Podcast appearances and mentions of Anders Nilsen

On today's episode, I talk to cartoonist Anders Nilsen. Growing up between Minneapolis and the mountains of Northern New Hampshire, Anders is the artist and author of ten books including Big Questions, The End, and Poetry is Useless. His work has been featured in the New York Times, Poetry Magazine, Kramer's Ergot, Pitchfork, The New Yorker and elsewhere. His comics have been translated widely overseas and his painting and drawing have been exhibited internationally. Anders' work has received three Ignatz awards as well as the Lynd Ward Prize for the Graphic Novel and Big Questions was listed as a New York Times Notable Book in 2011. His most recent work Tongues vol. 1 was just published by Pantheon and like everything else he does, it is wonderful! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

Anders Nilsen leder Power, som har 127 butikker og 2 000 ansatte i Norge. På Black Friday forteller han om veien til toppen, det vellykkede skiftet fra Expert til Power, kjedens omdømme, betydningen av god folkeskikk og hvor viktig det er å være tålmodig. Hosted on Acast. See acast.com/privacy for more information.

Chris Roberson and Michael Avon Oeming are teaming up for a new Hellboy miniseries from Dark Horse Comics. Pantheon to publish Tongues by Anders Nilsen. It's Alison Bechdel's birthday.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

di Matteo B. Bianchi | Come ogni estate Copertina viene in vostro soccorso con la puntata super potenziata di consigli per le letture delle vacanze. Non manca però la scoperta di librerie degne di nota, come la nuovissima Lato D di Milano, dedicata ai temi del desiderio e del corpo. E visto che non ne abbiamo mai abbastanza, abbiamo chiesto allo scrittore Alessio Torino di mettere la ciliegina sulla torta, e di darci il suo suggerimento di lettura per le prossime, caldissime settimane.Lista libri citati:DOVEVA ESSERE IL NOSTRO MOMENTO di Eleonora C. Caruso, MondadoriL'AVVELENATORE di Emanuele Altissimo, BompianiLE FORZE DELLA TERRA di Jo Ann Beard, Orville PressTEMEVO DICESSI L'AMORE di Mattia Grigolo, Terra rossaSUPERSEX di Gianni Passavini, Milieu edizioniVETRO, IRONIA E DIO di Anne Carson, CrocettiBLANKETS di Craig Thompson, Rizzoli LizardTHE END di Anders Nilsen, ADDI MIEI GENITORI / TUTTO QUESTO NON TI APPARTIENE di Alexandar Hemon, CrocettiBABA di Mohamed Maalel, AccentoFOTOMODELLA di Elisabetta Valentini, AccentoMarta Santomauro e Giulia Tettamanti della nuova libreria milanese LATO D dedicata al desiderio ci hanno suggerito:FELICI FELICI di Yasmina Reza, AdelphiPER UNA RIVOLUZIONE DEGLI AFFETTI di Brigitte Vasallo, Effequ Infine, Alessio Torino ci ha invitato a recuperare:ACQUA DI MARE di Charles Simmons, Sur

De bor i samme oppgang, er bestevenner, og har samme type arbeidsdynamikk som Karpe. Gutta fra podkasten "Med all respekt" gir deg ultimate søndagstips, snakker om vennskapets opp- og nedsider, og diskuterer kjærligheten. Hør episoden i appen NRK Radio

Fantagraphics-O-Rama: The End by Anders Nilsen, Metax by Antoine Cossé, and Halcyon by Ron Regé Jr., Sandman on NetFlix, Spectreman Heroes #2: Lionmaru by Hiroshi Kanatani and Matt Frank from Antarctic Press, Titan-O-Rama: Bloodborne: Lady of the Lanterns #1 by Cullen Bunn, Piotr Kowalski, and Brad Simpson and Ms. Tree Volume Three: The Cold Dish by Max Allan Collins and Terry Beatty, Curse of the Chosen Volume 1 by Alexis Deacon from Flying Eye Books/Nobrow Press, Echolands by J. H. Williams III and W. Hayden Blackman, and Dave Stewart from Image, Batman: One Bad Day: The Riddler #1, Ant-Man #1, plus a whole mess more!

Olec har, etter 5 år, sluttet på angstdempende medisiner, og prøver å beskrive til sin gode venn hvordan det oppleves. Han beskriver seg selv som en spirrevipp som går fra høyt og lavt. Han har også sett et stjerneskudd, noe som skremmer han. Per har observert en mann han mener har OCD på gata, og snakker om at han mot sin vilje skal bli hundeeier. Vi snakker om det egentlig er så lett å snakke om at man har det vanskelig, og hvorfor sosiale medier ikke er bra for den psykiske helsen. Dagens gjest mener selv at vår podcast har kurert ham. Han er fra nabogaten til Olec, og har etter flere avslag jobbet seg opp til å bli en nydelig komiker, suksessrik musikkprodusent og ha egen podcast. Vi ønsker hjertelig velkommen til den utrolig fine og ærlige Anders Nilsen! Han snakker om hvordan han har brukt et «nei» til sin fordel, hva han mener om det å leve av kultur, hvorfor det er viktig å ta ting personlig og hvordan det var å bli svindlet av Olec(!) i barndommen. Hva gjør ham sint? Hva gjør ham lykkelig? Per kommer også med et konsept han mener Anders bør produsere. Vår gjest har også noen spørsmål tilbake til oss. Velkommen! See acast.com/privacy for privacy and opt-out information.

Anders Nilsen elsker hits og lykkes stort med å produsere de. Christine har nettopp kjøpt sine første krypto og fant endelig noen å snakke med det om. Christine har også hengt seg opp i et musikalsk kjønnsproblem som må løses og spør om Anders kan hjelpe. See acast.com/privacy for privacy and opt-out information.

Ukas gjest er artist, komiker, programleder og produsent Anders Nilsen. Med 7 #1 hits i Norge er han blant våre mest suksessrike produsenter, men sparer han til pensjon? Og føler han ansvar for å pushe norsk musikk fremover? Dette og mer i dagens kritiske kvarter! Hele praten slippes i morgen. See acast.com/privacy for privacy and opt-out information.

SESONGPREMIERE! Vi har besøk av hele Norges Morgan Sulele. Han forteller om hvordan hitlåtene hans blir til, hvordan har han en helt spesiell makt over Anders Nilsen og vi funderer over potensiale til et par nye høytidslåter. I tillegg svipper vi innom hvordan et liv med fortellerstemme ville vært og alle fordelene med å kunne flytte ting med tankekraft. Rett og slett en svært innholdsrik sesongpremiere! Lytt, del & spre kjærleik. Support this show http://supporter.acast.com/enten-eller. See acast.com/privacy for privacy and opt-out information.

Maria Mena & Christine snakker om alt fra hvordan Maria unngår å bli sjalu på andre artister i musikkbransjen til samarbeidet med produsent Anders Nilsen, hva som skjedde i perioden Mena-TV var på sitt mest intense og åpenhet på instagram. Forresten så forteller Maria også at det kommer et nytt album allerede neste år. Litt kortere ventetid enn sist, med andre ord

Alex rejoins Joshua and Joe to run down our roughly 14 favorite books and cartoonists of the 2010s: Eleanor Davis, Rosalie Lightning by Tom Hart, Anders Nilsen, John Hanciewicz, Digger by Ursula Vernon, My Favorite Thing Is Monsters Vol. 1 by Emil Ferris, Marion Fayolle, Frank Santoro, Joe Sacco, the comics journalism of The Nib, My Friend Dahmer by Derf Backderf, Daytripper by Gabriel Ba and Fabio Moon, and Marcelo D'Salete.

Aslak Klever er grunnlegger og CEO i Popular By Demand Management. Han har tidligere jobbet for Universal Music og Emi Music, rappet med Warlocks og Son of Light, og sluttet å drikke.Hør Wolfgang Wee Uncut i SpotifyHør Wolfgang Wee Uncut i Apple PodcastSe Wolfgang Wee Uncut på YoutubeUkentlig Nyhetsbrev (påmelding her) Wolfgang Wee Uncut HjemmesideInstagramFacebookTwitterFor podcast tips, podcast anbefalinger, podtoppen, podcast toppen, podkast og en oversikt over alle episodene med Wolfgang Wee Uncut, besøk https://www.pod-cast.no See acast.com/privacy for privacy and opt-out information.

Aslak Klever er grunnlegger og CEO i Popular By Demand Management. Han har tidligere jobbet for Universal Music og Emi Music, rappet med Warlocks og Son of Light, og sluttet å drikke. See acast.com/privacy for privacy and opt-out information.

Ever found yourself in a room full of people, feeling totally and overwhelmingly alone? Don’t worry — there’s art for that. This week, we take a look at how local artists are exploring the meaning of longing and connection.

We discuss The Dead Eye and the Deep Blue Sea by Vannak Anan Prum, Drawn to Berlin by Ali Fitzgerald, You Can Try Again by Olivia Walch, the collection I Feel Machine, and Tongues #2 by Anders Nilsen.

Drew returns for more tales! What kind of tales you may ask? We're talking tales of loss by Kelsey Wroten, chalice quests by Tim Sievert, and trying to remember by Nate Powell. PLUS there's a chat with cartoonist Anders Nilsen! Listen in to discover: SeerNova Comics The Clandestinauts Crimes Come Again The Source A City Inside Ogre It Looks Back Notes: www.fortheloveofindie.com Email: ftlindie@gmail.com Twitter/Insta: @ftlindie

The firebrand music critic has a new memoir, chronicling the formative time she spent in a gentrifying Chicago in the mid 2000's.

Pastor Kai talks with his son Anders Nilsen (who was recently ordained into the Evangelical Lutheran Church in America) about his journey toward becoming a pastor. Links: Brian McLaren/We Make the Road by Walking brianmclaren.net/books-by-brian-mclaren/#wmr Peace Lutheran Church: www.peacegahanna.org Hosted by Pastor Kai Nilsen Produced and edited by John Huenemann

The last time Anders Nilsen was on the show, we were huddled on a patch of grass out behind the San Diego Convention Center with pedicabs carrying cosplaying show attendees whizzing by, playing top 40 songs at maximum volume. Thankfully, things are much more subdued this time out. The Big Questions artist joined us in New York, during a mini-tour for his new series, Tongues. The first issue of the series arrived over the summer, part of Nilsen’s plan to self-publish it in floppy serial form, with Pantheon collecting the series as a single volume, when all’s said and done. The new series retells the myth of Prometheus, exploring the Titan’s relationship with the eagle tasked with ripping out his regenerated innards every day. The story is an outgrowth of the cartoonist’s 2007 book Dogs and Water, aiming to address some lingering questions about the doomed deity. Nilsen joins us in a pedicab-free office to talk religion, self-publishing and taking the first steps into a new story.

We review The End of the Fucking World by Charles Forsman, Poppies from Iraq by Brigitte Findakly and Lewis Trondheim, and Tongues #1 by Anders Nilsen.

Friend to the show Morgan brings some vegan baby snacks to our test kitchen, to mixed reviews. THEN, Ignatz-winning artist/author Anders Nilsen joins Nicole & Ponyo to talk about Money, Dating, Monkeys, Healthcare, Representation and MORE. He is the author of 8 books, including Big Questions, Don’t Go Where I can’t Follow, and the recent comic, Tongues. 

For this month's episode, we spoke to two artists—musician Scott Ferreter and cartoonist Anders Nilsen. In 2005, Anders suffered the death of his fiancé. In 2013, Scott lost his father. Both artists responded to their grief by creating something—Anders, two books, Scott, a record. We spoke to both of them about how they turned their grieving into something public and what it meant to release that something to the public.  Scott's music can be found at www.deep-pools.com, and Anders' work can be found at http://www.andersbrekhusnilsen.com  

Josh Bayer is coming a teaching class up town, and I’ve just finished work, so find a middle ground, a coffee shop called Ralph’s, bathed in the shadow of nearby Trump Tower. The place came highly recommended online, but there was no mention of the fact that it’s stashed away on the second floor of a Ralph Lauren store. Descent coffee, though. Bayer’s already there when I arrive, poring over comics on a tablet. He’s excited to talk about his work as a comics educator, having just come fresh off a class. His students run a broad spectrum, from upper east side kids to adults in need of a sort of art therapy. A deconstructer by nature, the work has caused the artist to pull the curtain back even further on what goes into making a great comic. The artist’s best known works are exercises in their own right. His Suspect Device anthology made a mission of turning well known comics source material on its head, with postmodern popcultural mashups and collaborations with a broad range of different alternative artists. His latest work, the ongoing All-Time Comics finds the artist paying homage to golden and silver age comics superheroes published by Fantagraphics, an odd destination for the tights and cape crowd. The each issue focuses on a different character, an experiment of sorts of step-by-step word building with a broad range of creative collaborators including the late-Herb Trimpe and covers by the likes of Jaime Hernandez and Anders Nilsen.

Gina Hermansen, Steve Belfield, and Anders Nilsen share their stories from their Immersion Trip to Haiti.

Anders Nilsen with his Father, Kai Nilsen

Thankful by Josh Groban

As has become an annual event, Andy and Derek use their penultimate show of the year to discuss the current volume of Houghton Mifflin Harcourt's The Best American Comics. The series is overseen by Bill Kartalopoulos -- whom the guys interviewed on the show last year -- and this year's collection is edited by novelist Jonathan Lethem. The entries collected in The Best American Comics 2015 represent what both Lethem and Kartalopoulos consider to be the most outstanding comics published between September 1, 2013, and August 31, 2014. The guys begin by highlighting the organization of this year's volume, pointing out that Lethem has retained the topic- or theme-based approach used by Scott McCloud in last year's collection. The editor breaks down his entries into ten different chapter topics, ranging from the self-evident "Storytellers" and "Biopics and Historical Fictions" to more obscurely intriguing groupings such as "Brainworms" and "Raging Her-Moans." The guys are familiar with most of the contributions included this year -- to paraphrase Andy, The Best American Comics volumes just seem to reinforce their tastes in comics-- and many of them have been the subject of previous Comics Alternative reviews and interviews. They comment on the sheer number of entries that are excerpts from longer works, including Roz Chast's Can't We Talk about Something More Pleasant?, Jules Feiffer's Kill My Mother, Farel Dalrymple's The Wrenchies, Gabrielle Bell's The Colombia Diaries, Sept 14-16, Cole Closser's Little Tommy Lost, Matthew Thurber Infomaniacs, Anya Ulinich's Lena Finkle's Magic Barrel, Jim Woodring's Fran, Anya Davidson's School Spirits, and Josh Bayer's Theth. Most of these selections easily stand on their own, but some could have benefited from more content or additional editorial context (examples being the excerpts from Anders Nilsen's Rage of Poseidon and Joe Sacco's The Great War.) Some of the highlights in this year's volume include works by creators that either Derek or Andy have never read before, such as Mat Brinkman and his darkly surreal Cretin Keep on Creep'n Creek, or Gina Wynbrandt and her hilariously self-deprecating Someone Please Have Sex with Me. This is another must-read book for the Two Guys, but their discussion isn't without its disagreements. In good Siskel and Ebert fashion, the guys spar over the nature of the Best American Comics volumes and, specifically, over the curious “Notable Comics” list in the very back of the book. (This is a list of other significant comics published between September 1, 2013, and August 31, 2014, but not making it into the volume proper.) Derek mentions the almost complete absence in this list of any titles reflecting mainstream (in a broad sense) sensibilities -- the one exception to this is Geoff Darrow's Shaolin Cowboy from Dark Horse Comics -- and scratches his head over these choices that come with no permission or copyright obstacles. And he argues that discussing a text by what it is not can actually give a firmer grasp of what it actually is. Andy, on the other hand, is completely OK with the totally subjective approach to anthologies such as this, and he questions Derek's assumptions of the book's readership. The guys also discuss the notion that, in many ways, these selections are also political choices, especially when published by a major trade house such as Houghton Mifflin Harcourt. But these are the kinds of debates that should sound familiar to Comics Alternative listeners, especially when it comes to matters of awards, essential readings, and “Best of” collections. The bottom line, though, is that both Andy and Derek agree that The Best American Comics 2015 is yet another important contribution to our ever-expanding understanding of the medium. “Best” or not, these comics are definitely well worth reading.

In one sense, perhaps Comic Con is the ideal setting for this conversation. It’s a conversation about authenticity, about the unintended artifice of a sketchbook created for public consumption. By all other measures, however, it’s completely bizarre. The show occurred a week or so after the release of Ander Nilsen’s new book, Poetry is Useless. A loud and boisterous setting for a low-key artist making low-key art. Nilsen recommended a spot behind the San Diego Convention Center — a small island of grass and shade with pedicabs whizzing by on either side blaring top 40 hits. Even so, it’s a fascinating conversation about the creative process, letting art happen, and the ups and downs of dealing with grief in a public forum. And cosplay, naturally.

Reviews of Poetry Is Useless by Anders Nilsen, Ghetto Brother by Julian Voloj and Claudia Ahlering, and An Entity Observes All Things by Box Brown.

I dag har vi besøk av Stian Blipp og Anders Nilsen som er ute med sin "sommerhit". Lytterne deler sine historier om hvor de har mistet mobilen sin. Sendingen er selvsagt spekket av konkuranser og moro som vanlig

URL: http://robmulder.wordpress.comMegamix by: Rob MulderYear: 2014> Human activity detected… de..tec.ted … de…tec.ted… de.tec.te e d..> Welcome back>> This is about music> This is about dance> This is beat dropping>> Ear popping>>> Non stopping> This is music blending>> Message sending>>> Rules bending> This is the OMNIMIX 2014001. ROB MULDER >> OMNIMIX 2014 BLAST IN002. ED SHEERAN >> SING003. MILKY CHANCE >> STOLEN DANCE004. CLEAN BANDIT FEAT. JESS GLYNNE >> RATHER BE005. AFROJACK FEAT. SPREE WILSON >> THE SPARK006. PARRA FOR CUVA FEAT. ANNE NAKLAB >> WICKED GAMES007. JULIET SIKORA, TUBE & BERGER >> SET IT OFF008. JORIS VOORN >> RINGO009. NICO & VINZ >> AM I WRONG010. ROUTE 94 >> MY LOVE011. KIESZA >> HIDEAWAY012. STORM QUEEN >> LOOK RIGHT THROUGH013. OLIVER HELDENS >> GECKO014. ROBIN THICKE >> FEEL GOOD015. ZHU >> FADED016. KLINGANDE >> JUBEL017. WATERMÄT >> BULLIT018. USHER FEAT. NICKI MINAJ >> SHE CAME TO GIVE IT TO YOU019. STROMAE >> TA FÊTE020. DEEP DISH >> QUINCY021. PITBULL FEAT. JENNIFER LOPEZ & CLAUDIA LEITTE >> WE ARE ONE (OLE OLA)022. TIËSTO FEAT> MATTHEW KOMA >> WASTED023. ADAM BEYER & IDA ENGBERG >> UNANSWERED QUESTION024. MOBY FEAT. DAMIEN JURADO >> ALMOST HOME025. MIKE MAGO & DRAGONETTE >> OUTLINES026. HARDWEL FEAT. MATTHEW KOMA >> DARE YOU027. JOEL FLETCHER & UBERJAK’D FEAT. CHRIS GAMBLE >> JETFUEL028. BORGEOUS >> INVINCIBLE029. OLIVER $ & JIMI JULES >> PUSHING ON030. HENRY KRINKLE >> STAY031. SHARON DOORSON >> RUN RUN032. MAKO FEAT. ANGEL TAYLOR >> BEAM033. DANNIC FEAT. BRIGHT LIGHTS >> DEAR LIFE034. SIDNEY SAMSON FEAT. EVA SIMONS >> CELEBRATE THE RAIN035. SANDER VAN DOORN >> NEON036. AVICII FEAT> SALEM AL FAKIR >> YOU MAKE ME037. DR. KUCHO & GREGOR SALTO >> CAN’T STOP PLAYING038. OLIVER HELDENS >> KOALA039. CAZZETTE FEAT. TERRI B. >> BLIND HEART040. IGGY AZALEA FEAT. RITA ORA >> BLACK WIDOW (OLIVER TWIZT REMIX)041. TRAUM:A >> SUNNY042. FAUL & WAD AD VS. PNAU >> CHANGES043. KATY PERRY FEAT. JUICY J >> DARK HORSE044. CHOCOLATE PUMA FEAT. KRIS KISS >> STEP BACK045. DAVID GUETTA, SHOWTEK FEAT. VASSY >> BAD046. DEORRO >> YEE047. OTTO KNOWS >> PARACHUTE048. PITBULL FEAT. JOHN RYAN >> FIREBALL049. SHADOW CHILD FEAT. DOORLY >> PIANO WEAPON050. CALVIN HARRIS FEAT. JOHN NEWMAN >> BLAME051. SICK INDIVIDUALS & AXWELL FEAT. TAYLR RENEE >> I AM052. MARTIN GARRIX & JAY HARDWAY >> WIZARD053. R3HAB, NERVO UMMET OZCAN >> REVOLUTION054. MARCO V. FEAT. MARUJA RETANA >> WAITING (FOR THE END)055. THE CHAINSMOKERS >> #SELFIE056. MAGIC! >> RUDE (ZEDD REMIX)057. THE MAGICIAN FEAT. OLLY ALEXANDER FROM YEARS & YEARS >> SUNLIGHT058. SIA >> CHANDELIER059. CALVIN HARRIS & ALESSO FEAT. HURTS >> UNDER CONTROL060. BASSJACKERS >> SAVIOR061. MARTIN GARRIX & MOTI >> VIRUS (HOW ABOUT NOW)062. TJR FEAT. DANCES WITH WHITE GIRLS >> ASS HYPNOTIZED063. MOTI >> DON’T GO LOSE IT064. QUINTINO & MOTI FEAT.TAYLR RENEE >> DYNAMITE065. DAVID GUETTA FEAT. SAM MARTIN >> LOVERS ON THE SUN066. FIREBEATZ & KSHMR FEAT. LUCIANA >> NO HEROES067. DUBVISION FEAT. FIREBEATZ >> ROCKIN068. WAZE & ODYSSEY VS. R. KELLY >> BUMP & GRIND 2014069. TIMMY TRUMPET AND SAVAGE >> FREAKS070. HARDWELL FEAT. CHRIS JONES >> YOUNG AGAIN071. ARMIN VAN BUUREN >> PING PONG072. W&W & HEADHUNTERZ >> WE CONTROL THE SOUND073. NICKI MINAJ >> ANACONDA074. R3HAB & TREVOR GUTHRIE >> SOUNDWAVE075. ARMIN VAN BUUREN >> SAVE MY NIGHT076. CHARLI XCX >> BOOM CLAP077. EDDIE AMADOR >> HOUSE MUSIC (ROBOSONIC REMIX)078. STEVE AOKI, CHRIS LAKE & TUJAMO FEAT. KID INK >> DELIRIOUS (BONELESS)079. ROBIN SCHULZ >> SUN GOES DOWN080. ANDERS NILSEN >> SALSA TEQUILA081. GALANTIS >> RUNAWAY (U & I)082. DON DIABLO >> EDGE OF THE EARTH083. AFROJACK VS. THIRTY SECONDS TO MARS >> DO OR DIE084. SIRENS OF LESBOS >> LONG DAYS, HOT NIGHTS085. PARA ONE >> YOU TOO086. SHOWTEK >> WE LIKE TO PARTY087. BLASTERJAXX >> MYSTICA088. BINGO PLAYERS >> KNOCK YOU OUT089. RUNE RK >> CALABRIA090. ARIANA GRANDE FEAT. ZEDD >> BREAK FREE091. FATBOY SLIM & RIVA STARR FEAT. BEARDYMAN >> EAT, SLEEP, RAVE, REPEAT092. ARMIN VAN BUUREN >> HYSTEREO093. MARTIN GARRIX >> PROXY094. ARONCHUPA >> I’M AN ALBATRAOZ095. SANDER VAN DOORN & OLIVER HELDENS >> THIS096. TIËSTO >> RED LIGHTS097. LAZY RICH & HOT MOUTH >> BONK!098. UMMET OZCAN >> SUPERWAVE099. DADA LIFE >> FREAKS HAVE MORE FUN100. WOLFGANG GARTNER & POPESKA >> WE ARE THE COMPUTERS101. FOX STEVENSON >> SWEETS (SODA POP)102. ROB MULDER >> OMNIMIX 2014 BLAST OUT> With the release of this tenth edition the cycle is completed>> Goodbye…>>> Remember.. music is the one thing that transcends time and space> Shutdown communication servers.. ..http://archive.org/download/RobMulderOmnimix2014/Rob%20%20Mulder%20-%20Omnimix%202014.mp3

In this episode we review It Never Happened Again by Sam Alden, This One Summer by Mariko and Jillian Tamaki, How to Be Happy by Eleanor Davis, God and the Devil at War in the Garden by Anders Nilsen, Demon by Jason Shiga, and How the World Was by Emmanuel Guibert.

What happens when you cross Molly, cocaine, weed and the great outdoors? BEARS!!! Jeremiah and Scott will fill you in on how, as well as introduce you to the great summer hit Salsa Tequila by Anders Nilsen. What else does Lost At Home Podcast have to offer this week? How about bangable iPads, more mystery pooping, how to change your life with a password, and the Open Worm Project. We promise it'll make you happier than Facebook at least.

Rage of Poseidon (Drawn & Quarterly) + Ant Colony (Drawn + Quarterly) Anders Nilsen & Michael DeForge join forces for a can't-miss reading and presentation. Imagine you are Poseidon at the dawn of the twenty-first century. The oceans are dying and sailors have long since stopped paying tribute. They just don't need you anymore. What do you do? Perhaps, seeking answers, you go exploring. Maybe you end up in Wisconsin and discover the pleasures of the iced latte. And then, perhaps, everything goes wrong. Anders Nilsen, the author of Big Questions and Don't Go Where I Can't Follow, explores questions like these in his newest work, a darkly funny meditation on religion and faith with a modern twist. Rage of Poseidon brings all the philosophical depth of Nilsen's earlier work to bear on contemporary society, asking how a twenty-first-century child might respond to being sacrificed on a mountaintop, and probing the role gods like Venus and Bacchus might have in the world of today. Nilsen works in aunique style for these short stories, distilling individual moments in black silhouette on a spare white background. Above all, though, he immerses us seamlessly in a world where gods and humans are more alike than not, forcing us to recognize the humor in our (and their) desperation. In the few short years since he began his pamphlet-size comic book series Lose, Michael DeForge has announced himself as an important new voice in alternative comics. His brash, confident, undulating artwork sent a shock wave through the comics world for its unique, fully formed aesthetic. From its opening pages, Ant Colony immerses the reader in a world that is darkly existential, with false prophets, unjust wars, and corrupt police officers, as it follows the denizens of a black ant colony under attack from the nearby red ants. On the surface, it's the story of this war, the destruction of a civilization, and the ants' all too familiar desire to rebuild. Underneath, though, Ant Colony plumbs the deepest human concerns--loneliness, faith, love, apathy, and more. All of this is done with humor and sensitivity, exposing a world where spiders can wreak unimaginable amounts of havoc with a single gnash of their jaws. Michael DeForge's striking visual sensibility--stark lines, dramatic color choices, and brilliant use of page and panel space--stands out in this volume. Anders Nilsen is an award-winning cartoonist and visual artist. He is the author of several books, including Don't Go Where I Can't Follow and the magnum opus Big Questions, for which he was awarded the 2012 Lynd Ward Graphic Novel Prize by the Pennsylvania Center for the Book and the Ignatz Award, and was nominated for the top prize at the Angouleme International Comics Festival. Nilsen's works have been translated into a number of languages, and he has exhibited his drawing and painting internationally. He lives and works in Minneapolis. Michael DeForge was born in 1987 and grew up in Ottawa, Ontario. After a few years of experimenting with short strips and zines, he created Lose #1, his first full-length comic, which won Best Emerging Talent at the Doug Wright Awards. He has since published a handful of comic books, which have received industry praise and two Eisner Award nominations. His illustrations have been published in The New York Times and Bloomberg View; his comics have appeared in Believer, Maisonneuve, and the Adventure Time comic book series.

This first panel from Brighton directly addresses the overall theme of the conference, Ethics Under Cover. To see images associated with this podcast, go to https://www.graphicmedicine.org/graphic-medicine-podcast-panel-1a-ethics-under-cover/ Susan M. Squier presents “Asomatognosia and Anders Nilsen’s BIG QUESTIONS” Anders Nilsen’s comic BIG QUESTIONS, OR ASOMATOGNOSIA: WHOSE HAND IS IT ANYWAY? (Montreal: Drawn and Quarterly, 2011) uses a medical diagnosis as a metaphor to raise ethical questions about death and life, warfare and nurturance, humans, animals and machines. As Nilson describes this medical condition, in which one is unable to identify parts of one’s own body, “Our hands are the organs we use to manipulate... Read More

Épisode 187: La musique actuelle pour les sourds et malentendants (Dampremy Jack + Terreur graphique), L'ïle au trésor (Stassen+Venayre) et Big questions (Anders Nilsen).

Épisode 187: La musique actuelle pour les sourds et malentendants (Dampremy Jack + Terreur graphique), L'ïle au trésor (Stassen+Venayre) et Big questions (Anders Nilsen).

This week: Richard and Duncan talk with Anders Nilsen. Anders Nilsen was born in northern New Hampshire in 1973. He grew up splitting his time between the mountains of New England and the streets and parks of Minneapolis, Minnesota. He was weaned on a steady diet of comics, stories and art, from Tintin and the X-Men to Raw, Weirdo, punk rock, zines, graffiti and regular trips to art museums. Nilsen studied painting and installation art at the University of New Mexico in Albuquerque, also making comics and zines mostly outside class. In 1999 he started photocopying strips from his sketchbooks, self-publishing them as Big Questions #1 and #2. That same year he moved to Chicago to do graduate work at the School of the Art Institute. In 2000 he turned an artists book he’d done in undergrad into his first properly printed book, The Ballad of the Two Headed Boy, with a grant from the Xeric Foundation. The same year he took advantage of an offset lithography class at the Art Institute to print the third issue of Big Questions, with all original material. In 2000 he dropped out of graduate school to do comics on his own. He received grants from Chicago’s Department of Cultural Affairs to publish the next three issues of Big Questions.Anders’ comics have been translated into a number of languages. He has exhibited his drawing and painting internationally and had his work anthologized in Kramer’s Ergot, Mome, The Yale Anthology of Graphic Fiction, Best American Comics and Best American Non-Required Reading, as well as The Believer, the Chicago Reader and elsewhere. Other titles by Nilsen include Dogs And Water, Don’t Go Where I Can’t Follow, Monologues for the Coming Plague, Monologues for Calculating the Density of Black Holes, and The End #1. Nilsen keeps a blog at themonologuist.blogspot.com where he posts occasional new work, and a website with examples of past work and various illustration he’s done at andersbrekhusnilsen.com. He currently lives with his cat in Chicago, Il.Anders Nilsen also received Ignatz Nominations for Outstanding Artist for Big Questions #7 & #8, Outstanding Series (Big Questions), and Outstanding Comic (Big Questions #7) at the 2006 Small Press Expo. Dogs and Water won an Ignatz for Outstanding Story in 2005, and his graphic memoir Don’t Go Where I Can’t Follow won an Ignatz for Outstanding Graphic Novel in 2007.

Épisode 29 : Helter Skelter de Kyôko Okazari, Scrublands de Joe Daly et Des chiens, de l'eau d'Anders Nilsen.