactive-peptides-from-the-fava-bean-future-of-muscular-health Designs for Health Practitioner Exclusive Drug Nutrient Depletion and Interaction Checker - https://www.designsforhealth.com/drug-nutrient-interaction/ Visit the Designs for Health Research and Education Library which houses medical journals, protocols, webinars, and our blog. https://www.designsforhealth.com/research-and-education/education Chapters: 00:00 Intro. 03:09 Dr. Khali's interest in mathematics and life sciences converged as her career progressed. 5:58 The moment that peptides became the focus of Dr. Khali's research involved wallaby milk. 9:27 Details about peptides and the infinite possibilities of the Nuritas peptide finder. 13:03 The molecular universe of an apple includes more molecular data than all social media put together. Dr. Khali details this library of peptides. 15:44 A timeline of the peptide finder's work and how its inaccuracies are corrected over time to identify solutions. 18:14 Determining which areas to focus on and bring to market starts with securing both health and longevity. 21:16 Pillars in seeking peptides that can change and improve targeted areas, including maintaining muscle health while losing weight. 24:01 Discovering the muscle building mechanisms that became the ingredients in PeptiStrong. 27:51 Why can't humans access all nutrients that are hidden in plants? 31:42 The role of AI in identifying properties and the role of humans in ensuring accuracy. 35:25 Pre-market control testing markers and models and findings from early human clinical trials. 42:18 PeptiStrong timeline and targeted populations and observations from Dr. Khaldi's personal use. 47:15 Designs for Health CEO Amardeep Kahlon's testimonial for performance peptides. 49:15 The combination of mathematics and computer science is AI, and scientists can enhance their research with its assistance. 52:25 PeptiYouth focuses on skin health and wrinkles through collagen production and reduced inflammation. 54:42 Upcoming areas of Nuritas peptide research include glucose, craving control, sleep promotion, and skin health. 58:50 Is it possible that the answers for cancers and other diseases might be found in peptides? 1:01:27 Dr. Nora Khaldi personal favorite supplements, top health practices, and her changing post-pandemic views on remote work.
On Episode 3,505, the guys recapped the UFC card and had two interviews in the show, Khali Rountree & Fabian Edwards.
Des centaines de castors ! Hundreds of Beavers sort dans les salles en ce mois d'octobre puis sur FilmoTV. On parle de ce film incroyable (vraiment, hein) avec son distributeur Maxime Durand, fondateur de Charybde Distribution et Sophie Grech du podcast Réalisé sans Trucage.Programme :00:19 Introduction02:13 Hundreds of Beavers et sa distribution en France (Cinéma)41:26 Riverboom (Documentaire)53:20 Batman The Caped Crusader / Zorro (Séries, BD)1:10:40 Khali - Free (Musique)1:16:20 Star Wars Outlaws (Jeu vidéo)1:27:50 Wheelie Yellow (Youtube)1:36:17 ConclusionHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
As we continue in the season and the creative entrepreneur ecosystem, we're now talking about how the importance of care, connection and community play pivotal roles in building transformative relationships. Much gratitude to @khalimelon for hopping on this episode! This episode was recorded in an in-person interview at Soho House in Chicago, IL on August of 2024. DJ Mix provided and mixed by @khalimelon. IMPORTANT: *INVISIBLE Podcast Radio DOES NOT OWN the rights to the music played in this episode.* Audio engineering & edit by Cey Sincerray (@215imgs)
This Week In Wrestling History hosted by Don Tony aired back in 2018-2019 and spanned two seasons. These retro episodes return remastered and are filled with hundreds of hours of original wrestling clips & stories. Enjoy this deep dive into pro wrestling's awesome history. SYNOPSIS: Episode 34 (8/19 – 8/25)RUNNING TIME: 3 Hours 44 Minutes Dusty Rhodes def Harley Race to win NWA World Heavyweight Championship for the first time, ending Race's run at 926 days. Rhodes' title reign would last five days. Audio: Roddy Piper returns to Georgia Championship Wrestling TV two weeks after stabbing incident (1982). Looking back at SummerSlam '91: A Match Made In Heaven, A Match Made In Hell! (1991). Sting def Steve Austin to win his first WCW United States Title. Looking back at SummerSlam Spectacular (1993). Audio: Bizzaro Land: Vince McMahon makes his memorable heel debut in USWA, Bret Hart booed in Memphis, and lots more (1993). Looking back at USWA 'A Matter Of Pride' event (1993). Looking back at WCW Clash Of The Champions XXVIII (1994). Ricky Steamboat suffers career ending back injury. Final ECW Match: Eddie Guerrero vs Dean Malenko: Best 2 Of 3 Falls. Audio: Cactus Jack vs Terry Funk: IWA King Of The Death Match Tournament Final (1995). Looking back at WWF EX-perience event (1996). Audio: Arn Anderson announces his in ring retirement on WCW Monday Nitro (1997). Looking back at WCW Clash Of The Champions XXXV (1997). Looking back at WWF Friday Night's Main Event (1997). Audio: Bart Gunn vs Bradshaw: Brawl For It All Tournament Final (1998). Looking back at WWF Summerslam PPV (1999). WWF tapes the first weekly episode of Smackdown. Raven quits WCW and returns to ECW (1999). Audio: Raw vs Nitro Main Event Battle (1999): Triple H wins his first WWF Heavyweight Title (Raw) vs KISS and the KISS Demon (Nitro). Lillian Garcia and Miss Kitty make their WWF debuts. Audio: Paul Heyman appears on MSNBC hyping upcoming ECW on TNN debut (1999). Audio: First Women's Main Event in Monday Night Raw's history: Stephanie McMahon vs Lita for Womens Championship (2000). Sara (Undertaker's Ex-Wife) vs Diamond Dallas Page The Rock interviews Booker Wee - Sucka! Looking back at WWE SummerSlam PPV (2002, 2003, 2005, 2006, 2007, 2009, 2015, 2016, 2017). Audio: Last ever WWF Hardcore Title Match: Rob Van Dam vs Tommy Dreamer (2002). Audio: Howard Finkel vs Lillian Garcia: Tuxedo vs Evening Gown Match (2002). Jimmy Snuka squashed by Three Minute Warning. Jaime Koeppe wins 2003 WWE Divas Search. Audio: Hulk Hogan vs Shawn Michaels (SummerSlam 2005). Audio: HBK Post SummerSlam promo from Raw. John Cena vs Chris Jericho: "You're Fired' Match. Hulk Hogan wrestles his last ever WWE match. WWE Headquarters 'spray painted' with DX Logo. WWE releases Daniel Rodimer and Serena Deeb. Matt Hardy and MVP play Basketball on Smackdown. Sting def AJ Styles, Christian Cage, and Samoa Joe to become Tag Team Champion with Kurt Angle (2007). Big Show, Khali, Cody Rhodes and Ted Dibiase appear on The Tonight Show w/ Conan O'Brien. Audio: Dashing Cody Rhodes' Grooming Tips (2010). Wacky incident between Balls Mahoney and The Outpatient. Todd Grisham leaves WWE for ESPN. Hunico begins performing under the mask as Sin Cara. Daffney escapes serious possibly fatal injuries in auto accident due to wearing a seatbelt. Audio: NXT fans are treated to CM Punk and Seth Rollins vs Kassius Ohno and Cesaro (Kings Of Wrestling). Audio: AJ Lee cuts her own 'Pipebomb' on Total Divas (2013). El Rey Network officially announces the launch of Lucha Underground. Audio: Nikki Bella wishes Brie Bella died in the womb! (2014). Looking back at NXT Takeover: Brooklyn (2015). Audio: The Dudleys return to WWE Raw after ten year absence (2015). Sting makes surprise appearance on Raw and confronts The Authority and Seth Rollins. Audio: Braun Strowman makes his WWE main roster debut. Audio: Closing moments of first ever WWE Universal Title Match: Seth Rollins vs Finn Balor (2016). Asuka (NXT Women's) and Finn Balor (WWE Universal) forced to relinquish titles due to injury. Audio: Heated exchange between Daniel Bryan and The Miz on Talking Smack (2016). One year after making a memorable return, WWE bids farewell to The Dudleys. Audio: Chris Jericho discusses backstage fight with Brock Lesnar following match against Randy Orton. AAA strips Sexy Star of Reina de Reinas Championship due to intentionally injuring Rosemary during TripleMania XXV match. Looking back at AAA TripleMania XXVI event (2018). And so much more! RIGHT CLICK AND SAVE to download the AUDIO episode of THIS WEEK IN WRESTLING HISTORY S1 E34 (8/19 – 8/25) ==== Join The DTKC Family! 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In this episode, we examine the tragic incident involving The Great Khali and Brian Ong during a training session at APW. Despite the unfortunate outcome, it was not Khali's fault. We'll explore the details of what happened in the ring, including how a series of training mishaps and inadequate precautions led to the accident. Join us as we shed light on this heartbreaking event and discuss the responsibility and safety measures in professional wrestling training. Language: Hindi
Suspense Thriller Detective Story
Detective Stories
Le 4 juin 2024, les élèves du collège des Francs Bourgeois ont investi le studio de Radio Campus Paris. Ensemble, ils et elles ont imaginé, produit et réalisé 5 émissions ! Au programme : sport, cinéma, musique, réseaux sociaux et littérature Au coeur du sport : par Léonard, Yanis, Joachim, Adam et Sacha KMA : par Clovis, Gabriel, Emilien, Gaucelm, Norah et Lisa Rap'actu : par Tom, Gabriel, Aurélien, Victor et Jules TéléFrance : par Marie, Candice, Selma, Dania, Anna et Victoria Littéroradio : par Ambre, Mila, Pénélope, Blanche et Romane Programmation musicale : "Birds Sing of Money" d'Ayra Starr "Samba de Janeiro" de Bellini "La toile" de Khali "La vie qu'on mène" de Ninho "Doggy" d'Aya Nakamura "Happy" de Pharell Williams Un atelier réalisé le 4 juin 2024 et animé par Camille Masson et Margot Page dans le cadre des ateliers d'initiation aux pratiques radiophoniques organisés par Radio Campus Paris.
Growing up in Detroit, Khali Sweeney struggled with dyslexia, not truly learning how to read or write until his 20s after his learning disability was written off as a lack of effort from a “problem child.” However, when he began shadowboxing, he discovered an outlet for reaching young people he wished was available to him as a child. As a result, Khali started a boxing gym of his own — one dedicated to giving kids the support that Khali would've greatly benefitted from. Seventeen years later, Downtown Boxing Gym has achieved amazing success, serving thousands of boys and girls ages 8-25 from 35 zip codes and 50+ schools in and around Detroit, Michigan. Khali joins Benjamin to share the importance of uplifting your community and inspiring growth in children by simply listening to them. Follow Benjamin on X: @BenjaminHallFNC Learn more about your ad choices. Visit megaphone.fm/adchoices
Tales From The Thousand And One Nights词汇提示1.suitor 追随者2.flirted 调情3.cabinet 储藏柜4.carpenter 木匠5.dispute 争端6.affectionate 充满深情的原文Story 4: TheLady and Her Five SuitorsThere once was a wife of a merchant.Her lover was put into jail.She wanted to free him from jail, so she invited the important officials to her house.She wanted their help.She had a plan to use them to free her lover.These men all desired her.The Kazi, Wali, Wazir and the King were all tricked into coming to her home because she flirted with them.One by one they came to her house.She also invited a cabinet maker.She told each of them to hide in a cabinet because they thought her husband was coming home.She also locked up the carpenter over a dispute about the size of the cabinet.The wife left the city with her lover.The 5 suitors were left in the cabinet for 3 days, stacked up upon one another.They were hungry and thirsty.The men were eventually discovered by the neighbors.They got another carpenter to release them.Story 5: The Lovers of BassorahThere once was a Caliph named Harun al-Rashid.He asked the famous writer Al-Asma'i and the poet Husayn al-Khali to tell him a story.Husayn told him of visiting Bassorah to present a poem.It was a very hot day, so Husayn went inside a house to ask for a glass of water.And there he met a beautiful woman and she confessed her love for a young man.This young man used to walk by the house,but he stopped after he saw the woman being affectionate with her servant.Husayn decided to help her to meet him again.His name was Zamrah son of Al-Mughayrah.Husayn took him a note.Zamrah refused to come back.She was embarrassed and said, "I can't bare to look at his face..."Zamrah sent her gifts worth over 30 thousand dinars.Eventually the lovers were married.翻译故事四:女士和她的五个追求者从前，有一个商人的妻子。她的爱人被关进了监狱。她想把他从监狱里释放出来，所以她邀请了重要的官员到她的家里。她需要他们的帮助。她有个计划，要用他们来解救她的爱人。这些人都想要她。卡兹、瓦利、瓦兹尔（国家高官）和国王都被骗到她家来，因为她和他们调情。他们一个接一个地来到她家。她还邀请了一位橱柜制造商。她告诉他们每个人躲在一个柜子里，因为他们以为她丈夫要回家了。她还因为对橱柜大小的争执把木匠关了起来。妻子和她的爱人离开了这座城市。这五个求婚者被放在柜子里三天，一个叠一个。他们又饿又渴。这些人最终被邻居们发现了。他们找了另一个木匠把他们放了。故事五:巴索拉的恋人曾经有一个叫哈伦·拉希德的哈里发。他请著名作家阿斯马伊和诗人侯赛因·阿勒哈利给他讲一个故事。侯赛因告诉他要去巴索拉献上一首诗。那是一个非常炎热的日子，所以侯赛因走进一所房子要一杯水。在那里他遇到了一个美丽的女人，她向一个年轻人表白了她的爱。这个年轻人过去常常经过这所房子，但当他看到那个女人和她的仆人亲热后，他停止了。侯赛因决定帮助她再次见到他。他的名字叫扎姆拉， 是艾姆菲拉的儿子。侯赛因给他拿了一张纸条。扎姆拉拒绝回来。她不好意思地说:“我不忍心看他的脸……”扎姆拉送给她价值超过3万第纳尔的礼物。最后，这对恋人结婚了。
Dans ce nouvel épisode de BPM, Raphaël Da Cruz reçoit Taemintekken.Originaire de Lyon, Taemintekken a commencé dans la danse avant de produire ses premiers morceaux pour Lyonzon, Slimka et Issam. Depuis quelques années, il parvient à faire naviguer son style électronique entre des figures mainstream (Dinos, OldPee) et des voix de la next gen (Bu$hi, Khali, H JeuneCrack). Dans cette conversation, il revient sur des morceaux clés de ce début de discographie, détaille ses inspirations et partage sa vision de la musique.BPM, le podcast d'interview avec les meilleurs compositeurs de ce mouvement, produit par Booska-P et animé par Raphaël Da Cruz. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Join Michelle and Liz for a riveting conversation with Janey McGill as she shares her extraordinary experience leading an expedition with two Omani women across the Empty Quarter, the world's largest sand desert. Janey reflects on the challenges faced, personal growth attained, and the bonds forged with her team. Through her journey, she overcame imposter syndrome, emphasised the importance of setting personal goals, and shattered societal expectations. Janey's film, "Arrowhead," captures the expedition's essence, promoting unity and breaking stereotypes. The conversation also explores the significance of appreciating surroundings, taking breaks, and prioritising self-care for overall well-being.Key Insights:
Our special guest on ep. 246, from the hit series, "The Upshaws" is actress, Khali Spraggins, making her first appearance on the podcast. We talked all about how she got started in the business, how she landed her breakout role on "The Upshaws, what it's like working with Mike Epps, Kim Fields, and Wanda Sykes, and more. We also dive deep into the challenges of maintaining a positive mindset in an industry built on rejection and how she almost quit acting before getting her big break.She also shares her love for law, and if she were a lawyer, the type of law she would practice! Website: https://crazyantmedia.com Merchandise: https://crazyantmedia.com/crazy-ant-merchandise Our film, Deadlines: https://crazyantmedia.com/deadlines Podcasts: ITCAFpodcast: Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531 Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8g Everything's Okay Podcast Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993 Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMg Social Media: ITCAFpodcast Twitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6w Instagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y= Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/ Everything's Okay Twitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peA Instagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y= Crazy Ant Media Twitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6w Instagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y= Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/ Logan (Left) Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peA Instagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y= Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1 Dustin (Right) Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peA Instagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y= Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1
On this episode of ITCAF we're talking all about The Emmys and Critics Choice Awards, the continued fight between Disney and Nelson Peltz, the casting for Fox's upcoming new series, "Rescue: Hi Surf", Universal Pictures' big grab to the rights to Anthony Kiedis' bestseller, "Scar Tissue", Gabriel LaBelle's casting in Sony's upcoming Jason Reitman film, "SNL 1975", and more! Our guest this week, from Netflix's hit show, "The Upshaws", is actress Khali Spraggins! Plus, our "Top 5 ___________"!. segment; this week it's Top 5 "TV Series Ensemble Casts", and of course we have our box office results, and the IMDbPro Starmeter toppers! Website: https://crazyantmedia.com Merchandise: https://crazyantmedia.com/crazy-ant-merchandise Our film, Deadlines: https://crazyantmedia.com/deadlines Podcasts: ITCAFpodcast: Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531 Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8g Everything's Okay Podcast: Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993 Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMg Social Media: ITCAFpodcast Twitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6w Instagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y= Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/ Everything's Okay Twitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peA Instagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y= Crazy Ant Media Twitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6w Instagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y= Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/ Logan (Right) Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peA Instagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y= Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1 Dustin (Left) Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peA Instagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y= Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1
Joe from the longest running Wrestling Podcast in history, Smart Wrestling Fan, and Punjabi Prison enthusiast, joins me for some festive chit chat, his Christmas Party guests, and all the usual fun and games
Josh & Khali Severs own and operate "The Hangry Hero" food truck here in Columbus Montana! This local power couple recently purchased and moved into the location formerly known as Big Fat Headquarters! Their passion shows in their food! We were able to learn more about what drives them, and we explored all the reasons why Columbus is a terrible place to live and raise a family! (That was a joke...) This was recorded at Big Fat Studios at the Uncle Sam's Complex in downtown Columbus Montana. Enjoy
看火環日食上好 ê 所在可能是 tī 沙漠。因為沙漠內底會閘著咱 ê 雲 kah 樹仔攏較少。所以有一陣攝影師，為著欲翕出現 tī 天頂 這个特別日食 ê 清楚影像，in 就 tī 2019 年 12 月底 ê 時陣，去到 阿拉伯聯合大公國 ê Rub al-Khali 沙漠，這是世界上大片 ê 沙漠。這个 火環日食 就是日環食，是 月球 行到伊踅 地球 ê 長株圓軌道離地球較遠 ê 所在，予伊 ê 視寸尺看起來傷細粒，按呢伊就無法度 kā 規粒日頭 閘去。日環食 ê 食甚階段，日頭上外沿就會 ùi 月娘上外沿走出來，月娘看起來就親像是 giōng 欲 kā 日頭規粒閘去 ê 大烏斑。攝影師知影講，這个特別 ê 日食，會 tī 日出了後無偌久 就來到食甚 ê 階段。等 in 揣著 焦燥拋荒 ê 所在，就開始翕相。結果 上趣味 ê 日食影像，是 前景有一欉樹仔。因為比起 沙崙，樹仔閣較會當予這个超現實 ê 背景提供現實、比例尺、kah 材質 ê 對照。Tiàm 北美洲 kah 南美洲 狹狹 ê 日食帶內底 ê 人，tī 10 月 14 拜六這工，天氣若是袂䆀，就會 tī 天頂看著新 ê 火環 日食。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20231001/ 影像：Maxime Daviron 音樂：P!SCO - 鼎鼎 聲優：阿錕 翻譯：An-Li Tsai (NSYSU) 原文：https://apod.nasa.gov/apod/ap231001.html Powered by Firstory Hosting
Gang talks about the first day in the new parliament, the Modi Ji folder-folder khaali khaali folder. Also, India- Canada row and the trajectory our media and scientific temperament is sinking to.
Conversations about diversity, equity, inclusion, and belonging are essential in every organization. They are also just the beginning of important antiracist work. Today we are spotlighting one charity that goes beyond DEI workshops and is expecting all their staff to join them on an antiracist journey – everyday. At the Downtown Boxing Gym in Detroit, Michigan Founder Khali Sweeney and their Executive Director Jessica Hauser discovered that while their organization had grown, racist practices started to creep in. Khali and Jessica quickly realized that they needed to go beyond a workshop and their DEI policies and protect their staff and the 200+ boys and girls they serve from letting white dominance take over. Today I am joined in conversation with Jessica about what that looked like, what they did and how they continue the work with all their staff and consistently ask themselves: Are we centering the most marginalized voice in this conversation? The Downtown Boxing Gym (DBG) is a nationally recognized, Detroit-based nonprofit organization breaking down barriers and providing vital resources to help students thrive. Now in its 15th year, DBG serves approximately 200 students ages 8-18 with continuing support through age 25, the first years of college and careers. The free, out-of-school time program has a 100% high school graduation rate since its inception. DBG knocks down barriers like food insecurity, transportation, and the digital divide, and provides a holistic, personalized learning plan for each student, enrichment programming, college and career readiness, social-emotional skills building, basic needs support, and so much more. Jessica Hauser is a passionate nonprofit leader and as Executive Director of DBG continues to navigate significant growth enabling the program to serve a diverse and growing group of amazing young leaders. She has a bachelor's degree in political science from Oakland University and completed coursework in International Children's Rights at the University of Michigan. Jessica is a member of the Michigan Afterschool Partnership, a coalition that champions statewide access to quality and equitable out-of-school time programs. She also serves as a board member with the Detroit chapter of Women in Sports and Events (WISE). Over the last several years, Jessica has spoken on panels for Dreamforce Leading for Change, Crain's 40 Under 40, Chan Zuckerberg Initiative's Whole-Child Convening, We Work, and the Detroit Regional Chamber. She has presented DBG's work to graduate students at Cornell University, led a convening about COVID-safe re-opening with the YDRC (Youth Development Resource Center), and led a discussion about the digital divide with Salesforce. Jessica's partner, in life and work, Khali Sweeney is the founder of the Downtown Boxing Gym and had planned to join us in conversation. However, at the time of this recording he was recovering from a concussion and while unable to join us was certainly cheering us on from the sidelines. Every single day Khali and Jessica expect all their staff – just like the kids they serve – to become the next best version of themselves. As you listen, I'm sure you will agree with me that Khali, Jessica and all their staff are having a massive impact in their community. DBG is a fabulous example of an organization that takes care of each other so that they can work together to ensure that every child and staff member who walks into their doors they are treated with kindness, compassion and respect. Links: The Downtown Boxing Gym: https://dbgdetroit.org/ Olaudah Kindness Speech https://dbgdetroit.org/videos/#uael-video-gallery-55ebad5-3 Thank you for making this conversation a priority in your day. We are so glad you are part of our community. Please remember to share, review, subscribe to this podcast. And if you have more examples of organizations that you think we should spotlight next season please do let us know.
We are back presenting another great interview on The Aftermath as we have M-16 and guest host Big Debo (My Black Friend Podcast) talking to up and coming singer/songwriter Khali Rose. We get into her story of how she began her career, her motivations and creative process. We also chat about her talent for drawing as well as how she overcame some personal issues to push her career. Later in the Don't @ Me segment we find out what Khali would want to have an unlimited supply of other than money. Background Music: Edson Sean, Baari X, APA Entertainment Find all info related to The Radio Show here: linktr.ee/itstheradioshow Guest Inquiries: theradioshowinbox@gmail.com Text Us: 678-800-1677 Try Podbean to host your podcast and get one month free using our link below: www.podbean.com/TRSATL For more from Khali Rose: Stream: That Bitch and Keep Up With Me available on Spotify, Apple Music, Amazon or wherever you stream your music IG: officialkhalirose For more from My Black Friend: IG:myblackfriendshow Website: radiocircus.net For more info on Nine Hair Co Beard Products go to: ninehairco.com Check out the ZZ Talk podcast here: https://youtube.com/@zz-talk7975 Learn more about Make Music Make Money from Alaura Lovelight. Use our link for 30% off here: https://www.lovelightsoundmusic.com/a/2147507412/2mVw4ZT4
Je me suis régalé à enregistré cet épisode de podcast ! J'espère qu'il te plaira aussi ^^ Mets toi à l'aise, prépare toi un café, un chocolat chaud, ou une tasse de thé, et... bonne écoute ! Désolé, l'offre du bundle est désormais expirée. P.S. Si tu as apprécié cet épisode, n'hésite pas à le partager ♥ Mon livre, dans lequel je raconte la merveilleuse mort d'Oumi, est enfin disponible sur Amazon ❤ ! ➡➡➡ http://www.amazon.fr/dp/B093B2L2FV/ref=nosim?tag=miraclefajr-21 TON DERNIER REGARD : Et si le jour de ta mort devenait le plus beau jour de ta vie ? Tu peux télécharger un extrait de mon livre gratuitement et découvrir la réaction inspirante de ma chère Oumi face à l'annonce de son cancer : ➡➡➡ https://miracle-fajr-routine.systeme.io/extrait-livre Tu peux aussi télécharger le Guide du Miracle Fajr : ➡➡➡ https://miracle-fajr-routine.systeme.io/guide-mfr Pour recevoir la Bulle de sérénité du lundi : https://miracle-fajr-routine.systeme.io/lettre-du-fajr Retrouve moi sur instagram : https://www.instagram.com/miraclefajr_/
In this episode: CM Punk believed to have been working under two contracts with AEW prior to his departure, Report on why The Young Bucks didn't want to have a sit-down meeting with CM Punk, and The Great Khali makes appearance at WWE Superstar Spectacle and says he has another match left in himSupport Eastern Kentucky: https://secure.kentucky.gov/FormServices/Finance/EKYFloodRelief
Back by Popular Demand! This Week In Wrestling History hosted by Don Tony aired back in 2018-2019 and spanned two seasons. These retro episodes return remastered and are filled with hundreds of hours of original wrestling clips & stories. Enjoy this deep dive into pro wrestling's awesome history. SYNOPSIS: S2 E34 (08/20 - 08/26) Dusty Rhodes def Harley Race to win NWA Heavyweight Championship, ending Race's run at 926 days. Rhodes' title reign would last 5 days Audio: Roddy Piper returns to Georgia Championship Wrestling TV two weeks after stabbing incident 1982 Audio: Bizzaro Land: Vince McMahon makes his memorable heel debut in USWA, Bret Hart booed in Memphis, and more 1993 Looking back at USWA 'A Matter Of Pride' event 1993 Looking back at WCW Clash Of The Champions XXVIII Ricky Steamboat suffers career ending back injury Final ECW Match: Eddie Guerrero vs Dean Malenko: Best 2 Of 3 Falls Audio: Cactus Jack vs Terry Funk: IWA King Of The Death Match Tournament Final 1995 Audio: Arn Anderson announces his in ring retirement on WCW Monday Nitro 1997 Looking back at WCW Clash Of The Champions XXXV and WWF Friday Night's Main Event 1997 Audio: Bart Gunn vs Bradshaw: Brawl For It All Tournament Final WWF tapes the first weekly episode of Smackdown Raven quits WCW and returns to ECW 1999 Audio: Raw vs Nitro Main Event Battle (1999): Triple H wins his first WWF Heavyweight Title (Raw) vs KISS and the KISS Demon (Nitro) Lillian Garcia and Miss Kitty make their WWF debuts Audio: Paul Heyman appears on MSNBC hyping upcoming ECW on TNN debut 1999 Audio: First Women's Main Event in Raw history: Stephanie McMahon vs Lita for Womens Championship 2000 Sara (Undertaker's Ex-Wife) vs Diamond Dallas Page The Rock interviews Booker Wee - Sucka! Looking back at WWE SummerSlam 1991, 1999, 2002, 2003, 2005-2007, 2009, 2015-2017 Audio: Last ever WWF Hardcore Title Match: Rob Van Dam vs Tommy Dreamer 2002 Audio: Howard Finkel vs Lillian Garcia: Tuxedo vs Evening Gown Match 2002 Jaime Koeppe wins 2003 WWE Divas Search Audio: Hulk Hogan vs Shawn Michaels SummerSlam 2005 and HBK Promo from Raw John Cena vs Chris Jericho: "You're Fired' Match Hulk Hogan wrestles his last ever WWE match WWE Headquarters 'spray painted' with DX Logo Matt Hardy and MVP play Basketball on Smackdown Big Show, Khali, Cody Rhodes and Ted Dibiase appear on The Tonight Show w/ Conan O'Brien Audio: Dashing Cody Rhodes' Grooming Tips 2010 Wacky incident between Balls Mahoney and The Outpatient Audio: NXT fans are treated to CM Punk and Seth Rollins vs Kassius Ohno and Cesaro (Kings Of Wrestling) Audio: AJ Lee cuts her own 'Pipebomb' on Total Divas 2013 El Rey Network officially announces the launch of Lucha Underground Audio: Nikki Bella wishes Brie Bella died in the womb! Looking back at NXT Takeover: Brooklyn 2015 Audio: The Dudleys return to WWE Raw after 10 year absence 2015 Sting makes surprise appearance on Raw and confronts The Authority and Seth Rollins Audio: Braun Strowman makes WWE main roster debut Audio: Closing moments of first ever WWE Universal Title Match: Seth Rollins vs Finn Balor 2016 Asuka (NXT Women's) and Finn Balor (WWE Universal) forced to relinquish titles due to injury Audio: Heated exchange between Daniel Bryan and The Miz on Talking Smack One year after making a memorable return, WWE bids farewell to The Dudleys Audio: Chris Jericho discusses backstage fight with Brock Lesnar following match against Randy Orton AAA strips Sexy Star of Reina de Reinas Championship due to intentionally injuring Rosemary during TripleMania XXV match And so much more! CLICK HERE to listen to THIS WEEK IN WRESTLING HISTORY S2 E34 (8/20 – 8/26) online RIGHT CLICK AND SAVE to download the AUDIO episode of THIS WEEK IN WRESTLING HISTORY S2 E34 (8/20 – 8/26) online CLICK HERE to access previous episodes for all the shows Learn more about your ad choices. Visit podcastchoices.com/adchoices
As a single mother, a Muslim, and a Somali-American worker living in Minnesota, Khali Jama has always had to fight for the life she, her family, and her fellow workers deserve. And earlier this year, after bringing that fight to the Minnesota state legislature, Khali and her coworkers achieved a major victory. "On May 16," Lisa Kwon reports in PRISM, "Minnesota lawmakers passed the nation's strongest Amazon warehouse worker protection legislation with the Warehouse Worker Protection Act, which ensures that workers can take breaks during the workday and have access to relevant quota and performance standards and data on how fast they're working. The bill's passage marks a significant victory for migrant workers—especially Minnesota's Somali immigrant population, of which the state has the largest in the country. For Khali Jama, a former worker in Amazon's fulfillment center in Shakopee, Minnesota, the new bill offers reprieve and protections that she worked to mobilize. As a Somali and a Muslim, Jama said the Warehouse Worker Protection Act ensures some equity in Minnesota's facilities." In this episode of Working People, TRNN Editor-in-Chief Maximillian Alvarez talks with Jama about moving to the midwest as a child, about her path to working in healthcare and at Amazon, and about the incredible story of how Khali, her coworkers, and the team at the Awood Center, which organizes in Minnesota's East African communities, fought to pass the Warehouse Worker Protection Act.Click here to read the transcript: https://therealnews.com/how-immigrant-warehouse-workers-in-minnesota-took-on-amazon-and-wonAdditional links/info below...Khali's Twitter pageAwood Center website, Facebook page, and Twitter pageIsabela Escalona, WorkDay Magazine, "High Injury Rates Push Minnesota's Amazon Workers to Organize for Safety"Lisa Kwon, PRISM, "Warehouse Worker Protection Act Grants Migrant Workers in Minnesota Landmark Safety Protections"Matt Furber, Sahan Journal, "Amazon's Shakopee Workers Rally for Better Pay, Criticize Company for Not Giving Muslim Employees Vacation on Eid"Abdirahman Muse, Emma Greenman, & Erin Murphy, The Nation, "Minnesota Enacts Landmark Protections for Amazon Warehouse Workers"Permanent links below...Leave us a voicemail and we might play it on the show!Labor Radio / Podcast Network website, Facebook page, and Twitter pageIn These Times website, Facebook page, and Twitter pageThe Real News Network website, YouTube channel, podcast feeds, Facebook page, and Twitter pageFeatured Music (all songs sourced from the Free Music Archive: freemusicarchive.org)Jules Taylor, "Working People" Theme SongMusic / Post-Production: Jules TaylorHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews
"I've never been an organizer," Khali Jama says, "but I've always fought." As a single mother, a Muslim, and a Somali-American worker living in Minnesota, Jama has always had to fight for the life she, her family, and her fellow workers deserve. And earlier this year, after bringing that fight to the Minnesota state legislature, Khali and her coworkers achieved a major victory. "On May 16," Lisa Kwon reports in PRISM, "Minnesota lawmakers passed the nation's strongest Amazon warehouse worker protection legislation with the Warehouse Worker Protection Act, which ensures that workers can take breaks during the workday and have access to relevant quota and performance standards and data on how fast they're working. The bill's passage marks a significant victory for migrant workers — especially Minnesota's Somali immigrant population, of which the state has the largest in the country. For Khali Jama, a former worker in Amazon's fulfillment center in Shakopee, Minnesota, the new bill offers reprieve and protections that she worked to mobilize. As a Somali and a Muslim, Jama said the Warehouse Worker Protection Act ensures some equity in Minnesota's facilities." In this episode, we sit down and talk with Jama about moving to the midwest as a child, about her path to working in healthcare and at Amazon, and about the incredible story of how Khali, her coworkers, and the team at the Awood Center, which organizes in Minnesota's East African communities, fought to pass the Warehouse Worker Protection Act. Additional links/info below... Khali's Twitter page Awood Center website, Facebook page, and Twitter page Isabela Escalona, WorkDay Magazine, "High Injury Rates Push Minnesota's Amazon Workers to Organize for Safety" Lisa Kwon, PRISM, "Warehouse Worker Protection Act Grants Migrant Workers in Minnesota Landmark Safety Protections" Matt Furber, Sahan Journal, "Amazon's Shakopee Workers Rally for Better Pay, Criticize Company for Not Giving Muslim Employees Vacation on Eid" Abdirahman Muse, Emma Greenman, & Erin Murphy, The Nation, "Minnesota Enacts Landmark Protections for Amazon Warehouse Workers" Permanent links below... Working People Patreon page Leave us a voicemail and we might play it on the show! Labor Radio / Podcast Network website, Facebook page, and Twitter page In These Times website, Facebook page, and Twitter page The Real News Network website, YouTube channel, podcast feeds, Facebook page, and Twitter page Featured Music (all songs sourced from the Free Music Archive: freemusicarchive.org) Jules Taylor, "Working People" Theme Song
Can A Boxing Gym Beat Poverty? Khali Sweeney was going to end up in jail. Then he realized he could make a change. After teaching himself to read, he started Downtown Boxing Gym in Detroit, Michigan. He's helped more than 300 inner-city kids transform their lives, too. Let's see what Khali believes about empowering people to take charge of their futures – especially people society ignores. Subscribe to the podcast: Apple: https://podcasts.apple.com/us/podcast... Spotify: https://open.spotify.com/show/7eAkovs... Substack: https://believepodcast.substack.com/ Follow Believe!: Twitter: https://twitter.com/Believe_Pod Instagram: https://www.instagram.com/believe_pod/ Follow Doug DeVos: Twitter: https://twitter.com/Doug_DeVos Instagram: https://www.instagram.com/doug.devos Facebook: https://www.facebook.com/dougdevosamway/ LinkedIn: https://www.linkedin.com/in/doug-devos For show notes and more, visit https://thebelievepodcast.com/.
This is the breakdown on Roc-A-Fella Records. Founded in 1995 by the trio of Shawn “Jay Z” Carter (the talent), Damon “Dame” Dash (the promoter), and Kareem “Biggs” Burke (the silent partner), it became one of hip-hop's most iconic labels.The label took time to develop. Jay's debut album, Reasonable Doubt, is now seen as a certified classic, but took time to get that recognition. It wasn't until 1997 when Def Jam acquired a 50 percent stake in the label and The Roc went to that next level.Roc-A-Fella then created Rocawear, Roc Films, and went on an unprecedented arena tour across the country — rare for rappers at the time. Other artists like Cam'Ron, Kanye West, Beanie Sigel, and Freeway joined the squad.. Despite the success, the founders grew apart, which led to its infamous split. To break it all down, I was joined by my friend and Jay Z biographer, Zack O'Malley Greenburg. Here's what we covered:1:20 Roc-A-Fella origin story7:21 Reasonable Doubt09:43 Friendly rivalry with Bad Boy Records12:43 50-50 deal with Def Jam15:59 How Roc-A-Fella's deal compared to others18:59 The Hard Knock Life Tour's impact 28:32 Expanding the brand beyond Jay Z 30:32 Why Dame and Jay's split was inevitable38:59 Artists taking sides44:21 Best Roc-a-Fella signing?45:22 Best business move?48:27 Dark Horse move?53:02 Missed opportunity? 59:07 Will Dame and Jay ever make up?1:00:45 Who won the most from Roc-a-Fella? Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblogThis episode is brought to you by Norby, your digital marketing Swiss army knife. Get started for free with a free 2-week trial (no credit card needed) AND get 50% off for 3 months after that. Start your free trial todayThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Zack Greenburg: I think it was really good for hip hop, and I don't think it was ever going to turn violent, but I think again, there was just this kind of like national paranoia around hip hop and, there is, you know, in waves.I think it was just a, good reminder that you can have like a spirited dispute and, it's okay and it's entertainment, you know? and it's, nothing that anybody needs to be afraid of. So, you know, of course like credit to Jay and Nas for resolving it amicably, yeah, I mean just, to have that end, you know, like very amicably I think was just so good for everybody involved. And then, you know, I think it's really fun to watch, Jay and Nas as their relationship has evolved And, you know, Nas was sort of always like the one who was sort of behind, when it came to the business of things.[00:00:46] Dan Runcie Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:01:13] Dan Runcie Guest Intro: This episode is a rewind. We're going back in the clock to the late nineties, early two thousands, and we are revisiting one of. The most iconic record labels at the time, the one and only Roc-A-Fella Records. Roc-A-Fella Records, is the record label started by Jay-Z Dame Dash, Big Burke, and went on to be one of the most iconic hip hop record labels and hip hop brands, and that's a key thing from this conversation.I was joined by my friend Zach O'Malley Greenberg. He wrote Empire State of Mind, a biography on Jay-Z, and he also wrote Three Kings that broke down Jay-Z, Dr. Dre, and Diddy's Business Moves. So he was a perfect person to have this conversation with. We talked about the highs of this record label, the lows, some of the best business moves where Jay-Z and Dame didn't see eye to eye, some of the dark horse business moves that they made.What was the best signing from Roc-A-Fella Records? Missed opportunities and more. If you enjoy the episodes we did on Cash Money and Interscope, this one will be right up your alley and we already know what it is when we're talking about Jay, Dave, and Big. So let's dive into it. Hope you enjoy it.[00:02:17] Dan Runcie: All right. We are back to do another breakdown on one of the most iconic record labels, the one and only Roc-A-Fella records, and I'm joined by someone who wrote the book on one of the most influential people behind this record label. Zack O'Malley Greenberg, welcome back, man.[00:02:33] Zack Greenburg: Thanks for having me on, Dan, as always.[00:02:36] Dan Runcie: Yeah, and with this one, I think it's good to start even before Roc-A-Fella records because this label was a long time coming and there were a number of things that Jay Dame and Biggs, the founders of this record label were involved before this. So set the stage. Where were we pre Roc-A-Fella launch.[00:02:55] Zack Greenburg: Yeah, so, you know, I think a lot of people forget, although Jay-Z is a billionaire now, a couple times over, back in the early nineties, he wasn't even sure that he could make it as a rapper full-time. So, you know, he'd appeared on a couple tracks with his mentor jazz. Oh, this great Golden Age rapper. He had popped up kind of here and there, but, you know, really he was finding that it was much more lucrative to be a hustler.And so he was increasingly making more and more trips outta town to New Jersey and Maryland and so forth doing his thing. And, you know, I think he really kind of saw music as a hobby at that point. so he, he did have, you know, a couple supporters, namely DJ Clark Kent, you know, one of these influential producers, at the time.And, you know, Clark Kent really believed in Jay when a lot of people did it. And so he kind of kept trying to convince him to give another shot, like he could do this as an actual profession, and finally convince him to sort of take this meeting with Damon Dash. So he thought that Jay-Z was this just like once in a generation talent, from the musical side, and that Dame was sort of this promotional mastermind.And then if the two forces kind of united, they could create something really special. So in my book, empire State of Mind, Clark Kent tells the story of how he convinced Jay and Dame to sort of meet up. And so Dame, of course is from Harlem, Jay's from Brooklyn. There's sort of like this New York City snobbery thing going on, you know, Manhattan folks kind of maybe look down sometimes on people from Brooklyn and so they get together and, Dame rolls in.He sees Jay's wearing a pair of Air Force 1s and he is like, okay, this guy's cool, you know, he has good taste in sneakers, so I, can do business with him. and that was kind of like, you know, the initial hurdle was, you know, overcome and off it went. And so they struck up this really productive partnership together where, you know, Dame would kind of, help Jay Z sell, you know, they would go around selling CDs outta the trunks of cars and stuff like that.they were trying to get a proper record deal. and they just didn't have, like, nobody was kinda like really into the whole jay thing at the time. And you know, if you think about the music that he was making, unreasonable Doubt, it's like very nuanced. you know, like a lot of words packed into not very many bars, you know, like the space and the rapidity of the, the flow was like kind of not what was happening at the time in the, you know, by this time like, getting toward the mid nineties.So, basically they decided to go and start their own, and they brought in green Bigs Burke, who was kind of a silent partner, you know, another formidable hustler in his own right. And, you know, so there was the, talent, the silent partner and, you know, the promotion guy.And you know, when their powers combined, they were Captain Planet or whatever they were Roc-A-Fella records.[00:05:42] Dan Runcie: And I think part of the thing with Jay-Z that made this unique was his age at this point as well, because by the time they start Roc-A-Fella, he's already in his mid twenties, which doesn't sound anything unusual now, but back then, the rappers that were blowing up were always teenagers.There were always early twenties. You think about Dr. Dre, everyone from NWA, you think about Nas when he dropped I Maddock or you look at LL Cool J. Everyone is a young cat. So for Jay to then drop his debut album when he is 26, Is an ancient man, a grandfather trying to get into this game?[00:06:19] Zack Greenburg: Yeah, I mean, it's like a 26 year old rookie in, you know, the NBA or in baseball or something.It's just like, you don't see it. I mean, al almost ever. And when it does happen, it's sort of like a journeyman, you know, like role player type but jay, you know, had just packed a lifetime worth of lyrics into this one album cuz he kind of viewed it as, you know, this was like a one and done, like a novelty thing.And, you know, he really fully anticipated, you know, kind of coming up from the underworld, dropping this gem of an album and then kind of like disappearing off into the ether, like Kaiser Souzai at the individual suspects. And that, I mean, that was actually his plan. you know, according to a lot of people who I talked to around the time.So, yeah, it was definitely not sort of the normal path, for creating an album. I mean, I think they thought that. You know, they could put out this album, it would do well and then, you know, maybe they would bring along other artists and he wouldn't have to be sort of at the forefront.Like he might just keep doing his thing on the hustling side or whatever. but obviously things turned out a little bit differently.[00:07:22] Dan Runcie: This album was also a bit of a slow burn from a success perspective. I know that many people now when they're debating the best Jay-Z albums, the best Roc-A-Fella albums.This one's always mentioned as well as a few others that we'll get into. But if you look at the commercial performance for this album, in the beginning, it was not that high. The same week that it came out, the Nutty Professor soundtrack sold more records than Reasonable Doubt. And around the same time, that summer, I'm pretty sure that Shaquille O'Neill's album, cuz he was putting out albums at the time, also sold more than Reasonable Doubt did.So extremely slow burn. And you mentioned something earlier about the hustle that I wanna tap into because this is one of the big value ads that Dame Dash had with this. He was relentless and we've all heard the stories. Many people that have met him have also seen what it's like upfront. A lot of it speaks to his success.But he was someone who was in many ways, notorious for going to the New York radio stations and giving them gifts, understanding, yes, this essentially is payola, but this is what everyone else is doing. This is what the people with the real money in the industry are doing. So he's leading into that as well.And you mentioned Kaiser Associates also makes me think about, there's one of the music videos that Jay had from in my Lifetime, volume one where, I forget which song it was, but the song essentially, you know, the music video essentially was a spoof, odd usual Suspects where he's impersonating the the Kevin Spacey, Kaiser Souzai character on it.Sorry for anyone that hasn't seen Usual Suspects for the spoilers I just dropped there. But there's so many things that I think tie in with that and just stay consistent with who he is at the time.[00:09:08] Zack Greenburg: Yeah, absolutely. And I mean, I think that whole album, you know, the aesthetic was very like, maybe not Kaiser Soze, but, you know, sort of like gangster movie sort of thing and, you know, all the album artwork, you know, it's him and like a fedora and black and white and all that kind of thing.and so, you know, I think that, he's been obsessed with mafia movies for like, his entire life and you don't hear it quite as much, you know, as more recent albums. But he was kind of like living this underworld life at the time. And so I think it really resonated with him and maybe in a way that, that it, it doesn't quite resonate now.[00:09:44] Dan Runcie: And I think too that was in a lot of ways the theme that we saw he did in the nineties. You definitely saw Big Do It, especially in the whole life after death era, right before he passed. And I think there were a few moments that gave him the initial bump. Even after having Reasonable Doubt drop.Jay himself was featured on the Nutty Professor soundtrack because he had the song with, Foxy Brown that was also on his album. And then he's on Fox's album, album a little bit later. Her debut, he's also on, what's the song that Jay oh, David Brooklyn's finest, on Jay's album.[00:10:18] Zack Greenburg: Going back to Callie was on there. Oh my God, what an album. Yeah. But yeah, that was not, I would say Jay-Z got the better end of the collabs. with, the Brooklyn's Finest. I mean, that is a classic. Clark Kent produce that one also. And, you know, that was kind of like, that was another funny story from the book, like, you know, that there was also a bit of a friendly rival, mean, like they were, there were buds and all like, Jay and, and Big, but there was like a little bit of a friendly rivalry between, Jay and Dame and Puff and Big, because I think, you know, like, so the Whole Bad Boy thing was more established, by the time that Roc-A-Fella Records came about, and so I think Puff was kind of like Dame Dash, like another dude from Harlem, are you trying to be me? Kind of thing, you know, and so in order to make that song happen, I think before Jay and Big were friends, Clark kept kind of tricked them into recording the song together. So he was in the session with Big, and then he accidentally played a tape of a track that he had that was just an amazing track and Big was like, that's great.I wanna get on that. and he was like, no, I'm saving it for somebody else. And things like, well, who the hell else are you saving it for? And he is like, my man, Jay, you know, he's amazing. He's a beast. and big's like, I don't who, what Jay who. and so finally like Clark Kent sort of like goded him into, unbeknownst to big, Clark Kent had arranged for like Jay and Dame to be in a car downstairs.And he was like, oh, I think he's actually just coming in. And so he went down and he brought him up and so like Jay went in and recorded his verses, I think right then and there. And he left spaces for Big to put his verses in. and when Big went in and he listened to it, he was like, oh my God, this guy's so good.I have to like, go home and really think about this, about what I'm gonna put in there in the spaces that he left for me. and I think after that they were really good friends. but you know, it's, that kind of like, good nature trickery, shall we say. that, you know, I think some of these circumstances happen when you got some egos in the building and, you wanna make some magic.And, you know, as I recall, you know, for the chorus, Jay and Big had like become fast friends and, so like, they're leaving the studio and Clark's like, you know, on the final day that Biggie came and recorded or whatever, and Clark's like, what should I do for the chorus? And they're like, just scratch something.And that, that was how it happened.[00:12:44] Dan Runcie: Classic. And that's such a New York story, and it's also such a 90s hip hop story in terms of how the industry worked. Having someone like, oh, so-and-so's just downstairs, they're gonna come up right now because you have 'em, man, how people worked. Things classic. And it speaks to where Jay was at the time too, because as we mentioned, reasonable doubt, slow bird took a while for it to get.The respect that it deserves. But then you go to 1997, he has, in my lifetime, and that album also Slow Burn and wasn't necessarily as highly regarded as Reasonable Doubt, but still had some songs. And you could tell that Jay was trying to navigate a few things, whether it was he had the flashy suit ever himself when he had the song Always Be My Sunshine.He's feeling that out. I mentioned he had the Kaiser Souzai spoof music video, but it really isn't until 1998 where things start to change. So a few things happen here. The album Volume Two, Hard Knock Life comes out. That song, Hard Knock Life changes everything for the trajectory of that label, and that's when they start the partnership with Def Jam.So let's talk about the Def Jam piece first. Can you talk a little bit about that one and break it down?[00:13:57] Zack Greenburg: Yeah. So. As I recall, you know, in early Roc-A-Fella they had struck this, distribution deal. I think it was with priority. and you know, reasonable doubt was they had already been selling it on their own, sort of informally out of the trunks of cars.And then priority, you know, was distributing it. But it was kind of a disaster. They weren't paying Jay on time and, or maybe at all, at some point. And so he just kind of went back to 'em and was like, you know, if you're not gonna be paying me, or paying me everything, you're not paying me on time or whatever.Just like give my master's back and get me out of it. and somehow that's what happened. So that freed him up to be able to take this deal with Def Jam, where Def Jam bought a piece of Roc-A-Fella records. but again, you know, because they were buying a piece of it and not signing him to a deal. you know, he continued to own, you know, considerably higher portion of his own copyrights and, you know, possess more of the cash that came in than he would've otherwise. but you know, he already had the success. They already had this apparatus set up, so he had like, you know, he had leverage in a negotiation and I think, you know, even though his second album I think was kind of a dud and he would always, like, he has said in interviews that that's his worst album and the one that he'd like to have back.you know, he had some, heat, you know, with reasonable doubt. And then kind of like coming off the heels of Biggie's death and, being sort of like the heir parent. it was tight with Puffy who produced the second album, you know, for better or worse. But, you know, I think that really gave them sort of the ability to get what they wanted at a Def Jam, which was like, I think part of the reason that first album didn't do so well, and I think it was until fairly recently, his worst selling album, until sort of the back catalog began to catch up. But, what they needed was distribution those days was really important. Like you, you needed, you know, you could have Damon Dash, like Haranging, people at rec, you know, at radio stations all you want.But in order to really have the kind of, you know, national scale, that you need to be a superstar, at least in those days, really wanted to do with the label. So that's what they did,[00:15:59] Dan Runcie: Right, you needed someone that could get 500,000 units to 7,000 distribution points, and there were barriers to entry in order to do that.And yeah, to your point, I don't care how many bottles of champagne you try to give to Hot 97, that's not gonna make that happen without it, right? The thing that I always think about with this ever though, is the terms of this deal, because at least what we've seen publicly was that Def Jam had taken a 50% stake.In Roc-A-Fella records, and it was for one and a half million dollars. And that number always stuck out to me a bit because if you look at some of the other deals that had happened in that era, you had masterpieces distribution deal that he had done with the same priority records that Roc-A-Fella had their deal with.But Master P obviously had a much more favorable distribution deal with splits in his favor. And then similarly, that same year, 1998 Cash money, does their distribution deal with Republic Records? Of course, Def Jam is a different unit and Roc-A-Fella was in a very different place. And we know that Jay-Z had always talked about ownership and it was important to him.But it's a interesting reflection of just where things looked at in the landscape because it's easy to look back in Jay's career in hindsight and think that, oh yeah, his first album was a classic and then Hard Knock Life comes and everything is just up and up. But there was still. hierarchy and there were other artists that were getting more favorable deals, more ownership for their music, for their record labels.And Roc-A-Fella still got something that was somewhat favorable, but still not at the same level of some of those other people in the mid to late 90s.[00:17:40] Zack Greenburg: Yeah, I mean, that's a really interesting point, right? I mean, Jay obviously is this brilliant businessman and, you know, Damon and bigs aren't too shabby either.And yet it was a good deal, but it wasn't, anything like, a cash money or no limit in terms of the splits, and what they were doing. So, yeah, I mean, I think to your point, you know, those other acts, had kind of like a more established operation, you know, Jay was one guy with one album that didn't sell very well, that was kind of critically acclaimed, you know, so it was like A bit more of a risk perhaps, on Def Jams parts, they weren't really risking that much capital on them. So, you know, I mean, and I guess I wonder if that initial deal had been more favorable for Roc-A-Fella, if they had managed, to have, you know, the kind of splits that Cash Money and No Limit had might they have stayed in business together longer? You know, in a way it's like if the pie that you have or like if the one big pie, and, you know, if you're a slice of the pie that you're sharing with your two business partners is that much smaller than it is, than, you know, let's say the Williams brothers were sharing a cash money, you know, maybe you feel, a lot more restless and, inclined to go elsewhere, but we can get to that later.[00:18:59] Dan Runcie: that's a good point too, because if Cash Money is still in business. And we know cuz we recorded that episode not too long ago, but Birdman and Slim are still getting tens of millions of dollars per year. It's essentially a cash cow asset that they have. Def Jam is still collecting for Roc-A-Fella, as is universal. And I know that Jay and Damon Bigs do have their splits, but it's not the same because they eventually did sell the other half of the record label to the parent company Def Jam. I think it was Island Def Jam at the time that that deal happened. But it changes the dynamics a lot. But with the story though, we are getting to the point where Roc-A-Fella is clearly on the way up.And I think there were a few things coming that did set things up for them. But one thing that I think was a big difference maker for them around 1999 was them wanting to go on tour and. Have their name out there. So 1999 they have the Hard Knock Life tour and at this time it was pretty rare for, all Hip Hop Act to have a nationwide arena tour that happened because at the time they had past shows or whether it was at Run DMC shows or other things in the late 80s, early 90s, and cause of violence and because of things like that, all these promoters and all these venue operators were so scared of hip hop.So you had Smoking Grooves and other festivals like that in the mid nineties where they always had to pair you with the R&B actor. They had to have two folks together. I know that Bad Boy had its, arena tours as well, but they always had the R&B acts that were there, so they needed to, they were really trying to do something different.But I think this is where Dame's Magic came to life because he was able to really control the narrative and be out in front with how they were making sure that violence wouldn't happen, whether they had their own security on top of whoever was there. They had the fruit of Islam that was at each of these shows standing there to have the, bodyguards there as present.When the reporters came into the trailers to see what they were doing on tour, there's this iconic video of Tie Tie and he has videos up and this VHS tapes up of, oh, you think we're just watching gangster flicks? No, here we got Goodwill Hunting right here. We got Brave Part, we got as good as it gets.Like we're here watching videos like anyone else. And with that and even, I think they did something that was either, either donating money or something as well cause in Colorado, because they had a show right around the same time that the Columbine shooting had happened there. So there were a few things they'd done there.And I think that tour in a lot of ways helped. Not just the Roc-A-Fella crew, but all the other folks that were associated with them that came along like Red and meth and Ja Rule and others. But then after that, we then saw the Up and Smoke tour. We saw Rough Riders and Cash Money go on tour. And I think that tour in a lot of ways helped propel them into that next level to continue to have a lot of that success.[00:22:06] Zack Greenburg: Totally. And you know, and I think it wasn't necessarily reflected in the bottom line. I mean, I don't remember what the gross was, but, you know, 18 million I think. Yeah. Like Taylor Swift probably grossed that in one show at,[00:22:20] Dan Runcie: I think he made that in two of the three nights at,[00:22:23] Zack Greenburg: Yeah, definitely, definitely over a weekend in the Meadowlands, but yeah, she probably had definitely, let's say, definitely crushed it in her like little weekend did in the Meadowlands. But you know, and so obviously if you're grossing $18 million. You're probably only taking home, you know, 10 of that after cost, maybe like, probably more like, you know, I don't know, seven or eight. and then you're dividing that up amongst however many people. There were a lot of people on that tour for like a fair amount of tour days, so it did not work out to a lot of sort of take home pay per show, but it really kind of opened the door. I think in the aftermath of the death of Tupac, Biggie and like all of this, you know, sort of, like moral panic around hip hop and violence and all of the, you know, whatever Tipper Gore stuff, you know, that this was sort of like a reminder that like, yes, hip hop Acts can go on tour and it's gonna be fine.And like that, you know, that had been done in the past and, run DMC and what have you. But, you know, NWA had gone on tour and, you know, had a big national tour. So there were other examples before, but I think people were like, kind of freaked out about hip hop in the national zeitgeist at the time, and this kind of really helped to kind of reset things. And, you know, opened the door for other rappers, but, you know, for Jay-Z himself down the line, you know, I mean, he's been a really prolific touring act and I think he's always been really clever, about it because, he's like, even now, like he can sell out arenas, but, you know, he's not like, I don't know, he sort of can't necessarily do, he can't sell out stadiums by himself, that's for sure. And there was a time when he couldn't sell out arenas by himself. and there's probably a time when he couldn't sell Amphitheaters by himself, but he always goes around, he brings somebody with him and he's got a really good kind of, level of self-evaluation and he's like, you know, he doesn't let his hubris get in the way of like, I can sell out whatever, whatever.unless he knows he can, you know, he, he's very accurate in that assessment. And if he can't make it, then he just brings somebody with him. He brings Eminem with them. you know, he goes out with Beyonce for the stadium tour. So, you know, Justin Timberlake with him. Yeah, yeah, exactly. Exactly. So in a way, I think that tour was kind of the beginning of that.And, you know, how he could, see some synergies by mixing and matching with other artists[00:24:35] Dan Runcie: And that tour too Hard Knock Life tour. He showed signs of that awareness there. There's this iconic clip when Jay-Z was on the shop a couple years ago and he's talking about the show. This was shortly after DMX had passed away and Jay-Z was going on tour in each of these nights after X and X's shows, you know, he's taken off his shirt, he's doing prayers at the end.So you have people that are laughing, you have people that are crying, then people that are screaming and then they come out and they're like, oh, now you go like pointed to Jay-Z. And I mean, one Jay's storytelling of that is good. When we post this episode, we'll definitely share this clip in there, but two, it showed this awareness that people have spoke about of, and it's also what you're saying, even if he may not have always been the central act and another running thing that people have said over the years, what year was Jay-Z, the top guy in hip hop?And I think that is a very debatable thing, but it's the longevity and that's the thing that speaks to it. And how he's been able to stay through that over the years. And because he was always that core piece, like we said, price is probably one of the reasons that they didn't get a no limit or a cash money type deal.It really was just him. I think there was that one R&B album that Rocefella hadn't released in 1997, but didn't really go anywhere with that artist. So things didn't really pick up until late nineties, early two thousands. And you start to see more of the artists on Roc La Familia, and they're really able to spread their wings in that way.[00:26:10] Zack Greenburg: Yeah, I mean, another thing to remember, at the time, you know, especially, I think it was 98, 99, that was when, you know, Def Jam. So I think Def Jam had already taken a pretty significant, institutional investor, but, they were selling the company or like maybe the remainder of the company or most of the remainder of the company.There's this really, really big deal happening. and I forget which sort of, European entertainment conglomerate was it Bertlesman or It was like, was, something that's since been reconstituted or, or whatever. But the, the deal was gonna happen and you know, the deal was gonna be for whatever multiple of revenue, that Roc-A-Fella had or not Roc-A-Fella, that Def Jam had produced in the prior year.And so for the, I think it was the calendar year of 1999. And so, Lyor and Russell just like leaned really hard on Jay and DMX and they were like, we need you to put out like two albums in 12 months because we're just gonna get a multiple of that. And I don't remember the exact advances that, that were given, but you know, I'm sure it was considerable.And so, you know, they were able to put out like each of them two really killer albums in the span of like about 12 months each. which is like kind of unheard of these days, right? I mean, Jay-Z goes, is like five years between albums now and, I think that was, volume two and volume three for Jay-Z.And I think for DMX, it's dark and.[00:27:38] Dan Runcie: Dark as hell and hot and then flesh and my flesh blood. And then, and those were like, like, and then there was X was the third. Oh, then there was X.[00:27:45] Zack Greenburg: That's right, that's right. So those were like, like two, like for each of them to[00:27:49] Dan Runcie: a year and a half spare albums.[00:27:51] Zack Greenburg: I mean, yeah, back to back, you know, man, like to have that much, sort of creative energy to do it so quickly, and to have it sell so well, I mean, it is quite a feat and you know, and they, personally enriched Russell and Lyor and Rick Rubin, like, I would say quite substantially cuz it just drove up that multiple.And, yeah, I think a lot of people kind of forget, how critical they were, you know, to that process. But it probably also caught thinking like, Why am I working so hard to make somebody else, you know, I'm getting rich, but they're getting wealthy and, I think the gears are continuing to turn for him at that point and he's like, Hmm, how do I kind of get to be more in their position, right?[00:28:32] Dan Runcie: Cuz I think at this time, this is when you start seeing more of the Roc-A-Fella expansions in a few ways. First Dame is already thinking about ways to extend this brand. You see Roc films, Streets is watching comes out in the late nineties and then they put out a whole documentary about the Hard Knock life tour as well.And they start selling that as the DVD Rocawear comes out. And we're gonna do a whole episode about Rocawear eventually, but, you know, Rocawear itself. And then you also just start to see more and more product coming from Roc-A-Fella that isn't necessarily from Jay himself. And I was looking back from a timeline.And this is one of the unfortunate things about Roc-A-Fella, we're gonna get to this, but right around the time they split, you could argue that they were just continuing to go up and up and up with the releases every year. Like this is the 12 month stretch that they had where I think they had the highest products.Starting in February 20th, 2003, you had freeway drops, Philadelphia Freeway, Dipset Drops, diplomatic immunity. Joels has his debut album. Jay-Z drops the Black album, Memphis Bleak drops his, and then top of 2004 Ye drops College Dropout, Young Guns drops their debut. And that's all in a 12 month span.That's some no limit cash, money level of dropping albums. And so there's so many hits and so many memorable songs that they had during that stretch.[00:29:59] Zack Greenburg: Yeah, absolutely. And you know, I think that if, you know, we were talking earlier about the splits and so forth, but it's like, can you imagine. If they had the kind of splits to catch money it had, when you have all those albums coming out and, you know, yeah, I think it really would've changed things.Not only that, but you know, to own the masters of all those artists, which you probably would've in those days. you know, to have like a hundred percent or something close to it on all those artists with all those classics. you know, it would've been very hard to walk away from, you know, as they eventually ended up doing.[00:30:33] Dan Runcie: And I think what you mentioned earlier, probably alludes to this, right? Because if there's enough of the pie to these split between the three founders and everyone else, and they're the one accruing the assets from what they have, then maybe Jay and Dame are more likely to figure out their differences in a way to make things cook because it's working for everyone.But when you're still paying Def Jam in on top of that, or you're still paying island def jam in on top of that universal even more money, it's tough to justify that. And I think this is a good time to talk about the split. The infamous split between Jay-Z and Damon Dash. You could start to see that the two of them were going in different areas where Jay-Z was wanting to be really focused in on what he was doing from a music perspective, wanting to expand there and wanting to just do different creative things.But Dame had his own approach, and we talked a little bit about that with, the films and the sports and other things too. But he also wanted to do things his way. He was starting to get a little bit more spotlight. And then there's that infamous clip of them at Summer Jam 2001, where Dame Dash is in his full element.And Jay-Z's just like expressionless. And that clip is often looked at as like you knew from this moment. That these two just were necessarily gonna be at the same page because this is 2001, Jay-Z's are drop about to drop the blueprint, his masterpiece. And granted, you know, he could have just been in the zone or whatever, but it's definitely an unfortunate thing because granted, Jay-Z was able to reach further heights, but you never know what could have happened.You just look at how much Rocawear ended up selling for you. Look at the continued success, the momentum, and I think what it boils down to is to. People that had different philosophies where it makes it tough. Jay-Z was a bit more focused on wanting to be rich. He was willing to do partnerships with others if everyone could eat and have a piece of the pie. Granted, he still wanted ownership, but as you've written about before, he has his perceptions on underdog brands and how he could move like a private equity executive and make the right investments. And even the m and a deals he's continued to do today, his live nation deal is the element of this.But Dame was a bit more wanting to be king. He wanted to have his stamp on things. And I think you see that even now today with Dame Dash Studios, Dame Dash, this, like, it's very important for him to be able to have his kids and his other folks around him be able to work with him and be the boss, not necessarily wanting anyone to tell you what you can and can't do.And that infamous Breakfast Club interview that they had, I think it was 2015 when he's yelling at DJ Envy and Charlemagne about, well, they gotta report to whoever at Power 105 and that's their manager, that they're not a real boss, is an element of that whole dynamic. So it's frustrating that it happened, but it's also not surprising.[00:33:26] Zack Greenburg: Yeah, I mean, I think, you know, Jay has kind of adjusted his views on ownership and he said recently, I mean, he's sold some of his big brands, or sold half of it into, a JV with like LVMH or you know, or whatever. And he's very much of the mind of like, well, I, you know, 50% of like a billion is a lot more than a hundred percent of, you know, a couple hundred million, and I think Dave, that's[00:33:51] Dan Runcie: that you did with Kevin Hart, right?[00:33:53] Zack Greenburg: Yeah, yeah, yeah, exactly right. So, and I don't remember the exact quote, but maybe you could, maybe you guys can pull it up, but I don't think Dame really ever got that. He was always like, well, I want a hundred percent, you know, and so, you know, he ended up with a hundred percent of like, whatever, you know, seven or eight figure amount that he ended up with.But he could have had, you know, 50% or 30% or something of like billions of many billions probably. But you know, just to kind of like, I think there was a precipitating moment that sort of like was the end of, Roc-A-Fella a s it was, a partnership between the three of them.But it really could have been anything. it was headed that way for a couple of years. And, you know, I think what it comes down to, is that, I don't know. I mean, I think that Jay also recognized that Dame was very, very valuable. The skillset was especially valuable in the come up.And, you know, like when you are not well known, you need somebody to go in and yell at somebody at the radio station. you know, but then when you get there, you need somebody to like not yell at certain people, you know? And, when you get to that next level, and sort of Dame, you know, didn't adjust, To that.And, Damon was sort of Damon or wherever he was. And it was great in one situation, not great in another situation. So I think the precipitating incident was basically when, you know, after this sale, which ironically Roc-A-Fella helped, boost, you know, the Def Jam sale. There was a reshuffling of executives, which is like so complicated.I'd have to go back to that chapter of my book to, to look at it. But the gist of it was the role of president at Def Jam, opened up and, it was offered to Jay-Z. And so, you know, Jay-Z, this is something that he had sort of, it's this like great prestige job. something that he'd always been wanting.And I don't think he wanted it, like, this is my dream job that I've always wanted. As much as it was like, if I can do this, be a CEO, this opens the door to so many other things. And it will really sort of entrench me as not being pigeonholed as an artist. And, it was a no-brainer and of course there was no way to do this without, stepping on Dame's toes.So, you know, there's this whole great drama, and I think, you know, the wheels started turning when Jay-Z was, you know, on, on a yacht in the south of France with like Beyonce and Jimmy Iovine and Bono or something and, kicking it. And, you know, there's some executives there. Some conversations were had, I think at the same time back home, Dame, like elevated camera on to VP level at Roc-A-Fella without consulting Jay.And it was this kind of like big scandal and when Jay-Z came home, he was like, no. And he kind of demoted him. So there was some awkwardness there. but you know, I think then that Jay kinda like accelerated his, push toward this CEO role, and when he got it, it's like, all right, you know, sorry Dave, I'm your boss now.I mean, because of course Def Jam was, but Roc-A-Fella, there was really. There was no way for it not to be structured like that. so, you know, when that went down, of course, like Dame immediately, you know, quit or left or whatever, and, there was a hot minute where he started the Damon Dash Music group within Universal, but, you know, then he kind of like kept doing the same thing and kind of yelling at the wrong people.And, and so that didn't really go anywhere. And, you know, the thing kind of fizzled out and Jay offered to, I think he wanted to give, at the time, he wanted to give, Biggs and Dame, like all of his preexisting masters in exchange for exclusive ownership of Reasonable Doubt. they said no. but of course, you know, I don't know that the Black album had gotten as big, is it?You know, I hadn't like really fully blossomed into what it, what it ultimately was at that time. And there's like all this other, so anyway, I mean, there's a lot of like trades being offered and you know, people sort of like, you know, it's like the guy in your family in football league, your fantasy baseball league.You kinda like overvalue his own players. Think I've made this analogy before, but, dude, come on. Like, you know, you're running back, just got injured and offering you my extra running back for this wide receiver who you're not even music anyway. it didn't really work out.Everybody got all pissed on each other, you know, at the end there's bad blood. so th there's this great moment that Dame talks about how, shortly after all this went down and they're like in the elevator at, I guess the Universal Museum, that Def Jam was housed in. and Roc-A-Fella had been housed in or something.And they're like bumping each other in the elevator and Dame is wearing a state property shirt and Jay C's like in the suit. And Dame's like, man, you know, things are really different now. Like, dude, you changed, you know? so, you know, I don't know if Jay changed so much as like Dame didn't change, you know?you could argue the problem was that Jay changed, but you could also argue that problem is that, that Dame didn't. And, you know, I mean, to some extent like power to him, you know, be you. but Jay, you know, in the way that I think you know, he's constantly changing. He's restless, he's always, everything is a chessboard.He's always evolving, you know, I think ultimately there was no way to stay locked into a partnership with someone who wasn't kind of willing to change with them.[00:38:59] Dan Runcie: One thing you mentioned there made me think about how they think about things and where they are from a strategic perspective, Dame is very much your early stage startup guy.He's great for the pre-seed era. He's great for when you're even in the seed stage, maybe even series A, but once you get to that series B, C, you're starting to get some higher level executives. You're getting more talent, you're gone to bigger things. You can't operate the same way and no different. How those organizations often need to rotate and think about leadership.That's essentially what in many ways was the opportunity there at Roc-A-Fella. And there's nothing wrong with being very successful at that pre precede seed stage. I don't think Roc-A-Fella would've got to that point if it weren't for Dame hustling in many absolutely ways, whether it was on tour radio, and I think a lot of his success traits have been carried through and things we've seen celebrated and leaders in tech and people that do things that don't scale that very much is Dame Dash. That next level, though, is where things did get a little bit tough because the label's clearly getting ready to go to that next level, and they just had their tensions there.The thing that was unique though, about their tensions is that the artists themselves that were on Roc-A-Fellas started picking sides in terms of who they wanted to be with, who they were gonna side with, Jay versus Dame, and as you mentioned, Dame was the one that had elevated Cameron, who was the leader of Dipset at the time, to that VP level.That then brings everyone from dipset under his umbrella, but Ye, who had just dropped the college dropout and he was the one that was always trying to make it. He then signs with Jay, he also has a very memorable interview on the Breakfast Club where they asked him about this, and Ye was the one that was like, me and Dame we're the same. We think the same. This is how we act and go about things but I could learn more from Jay. He knows how to talk to people and he uses Jay's iconic lines. He's like, Jay knows how to move in a room full of vultures. That's just how he is and sometimes I be talking and saying the wrong things, which is a very ironic thing.I don't know if Kanye himself would admit that now, cuz that very much is a self-serving prophecy. I do think that there's a lot of truth in that, and just how things ended up shaking out for both of them. You saw the moves that everyone continued to make, and even though ye has definitely been quite polarizing in the public spotlight, a lot of the moves that he continued to make, whether it was with Yeezy or with the partnerships he's had, I do think stemmed from how he looked up to his own big brother in Jay.[00:41:42] Zack Greenburg: Yeah. And he could have easily gone with Dame, right? I mean, you know, Jay wasn't so great to him early. Jay didn't believe in him as a rapper, he kind of wanted to keep him as a producer and Dame was, I think, the one who really advocated for Kanye as a rapper. but you know, I think Kanye, in his, you know, like more self-aware moments can say things like, oh, I think I could learn more from Jay.He brings something to table that I don't have, for Dame, I think the difference between Dame and Kanye is that they're very similar, in a lot of ways. But Dame isn't an artist. like, let's say a generationally talented artist. And so people will not put up with you if you're an executive. And you bring along those headaches in the way that they would put along, put up with you if you're a generational artist and you bring those headaches. And I think that was sort of like also, something that did Damon. And you know, in a way I think Damon Puff had a lot in common like they can just go in and kind of bulldoze their way into something.but Puff has that, that like other level where he can sort of like turn it up and down and, you know, to fit the situation. and is like more of a chameleon than Dame is. And Dame's just kind of dame all the time. so, you know, those are sort of the, personalized to play. But you know, like one person who gets lost in the shuffle here is Cameron.And because that was sort of the prime of his career that got like, entangled in this sort of higher level beef. but you know, you think about that album, come home with me and Hey man, like, I mean, Cam was really on fire, going into this whole situation. And then he got kind of like, I don't say like exactly lost in the shuffle, but almost lost in the shuffle.You know? and you just kind of wonder how his career would've gone, you know, let's say if, sort of he hadn't been like Dame's guy, you know, if what if he had gone to Def Jam? You know, what would that have looked like? could he have been on the level of somebody who signed? You know, like, I don't know.I mean, around that time, I think, Rick Ross signed a Def Jam, was it?[00:43:41] Dan Runcie: Ross, Jeezy, yeah.[00:43:43] Zack Greenburg: Yeah, like, you know, I think certainly has, you know, comparable ability, Tyler and those guys and, you know, I think both of them went on to have, You know, sort of like more longevity. but like, you know, I think, some of the Dipset classics and some of the solo stuff too, I mean, it's pretty unbeatable.So, you know, I just wonder, he's had a really good career, either way. But like, you know, I don't know that he ever like, broke through that next level, consistently, you know, to the point where he could just kind of stay there indefinitely. And, I wonder if he might have, if things had kind of gone differently in the Jay-Dame scenario,[00:44:21] Dan Runcie: The man had men wearing pink. He started his own fashion. Yeah. Unbelievable. Yeah, that's true. Unbelievable. With that, I think it's a good chance to hit through some of these categories, cuz I think you're jogging my memory the few things here. what do you think is the best signing that happened under Roc-A-Fella?[00:44:39] Zack Greenburg: Well, I guess you can't count Jay if he, you know, co-founded Right Label.But, you know, I'd say probably Kanye. it's hard to top that. And when, you know, when you think about those first few albums, you know, I mean, he brought an element into hip hop, into the mainstream that just wasn't there. and, you know, I don't think, you know, if you hadn't had Kanye, in the pink polo, and you know, talking about his feelings, like, I don't know if you get Drake right.I think that he kind of changed the discourse. he brought hiphop to the mainstream and then he also like brought a different sort of voice to hiphop, And it was fantastically lucrative, obviously, for everybody involved. So, yeah, I agree with Kanye, for sure.[00:45:22] Dan Runcie: Yeah, agreed. And then just given the longevity there, even into the early 2010s, still putting out records under the Roc-A-Fella Records umbrella that still went back to them.And longevity that lasted longer than most of the people that were assigned to that label. So I think it has to be him. Best Business Move made, I know we talked about a few of them, but what do you think is the best business move that to come from the Roc-A-Fella era?[00:45:47] Zack Greenburg: Hmm. I mean, it's funny now that we look at it, I mean, in a way, know, the deal itself that set up Roc-A-Fella was not, you know, it wasn't a bad deal, but it was not the best, move.It wasn't the best kind of financial arrangement. you know, I mean, Rocawear is kind of an offshoot. Maybe that's cheating, but I'm gonna go with Rocawear because I think in some ways they're like, well, we can't get a hundred percent of the money on this thing, so we're gonna create an adjacent brand that's like very clearly associated with it that we can really monetize fully.And you know, I mean they got paid, I mean that, that company was doing hundreds of millions in revenue and they sold it for hundreds of millions. So, you know, I think they made more off of Roca wear, than they ever made off of Roc-A-Fella. So I'll go with Rocawear, we can talk more about it when we do the full Roca too.[00:46:36] Dan Runcie: I know. Yeah. I'd Rocawear as well. I won't go into the company itself cuz Yeah. We'll get into that in the next one. But I do think the good thing about that was it was a precursor to how artists now are thinking about their own revenue, their own business models, right? How they're using streaming, how they're using anything else that gives them a platform.Use that to grow your audience, use that to grow the awareness while generating money for that, establish the base. So some of those other business units were likely more influential, thinking about them doing the deals with Def Jam and then them having the hard knock life tour. But I do think Rocawear was the best business thing to come through there for sure.[00:47:18] Zack Greenburg: And just a s like a subset of that. I think the philosophy that was embodied by Roca wear, you know, the idea of like, they wanted to go Roca wear started because they wanted to go. there, there was this Italian, knitwear brand. iceberg. And they like went to the iceberg offices and said, Hey, can you give us some free t-shirts or something for wrapping about your thing?And they're like, or no, I think they wanted an endorsement deal. They wanted some cash for an endorsement. and then the executives were like, we'll give you some free t-shirts. And, Dave was like, this is stupid. Let's go start our own thing. So, but I think that was really the beginning of, you know, like, I'm not gonna give, free publicity to other brands.I'm just gonna go start my own thing and rap about it. Like other rappers have done it. But, it became so pervasive for Jay-Z's mindset. It wasn't just like, I'm gonna do my own clothing line and I'm sorry, I'm gonna do my own champagne. I'm gonna do my own cognac. I'm gonna try to do my own car.I'm gonna try to do like a freaking video game, you know, he was involved in so many things that kind of sprung from that. so I think the implications were much broader than just, the clothing aspect.[00:48:28] Dan Runcie: Agreed. Next one here is the dark horse business move. So one that we actually haven't talked about, but I do think is one that Roc-A-Fella definitely lead into was the Jay-Z and Nas beef.The controversy that this was able to stem and start, I briefly mentioned Summer Jam 2001, but everything from then and just the drama from there, the two of them back and forth, Jay drop in takeover that, NAS drop in Ether, that whole back and forth was able to then create so much interest. They had all those beef DVDs that were g blowing up in the two thousands, I think largely came up cause of how they were able to reignite beef from essentially the biggest beef that hip hop had seen since Biggie and Tupac several years earlier.Yeah, it was huge and the level of. Bars that I think we're able to get the songs they're able to get back and forth. Just the impressiveness of Nas essentially taking on this whole entire unit by himself. People can debate whether or not who won and lost, whether you're looking specifically from a battle perspective versus who won in the long term.But we eventually see them come together on American gangster and they continue this f familiar relationship ever since. But I do think that this was the height of the time to really sell controversy. Obviously we saw 50 cent and others continue to do that too, you know, their own, putting their own flavor on as well.But I do think that Jay-Z and Nas Beef still was one of the little crown jewels that they had with this.[00:50:05] Zack Greenburg: Absolutely. And, you could tell that it was like there was real enmity there. but also, you know, the fact that it, it never turned violent, I think was just. I think it was really good for hip hop, and I don't think it was ever going to turn violent, but I think again, there was just this kind of like national paranoia around hip hop and, there is, you know, in waves.I think it was just a, good reminder that you can have like a spirited dispute and, it's okay and it's entertainment, you know? and it's, nothing that anybody needs to be afraid of. So, you know, of course like credit to Jay and Nas for resolving it amicably, but man, you know, like just being in New York and that time and like the Barbs going back and forth and man, I think that's the only time that, like a beef has gotten so nasty that, a rapper's mother has like, made him basically apologized for saying something mean, which, I think that was Jay-Z's response to Ether. I think Ether was sort of like the pinnacle of it and Jay-Z's response to it was like, not quite as good, like, how do you top ether? but I think Jay-Z's was just like, viscerally, like, you know, won't get too deep into it because if, Jay-Z had to like, call in to apologize for it, you know, I dunno if we can even talk about it on a podcast.But yeah, I mean just, to have that end, you know, like very amicably I think was just so good for everybody involved. And then, you know, I think it's really fun to watch, Jay and Nas as their relationship has evolved. And, you know, Nas was sort of always like the one who was sort of behind, when it came to the business of things.and then, you know, like he really was music first all the time. And, you know, I think some people thought that he would never really kind of blossom as a businessman, but then, you know, he became sort of the leader, within hip hop entering the venture capital world and, you know, created this great, Queensbridge Venture partners and, you know, invested early and just about every startup you can name and has had all kinds of fantastic exits.And, you know, I think it's so funny that Jay-Z then started MVP, you know, Marcy. So it, it's like definitely like a nod to Nas, you know, each of them naming their venture fund after the project where they grew up. So, I think that's super cool. And, you know, they still like drop these little subliminal, I don't know, like references, where you could tell they're kind of like tweaking each other, just like.You know, like sibling rivalry kind of thing. which is I think, really fun to watch. And, you know, I think that there's some friendly competition around deals and so forth these days. But it's just, it's so fascinating to like, watch the evolution from this real knockdown, drag out, very personal beef, that occurred, you know, to now like, sort of like comparing deal flow.And I think it speaks very positively toward like, the evolution of the business of hip hop.[00:53:03] Dan Runcie: Definitely. You think about things that they wrapped about in their most recent, songs that have been popular, right? Like Nas's song where he calls himself Cryptocurrency Scarface, or Yeah, yeah.Jay-Z. what was that line in God did with Khali where he is like, oh, we had cap tables, not that cap table, or something like that. I mean, he's clearly leading into that stuff. What do you think is the missed opportunity if of any, from Roc-A-Fella besides the split, cause I know we've talked about that, but there any other missed opportunities, especially from that 96 to 03, 04 range?[00:53:37] Zack Greenburg: I think it's Armadale Armadale, like, and you know, that kind of came to be, I think of anybody that was more Biggs's pet project, than Jay or Dame. Although, you know, Jay was kind of trying to make it happen. He would, he had it. If you recalled the MTV Unplugged album, which as actually might be my favorite Jay-Z album of all time. It's kind of cheating cause it's not a studio album, but, it's so good. He's backed up by the race anyway. He's like, some point he's like, I need to stop for some Armadale. I need an army break, you know, he was really trying to shout it out everywhere he could. But already when they started doing that, you know, they were on the outs I think.And, I think Jay-Z wasn't fully invested in it because why would he get fully invested in it? And then another thing that he was partners with Bigs and Damon, I don't think anything against Bigs, obviously. And I think they're totally cool now. And they've, been doing some stuff together more recently.but like, why would he go do that when he could just wait and then do something on his own? But, you know, I mean, Armadale could have been cRoc, right? if they'd done it right, there's no reason that it couldn't have been. I mean, it's the same formula. It's like European unknown, whatever.And then, you know, put it in videos, put it in songs, and, you make it, you know, whatever it's gonna be. And you know, we've seen what Jay has done with Deuce and Armando Biac, so we know he can do it. It's not only Puff who can do it, only a few people who can do it. Levelly can do it, but like Jay and Puff can do it and done it. And Jay could have done it with Armadale, just, you know, At the timing just didn't quite work out.[00:55:03] Dan Runcie: I think Armadale had one memorable shout out from the Jay-Z song. It was, excuse me, miss, right where he is talking about Armadale popping off. but that's also the same song. I think he gave Cristal a pretty big shout out there where he is like, it's not Cristal, it's Cristal, right? But then a couple years later, he is like, no like obviously we're done with Cristal because of, you know, comments, racist comments that the founder or the CEO had said at the time, my missed opportunity is one that highlights something that I think Jay-Z did well, but it probably could have done more of.And that's movie soundtracks. If you ask certain Jay-Z fans, I do think that they have American gangster as one of their top Jay-Z albums, as they should. It's a great album. I honestly think the album's probably even better than that movie is in particular points. But Jay-Z, so that movie, that soundtrack comes out 2007.He missed, I think an entire wave of times when movie soundtracks, in my opinion, were even, were just bigger deals than they are by even 2007 and even later on. And now I think it's very hit or miss that you could even get a soundtrack to that level. But especially during the Roc era. And I know that he had songs that were popular on the, but really being the mc behind an entire soundtrack in that type of way, I think could have been there probably could have been more opportunities to do something like that earlier on.[00:56:26] Zack Greenburg: Oh, I like that's a really deep cut.[00:56:28] Dan Runcie: So a few more things here on Roc-A-Fella, Well, we've seen just continued spats back and forth. Not necessarily jabs, but just comments back and forth between Jay and Dame. It's been nearly 20 years since this split. We've definitely seen more from Dame than Jay, and it's one of those things where it does become a bit sad to see and frustrating to see at times and not be expecting to be best of friends.We have seen Jay-Z say things that are quite complimentary. When he got inducted into the Roc and Roll Hall of Fame, he did shout out both him and Biggs and say, Hey, this wouldn't have happened without either of you, regardless of what had happened, you know, in our past. Gotta give you guys both shouts for that.But then we've also seen Dame say things during the years, and I think he's. Alternated on whether or not he's wanted to speak on them and stuff. But it's one of these things that is a bit frustrating to see because I think about it when I think about NBA players and how they've had issues over the years.Kobe and Shaq, of course, infamously, they continue to talk about each other for years and then eventually they came and they had that sit down chat on TBS, right? Where they're talking back and forth. If they and Dame ever did something like that, they don't even have to go do it on some platform. They could do it on their own thing.It would be box office. It would be great to be able to see that and just see how, then hear them talk things out. Because even another NBA thing, Kevin Garnet and Ray Allen of course said, had their infamous dispute because Ray Allen went to go join the Miami Heat. Kevin Garnet, very intense, hated that that was their rival.But then after Ray Allen had walked past him at the 75th anniversary thing last year, that's when KG was like, okay, what if Ray Allen passes the same way, passes away the same way that Kobe Bryant did? I would, yeah, be very upset with my
Pod Crashing Episode 224 With Ben Austen And Khali Gibran Muhammad From Some Of My Best Friends Are Some of My Best Friends Are. is a podcast hosted by Khalil Gibran Muhammad and Ben Austen, two best friends who grew up together on the South Side of Chicago in the 1980s. Today a Harvard professor and an award-winning journalist, Khalil, and Ben invite listeners into their conversations about the absurdities and intricacies of race in America.. Mixing anecdotes, entertaining storytelling, and thoughtful discussions, Some of My Best Friends Are. will help listeners make sense of a deeply divided country.
Pod Crashing Episode 224 With Ben Austen And Khali Gibran Muhammad From Some Of My Best Friends Are Some of My Best Friends Are. is a podcast hosted by Khalil Gibran Muhammad and Ben Austen, two best friends who grew up together on the South Side of Chicago in the 1980s. Today a Harvard professor and an award-winning journalist, Khalil, and Ben invite listeners into their conversations about the absurdities and intricacies of race in America.. Mixing anecdotes, entertaining storytelling, and thoughtful discussions, Some of My Best Friends Are. will help listeners make sense of a deeply divided country.
Guests: Timothy Dolch, Joel Salatin, and Khalil Habib Host Scot Bertram talks with Timothy Dolch, Associate Professor of Physics at Hillsdale College, about last year’s discovery by the Hubble Telescope of the most distant star ever seen. Joel Salatin, co-owner of Polyface Farm in Swoope, Virginia, joins the show to discuss local food as potential […]
Aujourd'hui, je reçois Meriem Khali-Malone. Maman de trois enfants, elle a quitté le milieu de l'art qu'elle adorait pour se lancer dans l'entrepreneuriat en fondant Madame la Présidente. L'une des marques de compléments alimentaire et de haircare qui cartonne en ce moment . Comment a-t-elle eu cette idée ? Comment, après plus de 20 ans, s'est-elle affranchie des dictats capillaires de la société pour enfin accepter la vraie nature de ses cheveux ? On en parle et on parle aussi d'entrepreneuriat et d'entraide. Allez, à vos écouteurs, c'est l'heure de Beauty Toaster. Ne manquez plus aucun nouvel épisode de Beauty Toaster. Abonnez-vous (c'est gratuit !) via le blog, mais également via Apple Podcast, Spotify, Deezer ou encore Google Podcast et sur toutes les bonnes plateformes de podcasts. Et n'oubliez pas de laisser un commentaire et plein d'étoiles sur Apple Podcast, si vous avez aimé. Vous permettrez ainsi à Beauty Toaster de profiter d'une audience plus large en donnant à d'autres auditeurs la chance de le découvrir. Enfin, demandez à au moins 2 personnes de votre entourage de s'abonner à Beauty Toaster. Ainsi, vous m'aiderez à fédérer une communauté toujours plus grande de passionnés d'entrepreneuriat et de cosmétiques. Merci infiniment pour votre écoute, votre fidélité et votre soutien. Ils me sont tellement précieux. Et pour soutenir Beauty Toaster, suivez ce lien vers Patreon
00.30: Kezdésnek: vesztfáliai béke. 05.00: Folytatásnak: karlócai béke. 05.40: Kapcsoljuk Pintér Sándor eligazítását. 06.50: Pintér-viccek. 07:10: Aki a Pintér-viccben feltörte a Kréta-rendszert, tutira nem a magyar közoktatásban szerezte a készségeit. 10.00: Bede Márton nagy felülemelkedése. 13.20: Pintér Sándor még fékrendszert is különbet tervez, mint a Palkovics. 16.00: Drukkolunk az Integritás Hatóságnak. 22.00: Hol járt a kínai néni a múlt héten? 26.30: A szezon turisztikai célpontja, a Rub al-Khali sivatag. 29.00: A szaúdiak nem intettek be, ez csak egy kis bohóckodás. 30.30: A hét illiberális problémamegoldói: Kína és Irán. 34.00: Mire jó az optimista gazdasági előrejelzés? 37.10: Miért a DK-ba mennek? Mehetnének a Fideszbe is. 38.00: Ha Uj Péter üvöltözéséből csengőhangot csinálnál… 39.00: A világbajnokság felfedezettje: Lionel Messi. 42.20: Az itthon hagyott Mmae-testvérek. 46.00: Rendszergazdák a fagyos vízben. 53.00: Floyd Mayweather kiriózgat még fénykorában. A finn mezítlábas téli félmaraton. 54.00: Hogy működnek a négyjegyű amerikai házszámok? See omnystudio.com/listener for privacy information.
The Matt McNeil Show - AM950 The Progressive Voice of Minnesota
Stew talks to Impact Wrestling star Bhupinder Gujjar about training under The Great Khali, finding his way to Impact, and more.
Ski and Jeff hear from Khali Sweeney, Founder and CEO of Downtown Boxing Gym, about his experience building a nonprofit that treats everyone with dignity. Khali designed Downtown Boxing Gym to provide others with the very thing he lacked in his own childhood in Detroit: people who believed in him and his potential. Now, the organization is transforming lives, one at a time, by listening well and giving young people the tools to chart their own path.Hosts for this Episode: Ski Ahmad and Jeff ProctorGuest: Khali Sweeney, Founder and CEO of Downtown Boxing GymProduced by Stand Together and BitterSweet CreativeExecutive Producers: Obiekwe "Obi" Okolo and Robert WinshipEditing, Engineering, and Sound Design: Robert WinshipSpecial Thanks to Producers: Molly Ringel and Elgin CatoSubscribe so you never miss a new episode! https://standtogetherfoundation.org/podcastYou'll leave each episode with fresh stories, ideas, and advice to shape your own perspective and daily work. Discover the difference you can make when we Stand Together.About Stand TogetherStand Together is a philanthropic community. We help America's boldest changemakers tackle the root causes of our country's biggest problems. Our partners transform their results by accessing our capabilities including funding, tapping into our unique network including Fortune 500 CEOs, civil rights leaders, and hundreds of nonprofit leaders, and utilizing our playbook for applying principles that are proven to help people thrive. Together, we are driving solutions on economic opportunity, education, health care, bridging partisan divides, and dozens of other pressing issues.About Stand Together Foundation and the Catalyst ProgramStand Together Foundation is committed to breaking the cycle of poverty in America by driving change from within communities. We are building a community of social entrepreneurs who believe in people, work from the bottom up, and unite with anyone to do right. Since 2016, we have committed over $120 million and counting to fuel the innovation of nonprofits throughout the country to build stronger, safer communities where all people can learn, contribute, and realize their full potential. Our goal is to help nonprofit leaders maximize their impact to transform more lives out of poverty.
Subscribe to the channel : @muhammadanway Android App - https://play.google.com/store/apps/details?id=com.nurmuhammad.muhammadanway IPhone App - https://itunes.apple.com/us/app/muhammadan-way/id1244297852?mt=8 Facebook - https://facebook.com/shaykhnurjanmirahmadi Donate - https://muslimcharity.com Website - https://nurmuhammad.com TV Show - https://huberasul.net The Noble Naqshbandi Order proudly presents the ancient Islamic teaching and realities of the Prophetic Kingdom. Known as the Muhammadan Reality Mawlana Shaykh Hisham Al Qabbani Representing the Sultan al Awliya of The Naqshbandiyya Order Mawlana Shaykh Muhammad Nazim al Haqqani Shaykh Sayed Nurjan MirAhmadi student of the way The Seekers of The Heart, The Lovers of the Prophetic Reality As ancient as time itself, seek to be a servant of the light and lovers. Naqshbandi, Qadiri, Chistiyya, Shadiliya, Rifai, Inyat Khan, Alawi and many more All are the Muhammadan Representatives to Creation https://nurmuhammad.com is pleased to present the Muhammadan TV. Network Donations https://muslimcharity.com to support These works https://nurmuhammad.com Shaykh sayed nurjan mirahmadi
Matthew Coller and CBS Sports NFL Draft analyst Chris Trapasso talk about how the Chicago Bears are taking a long-term view by trading away Khalil Mack and how we might see the Minnesota Vikings do the same thing in the coming days. Plus what teams appear as possible targets to trade for Kirk Cousins. And we look at the latest from Bruce Feldman on the draft class and compare the current crop of QBs to those quarterbacks who didn't work out in the NFL. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Matthew Coller and CBS Sports NFL Draft analyst Chris Trapasso talk about how the Chicago Bears are taking a long-term view by trading away Khalil Mack and how we might see the Minnesota Vikings do the same thing in the coming days. Plus what teams appear as possible targets to trade for Kirk Cousins. And we look at the latest from Bruce Feldman on the draft class and compare the current crop of QBs to those quarterbacks who didn't work out in the NFL. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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