A series of wide-ranging and head-on discussions that will capture the spirit of the music scene as it is now, and shine a light on the issues that are currently at play within the music industry.
IMRO - Irish Music Rights Organisation
Jake Curran & Seán Murray from Echocat Live chat with Zoé Piater to take us behind the scenes and unpack how they bring live performances to life.With years of experience across global stages and genres, they share insights into processes in live production and music direction: creative ideas behind Niall Horan's 'The Show Live On Tour' from intimate acoustic setups that feel like a pub session to spontaneous setlists crafted just hours before the show, the mission of their music direction collective, Echocat, working with Vevo and more.Jake and Seán's collective experience has produced shows ranging from sold out theatres and clubs to packed out main-stage festival slots and stadiums. Individually, they have worked with artists like Niall Horan, Cian Ducrot, Julia Michaels, Dermot Kennedy, and many more. They've also worked closely with creative teams such as Vevo and TikTok, and curated TV performances for shows such as Saturday Night Live, The Tonight Show with Jimmy Fallon, and the Graham Norton Show. ECHOCAT Live offer services such as Musical Direction, Playback & Programming, Orchestral Arrangement and Sound Design, striving to ensure that each show is unique with emphasis on human connection that makes live music so captivating.This one's for fans of live music, aspiring music directors, and anyone interested in the behind the scenes!Be sure to check out Echocat online:EchoCat Livehttps://www.instagram.com/echocat.live/
On today's episode Danny Carroll meets Kate Ellis, cellist and artistic director of Crash Ensemble and composer Jonathan Nangle to discuss The Blue Haze Of Deep Time, a composition by Jonathan that will be premiered by Crash Ensemble at the New Music Dublin festival, on Sunday 6th April in The National Concert Hall.The work will be released on CD and digital platforms two days prior via Crash Records, and we have a little preview of it in this episode of the podcast.Drawing inspiration from the sea, incorporating field recordings, electronic and acoustic instruments, The Blue Haze Of Deep Time, marks the culmination of Nangle's residency with Crash Ensemble.If you have an interest in contemporary classical and new music, you may wish to explore some of our previous episodes from the Music Current festival 2023 and 2024, including interviews with Izumi Kimura, Lara Gallagher and the Nadar Ensemble to name a few.
A unique opportunity to receive insights and opinions from three producers working in Ireland. This event took place at the IMRO Office last month, moderated by music journalist Zara Hedderman. Three music producers share their experiences and development of their craft – featuring Daniel Fox (Gilla Band, Silverbacks, Lambrini Girls), Elaine Mai (Loah, Soulé, MayKay), and Adam Shanahan (Cable Boy, Melina Malone, Bobbi Arlo).
On today's episode we are turning our attention to the Singular Artists festival, Borderline. Taking place across three rooms in the Workman's Club in Dublin, the two day event showcases an eclectic mix of international and local acts.Borderline returns to the Workman's this weekend, Friday 21st and Saturday 22nd of February and ahead of these festivities, Danny Carroll spoke to Steve Taylor (Booking Agent with ATC Live) and Dan Malone from Dublin trio YARD.Steve Taylor, is a Glasgow based booking agent with the company ATC Live, one of the largest booking agents in Europe. Steve looks after the Irish trio Adore, who are performing at Borderline this Saturday, and he spoke to us about developing artists at the early stage of their career.Before this we hear from Dan Malone, guitarist with YARD. They'll be performing on Saturday night in the Workman's Cellar, and ahead of the show, he dropped by the IMRO office to tell us more about the band's origins and plans for the future.Featured Songs:1. YARD - Big Shoes2. YARD - Call3. Adore - Supermum!
On today's episode, we're learning more about the world of music publishing and supervision with Aideen O'BrienOriginally from Cork, Aideen has been based in Canada for over three decades, working for major organisations including BMG Publishing and Entertainment One.A founding member of the Canadian Songwriters Hall Of Fame, in recent years she's gone on to form her own company Mighty Craic Music, based in downtown Toronto.Aideen was home recently to contribute to the RTÉ series Ballroom Blitz, that focused on the history of showbands in Ireland, and she also popped by the IMRO office, for a chat.Aideen discusses her experience in the Canadian music industry as well as Nashville, and provides some of useful advice for songwriters considering a publishing deal.
Today's episode of the IMRO Podcast comes from the Lowden Guitar Factory in Downpatrick.Endorsed by everyone from Ed Sheeran to Richard Thompson, Lowden has become synonymous with the top acoustic players in the world. Celebrating 50 years since making his first professional guitar, company founder George Lowden met Danny Carroll to talk about the history of the company, provide a tour of the factory and let him try out a few prototypes in development.
On today's episode, we are focusing on Ireland's folk music conference, Your Roots Are Showing.Now in its third year, Your Roots Are Showing is dedicated to preserving and promoting folk music in Ireland. The annual conference features professional development sessions, interactive workshops and live performances attracting a mix of local and international artists and industry figures.To find out more, Danny Carroll spoke with the conference organisers Charlene Sloan and Brendan McCreanor, as well as past conference participants Clare Cremmin (Square Lemon PR) and Niall McCabe (singer-songwriter).The next conference takes place in The Gleneagle Hotel in Killarney, and runs from the 15th to the 19th of January 2025. The keynote speaker is the legendary fiddle and banjo player Rhiannon Giddens. You can register for tickets and see the full lineup of events and performers at ShowingRoots.comFeatured music:Niall McCabe – CrescendoNiall McCabe – Lost Boys
On today's episode we have an in-depth interview with the award-winning composer and musician Linda Buckley. Linda creates electronic and acoustic music across many disciplines. As a film composer, she's worked with her sister Irene on features such as Nothing Compares (The documentary of Sinéad O'Connor), and earlier this year on the stunning Pat Collins film 'That They May Face The Rising Sun'.Her debut album 'From Ocean's Floor' was released in September 2020 going on to feature in The Guardian's top 10 folk albums of the year, while The Evening Standard called it "a masterpiece in connecting the past and future".All the music throughout this interview is from that album, which is available to purchase on bandcamp: https://lindabuckley.bandcamp.com/album/from-oceans-floorThere's also some other links which may be of interest for anyone who listens to the full interview:https://www.youtube.com/watch?v=3q3qKFn5f54 - That They May Face The Rising Sun trailerhttps://www.youtube.com/watch?v=CHpN_uKeqz4 - Pierre Boulez - Le Soleil des Eaux (1965)https://www.youtube.com/watch?v=hf2qDuMyWHg - Steve Reich - Tehellim (1981)https://www.youtube.com/watch?v=-uNHnY7vHhE - UCC Gamelan Orchestrahttps://www.youtube.com/watch?v=3ou9J844io0 - Steve Reich - Music for 18 Musicianshttps://www.youtube.com/watch?v=kW4s0bt0Apk - Doireann Ní Ghríofa - Brighteninghttps://www.youtube.com/watch?v=ZPGthC8_CyM - Brìghde Chaimbeul - Banish The Giant of Doubt & Despairhttps://www.bbc.co.uk/sounds/play/w3ct4mhb - Linda Buckley, Sam Amidon and Brìghde Chaimbeul discuss the roles of tradition and place in music, and what they might think about when performing.
Today's episode is a recording of a live panel discussion titled ‘Funding in Ireland'.This event took place at the IMRO office in September and was aimed at helping musicians based in Ireland learn more about the funding opportunities and supports available to them.On the night we received insights and advice from Tara Bolger (Support Manager of the Music and Opera Department at Arts Council Of Ireland), Sharon Rollston (Chief Executive at Music Network) and Alison Geraghty (Head Of Grant Programming at Culture Ireland)During the panel we explored available grants, best practice for applying for funding and some of the pitfalls to avoid when applying.To keep up to date with funding rounds please follow the Arts Council, Music Network and Culture Ireland's social media channels, or sign-up to their newsletters.
On today's episode we have an in-depth interview with the godfather of electronic music in Ireland, Roger Doyle. A composer, keyboardist and producer, he's been writing music for over 50 years.Starting in the Royal Irish Academy Of Music, he went on to develop his craft at the Dutch Institute Of Sonology and later the Finnish Radio Experimental Music Studio. His curiousity around new technology and recording techniques led him to using the Fairlight CMI - an early sampler and synthesizer that changed the course of modern music. In 1986, his group Operating Theatre released the single Spring Is Coming With A Strawberry In The Mouth. Although at the time of release the song didn't have much impact, it's gone on to become a cult classic, with acclaimed US singer Caroline Polachek releasing a very popular cover of the song earlier this year. Naturally, we talk about this, and other compositions over the years, as well as Roger's ceaseless appetite for writing new work. All featured songs are used to be kind permission and available to purchase on Roger Doyle's bandcamp page. His latest album We Who Live Under Heaven was released on the 9th August.Featured songs:1. We Who Live Under Heaven (part 1)https://rogerdoyle1.bandcamp.com/album/we-who-live-under-heaven2. Cool Steel Army https://rogerdoyle1.bandcamp.com/album/cool-steel-army3. Spring Is Coming With A Strawberry In The Mouth (Lopez/Doyle) https://rogerdoyle1.bandcamp.com/track/spring-is-coming-with-a-strawberry-in-the-mouth-doyle-l-pez4. Coat Hanger Kisses https://rogerdoyle1.bandcamp.com/track/coat-hanger-kisses5. Solar Eyes https://rogerdoyle1.bandcamp.com/track/solar-eyes6. Finn-estra (Part 1): https://rogerdoyle1.bandcamp.com/track/fin-estra-part-17. We Who Live Under Heaven (part 1) https://rogerdoyle1.bandcamp.com/album/we-who-live-under-heaven8. Paavo's Engagement - https://rogerdoyle1.bandcamp.com/track/paavos-engagement9. We Who Live Under Heaven (part 3) - https://rogerdoyle1.bandcamp.com/track/we-who-live-under-heaven-part-threeCaroline Polachek - Spring Is Coming (Cover): https://www.youtube.com/watch?v=p95zDvzO5EsStockhausen - Hymnen: https://www.youtube.com/watch?v=SV4Uy-3b0c8Roger Doyle explains the CMI Fairlight in 1983: https://www.youtube.com/watch?v=j4RjUIjHlFoRoger Doyle performs Baby Grand on The Works: https://www.youtube.com/watch?v=QEKJD2Avda4
Today's episode of the IMRO Podcast is focused on We've Only Just Begun, the annual three night music festival, taking place in Whelan's in Dublin, on the 8th, 9th and 10th of August.The festival started in 2018, aims to platform female and non-binary musicians and over the years, its featured acts such as Pillow Queens, Soda Blonde, Sorcha Richardson to name but a few. This year's lineup features 23 acts, across two stages, and ahead of the festival, Danny Carroll spoke with a couple of the acts performing this week, as well as the festival's organiser Shauna Watson.Coming up we'll be hearing from DeCarteret, a singer from Co. Clare who likes to make lo-fi beats and classical music. We also have an interview with Stella & The Dreaming, an emerging, piano based singer-songwriter from Waterford.You can find out more about the full line up and tickets at www.weveonlyjustbegun.ieTracks featured:1. DeCarteret - Trip Me2. Stella & The Dreaming - First Time3. Stella & The Dreaming - A Short Ballad For Frankie And All That We Shared (in E Flat)4. DeCarteret - Pray For You5. DeCarteret - MYAEROPLANEFollow Stella & The Dreaming here: https://www.instagram.com/stellaboooooooo/Follow DeCarteret here: https://www.instagram.com/shortladydecarteret/
On today's episode we're focused on the provision of Artists Workspaces in Ireland.Specifically, this episode was made in response to the recent Government initiative, providing €6 million euro in funding towards artist spaces nationwide.The Pilot Scheme, in collaboration with Local Authorities intends to increase the stock of artist workspaces in cities and towns across the country.Launching the initiative last month, Minister For The Arts Catherine Martin said “I have been acutely aware of the pressures that artists and creatives, including those in the electronic music sector, have faced in finding suitable workspaces”This initiative follows on from the 2023 Dublin based Space To Create scheme, which will see the development of 60 artist workspaces in the capital and to find out more about what this will entail, Danny Carroll spoke to three people with a keen interest in how the initiative may benefit artists and communities and whether it goes far enough.First off, we're going to hear from Coilin O'Reilly. As well as being the Chief Executive of Carlow County Council, he's the chair of the Rural Development, Community, Culture and Heritage Committee, also known as the RCCH.Coilin was kind of enough to give some background on how the initiative came about and some of the practicalities of what it will entail.Also giving us his perspective today is Aengus Ó Snodaigh, Sinn Fein TD and spokesperson on the Arts. Aengus is of the opinion that the initiative and 6 million euro put forward is “a modest amount”, and makes the case for more investment in the arts and its value to Irish society.Finally, we hear from Dublin City Council's Arts Officer, Ray Yeates. Ray represents one of the local authorities trying to source and redevelop spaces for use by artists.For any musicians listening, wondering when they'll be able to move into a workspace, it's going to take a minute or two, but we hope you find this episode interesting in the meantime.
On this episode of the IMRO Podcast, we have an interview with the ambient lo-fi artist Hevi.Hevi, is a Turkish musician and producer based in Istanbul. Since 2018, he's been producing lo-fi hip hop inspired by themes of nighttime and nostalgia.Currently he has over 519,000 monthly listeners on Spotify, and in this episode of the IMRO Podcast, he spoke to Danny Carroll about his musical journey.From using a free trial of recording software with $5 earphones, to working 12 hour days in his family butcher shop, creating music in the wee small hours of the morning… Featured Music:Good Old BackyardSnowSolitude After A Partyhttps://open.spotify.com/artist/4vv1FFVqxnHyQFLmWxjizb?si=cGhtFuhDSPG0QCnXrHleEA
Today have the third and penultimate conversation from our Label Focus mini-series presented by Zara Hedderman. So far we've heard from Willie Stewart of Nyahh Records and Joey Edwards from Pizza Pizza Records and in this episode, you'll hear Zara speaking with Michael Roe, label and artist manager with Faction Records. Faction Records is coming close to reaching a massive milestone of 20 years in business after it was founded by Ken Allen in 2006. You may remember a compilation CD from around that time called Faction One and featured bands like Director, The Immediate, Republic of Loose and Future Kings of Spain amongst others. Today, populating Faction's roster of artists are a number of firm favourites with critics and audiences such as Sorcha Richardson, Niamh Regan, Martin Hayes, and Jape. Over the course of the chat Michael delved into the many ways that the industry is changing and how he and his colleagues at Faction work with their artists to develop their careers and prepare them to build their audience base and engage with international markets. In this regard, the conversation explores different elements of the business-side of the artist-label relationship and how important it is to have a plan but also not fear failure along the way. Zara and Michael discuss the impact of artists self-releasing their music and how that's changing the overall landscape and the importance of the relationships artists build with various media outlets and journalists. We'll have another episode, the final one in this series, very soon, but until then, here's Michael Roe of Faction Records.Keep up to date on Faction Records here:https://www.instagram.com/factionmusicieMusic featured:Annamoe Drive - Procrastinationhttps://anamoedrive.bandcamp.com/track/procrastinationNiamh Regan - Madonnahttps://niamhregan.bandcamp.com/track/madonnaSéan Joyce - My Facehttps://www.youtube.com/watch?v=rrE9V3Ccs7I
In this episode of the IMRO Podcast, we report back from the Music Current Festival 2024.Music Current is an annual contemporary music festival produced by Dublin Sound Lab, and taking place in the Project Arts Centre and Contemporary Music Centre in Temple Bar. The festival showcases contemporary Irish and new international electronic music as well facilitating workshops, professional development classes and public panel discussions.This years festival took place in April and Danny Carroll spoke to some of the people involved as well as doing a bit of interactive volunteering.Over the course of the next half hour we will hear from the festival director Fergal Dowling, the Irish sound artist and performer Lara Gallagher, and Pieter Mathhynssens, the co-artistic director of Nadar Ensemble, a Belgian contemporary music ensemble, that Danny performed with during the festival.0:00 - Danny Carroll intro1:18 - Fergal Dowling Interview7:40 - Lara Gallagher Interview15:45 - Nadar Ensemble rehearsal and interview with Pieter MathhynssensFeatured music:Tak Ensemble - Mouthpiece 28 (composed by Erin Gee) and featured on the Oor:Eryk Salvaggio - Flowers Blooming Backwards Into Noise:Lara Gallagher - Leap Of FoalsNadar Ensemble - Drie (rehearsal audio) - composed by Serge VerstocktLara Gallagher - https://laragallagher.art/Nadar Ensemble - https://nadarensemble.be/Music Current - https://www.musiccurrent.ie/2024/
On today's episode we're bringing you the second installment of a mini-series of conversations from Zara Hedderman that explore the various practicalities, challenges and, of course, the joys of running a record label in Ireland. In the first episode, we heard from Leitrim-based Willie Stewart of Nyahh Records, who shared great insights into the label's catalog and more, since that episode has come out there's been announcements of exciting forthcoming releases to come from Nyahh so do keep an ear out for them!Today, we make the journey (in our imaginations, at least) from Leitrim to County Louth, parking up in Dundalk where we'll hear from Joey Edwards - co-founder of Pizza Pizza Records, sound engineer extraordinaire and musician in his own right. Founded in 2018, Pizza Pizza Records, is an independent artist-led label, and it struck gold with its inaugural release Wednesday, the critically acclaimed and Choice Prize nominated debut from Just Mustard. That album not only announced Just Mustard as an act that audiences outside of Ireland were getting excited about, but it immediately asserted Pizza Pizza Record's reputation of a label working with the best in Ireland's independent acts up and down the country and certainly one worthy of being bookmarked to keep up with the buzzing independent scene. Today, the label's roster has expanded to include Clara Tracey, Elaine Malone, Trick Mist, The Altered Hours, and Larry and Elephant.In this episode, Zara and Joey talk about Wednesday's impact on Pizza Pizza Records and the initial period of operating as a label, how they maintained momentum and how things progressed from that first offering. Notably, Just Mustard have since signed to Partisan Records – with Fontaines DC and Aoife Nessa Frances as labelmates – and Joey, who co-manages the band, reflects on the ways that working with Partisan has inspired different ways to keep Pizza Pizza going sustainably while keeping audiences engaged. In this regard, community and connection – aside from providing a platform for excellent independent Irish artists - were two things Joey kept circling back on when discussing the label's evolution and the general DIY climate both locally and abroad. We touched on the role of physical media given Pizza Pizza's viny-forward MO and its importance within the foundation of DIY communities whether it's finding like-minded people in local record shops or in the queue at the merch table after a gig. You never know where a conversation will take you!Thanks so much for joining us again, and for all your wonderful feedback on the Nyahh Records conversation, it's greatly appreciated. We hope you enjoy learning about Pizza Pizza Records in this episode and maybe afterwards are inspired to set up your own independent label. We'll be back soon, but until then, here's Joey Edwards of Pizza Pizza Records.Featured songs:Larry - Liarhttps://larrymusic.bandcamp.com/album/larryJust Mustard - Deafhttps://justmustard.bandcamp.com/album/wednesdayElaine Malone - My Baby's Dead (Redux)https://elainemalone.bandcamp.com/album/pyrrhic0:00 - Zara Hedderman intro link3:20 - Pizza Pizza Origin and Joey's background in music11:00 - Label Model or inspiration13:00 - First release, Just Mustard's debut album Wednesday19:30 Co-managing Just Mustard, learning from other industry experts25:30 - Changes since Pizza Pizza began in 201827:10 - Vinyl focus for the label33:20 - Creating a sense of community via records35:30 - Discussion on streaming and valuing music38:10 - Elaine Malone43:45 - Advice for other people considering starting a record label
On today's episode, we are focused on something different - an initiative first started in February 2019, called ‘Me & My Music' ‘Me & My Music' brings together Musicians and Students in secondary schools across the countryThe workshop series teaches students the fundamentals of songwriting and allows them to create an original composition over the course of a school day.They also get the chance to meet a professional songwriter and learn more about the music industry and their creative process.In recent months, songwriter and educator Luan Parle has been hosting these workshops and I caught up with her (and her special guests) in a couple of schools to find out more.So, over the course of this episode you will be hearing from Luan and the music students at St. David's in Greystones, we meet the Wicklow singer-songwriter Anna-Mieke, we speak with the students at Loreto school in Dalkey, and also hear from musician Ronan Kealy, better known to you and I as Junior Brother.0:00 - Danny Carroll intro link1:30 - Luan & St. David's Class writing a song8:30 - Anna Mieke interview and performance(featured songs Seraphim, Warped Window) https://annamieke.bandcamp.com/music18:40 - Junior Brother Interview and performance(featured songs Good Friday, Hungover At Mass) https://juniorbrother.bandcamp.com/music22:15 - Students at Loreto Dalkey23:20 - Niamh Penston, teacher at Loreto Dalkey
In the first of a series of interviews focused on Irish record labels, today Zara Hedderman brings us an in-depth chat with Willie Stewart of Nyahh Records.Based in County Leitrim, Willie Stewart started Nyahh Records in 2021 and it's described as a “home for sound collectors, noise makers and music builders”. A musician and member of Woven Skull, a filmmaker and no stranger to working within the realm of record labels having operated the Hypnagogic Tapes label, Stewart has been connected to and steeped in Ireland's underground scene for several years and has become an leading figure in illuminating and spreading the tremendous music being made by artists working within this immersive world via Nyahh.Wille spoke to Zara about what led to the label's inception and explored some of the fascinating releases that have come out such as Ian Lynch's debut solo album as One Leg One Eye, which is a truly captivating body of work that completely transports you right from the moment you step into it. And that transportative quality is omnipresent across the various releases and is something that connects them. Whether it's the compilations covering Sean Nos singing or experimental music in Ireland between the ‘60s and ‘90s taking audiences to different eras or the wonderful collaborations between Natalia Beylis & Eimear Reidy inviting you to wander through vast and intricately detailed sonic settings, Nyahh's releases are not only enjoyable to listen to, but they feel essential in what they open the audience to.In this episode, we hear about the continued interest in Ireland's underground artists - past, present and future, and consider the elements that have ignited a curiosity amongst audiences. Willie speaks about the passion and process involved in creating the brilliant compilations that the label have put out and the debut album from Mohammad Syfkhan called I Am Kurdish, which has been critically acclaimed both in Ireland and in international music press and a lot more in between. Songs featured in this episode:1. Mohammed Syfkhan - I Am Kurdish2. One Leg One Eye - Bold And Undaunted Youth3. Michael Frank Ó Confhaola - Róisín Dubh4. Roger Doyle - Tape Piece OneAll songs featured can be streamed & purchased via the Nyahh Records bandcamp page: https://nyahhrecords.bandcamp.com/musicYou can stay up to date on future Nyahh Records releases and events on Instagram: https://www.instagram.com/nyahh_records/
On today's episode of the IMRO Podcast we're delighted to bring you an in-depth interview with Moonchild Sanelly.For the uninitiated, Moonchild is a South African singer, songwriter and designer, one of the biggest in fact - she's collaborated with everyone from Beyoncé to Gorillaz, developing a sound she's dubbed 'Future Ghetto Funk'.Originally from Port Elizabeth, Moonchild grew up in a musical family - her parents loving jazz, her brother a hip-hop producer, and her cousins were kwaito dancersShe moved to Durban, where she studied fashion, becoming known as a designer and spoken word artist performing in the cities poetry scene, before later moving to Johannesburg, and establishing herself as one of the most popular voices in South African music.She's released two albums to date, with work on her third album nearly complete and in a wide-ranging conversation with Danny Carroll, she spoke about the craft of commercially successful songwriting, collaborations new and old, finding her way in the music industry, plans for the future and much more beyond all that.1:33 Most recent feature work4:10 Recording her new album abroad with Johan Hugo (Self Esteem, Mumford & Sons, M.I.A)7:50 Key themes of her new album09:10 Collaborating with Self Esteem10:00 Moonchild's passion for collaboration, participating in songwriting camps16:10 Moonchild's early experience in poetry scenes and studying fashion and finding her sound21:45 Family influence25:00 What's inspiring Moonchild now?25:30 Moonchild on Damon Albarn26:20 Learning from Beyonce and being an independent musician27:30 Establishing an identity, moving to Johannesburg and protecting her look28:30 Rejecting defeatist mentality31:30 Anxiety that comes with success35:00 How to disappear in a crowd36:20 Importance of Moonchild's sewing machine and manifesting39:30 Female empowerment and women in South African society40:50 Lineage of defiant South Afrian singers making an impact42:20 Writing for sync and collaboration43:30 Signature vocal44:40 Being conscious of her audience and writing hooks47:05 Influence and impact of her music and representation49:15 How to sonnetise your emotion - distilling emotion into hooks. Not fearing being commercial54:30 Writing about relationships56:50 Reflecting on past experiences in songs61:50 Plans to make the moon shine bigger Featured songs: Demon, Red EyeFollow Moonchild on Instagram: https://www.instagram.com/moonchildsanellyStream and purchase her music here: https://moonchildsanelly.ochre.store/
On today's episode of the IMRO Podcast, we have insights and expertise from Brian d'Souza.Brian is an award-winning sound artist, DJ, music producer and live performer with a masters in music psychology and sound designIn 2007, he founded the playlist curation and music strategy company Open Ear, going on to work with thousands of brands around the globe including Nike, Google, Dr. Martens, Selfridges, UEFA, Tate Modern, and many more.In a wide-ranging conversation with Danny Carroll, Brian talked about the psychological benefits of music, his experience of establishing a brand identity via playlisting and some of the dos and don'ts for businesses using music.1:00 - Brian Introduces himself discusses his background in psychology and music3:25 - Research into music in business6:00 - Establishing brand identity via music9:20 - Discussion of brands Brian has worked with.13:00 - Playlisting for Dr. Marten's15:00 - This isn't background music, it's foreground music17:00 - Involving store staff in the music curation process19:20 - Curating for key dates around the year, keeping it topical21:00 - A sense of locality in music choices22:30 - Doing a course in sound therapy and exploring the relaxing benefits of music26:30 - Mistakes businesses make around music in their premises - speakers and architecture31:55 - Musical mistakes - Christmas music34:00 - Increasingly broad-minded listeners due to accessibility of music in the digital age36:30 - Brian's current projects and utilising sound therapy techniques38:00 - Final recommendations for businessesFind out more about Brian's work here: https://www.briandsouza.in/www.ambientflo.com& support his music here: auntieflo.bandcamp.com
On today's episode of the IMRO Podcast we meet Ahmed With Love. Releasing music since 2019, he's quickly made a name for himself as a versatile and creative storyteller collaborating with like minded peers in Rory Sweeney, E The Artist and Bricknasty to name a few. He spoke with Danny Carroll back in September, just after staging Clash At The Quays as part of the Dublin Fringe Festival. A unique gathering of musicians and wrestlers, the evening featured performances from Negro Impacto, EFÉ, Julie Louise Knifefist, KhakiKid, Curtisy and the man himself. Going on to win a Judges Choice award as part of the festival, Ahmed dropped by the IMRO office the day after, reflecting on how the show came together, his creative process, developing a musical community and his hopes for the future. Stream Ahmed With Love's music here:https://open.spotify.com/artist/1qYmvB1zTqFQRaRL6j2ZuK?si=em7qTLHDRkasjE9EsAGk-gSongs featured:World Cup!Full PlatePebblesPuntoMen On A MissionD*MP featuring Curtisy: https://open.spotify.com/track/3a4pI8KVLMpcm4w42IPXaT?si=6e157b1c344b42c0
On today's episode we're bringing you conversations from a sunnier time, August in fact, when Danny Carroll travelled to the Treaty City - Limerick, and met some of the musicians performing at Féile na Gréine festival 2023. Féile na Gréine is a free festival of emerging and experimental music, entirely volunteer led, with a DIY perspective, the festival celebrates art and community in an attempt to provoke moments of joy in spaces and places across Limerick city. This years festival takes place 23-25 August if you'd like to save the dates! As well as hearing from two of the Féile na Gréine organisers, Chris Quigley and Diarmuid O'Shea, we'll be hearing from the harpist Méabh McKenna, lo-fi singer-songwriter Robbie Stickland, synth-wave artist Coolgirl, and the indie-rock trio Search Results.1:30 - Chris Quigley & Diarmuid O'Shea from Féile na Gréine7:10 - Search Results17:45 - Coolgirl24:10 - Robbie Stickland30:10 - Méabh McKennaFéile na Gréine host a showcase gig in London on Thursday 14th March:https://irishculturalcentre.co.uk/event/glor-nua-x-feile-na-greine-st-patricks-takeover/Follow Féile na Gréine on Instagram for more on the 2024 festival:https://www.instagram.com/feilenagreine/?hl=enRobbie Stickland's second album, 'Lastingness' can be streamed/purchased here:https://robbiestickland.bandcamp.com/album/lastingnessSearch Results debut album 'Information Blip' can be streamed/purchased here:https://searchresultsdub.bandcamp.com/album/information-blipCoolgirl's 'Failed Reboot' EP can be streamed/purchased here:https://coolgirl4lyfe.bandcamp.com/album/failed-reboot-2Follow Méabh McKenna on Instagram for more on her music and upcoming live dates:
On today's episode we're focused on the Borderline Festival. Borderline is a two day event supported by IMRO, held in the Workman's Club on the 15th and 16th of February showcasing forward-facing music from Ireland and abroad The inaugural event is being organised by the promoters Singular Artists, and ahead of the two day showcase Danny Carroll spoke with some of the people involved.Coming up we have interviews with Joe McVeigh from the Belfast noise-punk quartet Enola Gay, we will be speaking with the Dublin based indie-pop artist EFÉ, and before all that we have a chat with Simon Merriman from Singular Artists.Simon spoke about curating the bill for this event, some of the logistical challenges involved and also his excitement for the current state of Irish music Since 2020, EFÉ has released two EPs of distinctive, dayglo bedroom pop, marked by a strong visual aesthetic and playful music videos. We caught up just before Christmas to reflect on 2023 and hear about plans for the year ahead including her new single Truth Truth.Our final interview on today's episode, is with Joe from the band Enola Gay. Formed in Belfast in 2019, Enola Gay have become known for their outspoken lyrics, and genre bending approach to punk. Joe spoke about how the band formed, their early influences and what we can expect from them in 2024. Visit - https://www.borderlinefestival.com/ to find out more about the event and tickets.You can watch the video for EFÉ's new single here - https://www.youtube.com/watch?v=U20gpE-e4LUYou can stream/purchase Enola Gay's latest EP here - https://enolagay1.bandcamp.com/album/casement-ep
On today's episode of the IMRO Podcast, we're in the company of Julie and Fiachra from NewDad NewDad are a quartet originally from Galway, now based in London, that have just released their debut album Madra to much acclaim. Just before the album dropped last week, they spoke to Danny Carroll all about it - topics include working with producer Chris W. Ryan, the influence of bands such as Broadcast and Just Mustard, the unlikely trad connection for the group and the very early days of the band, back in 2017, when they were called...Blank!Featured songs:1. Let Go2. In My Head3. Madra4. White Ribbons
Today, we bring you the first of a two-part exploration into Ireland's Night Time Economy; where we'll look at what it is, who it affects, where we've been going wrong, and its current status as we approach 2024.From this two part focus, presented by Zara Hedderman, you'll see just how broad this topic is and how it extends way beyond headlines about nightclubs staying open until 6am. There's so much more involved in the process of positively reframing Ireland's Nightlife - from community-focused initiatives, creating employment, utilising cultural spaces to their fullest potential, the expansion of transport systems and developing policies which endeavour to keep venues alive and thriving instead of having to close their doors, as we've seen all too frequently in recent years.In many ways, this isn't just about strengthening the economy in this realm (although that is a significant element), this is also about reinstating a strong sense of community underpinned by culture.Part One features a conversation between Zara and Sunil Sharpe. A globally renowned DJ and Producer, Sharpe has performed in a number of cities around the world and experienced first-hand how proper infrastructures regarding nightlife culture can enhance the overall experience. He's also the figurehead of the Give Us The Night Campaign - an independent volunteer-led organisation who have worked tirelessly to promote the importance of modernising Ireland's archaic legislation, with some bills dating back to 1935. Sunil is extremely passionate about this topic, and in this conversation he gives us thorough insights into the “why” and “how” Give Us The Night have been campaigning for change with the aim of vastly improving Ireland's Nightlife economically, socially and culturally. If, after listening to this episode you're looking for more information on how you can help or get involved, you can visit GiveUsTheNight.com and you can also find them on social media. We'll be sharing Part 2 with you soon, but until then, here's Sunil Sharpe in conversation with The IMRO Podcast.
We've already shared the first part of an exploration into Ireland's Night Time Economy, where DJ and Give Us The Night campaigner, Sunil Sharpe gave us a comprehensive overview of the topic.In this episode, the concluding part, Zara Hedderman interviews Mark Davies and Deputy James Lawless.Something discussed in Part One was the importance of a Night Time Economy Advisor - also known as Night Mayers in other parts of the world. As of this year, this role is being piloted in 9 cities across Ireland: in Cork, Dublin, Limerick, Sligo, Buncrana, Galway, Kilkenny, Longford and Drogheda, where Mark Davies is presently working as its first ever Night Time Economy Advisor. Mark spoke to Zara about his previous experiences working with Cardiff County Council and as a DIY musician and describes how they help him effectively navigate his current position. He also explains exactly what's involved in the role of Night Time Economy Advisor - from organising community workshops, finding ways to enrich and elevate independent musicians and venues and much more. Zara also speaks to Deputy James Lawless of Fianna Fail. Deputy Lawless was appointed Chair of the Committee on Justice back in 2020, and a crucial component to reforming Ireland's licensing laws centres on the Sale of Alcohol Bill. In November of 2023, The Joint Committee on Justice published their report on Pre-Legislative Scrutiny of the General Scheme of the Sale of Alcohol Bill, 2022. Deputy Lawless speaks about what's involved with this bill and how it will impact Ireland's Night Time Economy, as well as giving some indications into when we can anticipate this bill to complete its legislative journey and herald a new era of what we hope will be an even more vibrant and inviting foundation to a modernised night time culture in Ireland. Thanks for listening, I hope you've enjoyed these episodes and we'll be back again soon.
Singularity is a rarity in any artform, but Gavin Friday is as distinctive an artist now as he was in the late 70s to mid-80s when he was the primary focal point of the unclassifiable Virgin Prunes. In this episode of the IMRO Podcast, Gavin Friday talks to Tony Clayton-Lea about his life in music and art, his solo work, his enduring friendship with U2 and his forthcoming album.
In this edition of the IMRO Podcast we meet David A. Tapley, the songwriter behind indie-rock outfit Tandem FelixLast week saw the release of the second Tandem Felix album, 'There's A New Sheriff In Town'. An eclectic, sometimes dark collection of songs, the album draws upon an impressive set of guest musicians, with Tapley and producer Stephen Dunne collaborating once again on an inventive, widescreen approach to production. Over the course of this episode David talks to Danny Carroll about the origins of Tandem Felix, the evolution of the new world-weary LP and the influence of his collaborators. 1. Finger On The Button2. Tell Yer Loved Ones (2013)3. Making Dinner On Valentine's Day (2019)4. Sick5. There's A New Sheriff In Town6. I Don't Feel Welcome When You Bring Me To Your House7. The Kitchen8. The Name Of The Game9. Message Of The Afternoon10. The Losing Streak11. Watching TV For The Hell Of ItAll songs featured can be purchased on the Tandem Felix Bandcamp page: https://tandemfelix.bandcamp.com/album/theres-a-new-sheriff-in-town
In this edition of the IMRO Podcast we are looking at international touring - from visa requirements to customs procedures, there's a number of crucial aspects that artists need to be aware of when touring abroad.Over the course of this episode Danny Carroll speaks to a diverse range of industry experts, discussing how artists best prepare themselves - particularly when attempting to tour the US and UK. Featured on this episode are the insights and opinions of US based legal attorneys Fiona and Ray McEntee, attorney and immigration expert Matt Covey, the music manager Maya Cullen-Petrovic and Dublin Chamber of Commerce Export Services Manager Richard Brown.Matt Covey - https://www.tamizdat.org/ & https://www.covey.law/McEntee Law Group - https://mcenteelaw.com/Maya Cullen-Petrovic - https://www.jawdroppermgmt.com/Richard Brown - https://www.dublinchamber.ie/Export-Services/ATA-Carnets
In this edition, Aoife Barry hosts a panel discussion on mental health and mindfulness in the music industry. The podcast aims to shine a light on the mental health challenges faced by creative communities in 2023, as well highlighting the platforms and services available to those working in the industry.Featured on the panel is Kim O'Callaghan (Director of Minding Creative Minds) and Joe Hastings (Head Of Music Minds Matter at Help Musicians UK). Both organisations do fantastic work in helping musicians with free mental health support and career mentorship.https://mindingcreativeminds.ie/what-we-do/24/7 Dedicated Phone Line:ROI: 1800 814 244NI/UK: 0800 0903677International: 00353 1 518 0277Or Text/WhatsApp “Hi” to 087 369 0010https://www.helpmusicians.org.uk/get-support/mental-health24/7 Dedicated Phone Line:NI/UK: 0808 802 8008 support@helpmusicians.org.uk
In this edition of the IMRO podcast, we have an in-depth interview with Michael McGlynn - the composer, producer, director, and founder of the vocal ensemble Anúna. Founded in 1987, Anúna has had an undeniable impact on the world stage, with Michael producing and recording 19 albums to date. The group has performed everywhere from the Concertgebouw in Amsterdam, to Radio City Music Hall in New York, as well as gracing stages in Morocco, China and Japan in recent years. They've collaborated with a diverse range of performers including Elvis Costello, Sting and The Chieftans to name a few, with Michael composing works recorded and performed by The Chanticleer, the BBC Singers and the National Youth Choir Of Britain amongst many others. In 2023 the Platinum/Nintendo video game Bayonetta Origins was released with the title song featuring a lyric composed by Michael McGlynn to a melody by Hitomi Kurokawa and sung by his daughter Lauren McGlynn. Anúna are currently working on their latest album, being recorded in Iceland, and Michael kindly sent us the unreleased Sofðu Unga Ástin Mín, which is included in this episode among other compositions from Anúna's extensve discography. In a wide-ranging conversation, Michael McGlynn spoke to Danny Carroll about first falling in love with choral music, the development of Anúna and new singers, the requirements for a good collaboration and Anúna's involvement in video game soundtracks in recent years.Tracks featured:1. Sofðu Unga Ástin Mín - to be released2. Wind On Sea3. Dúlamán4. La Chanson de Mardi Gras5. Sakura6. Media Vita7. RevelationAll songs can be purchased on Anúna's bandcamp page: https://anuna.bandcamp.com/
In this episode of the IMRO Podcast, Zara Hedderman meets songwriter/producer Elaine Howley backstage at The Sugar Club in Dublin. Ahead of a sold-out show supporting The Bonk, Elaine spoke to Zara about her critically acclaimed debut album The Distance Between Heart And Mouth, which was released one year ago this week, and described by Pitchfork as "an ad hoc collection of songs that draw their muted power from everyday ritual—a testament to the magic of not making plans". They also discussed Elaine's recent soundtrack work for the Charlie Joe Doherty film 'This Years Lull', as well as exploring broader themes of performance, self-expression, home-recording and childhood influences.With kind permission, the interview contains a number of songs from Elaine Howley's back catalogue, all of which are available from https://touchsensitiverecords.bandcamp.com/1. Person Count2. Live As I Saw It3. Silent Talk4. To The Test5. See Saw Seen6. SoSo0:00 - Intro2:45 - Supporting The Bonk in The Sugar Club 4:05 - Working on the film soundtrack of 'This Year's Lull' and the song ‘Live As I Saw It' 11:10 - 1 Year since releasing The Distance Between Heart And Mouth and the relationship with the material now 14:15 - Themes of the album 16:49 - Influences that fed into the album 23:15 - Role of music in self-expression 26:15 - The release of performance and first solo gig 29:05 - Writing and recording process 33:05 - Home taping and music in childhood 33:15 - Influence of Mary Black 37:00 - Improvisational music and Cork music scene 41:30- Influence of surroundings on music 45:15 - Plans for a second album
Moderated by Paul McLoone, this panel discussion explores and demystifies the process of engaging and working with live music booking professionals and venues. Providing advice and insights on the panel are:Éamonn Conway - MCD Booker/Artist ManagerStephen Bradley - Booker for The Belfast EmpireEmily O'Connor - Singer with Vernon JaneAiden O'Connor - Booker for Mike The Pies, ListowelJump to Topic2:15 - When is a good time to start approaching bookers for gigs? - Eamonn Conway from MCD3:55 - Aiden from Mike The Pies perspective and how they are different to Dublin venues6:15 - Eamon Conway on being a booker and artist manager7:10 - Stephen Bradley perspective on The Empire in Belfast and when to approach for gigs.09:25 - Should bands prepare to endure a bit of hardship?11:00 - Emily O'Connor from Vernon Jane gives artists perspective on approaching bookers and getting shows, the motivation for doing them.13:45 - What are the ways you've gone about promoting a show?26:20 - Generally speaking, what should new bands expect from in terms of earning or breaking even on show?33:00 - Do bands need to be a bit more careerist/business orientated?37:25 - Are regional venues becoming more important?39:30 - What's the best way to go about getting on the festival circuit?48:30 - Getting over to UK festivals as a young band55:25 - Would there be any advice that each of the panellists could give to artists/bands getting ready to tour?56:30 - Eamon Conway on the importance of a successful London show
In this episode of the IMRO Podcast, Tony Clayton-Lea meets singer-songwriter Gemma Hayes.Over 20 years ago, Gemma Hayes carved out a path for herself with a series of critically acclaimed albums that marked her out as one of Ireland's best songwriters. Now back in the fray after a lengthy hiatus Gemma talks to Tony about the benefits of taking time out, her early days as a performer, her songwriting process and her thoughts on the music industry.
Every year RTÉ 2fm in partnership with IMRO picks 10 emerging Irish acts to showcase on their station. In this episode Danny Carroll meets three of the acts that were chosen for 2023. The podcast begins with 2fm's Head of Music Adam Fogarty who explains what goes in to the Rising initiative, and we follow that with Dundalk duo Negro Impacto, Crumlin rapper KhakiKid and the Galway based MC Sweetlemondae.You can check out the full list of 2fm rising acts here: https://www.rte.ie/culture/2023/0116/1345809-2fm-rising-2023/1:02 - Adam Fogarty (Head of Music at RTE 2fm)13:30 - Negro Impacto38:20 - KhakiKid60:08 - Sweetlemondae
Since the 2016 release of her debut EP, Cork singer / songwriter, LYRA has embedded herself in the Irish music landscape, as well as making serious waves internationally. In a wide-ranging conversation, LYRA talks to Tony Clayton-Lea about her songwriting background, early days in music and all the exciting things to come in the year ahead.... This is LYRA on the IMRO Podcast.
This edition of the IMRO Podcast is focused on the Music Current Festival 2023.Taking place in the Project Arts Centre and Contemporary Music Centre in Dublin, the Music Current Festival showcases contemporary Irish and new electronic music across four nights from the 12th to the 15th of April.First started in 2016, this year's Music Current Festival features four new concerts and a chamber opera, as well as workshops and discussions that explore the cutting edge of new music. To find out more, Danny Carroll spoke with the musicians Francis Heery and Izumi Kimura, who both feature in this year's programme, as well as meeting the festival's artistic director Fergal Dowling for a broader look at Music Current 2023.For a full listing of Music Current events, follow the link below: http://www.musiccurrent.ie/2023/Fergal Dowling: 1:05 - 15:02Izumi Kimura: 15:58 - 47:51Francis Heery: 48:53 - 86:30
For over 50 years, Paul Brady has proven his worth as a highly-proficient artist and performer, who is creatively fluent in many genres, with songs that blend innate melody with lyrical strength. His song-writing style was once described by U2's Bono as "the iron fist in a velvet glove."We are delighted to have Paul Brady on this episode of the IMRO Podcast to talk to Tony Clayton-Lea about his life, his music, his recent memoir, and how he has successfully maintained relevance, in an ever-evolving music industry.
Ahead of the release of a much-anticipated second album, and a run of gigs in North America culminating at SXSW, Zara caught-up with Ailbhe Reddy for this episode of The IMRO Podcast. Direct from New York City, we hear all about the process, hard-work and passion that has gone into Endless Affair - which is set for release on March 17th. Endless Affair follows the critically acclaimed, and Choice Prize nominated debut, Personal History from 2020. They talked about the different approaches Reddy had with those albums, and hear about whether she felt the pressure of the dreaded 'difficult second album'.
For our first member spotlight of the year, Zara Hedderman speaks to Constance Keane and Roisín Nic Ghearailt of the 5-piece feminist post-punk band M(h)aol.Following the February 3rd release of their debut album 'Attachment Styles', they discuss the themes and experiences that are engrained within their lyricism, the wider impact of their work and their approach to the music industry as a whole.
International touring often raises a complex range of challenges for artists, now more than ever in a post-Brexit and Covid-19 world.Moderated by radio's Paul McLoone, this live discussion will help explore and demystify the process with advice from a broad range of voices working in the sector:Ciaran Walsh – Culture IrelandMaya Cullen Petrović – Jawdropper MusicMick Roe – Faction RecordsConstance Keane – Fears / M(h)aolJump to Topic1 minute: Introducing panellists3 minutes: Ciaran Walsh explains what Culture Ireland does8 minutes: Maya Cullen Petrovic on setting up EU and UK tour dates12 minutes: VISA Issues for US touring18 minutes: Carnet - what is it, why does it matter?20 minutes: Rising Costs for Smaller Venues23 minutes: Selling Merchandise on the road26 minutes: Demand for Culture Ireland support32 minutes: Advice on Culture Ireland applications34 minutes: Online Shows and Streaming40 minutes: Challenge of smaller venues disappearing44 minutes: Should artists focus on EU ahead of UK touring?46 minutes: What can we learn domestically from EU promoters and venues?48 minutes: Panellists general advice on international touringFurther information available here: https://imro.ie/event/imro-live-panel-discussion-international-touring/
Last weekend at the 21st birthday celebrations of Other Voices in Dingle, host Tony Clayton Lea sat down with three of the five acts that took to the stage for this year's IMRO Other Room. How did they get on? Listen in to hear from Galway-born hip-hop/rap artist Celaviedmai, Dingle-native and ex-Walking on Cars frontman Pa Sheehy, and Corey & Fatboy of Ballymun's very-own neo-soul, R&B, jazz, & hip-hop group Bricknasty.
In this month's episode of The IMRO Podcast, Zara Hedderman sits down with Conor O'Brien of Villagers. Over a cup of tea, they spoke about everything from the last twelve years and five albums of his career - including the evolution of his song-writing and artistry as a whole.
In this episode of The IMRO Podcast, host Zara Hedderman speaks to Ronan Kealy a.k.a. alternative folk artist Junior Brother about his brilliant second album, The Great Irish Famine, which came out earlier this month.
True crime has become one of the most popular genres across film, TV, podcasting... however, there aren't many albums that come to mind that take the details of an unsolved murder and transform them to music. In this episode of The IMRO Podcast, Dublin-based musician and songwriter Keeley Moss joins our host Zara Hedderman to share her passion for all things music - biopics, books, as well as the key influences that inspires her work as lyricist, lead-vocalist and guitarist with her band Keeley.
On this episode of The IMRO Podcast, host Zara Hedderman joins the wonderful Paul Noonan (Bell X1, HousePlants, Printer Clips) to chat all things life, career, inspirations and most importantly, favourite desserts.
In this series of The IMRO Podcast, join our host Louize Carroll as we explore the topic of mental health and mindfulness in music. How do we work through our own growth? How do we cope? How do we cope well? And what are the kind of things that get us through tough times in this industry? Taking us away from the statistics and numbers and placing us directly into the lived experience of people.On this episode, Louize speaks to guests from Minding Creative Minds which include, founder, Dave Reid, director, Kim O'Callaghan, Musician, Shobsy and industry professional, Siún Moriarty.
From copyright issues around songs and compositions, to machine-learning in the creation of score, this episode of The IMRO Podcast focuses on one of the most important areas of debate in music in recent years. Join host Mark Gordon, as he explores the important intersection between music and artificial intelligence (AI) with IMRO's Barry Scannell.
Join our host Aoife Barry, for the second in our series exploring where the music industry stands with gender diversity. This time, we talk to the women in sound. With guests Lux Alma, Francesca de Buyl-Pisco & Lisa Murray.
Join our host Aoife Barry, for the first in our series exploring where the music industry stands with gender diversity. Have times changed - or do outdated and offensive stereotypes still remain? With guests Sarah Corcoran (Pillow Queens), Dani Larkin and Shiv.