Podcasts about linn records

The pianist Samson Tsoy makes his solo debut on record with an album for Linn, 'Inmost Heart'. Built around Brahms's Variations and Fugue on a Theme by Handel, the programme explores Brahms's fascination with the Baroque, but also how his music was later transcribed by Reger and Busoni.  This Gramophone Podcast is given in association with Wigmore Hall  James Jolly visited Samson at his North London home to talk about the new album, his journey from Kazakhstan to London via Moscow, and how he plans to incorporate music from the album into his concert programmes.

For this week's Gramophone Podcast, Editor Martin Cullingford is joined by soprano Nardus Williams and Director of the Dunedin Consort John Butt to talk about their new album exploring the music Handel wrote during his years in Rome, a young composer still in the early stages of his creativity. 'Handel in Rome' is released on Linn Records, and available now. 

Die Walliser Sopranistin ist auf den grossen Opernbühnen Europas aufgetreten, unter anderem in Paris, Wien, Mailand und Zürich. Vor einem Jahr gab sie ihren Rücktritt bekannt und dieses Wochenende gibt sie ihr Abschiedskonzert im Musikdorf Ernen. [01:15] Aktuell: - Die Schweizer Grande Dame des Jazzklaviers, Irène Schweizer, ist letzten Dienstag im Alter von 83 Jahren nach langer Krankheit verstorben. Eine Hommage. - "Der Freischütz" von Carl Maria von Weber ist nun während zwei Sommern im winterlichen Kleid auf der Seebühne in Bregenz zu sehen. Die Premierenkritik. [13:00] Talk: Rachel Harnisch über ihre Gesangskarriere und ihren Abschied von der Bühne. [33:00] Neuerscheinungen: - "Tempus omnia vincit" (Purcell, Schubert, Desprez), Protean Quartet; Linn Records 2024. - Hindemith/Schnittke, Orchestra della Svizzera italiana, Markus Poschner, Anna Gourari (Klavier); ECM 2024. [51:00] Swiss Corner: - Auch das zweitgrösste Sommer-Klassikfestival der Schweiz, das Verbier Festival in den Unterwalliser Alpen, ist nun eröffnet. Mahler, Mozart und sehr viel Klaviermusik gibt es unter anderem in der Bergwelt von Verbier zu hören.

Hattie Butterworth meets soprano Sophie Bevan ahead of her appearance at the First Night of the Proms. Moving through Sophie's early life and career, they speak about her experience navigating a diagnosis of bowel cancer, the importance of her faith and family, and what she wishes audiences knew about the life of a singer.  Music included in the epsiode: 'Take the Heart' from Jephtha Act I, Scene 3: George Friderich Handel · The Sixteen · Harry Christophers on CORO (2014) 'Perché, se tanti siete' from Scena di Berenic on Perfido!  · Sophie Bevan · Franz Joseph Haydn · Ian Page · Classical Opera / The Mozartists on Signum Classics (2017) 'Ferma l'ali' from Pt. 1 Scene 2 from Handel's La Resurrezione · The English Concert · Harry Bicket · Sophie Bevan on Linn Records (2023) 'Beati Quorum Via' by Charles Villiers Stanford from Vidi Speciosam: Sacred Choral Music · Graham Ross · The Bevan Family Consort  on Signum Records (2023)    

Camilla Harris is a British soprano, fast establishing herself in the opera world. Camilla and I were at university together, so it was lovely to meet her in March at her house in London and talk to her after a long time. Among the topics we talked about included: Camilla's journey into music, the importance of her training as a chorister, training at college and during the COVID-19 pandemic, recital programmes (including Camilla's debut recital disc Chère Nuit available on Linn Records), favourite composers, and taking recordings with a pinch of salt. Camilla is currently singing the role of Helena in Britten's opera A Midsummer Night's Dream at Garsington Opera. She'll be reprising the role in a performance at the BBC Proms in September and with Opera North in the autumn. - https://www.camillaharrissoprano.com

Title: Miss Baptist Tracks: Niccolo Pasquili: Nymphs of the Springs Artist: sung by Rachel Redmond, with Peter Whelan & Irish Baroque Orchestra. Publisher: ℗ 2024 Linn Records

durée : 00:09:16 - Kuniko Plays Reich II - Le disque contemporain de la semaine est celui de Kuniko sorti ce vendredi 26 avril 2024 chez Linn Records, un nouveau disque autour de la musique de Steve Reich.

「加藤訓子によるライヒ第3弾『kuniko plays reich II』、LINN Recordsより4/26発売」　世界的パーカッショニスト・加藤訓子の最新アルバム『kuniko plays reich II』が、4月26日にLINN Recordsより発売される。SACDハイブリッド盤で価格はオープン。国内ディストリビューションはナクソス・ジャパンが担当する。

For his tenth album of music for trumpet and piano in the ‘re-imagined' series for Linn, Jonathan Freeman-Attwood has turned to a composer right at the centre of the period he's most associated with, the Baroque – and George Frideric Handel. ‘Handel for Trumpet' features transcriptions of arias as well as theoretical ‘sonatas', created from concertos and other works. As well as being a contributor to Gramophone, Jonathan is also Principal of the Royal Academy of Music, a record producer, teacher – and trumpeter. Gramophone's James Jolly spoke to him about the new album, how he maintains his technique amid a busy schedule and how being a recorded musician helps his role as the leader of one of the world's great music conservatories.

American born, Scotland based conductor Kellen Gray chats about the second album in his African American Voices series from Linn Records. Re-teaming with the Scottish National Orchestra, Kellen leads the first commercial recordings of landmark works by Margaret Bonds, Ulysses Kay, and Coleridge Taylor Perkinson.

American born, Scotland based conductor Kellen Gray chats about the second album in his African American Voices series from Linn Records. Re-teaming with the Scottish National Orchestra, Kellen leads the first commercial recordings of landmark works by Margaret Bonds, Ulysses Kay, and Coleridge Taylor Perkinson.

durée : 00:15:03 - Eros: Bridge, Grime, Eröd & Ginastera - Mithras Trio - Pour son premier enregistrement chez Linn Records, le Mithras Trio s'est lancé dans un programme mettant à l'honneur les œuvres de Bridge, Grime, Eröd et Ginastera

Title: Messiah in Dublin Tracks: Messiah, Pt. 2: 41. Soli and Chorus "How Beautiful Are the Feet" Artist: Dunedin Consort & John Butt Publisher: ℗ 2006 Linn Records

Title: Messiah in Dublin Track: Messiah, Pt. 2: 41. Soli and Chorus "How Beautiful Are the Feet" Artist: Dunedin Consort & John Butt Publisher: ℗ 2006 Linn Records

durée : 00:12:20 - Le disque contemporain de la semaine du dimanche 29 octobre 2023 - Cette semaine le disque contemporain est celui du quatuor de saxophones Kebyart. "Traum der Jugend" est paru le 29 septembre 2023, il y a un mois pile chez Linn Records. Au programme, Jörg Widmann, Mendelssohn, Bach !

Voyage Intime - Intiimne teekond on sopran Sandrine Piau ja pianist David Kadouchi esimene ühine salvestus.

durée : 01:29:17 - En pistes ! du lundi 14 novembre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous ouvrons la semaine avec le nouvel enregistrement commun de Martha Argerich et Renaud Capuçon consacré à la musique de Beethoven, Schumann et Franck. Nous écouterons également le dernier disque du Marian Consort paru chez Linn Records. En Pistes !

The music played at mass can often become a lightning rod for disagreements. What instruments are most appropriate? Are hymns necessary? How do we navigate conflict? Archbishop Richard Smith is joined again by Roderick Bryce in tackling these practical questions on Sacred Music!Roderick Bryce is the Music Director at St. Joseph Basilica. Hailing from Edinburgh, Scotland, Roderick relocated to Stettler, Alberta with his family in July 2013. In Scotland he was in great demand as a baritone, teacher, vocal coach and choral director. As a singer, he is broadcast often on BBC Radio 4 and regularly sang with Cappella Nova, recording music by James Macmillan on Linn Records. Also on Linn Records, he has recorded Bach's Matthäus-Passion and sung across Scotland, Northern Ireland and France with the Dunedin Consort. He has appeared with Masaaki Suzuki's Bach Collegium Japan at the Edinburgh International Festival. Roderick was director of the Scottish Chamber Choir; founder and director of Sospiro Baroque and former choirmaster of St Mary's Metropolitan Cathedral, Edinburgh. In addition to a busy private teaching practice, he also taught singing for City of Edinburgh Council, Loretto School and Fettes College.The Graduale Simplex:https://media.musicasacra.com/books/graduale_simplex.pdfSubmit your question for the Archbishop at the link below using the SpeakPipe widget:www.caedm.ca/upfrontUpfront with the Archbishop is a weekly podcast seeking to bridge the gap between the hierarchy and the faithful by discussing the beauty, truth, and challenges of our Catholic faith. The podcast features our host Jenny Connelly, as well as Archbishop Richard Smith, of the Catholic Archdiocese of Edmonton Alberta.Produced by Matthew Bodnarek

What music is appropriate for mass? Is there a right and a wrong to what songs and styles get played? Roderick Bryce joins us so that we can dive deep into what the Church teaches us about sacred music, and what makes it so sacred any way. In this part 1 of our discussion we get into the official teaching and principals, and it part 2 (to be released in a couple weeks) we go in to the practical questions.Roderick Bryce is the Music Director at St. Joseph Basilica. Hailing from Edinburgh, Scotland, Roderick relocated to Stettler, Alberta with his family in July 2013. In Scotland he was in great demand as a baritone, teacher, vocal coach and choral director. As a singer, he is broadcast often on BBC Radio 4 and regularly sang with Cappella Nova, recording music by James Macmillan on Linn Records. Also on Linn Records, he has recorded Bach's Matthäus-Passion and sung across Scotland, Northern Ireland and France with the Dunedin Consort. He has appeared with Masaaki Suzuki's Bach Collegium Japan at the Edinburgh International Festival. Roderick was director of the Scottish Chamber Choir; founder and director of Sospiro Baroque and former choirmaster of St Mary's Metropolitan Cathedral, Edinburgh. In addition to a busy private teaching practice, he also taught singing for City of Edinburgh Council, Loretto School and Fettes College.Submit your question for the Archbishop at the link below using the SpeakPipe widget:www.caedm.ca/upfrontUpfront with the Archbishop is a weekly podcast seeking to bridge the gap between the hierarchy and the faithful by discussing the beauty, truth, and challenges of our Catholic faith. The podcast features our host Jenny Connelly, as well as Archbishop Richard Smith, of the Catholic Archdiocese of Edmonton Alberta.Produced by Matthew Bodnarek

In this episode, Davina reviews two newly released albums hot off the press:  Handel's 'La Resurrezione' by The English Concert and 'John Wilbye – Draw on Sweet Night ' by I Fagiolini and Robert Hollingworth. The English Concert and Harry Bicket's acclaimed concert cycle of Handel operas and oratorios continues with its second release on Linn, following Handel's Rodelinda last year. La Resurrezione, composed by Handel in his mid-twenties, and first performed on Easter Sunday in 1708, marked the climax of Handel's time in Rome. The work details the events between and during Good Friday and Easter Sunday. This new album features some of today's finest voices including Lucy Crowe, Iestyn Davies, Sophie Bevan, Ashley Riches and Hugo Hymas. Davina is joined in The Classical Corner by Iestyn and Lucy to talk about their favourite arias, Handel's operatic writing and the process of recording the album.   To welcome the spring, I Fagiolini has put aside its beloved Monteverdi to uncover its own national heritage: the best of John Wilbye's classic Golden Age madrigals. The album marks the first specific recording of Wilbye's Madrigals released since the 1980s.  The album covers a central part of English choral culture that has been strangely out of fashion for so long, sung by a group that has matured into the repertoire. The plangent dissonance of ‘Draw on, sweet night' and ‘Weep, weep, mine eyes' evoke English melancholy, while ‘Sweet honeysucking bees' and ‘Adieu, sweet Amaryllis' are such sheer pleasure to sing that many listeners will scrabble to unearth old scores. Davina chats to Robert about how this new album came about, the choice of repertoire and the sheer delight of listening to and singing English madrigals. With special thanks to Linn Records and Coro for the use of these beautiful recordings. All the recordings discussed in this episode of The Classical Corner can be found in the Spotify playlist here: https://open.spotify.com/playlist/7wbunpPpFKH36KIys8OF2D?si=996cd75080bb4997

In this episode, we chat with flutist Stephen Clark about his journey from orchestral musician, to soloist, to DMA student at the University of Alabama. He shares his insights on the differences between conducting yourself as a student vs. professional, as well as the differences between academia / the music industries of the UK and the US. We thoroughly enjoyed his stories and musings on his unconventional path! - Recipient of the 2016 Sir James Galway Rising Star Award and 1st Prize winner of the 2018 IMKA Music Competition and the 2018 Alexander & Buono International Flute Competition, Stephen Clark gives more than 150 performances each year across all 7 continents and made his New York recital debut at Carnegie Hall in 2018. Born in Glasgow, Scotland, he studied at the Royal Conservatoire of Scotland, Royal Northern College of Music and in Switzerland and America with Sir James Galway. Regularly invited to perform at flute festivals, he has given solo recitals at both the Conventions of the British Flute Society and the National Flute Association of America and the Sir James Galway Flute Festival in Switzerland. Solo engagements have taken him to over 120 countries including the United Kingdom, Ireland, Italy, Turkey, Israel, Finland, Canada, Latvia, Estonia, Russia, Croatia, Thailand, Germany, Netherlands, Argentina, Mexico, Chile, Egypt, China, Libya, Malta, Poland, Lithuania, Japan, Australia, Belgium, France, Dubai, Abu Dhabi, Oman, Jordan, New Zealand, South Africa, Hong Kong, Indonesia, Seychelles, Maldives, Malaysia, Brazil, Norway, Iceland, Korea, Peru, Vietnam, Greece, Slovenia and the U.S.A. He has also performed as solo flute player alongside several popular music artists including Annie Lennox, Andrea Bocelli and pop band McFly. Stephen has recorded for Classic FM, Amadeus, Linn Records and for the Naxos label and broadcast live on Northern Ireland's 7FM and BBC Radio 3. He has released 2 solo albums on the Voyage Record Label. In 2015, Stephen was accepted into the Recording Academy of America and is now a voting member in the Grammys. Stephen has appeared on screen as the flute player in both the BBC's period drama series "Desperate Romantics" and ITV's feature film "Miss Marple - The Secret of Chimneys". He is author of “The Flute Gym” - a manual for advanced flute players. Stephen is a Yamaha Artist and plays a 14k gold handmade Yamaha flute. --- Support this podcast: https://anchor.fm/creative-baggage/support

We continue the conversation with composer, conductor, teacher, and author Samuel Adler on the occasion of his 90th birthday, featuring his recent album One Lives but Once: A 90th Birthday Celebration from Linn Records, and his recent autobiography Building Bridges With Music: Stories from a Composer's Life from Pendragon Press. Note: due to copyright, musical selections have been edited out of this podcast audio.

Celebrated composer, conductor, teacher, and author Samuel Adler turns 90 this month. Sam joins us for an extended conversation about his life, career, and music – with a focus on the recent album One Lives but Once: A 90th Birthday Celebration from Linn Records, and Sam's recent autobiography Building Bridges With Music: Stories from a Composer's Life from Pendragon Press. Note: due to copyright, musical selections have been edited out of this podcast audio.

INTROWith pianist Greg Kane1min - "Prince is the teacher", and why the 1980s needs more respect. Funk as social commentary.3min - Covering Sign 'O' The Times,  audiophiles, working with jazz musicians and having no fear.5mins30s - Seeing Prince after hours at the Garage in Glasgow.7mins - Near misses with Wendy and Lisa, Bobby McFerrin and Paisley Park.With vocalist Pat Kane10mins - Musical background, jazz heritage, hearing Prince for the first time and the ambition of 1999.13mins30s - the 80s as the era of 'half-punk, half synthesizer'. 15mins - the influence of 1986 album Parade on the band, and its 'majestic landscapes'.17mins - The Family album, Prince's side projects and Eric Leeds ('the best funk saxophonist ever').18mins45s - Sign O The Times: 'his sense of taste, and his choices are incredible'. Prince's phrasing and genius.23mins - Horn riffs and discord in Prince's music, Alphabet street and arrangements in jazz, pop and soul.26mins - the musical work and career of Clare Fischer and Rufusized by Chaka Khan.28mins30s - Prince's solo piano and microphone work, Pat's favourite eras of Prince and reflection on his late career. 32mins30s - Acoustic album The Truth and solo piano album One Nite Alone.33mins30s - Money Don't Matter 2Nite and Diamonds & Pearls (big band version on Bandzilla).35mins - Music as protest, social commentary and rebellion in Prince's music.36mins30s - Prince as the 'link' in African American roots music.37mins30s - Gett Off: "Jazz is the preacher, but funk is the teacher" and the Pharaoh Saunders mode.38mins - Funk like an elephants foot, George Clinton and musical theories.39mins - Creating a zone of freedom for black artists, and The Work.41mins30s - Creating tracks and new songs forming organically at jam sessions.43mins - Memories of musical celebrations at Paisley Park with Prince.45mins - Hoping to work with Quincy Jones at the height of their fame in the 1980s (and recording at Paisley Park).47mins - Jamming with Stevie Wonder and D'Angelo.49mins - Pat asks a Prince fan for thoughts on his untimely death.56mins - Funk revivals, snap bass and Pop Life.58mins - A Prince cover the band are ashamed of! And 80s nights at Butlins.60mins - What question would Pat ask Prince if he were still alive today?

Pendant tout l'été, ce sont quelques moments choisis de notre saison 2019-2020 que nous proposons de réécouter. Aujourd'hui, c'est une nouvelle diffusion de l'entretien que nous avait accordé l'ensemble Barrocotout, c'était en octobre 2019. L'ensemble "Barrocotout" est né à Bruxelles en 2013. "Barrocotout" est un quatuor de musique ancienne constitué de Carlota García au traverso (flûte ancienne); Izana Soria au violon; Edouard Catalan au violoncelle et Ganaël Schneider au clavecin. "Barrocotout", un jeu de mot espagnol francisé, que l'on pourrait traduire par " Baroqueux, toi-même ! " Carlota Garcá et Izana Soria sont nos invitées aujourd'hui. De nationalité espagnole, les deux jeunes femmes sont des amies de longue date, elles ont d'abord étudié leurs instruments modernes en Espagne. C'est à Bruxelles, où elles sont venues étudier la Musique Ancienne (ndlr. respectivement chez Jan De Winne et Mira Glodeanu) qu'elles ont rencontré le continuo de leur quatuor, à savoir le violoncelliste Edouard Catalan et le claveciniste Ganaël Schneider, deux musiciens français. Cette formation flûte, violon, violoncelle et clavecin, qui porte parfois le nom de quatuor "Parisien". "Barrocotout", est un quatuor fixe, qui recherche la cohésion sonore et humaine si chère aux quatuors à cordes. Un objectif poursuivi à la force du travail par ses quatre membres, qui partagent le même sens aigu de la beauté et de la perfection. Un travail récompensé par des prix, mais aussi et surtout par un 1er enregistrement discographique qui paraît en ce moment chez LINN Records. Cet enregistrement est consacré exclusivement à un compositeur belge, né en 1705 à Anvers, c'est Henri-Jacques DE CROES. Ce disque qui porte le titre poétique de "La sonate égarée", nous expliquerons ce titre au cours de notre émission. Cette nouvelle production sera au coeur de notre émission. On y retrouve six Sonates de l'opus 5 de ce compositeur belge. Une musique colorée, chatoyante, subtilement écrite, et défendue avec beaucoup de coeur, de maîtrise et d'intelligence par cet ensemble "Barrocotout". Un ensemble qui respire la joie, l'intelligence, et le talent. Un disque qu'on vous recommande chaleureusement. En seconde partie d'émission, on découvrira un jeune chef d'orchestre russe de 31 ans, il s'appelle Maxim Emelyanichev. Il vient d'enregistrer la 9e Symphonie en Do Majeur, D944 de Schubert, avec l'Orchestre de Chambre d'Ecosse. Une formation dont il est aujourd'hui, le Directeur musical. Un disque lumineux et pétillant paru chez LINN Records. Réalisation et présentation : Laurent GRAULUS

We talk with harpsichordist, conductor, and "general music addict" Richard Egarr, about original performance practice in early music. Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Support The Next Track (https://www.patreon.com/thenexttrack). Guest: Richard Egarr (https://www.intermusica.co.uk/artist/Richard-Egarr) Show notes: Richard Egarr on Harmonia Mundi (http://www.harmoniamundi.com/#!/artists/437) Richard Egarr on Linn Records (https://www.linnrecords.com/artist-richard-egarr) Academy of Ancient Music (https://www.aam.co.uk) Goldberg Variations (https://amzn.to/2VUlcLS) Johann Sebastian Bach's tuning (http://larips.com) How Equal Temperament Ruined Harmony (and Why You Should Care) (https://amzn.to/2VU4Gf0) Schubert: Lebenssturme (Richard Egarr's four-hands Schubert recording) (https://amzn.to/3aOGXB3) Livestream: Richard Egarr & Alexandra Nepomnyashchaya: Quatre-Mains, May 5 (https://www.geelvinck.nl/concerten/livestream-richard-egarr-alexandra-nepomnyashchaya-quatre-mains/) Our next tracks: J. S. Bach: Suites for Violoncello Solo, Anner Bylsma (https://amzn.to/2ygLtew) The Electric Flag: A Long Time Comin' (https://amzn.to/35tmDo0) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast. Special Guest: Richard Egarr.

Een prachtig moment. De vrouwen die in alle vroegte aankomen bij het graf, dat leeg blijkt te zijn. Stilte en intimiteit. Een fluit omrankt deze wonderschone aria. Johann Sebastian Bach Cantate BWV.249, “Oster Oratorium”; aria “Seele, deine Spezereien” Caroline Sampson, sopraan Retrospect Ensemble olv Matthew Halls Linn Records 373 10’49’’

Maxim Emelyanychev joins the Scottish Chamber Orchestra as its new Principal Conductor, an occasion marked by the release, on Linn Records, of a new recording of Schubert's Great C major Symphony. Maxim was in the UK this summer conducting Handel at Glyndebourne and at Covent Garden. Gramophone's James Jolly caught up with him at the Royal Opera House to talk about his new role, his very wide-ranging musical sympathies and his approach to Schubert's last symphony.

We continue the conversation with composer, conductor, teacher, and author Samuel Adler on the occasion of his 90th birthday, featuring his recent album One Lives but Once: A 90th Birthday Celebration from Linn Records, and his recent autobiography Building Bridges With Music: Stories from a Composer's Life from Pendragon Press. Note: due to copyright, musical selections have been edited out of this podcast audio.

Celebrated composer, conductor, teacher, and author Samuel Adler turns 90 this month. Sam joins us for an extended conversation about his life, career, and music – with a focus on the recent album One Lives but Once: A 90th Birthday Celebration from Linn Records, and Sam's recent autobiography Building Bridges With Music: Stories from a Composer's Life from Pendragon Press. Note: due to copyright, musical selections have been edited out of this podcast audio.

In this month's episode, we hear from Dr. John Butt, Gardiner Professor of Music at the University of Glasgow and Director of Edinburgh's Dunedin Consort, about his recorded reconstruction of the 1723 Christmas Day Vespers Service in J.S. Bach's Leipzig. Join us to learn more about the Lutheran Vespers tradition, how Lutherans observed the Advent season and Christmas feast days in 18th-century Germany, and the process of researching and reconstructing an entire church service from several hundred years ago. The album is available from Linn Records in both MP3 and compact disc formats; note that the Linn Records website also includes some free downloadable tracks *not* included on the compact disc. 

Calum Malcolm Has Recorded Some Of The Biggest Names In Music. Hear What He Has To Say About Music, Tech., Education & More. Calum Malcolm is without doubt one of the finest recording engineers/producers in the world today. From his work with "The Blue Nile", to "Fish", Mark Knopfler, Aly Bain, his numerous orchestral recordings and more, Calum's thoughts on the recording industry, technology, education and the future of recording need to be listened to. Podcast Ep 6 – Table Of Contents 1.08 Early introduction to recording. 4.80 The first studio in Edinburgh, Scotland. 8.37 The size and weight of equipment in the sixties. 7.08 Working in a HI-FI shop. 9.18 Starting a degree at the Leeds College of Music. 10.18 The first paid recording sessions. 12.15 Astronomy no more. 16.12 Studying electronics at college. 17.05 The creation of Castle Sound 1974. 21.00 Recording different types of music. 22.50 Thoughts on sound production education courses. 26.37 What sound production trainees need to know. 32.30 Working with Linn Records? 34.50 Working with Stéphane Grappelli. 36.20 Military recordings. 38.40 Neve desks. 42.49 Favorite microphones 43.30 The march of technology and thoughts on early DAWs 50.18 Listening to music. 53.56 The future of audio recording. More About Calum You can find out all about Calum's past and present work at his website Calum Malcolm. Check Out All Our Other Podcasts Check out our podcast page which includes all our podcasts to date with news on up and coming episodes.

The incomparable Barb Jungr sings her own interpretations and covers. Barb Jungr is renowned for her unique vocal style, interpretation of song and radical approach to arrangements. Her acclaimed releases on Linn Records and Naim Label, and "revelatory" live performances have brought her to audiences all around the world. Barb celebrated 2011 by touring the UK extensively with a new Bob Dylan collection, performing the show Girl Talk with Mari Wilson and Gwyneth Herbert, and collaborating with Kuljit Bhamra and Simon Wallace on Durga Rising. The Man In The Long Black Coat – Barb Jungr Sings Bob Dylan was released in May 2011 by Linn Records to excellent reviews. In 2012, Barb worked on and completed her long awaited new release Stockport To Memphis with collaborators Simon Wallace and Jenny Carr. The album is biographical, drawing on Jungr’s north-western upbringing and celebrates elements of her musical and geographic journey. Barb has worked with many of the finest musicians and composers in the UK, has toured all over the world with the British Council in the 1990s, appeared in Australia, toured across Norway and Holland and performs regularly in New York and across the United States. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

Making their debut at this year's Festival, Ensemble Marsyas launch their new CD of Zelenka Sonatas at their concert on Sunday 16 September. We talk to Peter Whelan, founder member and bassoonist with the Ensemble, and give our listeners a taste of some of the beautiful music by Zelenka featured in advance of the concert and CD release, by kind permission of Linn Records. www.linnrecords.com www.ensemblemarsyas.com