Podcast appearances and mentions of Michael Roe

Today have the third and penultimate conversation from our Label Focus mini-series presented by Zara Hedderman. So far we've heard from Willie Stewart of Nyahh Records and Joey Edwards from Pizza Pizza Records and in this episode, you'll hear Zara speaking with Michael Roe, label and artist manager with Faction Records. Faction Records is coming close to reaching a massive milestone of 20 years in business after it was founded by Ken Allen in 2006. You may remember a compilation CD from around that time called Faction One and featured bands like Director, The Immediate, Republic of Loose and Future Kings of Spain amongst others. Today, populating Faction's roster of artists are a number of firm favourites with critics and audiences such as Sorcha Richardson, Niamh Regan, Martin Hayes, and Jape. Over the course of the chat Michael delved into the many ways that the industry is changing and how he and his colleagues at Faction work with their artists to develop their careers and prepare them to build their audience base and engage with international markets. In this regard, the conversation explores different elements of the business-side of the artist-label relationship and how important it is to have a plan but also not fear failure along the way. Zara and Michael discuss the impact of artists self-releasing their music and how that's changing the overall landscape and the importance of the relationships artists build with various media outlets and journalists. We'll have another episode, the final one in this series, very soon, but until then, here's Michael Roe of Faction Records.Keep up to date on Faction Records here:https://www.instagram.com/factionmusicieMusic featured:Annamoe Drive - Procrastinationhttps://anamoedrive.bandcamp.com/track/procrastinationNiamh Regan - Madonnahttps://niamhregan.bandcamp.com/track/madonnaSéan Joyce - My Facehttps://www.youtube.com/watch?v=rrE9V3Ccs7I

Musician Mike Roe (77s, Kerosene Halo, Lost Dogs) came by for a short chat about a handful of topics, including his involvement with Robert Vaughn's 1991 album “Songs from the Riverhouse”, his friendship with Alternative Records' Randy Layton and then some musings on existential crisis's that most creative spiritual folks go through.

Si alguna certeza traemos a este mundo es que algún día tenemos que dejarlo. No queremos pensar en ello, pero tenemos una fecha de caducidad. El problema es que no sabemos cuándo es, Es una cita ineludible para la que tenemos que estar preparados, como nos advierte Jesús en las historias que cuenta en el capitulo 12 de la Buena Noticia según Lucas. Si esto es así individualmente, lo es también para la humanidad. Jesús nos advierte que vendrá ese día cuando menos lo pensemos. Es la "Venida del Hijo del Hombre" anunciada por el profeta Daniel y cantada por Norman Barratt (Coming of The Man 1981), el músico de la banda de rock progresivo Gravy Train convertido a la fe evangélica en los años 70 y ahora en la presencia de su Señor desde el 2011. "Aunque los cielos parecen tan lejos / mañana puede ser el Día del Juicio", dice el grupo cristiano formado en el sur de California en 1987, Enfadado con el mundo (Mad At The World) en su esperanza de "Bailar sobre su propia tumba" (Dancing At Your Own Grave 1988). La extraña parábola del mayordomo infiel nos llama con las palabras de Jesús a ser "Sabios como serpientes" en la canción de Gerry Rafferty (As Wise as Serpent 1982), el músico escocés atraído por la espiritualidad cristiana oriental. La película del sudafricano Oliver Hermanus, "Living" (2022) retoma el clásico japonés de Kurosawa, "Vivir", inspirado en la novela de Tolstoi, "La muerte de Ivan Illich". Nos presenta ahora a un gris funcionario londinense de los años 50, magistralmente interpretado por Bill Nighy, que escucha el más temido diagnóstico a su enfermedad. Tiene los días contados. José de Segovia comenta algunas escenas dobladas del film con el fondo de la banda sonora original de Emilie Levinaise-Farrouch. Muerto en extrañas circunstancias a sus 61años, el inquieto y siempre atormentado músico cristiano Michael Knott, expresó sinceramente sus dificultades para vivir la fe desde sus primeros grupos de "punk" en los años 80 como Lifesavers Underground. "La sombra del dolor" (Shaded Pain) le acompaña sumergiéndole a menudo en el alcohol. Escuchamos en su memoria la canción que da título al álbum de 1987, recordando a la hija que deja de tan trágica manera. Stormie. "El tiempo se nos va" (Time Is Slipping Away) canta Michael Roe con los 77s, el grupo formado en una iglesia a final de esa década en Sacramento, en el disco producido por Steven Soles, uno de los tres músicos que se convirtió con Bob Dylan en la Rolling Thunder Revue, que formaron la Alpha Band. Las palabras de Jesús al principio del capítulo 13 del Evangelio según Lucas nos llaman a volvernos a Dios, ahora que hay tiempo, "arrepentirse o perecer".

"El dinero es dios", dice el cartel de la primera película de "Wall Street" en 1987. Si todos viven para algo o alguien, no hay duda que uno de los pocos ídolos que el mundo reconoce es el amor a las riquezas. La codicia es esa insatisfacción continua por la que siempre queremos más y nunca tenemos suficiente. La Biblia la llama idolatría (Ef. 5;3; Col. 3:5). Jesús nos advierte sobre ella en la historia que narra en el capítulo 12 de la Buena Noticia según Lucas. Antes, Jesús nos habla de qué es lo que debemos temer (vv. 4-12), no el mal presente, sino el futuro, que está en las Manos de Dios. "No podemos lograr nuestros sueños en esta vida", cantan David y los Gigantes en 1983, pero por la fe en Cristo, los hermanos Huff y el Pequeño Ricky de la serie "Yo amo a Lucy", sabían que "si murieran mañana, su vida acabaría de comenzar" (Riders In The Sky). El veterano músico de blues Buddy Guy recuerda con El León de Belfast, Van Morrison, que "esta vida es más que carne y huesos" (Flesh & Bone). Su padre dice que "lo leía en el Buen Libro, una y otra vez". Por él, el actual Nobel de Literatura, Bob Dylan descubre que "La muerte no es el fin" (Death Is Not The End 1988). 23 años después del primero, Oliver Stone hizo una secuela de "Wall Street" con el subtítulo de que "El dinero nunca duerme". Tras la crisis de comienzos de este siglo, el director observa que "La ambición es uno de los grandes problemas del ser humano". Y en 2010, "la codicia ya es no es sólo buena, sino legal". El abyecto broker que interpretaba Michael Douglas busca la redención, al salir de la cárcel, intentando recuperar el amor perdido de su hija, que encarna la británica Carey Mulligan. Escuchamos diálogos de la versión doblada, comentados por José de Segovia. El fondo sobre el que habla, esta vez, no es la banda sonora original, que son todo canciones, sino las composiciones instrumentales de una artista anónima de Internet, que con el seudónimo de Luxury Elite recrea el ambiente de los años 80, una época que ella no vivió, ya que nació al final de esa década, pero que le fascina especialmente. El relato de Jesús sobre el rico al que sorprende la muerte pensando en ampliar sus negocios (Lc. 12:13-21) nos recuerda la canción de los 77´s, que nos advierte que podemos tener esa cita en el momento más inesperado (Caught In An Unguarded Moment). La banda que formó el músico cristiano Michael Roe en Sacramento a finales de los 70 se da cuenta que en nuestra propia juventud se puede dar esa "fecha de caducidad" que desconocemos. Ante la ansiedad de la vida, Jesús nos ofrece la paz que el mundo no conoce y que sólo el Padre celestial nos puede dar con su cuidado amante y todopoderoso (vv. 22-31). El artista británico que ha encontrado su fama en la vejez, Bill Fay, llegó a la fe a principios de los 70. En su disco de tema escatológico, "El tiempo de la última persecución" (Time of The Last Persecution), antes de su largo silencio, anuncia que ante la tribulación presente y futura, por la fe en Cristo, "Uno no tiene que tener tanto miedo" (Be Not So Fearful 1971).

We've been gradually working our way through the conversation around E. Fuller Torrey's concerns about schizophrenia genetics - last week we had It's Fair To Describe Schizophrenia As Probably Mostly Genetic, the week before Unintuitive Properties Of Polygenic Disorders. Here are two more arguments Torrey makes that we haven't gotten to: Studies have failed to find any schizophrenia genes of large effect. If schizophrenia is genetic, it must be caused of thousands of genes, hidden in the most obscure corners of the genome, each with effects too small to detect with current technology. This seems less like the sort of thing that happens naturally, and more like the sort of thing you would claim if you wanted to make your theory untestable. Schizophrenia is bad for fitness, so if it were genetic, evolution would have eliminated those genes. In the comments of the Unintuitive Properties post, Michael Roe points out that one of these mysteries solves the other: https://www.astralcodexten.com/p/evolution-explains-polygenic-structure 

On this "impossibly short version of the ongoing conversation you'll find at TrueTunes.com" we revisit our conversation with songwriter, artist, and pioneer, Terry Scott Taylor. Between his solo work, his groundbreaking work with the band Daniel Amos, his collaboration with The 77s' Michael Roe, The Choir's Derri Daugherty, and Adam Again's Gene Eugene as The Lost Dogs, and even his more experimental or humorous work with The Swirling Eddies or as the composer of soundtracks for animated shows and video games, Taylor has been setting invitingly high standards since the 1970s. If there is ever anything resembling a True Tunes Mt. Rushmore - be certain that Taylor's glorious mug will be etched thereupon.  About The True Tunes Microdose Episodes: As we look back on our first 100 episodes we have gathered some of these "greatest hits" - never more than 5 minutes long - to remind long-time listeners of where we've been and give new folks a chance to check us out.  To hear the original show CLICK HERE.  If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!

On this "True Tunes Microdose" (an impossibly short version of the ongoing conversation you'll find at TrueTunes.com) we revisit a short bit of our chat with Michael Roe of The 77s and The Lost Dogs. The episodes with Mike proved to be some of the most popular in the history of our show, with many long-time fans chiming in and some new fans joining the tribe as well.  About The True Tunes Microdose Episodes: As we look back on our first 100 episodes we have gathered some of these "greatest hits" - never more than 5 minutes long - to remind long-time listeners of where we've been and give new folks a chance to check us out.  To hear the original show CLICK HERE. For the full show notes page head to TrueTunes.com/MDRoe If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!

How does alternative rock fit into the Christian music narrative? That's a fascinating question and one that Michael Roe of the groundbreaking band 77s answers on this episode of 1 Degree.  From  being banned in Christian music stores, to opening the door for bands like DC Talk and The Newsboys to leaving behind an incredible body of music I think you're going to enjoy getting to know Michael Roe.  Seriously - you cannot tell the story of Christian music with out bands like the 77s!Support the showandychrisman.com

How does alternative rock fit into the Christian music narrative? That's a fascinating question and one that Michael Roe of the groundbreaking band 77s answers on this episode of 1 Degree.  From  being banned in Christian music stores, to opening the door for bands like DC Talk and The Newsboys to leaving behind an incredible body of music I think you're going to enjoy getting to know Michael Roe.  Seriously - you cannot tell the story of Christian music with out bands like the 77s!Support the showandychrisman.net

Sandy Dann IV With Michael Roe On Financial Corner 140823 by Radio Goolarri

The 77s' 1987 self-titled album was not only that band's first real shot at the "big-time" success their fans knew they deserved. It was also the climax of a creative explosion from a unique Sacramento community that had been cooking up spiritually driven, culturally engaged, artistically excellent music for about a decade. On this special "From The Vault" episode of the podcast, we unveil previously unheard tape culled from frontman Michael Roe's conversation with True Tunes and with The Electric Jesus Podcast to finally answer one of the most fascinating questions of all time: Did U2's breakthrough album The Joshua Tree inadvertently KILL one of our other favorite LPs?    If you dig this, don't miss our previous 2-part deep dive with Michael Roe, our recent @45RPM reflection on U2's Achtung Baby, our conversation with 77s and Exit Records advocate Randy Layton, or our discussions in the vault with fellow Exit artists Steve Scott, Jimmy Abegg, and Charlie Peacock.    For this show's FULL SHOW NOTES - including a list of ALL the music used in this episode and more - visit TrueTunes.com/RoeRedux.   If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!

Randy Layton may not be a household name, but that's not the point with people like him. Layton has been advocating for some of the most important - if not famous and successful - artists of the last forty years through his label Alternative Records and his previous work with the enormously influential Sacramento label Exit Records. He was all about the "Alternative" back when that word meant something. Layton has helped release projects by The 77s, Vector, Steve Scott, 2 Pound Planet, Robert Vaughn and the Shadows, and many others. Although we have heard pieces of this conversation here and there on previous episodes of the show, we finally unspool the whole enchilada and get the full story of Layton's formative years in the 70s, his early years as an importer of rare music from the UK and Europe, his work with some of our favorite artists, and some recent reissues as well. Along the way, we catch a glimpse of the power behind his story, and our own. Spoiler alert - it's about a lot more than music.   We have also featured many of the beneficiaries of Layton's largesse on previous episodes, including Michael Roe, Charlie Peacock, Steve Scott, and Jimmy Abegg   For full SHOW NOTES and music list visit TrueTunes.com/LaytonAlternative   If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!

Somehow the theme of this episode was verzuz. The girls discuss the train wreck that was Ray J, Bobby V, Pleasure P, Sammie, Omarion, and Mario & Shanti masterfully explain why there are the way they are. Antoinette is full of unpopular opinions on who would win between Usher and JT. Shanti then tries to misconstrue Ant's words during her attempt to praise the consistent brilliance that is Jay-Z by comparing him to Michael Jackson. Finally, we discuss the overturning of Roe V. Wade & Antoniette walks us through a political science course for dummies, from dummies. Join us. Link to Ant's Justin Timberlake playlist: https://open.spotify.com/playlist/63IvK40AnNV4m0LMA03LpA?si=AFOUv84AR9CeN_5rd3kBLg Link to Ant's Jay Z's playlist: https://open.spotify.com/playlist/7s1xyD5yU8qACLiE4myY4a?si=FpqOzOK-R0WfSu5oLnr6FwLink to Ant's Michael Jackson playlist:https://open.spotify.com/playlist/1ciCt3CbbyrjCJRkI89Jek?si=WXFPL51wTbqAiVWid9Kq2gHotline: (215) 948-2780 Email: aroundthewaycurls@gmail.com Patreon: www.patreon.com/aroundthewaycurls for exclusive videos & bonus episodes Shop ATWC Merch: https://www.aroundthewaycurls.com/collectionsMusic credit Jay-Z Politics As Usual

In the conclusion of our conversation with Michael Roe we talk about one of JJT's favorite 77s songs in great detail, along with the birth, evolution, survival, and impact of The Lost Dogs, and the hard-won lessons Roe has learned along the way. The Choir's Steve Hindalong and Derri Daugherty offer some revealing perspectives on their brother-in-arms and singer/songwriter/visual artist and Love Coma frontman Chris Taylor reflects on Roe as both a fan and as a young artist under his tutelage.   And don't miss Part One in which Roe talks about his earliest influences as an artist, the progressive faith community that embraced him and made space for The 77s to emerge, and our special 45RPM episode in which his bandmates Aaron Smith, Jan Eric Volz, Terry Scott Taylor and Jimmy Abegg riff on Roe along with longtime friend and advocate Randy Layton. Find the complete Show Notes page, including a complete list of all music used on this episode at TrueTunes.com/Roe2.  BUY Michael Roe's music HERE Check out our special Spotify Mix of Roe's music HERE Don't forget to check out Michael Roe's special Jukebox Takeover mix, including over 60 of the most influential records in his life HERE   The True Tunes Podcast is sponsored by VisionTrust.org. Help us change the world for one child at a time by sponsoring today. Visit VisionTrust.org/TrueTunes for more information. If you would like to support the show, please consider joining our Patreon community or dropping us a one-time tip and check out our SWAG STORE.

On this special @45RPM episode we continue our exploration of the life, music, and legacy of Michael Roe by checking in with some of his closest friends and compatriots. We hear from his 77s bandmates: Aaron "A-Train" Smith and Jan Eric Volz, Exit Records soulmate Jimmy Abegg, longtime advocate Randy Layton of Alternative Records, and fellow Lost Dog Terry Scott Taylor.   On Part 2 we will continue to dig deep with the man himself, diving into one of JJT's all-time favorite 77s songs and hearing all about the formation, evolution, and tragic beauty of The Lost Dogs. We'll hear about what it might mean to “do it for love,” after all these broken, beautiful years.   If you have not heard PART ONE of our conversation with Mike "Dr. Love" Roe - check it out now.    The True Tunes Podcast is sponsored by VisionTrust.org. Help us change the world for one child at a time by sponsoring today. Visit VisionTrust.org/TrueTunes for more information. You can support this show by joining our group of patrons at Patreon.com/truetunes or dropping us a tip via PayPal.  

Very few artists have accomplished what Michael Roe has over the last forty years. Between his work with the seminal rock “laboratory” (The 77s,) his membership in a veritable supergroup of unknowns, (The Lost Dogs,) his own solo work, and numerous collaborations (Kerosene Halo with The Choir's Derri Daugherty for instance,) Roe has made an indelible mark on thousands of hearts and minds. That he has done all of this in relative obscurity is a testament to the deep, spiritual, drive that propels him even when the “system” has let him down. In a fair world, Michael Roe would be a flat-out rock star. It seems someone had better plans for him.   In this “part one” of our two-part feature, Roe talks about his earliest influences as an artist: the record player in his parents' living room. We get to hear a bit of an extremely rare 1969 record on which a 15-year-old Roe made his recording debut. We hear about the progressive faith community that embraced him and made space for The 77s to emerge. And the True Tunes Jukebox spilled records all over the show. On part 2 Roe will talk about his work with The Lost Dogs, the way his community has shaped him and his work, and what lessons he has learned after four decades in the trenches. We'll also hear from several of his closest friends and co-laborers about what Mike's life and work has meant to them.   BUY Michael Roe's music HERE Check out our special Spotify Mix of Roe's music HERE Don't forget to check out Michael Roe's special Jukebox Takeover mix, including over 60 of the most influential records in his life HERE Find a list of all of the music on this episode on the SHOW NOTES PAGE at TrueTunes.com/Roe1 The True Tunes Podcast is sponsored by VisionTrust.org. Help us change the world for one child at a time by sponsoring today. Visit VisionTrust.org/TrueTunes for more information. If you would like to support the show, please consider joining our Patreon community or dropping us a one-time tip and check out our SWAG STORE.  

Michael Roe is a singer, songwriter, and guitarist, and is a founding member of the alternative rock band, The 77s. Mike has been with the Lost Dogs since their founding in 1992, records with Derri Daugherty (The Choir) as Kerosene Halo, and has an extensive solo career. We walk through Mike's musical journey from the point he picked up the guitar for the first time all the way through talking about the next 77s album. This fun and thoughtful chat is one to remember. Click the links below to buy music and support great indie music:Michael Roe: http://www.michaelroe.com/index.htmlLatest 77s Music: https://mezzomusicltd.com/Past 77s Music: http://www.77s.com/Kerosene Halo: www.kerosenehalo.netThe Lost Dogs: www.thelostdogs.com

Recently, Sean Doty, long time singer, lyricist and songwriter for the seminal Christian alternative band, Veil of Ashes, passed away from a brain hemorrhage. He left behind a long list of accolades as well of some of the finest Christian alternative rock music in history. Funny, bright, tormented and brilliant, Sean left an indelible imprint on fans and other musicians. In this episode we talk with Michael Roe of the 77's and Lost Dogs, Joshua Lory of Lifesavers Underground and longtime friend, collaborator and bassist  and bassist of Veil of Ashes, Brian Kirsch, most often known as "Sterling." Please join us in this tribute to a friend, musician and innovator, Sean Doty. https://legacyccmsgreatestalbums.wordpress.com/https://www.facebook.com/groups/legacyccmsgreatestalbums

In this episode, Mike chats with Michael Roe, Sales Director of Selley's part of the Dulux Group. Michael is a career marketer who made the move from Marketing Director to Sales Director when working with Johnson & Johnson. He talks candidly about the unique perspective that gives him, both in customer Top to tops and around the board table. He also discussed the opportunities and challenges of making the move from marketing to sales (or vice versa) and his advice on how the two functions could collaborate better with customers.

Originally airing on July 8, 2021 on WYXR 91.7 FM in Memphis, TN, this episode of Faithfully Memphis features the Very Reverend Jean Vargo, Interim Dean of St. Mary's Episcopal Cathedral, in conversation with Dr. Susan Nelson. A longtime parishioner at SMC, Dr. Nelson is also active in the Community of St. Mary's in Sewanee. In their conversation, Dr. Nelson talks about her work at Church Health. Learn more about St. Mary's: stmarysmemphis.org Learn more about Church Health: churchhealth.org Featured Music: "Higher Ground" by Stevie Wonder Kyrie: Orbis Factor, medieval chant of the Gradual of Eleanor of Brittany, performed by CIRMA/ Ensemble Organum lead by Marcel Pérès "I Sing a Song of the Saints of God" performed by Michael Roe

Michael Roe, songwriter, singer, and guitarist for The 77s, talks about his band's unique Christian rock journey on Episode 7 of #ejesuspodcast. When the 77s came of age in 1984, with the brilliant calling card of All Fall Down, it was evident to those who heard it that this was something new. For anyone truly in love with rock & roll, who loved passion, hooks, harmony, three (or four) chords and the truth, here was a band that delivered. And if you listened to college radio that year, you could hear it. A look at the college charts found The 77s in the same company as The Cure, Let's Active, The Replacements, The Church, and others. What The 77's had that the other bands didn't was the history of all rock & roll breathing and pulsating under a brand new sound: Jerry Lee, Elvis, The Rolling Stones, The Doors, all there right in the room with more contemporary influences like The Smiths or the Comsat Angels. Live, the shows were increasingly incendiary, Mike Roe channeling everything that had come before him and spitting out a new vision on guitar and vocals long into the night. If your idea of a great time was coming to a place where The Velvet Underground and U2 might meet, this was it. Co-hosted by ELECTRIC JESUS writer-director Chris White and Music Supervisor/CCM Historian John J. Thompson, and featuring composer Daniel Smith, Season 1 - Electric Jesus: The Music Behind the Movie explores the world of 1980s Christian rock music with an eye toward the creation of the film's unforgettable original songs and score, the power of nostalgia, Evangelical youth group culture, and the Christian rock songs and artists that appear in the movie, ELECTRIC JESUS. EPISODE SONG LIST: 'Commando for Christ' 316, 'Do the Barabbas!' Familyre Friends, 'Space Cowgirl' Michael Roe and Mark Harmon, 'Ba-Ba-Ba-Ba' The 77s, 'Perfect Blues' The 77s, 'Wild Boys' The Scratch Band w/ Steve Scott, 'How Can You Love' The 77s, 'Render Love' The Choir, 'The Lust, The Flesh, The Eyes & The Pride of Life' The 77s, 'Do It For Love' The 77s, 'Love Without Dreams' The 77s, 'Nuts for You' The 77s, 'Honey Run' Michael Roe, 'Just One Look' Wild Blue Yonder, 'This Disco (Used To Be a Cute Cathedral)' Steve Taylor, 'She's On Fire' Lifesavers, 'Memory Lane' Daniel Amos, 'Off the Wall' - Rob Cassels Band, 'Passion In the Radio' The 77s, 'Mercy Mercy' The 77s. LINKS: Electric Jesus: Music From and Inspired By the Motion Picture https://lnk.to/ElectricJesus. EJ Official Website https://electricjesusfilm.com/. EJ Facebook https://www.facebook.com/ejesusfilm. EJ Instagram https://www.instagram.com/ejesusfilm. EJ Twitter https://twitter.com/ejesusfilm. EJ YouTube https://www.youtube.com/channel/UC_t4tvTqhKVDjfMC19tEYog. EJ IMDb https://www.imdb.com/title/tt8666022. Produced by John J. Thompson and Bruce A. Brown for Gyroscope Productions. Copyright 2021 Blue Tape Records.

Clifford Rosky of the Univ of Utah on the LGBT ruling. RonNell Andersen Jones, Univ of Utah, on the Supreme Court. Caleb Brown of the Royal Tyrrell Museum on dinosaur diet. Michael Roe of NC State Univ on volcanic glass spray. Sam Payne of The Apple Seed. Noliwe Rooks of Cornell Univ on Juneteenth. James Nestor on “Breath: The New Science of a Lost Art."

EPISODE 85 : Die Laughing Records Radio Podcast . . . Hosted by Rob Trisler • Die Laughing THEME song by Born Sick • Rock N’ Roll Is Getting Louder by Gilby Clarke • The Devil by Bullets and Octane • Triple Shot Of The Week!!! (Segment) • Oh No by Spent Idols • Facebook Is An Asshole by Whining Pussys • Wake Up Call by Last Of The Misfit Heroes • 60 SECONDS IN ROCK N ROLL MUSIC HISTORY • go go go girl Jillian Elizabeth Commercial • NEWS with Dave Dalton (Segment) • NEWS : Bite starring Chelsea Rose • Moto Psycho by Bite starring Chelsea Rose • NEWS : Michael Des Barres “Little Richard” tribute • Rock and Roll Medley by Michael Des Barres and The Mistakes • NEWS : Celebrity Stalker FACEBOOK TAKEOVER • NEWS : Go Go Go Girl calls Lp3 for the scoop on Celebrity Stalker • Thrill Seekers by Celebrity Stalker • NEWS : Insta-chat show w/ Go Go Go Girl • Go Away by honeychain • Celebrity Stalker Presents w/ Larry Prosser (Segment) : Good Luck, Ugly! • I Will Not Leave Your Side by Good Luck, Ugly! • DLR Merch Store (www.dielaughingrecords.com) • Phono Select Records (Sacramento, CA) • How To Submit Your Music! • Lockup - COVID CHAT (Segment) • COVID CHAT : Hot Laundry • Baby Come On by Hot Laundry • COVID CHAT : Authorities • Talk To Me by Authorities • End of Hour 1 TOP OF HOUR 2 • Die Laughing commercial • Remington by Wank • Come on, Let's Dance! by The Hellflowers • Rich Kids On LSD by Cell Block 5 • Hold On by The Venomous Pinks • ARTIST SPOTLIGHT OF THE WEEK (segment) : Jude Gold • Going Down by Jude Gold Band feat. John Nemeth • DAVE’S VINYL WALL : Reel To Reel Recordings / Morrison Hotel / Sex Pistols • Hollywood Vampires by Mad Parade • Before They Make Me Run by Steve Earle • Bury My Body by The 77’s • Celebrity Stalker Presents w/ Larry Prosser (Segment) : Splntr • Wonder Why by Splntr • Dave Klein Recording Commercial • COVID CHAT (Segment) • COVID CHAT : Abby Neal (Listener Submission) • Stepping Stone by Union 13 • COVID CHAT : Tokyo Beef • Kamikaze Man by Tokyo Beef • THE LAST WORD w/ Go Go Go Girl (segment) : Michael Roe of The 77’s • Thanks and See You Next Week! • Die Laughing commercial, Podcast Intro and Segment intros by Lord Prosser // Die Laughing Records Radio Podcast Official Episode #85 . . LISTEN TO US ON THE RADIO! WEDNESDAY'S at 11am-1pm (pst) on www.radiovegas.rocks FRIDAY’S at 4pm-6pm (pst) on www.KaoticRadio.com SATURDAY'S at 12 NOON-2pm (pst) on www.localmusicexperience.com . . LISTEN ON YOU’RE FAVORITE PODCAST PLATFORM: www.facebook.com/DLRPodcast Podcast merch: https://www.zazzle.com/store/dlrpodcast/products . . LABEL & PODCAST WEBSITE: www.dielaughingrecords.com www.goldenrobotrecords.com Band & Label Merch: https://bit.ly/2DYyXQt DLR YouTube Channel: https://www.youtube.com/channel/UC1q0EjilEYUxEE6lhOAoCUA? . . . #podcast #gogogogirl #jillianelizabeth #heavyrock #punk #radio #alternative #spotify #dielaughingrecordsradiopodcast #punkrock #radiolife #instachat #hardcorepunk #rocknroll #dielaughingrecords #vinyl #rock #poppunk #metal #radioshow #CovidseriesDLR #covidconcertdlr #covidconcertsdlr #covid19 #coronavirus #goldenrobotrecords #riotrecords #artistspotlight #robtrisler #robfather #davedalton #lordprosser #larryprosser #lp3 #celebritystalkerpresents --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In the 1980's, Kildare man Michael Roe was amongst the quickest drivers in the world. Destined to become a global household name, the biggest teams in Formula 1 scrambled for his signature. However, a critical decision sent Michael down a different road. But now he's back, helping his nephew James Roe Jr follw in his footsteps. (2018)

THEY ARE BACK! Michael Roe has brought back Daisyhead and I couldn't be happier. Michael has gone through a lot the last few years since we last talked to him. We unpack everything since In Case You Missed It has come out including their new EP, I've Been Better, coming out on No Sleep Records.Become a supporter of The Local Wave at Patreon.com/thelocalwaveFollow us on social media @thelocalwaveBE A FAN OF YOUR FRIENDS AND LOVE ONE ANOTHER

A historical account of Thedore "Teddy" Roe who couragerusly fought the Chicago Mafia aka The Outfit, for control of the lucrative Policy/Numbers racket. During the time when the mob was muscling in on the Policy/Numbers game that for decades had been a staple in the Black community many knuckled under the pressure. However, Roe was one who didn't fold. He famously told mob bosses that he'd rather die first than give up control of his operation. This book details Roe's courageous battle. See acast.com/privacy for privacy and opt-out information.

Session 3 features a Q & A with pastors Kevin Landis and Michael Roe, moderated by Charles Schul...

This week on the Just an Insight podcast it is the second show that we have done in association with Already Heard (alreadyheard.com). This time around Tim is joined by vocalist and guitarist of Daisyhead, Michael Roe to discuss the bands new album 'In Case You Missed It' As always you can keep up to date with this show by following us on Twitter @just_an_insight using #JAIpod

Introspective, autumnal solo artist, bluesy frontman for the critically acclaimed 77s, and all-things-to-all men guitarist/vocalist for the rootsy, collaborative Lost Dogs. Regardless of the hat he is wearing, Michael Roe has, over the course of his 20 years as a national recording artist, delivered well-crafted songs and lyrics to his audience. In recent years Roe has released two highly regarded solo albums, concurrently released new material by the 77s, including a live “best-of” recording, and recorded and toured with the ‘supergroup’ Lost Dogs. Roe is also a highly demanded producer and session player. He has spent considerable time discovering, producing and playing on both mainstream and Christian projects. Some of Michael’s additional works have been recorded by both general market players and Christian music’s most popular artists.Michael Roe has carved out a body of work that is broad, deep, well regarded and much acclaimed. In each of his recordings, Roe desires not only to put forth a finely crafted song but also to show himself real- writing from the experience of lifes difficulty and struggle as well as lifes joy and promise.“These songs are a forum where I dialogue with myself and with God. A lot of these are prayers, some of them are promises I’m making to myself, some of them are just wishful thinking. Oftentimes my songs tell on me, they indict me, they provoke me, they convict me.” Roe adds, “We’re only here for a short time, in this veil of tears…I hope my songs help people in general to realize what we have been given and how much is available to us.”

Introspective, autumnal solo artist, bluesy frontman for the critically acclaimed 77s, and all-things-to-all men guitarist/vocalist for the rootsy, collaborative Lost Dogs. Regardless of the hat he is wearing, Michael Roe has, over the course of his 20 years as a national recording artist, delivered well-crafted songs and lyrics to his audience. In recent years Roe has released two highly regarded solo albums, concurrently released new material by the 77s, including a live "best-of" recording, and recorded and toured with the 'supergroup' Lost Dogs. Roe is also a highly demanded producer and session player. He has spent considerable time discovering, producing and playing on both mainstream and Christian projects. Some of Michael's additional works have been recorded by both general market players and Christian music's most popular artists.Michael Roe has carved out a body of work that is broad, deep, well regarded and much acclaimed. In each of his recordings, Roe desires not only to put forth a finely crafted song but also to show himself real- writing from the experience of lifes difficulty and struggle as well as lifes joy and promise."These songs are a forum where I dialogue with myself and with God. A lot of these are prayers, some of them are promises I'm making to myself, some of them are just wishful thinking. Oftentimes my songs tell on me, they indict me, they provoke me, they convict me." Roe adds, "We're only here for a short time, in this veil of tears...I hope my songs help people in general to realize what we have been given and how much is available to us."

A conversation with Michael Roe of Daisyhead (No Sleep Records) Be a fan of your friends and love one another. @thelocalwave on Instagram/Twitter/Facebook

Go to www.imtalk.me for this weeks show notes. 

Part 2- Enjoy witty banter between former Rewind host Brian Healy (DAS), and current host Les Carlsen as they discuss the unintentional formation of the Christian Goth supergroup, Dead Artist Syndrome. Ric Alba brings insight to a couple of songs he wrote – In Rewind Episode 42 the San Francisco Sessions continue with Dead Artist Syndrome, Ric Alba (Altar Boys and Undercover) and Michael Roe (77s and Lost Dogs). Listeners will enjoy witty banter between former Rewind host Brian Healy (DAS), and current host Les Carlsen as they discuss the unintentional formation of the Christian Goth super group, Dead Artist Syndrome. Ric Alba brings insight to a couple of songs he wrote for Altar Boys; and Michael Roe shares some of his favorite 77s tunes. With this installment comes the release of exclusive live footage from Michael Roe and Michael Knott's VIP Acoustic Set at the November 2014 concert event near San Francisco. Available on Frontline Records YouTube channel.

Part 1- Veil of Ashes’ Sean Patrick Doty, Brian Kirsch (Sterling), and Lance Harris talk about how the band formed, how the songs were written, and how the beers hit the table when they performed them in the clubs. – In Rewind Episode 41 host Les Carlsen has an opportunity to interview 3 of the original 4 Veil Of Ashes members at a music concert event. Sean Patrick Doty, Sterling and Lance Harris share stories of the band’s origins, favorite songs and their chemistry. The session includes reflections about songs from their Frontline Records release, “Pain” and an independent album, “Eternal Teenage Angst”.

Reality crashes into the Halloween season this week as Desmond interviews the filmmakers behind the brand new haunted event-themed / found-footage horror film The Houses October Built. Bobby Roe, Zack Andrews, and Michael Roe talk about making a found footage film with your friends, and the secret world behind haunted events. Then, carrying on with the theme of event-related horror, Devil Dinosaur Jr. takes a look at Tobe Hooper's most underrated gem in his filmography: The Funhouse. Then, Desmond goes solo on a review of the Rosemary's Baby meets TLC's A Baby Story mashup Delivery: The Beast Within. On top of all that, there's some suitably creepy tunes for you guys on your Canadian Thanksgiving Weekend: "October" by Gray Matter, "Haunted House" by Antiseen, "Madhouse" by Anthrax, "Life / Birth / Blood / Doom" by Black Label Society, and "Aenema" by Tool. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

Reality crashes into the Halloween season this week as Desmond interviews the filmmakers behind the brand new haunted event-themed / found-footage horror film The Houses October Built. Bobby Roe, Zack Andrews, and Michael Roe talk about making a found footage film with your friends, and the secret world behind haunted events. Then, carrying on with the theme of event-related horror, Devil Dinosaur Jr. takes a look at Tobe Hooper's most underrated gem in his filmography: The Funhouse. Then, Desmond goes solo on a review of the Rosemary's Baby meets TLC's A Baby Story mashup Delivery: The Beast Within. On top of all that, there's some suitably creepy tunes for you guys on your Canadian Thanksgiving Weekend: "October" by Gray Matter, "Haunted House" by Antiseen, "Madhouse" by Anthrax, "Life / Birth / Blood / Doom" by Black Label Society, and "Aenema" by Tool. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

Reality crashes into the Halloween season this week as Desmond interviews the filmmakers behind the brand new haunted event-themed / found-footage horror film The Houses October Built. Bobby Roe, Zack Andrews, and Michael Roe talk about making a found footage film with your friends, and the secret world behind haunted events. Then, carrying on with the theme of event-related horror, Devil Dinosaur Jr. takes a look at Tobe Hooper's most underrated gem in his filmography: The Funhouse. Then, Desmond goes solo on a review of the Rosemary's Baby meets TLC's A Baby Story mashup Delivery: The Beast Within. On top of all that, there's some suitably creepy tunes for you guys on your Canadian Thanksgiving Weekend: "October" by Gray Matter, "Haunted House" by Antiseen, "Madhouse" by Anthrax, "Life / Birth / Blood / Doom" by Black Label Society, and "Aenema" by Tool. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

Reality crashes into the Halloween season this week as Desmond interviews the filmmakers behind the brand new haunted event-themed / found-footage horror film The Houses October Built. Bobby Roe, Zack Andrews, and Michael Roe talk about making a found footage film with your friends, and the secret world behind haunted events. Then, carrying on with the theme of event-related horror, Devil Dinosaur Jr. takes a look at Tobe Hooper's most underrated gem in his filmography: The Funhouse. Then, Desmond goes solo on a review of the Rosemary's Baby meets TLC's A Baby Story mashup Delivery: The Beast Within. On top of all that, there's some suitably creepy tunes for you guys on your Canadian Thanksgiving Weekend: "October" by Gray Matter, "Haunted House" by Antiseen, "Madhouse" by Anthrax, "Life / Birth / Blood / Doom" by Black Label Society, and "Aenema" by Tool. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

Remembering Gene Eugene of Adam Again – Remembering Gene Eugene (digital release on Brainstorm Artists Int’l 1/21/14) is a thoughtful look at the life and music of former member of Adam Again and The Lost Dogs, as told by his friends and peers. Testimonies surround solo recordings of 3 cover songs, the last ones Gene made. This Rewind episode features the entire recording with introductions of those included on the album. Hear from Adam Again members: Paul Valadez, Greg Lawless, Jon Knox, Riki Michele The Lost Dogs band mates: Terry Taylor, Michael Roe, Derri Daugherty Peers: Ojo Taylor, Rob Watson, Erik Tokle, Frank Lenz Artist friends: Michael Knott, Michael Pritzl (The Violet Burning), The Prayer Chain, Jars Of Clay Intro by Gene’s dad and thoughts from Adam Again documentary filmmaker, Todd Zeller

The wreck of the George the Third depicts the aftermath of the shipwreck in 1835 of the George the Third off the coast of Tasmania. Following a four-month voyage from London and bound for Hobart, the 35-metre convict transport ship entered D’Entrecasteaux Channel on the evening of 12 April 1835. Less than 200 kilometres from its destination, the ship struck submerged rock and in the catastrophe that followed 127 of the 220 convicts on board died.1 Survivors’ accounts said the ship’s crew fired their weapons at convicts who, in a state of panic, attempted to break from their confines as the vessel went down. Painted by convict-artist Knut Bull, this image is dominated by a huge sky, with the broken George the Third dwarfed by the expanse. Waves continue to crash over the decks of the ship, while a few figures in the foreground attempt to salvage cargo and supplies. This is a seascape that evokes trepidation and anxiety. The small figures contribute to the feeling of human vulnerability when faced with the extremities of nature. In 1845 Norwegian-born Knut Bull was tried in London Central Criminal Court for the attempted forgery of a 100-dollar Norwegian bill. He was sentenced to fourteen years transportation and arrived in Norfolk Island in 1846. After nine months Bull was transferred to the Saltwater River probation station in Van Diemen’s Land. From 1849 he was permitted to work as an artist in the colony under a certificate of general good conduct and by 1853 had received a conditional pardon. He went on to work as a professional painter and teacher and relocated to New South Wales in 1856. 1 Michael Roe, An Imperial disaster: the wreck of George the Third, Hobart: Blubber Head Press, 2006, p. 12.