Podcasts about nashville music

Oh how I've longed to talk to Liv Greene. Every once in a while you come across a young artist that seems older and wiser than her 26 years. Liv's been giving me that impression since I met her in 2019 when she was at Club Passim waiting tables and breaking hearts on the stage at just 21 years. Ok enough about being young. Liv's been writing, studying music and going to music camps since she was 12. Arguably she's been studying music all her life with her Americana loving parents who were filling the house with the sounds of Patty Griffin, Emmylou Harris and Shawn Colvin, to name a few women In music in heavy rotation at the Greene house. Being the only of her friends that liked that kind of music, Liv attended many DC-area concerts with her mom, taking in the magic of live music at a very tender age. Speaking of tenderness, that's what Liv Greene is all about and she digs into it in our conversation. She started writing and playing shortly after she was inspired by a Taylor Swift concert. From there, she took off on the instrument and even sought out music education in camps like Miles of Music in New Hampshire. It was at that camp as well as the arts academy Interlochen High School, where she started meeting peers with similar interests. She found herself living for summers with her music camp friends. Prior to her senior year at Interlochen, Liv was a closeted queer at her all girls Catholic school mostly writing fictionalized stories into her songs because she could not deal with who she was.She attended and graduated from The New England Conservatory of Music and released her debut album (produced by Isa Burke) right in time for the pandemic in May of 2020. Shortly after that, she moved to Nashville and has spent the last several years on an intense path of self-discovery. Liv found her community, came out, wrote and self-produced her new album, Deep Feeler. On this album, you can hear the growth she's experienced and you can hear Liv thriving in her corner of the Nashville Music scene that includes the indie folk music scene. We talk about all of this including what it means to have a neurodivergent brain, music production, the roller skating community and her favorite Taurus personality traits.Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Send us a textOn the latest episode of the Lost In The Sauce Podcast, Sauce is joined by Narleyy and Quez Cantrell, two highly talented artists from different parts of Tennessee. Narleyy is from Chattanooga, TN, while Quez Cantrell hails from Nashville, TN. Although they are different, they draw musical inspiration from the same sources. The guys join Sauce to discuss Narleyy's new project "You Had To Be There," his collaboration with Starlito and Quez, Narleyy shares a story on a near-death experience and much more!Intro | Narleyy - Blood, Sweat, Tears / RelaxQuez Cantrell  - Grand Nu OpryPass the Aux Segment | To Whom It May Concern feat. Quez Cantrell and StarlitoNarleyy's Music | https://ffm.to/youhad2bethereQuez Music | https://music.apple.com/us/artist/quez-cantrell/1470897751Podcast Platforms:  https://linktr.ee/Lostinthesauce5Instagram:  https://www.instagram.com/sauceville_615/

This week we sit down with our friend, Lance as he tells us what it's like behind the scenes of the Nashville music industry.

"Build Your Toolkit!" Mark talked about finding job opportunities in the audio industry, recording sessions on Music Row at Ocean Way, Masterphonics, and The Workshop, running the SAE Institute, Teaching film at IFC, Atmos mixing, & flying drones. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mark Martin, an engineer who worked at Masterfonics, Emerald, OceanWay l, SAE and the Workstation. He became VP of Marketing for all 38 SAE locations in 18 countries. He moved to Austin to do live sound. Mark came back to Nashville to be VP of Marketing at the Nashville Film Institute. Thank you to Michael Cronin for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6zQ7gIyDu9g1gTTWQcfSOo?si=35c9a2ff426947ce If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/462

In this episode, Tony shares his incredible journey from a small-town upbringing in Madison, Maine, to becoming a prominent figure in the Nashville music scene. He reflects on his early love for music, the pivotal moments that shaped his career, and the challenges he faced along the way. Today, Tony is a Nashville-based musician and independent producer, with multiple Grammy nominations to his name. 

Do you ever just sit and listen to someone tell stories from their life? What a gift it is to be able to listen to such intimate memories that helped shape a person into who they are in this exact moment, with wisdom unmatched.If you love doing that as much as I do, you're in for a treat today — this is one of our ultimate storytelling episodes from a special person who has a rich tapestry of experience that can touch us all.We're talking to Clif Doyal. He's a Nashville music industry veteran who manages and promotes artists, he's a musician himself, and he's a returning guest from season 4. Last time we met for the show, he talked about using music as a unifier during intense political times. But now, we're taking an even more personal approach to his life's experience — you get to see a different side of Clif. I say that, because we're talking paranormal experiences, but actually, you see that it's not such a different side. Clif brings his personality, love for entertainment through storytelling, and ability to make meaning and purpose to everything he does, and this is no different. Today, you get to hear at least three different stories of Clif's true, verified, and real experiences with ghosts and what we think was a demon, and then several more stories about the gentle spirits of passed on loved ones. We talk about the differences between those various types of entities as well. You Might Also Like: Life After Death: The Difference Between Spirits and Ghosts and How They're Tied to Our HumanityAs Clif says, the veil between worlds is thin.So, grab a cozy blanket, your favorite drink, and settle in while Clif takes us with him to being on the farm with his mom as a kid, a prophetic recurring dream, a Franklin, TN civil war cemetery at the historic Carnton plantation, a creepy cow path in an Ozarks holler, a bedroom in a shotgun house haunted by an old miner, and the moments his mom and late wife came to him in spirit form.You Might Also Like: True Ghost Stories Around the Fire***Visit the complete show notes at https://humanamplified.com/episodes/107***Brandi here. Did you know besides hosting this podcast that I'm also a Tennessee-based, original fine artist? You can shop my original paintings and sign up for first dibs at new original art at brandifleck.com. Your support would mean so much!

Hello and welcome Americana Podcast listeners to a very special and celebratory episode. Long time listeners and new friends, we are so excited to share with you that as of April 29, 2024- we are celebrating the 5th Anniversary of this show. It has been such an honor to have been documenting the story of Americana through the artist's lens. And we've heard some incredible stories, from Billy Strings to Lori McKenna, to Shinyribs and most recently Hiss Golden Messenger. From the young blood of Jamestown Revival to the stalwart rockers in the image of Jim Lauderdale. We've only scratched the surface of what makes Americana what it is today and what its future can only hold. As we mark a momentous occasion, five years of weaving tales and tunes, let us embark on a journey through the rich tapestry of our show's legacy.To honor this milestone, we are joined by one of the true luminaries of the Americana scene. First, a troubadour whose name is synonymous with the genre, a man whose songs echo with the spirit of the American heartland, the one and only Ray Wylie Hubbard. I know I've been your temporary host for a while so the celebration doesn't stop there. Also returning to the show is our very own, revered songwriter whose wit and wisdom have endeared him to audiences far and wide, the incomparable Robert Earl Keen. Together, they represent the very essence of Americana, embodying its spirit and sound with every chord and lyric.Live from KNBT's Roots and Branches show- join us as Ray Wylie Hubbard, Robert Earl Keen, and Americana radio pioneer Mattson Rainer recount their songwriting journey, the passion for music, and indulge us in some very special performances (this is a long show- but I can assure you it is worth every minute).So join us as we raise a toast to the history of our show, to five years of passion, perseverance, and the relentless pursuit of musical truth. I'm your producer Clara Rose, and this is Americana Podcast- the 51st State  Donate to the show!https://tiptopjar.com/americanapodcastInstagram@americanapodcast Have questions or suggestions? Emailcreatedirector@robertearlkeen.com

Pam is joined by vocalist, instrumentalist, songwriter and radio host, Angela Easley. In this week's podcast, Angela will speak on her past and the things that have helped her on her path to a successful career. Angela has been awarded the 2021 Female Vocalist of the Year Bronze by the International Singer Songwriter Association and fan nominated in six categories. Angela is known for her residency at the legendary Bourbon Street Blues & Boogie Bar located in Printer's Alley in Nashville, TN. Tune in to learn more about Angela and the Nashville music world. 

I'm so pleased to have Myron Elkins on the show for this week's episode. Myron is a super sweet and sincere human with a gentle and forthright presence, and we talk about his upbringing in rural Michigan as a self-admitted outlier, all the while devoting his free-time to honing his musical chops. After high school, Myron eventually landed a job as a welder when he was discovered after a seminal acoustic gig in Nashville, miraculously, by Dave Cobb, multiple-Grammy winning producer, who offered Myron a record deal and produced his debut album, Factories, Farms & Amphetamines. For a shy kid from small-town Michigan, it was a dream come true, but as you will come to know, also quite well deserved. I'm so happy to be able to share this truly unique and heart-warming story of a truly unique and introspective artist, Myron Elkins. Give a listen now!!For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Hello and welcome to a new episode and a new year Americana Podcast listeners. We're so happy to be back and we have a very exciting episode for you today to celebrate the new year. I'm particularly excited for this show because it really brings us to a full circle moment in the history of this podcast. From long-time audience members to latest episode listeners, you know that every episode features a  break in programming to feature the wonderfully written recommendations from our friend and contributor Will Vogt. Will has been with us since the very first episode of the show and has been on the ground floor for many artists—kindly sharing with our audience who he's been listening to during his segment. Which brings us to this episode's guest- Hiss Golden Messenger. One of the first picks Will ever submitted was one detailing the works of M.C. Taylor, aka Hiss Golden Messenger. A native of California but long time North Carolina resident, Hiss Golden Messenger brings together the elements of soul, rhythmic rock, blues and experiential lyricism. His punk-rock DIY acumen combined with an elevated style of songwriting has garnered praise from both fans and critics alike, as well as grammy nominations. And since his first ever feature as a Will's Pick, I can biasedly say he's one of my all time favorite artists working in the Americana scene today.  Donate to the show!https://tiptopjar.com/americanapodcastInstagram@americanapodcast Have questions or suggestions? Emailcreatedirector@robertearlkeen.com

This week Charlie talks to his former student, actor and recording artist Ellis Melillo about her EP release Cry Wolf. Ellis went to a Brittney Spears concert with her dad at the age of five at Jones Beach. For over two decades she saw herself on that stage performing to a sold out crowd. Charlie and Ellis talk about that dream coming true when she opened for the Zac Brown Band this summer at Jones Beach. It's an incredible conversation about manifestation, the creative process, and the importance of giving yourself permission to acknowledge your talent. You can follow CBP on Instagram @creatingbehavior, and Charlie's NYC acting conservatory, the Maggie Flanigan Studio @maggieflaniganstudio. Theme music by  https://www.thelawrencetrailer.com. For written transcripts, to leave a voicemail on SpeakPipe, or contact Charlie for private coaching, check out https://www.creatingbehaviorpodcast.com

Like what you hear? Feel free to support the Show!https://tiptopjar.com/americanapodcastWe have a very special guest in this episode. Today, we're diving into the rich tapestry of the extraordinary songwriter, Gretchen Peters. Growing up next to the legendary Greenwich Village folk scene, before moving to Colorado where she cut her teeth as a performer, and finally settling in Nashville at the height of the traditional country to pop country split in the 90's and early aughts. Peters' story is something that music journalists and authors could only dream of living. And during all this time, she has etched her name into the annals of American music history with her poignant lyrics and haunting melodies.In the early '90s, Peters released her debut album, 'The Secret of Life,' which quickly garnered attention for its lyrical depth and Peters' distinctive, emotive voice. Throughout her illustrious career, Peters has penned songs that resonate with a raw, emotional honesty and capture complexities of the human condition. Her songs have been cut by the likes of Martina McBride and Trisha Yearwood, and has been a longstanding advocate for musician's rights in an increasingly complicated industry that looks more and more like a battleground everyday. Having recently retired from touring, it's time to take stock of  Gretchen Peters' immeasurable impact on music. Her dedication to storytelling has earned her a place among the most revered songwriters of our time. So join us today as we speak with Gretchen Peters about her serendipitous career, women's music in country and Americana, and whether or not there really is a difference between being a songwriter and being a performer.  

Music Biz 101 & More is the only radio show in America that focuses on the business side of the music & entertainment worlds. Hosted by William Paterson University's Dr. Stephen Marcone & Professor David Kirk Philp, the show airs live each Wednesday at 11pm on WPSC-FM, Brave New Radio. In this episode, you'll hear an amazing interview with Sara Barnett, the GM or Brooklyn Bowl Nashville. We get into what's more important, ticket sales or bar sales. We talk about the merch percentage venues take and why they take it. And much more. This one's really good, so why aren't you listening? Intro song: "Hurts Like Hell" by Gina Royale. Exit song: "Lover" by TimaLikesMusic. Like what you hear? Tweet us anytime: twitter.com/MusicBiz101WP Engage and Adore us on The Facebook, The Twitter & Instagram: www.facebook.com/MusicBiz101wp twitter.com/MusicBiz101WP instagram.com/musicbiz101wp/

I have been hearing about Zach Fowler's bass playing since he was in New Mexico. Now, based out of Nashville, Zach is very busy laying down the low end, acting as musical director, writing songs and producing music. He has been very active doing studio work as well as touring with LoCash.Join me as we hear about Zach's journey, how he gets his sound, all the details about his new Lakland bass and his plans for the future.Here is Zach Fowler!This interview first appeared in Bass Musician Magazine on October 1, 2023Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Everybody knows that Nashville is one of our main meccas for music and there is a lot happening there. Hailing from that illustrious city, Garry West wears many hats as a bassist and producer, as well as CEO and founder of Compass Records. It is also very possible that you might have seen Garry holding down the low end for his wife, Grammy award-winning banjo player Alison Brown.Join us as we hear about Garry's musical journey, how he gets his sound and his plans for the future.Here is Garry West!First appeared on Bass Musician Magazine, Aug 21, 2023Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Chris Scruggs is the host of his own WSM radio show that runs on Friday nights after the Grand Ole Opry, fronts his own band, The Stone Fox Five, and is a member of the white-hot group backing Marty Stuart, The Fabulous Superlatives. He is also a busy session man with everyone from up-and-comers to hitmakers Kacey Musgraves & Sierra Ferrell, and more recently, he was the youngest member inducted into the Musicians Hall of Fame.  In today's episode, Scruggs tells his own story, and along the way shares plenty of country music lore and spotlights 4 of his favorite guitars, a 1962 Telecaster, a 50s Fender double-neck steel, a 1959 Martin D-18, and a 1938 Gibson L5.#askzac #chrisscruggs #martystuartSupport the show

SUMMARY:Zach Williams of The Lone Bellow chats about his songwriting development and the band's latest album, Love Songs for LosersPART ONE:Scott and Paul dive deep on the evolution of George Michael's "Careless Whisper" and the role that production plays in presenting a great song.PART TWO:Our in-depth conversation with Zach Williams of The Lone BellowABOUT ZACH WILLIAMS:Originally delving into songwriting as a way to cope with a family medical crisis, Zach Williams eventually moved to New York City to seriously pursue a career as a writer and performer. There, he formed the group The Lone Bellow, which released its self-titled debut album in early 2013. People magazine named it among the top 10 albums of the year, and it earned the attention of Aaron Dessner of the band The National, who produced The Lone Bellow's second album, Then Came the Morning. The group subsequently earned an Americana Music Award nomination for Duo or Group of the Year, and relocated to Nashville soon after. They went on to record a third album in Nashville with producer Dave Cobb before making yet another record with Aaron Dessner. The band's most recent release, Love Songs for Losers, is their first self-produced album. The lead single “Honey” became their first Top 10 single on Billboard's Adult Alternative Airplay chart.  

On this episode of the Bear Grease Render, Clay Newcomb is joined by the usual suspects - Brent Reaves, Misty Newcomb, Josh “Landbridge” Spielmaker -  as well as new render guest Andrew Scott Wills, Nashville songwriter and creative force behind Hawken Horse. The crew starts off talking about Andrew's interest in the American frontier and Mountain as well as what it's like to be a professional songwriter before he plays a live rendition of “The Ballad of Warner Glenn” a song written by Clay and recorded by Hawken Horse. Afterwards the crew dives into the second edition of the Bear Grease Pop Quiz where they discuss topics like David Crockett's political nickname, his near death experience in Alabama, and other topics from last week's episode on Davy. You'll want to stick around to hear what song the crew closes the show out with. We really doubt you're gonna want to miss this one… Connect with Clay and MeatEater Clay on Instagram MeatEater on Instagram, Facebook, Twitter, and Youtube Shop Bear Grease MerchSee omny.fm/listener for privacy information.

One of our favorite guys, Hayden Baker returns to the podcast today to talk about his latest EP "Growing Pains" and just how personal and intentional each song on this collection was.Find Hayden's music, tour dates and merch at https://www.haydenbakermusic.com/You can support Texas Toast by following us on social medias (@texastoastpod), giving a 5-star review on Apple Podcasts and Spotify, subscribing on YouTube and MOST IMPORTANTLY, sharing the show with a friend! Intro song: "The Ride" by Jon StorkOutro song: "You Can Go To Hell" by Phineus Rebhttps://www.haydenbakermusic.com/Support the show

Steve Harper with Nashville Music Producer Tony Mantor  -- tonymantor.comhttps://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

Steve Harper with Nashville Music Producer Tony Mantor  -- tonymantor.comhttps://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

Steve Harper with Nashville Music Producer Tony Mantor  -- tonymantor.comhttps://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

Jill Nicolini with Nashville Music Producer Tony Mantor  -- tonymantor.comhttps://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

Josh Rennie-Hynes is an Australian born Artist now living in Nashville. His new single 'Morning Stars' is out now! ‘Morning Stars' is the latest single Josh Rennie-Hynes. The Australian born now Nashville based Artist continues his progression into a more electronic sound, while sticking true to his emotive songwriter roots and as always creating songs that linger long after the first listen. 10‘Morning Stars' is the second single to be released from his forthcoming LP ‘Light/Shade' which is set for release in early 2023. Rennie-Hynes has always let his ever changing creative desires lead the way. From his live to tape chimey guitar rock n roll (PATTERNS 2019) to his synth layered indie pop/rock over lush arrangements (DAY RAGE 2022) This subsequent new album sees him once again following his instincts into an entirely new realm with ease.

Jill Nicolini with Nashville Music Producer Tony Mantor  -- tonymantor.comhttps://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

Nashville-based Caitlin Rose is on the show this week to bring us up to speed on her life, her current direction, and the creative forces behind CAZIMI, her long-anticipated new album -- her first in almost 10 years. It's been a long wait for her fans, and an even longer period for Caitlin herself, who describes the uncharacteristic decade gap as a "Sisyphean struggle" -- and that it was. But despite the trials and tribulations from a creative standpoint, Caitlin proves to be incredibly self-aware and perhaps more importantly, acutely imbued with a sense of self-acceptance -- of who she is and what she wants to accomplish.  CAZIMI does not disappoint; it's a stellar work with a top-notch list of supporting players and Caitlin's vocals are simply stunning.  Caitlin comes from a family of creatives and musical talent and she operates from a standpoint of doing what's right for her own self, unequivocally accepting only what's best from her unique perspective.  So climb aboard the Roadcase bus for this amazing interview with one of Nashville's finest, Caitlin Rose!

Edward falls down a rabbit hole of crazy. Enjoy the ride.Support the showTree of Links: https://linktr.ee/amicancelledyet

Subscriber-only episodeexclusive to the premium section First Episode of Nashville talking about the musical city and nashville female artists

Promo for upcoming episode out later this week with BMG Nashville Music President Jon Loba.This episode is a fascinating take on a man at the top, leading the charge of one of Music Row's finest companies.Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Promo for upcoming episode out later this week with BMG Nashville Music President Jon Loba. This episode is a fascinating take on a man at the top, leading the charge of one of Music Row's finest companies.

Scott Watson talks with Tim Raybon of the Tim Raybon Band about songwriting, faith and the new single Can't Get Away From This Broken Heart.See omnystudio.com/listener for privacy information.

Many would know Vince Herman as the guitarist and primary lead vocalist and songwriter of the renowned jam band, Leftover Salmon. Herman has been playing professionally since the late 80's and, Leftover Salmon aside, also formed and played in ever-evolving project group Great American Taxi. Between the two bands, Herman has recorded over 10 albums and has toured the world over, whilst simultaneously developing his festival guru persona. Sometime in 2021, Vince Herman moved from Colorado to Nashville, TN where he took on a totally new project… himself. Partnering with renowned producer Dave Ferguson, as well as a myriad of friends and session players- Herman embarked on his first ever solo album. Released November 18, 2022- “Enjoy the Ride” explores the nuances and roots of country and Americana music as Herman has known and experienced it through his life. Everything from cajun influences to bluegrass picking can be found, but it is undoubtedly all Vince Herman. Once and for all. So join us today as our host, Robert Earl Keen goes song by song with Vince Herman. Exploring the parts that make up a musical life and identity. 

Nashville based Music Producer and Sound Engineer Jeff Huskins stops by the show to discuss his method of mixing and mastering. Not to mention many notable projects he's currently working on. Jeff has been mixing music in Dolby Atmos since 2018 and am currently the head engineer at BMG Studio A in Nashville. Some of the artists he's worked with include but are not limited to Lainey Wilson, Blake Shelton, Ashley McBride, Jason Aldean, 5 Seconds of Summer, Godsmack and many more!   For more info follow Jeff on Instagram @huskinsjeff #bmg #dolbyatmos #laineywilson #blakeshelton #ashleymcbride #jasonaldean #5secondsofsummer #godsmack #mixing #mastering

I just got back from a week away in Colorado and was so happy to start the work week with country artist Nate Smith. I've been a big fan of Nate for a few years now and I am so happy that Nate joined my podcast to share his story with us. Nate overcame a lot to get to where he is today.  In 2018, Nate lost everything he owned in the devastating Camp Fire which tore through Paradise, California, now known as the deadliest and most destructive wildfire in the state's history. Although his family was safe, he struggled to cope and turned back to music for comfort, using a loaned guitar to co-write a song called “One of These Days.” Listen below to hear about his journey, what he's learned from touring with Brett Eldredge, what Honky Tonk Bars and restaurants he recommends that you visit in Nashville and more!p.s his song WHISKEY IS YOU is climbing the charts!! wahooPhoto Credit- Matthew Berinato/Sony Music

I met Amy Kurland's sister Wendy before I ever knew her. But I've known Amy for well over a quarter century. Nashville music people are as open and giving and generous and humble as bi-coastal superstars are….not. I generalize. I'd love to be proven wrong. We talk about her father playing string parts for Patsy Cline, her watching Johnny Cash up close taping his TV show, as well as Garth Brooks, Vince Gill, and my personal crushes, Marshall Chapman and Mary Gauthier. In short, a name dropping extravaganza between a couple of old pals. SO FUN! If you love music of any kind and value songwriting, do not miss a moment.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are joined by Josue Florida, musician, who's on the show to play some songs and talk about his EP, Month Long Headache.  We also discuss laundry etiquette, social media, She-Hulk, The New Little Mermaid freaking out conservatives, Elvis, Tom Hanks, and the worst songs of the 90's.  It's a fun one.  Go find Josue's music at josueflorida.bandcamp.com  

On the 52nd Episode of All Heart with Paul Cardall, the award winning pianist and host talks to one of Australia's biggest stars, Wesley Dean, formerly known as Wes Carr. He didn't need to leave Australia. For more than a dozen years, Wesley had been one of the continent's best-known artists, armed with a larger-than-life voice that catapulted songs like "You" to the top of the Australian charts. Even so, the Adelaide native found himself boarding an American-bound plane in early 2021, his wife and two sons at his side, the entire family heading toward their new home in Nashville. Paul and Wesley talk about being on a national television show that told his story. They talk about his new album that explores leaving his hometown and moving his family to another country. All Heart with Paul Cardall is sponsored by J.D. Netto's novel, The Broken Miracle, a 2-part fictional series with characters and real events inspired by the life of Paul Cardall, a world-renowned pianist born with only half a heart. Learn more: http://www.thebrokenmiracle.comFor more information on Paul Cardall, please visit:Website - www.paulcardall.com/podcastFacebook - @paulcardallmusicIG - @paulcardallIG - @allheartwithpaulcardallTwitter - @paulcardallYoutube - @cardall ABOUT WESLEY DEAN:Official Website: http://wesleydeanmusic.com/Dean had visited Nashville a decade earlier, not long after winning the sixth season of Australian Idol. The show had launched him to stardom, but it was the time he'd already spent honing his craft — the Motown songs he sang during childhood; the three-hour shows he played in Sydney pubs as a teenager; the critically-acclaimed band, Tambalane, he formed with Silverchair's Ben Gillies at 21 years old — that readied him for the spotlight. Inspired to blur the lines between roots-rock, soul, and folk with his solo career, he made that initial trip to Nashville in search of likeminded collaborators. Years later, he returned to Nashville looking for something else: a new beginning.  "I was chasing down a life-long dream," Dean says, who'd spent the immediate years before his American migration living in a sea shanty town on the Sunshine Coast, quietly reevaluating his priorities. The Sunshine Coast's leisurely pace had been a godsend, allowing Dean a break from the career he'd been relentlessly pursuing since boyhood. He briefly stepped away from music during that time… and when he returned to it, he did so on his own terms, writing songs that mixed heartland hooks with heart-baring honesty. Starting with "Never Goin' Back to the Darkside" and "Where Only You and I Remain," a new album began taking shape, one whose creation would soon take Dean halfway across the world.  With its mix of authentic Americana and modern-day roots music, unknown is an album about departures and arrivals. These 14 songs tell the autobiographical story of Dean's life-changing relocation, bookended by the cathartic "Leave Adelaide Alone" — which opens the record with ringing electric guitars, accordion, and a meteoric chorus — and the album-closing title track, a soulful piano ballad that unfolds like a conversation between Dean and the loved ones he's left behind. Recorded in his newly-adopted hometown of Nashville and written on both sides of his transpacific flight, unknown marks the rebirth of an artist who's scaled the long ladder of success, enjoyed the view from the top, and taken a much-needed breather… only to rededicate himself to the climb all over again. For Wesley Dean, the journey began when he was 8 years old. A gifted vocalist, he honed his chops by singing along to Jackson 5 classics like "I'll Be There" and "Mama's Pearl" at a young age, then became a fixture on Sydney's barroom stages as, Wes Carr, before he could legally drink. Appearing on Australian Idol made Carr a household name across the continent, and he released two gold-certified singles in the wake of his first-place finish, along with a studio album that peaked at Number 2 in his homeland. He later reclaimed his independence after spending multiple years on a major label's roster, continuing to play some of Australia's biggest stages — from Sydney Opera House to Melbourne's Palais Theatre — along the way.After a decade, the rigors of the road grew wearisome for the songwriter, who'd become a family man since his full-length debut blazed its path up the charts. It was time for a change of scenery. "We moved to the Sunshine Coast in pursuit of a quieter, simpler life," he says. "We had no plan and not a lot of money, but those five years turned out to be the greatest times of our lives. There were new friends and palm trees and barbecues every Saturday. The wine was flowing. It was like semi-retirement, in a way." Dean began spending less time on tour and more time with his family. He stopped writing as often. Music was once his north star, but now it was something distant, its light waning by the day. Yet even as he questioned his career path, he found himself unable to shake the feeling that there was more work to be done. Staying behind while his wife and children left town for a 10-day vacation, Dean found himself alone in the family's beach house, acoustic guitar in hand, ready to see if the muse would still answer when he knocked. It did. What followed was the most fruitful songwriting period of his career. For 10 days, Dean threw himself into the creative process, finishing 20 songs before his family returned. The experience helped restore his creative drive and open his musical floodgates once again, and when the time came for another change of scenery, Dean steered the family toward Nashville.   unknown nods to that personal history, but this is an album about the present, not the past. Not long after landing in Tennessee, Dean got back to work, writing more songs about regrets, big risks, and fresh starts. He also reconnected with some of the collaborators he'd met during his first trip to Tennessee, including engineer Justin Cortelyou, and forged partnerships with new friends like co-writer Fred Wilhelm. They worked fast, capturing every spark of inspiration and fanning the flames into something big and bright. Together, the musicians layered piano-driven tracks like "That's Why I'm Here" with organ and light percussion, added swirls of atmospheric guitar to "Never Thought Of You," and channeled heartland heroes like Tom Petty on the driving, determined "Hello, I Love You, Goodbye." "I'd write a song and immediately record it," Dean remembers of those inspired months, which mirrored the creative growth spurt he'd experienced on the Sunshine Coast. "We encapsulated this big feeling of traveling overseas from Australia to America, arriving in our new home, and finding our way forward."   There were still obstacles to overcome. When a business relationship went south, Dean found himself without the American support system he'd originally been promised. Meanwhile, the Australian borders remained closed, meaning he couldn't return home even if he'd wanted to. Choosing purpose over panic, he redoubled his commitment to Nashville and wrote "Gaslighter," an empowered track that's more anthemic than angry. "It was like someone was putting me through a test, just to make sure I was really serious about doing this," he says. "Out of all these negatives came some amazing blessings. Life is made up of those blessings. The beauty is, they reveal themselves in every way as we step further into the unknown."  Wesley Dean SocialsInstagramTwitterYoutube 

There are four types of discourse in language- descriptive, narrative, expository and argumentative. And it seems that all four of those are readily present in any niche interest group on the internet these days. Anything from the way a machine works (descriptive), the exact timeline of Tolkien's world building (narrative), someone breaking down the latest universe development in a comic-book based film (expository), and argumentative which that one goes without example. If you need one, go to twitter.On the note of argumentative, some may disagree with this next statement, but the difference between good discourse and bad discourse depends on the presence of resources. Resources establish credibility in ones' opinion and or points. They inform subsequent works, and if you're bibliography and research nerd, they are excellent road maps to other sources of information that you can sink your teeth into. Really exciting stuff, I know. But, when those resources aren't made readily available, that's where discourse breaks down. Without them, there's a few formal problems, like credibility and the questioning of objectivity. Mainly, the problem- is without resources how were you able to effectively formulate your contribution to the discussion at hand, and why should others participate with you.One of the key ways we talk about music with musicians, is by asking about their influences. Influences tell us so much about who we're speaking with and how they developed.They give us a way to describe an artist's sound. Influences tell the story of formative discovery. They give us a timeline of the kinds of music that shaped an artist in different eras. Influences allow us to argue what was ultimately important in flows of time and culture. See where I'm going with this? Musical influences are just one part, but a big one in terms of musical resources.Artists don't owe us that information. We know that. "What are your influences?" Is a boring question and its asked in pretty much every interview. They can keep their secrets, but its nice when that door is open.Which brings us to this episode's guests- The Boxmasters. The Boxmasters is made up of Bill Bob Thornton and JD Andrews. Thornton and Andrews in 2007 when Thornton brought in Andrews as a sound engineer for his 2007 record "Beautiful Door".  The two found that the had similar approaches and views of music and started playing together somewhat regularly. After some time, the two began recording and eventually created their band "The Boxmasters" the name comes from southern slang referring to a hotshot with echoes of Porter Wagoners "The Wagonmasters" which Thornton had previously played in for a time. Since 2007, the group has toured extensively with the likes of Willie Nelson and Ray Price, taking a break between 2010-2015 where they reconvened to make the record "Somewhere Down the Road". The released their latest album "Help Im Alive" in April of 2022 (when this interview was recorded).The Boxmasters do not shy away from their influences and what the build their sound on. Pulling from groups like The Beatles, The Rolling Stone, Mott and the Hoople- the duo works to echo the sounds the personally loved from the 60's and 70's- whilst also giving it a somewhat more southern edge with original lyrics.. all topped off with classic Bakersfield like production. And neither Andrews or Thornton will shy away from telling you as such.

  Today's guests are Bill Whyte and Brent Barnes. The pair performed a terrific show at the Woodlands recently. We'll recap it and find out a bit more about the Nashville Music scene, too. Keep in touch with all the upcoming events at The Woodlands by visiting HSVTicketSales.com.   • Join Our Free Email Newsletter • Subscribe To The Podcast Anyway You Want • Subscribe To Our YouTube Channel (click that bell icon, too) • Join Our Facebook Group • Tell Your Friends About Our Show • Support Our Sponsors 

We are back with the Vibes! This Week on the Podcast Sauce is joined by one of the Hottest Producers in the city, Smokey Hendrixx. Smokey & Sauce Cover an array of topics. From the beginning of Smokey's Production Career to some of the mindset shifts necessary to succeed, Smokey & Sauce cover many things in between. Tap in & get to know Smokey Hendrixx & the driving force behind his sound…….Pass the Aux Segment - Sweet Poison & Smokey Hendrixx  - B.I.T.M. (Back in That Mode)Exquisite Taste Album Link https://music.apple.com/us/album/exquisite-taste/1633308926Time Stamps0:00 - Intro 04:02 - The Beginning of Smokey Hendrixx 07:53 - The growth of Nashville Music 09:12 - Smokey & Sauce reminisce the Nashville party scene 15:15- Smokey speaks on Creation expectation 17:12 - Smokey & Sauce on Conducting Good business 22:43 - Smokey & Sauce on Marketing & Networking 25:48 - Exquisite Taste 31:33 - Smokey's Muses & inspirations 34:11 - Beat making & sampling 37:43 - Smokey's favorite producers 39:17 - Thanking God in Advance 45:58 - Workflow & Balance 50:32 - Essentials in the studio53:48 - Mindset shift58:07 Outro/Pass the Aux SegmentPodcast Platforms:  https://linktr.ee/Lostinthesauce5Instagram:  https://www.instagram.com/sauceville_615/

M&B had "The Music City Mentor" herself in studio. Jacy Dawn Valeras shares wonderful stories about her road to success in the Nashville Music scene. Jacy is a Singer, songwriter, podcaster, YouTube creator, media marketing guru (owner Platinum Circle Media) and so much more. Candy O'Terry & Jacy's podcast "Country Music Success Stories" has blown up into a playlist favorite for many. It is believed that the last live interview with Naimoi Judd was with Jacy and Candy. Jacy and her husband Mike (co-host for the day), tell us what it takes to make it in music city and are in such demand for advice that a YouTube channel "Music City Mentor" was created. Tune in to this episode and let Jacy inspire you! --- Support this podcast: https://anchor.fm/musiciansandbeyond/support

Today we chat with Nashville music publicist, Jules Wortman! Wortman is a veteran public relations and marketing strategist who has developed a number of national and international campaigns for record labels, brands, commercial developments, authors, music, sports entertainment, special events and many others. Her clients include or have included Country Music Television (CMT), Warner Bros. Records, Universal Music, Sony Music, Tim McGraw, Faith Hill, Blake Shelton, and so many more. She currently manages The SteelDrivers, a GRAMMY® winning super group on Rounder Records.  

On this episode of Beyond The Plateau, we interview Ethan Buckner (The MN Child) and Tom Sless. We discuss their upcoming release All We Got Is Time, their collaboration, songwriting, Indie artists and the power of playing live music.

Welcome to Roadcase!!  We are super psyched to have the extraordinary and multi-faceted artist Seth Walker on the show. Seth is a true veteran of the industry, and his 11th studio effort, I Hope I Know, produced by Jano Rix of The Wood Brothers just came out on May 20. Seth is also an accomplished artist, poet and now a published author with his first book entitled Your Van Is On Fire (The miscellaneous meanderings of a musician),  a memoir of his life as an artist. Filled with his own illustrations and poetic musings, Your Van Is On Fire serves as a roadmap of a life on the road as Seth has successfully followed his Wanderlust muse over the course of his 30-year career.  We talk about Seth's unique upbringing in a communal living situation in North Carolina as well as his philosophy on just what drives this truly unique artist. Seth is a gem of a human and a stellar guest whom we're overjoyed to welcome into the Roadcase community. So hop on the Roadcase bus as we wander about within the creative world of Seth Walker.  It's gonna be a great ride!For more information: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comTheme music:  "Eugene (Instrumental)" by Waltzer

This week, Chris sits down in the studio with indie pop singer/songwriter Sasha Alex Sloan. Aside from her wildly successful artist career (she currently clocks in at over 9 million monthly Spotify listeners), she's also written tunes for Carly Pearce, Meghan Trainor, Katy Perry, P!nk, Charli XCX, and many more! If you're not familiar, her music is lyrically poignant, confessional, and emotionally stunning all wrapped up in tight pop production. In this episode, she and Chris talk about imposter syndrome, their respect for pure songwriting + more - including Sasha's upcoming full length record and the first single, “WTF”, which is out now. Plus: Chris admits he loves ABBA and bonds with Sasha over their shared love of Karen Carpenter's voice. Thanks for listening!Follow us on Instagram: https://www.instagram.com/pitchlistpodcast/Like us on Facebook: https://www.facebook.com/pitchlistpodcastFollow us on Twitter: https://twitter.com/pitchlistpodSubscribe to our YouTube channel for exclusive performances and more! https://www.youtube.com/channel/UCEwtG60ltMoaebE6HnP3B4wFollow us on Spotify for curated playlists:  https://open.spotify.com/user/7ixo57nxzlk7qzg6k2k4bi0aj?si=13330a1af7614254

If it's one thing that we love here at americana podcast, it is the concept of the artistic process. We're not alone in this, it seems that when anyone speaks about artists, musical, visual, conceptual- you name it- one of the first things people will go into or ask about, is how a piece of art came to exist.We've been doing it for three years on this show. And even when you ask an artist “how did you do this?” There's no guarantee you're going to get a straight answer. If anything, in the interest of mystique- you're more likely to be left with more questions about creation than you are to be given clarity. Our curiosity about the subject is inherently curious. If it present, if it already exists for us to view, or listen to or think about, why do we care how it got there? That feels like a much deeper question that a philosopher would probably be able to answer. But as a semi-professional music lover with a microphone, I think it's because the artistic process reminds us that art, no matter it's shape, is still inherently human. That it is subject to the time, and strengths, and limitations, and abilities of the one who makes it. The artist lives a life, inherently creates based on that experience, and then puts those creations out into the world to say “I've made this”.It's a very human process. And even when it's difficult to like humanity, it is easy to love that which reminds us that we're still human. On today's episode, we welcome an artist who embraces that humanity and pursues creation and the artistic process. Enough to have made 34 records so far in his career. Jim Lauderdale, a native of Troutman, South Carolina released his first record in 1991. A natural collaborator, he's worked with the likes of Rodney Crowell, Buddy Miller, Nick Lowe, and Roland White. And he's had songs cut by everyone from Elvis Costello to George Straight. And like anyone in the music industry, he's had ups and downs. And he'd be the first to tell you. In just a few moments of being in a room with Lauderdale, it is difficult not be struck by his kindness and forthcoming nature (he's also a bit of a prankster, I found out the hard way). So Join us on this episode as our host Robert Earl Keen, speaks with Jim Lauderdale about the artistic process, the documented phenomenon of “the Jim Lauderdale effect”, and more.

Elisha Hoffman has been a part of the Nashville Music scene for over 15 years, first as a drummer and session player, then as a producer and songwriter. Hoffman got his start producing Shania Twain's remix of “She's All Right” and house music for the second half of the Dixie Chick's “Fly” tour.Faith Hill cut his song, “Give In To Me,” for the soundtrack album of the major motion picture Country Strong. Leighton Meester and Garrett Hedlund also sing the song in several onscreen visual performances, and their version climbed to #2 on the iTunes Soundtrack Top Songs Chart and #2 on Billboard's Top Country Albums Chart.He is writing and recording as a member of the Super-Hot-Buzz-Group “Loving Mary” which is also backing up Aerosmith's Steven Tyler on his latest solo tour around the country.Elisha is writing with Nashville's hottest writers including Marti Frederiksen, Rob Hatch, Rich Redmond, Eric Halbig, Lance Miller, Jim McCormick, Lindsey Lee, Danny Myrick, Jason Matthews, Marshall Altman, 2014 American Idol winner Caleb Johnson, Billy Johnson, Billy Gibbons, and many others.Hoffman's songs have also been heard on TV shows such as The Shield and Dark Angel. He is a founding member of The Loving Mary Band, Steven Tyler's country band, as well as co-founder of Pumphouse Records, which he launched with Lee Brice and songwriter Rob Hatch.“As someone who has been immersed in the music industry for my whole life, I'm well-versed in the many options creatives face when it comes to taking full advantage of the earning potential of their work,” says Hoffman. “Joining Sound Royalties to help bring their services closer to music creatives is a no-brainer for me. A company that offers funding on all types of royalty streams without taking ownership, while offering the opportunity for ongoing cashflow is a valuable resource to my fellow musicians and others looking to grow and/or maintain their career in the music world.”https://www.lovingmaryband.com/https://www.facebook.com/rebeccalynnhowardofficialhttps://www.instagram.com/rebeccalynnhoward/?hl=enHost - Trey Mitchelltreymitchellphotography IGfeeding_the_senses_unsensored on IG trey mitchell: facebook.com/profile.php?id=100074368084848For Sponsorship Information or Questions -  ftsunashville@gmail.comTheme Song - Damien HorneTake It From Me @damienhorne

Trey is a pedal designer and maker out of Nashville. He's been on the road with bands from The Afghan Wigs to the Raconteurs. When 2020 hit, he settled in and focused on building and designing pedals and his pedals are incredibly unique and expressive. I hope you enjoy this episode as we talk about his various pedals, his inspirations, and how he got into music. Support the show at: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/40 Watt Merchandise: https://40-watt-merch.creator-spring.com/Reverb Affiliate link: https://reverb.grsm.io/phillipcarter5480Find Retroactive Pedals on:Instagram: https://www.instagram.com/retroactive_pedals/?hl=enInternet: https://www.retroactivepdals.com/Mainstage Music: https://www.mainstagemusic.com/ Subscribe to the channel and give a like - also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends.

Welcome to Roadcase!!   We're super-psyched to have Nashville-based artist, The Kernal aka Joe Garner, for this episode.  Joe's recently released album, "Listen to the Blood," is a compelling alt-country take on traditional roots music and also a heartfelt tribute to his late father, Charlie Garner, who played bass in the Grand Ole Opry for thirty years. Joe is an incredibly astute and at times acerbic songwriter who, despite his lineage, came into music as a path in his late teens, studying poetry and working his songcraft at open mics in college.  Joe's signature is the red suit which belonged to his Dad and which Joe wears when performing to continue the tribute theme -- it's both touching and also slightly small, as Joe is quick to point out!  Joe is an intelligent and affable human who moves forward with a mindful attitude accompanied by a playful and creative spirit. So hop on the Roadcase bus and learn more about this unique and amazing artist, Joe Garner, The Kernal.  It's a great ride... and here we go!!For more information: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comTheme music:  "Eugene (Instrumental)" by Waltzer

Hey, y'all. I am Shay. This is thebuzzr podcast. On air indie, from my pad to yours over the airways. Today on the show, Nashville Tennessee artist Matt Burke. Since the fall of 2020, Burke has been releasing a steady stream of quality new material that has drawn comparisons to Jason Isbell, Sturgill Simpson, and Zac Brown. A versatile artist, each single Burke releases touches on a different aspect of the Americana genre – from 1970s honky-tonk line-dance anthems to heartbreaking bar stool laments and Top 40, country-rock singles ready for the hot 100, Burke showcases the many faces of his musical personality while continuing to carve his unique niche in the Nashville Music scene. Tracks played tonight: Coffee, Whiskey & Weed; Leaving Home Thank you for tuning in. Enjoy the show! Cheers! Shay https://youtu.be/EYBeakzEsRw Facebook Link Youtube Spotify Soundcloud Bandcamp Instagram