Podcasts about dse

光明頂. 2025 08 14 - 學校比賽請槍事件 令學生學講大話 做唔真實嘅事？ 內地尖子考DSE 變相輾壓基層香港學生 馮智政 嘉賓 周子恩

If you've ever walked out of a school meeting wondering how it could all feel so wrong — this episode is for you. In the powerful final instalment of the ADHD Mums School Series, Jane is joined by neurodivergent educator Millie Carr to reimagine what school could be — if we stopped prioritising performance over people. Together, they unpack how traditional education models are burning out not only our kids, but also the parents, teachers, and professionals trying to hold it all together. From sensory trauma to compliance-driven behaviour plans, this episode explores the uncomfortable truth: our current system isn’t broken — it was built this way. But that doesn’t mean we can’t shift it. You’ll hear stories, systems critique, and practical frameworks for creating school environments that don’t just tolerate neurodivergence — but truly honour it. ✨ IN THIS EPISODE: Why behaviour plans and positive reinforcement often fail neurodivergent kids The myth of “readiness” and why regulation must come before learning Trauma-aware, neuro-affirming practice — what it actually looks like Why ‘calm’ doesn’t mean regulated, and how masking is rewarded in school What schools misunderstand about sensory needs, social withdrawal, and shutdown How parents, teachers, and allied professionals can challenge the system together The role of leadership, training, and funding in making lasting change Why fixing school is about collective regulation, not individual resilience

If you're a neurodivergent parent staring down the impossible decision of where to send your child to school — this episode is for you. Forget the glossy brochures and test score spreadsheets. In this raw, strategic conversation, Jane and Millie Carr walk you through the real questions to ask, the red flags to watch for, and how to trust your gut when it comes to choosing a school that won't retraumatise your kid — or you. We unpack the hidden barriers ADHD and autistic families face during school enrolment, what buzzwords to interrogate (hello “inclusive” and “resilient”), and how to decode a school’s culture beneath the surface. Because being told “we’ve got neurodivergent kids here too” isn’t the same as knowing how to support them. You’ll walk away with scripts, insight, and the confidence to stop people-pleasing your way into another educational crisis. ✨ IN THIS EPISODE: Why “inclusive” doesn’t always mean safe The buzzwords that signal masking, not belonging Questions to ask on a school tour that don’t flag your child as “the hard one What to look for beyond classrooms: playgrounds, posters, and teacher training The role of trauma-informed, neuroaffirming values in everyday school lif When to walk away (even if it’s inconvenient) How to weigh up private vs public when the real issue is leadership Real-life stories of switching schools — and what finally worked

If your child holds it together at school but falls apart at home — this episode is for you. In this raw and deeply validating conversation, Jane is joined again by educator Millie Carr to unpack what happens when school is no longer emotionally or psychologically safe for neurodivergent kids. From missed warning signs to outright shutdown, we explore how subtle distress gets overlooked — and how easily parents are made to feel like they’re overreacting. You’ll learn what to watch for, what to say to schools without getting dismissed, and how to hold your ground when your gut says something’s not right. Whether your child is masking, refusing, or silently burning out, this episode gives you tools to recognise what’s happening — and advocate without losing yourself in the process.

If you’ve ever been told your child is ‘defiant’, ‘rude’, or ‘lazy’—this episode is for you. Tania Waring is back to unpack how stress behaviours are misread as misbehaviour in classrooms. Drawing on her PhD research into co-regulation and inclusive education, Tania explains what’s really going on for ADHD and autistic students—and why the classroom itself can fuel or relieve their distress. We talk about why behaviour systems like marbles-in-the-jar and Dojo points don’t work for neurodivergent kids, and how regulation starts with the adult in the room. We cover practical ways teachers (and parents) can co-regulate, build trust, and support children in distress without punishing them for brain-based struggles. This episode is honest, emotional, and full of tools for both home and school. If you’ve ever felt alone advocating for your child—or if you’re a teacher desperate for something that actually works—this conversation will validate what you already know and help you name it out loud.

You walk into a school meeting hoping for support—and walk out feeling like the unreasonable parent again. In this no-fluff episode, Jane is joined by returning guest and neuroaffirming educator Millie Carr to rip the curtain off how Individual Education Plans (IEPs) are actually playing out in real classrooms. From broken communication and missing documentation to defensive staff and performative inclusion policies, this episode is a sharp, validating look at what’s really happening behind the school gate. If you’ve ever been told, ‘we can’t do that for everyone’, ‘they seem fine’, or your child’s support plan was ignored by day one of term—this one will make you feel less alone, and a hell of a lot more prepared.

What happens when schools insist your child is fine - but everything in your gut says otherwise? In this powerful instalment of our school mini-series, Jane is joined again by Millie Carr - teacher, parent, and neurodivergent advocate - to unpack one of the most maddening experiences families face: being gaslit by educators who don’t “see” the struggle. If you’ve ever been told your child is “fine” at school while managing meltdowns, shutdowns, or burnout at home, this one will hit hard. Jane shares a deeply personal story of leaving a school that refused to acknowledge her daughter’s invisible needs - and Millie breaks down exactly why high-masking kids get overlooked, and what parents can do when they’re dismissed. Together, they explore: Why girls and high-masking kids are so often missed The damaging impact of visible vs invisible disability bias What to say in IEP meetings when schools won’t listen Why anxiety is often misdiagnosed when it’s really about unmet needs How PDA (Pathological Demand Avoidance) is misunderstood in schools—and what helps instead This episode will validate your fury, your heartbreak, and your instincts. You’re not imagining it. You’re not overreacting. And you’re not alone. Listen If: You’ve been told “we don’t see it” and felt dismissed Your child is different at school than at home—and no one believes you You’re exhausted from advocating and need to feel seen You want practical strategies for navigating resistant schools Other Episodes with Millie Carr S1 E41: Camouflaging ADHD + Autistic Traits in Girls with Millie Carr | Spotify | Apple Podcast S3 E2: SCHOOL SERIES When School Becomes the Trauma — What No One Tells ADHD Parents | Spotify | Apple Podcast S3 E3: SCHOOL SERIES When School Becomes the Trauma — What No One Tells ADHD Parents | Spotify | Apple Podcast Episode on PDA: S2E30: Could it be PDA? Exploring the signs and why it’s different from ODD with Prof Tony Attwood and Dr Michelle Garnett | Spotify | Apple Podcast

If your kid has been labelled ‘disruptive’, ‘too much’, or has a 'behaviour problem’ at school - this episode is for you. In this raw, honest, and fiercely educational conversation, Jane is joined by Tania Waring - lawyer-turned-PhD researcher, mum of three neurodivergent boys, and longtime education advocate. They go into what’s really happening when ADHD and autistic kids are ‘acting out’ - and why so many schools are punishing trauma responses, not managing them. This episode isn’t polite. It’s personal, practical, and painfully real. From school exclusions and behaviour plans to Human Rights Commission complaints and fighting for basic inclusion - this one’s for every parent who’s been dismissed, gaslit, and told their child doesn’t belong. Trigger warning: briefly mentions suicide ideation of a child.

This bonus content is a reading from Platypus, the CASTAC Blog. The full post by Elie Danziger can be read at https://blog.castac.org/2025/05/the-ecosystem-multiple-navigating-the-transatlantic-fate-of-biosphere-1-%c2%bd/. About the post: Experimental "ecosystems" emerge from the relation between facilities. The DSE case shows how ecosystems are defined relationally, not only through interoperability (as with LEO), but also through ever-analogical definitions: the "ecosystem" idea is located at the meeting point of fully-interdependent instantiations by various experimental facilities across continents. (This episode is available in additional languages on Platypus, The CASTAC Blog.)

In this podcast, Dr. Valentin Fuster discusses a groundbreaking study from the Orbiter 2 trial, which explores how dobutamine stress echocardiography (DSE) can predict the efficacy of percutaneous coronary intervention (PCI) in relieving angina in patients with stable coronary artery disease. The study reveals that the degree of ischemia, as measured by DSE, is strongly correlated with improvement in symptoms, offering new insights into patient selection for PCI treatment.

Olivier de GUERRE, président de Phitrust, pionnier de l'investissement solidaire et de l'engagement actionnarial Peut-on mettre son argent dans l'armement, la pharmacie ou le pétrole ? Comment un catholique peut-il donner du sens à l'argent qu'il investit ? Chacun de nous est face à des choix et ces choix donnent une forme à la société. Pour cette raison, nul ne peut s'abstraire de la dimension morale et sociale de nos avoirs. Proclero est un fonds créé en 2012 sur l'initiative de la Communauté Saint-Martin qui, dépendant directement du Saint-Siège, compte 175 prêtres et diacres, envoyés dans 30 diocèses en France et à l'étranger. Le but de cette SICAV est de développer la responsabilité morale des investisseurs, de financer la formation des prêtres et de promouvoir la Doctrine Sociale de l'Église dans le monde de la finance et de l'économie. Olivier de Guerre, président de la société de gestion Phitrust, est un pionnier de l'investissement solidaire et de l'engagement actionnarial. Il donne une conférence ce matin au Cercle Interallié à Paris : « Investir en cohérence avec la Doctrine Sociale de l'Eglise : comment le faire par l'engagement actionnarial et dans l'investissement social et solidaire ? ». Il explique notamment pourquoi le Saint-Siège ne crée pas de label ; il distingue l'investissement durable de l'investissement responsable. Le rapport au temps et à l'accompagnement des sociétés est un élément clé de la DSE. Le rendement n'est pas recherché à n'importe quel prix, même si au bout du compte, à la lumière de certaines entreprises comme La Varappe à Marseille, celui-ci peut tout à fait satisfaire un actionnaire exigeant. Phitrust reçoit 300 projets par an, en sélectionne entre 5 et 10 pour un volume de placement de l'ordre de 100 millions d'euros.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Just prior to DSE, I was in Palm Springs to take part in an executive retreat for the digital signage crowd, organized and run by my friends at invidis, the consultancy and publishing company based in Munich. They have done these events in Europe for a few years now: an invitation-based two-day gathering that is part networking, part knowledge-sharing and part R&R - from golf to cocktails. I was along because they needed some eye candy, and there was probably also a California mandate to include a senior citizen. But Florian and Stefan from invidis had me there, as well, to do some interviews with attendees. It was a bit like herding cats because of the size of the resort, and varying schedules, but we managed to trap eight attendees in front of the camera and mikes. There are video versions you can watch, but for those who like to listen to interviews as they walk or drive (I've even heard swimming!), here's the second of two round-ups, with four interviews in each. This one has: Jeremy Gavin of Screenfeed; Shawn O'Connell, who recently joined Uniguest; Stan Richter of SignageOS; And Trey Courtney of Mood Media.

Just prior to DSE, I was in Palm Springs to take part in an executive retreat for the digital signage crowd, organized and run by my friends at invidis, the consultancy and publishing company based in Munich. They have done these events in Europe for a few years now: an invitation-based two-day gathering that is part networking, part knowledge-sharing and part R&R - from golf to cocktails. I was along because they needed some eye candy, and there was probably also a California mandate to include a senior citizen. But Florian and Stefan from invidis had me there, as well, to do some interviews with attendees. It was a bit like herding cats because of the size of the resort, and varying schedules, but we managed to trap eight attendees in front of the camera and mikes. There are video versions you can watch, but for those who like to listen to interviews as they walk or drive (I've even heard swimming!), here's the first of two round-ups, with four interviews in each. This one has: Frank Pisano from Bluefin Bryan Meszaros of OpenEye Global George Clopp of Korbyt and the baritone, no mike needed, voice of IV Dickson of SageNet.

Sonos is about to flex so hard at ISE their booth needs its own area code (and wait'll you see their pro installation debut!). Reality check - when's the last time you gave your AV standards more than just a casual swipe right? DSE is ghosting Vegas for San Diego's sunny shores in 2025!Tune in to AVWeek, where Tim Albright and industry experts serve up the hottest tea on the latest developments in the commercial AV world! Break down the DSE's power move to SoCal, Sonos's explosive ISE takeover, and the not-so-subtle art of keeping your AV/IT standards up to date and explore how evolving standards are shaking up the game in our hyper-connected world.Host: Tim AlbrightGuests:Dawn Meade – Dawn on TwitterMatt Scott – Omega Audio VideoTom Aburthnot – Empowering.CloudLinks to sources:AV Magazine – Sonos' First Speaker for CommercialrAVe Pubs – DSE 2024 Highlights, plans for 2025Article3 – IT & AV StandardsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Fourth Season of O Verda Darano! We go Beyond the Caravan, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!It's no lie when people sigh the phrase, “they don't make ‘em like they used to.” There was a sense of quality, of pride, some might even say a spirit, in things. Centuries, even decades ago, I remember a time when folks lived by their trade and the traditions they kept… as well as the superstitions. This Halloween, miro amal, we take a step back in time, to hear tales of the past, told by the bright future of tradition. Who am I referring to? Why, it's our good pals Veronika and Alex from the United Kingdom. These two, in the ageless fashion of the Roma people, are entertainers on that thing you call an app, eh, tik-tok, as well as the other social medias. Hours of laughter can be found from them. But not tonight. From spirits and figures to demons and vampires, the Old World still keeps its shadows reserved for evil to reside in. Waiting for the unwary passerby and the chance to strike. Make no mistake, the mysterious moors and quiet villages are still blanketed by a timeless fog that cloaks the entities of malice that stalk the night. Believe the folk tales. Lock your doors and windows. Hide as if your life depended on it! Because, on the night of All Hallow's Eve, immortal creatures stalk the earth, and they are looking for you!!Check out Veronika and Alex's videos here:https://www.tiktok.com/@veronikaandalex1https://www.tiktok.com/@veronicaveronika12Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Fourth Season of O Verda Darano! We go Beyond the Caravan, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!You are a dot. A mere speck, in the eyes of the universe and all its dimensions. And you thought your promotion put you on top of the world? Ha! Some of us, with our heads truly in the clouds, know that, with all that space to inhabit, worlds being created and destroyed, there must be others like us. Out there. Somewhere. With this thought, we find ourselves in great company alongside Luiee Bloo, who fiends for music and all its facets. To him, as infinite as harmony can soar, there are just as many unknowns that linger in our minds. From ghosts to aliens, you're sure to feel the full spectrum of chills that rattle down your spine. Join us on miro vardo and have a cup of coffee. You'll need it seeing as you won't sleep tonight…You can check out Luiee Bloo's amazing music here: https://www.instagram.com/luieebloo/Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Fourth Season of O Verda Darano! We go Beyond the Caravan, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!Latchi Ratyi Miro Amal, Good Evening Friend, I'm Esma Kallai. Oh good, you're here. Help me for a moment. I'm trying to pick between a pickled salamander sandwich or a refreshing tarantula salad. Hmm… it reminds me a bit of a friend of mine, who, sort of finds herself between two cultures that clash in ways, Romani and Haitian. Now, as you'll soon find out, our Bibi Jaz is not one to turn from a challenge. She found a way to live with both cultures and all the skeletons in their closets. Perhaps you can say, she's got the “best of both worlds”? But be warned, I make light of the horror that is about to unfold my dear listener. Jazmine's stories are not for the cowardly. Should I give you a moment to turn on an extra light? You'll need it. Come to think of it, why not toss that tarantula salad in between those savory salamanders? So crunchy and meaty! Mmm! I won't lose my appetite from what you're about to hear, amal, but I can't promise you'll feel at all peckish when we're through…You can reach Bibi Jaz and inquire about her services here: https://www.instagram.com/kashtana_kartas/Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Fourth Season of O Verda Darano! We go Beyond the Caravan, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!O Verda Darano takes a short blast to this past Friday the 13th with two of Pierce's childhood friends, Norman Miran and Ruben Vasquez. Be warned, dear listener, this episode is not for the faint of heart. From taboo to terror, this night was the Luckiest Unlucky Day between childhood friends. Dare to listen in on the hijinks that span over decades?Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent

Non solo consigli "da Studio Aperto" come "non uscire nelle ore più calde e bere tanta acqua", ma tanti suggerimenti pratici per creare una sana relazione tra spostamenti e vita famigliare! Condivido con voi alcune attività salva-viaggio che io stessa utilizza anche ora che le mie figlie sono più grandicelle, preparate gli appunti :D Se volete raccontarmi la vostra esperienza, o condividere altre idee con i genitori che mi seguono, ti aspetto su instagram.com/elenacortinovis_

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Fourth Season of O Verda Darano! We go Beyond the Caravan, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!Esma Kallai isn't with us this episode, but leaves us with this message: Time truly flies when you're in between realms as I have been. What does a ghoul have to do to get some rest and relaxation? I'm in between stops on my way to a galaxy light years from here and I have to run and grab a couple extra oxygen tanks and laser pistols… you never know what can happen among the stars! I hate to leave you on such short notice, but time is of the essence and I haven't enough time to sit and smell the coffee. Speaking of which, you should grab yourself a cup, and even a little cake too, and sit down for tonight's encounter. I'll leave you in very capable hands… he has a lot to catch you up on…Catch-up with DSE and find out what we've been up to the last few months in this episode. We talk animation, film, and of course- a spooky story just for you!Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent

David Shapiro is the Producer / Director at DSE, an Atlanta-based script-to-screen promo video production company generating Corporate, Commercial and Documentary showcases for worldwide audiences. DSE produces powerhouse promo videos for corporate and charitable clients, as well as fascinating feature-length documentaries, consistently striving to deliver effective storytelling for on-line platforms and theatrical audiences.

David Shapiro is the Producer / Director at DSE, an Atlanta-based script-to-screen promo video production company generating Corporate, Commercial and Documentary showcases for worldwide audiences. DSE produces powerhouse promo videos for corporate and charitable clients, as well as fascinating feature-length documentaries, consistently striving to deliver effective storytelling for on-line platforms and theatrical audiences. The post David Shapiro with DSE appeared first on Business RadioX ®.

光明頂. 2024 04 19 - 發展DSE產業 正義迴廊有乜問題？ 陶傑 馮智政

This is a free preview of a paid episode. To hear more, visit leesimon.substack.com財富的累積和集中，本來就是歷史的常態。但為甚麼過去幾年家族辦公室這個詞彙，忽然被吹噓起來。究竟甚麼是家族辦公室？為甚麼港府近年間對這個概念忽然著迷？其實在政府大張旗鼓說發展甚麼家族辦公室樞紐之前，香港已經有許多財閥家族。十多年前，我離開了任職多年的壹傳媒，在一個因緣際會之下，我為香港一個家族做了一份報告。當年委託我做這份報告的家族，其實沒有告訴我為甚麼他們對做這個專題研究的原因。但他們倒是有一個很具體的要求：「可不可以告訴我們，洛克菲勒家族的基金是如何管理和運作的？」適逢這幾日周凱旋基金會捐了六千萬支援 DSE 的女考生，在社會上也引起了一些關注。今日就趁這個機會，分享我這個布衣平民對財閥家族的觀察。

光明頂. 2024 04 17 - 考生考試前要先參與升旗禮 小紅書疑泄DSE考題 或違23條 陶傑 馮智政

The single most unifying event in a long time just happened this Monday, April 8th; the TOTAL ECLIPSE OF THE SUN. Not just any eclipse, but one with the moon very close to earth, which means the shadow of the eclipse was the widest in recent memory, allowing the most amount of North Americans to view it in history. For a brief moment, everyone that could was looking skyward, not just with our eyes, but with our hearts, hope, dreams, etc. THE PARTY OF THE CENTURY...But, we've been partying so long now that the police are coming to put an end to it. Yes, the interest rate hiking FED has begun putting out the fire of fun that we've all gotten accustomed to since the bear market low in 2009. It's been amazing, but nothing goes straight up forever, and the clock may have just run out with this week's unification of our collective mood, and focus on a single point in the sky, while we forget the reality of our world. So, take a few minutes to listen and view the chart of what history tells us about what comes next. If you want help in setting up an action plan, call us at 640.CALL.DSE (640.225.5373)Here's a chart to follow along:Chart 1: Stress, NO Stresshttps://drive.google.com/file/d/1MUc4d2FiFOIYApLqG6QjEBAzu8VAuk0l/view?usp=sharingMUST READ REPORT, free from our friends at Elliott Wave International:https://www.elliottwave.com/KenTo learn more, visit:https://dsetrading.com/Listen to more episodes on Mission Matters:https://missionmatters.com/author/ken-goldberg/

About the Guest(s): Dr. Leah M. Kelley is a storyteller, writer, activist, teacher educator, education consultant, and parent who identifies as neurodivergent and otherwise disabled. She was a K-12 public school teacher for over 25 years and has extensive experience supporting inclusion. Her newly published book, “The Person Who Arrives: Connecting Disability Studies to Educational Practice for Teachers, Parents, and Others,” evolved from her doctoral research, which she completed at Simon Fraser University in British Columbia. She is currently working as an adjunct professor in the faculty of education - teacher education program at UBC (University of British Columbia) and guest lecturing colleges and other programs and organizations such as CASE (The Canadian Association for Supported Employment). Dr. Kelley's work focuses on connecting disability studies in education (DSE) to educational practice, strength-based perspectives for supporting neurodiversity, addressing ableism, inclusive practices and pedagogy, and cultivating advocacy. Episode Summary: In this episode of the Think Inclusive podcast, Leah Kelley joins Tim Villegas for a profound discussion on the intersections of storytelling, education, and disability advocacy. Right from the onset, the conversation delves into Leah's unique approach to writing and her pursuit of inclusivity through narratives. The dialogue transitions into exploring the importance of whose story is being told when discussing disability and how storytelling serves as a potent tool for learning and connection.The episode further delves into Leah's recently published book, which embodies her dedication to inclusion, her disruptive approach to traditional academic formatting, and her belief in the power of bringing diverse voices to the forefront. Touching on topics ranging from relationships being central to learning to questioning stereotypical notions of disability, Leah challenges conventional thought with her ideas of radical acceptance and the continuous process of arrival in educational and personal contexts.Transcript: https://otter.ai/u/TmXEj6c9L3__xIMls4ZJ4c9gVKcKey Takeaways:Storytelling as an Invitational Tool: Leah emphasizes the power of storytelling in altering perspectives and engaging with complex ideas.Whose Story Is It Anyway: The conversation highlights the critical analysis of whose stories are being told, especially in the context of disability.Radical Acceptance and Arrival: Leah explains how radical acceptance of individuals and the concept of continuous arrival are intertwined in educational environments.Disability as Normal: The episode addresses the stigma and language surrounding disability, advocating for acceptance and understanding of disability as a natural human variation.Relational Approach to Education: The exchange reaffirms that nurturing relationships are at the core of inclusion, learning, and advocacy.Resources:Leah Kelley's Book: https://a.co/d/esG2PWKFacebook Group - Parenting Autistic Children with Love and Acceptance: https://www.facebook.com/ParentingAutisticChildrenWithLoveAcceptance30 Days of Autism: https://30daysofautism.blog/MCIE: https://mcie.org/ Hosted on Acast. See acast.com/privacy for more information.

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT There is a lot of glass in public and commercial spaces, and the pro AV and digital signage industries have been applying all kinds of technologies to turn things like windows and dividers into part-time or full-time displays. In most cases, those jobs have come with compromises. There are films that might start curling at the corners, or discolouring. Mesh systems that look pretty good from the front, but terrible from the rear. And most recently, super-thin foils that need to be adhered to one side of glass panes. So what if the LED display was actually part of architectural-grade glass? That's the premise of a company called Clear Motion Glass - a Pennsylvania-based technology start-up that comes at the business from the angle of commercial glass. Clear Motion is a spin-out from William Penn Performance Glass, which has for many years been making and supplying laminated and tempered glass for commercial buildings. Unlike other products on the market, Clear Motion's LED displays are sandwiched inside sheets of laminated safety glass - so when a building goes up or is being retrofitted, the glass panels that go in are also active, highly-transparent displays. I had a good chat with Todd Stahl, a glass industry veteran who runs both the established and start-up businesses. Subscribe from wherever you pick up new podcasts. TRANSCRIPT David: Todd, thank you for joining me.  Todd Stahl: Hey Dave. Yeah, I appreciate you having us on. It's going to be a pleasure to talk about some LED glass with you.  David: Yeah, tell me about the company. I saw you guys at DSE back in December. You were busy almost the whole time. So I didn't really have the time or the chance to have any kind of a detailed LED conversation, but I know that the company has not been around that long, but it's grown out of a pretty well-established “performance glass company.” Todd Stahl: Yeah. A little bit about the history there. So, at Clear Motion Glass, we're making the LEDs inside of the glass. I came across the LED glass around June of 2022, so I've had it for just about two years. The parent company is William Penn Performance Glass, and that's another company I started in 2011. We deal with high-end architectural Glass.  So, a cliffnote version: We go to the top architects in the country, and they're like, “Hey, who are you designing for?” And they'll say to us, “Hey, we want some really cool glass to go in the elevators for the Empire State Building.” So we got into the architectural space with glass, and actually, we'll William Penn, who was just voted one of the top 50 glass producers in North of North America. So something that we're definitely pretty proud of around here.  Then I came across LED glass around 2022, I thought it was one of the coolest things I've ever seen put inside a glass, and I wanted to be a part of it. David: So when you say you came across it, what do you mean by that?  Todd Stahl: So, there's another product in glass, another glass product that's been around, I'm going to say right around since 2000. It's a glass that goes frosted to clear from the turn of a switch, Switchable glass. So there's a company called Smart Film Blinds, and they were an applied film company that would actually take that, what we would call switch glass, but they just took the film and applied it to existing glass, and it was owned by Alan and Tracy Ackerman, and then they had this connection with LED Glass they weren't quite sure what to do with it. They knew it was really cool. And it had a chance to be really something big, but they were more of a film company, and then he and I got introduced, through a need that we had for some smart film, the switchable film, and then eventually we had a partnership for a while. Then we decided basically that I'll stick with the glass part, what I'm best at, and he'll stick with the film part, which was what they were best with. But that's how I got introduced to it, right around two years ago.  David: What you're marketing now is Clear Motion Glass. Is that your own product or are you reselling somebody else's manufactured product?  Todd Stahl: We have partners overseas, such as a company called Filmbase. That's where we get the actual LED grid or LED mesh. We bring that to my facility in York, Pennsylvania, which is in the south-central Pennsylvania area, we're 20 minutes south of Hershey, close to Harrisburg, and then we actually fabricate everything as a finished panel here. So we'll make the glass, we'll get the interlayer components. We have a laminating machine that actually works by pulling a vacuum and heating it up to certain temperatures. After that, it comes out, and we have a clear LED glass display.  David: So laminated glass is something that's been around forever. So this is just basically sandwiching the mesh in between sheets of laminated glass?  Todd Stahl: Yeah, absolutely. We're definitely making a sandwich component. We start with a piece of glass, say that's your component number one. Then, we start with the inner layer materials.  In a case like this, we use a couple of different techniques, but we use EVA, which is ethyl vinyl acetate. Then we'll actually put the LED mesh grid on top of that, then we put another piece of EVA, then we go with the finished component of the sandwich, another piece of glass, and we stick them in an oven, we run a certain cycle, and about four hours later, we have a laminated piece of glass, exactly how you described. It's a sandwich makeup for sure.  David: Was there a lot of R&D work involved in it? Because I would imagine if you're putting an LED mesh inside of an oven, then going to a very high temperature and all that, I'm thinking if I didn't know much about this stuff, I'd be wondering, what's all that heat going to do to this thing? Todd Stahl: Yeah. You know, we have to make sure that it can withstand certain temperatures, obviously, and if you don't heat, and just in general, if you don't get laminated glass hot enough, it doesn't bond, it does not bond correctly. What you have to achieve is cross-linking and cross-linking is basically the interlayer material to the glass itself, and that happens at a temperature of around 110 degrees Celsius, so it's not getting hot enough to cook a Turkey in there, so we're not really dealing with extremes. I think a lot of people might think when you're actually making glass out of what we call a batch, you know that's where the glass is heated up to 2000 degrees and you're really dealing with some extreme temperatures. It's not quite the same extremes at all when you're dealing with laminated glass.  David: So tell me what performance glass is, and what high-end performance glass is because I don't know the glass world terribly well.  Todd Stahl: Yeah, sure. So, so what William Penn performance glass is the performance name kind of all started because our glass looks great and it, but it's an all safety rated glass. So that's kind of the performance part of the glass. So, if you're looking at our glass, say that's used for glass handrails, that's a very specific glass that's chosen to withstand the certain load requirements of a structural application, and typically most of our handrails are tempered, and laminated glass. So there are two ways on this planet to make a piece of glass safety-rated. You either temper it or you laminate it. We happen to do both of those things in a lot of our projects, and it's kind of funny like obviously safety-rated glass is strong, but the only thing that's really taken into consideration when you're referring to safety glass are you automatically assume it's going to break and what happens when it breaks, right? So with tempered glass, you put a lot of stress on the glass itself through a heating and cooling process, and whenever that glass breaks, it breaks into small panels that would not be able to potentially cause a life-threatening wound, and then you have the exact opposite with laminated where if a rock hits your car, if that's ever happened to you the rock doesn't come through and the pieces of the glass, the shards don't come through, they stay together. So you got those two things to the requirements when you're thinking about what is safety rated glass.  David: With the Clear Motion product, is it an indoor product only, an outdoor facing product, or what are the use cases?  Todd Stahl: So what's really cool about our LED glass is that almost wherever you're using architectural glass right now, you can now use our LED displays. So it can be used in exterior applications, a building facade, glass canopies, and railings that may be exterior. All of the components are kind of encapsulated inside that glass, and that glass is making a nice, really safe, cozy home for the LED display inside of it. David: And it's bright enough that it can be on a glass curtain wall like an auto dealer?  Todd Stahl: Oh, yeah, absolutely. I think that's one of the really cool applications for it. In fact, you had mentioned at the trade show and boy, were we busy? I think I was just talking about this yesterday. We scanned around 450 people in that short show. Our voices were a little strained by the end of the evening. So, the brightness of our display at the show, Dave, was only running around 4%, and I thought that was one of the more amazing things about the product because it was still kind of bright at 4%. Later we started bringing that up because a few potential clients wanted to see it at 50-60% brightness. So yeah, you can totally use this as an exterior sign and get whatever brightness you need. I think some of the products are well over 10,000 nits depending on the needs, and I think one actually lasted up to 15,000 nits, so plenty bright for the outside.  David: Yeah, once you get to 3,500, you're good.  Todd Stahl: Yeah, exactly. David: On transparency. I see on your website that it says there is up to 90 percent transparency.  Todd Stahl: Yeah, so when you get to some of the pixel pitches that are viewed from say, a distance of around a hundred feet, I think the pixel pitch at a 20, I believe that one may allow up to 90 percent of light to come through. It's really cool. I mean, you have this really great display, and then you're just getting all this, and you're not cutting off any spaces so if you have a traditional LED display, you can only view that from one side and I think that's kind of what's really amazing about this product and a lot of times when you're looking at the product, you don't even realize that it's transparent until the image would say it's rotating from one image to the next. And you're like, Oh, wow, that's clear, there are people behind there. So I think, yeah, it's really cool in that application.  David: From what I saw, because it's this mesh material, with super thin wiring in between each of the LED lights.  The challenge I've had with a lot of trans or “transparent products” is that they look good from the front side, particularly at a distance, but when you look at the back end of the things, there's a mesh, like a metallic mesh or something like that, a grid system that kind of makes it look like crap. Todd Stahl: Yeah. With a lot of the applied films that have been out there before, and there's not a whole lot of them, but there are a few, certainly from that backside, it doesn't look at all like the front, and the same thing, with the LED actual metal meshes, again, they look phenomenal from the front, and you get behind, and you're like, man, what am I looking at here? So with our product, what's really cool about that is you get a little bit of the halo effect, from the image that's playing on it, that you can see from, say, the view side of the glass, and then you get a slight reflection off of that front piece of glass that kind of bounces back through. So you see a little bit of a glow or a halo in the background, but it is not an eyesore, and it looks pretty good. You can see out, and you have a very clear picture of the people that you're looking through or whatever object you would be doing from the back of the product. It looks really good. It's a good look from the backside.  David: Yeah, there are numerous products out there that now do this kind of foil mesh effect, and you have to adhere it to the inside of a sheet of glass, which is all fine and everything else, but it doesn't look that good from the inside, does it? Todd Stahl: No, it really doesn't. The concept here, we touched on hockey a little bit, earlier, but you know, we have, you have all these hockey nets in the arena to protect the fans that a puck doesn't hit them, and most of those meshes are black. It's harder for our eyes to kind of pick up the black mesh than it is for white. There are some that have whites, but not many, and the black is blended in a lot easier. I'm a big hockey fan, so I've been to a few arenas, and the white ones are a little harder to, I think it takes away from the image more, and that's why we're using a black LED mesh.  When we first started, it was white, and it just didn't have as good of a; again, I thought it took away from the product from the backside.  David: So presumably there are limits in terms of the size of a glass panel that you can do because you've got a laminate in an oven of some kind and that they're only so big. So if you have, to use the example I mentioned earlier of, an auto dealer's glass curtain wall where the sheet of glass might be pretty darn big. How do you put multiple units together? And what does that look like in terms of cabling and everything?  Todd Stahl: Yeah. So we're always kind of limited in size by a couple of different things. Sometimes it might be the actual raw product glass that we're using. Some sheets are available to us, bigger and smaller, the width of the laminating materials, and then our oven as well. So basically, in our oven here in Pennsylvania, we can laminate an LED panel roughly about 6x10 feet. You know, that's a pretty sizable piece of glass, and then what we can do, if you're doing a glass facade it kind of gets into a little bit more of how the glass is installed, but you're basically stacking the panels. there's a control unit. That attaches to each panel of glass, and then those control units are all tied together and then that gives you one cohesive image plane from one panel to the next.  David: Do you have much of a seam in between them?  Todd Stahl: So, if you remember, at the trade show, I think we had two panels out there and we had a seam in the middle. So I'll see the seam, you'll see the seam, but when the image is playing, you really don't even notice it's there. A lot of times, depending on the application, a glass facade is a little different, because you're going to have all most likely all four edges of the glass covered, but, we have a lot of applications where the panels are being butt jointed together and it's a nice polished edge there. So, yeah, with the image running and stuff, you really don't even see it unless you get within a couple of feet of it.  David: So we're talking millimeters, not inches, in terms of a gap.  Todd Stahl: Yeah, absolutely. You know, a gap's going to be somewhere in the neighborhood of three, three-sixteenths of an inch, plus or minus. David: So not much at all.  Todd Stahl: Yeah, not much at all. Like I said, it's pretty cool. When that image is going, you're like, it just looks like one big piece of glass.  David: And there are technical limits, like if, let's say, an airport curtain wall that might be like 80 feet high for the side of a terminal or something like that. Can you do that?  Todd Stahl: Absolutely. That can all be tied in. You'd have several zones there, and depending on how you're handling the programming from a laptop, and something like that, you just say zone one's the entire thing, and then you might break it down into individual zones if you want different things playing at different times, but yeah, we this is definitely designed to do entire glass facades or, curtain walls. David: All those little lights generate some heat. How does the heat get out?  Todd Stahl: Yeah, so we've been working with these products for about two years now, and I always expect when I put my hand on the glass to touch it, that it's going to be nice and warm, but it really isn't. The heat definitely dissipates quickly. There is some energy consumption, and we have charts for that. So once we get into a building design, we can get in there and say, “Hey, this is what you're going to need for your power requirements.” But it has very similar power requirements to current LED displays that have been around for a while. But yeah, it doesn't really create much heat. You would think it creates more, and I'm telling you, whenever anybody sees it, one of the first things that they almost always do is, “Oh, I expected that to be warm” and they touch it, and it really isn't.  David: Well, one of the criticisms or let's say what a naysayer might say about this, is, “All right, if I buy this, glass panel with the LED mesh embedded inside of it, what happens if there's a dead pixel? I'm stuck with that forever. It can't be repaired because it's sandwiched in between two sheets of glass.”  Todd Stahl: You know, it was my biggest concern. We spent a good bit of time.  I think the lifespan of the LED bulbs we're using is right under 11 years. So we found the biggest problem that we've encountered, and this took us a while before we were going to bring it to market because that's by far the biggest concern; anyone looks at that and goes, it's not the first time I've ever seen a bulb, you know? So there's a couple of things. There's been a lot of research and development to make sure when it comes out of lamination that we've already caused any bulbs to fail before those processes, and we actually have a little bit of a protocol we've developed. So, one of the biggest reasons a light bulb is going to fail is the heat and pressure in that vacuum. It's not so much the heat, but the pressure because there's a little bit of movement in there. So if all those connection points aren't just right, you're going to get a bulb that may come out after you've done all of the work, and then you fire it up, and you know, there's a lot of bulbs, and a diode and only one is bad, it's not good. So we actually have a pre-laminating process we run to actually replicate what is going to go through the stressors of the lamination process. And if we find a bulb or a diode that might not be working, we can replace it after that pre-cycle of lamination.  Now, on the flip side, let's say it's out there, it's in the field. If we use annealed glass on the front surface, so, annealed is not tempered, but the backlight would be tempered, so you're still dealing with a, fully safety rated tempered and laminated makeup. We actually have a drilling process where we can drill a core out of the glass, and we can actually replace that LED diode. What our experience is that once they come through lamination so far, with all the panels we've been working on we have not had one go out and we've put them in some areas of our glass production facility near our tempering oven, which is a really cool piece of equipment. It has a 600 horsepower blower that when the tempered glass comes through, it cools it to dissipate the heat, but it draws some dust, there's some heat back there. We've had a panel running there for two years in that condition without any issues. But yes, you can actually replace the bulbs if you need to, if one goes out.  David: So I'm curious when an architect and a general contractor puts a building up, they're thinking in terms of being there for decades, with maybe the exception of football stadiums, which seem to need to be replaced every five years or so. Is 11 years an acceptable operating lifespan for a sheet of glass for a builder or for a building owner?  Todd Stahl: Yeah. I mean, our interlayers, they last 20-30 years. The interlayers and the glass products, yeah, they're going to last a very long time. When we've been bringing this product to market I think, the event back to the switch light is one of the first times you're us glass guys are introducing electricity into the mix. And at first that back in 2000, I mean, it was really cool. It had the wow factor, but it didn't quite last as long for me. I didn't really get into the product until recently. But you know, that product will last around 10 years as well, and we don't get a whole lot of callbacks very often with any of our glass products.  But it seems like most clients are happy with a 10-year usage. That's been pretty good for the Switch Lite product. We talk about a decade out there to the architects and designers now that, that's a number that they all seem to be very happy  David: Let's say a car dealer goes in, they're fine, they're thinking in terms of the glass that they put in is there for 10 years, and they may switch it out anyways?  Todd Stahl: Yeah, I think you know that everybody wants to be fresh and new. So we found a lot of these high-end retail stores that we've designed with, for instance, a high-end jewelry line, and let's say they have started in California with a new design. They take that design and they move it east to New York City. By the time they get to New York City, whether that's been five to eight years, and they redesign the whole thing over again. So there's a cycle and I think, especially with retail, and a lot of these buildings, they always want to have a new, fresh look, and I think a lot of times they're redesigning in under ten years for a lot of applications.  David: I'm guessing I could be wrong here, but I'm guessing that there's hyper-competition from China for, what I would say is conventional LED displays and so on; you're probably going to have less competition for what you're doing because of the sheer weight of, even if they can make glass cheaper over in China, shipping glass panels over here would be just ghastly expensive, right? Todd Stahl: Yeah, definitely. It's pretty heavy to air freight glass, so it's always nice that there's this thing called the ocean between us and China, especially us being we've been a manufacturer forever, and thankfully, it is a little expensive to ship a finished product like that and take some time. So, yeah, and you know, right now, we're kind of pretty far ahead of the curve in how to actually laminate this properly. Our feeling was when we got involved with this, all right, we got the LED technology. Now we'll just throw it in some glass, and we got a home run and it wasn't quite as easy to just throw it in glass and end up with a finished product, you know? There are still some areas. We are not the only ones in the world laminating this product, but there are, from what I know, under five; we're the only ones who can do it with thin and large panels. We're the only ones that I know of that are actually doing some of the very specific things to make sure it's going to perform properly in these laminated glass applications. In our process, we are patent protected in our process where I think we're just like in the first phase, I don't know all the legal terminology, but we're going through the patent process for the way we laminate it.  David: Which will help you over here, won't help you with Chinese products, but again, there's that ocean thing in between. Todd Stahl: Yeah, absolutely. We have a few intellectual properties here and I'm not one to get into too many legal battles, but we would have some type of recourse if someone does come and is trying to laminate in a similar technique the way we do it. David: I suspect you're kind of looking around the corner as to where this is going and the types of technologies that are emerging. Do you kind of see this as, what you have right now is Gen 1, and over time the light emitters will get smaller, the wiring will be even thinner and so on? Todd Stahl: Yeah, absolutely. I think that's exactly the way I see it going. I mentioned earlier: I really am a glass guy, and this is a glass company by people who absolutely love glass. Now, that's a Will Penn. Clear Motion, we have that same feeling as well, but this is more of a technology company. And what we're talking about today, like you said, generation one. We're going to revisit this in under five years, and it's going to look, I think, a whole lot different.  David: Who's buying it right now? And are you in the field with this?  Todd Stahl: So we're working on probably over 50 to 60 current projects right now in the design phase. Almost everyone we're working with has signed NDAs. So we can't necessarily say the clients that we're designing with right now. But one's a high-end fast food restaurant. They want one of these in each restaurant and that's actually for an exterior application.  David: Are these proposals or purchase orders?  Todd Stahl: They are proposals right now, so a lot of verbal commitments. We have a project we're working on in the Middle East in the design phase right now, that's 18 months out, the funding has been approved. They're designing it in the UK and then we're working with the audio visual company, I think in Texas. So this is really brand new.  David: You're in startup mode!  Todd Stahl: We really are, and this is the third company I've started literally from scratch, and I think it'll be the last one because boy, it is challenging. It takes a lot of energy. There's this great energy when you're starting it, and this is a little extra challenging because this is brand new. No one has ever seen clear LED glass displays like they just did not exist four years ago.  People might've thought they saw something similar. Like you said, it was a film or a grid that was put behind the glass. But when people are seeing this now, we're creating a new market, we're educating people to that market, and we're educating ourselves.  David: I'm guessing when people come to a stand at a trade show, you're at, the architects and the people who design physical spaces are the ones who are going, this is more like it. They haven't really liked the idea of films or foils and all that because of how they look at the back end or they're worried about a film sort of, particularly if it's exposed to UV light and all that, it's going to yellow and on and on…  Todd Stahl: So what the feedback from the A&D community has been? We did an AIA show in San Francisco last June, and we had one or two clients, say, “Hey Todd, we have the budget for this. We have clients who want this product, and we've been looking for it for years.” Then we start designing the project with them, and that's the thing: once I shake hands with an architect, we might not actually have that project begin production for 24 months to a year. So, depending if the building's coming out of the ground or if it's just a remodel of an existing one, it's a very long cycle until we actually get orders placed, and you know, something I've been dealing with for 30 years. It's kind of the way the industry is.  David: Infrastructure projects are never quick, are they?  Todd Stahl: No, they really aren't, but the A&D world is kind of our background. It's where we've been for a very long time in that space, and we've definitely noticed that companies, individuals in the audio-visual world respond to this entirely differently. This doesn't have as many questions in their minds. They're more educated because we've been used to dealing with LEDs for a very long period of time. So it's kind of interesting how the two markets work together, like the DSE show where we introduced the product, I would say more to the audio-visual world if I'm using the right terminology there, it was received just as with that much energy, a lot of more understanding right away, not as many technical questions. David: It's a variation on stuff they've been seen before, but maybe a better variation. Todd Stahl: Yeah, absolutely, and the architects, like you were saying, and even in general, I think even though LG makes an applied film. The North American President of, I forgot the gentleman's name, he was in my shop a little over a year ago, and we were working with his film, and then we showed him our LED glass, and he was blown away by it. David: “There goes my business”  Todd Stahl: Well, I think he was like, I'm going to make that too. I don't think he was worried about his business, but that applied film that they had been using, again, from a very long viewing distance, the product looks great. It's not yet ready to be viewed in shorter viewing distances, but the fact that it's applied, I do think that there is something like when you're buying a high-end product, you don't want people to be able to come up and pick it off, and I mean that definitely happens with every piece of film, I think I've ever worked with in my life. The first thing people do is take their fingernails, and they try to scrape the edge of it. It's just something that is instinctual about humans. But I think if you take that film now, I always say, if you put a piece of film on glass, it's just film. Once you laminate that film inside of the glass, you now have a glass product that protects it.  It does what you were saying. It prevents it from being yellowed over time because the inner layer blocks out almost 100 percent of the UV rays. So I think it's a great home for the LED mesh.  David: So does William Penn and Clear Motion Glass, do they operate separately, or are you kind of in the same office, the same building, and everything else, it's just different business cards? Todd Stahl: No, actually, we are in the same overall building complex, but we're not connected physically. So Clear Motion, basically has the equivalent of its own social security number, which down here in the business and for business, the IRS wants us to have EIN numbers for our businesses. So Clear Motion has an EIN number. Will Penn has an EIN number, obviously, but they definitely operate as two companies but obviously very close connections.  David: And you are running both?  Todd Stahl: I am running both right now, and spoiler alert: two's a lot harder to run than one.  David: Yes, I bet. If people want to find you online, they just go to ClearMotionGlass.com?  Todd Stahl: Yeah, that's it. They can find us there. There are some emails there. They can shoot an email to us and we'd love to talk to anybody if this product's right for them we're really excited about it and definitely creating a lot of energy with it. David: Are you at a trade show anytime soon?  Todd Stahl: Yeah, so we're doing Infocomm, I believe. It's the middle of June out in Vegas. Are you going to be there?  David: Yes.  Todd Stahl: Awesome, man. We get to meet in person, then. We'll carve out some time for that, Dave.  David: Absolutely, yeah, and that's a good show for you. There are tons of pro-AV people there. Todd Stahl: Yeah, I love that. That's a new space for us. So we're a little extra excited cause that's definitely not like a glass trade show is.  David: All right. Todd, thank you so much for your time.  Todd Stahl: All right. Yeah. I appreciate it, Dave. It was a pleasure.  

Marian Sandberg Started doing PR for Jack Kelly/Group One in 1996 and barely left the industry since!  Marian has diverse work experience spanning several industries and is currently the Vice President & Market Leader for LDI, DSE, and XLIVE at Questex. Prior to this, Marian worked at Informa from November 2016 to December 2019 as the Content Director for the Live Experience Group, where she was responsible for digital editorial, content strategy, video production, and conference content. Marian also shaped brand marketing strategy and monitored site metrics to optimize practices. Before Informa, Marian was the Editor at Live Design Magazine from February 2004 to November 2016.  Marian also completed the New York Iron Man in September 2023 which is a huge achievement.  This episode sponsored by Roe and Stratum Productions. --- Send in a voice message: https://podcasters.spotify.com/pod/show/geezersofgear/message

As this episode's title states, "the ticking has stopped". That's the time bomb that has been ticking away since Oct 2023. Bomb experts know that just before the explosion, the ticking stops...then BOOM. Viola, here we are. The public has never been so exposed to disaster in the past century, and now all concentrated in just a few names. Listen in and follow along with the charts below and see with your own eyes. It's very late at the party, and only bad things happen from here on. If you want help in setting up an action plan, call us at 640.CALL.DSE (640.225.5373)Here are the charts to follow along:Chart 1: The Magnificent 7https://drive.google.com/file/d/127Fw900Ilii7k5uoVzNX_tHdAEzm21O2/view?usp=sharingChart 2: NOT SINCE 1929https://drive.google.com/file/d/1sW4BXP2Uzm5r9wLnFz4mppuUNJnLOgKJ/view?usp=sharingChart 3: DEFAULTS early in new cyclehttps://drive.google.com/file/d/1z8axlXk9ppd5EpFRo-6FDT6TNNOYYBn6/view?usp=sharingMUST READ REPORT, free from our friends at Elliott Wave International:https://www.elliottwave.com/KenTo learn more, visit:https://dsetrading.com/Listen to more episodes on Mission Matters:https://missionmatters.com/author/ken-goldberg/

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Fourth Season of O Verda Darano! We go Beyond the Caravan, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!Latchi Ratyi Miro Amal, Good Evening Friend, I'm Esma Kallai. See, I told you you'd get lucky one of these days… You caught me in between destinations. Where am I headed? South! In this case, Fantabulous Florida. Surprised? Well, what did you expect? I spend all this time between worlds, I could use a little humidity and ocean breeze. You need to leave the fog to appreciate it, no? But listen, shun mon, I'm making this little trip to visit a friend of mine. The regular cast of creeps I spend time with beyond the known all had something to say about this next excursion. They adevel had to put themselves in my business! But a good friend is a good friend, and I'm not one to deny living in my truth. Neither is he. Who do I speak of? Florian Tacorian, a beacon of truth in a world designed against us. In fact, we live authentically in SPITE of all that crosses our paths. Why? Because we are the forces to be reckoned with, the names whispered that tremble the earth, legends among men…For Florian's videos and other resources, click here: https://linktr.ee/florida.florianMusical Performances:Shalamon, composed by Albert Horvath, was performed by Alex Udvary on cimbalom, Ryan Goldie on guitar, and Pierce Horvath on violinBasav Roma Lavuta's Magyar Roma Notak was performed by George Batyi on violin, Alex Udvary on cimbalom, and Billy Rose on guitarDreaming of You, composed and performed by Pierce HorvathThank you to all our listeners for keeping us going with four amazing seasons within 3 years of frightening fun! Yous are the life-blood of what keeps Dead Scared Ent. going!Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent

Por marcador 2-1, 5-2 en el global, el rebaño se dejó fuera a Forge FC, en la Concacaf Copa de Campeones, y espera rival, el cual puede ser América. ¿Para qué está el equipo de Fernando Gago? Polémico arbitraje dentro del área del futbol de norte y centroamérica. Triunfos para PSG y Lazio en los octavos de final de la UEFA Champions League. La gira de Jaime Lozano por Europa llegó a Santiago Giménez; Ignacio Ambriz fue presentado como entrenador de Santos; ya conocemos los autos de Mercedes y McLaren. Muere Diego 'Puma' Chávez, jugador de Bravos (Q.E.P.D) Se realizó el desfile de los Chiefs. Luis Arraéz perdió arbitraje salarial con Marlins de Miami. Hoy recordamos a Ricardo Rodriguez.

The accompanying three charts included in today's episode point to only one logical conclusion about the next few years of lifestyle in America...PAIN AND SUFFERING for most of us. Tune in as Ken takes only a few minutes to illuminate what history, not himself, but HISTORY shows is set to arrive next on the lifestyle calendar. It's not too late, in fact it's the perfect time to take protective action for your wealth, legacy, family, and perhaps how you'll spend the rest of your life. This is a critical listen, so share it with those you love.If you want help in setting up an action plan, call us at 640.CALL.DSE (640.225.5373)Here are the charts to follow along:Chart 1: Step Away From The HOPIUM...it's going to kill you!https://drive.google.com/file/d/1s5_6MaDfYcoOybXQoqcLAwb8Jh4zl9iL/view?usp=drive_linkChart 2: Peaked Pendulum Proclaims Problemhttps://drive.google.com/file/d/11VgvOV6UCDtPN8_R8mg0lKvriNsPOVin/view?usp=sharingChart 3: 2024 Wellness Checkhttps://drive.google.com/file/d/1M-xupnP_Ue2Yr4rXnzuqkPf903D5ZnT7/view?usp=sharingMUST READ REPORT, free from our friends at Elliott Wave International:https://www.elliottwave.com/KenTo learn more, visit:https://dsetrading.com/Listen to more episodes on Mission Matters:https://missionmatters.com/author/ken-goldberg/

This week on Dark Rhiino Security's Security Confidential podcast, Host Manoj Tandon talks to James Potter. James is an Active Directory veteran with nearly 25 years in the field. A native of Detroit, James started his career at the University of Michigan where at the tender age of 17, he helped U of M develop their computer systems. For the next two decades James earned his stripes in consulting with organizations like Ernst & Young and PwC before founding his own company, DSE, in 2019. At DSE, James leads a dynamic group of architects, engineers, and SMEs who help large international organizations secure and modernize their AD infrastructure. He currently resides in the Pacific Northwest where—like a true son of Michigan—he restores old cars in his spare time.     00:00 Introduction 00:18 Our Guest 01:11 Starting in Active Directory 06:29 Has the security changed on a Jet Database? 08:06 The 3 tiers of security 11:44 What should SMBs do? Compliance vs Security 13:12 When you're small, you're the easiest target 16:40 Biggest risks that organizations face 20:02 Why do we still have Active Directory? 23:40 Foundational things that you should be doing 26:44 Escalation of Privileges  29:55 Asset Inventory: how do you control anything if you don't know what you have? 40:47 Mergers and acquisitions 43:50 DSE and Connecting with James

James Potter, CEO of DSE, joins us in the studio for great conversation and exclusive insight on Reputational Harm from Data Breaches, Cybersecurity Reputation Management and Operational Leadership. Find more on DSE here: https://www.dse.team/ Topics discussed:•           Target Breach & Surprises most don't know about•           Data Breach Consequences•           Reputational Damage Cybersecurity•           Data Breach Fallout•           Online Reputation After Data Breach•           Brand Image After Data BreachTry KiteWorks today at www.KiteWorks.comVideo Explanation Get Aura today! Complete Online Safety from friends at Cyber Threat Group. Watch Video Episodes! And Please...Subscribe to our YouTube Channel. Want to help us out? Leave us a 5-Star review on Apple Podcast Reviews. Submit Your Questions Direct and Find out more www.CyberCrimeJunkies.com Stay up-to-date on Cybersecurity with VIGILANCE Newsletter. Want Gear? We love our Small Business Sponsor, BlushingIntrovert.com. has it all. Women's clothing, cool accessories supporting Mental Health Research. https://blushingintrovert.com

光明頂. 2024 02 01 - 逾七十海外院校未試DSE資歷？ DSE有機會取代內地考生應考國際試 馮智政 嘉賓 楊穎宇

光明頂. 2024 01 26 - 反駁隊唔易做 海外大學不承認DSE不成問題 擁抱大灣區大學 陶傑 馮智政

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Third Season of O Verda Darano! We go Beyond the Caravan this season, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!Hurry, hurry! Bundle up! Watch your step, the caravan is rather slippery when it snows this time of year. Speaking of which, I hope you and I are good company for each other. The annual sickness of hollies and jollies has yet again befallen the world- and even the next! All this merriment is just too, too much. It's even affected me! I just lined the outside of my verda with lights and garland. I know, ghastly! I've lost my senses, but I'm glad you're here with me to prowl back to the depths of dread and doom! Tonight, miro amal, we travel to icy, snow-ridden England, centuries ago, to a man just wrapping up his practice as a physician for the cold evening- yet not until he tends to one last patient... But, before that, there are TWO GHOULS who are clawing and gnashing their fangs to speak with us. I hope you brought them presents…The story read on this episode is "The Ghost's Summons" by Ada BuissonBe prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent

On this episode of The Cybersecurity Defenders Podcast, we have a detailed conversation with James Potter, founder of DSE, about Active Directory.James boasts over two decades of expertise in Active Directory security, serving as a trusted consultant for major companies. His focus is on fortifying security measures and devising strategies to strengthen critical systems. He's collaborated with diverse teams, identifying vulnerabilities and implementing robust security measures while balancing cost, usability, and security for each client's specific needs.Beyond consultancy, James proudly leads a team at DSE, providing cutting-edge security solutions to global corporations. Actively engaging in the security community, he shares insights through conferences, publications, and forums, emphasizing continuous learning and innovation to counter evolving threats.His passion lies in aiding organizations to navigate the dynamic threat landscape, ensuring resilient security frameworks and efficient business objectives. Whether crafting secure Active Directory environments, conducting assessments, or delivering tailored training, James's dedication ensures exceptional results surpassing client expectations.James can be found on LinkedIn here: James Potter

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Third Season of O Verda Darano! We go Beyond the Caravan this season, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!I'm so glad you've decided to join me on this journey. It's always a pleasure when there's company on my caravan. If you're all settled in, we'll head for our destination. We're going to the heart of Downtown Chicago to a building nestled among the many highrises and spectacles. Hard to believe that horror and thrills can reside among the steel and concrete, no? But amal, that's just it. Tonight we visit a non-believer, a man of logic. Although a creative in his own rights, Carlos Medina of Done by Design doesn't allow his imagination to get the best of him. Spooks and specters? Ha! Not for him. Yet, as you'll hear, he doesn't deny the unexplainable. What manner of unknowns do we speak of? Av mansa, come with me, back to a crisp Chicago October high above the bustling streets to a dimly lit office space. Let's see if we can turn you into a believer tonight… If you'd to learn more about Done by Design, head on over here: https://www.donebydesign.org/Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent

The Digital Signage Experience (DSE) is less than two weeks away, and, again, it will be co-located with the LDI Show. The industry's only exclusively digital signage show, DSE includes both a two-day exhibit hall and an educational component. DSE's David Drain joined me on my latest videocast to talk about the event — after watching, consider registering here. (P.S. code “rAVe,” and you can gain entry into both LDI and DSE for free.)

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Third Season of O Verda Darano! We go Beyond the Caravan this season, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!The Witching Hour has finally fallen upon us. The veil between dimensions is at its thinnest and the air is filled with the frenzy of the unknown. Take it all in with a deep breath amal, it's Halloween! The one night of the year we cherish. Candles flicker in Jack O' Lanterned porches. Ghosts sway with the breeze on trees. Spiderwebs glisten with the dew of the morning after the blackest of nights. A festival of splendor I'd say. Appreciated by young and old. Our next guest is one of the many that take part in the festivities, but draws a line in the sand after a point. That point is the line of demarcation between the fun and fancy free frolics of the orange autumnal jubilee and the cold, endless recesses of blackness, haunted by the spirits and entities our feeble minds cannot comprehend. Don't worry though, I saved you a seat, right next to me, so we can visit her and listen to her tales of terror on this our favorite day of the year. Are you frightened? You should be…Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent 

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Third Season of O Verda Darano! We go Beyond the Caravan this season, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!Latchi Ratyi miro amal, Good evening friend, I'm Esma Kallai. Correct me if I'm wrong, but I don't take you for the hesitant type. If you're friends with me, you know we move head-on into the fray. Danger to us is like brains to the zombie- or a good pair of kamashi on sale! In some ways, life isn't worth living if we don't stray from the straight and narrow path into the unknown, even the esoteric at times. Isn't that what makes being scared just so satisfying? I know we think so! But, our friend tonight, Ray Martinez of Done by Design, has his limits. Like any red-blooded human in these modern times, he enjoys a good horror picture. Can't get enough of ‘em. But it's when the scares become reality, when you can't change the channel and walk away,that's when his line is drawn. When was the line drawn for him? Well, in our usual fashion, it's time to journey into the world of the fantastic, the world of fear- and there's a seat right next to me on this verda amal. Are you all settled in? …Good. Because it's time to find out…If you'd to learn more about Done by Design, head on over here: https://www.donebydesign.org/Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent 

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Third Season of O Verda Darano! We go Beyond the Caravan this season, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!Latchi Ratyi Miro Amal, Good Evening Friend, I'm Esma Kallai.  If you know me, you know I rarely stay in one place for long. The reason? Simple. There's so much in this world, the next, and the many thereafter that makes existence worth exploring. But, throughout the many journeys I have taken, I find there are things, things and people, that connect them all together. It takes on the likeness of an ethereal spider web, glistening in between the stitches of each world and the next. This world you inhabit amal, happens to have its strongest ties between mortal souls. Alive… and dead. Be it blood, tears, history; I find that there are bonds between man that cannot be explained. Bonds of friendship. Bonds of horror. Tonight, Jezmina von Thiele and Paulina Stevens, the Romane Titans that make up the Romanistan Podcast, sit side by side with us in our Verda Darano as well travel to places and people where fear lives within. There's no turning back, the bonds are molded, your fate is sealed!!Interested in hearing our episode on The Romanistan Podcast? Listen here if you dare: https://www.romanistanpodcast.com/podcast-1/episode/7dd48f5e/spooky-stories-x-o-verda-darano-crossoverBe prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent  

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Third Season of O Verda Darano! We go Beyond the Caravan this season, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!Latchi Ratyi Miro Amal. Good Evening friend, I'm Esma Kallai. My caravan has taken us from coast to coast and to worlds beyond and back. Each journey colored by its own shade of shadows. Yet each of these shadows, adorned in fables and lore, can be deemed mere hallucinations by some. Figments of an overactive mind, riddled with fears and folktales. But reality, true reality, the reality we inhabit amal, is more petrifying than we can think. What do you fear when you have conquered the Boogeyman? Man. The people among us and their ability to rob us of our naivety. Tonight, we visit our friend Sharon Peterson of Incredible Bats to hear her ventures in the truth, both inspiring and horrifying. Do you dare to hear what lurks behind the truth? Here's a hint: her many bats and creepy creatures are the least of your worries… Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent  

Latchi Ratyi Miro Amal, Good Evening Friend! You're listening to the Third Season of O Verda Darano! We go Beyond the Caravan this season, visiting fiends from around the country and globe, Roma and Gadje alike. We'll talk with businesses, wildlife efforts, and true characters that will surely entrance your ears with each passing minute!Latchi Ratyi Miro Amal. Good Evening friend, I'm Esma Kallai. I'm ever thrilled to see you here for tonight's journey. It seems like ages since we've crossed paths. But come along, the moon is high and the trees stir. Is it goblins? No. Ghouls? Nem. Spirits? Nothing of the sort amal! Tonight, we go beyond my caravan of fears, and head to Austin Texas to pay a visit to some of our companions of the twilight. There's no rush, they just so happen to be “hanging around”... as will we be when we speak with Hilary Pelham and Alexandria Haynes of the Austin Bat Refuge. Oh come-come, don't tell me you're afraid of bats? Shun man, listen to me. Take a deep breath, muster up your courage, and open your mind and heart. You'll find tonight will never leave you the same…Be prepared to travel to places and dimensions not suited for man or beast! Dead Scared Entertainment brings you fear you can hear! A brand-new concoction of Roma storytelling through a broadcast-style podcast.Click on our Linktree to stay connected with all things DSE: https://linktr.ee/deadscaredent  

Deion Sanders and the Colorado Buffaloes upset TCU and that impact on college football. NFL Season Previews - who does Tim and Jeff have in the playoffs and the Super Bowl? NFL Week 1 Preview - EVERY GAMEWE are sponsored by BetOnline! Claim your welcome bonus - use my special link https://promotions.betonline.ag/DSE-109320 to save 50% on your first deposit up to $1,000.

Carleen Matthews is an early adopter to both CrossFit and our DØSE program. Carleen is a mother, affiliate owner, Games athlete and a person who "wants in" on all things mindset. She shares her beginnings of CrossFit, after becoming sober in 2010, and her journey to and through competing at the CrossFit Games. We dig into the delicate line between being committed to the training process and what can easily become obsessive behavior and how she has used 'mindset' in getting to know her WHO. Carleen will be partaking in The Big Fish fundraising event June 9th that will last 30 hours to support veterans along with some of our other BTE friends Vincent Ruiz and Street Parking founders Miranda and Julian Alcaraz.@TeamCarleen@crossfit-st-helens@bigfish_foundationDONATE HERE - Please consider supporting Carleen's fundraising effortsIf you'd like to support the show financially, please consider these options:1. Sign up for DØSE for only $9.99/mo or $99/year2. Buy a t-shirt and rep BTE!Please subscribe, review, and share if you find this valuable.

If there was ever a CrossFit OG, Karl Steadman is it. Karl discovered CrossFit in 2003 and was immediately drawn to its counter-culture 'alternative' approach to not fitness but more importantly, a 'career' path. With curiosity and novelty driving his pursuits, Karl has dedicated his professional life to sharing the impacts of CrossFit with others. He has been an affiliate owner, has delivered over 400 CrossFit seminars, and now is the UK affiliate liaison for CrossFit HQ. In this episode we hear about his experience with the Dose, his relationship to 'doing hard things', and how he navigates fitness today. With 20 years under his belt, Karl continues to evolve and shares what 'getting better' looks like for him.Karl is on Instagram @KarlSteadman Want to do the DØSE workout Karl shares his experience with?! Head to btwntheears.com for your FREE DØSE.Please subscribe, review, and share if you find this valuable.If you'd like to support the show financially, please consider these options:1. Sign up for DØSE for only $9.99/mo or $99/year2. Buy a t-shirt and rep BTE!

Miranda and Julian started their company, Street Parking in 2016 after establishing themselves in the CrossFit community in their respective roles. Miranda as a Flowmaster for CrossFit seminar staff and CrossFit Games athlete, and Julian as a CrossFit Games athlete. Their story of building the Street Parking community and the commitment to building it, alongside their family and tight-knit staff, is inspiring to say the least. These leaders embrace authenticity, hard work and vulnerability in their work, their family and their relationship with fitness.Check out the Miranda at @fearlessmirandaJulian at @009julianStreet Parking @streetparking Sign up for the DØSE to immerse yourself in the experiences we dive into with our guests or visit our website for more.Please leave a review and share the Between the Ears Podcast if you find it valuable!