Podcasts about color science

Welcome to Trilith Institute Talks!     In this episode of Trilith Institute Talks, host Hunter Barcroft discusses the intersection of storytelling and visual effects with guest Austin Baur, a filmmaker with experience in VFX, animation, and color grading. Joined by film students Andres and Baker, the conversation covers practical filmmaking on a budget, the evolution of visual effects technology, and the future of the film industry in terms of smaller, more efficient teams. Austin highlights his career journey from a VFX artist to a director, emphasizing the importance of creativity and decisiveness in the filmmaking process.       Episode Timestamps     00:00 Introduction to Trilith Institute Talks 00:50 Meet the Guests: Austin Baur and Film Students 02:06 Austin Baur's Journey in the Film Industry 05:21 Challenges and Growth in Visual Effects 07:46 Innovative VFX Techniques and Practical Effects 10:12 CT Cantina and Taqueria: A Culinary Experience 22:10 Andres' Thesis Film: Ambitious VFX on a Budget 27:02 Future of Filmmaking: Technology and AI 31:57 Unexpected Career Shift: From VFX to Color Grading 32:46 Challenges of Color Science and Display Technology 33:44 Practical Effects vs. Digital: A Filmmaker's Dilemma 36:12 The Evolution of Visual Effects in Filmmaking 43:25 The Rise of Small Teams in High-Quality Productions 53:31 The Future of Filmmaking: Technology and Collaboration 57:47 Conclusion and Final Thoughts     About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn

Guardian website: Do you see blue or green? This viral test plays with color perceptionColour Literacy Project: ResourcesScience How Stuff Works: Earth's Oldest Color was PinkMartin Bricelj Baraga (cyanometer art installation): CyanometerColor categories in thought and language, edited by C. L. Hardin and Luisa Maffi. Cambridge University Press, New York: 1997Encyclopedia of Color Science and technology (UC Irvine): World Color SurveySpace.com: ParsecSend us a text

In our first episode of the new year, I sit down with Matt Tomlinson, Head of Color Science at Harbor Picture Company, for one of the most engaging discussions I've had in quite some time.In this episode, Matt shares fascinating insights from his work developing image color pipelines for films such as Once Upon a Time in Hollywood and The Irishman. We delve into what it means to be a color (or image) scientist and explore how they empower colorists with adaptable tools, enabling real-time feedback that elevates the creative process in filmmaking.We also discuss the critical role of collaboration in these technical yet creative fields and how platforms like YouTube and TikTok can open unexpected pathways for creatives. Grab your favorite beverage and get ready for a color managed episode of Color & Coffee!Guest Links:IG - https://www.instagram.com/zombiecopninjarobot/Studio Website - https://harborpicturecompany.com/IMDB - https://www.imdb.com/name/nm0866862/Send us a textFlanders Scientific Inc. (FSI)Reference Displays for Editors, Colorists and DITSFlanders Scientific Inc. (FSI)High-Quality Reference Displays for Editors, Colorists and DITSDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Like the show? Leave a review!This episode is brought to you by FSI and PixelToolsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

In this episode of Peeling Back the Truth, we sit down with Colorscience, the pioneers of mineral-based skincare protection, to explore the science behind their unique approach to sun and environmental defense. Join us as we dive into the ingredients that make their products effective yet gentle, the latest research on skin protection, and how Colorscience is helping to revolutionize skincare for all ages and skin types. Our guest shares insights on how mineral sunscreen plays a critical role in skin health, especially when paired with treatments like those offered by Aerolase devices. Plus, learn about the daily habits and lifestyle changes that can maximize your results and keep your skin looking youthful and healthy.

In this episode of For The Record, we're diving deep into the value of Aestheticians in a medical aesthetic practice with one of our Aesthi besties, Delaney Poor, LE. Delaney is a Managing Partner at Beyond Skin Aesthetics in Columbus, Ohio, a KOL with Color Science and Alastin, an advocate for holistic skincare, and a client experience expert! As a Disney alum, she's intimately familiar with the guest relations magic that permeates Disney parks & resorts every day and has for 65 years. Now, she's focused on bringing those same quality standards and dedication to a consistent, exceptional client experience to the medspa world. Couple that with her passion for integrating gut health, skincare, and wellness into her approach, and it's evident that she's redefining the role of aestheticians in modern medical aesthetic practice. In this episode we cover everything from teaching staff how to anticipate guests' needs and creating a differentiated experience in your practice to how to select the right retail products for your shelf! From pixie dust to professional skincare, a few of the highlights include: • The Role of Aestheticians: Insights into how aestheticians are crucial for patient retention, education, and bridging the gap between medical treatments and at-home care • Skincare Science: Exploration of the latest advancements in skincare, including the importance of evidence-based products and treatments • Teen and Tween Skincare: Delaney's process for educating younger clients and the potential long-term impact of early skincare education. • The Disney Touch in Aesthetics: Delaney shares how her experience at Disney informs her approach to patient care, emphasizing safety, courtesy, show, and efficiency • Business Insights: Tips on creating treatment plans, improving patient retention, and integrating skincare sales into your practice model with a collaborative care model. We also chat about Delaney's upcoming lectures at Aesthetic Next 6.0! She has several including a live demo of her signature Glow Beyond Peel. Whether you're an Aesthetician, Practice Owner or Injector looking to enhance your skincare offerings, this episode offers valuable insights on combining high-touch luxury experiences with medical-grade treatments for optimal patient outcomes. Delaney's perspective as an Aesthetician in a large practice and as a managing partner in that same Practice gives her a unique blend of business & clinical that is relevant for everyone! Don't miss this enlightening conversation that bridges the gap between Disney-level customer service and cutting-edge treatments and products that will turn skincare into a profit center for your Practice! Find out more about Delaney: Delaney's IG: https://www.instagram.com/skinbydelaneydanielle?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Beyond Skin Aesthetics: https://www.instagram.com/beyondskinaesthetics?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Beyond Skin's Website: https://beyondskinaesthetics.com/ Delaney's Aesthetic Next Schedule: https://s6.goeshow.com/aestheticrecord/next/2024/profile.cfm?profile_name=person&master_key=85DD4426-F000-EF11-8102-B95C44E1822F&page_key=7CDE043C-C926-865F-8B20-3C9AA04D0295&xtemplate

In this eye-opening episode of The Clear Skin Chronicles, our Licensed Esthetician, Ashley Shkodra, joins us to uncover the hidden hazards lurking in your beauty and personal care products. We unpack the truth about harmful ingredients such as parabens and phthalates, which can disrupt hormones and pose serious health risks. Through personal experience and expert insights, we guide you through the murky waters of product labels, shedding light on deceptive practices that could be affecting your well-being. The conversation takes a practical turn as we share our favourite non-toxic alternatives for cosmetics, skincare, and household cleaning, from the simplest pantry solutions to trusted brands that prioritize your health. We discuss the risks of chemical-based sunscreens and the benefits of essential oil perfumes. We are on a mission to equip you with knowledge to make safer, smarter choices in your daily routine, prioritizing your inner health!Ready to detoxify your life and embrace a cleaner, greener beauty regime? Tune into this must-listen episode! Don't forget to arm yourself with useful apps like EWG and Think Dirty for a healthier lifestyle, and let's champion conscious consumerism together! In this episode, we discuss:The Science of Skincare and Health RisksChemical Ingredients and Their EffectsRecommendations for Safe Product UseSkin-Friendly Brands and Practices Show Note Links:Blog: Toxic Ingredients In Your Skincare ProductsBlog: How to Pick an SPF for AcneBrands: ATTITUDE, BEAUTYCOUNTER, Cosmedix, Eminence, Osmosis Beauty, Skin Essence, Three ShipsSPF: BEAUTYCOUNTER, Color Science, CLEARSTEM, Super GoopPerfume: 7 Virtues, BEAUTYCOUNTER, Clean Reserve, doTERRA, Maroma Perfume Oils Let's Connect:Apply to work with us in The Clear Skin Solution here.Download The Gut Loving Cheat Sheet here.Follow Katie on Instagram here. 

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/michael_murdoch_associate_professor__color_science/---It is my absolute pleasure to speak with the Associate Professor in Color Science from the Rochester Institute of Technology, Mr. Michael Murdoch. Our conversation covered the gamut of all things color:- Perception- Quantifying color- Image science- Film stocks- Display technology- Careers in the field of color research- Augmented reality- His position as the Director of the Munsell Color Science Laboratory- The one color the universe doesn't needI may have broken my sand timer rule repeatedly to keep this conversation going. But this is undoubtedly a perfect conversation for the Color Timer Podcast – I hope you enjoy it!- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Mark C. Updegraff moved to Rochester, NY in 1997 to pursue his Bachelor's of Science from Rochester Institute of Technology (RIT) in Imaging and Photographic Technology. As an undergraduate student, he participated in co-operative work academic quarters for NASA, Pictometry, and as an independent 4x5 film photographer. In 2003, after working for Kodak, Mark took a position in RIT's Center for Imaging Science and began his Master's studies in Color Science. Mark took a position with ITT Corporation in 2009 where he worked on video quality metrics, end-to-end spectral imaging systems, and electro-optical systems for high altitude aircraft. In 2010, Mark decided to focus his efforts fully on his real estate redevelopment and private equity companies; Wedge Redux LLC, Ward Redux LLC, and Raze Capital LLC. These companies rehabilitate neglected properties into fully refurbished, market rate, rental properties in the greater Rochester area. Mark now oversees Updegraff companies in the development, management and brokerage of residential, commercial, and mixed-use real property. His vision for Upstate NY, real estate, and technology are evident through his plans and generated results. Mark is a city of Rochester advocate, employer, entrepreneur, and business owner. He is passionate about striving to provide safe, clean, affordable, sustainable, adaptable, space for the community at large while garnering the best and brightest minds in an effort to stimulate the economy through creativity, innovation, and workforce development. Currently, Mark spends time raising capital for syndications in the industrial, multifamily, self-storage and built-to-rent asset classes while overseeing the operations of the Updegraff Companies. His leadership style attracts other leaders eager to deploy new technologies, hone their skills, and take massive action. Under his guidance, associates are able to independently flourish into peak producers in their own strengths. When assembled together as a team, a colossal amount of creativity is unleashed and goals and expectations are significantly exceeded. HIGHLIGHTS IN THE SHOW: 00:00 - Intro 01:54 - Background 06:48 - leftfieldinvestors.com 08:52 - Path of Progress 13:13 - Multifamily Deal Structures 15:23 - Property Management 20:54 - Active Vs Passive 24:54 - Vetting 28:17 - Turn Key Solutions 30:36 - Connect With Mark 32:01 - Mark Recommends 32:48 - Bucket List CONNECT WITH OUR GUEST: https://www.instagram.com/mrmarkupdegraff/ linkedin.com/in/updegraff UpdegraffGroup.com  RazeCapital.com  MrMarkUpdegraff Text: 585-314-9790 CONNECT WITH OUR HOST: Connect with our host, Randy Smith, for more educational content or to discuss investment opportunities in the real estate syndication space at www.impactequity.net, https://www.linkedin.com/in/randallsmith or on Instagram at @randysmithinvestor ---------------------------------------------------------------------------------------------------------------------------- Follow us on social media @the.gentle.art.of.crushing.itListen, like, subscribe, comment: http://thegentleartofcrushingit.com/

Mark C. Updegraff moved to Rochester, NY in 1997 to pursue his Bachelor's of Science from Rochester Institute of Technology (RIT) in Imaging and Photographic Technology. As an undergraduate student he participated in co-operative work academic quarters for NASA, Pictometry, and as an independent 4x5 film photographer. In 2003, after working for Kodak, Mark took a position in RIT's Center for Imaging Science and began his Master's studies in Color Science. Mark took a position with ITT Corporation in 2009 where he worked on video quality metrics, end-to-end spectral imaging systems, and electro-optical systems for high altitude aircrafts. In 2010, Mark decided to focus his efforts fully on his real estate redevelopment and private equity. Get in touch with Mark: www.RazeCapital.com If you want to know more about Dr. Jason Balara and the Know your Why Podcast: https://linktr.ee/jasonbalara Audio Track: Back To The Wood by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://audionautix.com/  

Kristi & Michelle share what they're loving right now: Kristi's $23 wig from Amazon How Michelle is implementing the Montessori model at home Michelle's color analysis appointment & her new found love of color science STAY TUNED! New episodes will be released weekly, on Thursdays. All about Old Moms Club Podcast You can find us on Instagram: https://www.instagram.com/oldmomsclubpodcast/ https://www.instagram.com/themichellehooper/ https://www.instagram.com/thekristimcdonald/ Or on Facebook at: https://www.facebook.com/oldmomsclubpodcast/ --- Send in a voice message: https://anchor.fm/oldmomsclub/message

Our today's guest will go down in history books as a part of a team that has changed cinematography forever. I am talking about the team behind the development of Arri Alexa. A digital camera that, until today, remains the most widely used digital camera in professional film production. And if you were to ask cinematographers why is it that they like Alexa so much. They would declare that it is all to do with Alexa's Color Science that is responsible for that illusive Alexa Filmic Look. In today's podcast, you will have a unique opportunity to meet the person responsible for this amasing color science. He is going to open his treasure chest and explain how he came up with it and how a rare opportunity that Arri gave him to work on an RnD project later was instrumental in the creation of Arri Alexa.This is also the right moment to talk to our guest as Arri has just announced the Alexa 35, the most advanced professional cinema camera ever created with 17 stops of dynamic range and with a brand new color science. And you will get a chance to learn many crucial details about the new Arri LogC4.Ladies and Gentlemen, it is a great honor to introduce you to Harald Brandel a chief color scientist of Arri.

Color Science and Digital ImagingI don't think many people paid too much attention to the sort of miracle that produces color technology in a digital device, because we were so used to using color film, which itself is a technological masterpiece to balance the various photo-sensitive pigments that would result in images that we perceive with our human visual system to look the same as the scene we took a picture of. This week’s conversation is with Jeff Carmichael. An expert on imaging systems particularly around the use of filter technology for looking at light from different parts of the spectrum.Color sensors don’t see color, they detect light and have either a red, blue or green filter over each pixel (a Bayer filter array) which blows my mind in terms of manufacturing, not to mention integrating all the data it captures across millions of pixels. Then all that data (voltages counting photons) is turned into numbers that can be delivered to a screen that somehow reverses the whole process and presents us with an image that looks very much like the original scene. Jeff described for me how light of different wavelengths were associated with our actual perception of those colors based on a couple of experiments by the Commission Internationale de l'éclairage (CIE) involving 17 people in the early 20th century. You may have seen one of these chromaticity diagrams in relation to calibrating a computer screen.Now imagine your camera collecting light in three different buckets, just red, blue and green, each of those somewhat arbitrary and imprecise, and still making an image you would hang on your wall, watch on Netflix or further manipulate before you post on Instagram. It’s all just math, right?Microscopes with digital cameras are an obvious application. But what else can we do inside the imaging world in life science?Remote SensingHow about remote sensing of environmental features where by looking at specific parts of the spectrum through various filters, you can make some determinations as to what is going on? Think about things like assessing the growth or health of crops, or the biomass of plants in the rainforest. Pour yourself a glass of wine, look up at the night sky and appreciate the fact that the satellite you see whizzing by may have helped determine the maturation of grapes in your glass. The Normalized Differential Vegetation Index (NDVI) is a measure of vegetation based on comparisons between the red and near infrared light reflected from them (NIR - R) / (NIR + R) = (math again). I asked if that was a form of machine vision. Machine VisionIt turns out machine vision is a little different from remote sensing. While remote sensing is at the mercy of ambient light for the most part (we talked about LIDAR as an exception) machine vision is more like studio photography -highly dependent on consistent light sources. It’s used primarily for repetitive analyses like looking for defects or sorting pistachios. In life science, machine vision may currently be limited to routine applications ensuring that sample tubes have adequate sample, caps are on, the right tubes in place, etc. for high volume automated analyses.What Jeff is interested in is following a developmental or disease model e.g. an embryology experiment where one might be watching for a long time without interacting with the subject. Now, perhaps someone out there is hearing us and thinking, Jeff, you idiot. We do this all the time and maybe someone does. But it's not widespread like it is in industrial automation. If that someone is you, leave a comment. I’d love to chat with you. As would Jeff, I’m sure. Two separate pathsOne interesting thing that Jeff has observed is that the machine vision space and the life science space seem to be on parallel tracks seemingly invisible to each other.For example, both sectors have companies developing similar light sources, LED light engines he calls them, that can be controlled by software to get the lighting you want. But he’s not aware of any interaction between companies in different sectors.LEDs have become, they have been for a long time now the dominant type of light source used for lighting and machine vision applications. They don't get hot, they use little energy. They can pump out a lot of light in a very small wavelength range. You can, overdrive them so that they cycle really fast and can do very fast imaging.The same seems to be true in artificial intelligence (we had to get there, right?)For example, Landing AI and Path AI are both in the life science space, focused on machine vision and pathology respectively. Jeff is curious whether each segment (ML and LS) has something to be learned from the other. Because usually things mix and sorta come out in the wash in the end. So one resolution, I don't know, it could be that they borrow from each other on their particular AI approaches, right? And machine vision, they might be using a certain way of approaching AI that they hadn't thought of in the life science and vice versa. That could be the way that they merge. Like in music, you borrow from each other.We’ll be listening to see what happens. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit cclifescience.substack.com

Find & Follow us on all the socials: WacomXPDXFor Episode 3 of ‘Why We Create',  we're joined by Portland artist, Jenn Ely, to discuss all things illustration, visual development and the emotional currency of films. As you browse through Jenn's portfolio you'll see that she is truly a master of her craft. Even our amazing discord community was curious if her grasp and understanding of color was science or witchcraft (jokes of course, although we cannot confirm nor deny Jenn's magical abilities, her skills and color mastery are the direct result of her inherent talent, experience and education). In this conversation Jenn shared with us just what it means to be a visual development artist. What it's like to work collaboratively on a team, and what it was like to discover the correlation between art and storytelling. Jenn's worked on projects ranging from commercials to feature films to children's books (link to her upcoming book, “The Gardner of Alcatraz”). Make sure to follow her on IG and check out her website/portfolio for inspiration. We Hope you enjoy this episode. WEBSITE: http://www.jennely.com/ INSTAGRAM: https://www.instagram.com/elyjenna/ 

Renzo Shamey talks about the science of color creation.

In 2015 the world was divided into two warring factions overnight. And at the center of this schism was a single photograph. Cecilia Bleasdale took a picture of a dress that she planned to wear to her daughter's wedding and that photo went beyond viral. Some saw it as blue with black trim; others as white with gold trim. For his part, Wired science writer Adam Rogers knew there was more to the story -- a reason different people looking at the same object could come to such radically divergent conclusions about something as simple as color.Rogers recently wrote a book titled Full Spectrum: How the Science of Color Made Us Modern. In this episode, Roman Mars talks with the author about how the pursuit to organize, understand, and create colors has been one of the driving forces shaping human history, starting with the story of this hotly debated piece of apparel from 2015 then winding back through built environments of global World's Fairs.Full Spectrum

In 2015 the world was divided into two warring factions overnight. And at the center of this schism was a single photograph. Cecilia Bleasdale took a picture of a dress that she planned to wear to her daughter's wedding and that photo went beyond viral. Some saw it as blue with black trim; others as white with gold trim. For his part, Wired science writer Adam Rogers knew there was more to the story -- a reason different people looking at the same object could come to such radically divergent conclusions about something as simple as color.Rogers recently wrote a book titled Full Spectrum: How the Science of Color Made Us Modern. In this episode, Roman Mars talks with the author about how the pursuit to organize, understand, and create colors has been one of the driving forces shaping human history, starting with the story of this hotly debated piece of apparel from 2015 then winding back through built environments of global World's Fairs.Full Spectrum

Rod Bogart, aka RGB, (the best initials in the biz) grew up in Colorado. His dad worked at IBM and occasionally brought computers home. Computer Science was a natural pursuit and Rod went on to earn his BS and MS degrees. After graduating he spent some time running a visualization lab on the University of Michigan campus. He later worked at PDI in Hollywood where he helped develop procedurally based image processing tools to automate wire removal and the removal of most anything from any shot. He joined the ILM R&D group in 1995 and helped develop the Open EXR standard with Florian Kainz, Drew Hess, and Piotr Stanczyk which went on to win a Scientific and Technical Achievement Academy Award. Years later at Pixar he developed their color science pipeline. Rod then moved to NYC where he worked for HBO on their HDR tools and workflows. Today he is the senior software engineer on the virtual production team at Epic. He’s been at ground zero of virtually every major development in the business for the last 30 years.Rod is one of the most kind and intelligent people I've ever worked with. He has an uncanny ability to take highly complex technical concepts and explain them in terms anyone can follow and understand. It was great fun to reconnect with him and hear his story. 

The appreciation of color is considered universal among human societies, yet varies vastly according to cultural norms and material circumstances. In the nineteenth century, synthetic chemistry produced new hues like mauve that changed the sensory worlds of people living in industrial societies. In The Republic of Color: Science, Perception, and the Making of Modern America (Chicago UP 2019), historian Michael Rossi explores how reformers and scientists turned to color science to ask and answer profound questions about the relationship between perception and personhood. Their efforts to define and standardize the modern sensorium were often proposed as solutions to practical problems of education and accountability. In this way, color systems made moral and political claims on what good governance in an increasingly bureaucratized society might look like. From the Pragmatists' protoplasmic preoccupations to the educational experiments of board game magnates, Rossi's study of color in American life brings anxieties over the possibility of community in the modern world into brilliant focus. Whether rooted in philosophical paradoxes or unabashed racial animus, standardizing color cut to the heart of human difference at a crucial moment in the development of the human sciences. This vibrant book will find an audience in aesthetes and Americanists alike, or virtually anyone interested in why the technical tools for making and modulating color look the way they do—not to spoil it, but how deeply have you considered the color options in software like Photoshop? Mikey McGovern is a PhD candidate in Princeton University's Program in the History of Science. He is writing a dissertation on how people used statistics to make claims of discrimination in 1970s America, and how the relationship between rights and numbers became a flashpoint in political struggles over bureaucracy, race, and law. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Colorist Meetup PodcastThe mission of Colorist Meetup is to bring together Colorists, Color Scientists, DITs, Workflow Supervisors, Cinematographers and anyone working with Color and Digital Imaging for Motion Pictures.We invite our guests to discuss the art and science of color, and in the process, we learn about the latest developments in the industry.Our meetups' content is truly unique as colorists spend most of their time in the darkroom, so it is rare to get this access and meet them in a relaxed environment.This is our first podcast episode, and it is a recording from a meetup back in 2019. We decided to start this podcast series with Matthew Tomlinson's talk about Once Upon a Time in Hollywood. Matthew is an incredibly talented color scientist, and an amazing human being and this meetup was voted as the best tech talk of 2019 - Welcome and Introduction - How Matt started in the industry and how to become a color scientist - The relationship between colorist and color scientist - The look of Once Upon a Time in Hollywood - The game-changing moment - Details about film scanning - About the showlut - The Digital IntermediatePlease subscribe to our podcast if you are interested in hearing more of talks like this.  There is also a Youtube version of this talk.This podcast is brought to you by Colour.Training. Colour Training does courses that are useful if you consider advancing your career as a professional colorist. Colour Training was well known for years in the industry as a reference training company and has trained many big media enterprises, but now it does online training and remote classrooms and had massive success with it so far.Training is highly rated, and above all, made affordable, and because of that, the classes sell out regularly, so early booking is recommended.

In this Episode of the ColorCast, the Coloristos take you though part 1 in a 2-part series on this year's announcements at NAB 2015. They cover many of the new features in Davinci Resolve 12 including the re-designed interface, 3D keyer, 3D tracker, discrete alpha output, revised timeline, VST/AU plugin support, and Resolve Color Management. They also discuss the new color tools and improvements in Adobe Premiere, Digital Vision Nucoda, Baselight Editions for Nuke, and Autodesk Flame & Lustre.Thoughout the discussion they also consider how all of these new tools will be impacting post-production, as many tools evolve more and more into self-contained "super-apps", and as automated color tools and shot matching technologies allow artists of all experience levels to do more work, faster, and with less effort. The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you. The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles. Juan Salvo, a colorist and online editor for films and commercials in New York. Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss their predictions for NAB 2015, and what they think will be big topics at the show, including the continuing transition to UHD/4K, the rise of HDR, the impact of the Alexa MINI, along with the possibility of Davinci Resolve 12, and the viability of a mid-range control surface.They also take a "one year later" look at the AJA Cion and Blackmagic URSA cameras, as well as how systems like Assimilate Scratch, Digital Vision Nucoda, and Filmlight Baselight, are continuing to evolve their feature set and pricing to accommodate the current climate in post-production.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of Coloristos 1on1, Josh interviews Duck Grossberg, a Los Angeles-area DIT who has been working on-set on major feature and broadcast television projects since the early days of the RED ONE. He and Josh discuss the current state of being a DIT, his favorite cameras to work with, and what he thinks the future holds for DITs going forward. The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you. The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles. Juan Salvo, a colorist and online editor for films and commercials in New York. Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss the current state of professional and consumer displays for grading and finishing. They talk about the rapid evolution of the display market over the past two years, and how technologies like OLED and LCD have finally taken over from long-time standards like Plasma and CRT.They touch on several different models that are making headway as the new standards in post-production, and how emerging requirements like UHD, 4K, and HDR will likely affect your next major monitor purchase. Finally, they discuss the age-old question of whether or not technology has finally opened the door to more affordable color-accurate options, and what the minimum requirements should be for any display used in color critical work. The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss client supervised grading sessions and how to make the most of them. They cover important points on client interaction and time management, as well as learning who your key decision-makers are, and how to keep them confident in your abilities and grading workflow. They talk about the challenges of working in person, as well as remotely, and also go over tips for reading body language, arranging your suite, and developing a grading vocabulary, that will help you guide your clients toward their creative goals, while minimizing revisions, and staying on budget.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you. The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles. Juan Salvo, a colorist and online editor for films and commercials in New York. Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss a number of major announcements live from the show floor at NAB 2014, including Resolve 11, the Blackmagic URSA camera, Cintel Film Scanner, AJA CION camera, Flame/ Flame Assist 2015, Baselight Dailies, and new pricing for Digital Vision Nucoda and Nucoda Look.They also cover major trends affecting both production and post, from new ProRes support on Windows for Assimilate Scratch and Quantel Pablo RIO, and on Linux for Resolve, along with the continued push toward the Cloud with Media Composer|Cloud, Adobe CC, and Scratch 8, and subscriptions with Media Composer and Smoke 2015.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you. The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles. Juan Salvo, a colorist and online editor for films and commercials in New York. Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos talk about LUTs and their use in post-production. They cover the basics of 1D and 3D LUTs, including how they're built, their various applications in a post pipeline, and the requirements for using them correctly. They also discuss the origins of LUTs from their early application as a film color science tool, to their more recent, wide-spread use as a way to transfer, as well as commercialize, creative looks for use in color grading.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you. The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles. Juan Salvo, a colorist and online editor for films and commercials in New York. Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos benchmark the 2013 Mac Pro and discuss it's performance results compared to a 2010 12-Core model with Resolve 10 using a number of different GPUs in both OS X Mountain Lion and Mavericks.They cover the pros and cons of buying a 2013 Mac Pro versus upgrading a 2010 machine, and discuss the major points that colorists and online editors will want to consider before purchase including 4K Playback, RED debayer, and Sapphire OFX plugin performance.Full test details, along with a downloadable PDF of the test results is available on LiftGammaGain.com:http://liftgammagain.com/forum/index.php?threads/new-mac-pro-resolve-benchmarks-d700-vs-d500-vs-2010.2256/The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss online editing and grading for broadcast TV, including passing QC, managing deadlines, and working efficiently under pressure. They also cover emerging trends in the industry, from online distribution and "all-at-once" delivery, to a new generation of editorial and color tools that are facilitating the rapid adoption of feature film workflows into high-end episodic television.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the Coloristos 1on1, Juan interviews Andrea Chlebak, lead DI colorist for the new sci-fi action film "Elysium". Andrea breaks down her ACES workflow, tells us about her techniques for keeping focused, and shares what it's like to grade Matt Damon's big blue eyes. All that and much more.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss films that inspired them to initially get started in color grading, as well as past and current movies that influence the work they do on their own projects. They also talk about the growing collaborative relationship between the colorist and DP, and finally end the episode by submitting their picks for an impromptu round of "Desert Island DI." The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss round trip workflows. How to get from FCP7, Avid and Premiere into your color session? What are the potential pitfalls? The Coloristos all share tips on geting from app A to app B, and back; and when a one way ticket is your best option.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss highlights for colorists at NAB 2013, including DaVinci Resolve 10, SpeedGrade CS7, Smoke 2013, the Scratch 8 preview, Mistika 7.2, and the new Baselight One Deskside and Slate Control Panel. They also cover new displays from Sony, Sharp, FSI, and Dolby, as well as major changes to Avid Media Composer and Symphony licensing, along with the curious omission of the RED Laser Projector at the RED booth this year.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss color grading applications you'll be seeing at NAB 2013 from DaVinci Resolve, Adobe SpeedGrade, and Avid Symphony, to SGO Mistika, Assimilate Scratch and Autodesk Lustre. They discuss the continuing upheaval in post production, and how 2013 could be a make-or-break year for several different products. They also cover very new and upcoming products like the Blackmagic Cinema Camera, RED Ray, RED Laser, as well as Blackmagic's acquisition of Cintel and how they could help form the basis of new market segments like 4K delivery and affordable film scanning.***DaVinci Resolve Giveaway***Finally, we announce the winner of our very first giveway at the end of the show; a full license of DaVinci Resolve. A huge thank you to everyone that reviewed the ColorCast on iTunes. All of your reviews were fantastic and we really appreciate it. Also, a big thank you to Blackmagic Design for supplying us with a DaVinci Resolve license for the giveaway. The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production.If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss control panels and how they can help you grade with greater speed and precision, while at the same time allowing you to be more creative. They cover the pros and cons of a number of popular, affordable panels, and also review the advanced features available on control surfaces used with several high-end grading applications. The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production.If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos talk about how they got started as colorists, what it was like just starting out, and important moments in their careers that helped them get established in the industry. They also discuss client management, creating a unique identity for yourself as an artist, and developing a set of techniques that will help you stand out as a colorist. The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you. The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles. Juan Salvo, a colorist and online editor for films and commercials in New York. Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss Digital Cinema Packages, or DCPs, the industry standard mastering format for Digital Cinema. They cover the current shift from film negative to DCP for theatrical distribution, several popular DCP creation packages, as well as the benefits and implications for content creators and theater owners. The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss video scopes, the basic types of waveforms, and how you can use them during grading to make critical color decisions. They also describe the differences between hardware and software scopes, discuss a variety of monitoring options, and cover the kinds of features you should look for whether you're grading for Film, Television, the Web, or Blu-Ray/DVD. The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss Graphics Processing Units (GPUs) the display card devices that power the processing elements of many modern video applications. Plus, continued discussion of RED and RAW workflows, and the Coloristos express their gratitude to gamers.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss whether the software you use affects the way you grade, the merits of grading without a panel, and SMOKE 2013.  The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss monitors for color grading, the various display technologies available, the difference between a computer display and a reference monitor, and the factors that make a display suitable for color accurate work.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss DaVinci Resolve 9, Smoke on Mac 2013, and Baselight ACCESS, and how each of these are changing post-production by providing high-quality color grading and finishing tools at much more accessible price points.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the ColorCast, the Coloristos discuss many of the new features in DaVinci Resolve 9, including the re-designed user interface, log grading tools, audio support, grade management, transcoding, as well as new camera support, and how this release will affect the on-set DIT market, as well as color grading in general.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are:Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.