Podcasts about new york art

In this episode, Casey Fatchett sits down with award-winning photographer Ari Espay, who splits his time between New York City and Santiago, Chile. Ari discusses his decade producing and teaching at National Geographic's photography workshops alongside legends like David Alan Harvey, Ed Kashi, Bob Sacha, Ira Block, and Maggie Steber; his approach to street photography and portraiture with subjects ranging from presidents to Broadway performers; his long-term humanitarian project documenting the EB (Epidermolysis Bullosa) community; and his nonprofit Statement Arts, which has run photography workshops and donated more than 100 cameras to young and at-risk photographers in Myanmar and Laos, including activists documenting human rights abuses in their own communities. Topics Covered: Lessons from a decade at National Geographic's photography workshops Why "serendipity" changed how Ari approaches every shoot Reading a scene: light, subject, and background as visual problem-solving Building trust with strangers on the street Studio portraiture with presidents and public figures vs. street portraiture Photographing vulnerability: the Faces of EB project Where to draw the line between bearing witness and intruding Statement Arts: teaching photography and donating cameras in Myanmar and Laos Why the people living a crisis should be the ones documenting it The throughline across Ari's career: humanity Episode Promos On1 Photo RAW - https://nerdyphotographer.com/recommends/on1 Nerdy Photographer Contract Templates - https://nerdyphotographer.com/product-category/contracts/ Siteground Web Hosting - https://siteground.com/go/nerdy Survey Monkey - https://get.surveymonkey.com/nerdy ABOUT MY GUEST Award-winning photographer, Ari Espay, splits his time between New York City and Santiago, Chile. Ari has shot documentary pieces, campaigns and editorial essays for magazines in the US and all over South America including; Architectural Digest, Vogue Latin America, Que Pasa, and ED. He has worked for Maybelline, Gillette, Corpbanca, Ferouch, New Man, Kohana Rum, Amazon/AWS, Australis Cruise to name a few and has shot portraits for Presidents, internationally known actors, Emmy Award winning directors, Broadway performers, politicians and high profile business people. With numerous gallery exhibitions, Ari's recent show, "A Glimpse of Southeast Asia" was featured at the Galleria d'Arte Moderna, a museum in Cento, Italy (2018 – 2019). Other exhibitions include; 2026 "Rostros, El Mar De Cultura" Valencia Photo Festival, Spain. 2025 "FACES / VISAGES" , Art-Icon Collective Exhibition Arles, France. 2024 "Corporeality" Art-Icon Collective Exhibition - Paris, 2024 "Moments in Time" Art on the Avenue - New York City, New York, 2021 Art on the Avenue - New York City, New York "Art on the Avenue" (New York City 2021), "Mingalabar Myanmar"(Rome and Bologna, Italy - 2016) and "The Faces of EB" in New York City (2015). In 2012, he was named as Artistic Director of International Projects for Galeria64, the only gallery in Chile exhibiting photography exclusively. Ari has won Chile's prestigious Fondart Grant, was a 2026 Finalist Lucie Foundation On The Block Street Photography, a 2026 Selected Winner American Photography AI-AP 42, a 2024 Portraiture Bronze Winner Prix de la Photographie Paris PX3, Short Listed "EB" State of the World Project Prix de la Photographie Paris PX3, Street Photography Honorable Mention Prix de la Photographie Paris PX3 and 4 Portraiture Honorable Mention Prix de la Photographie Paris PX3, a 2024, 2022 BIFA Budapest International Foto Award Silver winner in Book / Documentary, 2022 MIFA Moscow International Photo Award Winner for our book, 2020Unmasked, in the Documentary Book category. He was the photo editor for "2020 Unmasked" book which won 2 Honorable Mentions at the IPA/International Photography Awards for Documentary and Self-published book.  For 10 years, he taught photography workshops for National Geographic and their legendary photographers including, Joe McNally, Bob Sacha, Ira Block, VII's agency Ed Kashi and Magnum's David Alan Harvey. He has worked and traveled in more than 40 countries. Ari speaks 3 languages and enjoys spending time in the mountains. Find Ari Espay: Website: https://ariespayphotography.com Instagram: https://instagram.com/ari_espay Photography Workshops: https://fancygirlstreetboy.com Nonprofit: https://StatementArts.org Follow the Nerdy Photographer Podcast: Instagram - https://instagram.com/thenerdyphoto Reddit - https://reddit.com/u/thenerdyphoto Threads - https://threads.com/thenerdyphoto Bluesky - https://bsky.app/profile/thenerdyphoto.bsky.social TikTok - https://tiktok.com/@thenerdyphoto About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com    If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact

We're in the hot dog days of August, awaiting the new art season to kick off in September. In the meantime, I thought we might take the temperature of art in New York, looking at two big museum shows that opened earlier ruin the year, and that seek to highlight new voices from the city. So, we will be talking about “Greater New York,” the important show at MoMA PS1 in Queens that once every five years. This time out it has over 53 artists and collectives from the Big Apple, stretched across several floors of the museum, and is certainly worth checking out before it closes its several months run. It's gotten generally very positive reviews. We'll see what we think. And the other show we're going to be talking about is the “Seventh AIM Biennial” at the Bronx Museum of the Arts. It's called “Forms of Connection” and features art by the last two classes of the museum's Artist in the Marketplace program. That's a year-long career accelerator and professional development seminar that takes on 14 artists based in New York each year, so its a good chance to see what styles and themes emerging artists are looking to now to be taken seriously. There's been quite a lot of angst about art in New York, and this is our chance to see how healthy it looks. And to see if there exciting new figures to watch emerging from the mix. Ben Davis speaks with Danielle Jackson, the critic, writer, researcher, teacher, and returning Art Angle guest, who is working on an article about the AIM Biennial for Artnet News.

We're in the hot dog days of August, awaiting the new art season to kick off in September. In the meantime, I thought we might take the temperature of art in New York, looking at two big museum shows that opened earlier ruin the year, and that seek to highlight new voices from the city. So, we will be talking about “Greater New York,” the important show at MoMA PS1 in Queens that once every five years. This time out it has over 53 artists and collectives from the Big Apple, stretched across several floors of the museum, and is certainly worth checking out before it closes its several months run. It's gotten generally very positive reviews. We'll see what we think. And the other show we're going to be talking about is the “Seventh AIM Biennial” at the Bronx Museum of the Arts. It's called “Forms of Connection” and features art by the last two classes of the museum's Artist in the Marketplace program. That's a year-long career accelerator and professional development seminar that takes on 14 artists based in New York each year, so its a good chance to see what styles and themes emerging artists are looking to now to be taken seriously. There's been quite a lot of angst about art in New York, and this is our chance to see how healthy it looks. And to see if there exciting new figures to watch emerging from the mix. Ben Davis speaks with Danielle Jackson, the critic, writer, researcher, teacher, and returning Art Angle guest, who is working on an article about the AIM Biennial for Artnet News.

Investing in art is something beyond what many people can afford, but that may no longer be the case thanks to New York startup called Masterworks.投资艺术是许多人负担不起的事情，但纽约初创公司Masterworks或许能改变这一现状。Very simply investors can come to our website. They can view different works of art that we have available for investment.很简单，投资者可以访问我们的网站，浏览我们可供投资的不同艺术作品。And they can invest amounts as small as $500 or as large as thousands of dollars in a particular painting.他们可以对某一幅特定的画作投资少至500美元、多至数千美元的金额。Scott Lynn, a collector who in 2017 founded the startup called Masterworks, says the concept of fractional ownership gives people lots of opportunities that used to only be available to the super rich.收藏家斯科特·林恩于2017年创立了一家名为Masterworks的初创公司，他表示，部分所有权的概念为人们提供了许多过去只有超级富豪才能拥有的机会。It's part of a new trend on the market called the democratization of luxury.这是市场上奢侈品大众化的新趋势的一部分。But Lynn says part of his job is to look out for investors without that much money.但林恩表示，他的部分职责是关注那些资金并不充裕的投资者。For example, many people use IRA or retirement accounts to invest in these paintings.例如，许多人使用IRA或退休帐户投资这些画作。So we want to make sure that the returns are as predictable as possible and the risk is reasonable.我们要确保收益尽可能可预测，并且风险处于合理范围。When a masterpiece is sold at an auction to a collector, it usually disappears from the public sight.当一幅杰作在拍卖会上被收藏家买下时，它通常就会从公众视野中消失。But in case of fractional ownership, the art piece continues its journey from one museum to another.但是如果有部分所有权，艺术品会继续从一个博物馆流转到另一个博物馆。We like the idea of once we purchase these paintings and then sell them off to investors to reload them out to museums, so they can be seen in the public.我们喜欢这样的想法：先买下这些画作，然后卖给投资者，再由投资者租借给博物馆，这样公众就能欣赏到这些作品。The coronavirus-inspired quarantine has amplified the investor's appetite for art.新冠疫情引发的隔离措施激发了投资者对艺术品的兴趣。Since the pandemic hit the US in mid-March, Masterworks has been attracting over 10,000 new investors a month.自从3月中旬新冠疫情袭击美国以来，Masterworks每月吸引了10000多名新投资者。All in all, people have invested over 30 million dollars in 15 world masterpieces.总的来说，人们已在15件世界杰作上投资了超过3000万美元。In the last two years, only five works of art have been purchased.过去两年间，仅购入了五件艺术品。In Masterworks, our perspective has been that art is an uncorrelated asset class,在MasterWorks中，我们的观点是艺术品是一种非关联性资产类别，meaning that it doesn't necessarily go in the same direction as the stock market or other asset classes.这意味着它不一定会与股市或其他资产类别同向波动。So what we've seen with COVID is that although there's been a large decrease in the total volume of sales by roughly half, we've actually seen our prices increase.我们在疫情期间看到的是，尽管销售总量大幅下降了约一半，但实际价格却有所上涨。And I think in June alone, we saw 22 artists that set price records.仅在六月，我们就见证了22位艺术家创下价格纪录。Oil and gold prices as well as company shares are prone to ups and downs depending on the situation in the world and changing politics.石油、黄金价格以及公司股票容易随着国际局势和政治变化而起伏波动。But even the Dow Jones Index is powerless when it comes to world masterpieces. 但即便是道琼斯指数，面对世界级杰作时也束手无策。

Is New York Art Fair Week losing its momentum? This week, artist and critic William Powhida and I spent time at Independent, NADA, and Spring Break—and the energy felt deflated across all three. In this first part of our two-part series, we dig into what went wrong. Thin crowds. Dealers complaining about slow sales. International collectors staying away due to political uncertainty and travel concerns. The overall market recession. But is it just market fatigue, or something deeper? We explore whether New York has simply become too expensive for emerging galleries to self-subsidize, whether political anxiety is creating a chilling effect on both artists and collectors, and why even the best new venues (NADA's stunning Star-Lehigh building) couldn't energize the crowds. From The Shed's "art prison" atmosphere to Spring Break's maturation away from experimental energy, we examine whether these fairs are losing their essential character—or if broader economic and political forces are reshaping the entire ecosystem. Next week in Part 2: We'll walk through the specific artwork that caught our attention at each fair and discuss why we had to leave the fairs entirely to find art that truly captured this political moment.   Relevant Links: William Powhida: Jilian Steinhauer for the New York Times on Spring Break https://www.nytimes.com/2025/05/08/arts/design/spring-break-art-fair-review.html# NADA Fair: https://newartdealers.org/ Independent Art Fair: https://independent-art.org/ Spring Break Art Show: https://springbreakartshow.com/

Join us on this episode as we discuss Disney's Hotel New York: Art of Marvel at Disneyland Paris!

This episode is a replay from Dec 28th 2023. Just Make Art will be back with a brand new episode on March 20th.What happens when an artist truly understands their medium? For Robert Rauschenberg, that's precisely when it was time to stop and move on. His philosophy—"I usually work in a direction until I know how to do it. Then I stop. At the time I am bored, or understand, and I use those words interchangeably"—serves as the launching point for a deep dive into artistic evolution and the creative mindset.Ty Nathan Clark and Nathan Terborg unpack Rauschenberg's approach to creativity, exploring how his constant medium-shifting—from painting to sculpture, printmaking to performance—wasn't merely restlessness but a deliberate artistic strategy. They examine his famous "combines" that incorporated everyday objects and trash, born initially from economic necessity but evolving into a revolutionary artistic approach that bridged the gap between art and life.The conversation takes fascinating turns through the concept of the "beginner's mind," the documentation of creative processes, and the tension between commercial success and artistic growth. Particularly compelling is their discussion about creating opportunities in today's art landscape—from organizing house shows to leveraging digital platforms—that echoes Rauschenberg's resourceful spirit.Whether you're a working artist feeling stagnant in your current practice, or someone curious about the artistic mindset, this episode offers both philosophical insights and practical takeaways about embracing boredom as a creative signal, following your curiosity, and maintaining that crucial sense of wonder throughout your creative journey. Ready to transform your approach to making art? Listen now and discover why sometimes understanding something completely is your cue to move on to the next exciting possibility.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Showcasing emerging artists—today, my guest is Leia Tyebjee, co-founder of Pylot Studios, an interdisciplinary creative platform dedicated to artistic design, curation, and community engagement. In this episode, we discuss the challenges of creating spaces for artists, breaking barriers in a male-dominated industry, and how Pylot Studios is redefining art curation. Leia also shares her thoughts on AI in art, mistakes emerging artists make, the importance of community, and why she still chooses to work with film photography in the digital age. And finally, we talk bananas, interesting first impressions of New York, travel photography tips, and much more!In this episode we talk about:The Birth of Pylot Studios – From a coffee-fueled idea in 2019 to a thriving creative platformThe Problem They're Solving – Helping artists find space and opportunities to showcase their workThe Hardest Part of Curation – Reaching out, building trust, and bringing themes to lifeLeia's Background – From Mumbai to New York, studying photography, and her artistic influencesWhy She Still Shoots on Film – The tactile, immersive experience of analog photographyPhotography Trips & Creative Rituals – Habits that fuel her artistic processMistakes Emerging Artists Make – And how to navigate the art world more effectivelyArt & Technology – Thoughts on AI's impact on creativityBreaking Barriers – Navigating a male-dominated industry and standing up for yourselfThe $6.2M Banana?! – The wild side of the contemporary art worldBuilding Community – How to start from scratch, make connections, and find your creative tribeand much more LinksPylot Studios WebsitePylot Studios Instagram - @pylotstudios Leia Tyebjee Instagram - @leiatyebjee Yitzhak Franco Instagram - @__ytzk__  Hosted And Produced by Neil Patel https://www.linkedin.com/today/author/neilpatel2 Enjoyed this episode? Don't forget to subscribe and leave us a review! Share this episode with your friends. Listen and Subscribe to More Episodeshttps://www.indianstartupshow.com/ Music by Punch Deck.https://open.spotify.com/artist/7kdduxAVaFnbHJyNxl7FWV

In this extract Adam Himebauch, NYC based artists, explainshow he uses meditation to create.About this episode : Today, my guest is Adam Himebauch. Adam is a NYC based artist, painting extraordinary immersive landscapes and also doing performance art.I see Adam's art as portals: portals where you can plunge with your imagination like a meditative walk, but also portals that open up questions about our perception of reality.It's a great reminder that art is much more than shapes and colors and that's what this interview is all about.How to live a creative life ? Where is the limit between life and art and what does being an artist really means ?In this inspiring conversation, Adam shares his unique life journey and the vision that lead him to where he is today.I wish you a good listening!About Adam Himebauch : https://www.instagram.com/adamhimebauchllc/About the podcast : Instagram du podcast Innover dans le Mode de l'Art : https://www.instagram.com/innoverdanslemondedelart/Tiktok du podcast Innover dans le Monde de l'Art : https://www.tiktok.com/@innoverdanslemondedelartAbout Art Datings - events to connect people through art : https://www.instagram.com/artdatings/Special thanks to Killian Goujon for composing the credit music. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Bianca Bosker has written a book about her experience of the New York art scene called:  Get the Picture: A Mind-Bending Journey among the Inspired Artists and Obsessive Art Fiends Who Taught Me How to See.  

In the early 1980s, the young black graffiti artist Jean-Michel Basquiat took the New York art world by storm. Soon, his paintings were selling for huge sums of money, but he would die before the decade was out on the 12th August 1988. Tom Esslemont hears from Patti Astor who knew him in his heyday. This programme was first broadcast in 2014. (Photo: Jean-Michel Basquiat in 1985 Credit: Getty Images)

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Guest: Forrest Muelrath Art should disrupt the symbolic order. That's why this case is so interesting, according to Forrest Muelrath, a New York art critic and writer. Both Michel Houellebecq in his novels and KIRAC in their films are, in their own ways, engaged in this disruption of order. This disruption in itself serves a higher purpose, as all great art does - or should do. Therefore, it is relevant to look at this Mexican standoff between these two manipulative forces in terms of storytelling and how they both try to bend the narrative to their advantage. About the series Houellebecq vs Kirac: In this special series I want to report on the lawsuit between Michel Houellebecq on one side and KIRAC, or Keeping It Real Art Critics, on the other side. Leading up to the judge's verdict in about four weeks, I want to talk to various directly involved parties, in the lawsuit and in the making process of Kirac's film, the film about Houellebecq, the film that Houellebecq wants to ban. Audio: Jasper Cremers Camera: Thomas de Boer, Sebastiaan Verbeeten & Just van Westen Special thanks to: Gerechtshof Amsterdam, Melissa Zijlstra, Ron van Leeuwen, Christiaan Alberdingk Thijm, Levina van Winden, Jini van Rooijen, Isa Moleman, Forrest Muelrath, Philip van den Hurk, Stefan Ruitenbeek, Kate Sinha, Josha Sietsma, Sietske's Pottery & Cartoon Box Animations Support Open Geesten / Zomergeesten / Boze Geesten Podcast

Haitian-born, New York sculptor Jessica Jean-Baptiste, sits down with us to discuss her practice, her evolution as an artist and her exclusive collection for the AphroChic Art Shop. In the tradition of artists such as Edmonia Lewis, Elizabeth Catlett and Augusta Savage, Baptiste's latest works, The Keisha and Jamal Busts are a celebration of the beauty of Black life and Black bodies. These new works present a Black man without conflict, and a Black woman at peace. Simple images, yet revolutionary pieces by Baptiste, in their rejection of the story of Black America that is commonly told. Jessica Jean-Baptiste is featured in Issue No. 11 of AphroChic magazine in the story, The Question is In The Answer. 

Let's talk art and the city, with my fabulous guest, Alex Mitow! Alex Mitow has a history of being a successful serial entrepreneur and has found his love/calling in the art world for the past 8 years, with his business Superfine Art Fair (co founded with the fabulous artist James Mille). Here artist can showcase their work, build a community and an audience, as well as get some great business tips along the way. In our interview Alex talks about his history as an entrepreneur and what led him to Superfine Art Fair. He'll open up about what he see's as the biggest issues in NYC for artists, which includes a kind of reformation and policy change. He'll share how he took NYC by storm and all the tips and tricks along the way. Emphasizing that if, “NYC feels like home than it's home” - he is an avid believer of bike riding in the city, picking your neighborhood wisely, finding your favorite spots in the city, and building a community within it. This is an episode not to be missed! Be sure to check out the link at the bottom of the episode notes for resources on Superfine Art Fair and Alex. Please subscribe, rate, and review Gossipnista wherever you listen to your podcasts. Follow along on Instagram @GossipnistaPodcast to stay up-to-date on the latest about the podcast, episodes and exclusive content.Thank you for your support.  Enjoy the episode!Xoxo,Gossipnista

While Sam and Martin prepare for Orphans, please enjoy a guest-podcast from our friends Fran and Babs of the Over/Underrated Music Podcast, featuring your regular SbS hosts as guests talking about some NY art rock, David Byrne's lack of love, and the genius of the two Johns.   website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com   We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Episode image courtesy of Sally Apfelbaum / Sally Apfelbuam's website / Artspace website / Artspace PS109 website / Art Republic Space website /  James Turrell Roden Crater project website / Donors to Roden Crater / Sacramento Warehouse Artist Lofts information

FEATURED GUESTS: Nicole Porter Davis, ATR-BC, LCAT is the Former Director of Child therapy following the Sandy Hook School Massacre in Newtown, Ct, now a pandemic parent of a young child she finds herself producing “You and Us” a Virtual band of children's rock n roll. Integrating the music as a healing arts mechanism for change. Nicole Porter established the Emerald Sketch as the first mental health response program post Newtown tragedy in 2013. Since, she teaches globally and aids communities post horror to build sustainable creative arts trauma therapy services. She has co-authored the 1st Edition trauma response "Manual” for The Red Pencil 2018, and is the Playwright & Solo Performer to An American Nightmare, Hudson Guild Theater, NYC Summer Theater Festival 2019. Her favored Emerald Sketch projects this pandemic include “Black Children Matter” and “Art therapy for India” for the most up to date happenings you can always access her instagram @emeraldsketchart or website emeraldsketch.com. She is also the upcoming President of the New York Art therapy Association. Porter has been here before, in our Special Series on Trauma Response, where we discuss the various sequences applied post trauma for clients enrolled in the Emerald Sketch. Now we will reflect on her latest project "You and Us" taking those phases, writing, and recording an album! Two songs have been launched! One more on the way, an entire album on Valentine's Day! She is a true Renaissance woman… LISTEN & LEARN: How Nicole came up with the idea to translate the trauma treatment sequence into songs. The benefit of creative processing as a creative arts therapist. How the therapist's creative expression has the capacity to create a healing impact outside the therapy room. RESOURCES MENTIONED ON THE SHOW: Find Nicole at www.emeraldsketch.com on Instagram @emeraldsketchart Listen to "Social Connection" by "You & Us" on Spotify

What does contemporary kitsch look like? In this episode, Paddy and William use a discussion of the art fairs and New York gallery scene to lead a defining of the term. From its generic definition of objects described to be in poor taste because of excessive garishness or sentimentality, to the current nostalgia driving a tasted for recycled art movements, all kitsch lacks in originality.  Listen in for the whole conversation.    THE INDEPENDENT Kenny Schachter at Allouche Benias Gallery  Renate Druks at The Ranch, Olivia Reavey at Helena Anrather   1-54 CONTEMPORARY AFRICAN ART FAIR Sanaa Gateja at 50 Golborne WonderBuhle at BKhz Gallery   VOLTA Michael Foley   GALLERIES  Judith Linhares at PPOW  JTT Gallery Anna-Sophie Berger and Sam McKinniss Sky Hopinka at Broadway Gallery  Paul Mpagi Sepuya at Bortalami  Nora Turato at 52 Walker Gallery   ARTICLES The Downward Spiral: 59th Venice Biennial by Dean Kissick 

Art media does a great job at looking forward to art events, yet rarely looks back to reflect on what these happenings say about the cultural moment. In this episode of Explain Me, co-hosts Paddy Johnson and William Powhida do a deep dive into the fairs to discuss the deeply conservative sales landscape we've been sinking into over the past ten years.   ARTISTS DISCUSSED Carlos Jacanamijoy's 2020 ab ex painting “Carminos de Luz” at Harper's Laurie Reid's “Ballast” at Et Al. Gallery The Baboon Chair by  Margaux Valengin at Pact Paul Gabrelli's “Everyday Objects” at New Discretions Elliot Reed at Anonymous Gallery Dan Colen at Gagosian Al Freeman at 56 Henry Tessa Lynch's text-based compositions at Patricia Fleming Gallery Scott Lyal at Migeul Abbreu Gallery Aaron Garber-Maikovska Casja von Zeipel's Celesbian Terrain   Kevin McCoy's corporate-sponsored display of Quantum and some generative artworks by Jennifer and Kevin McCoy.  Pedro Reyes, Alex da Corte, Nayland Blake, Alex Katz, Matthew Wong, 

This episode is also available as a blog post: https://thecitylife.org/2022/06/08/new-york-art-exhibit-shares-insights-into-the-creative-process-of-top-african-american-comic-book-artists/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

The Met Gala is a Snooozefest but at least we have art fairs! On this episode, the boys are joined by White Columns Director, Manchester-bred god and all-around art world hero Matthew Higgs as we discuss the independent art fair, the groundbreaking efforts of alternative spaces in New York and why Taylor Swift is a genius. --- Support this podcast: https://anchor.fm/benjamin-godsill/support

Meet Alexandra:Alexandra Harper (Alex) is an entrepreneur and community builder who founded arts-based social networking community, Women of Culture, as a way to connect, empower and inspire women through meaningful engagement with the arts. She is a self-proclaimed 'arts addict' who believes deeply in the power of the arts to heal, transform and connect us all. She lives in Brooklyn with her two adorable kitties but is originally from the green mountains of Vermont.Website: womenofculture.orgFacebook: https://www.facebook.com/womenofculturenyc/Instagram: https://www.instagram.com/womenofculturenyc/ Events: https://www.womenofculture.org/experiences----About Us - Women Who Brunch:Women Who Brunch is a community for  women who love connecting, networking, and learning from each other over the most important meal of the week...BRUNCH!Check out our website for updates on events, recipes, brunch spots, product reviews and more or say hi on Instagram!WWB Website: https://womenwhobrunch.comWWB Instagram: https://www.instagram.com/womenwhobrunch

Ruddy Harootian is so passionate about guest experience and hospitality, that the guests that he serves often end up becoming his friends. Based in New York City, Ruddy is the Director of Guest Experience at the Roxy Hotel, and also runs his own tour business called Ruddy Was Here. Guests who take one of Ruddy's tours are immersed into the art culture in various areas of New York, curated specifically by Ruddy based on what he believes to be of high interest. Founded in 2012, Ruddy Was Here has grown organically through word of mouth, repeat guests, and by being featured in several large publications, all promoting the incredible experience he provides on his tours. In this interview, Ruddy shares the importance of making personal connections with guests, which will amplify the success of the business.

Diana Shpungin joins host Sharon Butler to discuss “Always Begin At The End” her solo installation on view at Smack Mellon through February 20. She uses an inventive drawing approach, common iconography, and found objects to address loss, memory, empathy and failure between the private and public, personal and political spheres.Useful links: Smack Mellon Exhibition / Diana Shpungin Studio /  Two Coats of Paint 

Mark Tribe joins Sharon to discuss the large-scale, data-generated landscape imagery on view in “Landscape Pictures,” his first solo show at Minus Space, his early digital work, and how he ended up painting landscapes. They touch on ecological transition, human extinction, the future of our wilderness experience, and the future of art.Useful Links: Minus Space  / Mark Tribe's Studio / Two Coats of Paint

Christina Mossaides Strassfield is the Museum Director/Chief Curator of Guild Hall Museum in East Hampton, New York. She oversees the artistic leadership and overall management of the Museum and its exhibition schedule, curating or overseeing as program manager. The mission of the museum is to showcase artists who have an affiliation with Eastern Suffolk County. The Hamptons is the summer home for most of the New York Art world. This has allowed Strassfield to forge close relationships with leading artists, dealers and collectors. She has been instrumental in coordinating biannual group invitationals. At Guild Hall she is charge of curating the collection of over 2000 objects, works of art by artists associated with the Eastern Long Island, as well as organizing the traveling exhibition of works from the collection, managing education programs, design, conservation and other exhibition related work.· www.guildhall.org · www.creativeprocess.info

Christina Mossaides Strassfield is the Museum Director/Chief Curator of Guild Hall Museum in East Hampton, New York. She oversees the artistic leadership and overall management of the Museum and its exhibition schedule, curating or overseeing as program manager. The mission of the museum is to showcase artists who have an affiliation with Eastern Suffolk County. The Hamptons is the summer home for most of the New York Art world. This has allowed Strassfield to forge close relationships with leading artists, dealers and collectors. She has been instrumental in coordinating biannual group invitationals. At Guild Hall she is charge of curating the collection of over 2000 objects, works of art by artists associated with the Eastern Long Island, as well as organizing the traveling exhibition of works from the collection, managing education programs, design, conservation and other exhibition related work. · www.guildhall.org · www.creativeprocess.info

FEATURED GUEST: Nicole Porter Davis, ATR-BC, LCAT is the Former Director of Child therapy following the Sandy Hook School Massacre in Newtown, Ct, now a pandemic parent of a young child she finds herself producing “You and Us” a Virtual band of children's rock n roll. Integrating the music as a healing arts mechanism for change. Nicole Porter established the Emerald Sketch as the first mental health response program post Newtown tragedy in 2013. Since, she teaches globally and aids communities post horror to build sustainable creative arts trauma therapy services. She has co-authored the 1st Edition trauma response "Manual” for The Red Pencil 2018, and is the Playwright & Solo Performer to An American Nightmare, Hudson Guild Theater, NYC Summer Theater Festival 2019. Her favored Emerald Sketch projects this pandemic include “Black Children Matter” and “Art therapy for India” for the most up to date happenings you can always access her instagram @emeraldsketchart or website emeraldsketch.com. She is also the upcoming President of the New York Art therapy Association. Porter has been here before, in our Special Series on Trauma Response, where we discuss the various sequences applied post trauma for clients enrolled in the Emerald Sketch. Now we will reflect on her latest project "You and Us" taking those phases, writing, and recording an album! Two songs have been launched! One more on the way, an entire album on Valentine's Day! She is a true Renaissance woman… LISTEN & LEARN: How Nicole came up with the idea to translate the trauma treatment sequence into songs. The benefit of creative processing as a creative arts therapist. How the therapist's creative expression has the capacity to create a healing impact outside the therapy room. RESOURCES MENTIONED ON THE SHOW: Find Nicole at www.emeraldsketch.com on Instagram @emeraldsketchart Listen to "Social Connection" by "You & Us" on Spotify

L'épisode du jour nous emmène dans le quatrième et dernier parc à thème de Walt Disney World: Animal Kingdom. A la fois parc d'attractions et centre de préservation des animaux, Disney's Animal Kingdom est un incontournable de Walt Disney World. Pendant plus d'une heure, Yann et Jérôme parcourent les allées de ce parc exceptionnel, passant d'un safari en Afrique à une expédition sur l'Everest, sans oublier la rencontre avec les dinosaures et le vol sur le dos d'un banshee, dans l'incroyable land Pandora, World of Avatar. En fin d'épisode, Chloé sera avec nous en direct de Disneyland Paris pour évoquer la réouverture des parcs français et l'inauguration de l'hôtel New York - Art of Marvel.

In this week's episode of the ArtTactic Podcast, Loring Randolph, director of programming at Frieze New York, joins us to preview next week's Frieze New York art fair, the first major in-person art fair in the US in 2021. First, Loring shares how much deliberation there was as to if the fair would occur in person. Then, she reveals what visitors can expect this year in terms of safety measures for the fair. Also, Loring tells us how different galleries' attitudes were about participating in the fair. Lastly, Loring previews some of the art that will be on view as well as the accompanying programming for the fair.

On ep. 39 we sit down with New York Art curator and artist representative Fresh Materials NY aka @Jigmaster aka Roland Young. We discuss the NY art scene, his comeup in the art world, artists he has worked with and what the future holds for his new LLC and his non profit organization. We also discuss Trump catching corona, Brain eating micobes in Texas water. 2020 does not seem to want to let up. Tune in and don't forget to Follow us on IG:  Burnz- @callme_Joseph_   Mook- @deadass_worldwide   Last Breath Ent. - @lastbreathentertainment   GAHHD Podcast- @gahhd_podcast

Actor, singer, musician, artist, performer, and legend Ann Magnuson joins CWMD in a epic conversation that covers a multitude of topics. Ann shares about her time in the 80s New York Art scene, getting coffee with Jean Michel Basquiat, when art becomes a commodity, the struggles of working class actors and much more. https://annmagnuson.bandcamp.com/https://annmagnuson.com/Ann's YouTube WTF 2020 Series: https://www.youtube.com/channel/UCgF01K6oesNelHzoZH9mrxAAnn's Instagram: @annmagnuson.officialOpening Song: "Be A Satyr," form the album Dream GirlAll Things Matt Dwyer: https://linktr.ee/All_Things_DwyerCWMD is Produced, recorded & edited by Matt DwyerConsulting Producer: Dustin Marshall See acast.com/privacy for privacy and opt-out information.

Julie Brister Sits down for a portrait and talks to Matt about the New York Art scene in the 90s, what makes improv so special, and also tells Matt about large scale art installation 'The Earth Room'

As Executive Director of the The Armory Show in NY, Nicole Berry leads strategic vision for one of the world's A-list contemporary art fairs. Yet, she started as a public school teacher. Nicole shares her magnificent, winding, grinding path from teaching to arts non-profit, gallery gigs and, finally, the esoteric world of cutting edge art fairs. She now directly oversees all aspects of production: exhibitor relations, programming, marketing, partnerships, VIP cultivation, and operations. Nicole received a Master's Degree in Art History from the University of California at Davis, and you can tell she loves her life as an art historian, writer, curator, art advisor and fair producer the past 15 years. She's also Stu's friend from their early millennium days in San Francisco, her home town. We welcome an old buddy and current international badass to Swan Dive!

Join my conversation with Rachel Wilkins the Director and Co-founder of Conception Art. She and her team have worked with over eight-thousand artists across two continents and fifteen cities. Listen in as we talk about what artists can be doing now while the world sorts itself out during the Corona Virus and the importance of “Going Live” while you have a captive audience.  Then listen to Conception Art’s podcast “Smart Art Business” to join the Conception Art community.Rachel Wilkins on Instagram Conception Art Smart Art Business Podcast Watch this interview on Youtube Follow the podcast on Instagram @StuConPodcast Follow Luis Martin on Instagram @ArtEngineerGet your collages at CollageDream.com

In this episode Jason traveled up to New York City. He wasn’t able to make it to all of the fairs, but the ones he did attend were diverse and accessible. They were small more intimate and were happing on multiple floors. Jason was able to grab some interviews at Volta Art Fair and Spring/Break Art Show. First up is Kamiar Maleki. Kamiar is the fair director for Volta. Next up the Safarani Sisters. They are visual artist and that use painting and video projections. Zavier, Gallerist for Charle Smith Gallery and he is an artist that had his work shown by C&C Gallery and his work was at Volta as well. They talk about his gallery and the theme in the booth. Rinus van Hall is a visual Artist who painted self portraits with social media filters and the fear that might come with them. Last but not least Jeila Gueramian. She created a nice and warm, cozy environment at Spring/Break art show. Want to say a huge thank you to Volta and Spring break art show.

Christina Mossaides Strassfield is the Museum Director/Chief Curator of Guild Hall Museum in East Hampton, New York. She oversees the artistic leadership and overall management of the Museum and its exhibition schedule, curating or overseeing as program manager. The mission of the museum is to showcase artists who have an affiliation with Eastern Suffolk County. The Hamptons is the summer home for most of the New York Art world. This has allowed Strassfield to forge close relationships with leading artists, dealers and collectors. She has been instrumental in coordinating biannual group invitationals. At Guild Hall she is charge of curating the collection of over 2000 objects, works of art by artists associated with the Eastern Long Island, as well as organizing the traveling exhibition of works from the collection, managing education programs, design, conservation and other exhibition related work.· www.guildhall.org · www.creativeprocess.info

Christina Mossaides Strassfield is the Museum Director/Chief Curator of Guild Hall Museum in East Hampton, New York. She oversees the artistic leadership and overall management of the Museum and its exhibition schedule, curating or overseeing as program manager. The mission of the museum is to showcase artists who have an affiliation with Eastern Suffolk County. The Hamptons is the summer home for most of the New York Art world. This has allowed Strassfield to forge close relationships with leading artists, dealers and collectors. She has been instrumental in coordinating biannual group invitationals. At Guild Hall she is charge of curating the collection of over 2000 objects, works of art by artists associated with the Eastern Long Island, as well as organizing the traveling exhibition of works from the collection, managing education programs, design, conservation and other exhibition related work. · www.guildhall.org · www.creativeprocess.info

Christina Mossaides Strassfield is the Museum Director/Chief Curator of Guild Hall Museum in East Hampton, New York. She oversees the artistic leadership and overall management of the Museum and its exhibition schedule, curating or overseeing as program manager. The mission of the museum is to showcase artists who have an affiliation with Eastern Suffolk County. The Hamptons is the summer home for most of the New York Art world.  This has allowed Strassfield to forge close relationships with leading artists, dealers and collectors. She has been instrumental in coordinating biannual group invitationals. At Guild Hall she is charge of curating the collection of over 2000 objects, works of art by artists associated with the Eastern Long Island, as well as organizing the traveling exhibition of works from the collection, managing education programs, design, conservation and other exhibition related work. www.guildhall.org · www.creativeprocess.info

Christina Mossaides Strassfield is the Museum Director/Chief Curator of Guild Hall Museum in East Hampton, New York. She oversees the artistic leadership and overall management of the Museum and its exhibition schedule, curating or overseeing as program manager. The mission of the museum is to showcase artists who have an affiliation with Eastern Suffolk County. The Hamptons is the summer home for most of the New York Art world.  This has allowed Strassfield to forge close relationships with leading artists, dealers and collectors. She has been instrumental in coordinating biannual group invitationals. At Guild Hall she is charge of curating the collection of over 2000 objects, works of art by artists associated with the Eastern Long Island, as well as organizing the traveling exhibition of works from the collection, managing education programs, design, conservation and other exhibition related work. www.guildhall.org · www.creativeprocess.info

Looking For Artists is a series dedicated to the artists among us. Based in NYC, Rock Rising Productions is interested in artists like you! If you know an artist that is doing interesting things, drop us a DM on instagram and share their profile with us! Let's get connected. mmmichaeljohnson on YouTube: https://www.youtube.com/channel/UCvdF4jlIjTRR0nw4j8HTIIg

Looking For Artists is a series dedicated to the artists among us. Based in NYC, Rock Rising Productions is interested in artists like you! If you know an artist that is doing interesting things, drop us a DM on instagram and share their profile with us! Let's get connected. mmmichaeljohnson on YouTube: https://www.youtube.com/channel/UCvdF4jlIjTRR0nw4j8HTIIg

Hear more from Chris on making his career switch from researching in a lab to a studio, plugging in to the New York art scene, applying for everything, following the ebbs and flows of the creative process, and viewing the art world as a living ecosystem. beyondthe.studio Patreon Intro Music by: Suahn Album Cover by: David Colson

In this week's episode of the ArtTactic Podcast, Leon Benrimon, director of modern and contemporary art in New York at Heritage Auctions, joins us to talk about Heritage's entrance into the New York City marketplace. First, Leon discusses why he left the gallery world to join the auction industry at Heritage. Then, he explains how he believes Heritage Auctions will find success in the competitive modern and contemporary sectors. Also, Leon details why what having a presence in New York City means to Heritage Auctions. Lastly, Leon reveals if the economic uncertainty over the past few months has impacted the sentiment within the contemporary art market.

Chuck Close, Andy Warhol, Hyperrealism, Andrew Wyeth and more.

This week: Amanda and Martin talk to artists and gallerists at differing 2011 NY art fairs. Breaking away from the megahub of the ARMORY, we visit exemplary booths at the Manhattan “satellite” shows, getting a feel for the variety within the ever growing gala. With Volta’s one-artist-per-booth, we focus on Bradley Castellanos at MARX & ZAVATERRO with his ominous photomontages. Kimberly Johansson of Oakland’s Johansson Projects introduces us to Jennie OTTINGER and her lively novel-inspired pieces before a surprise by a mock art tour. The SCOPE fair finds interviewing in a bodega cooler typical of the art installed by artist Andrew Ohanesian. At SPINELLO PROJECTS we meet with featured artist Barnaby Whitfield and Paul Bruno of DIRTY MAGAZINE. Brice Livingstone and Peter Teodoric talk about the SAATCHI ONLINE project. On the Hudson River’s panhandle barge, Tom Burtonwood of WHAT IT IS captures the boisterous atmosphere of the floating FOUNTAIN fair.   The party continues with Amanda speaking with Hudson of FEATURE INC. at INDEPENDENT fair’s second year after its’ upstart inauguration.

Along with our guest host: Aletta de Wall we will dispel some of the artist myths that block artists from their unique successes. Artist Myth: If I Just Do My Art, Everything Else Will Work Out. Artist Myth: My Artwork Is So Good, It Will Appeal to Everyone Artist Myth: I Can Succeed Only in New York (Or any Other Art Mecca) Subscribe today and receive a free art marketing guide: "Eleven Tips for Success for Fine Artists" Digital Recording and 15-page PDF Presentation by Artist Advisor Aletta de Wal Download here: www.artistcareertraining.com/blogtalk-radio Artists interviewed: Any Odorizzi, Metro State BFA Tracy Weil, TracyWeil.com Lola Montejo, LolaMontejo.com Dismis Rotta, dismasrotta.com JacobLeauwenburgh, millenniumhart.nl ,JenniferHeath, theveilbook.com Katie Hoffman, KatieHoffman.com, CoreNewArtSpace.com Myth1AlettaIfIJustDoMyArt.mp3 Myth2AlettaMyArtWorkIsSoGood.mp3 Myth3AlettaSuccessInNY.mp3 MythIntroductionAletta.mp3 Phyllis Rider, phillisriderart.com, Tim Downing, Sculptor Tracy Weil, tracyWeil.com Annette Coleman, AnnetteColemanArtist.com, Jim Caldwell, ArtWorkNetwork.com 8888ArtLook.com

This week, the New York Art Fair explosion.John Waters v. Amanda Browder, Amanda and Tom get kicked out of Armory, Christopher Hudgens on mic. WHAT MORE DO YOU NEED!!!Amanda and Tom talk to just about everyone, well not really, but they do talk to loads of interesting collectors, gallerists, artists, Europeans, and other assorted folk as they barnstorm the fairs. And the return of Amanda's Mom wisecracks, no not really, but this show has an intro guaranteed to piss of Brian and Marc.