Podcasts about Art rock

"So" gehört nicht nur zu den erfolgreichsten Alben von Peter Gabriel, sondern ist auch noch ein Meisterwerk der 80er Jahre. Es erschien am 19. Mai 1986 und verkaufte sich über zehn Millionen Mal. Auch einige seiner größten Hits wie "Sledgehammer", "In Your Eyes" oder "Don't Give Up" sind auf dem Album vertreten. Nach seiner Zeit bei Genesis arbeitete Peter Gabriel 1976 an seiner Solo-Karriere. Bereits 1977 erscheint mit "Peter Gabriel" sein erstes Solo-Album. Auch die drei folgenden Alben tragen denselben Titel, was in den Plattenläden immer wieder für Verwirrung sorgte. Erst mit seinem fünften Album "So" veröffentlichte er erstmals ein Album mit einem anderen Namen. Der Titel "So" klingt zunächst eher minimalistisch. Musikalisch verbindet das Album jedoch Artrock, Soul, R'n'B, Pop, Progressive Rock und Weltmusik zu einem vielseitigen Sound. Peter Gabriel setzt dabei auf die damals noch relativ neuen Synthesizer-Klänge und nutzt moderne Studiotechnik. Für die Produktion arbeitet er mit Daniel Lanois, der zusammen mit Toningenieur Kevin Killen das Album entscheidend prägt. "Sledgehammer" wurde zum größten Hit von Peter Gabriel und war zugleich sein erster Nummer-eins-Hit in den USA. Im Juli 1986 verdrängte der Song "Invisible Touch" von Gabriels früherer Band Genesis von der Spitze der US-Charts. Musikalisch orientiert sich "Sledgehammer" an Soulmusik der 1960er Jahre. Besonders der Einfluss von Otis Redding ist deutlich zu hören, dessen Musik Gabriel auch stark geprägt hat. Bei einem Auftritt von Redding entdeckte er 1966 den Trompeter Wayne Jackson, der später die markanten Bläser auf "Sledgehammer" einspielte. "Don't Give Up" ist das legendäre Duett von Peter Gabriel und Kate Bush. Der Song wurde für viele Menschen zu einer wichtigen Quelle der Hoffnung. Elton John sagte, das Lied habe ihm geholfen, seine Alkoholprobleme zu überwinden. Auch ein bekannter US-Komiker erzählte Gabriel, der Song habe ihm in einer schwierigen Zeit das Leben gerettet. Mit "So" hat Peter Gabriel ein Album veröffentlicht, das die Musik der 80er Jahre weit über seine Entstehungszeit hinaus geprägt hat. Obwohl es mit Erscheinen dieser Meilensteine-Episode seinen 40. Geburtstag feiert, klingt es noch erstaunlich modern und aktuell. Das Album verbindet unterschiedlichste Musikrichtungen und zeigt auch immer wieder Gabriels große Begeisterung für Weltmusik. __________ Über diese Songs vom Album "So" sprechen wir im Podcast (04:30) – "Red Rain"(16:47) – "Sledgehammer"(35:56) – "Don't Give Up"(49:58) – "Mercy Street"(58:25) – "We Do What We're Told (Milgram's 37)01:08:00) – "In Your Eyes" Alle Shownotes und weiterführenden Links zur Folge "So" findet ihr hier: linkhttps://1.ard.de/peter-gabriel-so __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Weiter geht es mit Songs über Mahlzeiten, und wieder hat Torsten ein paar alte Bekannte mitgebracht, während Linus Lieder von zwei Sängerinnen spielt, die wir überraschenderweise noch nie im Podcast hatten. Es gibt Art Rock, Singer-Songwriter-Soul, Vocal Jazz und Beatleskes (von einem Beatle) zu hören, und zwischendurch feiern wir noch den 90. Geburtstag einer Jazz-Pianistin, die für uns sogar ausnahmsweise mal singt. Dazu gibt es Interessantes und Herzzerreißendes, und irgendwie hängt bei uns mal wieder alles irgendwie zusammen! Lob, Kritik, Anregungen? Dann schreibt uns doch unter listen@ribzap.de !

Host Dr. Alan Garfinkel interviews Dr. John Bellezza about his path from traveling in India and Tibet in the 1980s to focusing on Tibetan prehistory, archaeology, cosmology, and rock art, later earning a PhD at the University of Kent based on prior publications. Bellezza stresses learning Tibetan languages and working in the field as Tibet opened to travelers in 1984, then turning to pre-Buddhist traditions often erased or absorbed by Buddhism and long neglected by scholars. He describes discoveries at Lake Namtso, evidence for high-altitude pastoralism and hunting, and key finds in rock art and monuments, including chariots and standing-stone complexes. He previews ongoing rock art volumes and future work on bronze talismans and Old Tibetan texts. Transcripts For a rough transcript head over to: https://www.archaeologypodcastnetwork.com/rockart/164 Contact Dr. Alan Garfinkel avram1952@yahoo.com Dr. Alan Garfinkel's Website Support Dr. Garfinkel on Patreon ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet APN Shop Affiliates and Sponsors Motion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Im „STONE PROG PODCAST“ begrüßt Gastgeber Marek Arnold diesmal Christian Nové von DICE aus Leipzig.Die Band gehört zu den beständigen Größen des deutschen Progressive Rock. Ursprünglich 1974 gegründet und Anfang der 90er Jahre in Leipzig neu belebt, steht DICE für eigenständigen „Cosmic Prog“ mit Einflüssen aus Artrock und Space Rock. Besonders bemerkenswert ist die enorme Produktivität des Bandprojektes, das bereits über 29 Jahre hinweg jährlich ein neues Album veröffentlicht.Im Gespräch geht es um die Geschichte von DICE, kreative Prozesse und den langen Atem im Progressive Rock.DICE#dice #stoneprog #bsidemusic #stoneprog #prgressiverock

You've never heard Kid A like THIS. Jazz musicians Adam Maness and Peter Martin break down Radiohead's 2000 art rock MASTERPIECE track-by-track to uncover what's really happening in the music that makes this album so incredible. Why do we love Radiohead's Kid A so much? Watch to find out.PLUS - Jazz musicians play Radiohead's "Everything In Its Right Place". One shot, one take, no AI. FULL video: https://youtu.be/c5w9BHKe0rc-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/yhi-------------------------------About You'll Hear It:In this popular music series, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Hidden artifacts from the albums we love:https://youllhearit.com/newsletter-------------------------------Chapters Legend:

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Que no falte el Subterranea Outtakes. David Pintos decide salir de su zona de confort hablándonos de los trabajos más recientes de las bandas Ghost, Mars Volta, Gazpacho y Bioscope. Date un capricho con la mejor selección musical de la escena Art Rock. Edición: David Pintos www.subterranea.eu www.davidpintos.com Escucha este episodio completo y accede a todo el contenido exclusivo de Subterranea Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/17710

Im „STONE PROG PODCAST“ begrüßt Gastgeber Marek Arnold diesmal Sören und Sandro von der Dresdner Band ORANGE UTAN.Die Band steht für experimentierfreudigen Progressive Rock mit Einflüssen aus Psychedelic, Stoner, Artrock und elektronischen Klangwelten. ORANGE UTAN verbinden deutsche Texte mit atmosphärischen Sounds und harten Riffs und schaffen so einen eigenständigen, modernen Stil.Im Gespräch geht es um die Entstehung ihrer Musik, kreative Prozesse und ihren Ansatz, Genregrenzen bewusst zu überschreiten.ORANGE UTAN – Stoner/Progressive Band aus Dresden/BerlinOrange Utan Official: Instagram, Facebook | Linktree#stoneprog #marekarnold #podcast #prog #progrock #artrock

1976 haben die Ramones ihr selbstbetiteltes und erstes Album veröffentlicht und damit Pionierarbeit für den Punk und Punkrock geleistet – obwohl der Begriff "Punk" noch gar nicht etabliert war. Als die Ramones im April 1976 ihr Debütalbum herausgebracht haben, waren sie sowas wie ein Gegenentwurf zu dem filigranen, durchdachten und aufwendigen Artrock und den Progressive Rockbands der Zeit. Schnell, laut und einfach sollte es sein – Punkrock eben. Entstanden sind die Ramones im Umfeld des legendären Clubs und Plattenladens "CBGB", im New Yorker Stadtteil Manhattan, einem sehr "musikerfreundlichen Club", wie Katharina Heinius es im Podcast beschreibt. Das bedeutet, die Musiker haben große Teile der Eintrittsgelder erhalten und hatten dort vor allem Auftrittsmöglichkeiten. Wichtige Grundvoraussetzung des Inhabers: Es durften keine Coversongs gespielt werden. In diesem Umfeld hatten die Ramones, die sich 1974 gegründet haben, ihre ersten Auftritte. Auch wenn es auf dem Weg zum ersten Album ein paar Unwägbarkeiten und Steine im Weg gab, ging es, als der Plattenvertrag unterschrieben war, sehr schnell. Dieses Tempo sorgte auch dafür, dass die Ramones sozusagen die ersten ihrer Art waren, die ein Album in diesem Genre veröffentlichten, auch wenn in Großbritannien etwa zur gleichen Zeit die Punkszene entstanden ist. Auch wenn die Ramones nicht "die ersten ihrer Art waren" – sie waren klar definiert und prägend für die ganze Szene. Und das, obwohl die ursprüngliche Heimat des Punks oft in Großbritannien, genauer gesagt England, gesehen wird. Die amerikanische Band Ramones war im Grunde genommen auch der Startschuss für den Punkboom in Großbritannien, weil sie schon im Juli 1976 in London auftraten und zwei ausverkaufte Shows im Stadtteil Camden spielten, erzählt Katharina Heinius im Podcast. Die Ramones sind mit ihrer Musik und vor allem ihrem selbstbetitelten Debütalbum zu Ikonen des Punk geworden und haben echte Pionierarbeit geleistet – schnörkellos und mit erhobenem Mittelfinger. Die Bedeutung ihres Debütalbums beschreibt Musikredakteur Benjamin Brendebach so: "Sie haben ihren Stil entwickelt und damit eigentlich auch den Punk entwickelt. Das Album ist roh, es ist schnell, es ist laut! Die Songs sind nicht länger als drei Minuten." __________ Über diese Songs vom Album "Ramones" sprechen wir im Podcast (19:46) – "Blitzkrieg Bop"(35:26) – "Judy Is A Punk"(43:05) – "I Don't Wanna Walk Around With You"(46:24) – "I Wanna Be Your Boyfriend"(51:53) – "53rd & 3rd" __________ Alle Shownotes und weiterführenden Links zur Folge "Ramones" findet ihr hier: https://x.swr.de/s/ramones __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Primal Scream "I'm Losing More Than I'll Ever Have" Cold Sun "Here In The Year" Royal Trux "Chances Are The Comets In Our Future" Sonic Boom "Angel" B.A.L.L. "Mary Jane" The Attack "Earth Tremor" The Steppes "Hey Girl" Ant Bee "Evolution #7" Pink Floyd BBC Pig Out Spiritualized "Anyway That You Want Me"

durée : 00:58:14 - Live à Fip - Nous recevons la co-directrice du festival pluridisciplinaire qui se tient à Saint-Brieuc du 22 au 24 mai, ainsi que les artistes Arthur Fu Bandini et Asfar Shamsi en session live. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Présentée par Maël & Clément.

In the heat and the steam of the city, Al, Ryan & Louie discuss "Mama," one of Genesis' most bizarre songs and the music video where Phil Collins freaked generations of children before "The Land of Confusion" did.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A faint orange hand stencil on the wall of a cave in Indonesia just became the oldest art known to science.   The art, made by splattering ochre over a hand, had been painted over by subsequent generations and was only preserved because moisture combined with the limestone of the cave to form a protective layer on top. The finding strengthens the picture that humans migrated via Borneo, Sulawesi and Papua to reach Australia at least 65,000 years ago. You can binge more episodes of the Lab Notes podcast with science editor and presenter Jonathan Webb on the ABC Listen app (Australia). You'll find episodes on animal behaviour, human health, space exploration and so much more.Get in touch with us: labnotes@abc.net.auFeaturing: Jacinta Bowler, ABC science reporter Extra information: Hand stencils discovered in an Indonesian cave are oldest-known rock artRock art from at least 67,800 years ago in SulawesiThis episode of Lab Notes was produced on the lands of the Gadigal and Menang Noongar people.

In diesem Monat feiern wir irgendwie schon die ganze Zeit Geburtstag, aber im jeweils vierten Teil einer jeden Folge tun wir das ja immer. Wieder kommen zwei der von uns gefeatureten Geburtstagskinder aus Deutschland, auch wenn sie recht unterschiedliche Musik machen, und von den zwei Jubilaren, die den Namen Phil tragen, haben wir uns diesmal für den etwas weniger prominenten entschieden. Am Ende der Folge gibt es noch einen Deep Dive in ein Album, das fünfzig Jahre alt wird und uns beide seit Jahrzehnten begeistert. Insgesamt erwarten euch Easy Listening, NDW und ziemlich viel Art Rock. Und von den sechs Songs, die wir anspielen, waren drei tatsächlich Hits, wenn auch zum Teil an der Grenze zum Guilty Pleasure. Aber hört doch selbst! Hier findet ihr die Playlist zur Folge auf Apple Music und Spotify: https://music.apple.com/de/playlist/listen-folge-53/pl.u-d2b00GVsMlWJJe https://open.spotify.com/playlist/0pHhEr5V1pzl8GFOroYLpi Die Songs von The Blow aus Teil 3 gibt es nicht auf Streamingdiensten, dafür aber hier: https://youtu.be/6y4ow9ybZQY?si=I01Xb3iHL2Qzt8Bp https://www.youtube.com/watch?v=lfO3bqJkvkw&list=PLFCCD3981A145BCD4&index=4 Und jetzt viel Spaß beim Hören!

Want to request a song? Tell us your rating? Send us a Text Message right now! This week on 1001 Songs That Make You Want To Die, we take on “Heroes” — a song that somehow manages to be genuinely beautiful, historically important, and still capable of making us argue for way too long.We dig into David Bowie in his Berlin era, the real story behind the kiss by the Wall, why this song sounds enormous even when it's barely moving, and how Heroes became shorthand for triumph, hope, and stadium-sized emotion, whether it earned it or not.Along the way, we talk Cold War romance, production tricks that shouldn't work but absolutely do, Bowie mythology versus reality, and whether repeated cultural overuse can turn even a great song into something… complicated.It's respectful. It's argumentative. And yes, someone still has to ask the question: could you beat David Bowie in a fight?DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

lKory Clarke is best known as the outspoken frontman and creative force behind Warrior Soul, the politically charged, no-filter hard rock band that rose from New York City's underground in the late '80s. Clarke's mission from the start was clear: shake the system and wake the people.Blending punk attitude with metal power, Clarke led Warrior Soul through a run of killer albums — Last Decade Dead Century, Drugs, God and the New Republic, and Salutations from the Ghetto Nation — all loaded with rebellion, wit, and that “acid punk” energy that made them stand out. His lyrics hit like manifestos, railing against greed, control, and media corruption, long before those themes were trendy again.Even after lineup changes and label battles, Clarke kept pushing forward, reviving Warrior Soul in the 2000s and continuing to release new music that's just as raw and fearless as ever — including Rock 'N' Roll Disease and Out on Bail. He's also an accomplished painter and poet, channeling that same defiant spirit into every art form he touches.With his gravel-and-gasoline voice, anti-establishment fire, and refusal to ever play it safe, Kory Clarke stands as one of rock's true lifers — a rebel artist who never stopped believing that music could still mean something.Official band website: warriorsoul.com  • Bandcamp (music & downloads): koryclarkewarriorsoul.bandcamp.com  • Instagram (art + updates): @kory_clarke_art 

What happened to Syd Barrett of Pink Floyd? Author Mike Evans sheds light on the effects fame and drugs had on the brilliant yet fragile musician.Listen to Episode 326 - The Story Behind Pink Floyd15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Jonathan and James ditch the usual lists and build a three-band alignment chart: which Beatles tracks feel most Beatles, Blur, or Talking Heads—and vice versa. Expect spicy picks (from “A Day in the Life” to “Once in a Lifetime”), friendly slander, and a tour of deep cuts like “Strange News from Another Star.” Video version on Patreon for the visuals.

The time has come for this non-metal month to get... weird. So the fellas are giving The Residents' 1988 Elvis cover album, The King & Eye.

Tyler The Creator "I'll Take Care of You"Earl Sweatshirt "Heavy Metal AKA Ejecto Seato"Stereolab "Flashes From Everywhere"Oklou "Blade Bird"Flume & JPEGMAFIA "The Ocean is Fake"Mark Pritchard & Thom Yorke "The White Cliffs"SUMAC & Moor Mother "Scene 4"Panda Bear "Left In The Cold"Melvins "Venus Blood"Eartheater & Shygirl "Shark Brain"Deerhoof "Disobedience" Kara-Lis Coverdale "Problem of No Name"Legendary Pink Dots "Sleight of Hand"

Content warning: this episode contains lengthy discussions about death and drug use, and a brief mention of suicide.On this episode we tackle two albums we've never heard before... until we listened to them for the first time for this episode! That's right, instead of perfectly curating a classic album for a prompt, today we are spinning some albums we've been meaning to check out but have not heard a single song from.First we discuss Julius's pick. As a big fan of the Stooges, they never got around to checking out any solo Iggy Pop. Produced by David Bowie, The Idiot is Pop's first solo album and was recorded while both Pop and Bowie were trying to kick their drug habits. Does it meet the high standard set by the Stooges? Find out by listening!On to Danny's pick, we talk about Tonight's the Night - the final installment of the unofficial "Ditch Trilogy." This era saw Neil Young eschewing the sounds of Harvest  that skyrocketed his career. Instead, he made albums infused with raw emotion stemming from tragic losses in his life and struggles with substance abuse.Send us a text message!You can follow us here: Instagram Twitter Tiktok Check out our preview episodes to stay caught up with what we're listening to! Send us a message, we'd love to hear from you! Email is thegmspod at gmailSubscribe, you have no choice! Leave us a rating and review (optional)!Thanks for listening!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! No debes perderte el último rarities de la temporada ocho, Carles Pinós y David Pintos han preparado un programa repleto de muy buena música: Colosseum, Dick Heckstall-Smith y Mystery. Puedes ignorar este podcast o tenerlo muy presente, pastilla azul o pastilla roja. Si tomas la pastilla azul, fin de la historia. Despertarás en tu cama y creerás lo que quieras creer, pero sonará el reggaeton del vecino. Si tomas la pastilla roja, te quedas en el país de las maravillas y yo te enseñaré cuán profundo es el hoyo de conejo. Recuerda, lo único que te ofrezco es la verdad, el Art Rock. Nada más. Edición: David Pintos. www.subterranea.eu www.davidpintos.com Escucha este episodio completo y accede a todo el contenido exclusivo de Subterranea Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/17710

This week we travel back in time to just after the dawn of PUNK ROCK (1978-1981)! We discuss bands influenced by the 1st wave who then took punk into various sub-genres. If you don't think Punk is for you based on secondhand information, we ask that you listen with an open mind and prepare to get out some aggression.This episode features songs with the shortest track length that we've ever played; it's PUNK ROCK people! Punk is where Kevin started down his path of music fanaticism. Although, that was more based around the hardcore Punk scenes. This is the lead-up to hardcore, and what would establish punk as a lasting genre full of variety and originality. Hope you dig the 2nd wave!Songs this week include:The Dictators – “Faster And Louder” from Blood Brothers (1978)Magazine – “Shot By Both Sides” from Real Life (1978)Chelsea – “I'm On Fire” from Chelsea (1979)The Stranglers – “Dead Loss Angeles” from The Raven (1979)GG Allin – “One Man Army” from Always Was, Is, And Always Shall Be (1980)Zounds – “Can't Cheat Karma” from Curse Of The Zounds (1980)Soggy – “Waiting For The War” from Soggy (1981)The Cheifs – “Liberty” from Holly-West Crisis (1981)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria Store

sidebody is preparing to play Boston Calling for the first time this weekend. They will bring songs with their whimsical charm.

Pere Ubu "Chinese Radiation" Pere Ubu "Goodbye"Mirrors "She Smiled Wild"The Girls "Elephant Man"Pressler-Morgan One Plus One "You're Gonna Watch Me"15:60:75 "Behind Your Eyes"Devo "Smart Patrol/Mr. DNA"Dead Boys "Not Anymore"Dead Boys "Ain't Nothin to Do"Pagans "Dead End America"Pagans "Little Black Egg"Electric Eels "Spin Age Blasters"Electric Eels "Bunnies"Screaming Urge "Do You Think I'm Strange?"Bone Thugs-N-Harmony "For Tha Love of $ (Tha Yella Mix 9 Minutes Uv Funk)"

durée : 00:41:39 - Live à Fip - Nous invitons à la table d'interview, Alice Boinet, programmatrice du festival qui a lieu les 6, 7 et 8 juin à Saint-Brieuc, ainsi que l'explosive Baby Volcano en duo pour une session live.

Send us a textGet Ready To Groove: Why Brass Camel Is The Band You Need To Know About Right Now!#newmusic #progrock #progfunk #camel #newalbum After successfully criss-crossing Canada three times on the strength of a word-of-mouth reputation and a hard-earned live following, Vancouver-based Brass Camel return with their second full-length record: Camel. Clocking in at 40 minutes across just six tracks, the album is an unapologetic artistic statement from a band whose sound resists easy classification—equal parts progressive rock ambition and deep-pocket groove, with no shortage of swagger, surprises, and soul.Their self-styled “prog-funk” sound may raise eyebrows on paper, but as multiple Grammy-winner Fantastic Negrito put it: “They sound like a funky Rush.” Or, as Big Sugar frontman Gordie Johnson (who also guests on the record as the group's Zappa-tinged “cat whisperer”) once declared, “Brass Camel…man, they're good worldwide.”Following their 2022 debut Brass, the band doubled down—both on the road and in the studio. Camel is the result of that momentum: two 11-minute bookends, four shapeshifting shorter tracks, and zero interest in playing it safe.Website: https://www.brasscamel.ca/epkInstagram: https://www.instagram.com/brasscamelFacebook: https://www.facebook.com/brassycamelApplemusic: https://music.apple.com/ca/artist/brass-camel/1629161926Spotify: https://open.spotify.com/artist/59HNn8uI1RIbWzmPUy5pFm?si=54e041a98f934c34&nd=1&dlsi=aa86680918574875Bandcamp: https://brasscamelband.bandcamp.com/Youtube: https://www.youtube.com/@UCx1fnIXz40ZxIBAWmmjXtjg TikTok: https://www.tiktok.com/@UCx1fnIXz40ZxIBAWmmjXtjg Thanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

On this week's episode, David sits down with Andy Buck and Sarah Tant to discuss the 1986 progressive pop art rock classic, "So" by Peter Gabriel.This is part one of that conversation.

On this week's episode, David sits down with Tony Aiken to discuss The Velvet Underground & Nico, the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.This is part one of that conversation. 

On this week's episode, David sits down with Sarah Tant to discuss the 1989 debut studio album from industrial rock legends, Nine Inch Nails, and their album, "Pretty Hate Machine".Here is part two of that conversation.

Bjork "One Day"Radiohead "Lotus Flower (Jacques Greene Remix)"Grouper "The Races"Grouper "Parking Lot"Floating Points "Environments"Huerco S. "Prinzif"Maximum Joy "Silent Street/Silent Dub"Momoyo & Lizard "SA KA NA (Disco Style)"Mutamassik "One Foot In, One Foot Out"The Pop Group "3:38"Blackbeard "Electrocharge"Amon Tobin "El Wraith"Coil "The Snow"Brenton Wood "Psychotic Reaction"

To celebrate our 300th Episode, Jeremy is back in the studio, and we deep dive into a great forgotten classic rock album, Twelve Dreams of Dr Sardonicus by Spirit.

Episode 297 features Josh from Family Video. They are an art rock band from Charlotte, NC. I showcased 2 of their latest songs, Backtalk and Holy Ghost. Which we discussed in the episode. If you like them, you can find their music wherever you stream music. In the episode I spoke with Josh Shabtai and we discussed songwriting styles, job history, his work in the video game industry, and his experience transitioning to building toys. If you want to support the band, you can find them on all the socials. Thanks for listening and for supporting local music!         Part-Time Rockstar Spotify Playlist   Please follow, rate, or review the podcast wherever you are streaming if you'd like to help us out.  -- Part-Time Rockstar Productions is available in the DMV for music videos and live filming. 

On this week's episode of The Album Atmosphere, David sits down with Michael Tellez to discuss the 2005 companion albums, "Mezmerize" and "Hypnotize", by System of a Down. Here is that conversation. 

Send us a textFrench-Brazilian Guitar Virtuoso Releases Two Singles#progrock #guitarist #paganini #newmusic #virtuoso If not now, then when? Just before celebrating his 60th anniversary, French-Brazilian guitar player, composer, producer and film-maker Marcelo Paganini will digitally release two singles on the 20th of November 2024.The first single Marcelo Paganini will release is his short orchestral overture “Poder Paralelo”. It is just 49 bars. It lasts only about one minute. Perfect for the short attention span audience of the current times. It is the first movement of his first symphony “Belo Horizonte” that he wrote 20 years ago, when his friend Andre Dequech told him about a composition contest. Award nominee sound engineer John Chapman did the audio mixing in Hollywood, California, USA. Marcelo Paganini conducted by himself the Budapest Scoring Orchestra in Budapest, Hungary on October the 23rd for the recording. 3 cameras captured the performance and the video will also be released on the 20th of November. There will also be an “making of” short film documentary produced and directed by Marcelo Paganini that will be released next year on the film festival circuit.Buy the Music: https://marcelopaganini.bandcamp.com/track/poder-paraleloInstagram: https://www.instagram.com/marcelopaganini.ic/Facebook: https://www.facebook.com/p/Marcelo-Paganini-100043967236194/Youtube: https://www.youtube.com/user/MarcelloPaganiniThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Interview with Kerry Jones Of Death Doula. Death Doula's new album Love Spells available on all streaming platforms.   Love Spells is the debut album from Death Doula, a dusky Art-Rock band hailing from Portland, Oregon. The new album was recorded at Jackpot Studios by Adam Lee (Built to Spill, Sleater- Kinney) and mixed by Bob Cheek, (Deftones, Band of Horses). It's being released as a digital download and via streaming platforms by Death Doula Records on October 11. Kerry Jones had a crush on his best friend. Kyle List didn't mind, he asked her to come collaborate at his tiny home studio anyway. By the end of the night, they were in love and had created a demo of “Disembark”, which would be lead single from Love Spells. Three weeks later, he moved to Portland to live with her, with no plan beyond an intuition that the music would take them somewhere. Fast forwarding two years later, they recruited the veteran rhythm section of Keith Vidal on bass (Marjorie Faire, Nyles Lannon) and Adam Kozie on drums (Pollens, Crystal Beth) and adopted the name “Death Doula.” The music they've created shows their shared love of artists like Can, Television, Jeff Buckley, The Cranberries, Deerhunter, Kate Bush, The Sundays and Deftones, while remaining altogether sonically new. After having their lives dramatically reshaped during the pandemic, the members of Death Doula approach music with an intensity that can only come from having spent a lifetime wanting it. Kerry and Kyle have an 11 year age difference. Keith and Kyle have a 22 year age difference. Each member pours their lifetime of experience into performances that place emotion and groove first.“In a world so algorithmized it's numb,” says Kerry “we just want to make people feel something again.” https://deathdoula.bandcamp.com/ https://www.instagram.com/deathdoulaband/?img_index=1  

On this week's episode of The Album Atmosphere, David sits down with Erin Gibson to discuss R.E.M.'s ninth studio album, the 1994 classic, "Monster".This is part two of that conversation. 

Chapter 558 - "Believe In What We Cannot See" ...as read by Guillaume Bernard of KloneToday we welcome Klone guitarist Guillaume Bernard to the podcast! Klone released The Unseen last Friday on Pelagic Records. Guillaume talks about his musical influences, Klone's musical evolution, using AI art, the struggles of touring and playing shows, and more.https://kloneeofficial.bandcamp.com/https://www.patreon.com/c/asthestorygrowshttps://asthestorygrows.substack.com/DiscordEmail: asthestorygrows@gmail.comChapter 558 Music:Klone - "Interlaced"Klone - "Magnetic"Klone - "Spring"

On this week's episode of The Album Atmosphere, David sits down with Andrea Adams to discuss St. Vincent's most recent release, the 2024 album, "All Born Screaming".This part two of that conversation.

Phil Manzanera has had a remarkable life. Best known as the lead guitarist in Roxy Music, he's also worked as a writer, producer and/or performer with the likes of David Gilmour, Steve Winwood, Nico, Brian Eno and many more. He's just released a mammoth box set of his solo work which dates back to 1975's “Diamond Head” album. The box, entitled “50 Years Of Music”, comes at a time of reflection for Manzanera. He recently released a memoir, in which he detailed his childhood in Cuba at the time of Batista's overthrow in 1959, and his suspicion that his Dad, who ostensibly worked for BOAC airlines, was actually a spy. Manzanera lived in different parts of the Americas as a child and later went to boarding school at Dulwich College in London. Phil went on to explore his Latin American roots in his music, and another bizarre twist occurred in 2011 when Kanye West and Jay-Z sampled a guitar part from his 1978 “K-Scope” album for their track “No Church In The Wild”. Manzanera has claimed this one sample earned him more money than his entire time in Roxy Music. Anyway, I was sure Phil would have great stories to share and I hope you enjoy our conversation. Visit Manzanera.com for more information on the box set.Instagram: @sendingsignalspodcast

On this week's episode of The Album Atmosphere, David sits down with Andrea Adams to discuss St. Vincent's most recent release, the 2024 album, "All Born Screaming".This part one of that conversation.

A legendary punk band that came out of Yellow Springs.

Thurston Moore is one of the most famous names in rock. With Kim Gordon and Lee Ronaldo, he formed Sonic Youth, one of the definitive art rock bands... yes, ART rock. Sonic Youth album covers famously spotlighted artists, from Gerhard Richter's candle on the cover of 1988's Daydream Nation to Raymond Pettibon's cartoon couple on the cover of 1990's Goo to Mike Kelley's stuffed animal on the cover of 1992's Dirty to Marnie Weber's collage for 1998's A Thousand Leaves. Well, now Moore is back, putting out a new dreamy solo album titled Flow Critical Lucidity, and true to form, the cover is another literal work of art: a photo of a sculpture of what appears to be metal helmet, studded with tuning forks. This is a work called Samurai Walkman, by the artist Jamie Nares. Nares is a figure of major cachet herself. She only just had a film retrospective at the Museum of Modern Art here in New York in the summer. Back in 2020, her fantastic 2011 video Street was the first film to be projected on the exterior of the Metropolitan Museum of Art—Thurston Moore, in fact, did the soundtrack to that film. Nares and Moore have a fruitful history of collaboration together, having both come up in the chaotic, experimental No Wave scene of the 1970s, and this week they join Ben Davis on the podcast to discuss. We're also thrilled to announce the launch of Art Market Minute, our new micro-podcast, hosted by news editor Margaret Carrigan. It offers a weekly snapshot of essential art market news, expertly compiled by the Artnet PRO editorial team. You can find it wherever you get your podcasts every Monday.

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Savannah Pope is an Art Rock meets Dark Pop songstress, named Top Rock Performer by LA Weekly & the only indie artist to make Yahoo Entertainment's Top 20 Videos list. She is known for her golden voice as well as her self-made, mind-bending videos and stage wear. Taking the stage with renowned artists like Starcrawler, Halestorm, and Ringo Starr, she amassed a dedicated fanbase of "Creatures". Savannah takes us on a journey through her experimenting with different forms of music production, from crowdfunding to working with high-caliber producers.Takeaways:Discover the potential of crowdfunding campaigns and learn how they can be beneficial to your music project.Understand the power of vulnerability in music and how it allows for deeper connections with your audience.Learn how to use songwriting as a tool for personal healing and a way to express personal experiences through allegory and symbolism.— To delve further into Savannah's work, visit her website: https://www.savannahpopemusic.com/Tune into the live podcast & join the Modern Musician community here: https://link.modernmusician.me/join-podcastApply for a free Artist Breakthrough Session with our team: https://masterclass.modernmusician.me/apply-success?utm_source=podcast

Savannah Pope is an Art Rock meets Dark Pop songstress, named Top Rock Performer by LA Weekly & the only indie artist to make Yahoo Entertainment's Top 20 Videos list. She is known for her golden voice as well as her self-made, mind-bending videos and stage wear. Taking the stage with renowned artists like Starcrawler, Halestorm, and Ringo Starr, she amassed a dedicated fanbase of "Creatures". We delve into Savannah Pope's successful $60K Kickstarter campaign for her upcoming concept album Pandemonium, and her personal journey of self-discovery with her cause, tackling the stigma of mental health.What you will learn:How Savannah outlined and executed her successful crowdfunding campaign.Savannah's approach to reaching out to her network for campaign success.The #1 most important thing to consider when launching a successful crowdfunding campaign.— The incredible visual and musical art of Savannah Pope can be found at: www.savannahpopemusic.comTune into the live podcast & join the Modern Musician community here: https://link.modernmusician.me/join-podcastApply for a free Artist Breakthrough Session with our team: https://masterclass.modernmusician.me/apply-success?utm_source=podcast