Podcasts about Farnsworth House

In this episode of the A is for Architecture Podcast, author, curator and currently director of the Farrell Centre at Newcastle University, Owen Hopkins discuss his recent book, The Manifesto House: Buildings that Changed the Future of Architecture, published by Yale University Press two days ago. The Manifesto House explores the history of architecture through the lens of individual houses that have acted as manifestos for new ideas, movements and ways of living. Looking at twenty-one houses from the 16th through to the 21st century, the book presents a compelling narrative of how individual homes can influence architecture's evolution, and perhaps even answer some of the challenges we're faced with in the built environment today.Owen is also currently one fifth of the team who have curated this year's British Pavilion exhibition at La Biennale di Venezia 2025, which can be read about here. Owen can be found on Instagram and LinkedIn and the book is linked above. Listen, think, click, buy, read. Wow!#ArchitecturePodcast #ManifestoHouse #OwenHopkins #FarrellCentre #BuildingsThatMatter #ArchitecturalHistory #RadicalHomes #BiennaleArchitettura2025 #ArchitectureAndSociety #DesigningTheFuture #AisforArchitecturePodcast+Music credits: ⁠Bruno Gillick Image credit: Mies van der Rohe, Farnsworth House, exterior view towards entrance platform. Library of Congress, USA.

For the British architect John Pawson, minimalism isn't just a design philosophy, but a life philosophy—with his 1996 book, Minimum, serving as a defining jumping-off point. Over the course of more than four decades, Pawson has quietly amassed a global following by distilling spaces, objects, and things down to their most essential. With projects ranging from his career-defining Calvin Klein Collection flagship store on Madison Avenue in New York City, completed in 1995, to a remote monastery complex in the Czech Republic he's been building for Cistercian monks of the Trappist order for more than 25 years; from hotels in Los Angeles, Madrid, and Tel Aviv to London's Design Museum; from private homes in Colorado, Greece, Japan, Sweden, and beyond, to a chair and cookware; from lamps and linens to doorknobs, bowls, to even a steak knife, Pawson's tightly focused yet seemingly boundless practice places him in a category all his own.On the episode—our fourth “site-specific” taping of Time Sensitive, recorded at Pawson's country home in the Cotswolds—he discusses the problems he sees with trying to turn minimalism into a movement; his deep-seated belief in restraint, both in life and in architecture; and his humble, highly refined approach to creating sacred spaces.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:[08:06] Tetsuka House (2005)[08:06] “John Pawson's Approach to Making Life Simpler”[08:06] Shiro Kuramata[08:06] Katsura Imperial Villa[08:06] North York Moors[12:41] “Minimum” (1996)[12:41] Sen no Rikyū[17:35] Calvin Klein Collections Store (1995)[17:35] Ian Schrager[17:35] Paul Goldberger[17:35] Cathay Pacific (1998)[20:59] “Elements of Style” (1959) by William Strunk Jr. and E.B. White[20:59] “Plain Space” (2010)[20:59] Raymond Carver[23:08] Bruce Chatwin[23:08] “Wabi”[23:08] Chatwin Apartment (1982)[26:26] Deyan Sudjic[28:12] Ryōan-ji[31:11] “John Pawson: Making Life Simpler” (2023)[30:16] Neuendorf House (1989)[30:16] Tilty Barn (1995)[37:19] Claudio Silvestrin[37:51] Philip Johnson[40:49] Home Farm (2019)[40:49] “Home Farm Cooking” (2021)[47:18] Bill Brandt[55:46] Hester van Royen Apartment (1981)[56:36] Casa Malaparte[56:36] Mies van der Rohe[56:36] Barcelona Pavilion[59:356] The Design Museum (2016)[59:356] Farnsworth House[59:356] “Inside the Brick House, Philip Johnson's Private Playground”[1:02:26] Pawson House (1999)[1:05:53] The Feuerle Collection (2016)[1:10:33] Abbey of Our Lady of Nový Dvůr (2004)[1:21:54] Pieter Jansz. Saenredam 

Ludwig Mies van der Rohe (1886–1969) was a pioneering modernist architect. Born in Aachen, he started as a bricklayer before moving to Berlin, where he worked for Bruno Paul and Peter Behrens. His first major commission, the Riehl House (1907), showed early signs of modernism. In 1921, he changed his name, marking his shift to modern architecture while maintaining classical influences. As vice president of the German Werkbund, he led the Die Wohnung exhibition (1927), cementing his reputation. In 1930, he became Bauhaus director, striving to protect it from Nazi repression. After the school closed in 1933, Mies attempted to continue working in Germany, even accepting Nazi commissions, a decision he later had to justify. In 1938, he emigrated to the U.S., becoming director of the Armour Institute (later IIT) in Chicago. There, he designed iconic buildings like the Farnsworth House and the Seagram Building, defining modernist architecture. In the 1960s, he returned to Berlin to design the Neue Nationalgalerie, his final masterpiece, blending classical and modern elements. Asked if he'd return to Germany permanently, he replied, “It was difficult enough to find new roots once.” His legacy, rooted in simplicity and structural clarity, continues to shape architecture today. For the first part of the Mies podcast, I invited Wita Noack, as head of the Mies van der Rohe Haus in Berlin a true expert about House Lemke where the institution is situated, and Fritz Neumeyer, THE Mies expert in Germany, who published several books about Mies van der Rohe and his work during the past 40 years. This episode has been supported by The Mies van der Rohe house.

One of the world's most precious architectural gems rests on the banks of the Fox River in northern Illinois. Maybe you've seen the Edith Farnsworth House in Plano: It's a mid-century glass and steel marvel designed and constructed by Ludwig Mies van der Rohe. The Under Rocks team got a chance to visit and learn more about the woman who commissioned her glass get-away in the woods, Edith Farnsworth.

This is a Grave Talks CLASSIC EPISODE! The Historic Farnsworth House Inn stands as a reminder of the bloodshed and sorrow that marked the Battle of Gettysburg. Built in 1810 and expanded in 1833, this house was not only a home but a silent witness to some of the Civil War's darkest moments. Confederate sharpshooters took refuge in its walls, and it is believed that one of them accidentally shot 20-year-old Mary Virginia "Jennie" Wade, the only civilian to die during the battle. With over 100 bullet holes and a dark history as a hospital after the conflict, it's no surprise that the Farnsworth House is rumored to be haunted. From ghostly apparitions to eerie sounds, guests at the Bed & Breakfast have reported unsettling experiences. Join us on this classic episode of The Grave Talks as we dive into the chilling history and ghostly happenings of The Historic Farnsworth House Inn, a place where history and hauntings intertwine. Become a Premium Supporter of The Grave Talks Through Apple Podcasts or Patreon (http://www.patreon.com/thegravetalks) There, you will get: Access to every episode of our show, AD-FREE! Access to every episode of our show before everyone else! Other EXCLUSIVE supporter perks and more!

This week David and Marina of FAME Architecture & Design discuss Marina's 3 favorite buildings. They touched on Farnsworth House's radical design; building code and modern architecture; Frank Lloyd Wright's work; the Pompidou Centre; beauty in architecture; architecture juxtaposition; buildings in winter; and more. This episode is supported by Integrated Projects • Enscape • Autodesk Forma & Autodesk Insight • Programa SUBSCRIBE  • Apple Podcasts  • YouTube  • Spotify CONNECT  • Website: www.secondstudiopod.com • Office  • Instagram • Facebook  • Call or text questions to 213-222-6950 SUPPORT Leave a review  EPISODE CATEGORIES  •  Interviews: Interviews with industry leaders.  •  Project Companion: Informative talks for clients.    •  Fellow Designer: Tips for designers.  •  After Hours: Casual conversations about everyday life. •  Design Reviews: Reviews of creative projects and buildings. The views, opinions, or beliefs expressed by Sponsee or Sponsee's guests on the Sponsored Podcast Episodes do not reflect the view, opinions, or beliefs of Sponsor.  

In the eyes of the architecture critic Paul Goldberger, a building is a living, breathing thing, a structure that can have a spirit and even, at its best, a soul. It's this optimistic perspective that has given Goldberger's writing a certain ineffable, captivating quality across his prolific career—first at The New York Times, where he served as the paper's longtime architecture critic, winning a Pulitzer Prize in 1984; then as the architecture critic at The New Yorker from 1997 to 2011; and now, as a contributing editor at Vanity Fair. Goldberger is the author of several books, including Building Art: The Life and Work of Frank Gehry (2015), Why Architecture Matters (2009), and Building Up and Tearing Down: Reflections on the Age of Architecture (2009). He is also the chair of the advisory board of the Glass House in New Canaan, Connecticut, where we recorded this episode, our third “site-specific” interview on Time Sensitive.On the episode, Goldberger discusses the Glass House's staying power as it turns 75, the evolution of architecture over the past century, what he's learned from writing architects' obituaries, and the Oreo cookie from a design perspective.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Paul Goldberger[05:17] Glass House[05:17] Philip Johnson[07:06] Ludwig Mies van der Rohe[07:06] Farnsworth House[08:42] Brick House[12:37] Gordon Bunshaft[12:37] Lever House[12:37] Frank Lloyd Wright[12:37] Guggenheim Museum[13:18] TWA Flight Center[13:18] Kevin Roche[13:18] Ford Foundation building[13:18] CBS Building[15:17] Noyes House[16:17] U.N. Headquarters[17:50] Centre Pompidou[17:50] I.M. Pei[17:50] Louvre Pyramid[17:50] Frank Gehry[17:50] Guggenheim Bilbao[20:00] Walt Disney Concert Hall[23:20] Stuyvesant Town[24:24] “Oreo, at 75, the World's Favorite Cookie; Machine Imagery, Homey Decoration”[25:46] “Quick! Before It Crumbles!: An architecture critic looks at cookie architecture”[25:46] Nora Ephron[26:18] “Design Notebook; Commonplace Things Can Be Great Designs”[27:16] Bauhaus[29:10] Fallingwater[29:10] Richard Neutra[29:10] Lovell House[29:10] Gehry House[29:10] Louis Kahn[32:38] “Philip Johnson, Architecture's Restless Intellect, Dies at 98”[32:38] “Louis I. Kahn Dies; Architect Was 73”[35:30] Paul Rudolph[36:50] Zaha Hadid[37:22] “New Police Building”[38:19] Henry Geldzahler[41:31] Why Architecture Matters[43:21] Chrysler Building[47:28] Vincent Scully[48:18] Lewis Mumford[1:00:47] The City Observed: A Guide to the Architecture of Manhattan[1:00:47] World Trade Center[1:02:49] “Here Is New York” by E.B. White[1:05:33] Design: The Leading Hotels of the World[1:07:25] Ritz Paris[1:07:25] The Dylan Amsterdam[1:09:01] “Why Buildings Grow On Us”

In this episode, we discuss pen refills and alignment OCD, the significance of what makes some architecture lovable (e.g. the Farnsworth House), a review of the book '100 Buildings' by Thom Mayne, exploring its relevance and the impact of past architectural precedents on modern practices, a deep dive into why certain buildings are preserved with immense dedication (e.g. Fallingwater), while others are overlooked, and more.Episode Links:Louis Sullivan's Wainright Building is for sale (Archpaper)Wainright Building (ArchDaily)Book: 100 Buildings 1900-2000 by Thom Mayne and Eui-Sung Yi (Amazon)Marilyn Moedinger's tweet-----Thank you for listening to Archispeak. For more episodes please visit https://archispeakpodcast.com.Support Archispeak by making a donation.

Evan is jealous. Cormac recently went on a road trip with special guest Angelo Pirali to explore many (yes many!) remarkable architectural landmarks, and they're here today to share about it. Key highlights include visits to Cranbrook, the Farnsworth House, Frank Lloyd Wright's iconic homes and buildings (including Taliesn and Johnson Wax), Millennium Park, and much more. The discussion revolves around Angelo and Cormac's intention of studying these places “from idea to execution”. From historic masterpieces to contemporary projects, this journey provides deep insights into the essence of experiencing architecture.Links and Trip Itinerary (no, we didn't talk about all of these):Day 1:Ford House Visitor Center (SmithGroup)Edith and Edsel Ford House (Albert Kahn)Smith House (FLW)Cranbrook (the Saarinen boys)Affleck House (FLW)Tour of downtown Detroit / Grosse PointesDay 2:The Rookery (Burnham and Root / FLW)The Monadnock BuildingChicago Institute of Art (Renzo Addition)Pritzker Pavilion (Gehry)Apple Store (Foster)Chicago Tribune Bldg (Howell's & Hood)Glessner House (HH Richardson)Stroll down Prairie Ave.Robie House (FLW)Day 3:Fabyan Windmill (?)Farnsworth House (Mies)Unity Temple (FLW)FLW House and StudioOak Park Tour

On February 26, 2022, Addressing Gettysburg did its first live-with-an-audience, on-location show and we learned one thing: look out, Rat Pack. There's a new night club act in town.  But seriously, we had fun with guest co-host, Tim Smith and our special guests, Patrick Gorman and Bo Brinkman. Here are some of the highlights from this episode: -a good deal of movie trivia you may not have heard before -West Virginia Mountain Folklorist dazzles us all with vivid memories of watching the movie at the tender, non-memory-forming, age of 2. -the debut of the wildly popular game show "Whose Line Is It Anyway, Except You Have to Name Who the Person Is Speaking the Line To Or Something Like That" -the audience turns on Cam -Loring Shultz, owner of the Farnsworth House, sits down with Tim, Patrick and Bo, to discuss his memories of the actors hanging out there every Friday and Saturday night during filming, how his showcase of memorabilia came about and he finally dispells the rumor that he fed and watered the horses during the shoot.  - "Six Questions" leads the charge of audience questioners   AND MORE!   Special thanks to Eric the Producer, the crew at the Farnsworth House (Leland, Sarah, Libby and Becky), our audience for buying up all the tickets within the first 48 hours, Casey Turben for help with the sound system, and Jonjon Pinkerton for getting us in touch with other actors who have been on the show.    Hope it's as much fun to listen to as we had making it. And if you missed this one, don't worry. In-person shows are now a part of Addressing Gettysburg.

In this episode we talk about the haunts and horrors of Gettysburg, Pennsylvania, and about our personal experiences during a recent visit. Did Mandi get shoved around by an angry ghost in the Farnsworth House? Are there really apparitions of deceased soldiers still walking the battlefield to this day? Join us as we hash out just what we think about Gettysburg! --- Support this podcast: https://podcasters.spotify.com/pod/show/appalachianspookyhour/support

If you missed us live on our instagram, never fear! This is the full, unedited live show that we did tonight. You can also view it at @appalachianspookyhour on instagram if you prefer that! We chat a bit about the Farnsworth House Inn, where we're staying in the most haunted room, and what we think about Gettysburg thus far. --- Support this podcast: https://podcasters.spotify.com/pod/show/appalachianspookyhour/support

This is a Grave Talks CLASSIC EPISODE! The Historic Farnsworth House Inn is named in honor of Brigadier General Elon John Farnsworth, who led an ill-fated charge after the failure of Pickett's charge, claiming the lives of Farnsworth and 65 of his men. A long and violent history. The original part of the house was built in 1810, followed by the brick structure in 1833. The house sheltered Confederate sharpshooters during the three-day conflict, one of whom it is believed to have accidentally shot 20-year-old Mary Virginia "Jennie"  Wade, the only civilian who died during the battle. More than 100 bullet holes pock the walls. Following the battle, the house served as a hospital. The Lincoln procession passed the Farnsworth House on November 19, 1863, on the way to the National Cemetery, where he delivered the famous Gettysburg Address. Harvey Sweney, the house owner during the battle, wrote a letter to his brother, penning the most insightful and powerful account ever written on the subject. Today, the Bed & Breakfast guests enjoy lovely Victorian rooms and, at times... Ghosts Today we discuss the ghosts of The Historic Farnsworth House Inn. Become a Premium Supporter of The Grave Talks Through Apple Podcasts or Patreon (http://www.patreon.com/thegravetalks) There, you will get: Access to every episode of our show, AD-FREE! Access to every episode of our show before everyone else! Other EXCLUSIVE supporter perks and more!

Pour ce nouvel épisode, zoom sur la Farnsworth House de Mies Van der RoheRendez-vous sur Instagram: @betyle__Email: betylepodcast@gmail.comBetyle est un podcast créé par Sophie Lambert, Carla Romano & Nicolas Cazenave de la Roche Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Fix bayonets, Creep Street! On this episode, Maureen and Dylan charge the flanks of a classic haunting located at the site of the bloodiest battle of the American Civil War! The Battle of Gettysburg was fought for three days between July 1 - 3 of 1863. In those few days, over 50,000 souls lost their lives. This left behind a supernatural stamp upon the land that is still potent today. The Farnsworth House Inn stands out as a particularly active location, said to be haunted by countless lost souls. But beware, not all of these specters fight with honor! Citizens of the Milky Way, prepare yourselves for Gettysburg: The Haunting of Farnsworth House!

WE'RE BACK!!! Hello again B-oo's Crew! This week we travel to historic Gettysburg, Pa to visit the site of an important building during the Civil War and the battle of Gettysburg. The Farnsworth House Inn was used by the Confederate army as a stronghold while fighting the Union army, that is until the Union army stormed the house and eradicated those within. President Lincolns procession would pass by the Farnsworth House and the famous Gettysburg Address would make history. After being sold many times, the Schultz family would to come to own the home and continue to run it today. There are many claims of paranormal activity here, including soldiers who still patrol the halls, a midwife who is sometimes nuturing and other times not so nice, and even a young boy who was killed in a tragic horse and carriage accident.Get comfortable B-oo's Crew and lets take a trip back in time to one of the most influential eras in american history! Do you have a story you'd like read or played on the show? Are you part of an investigation team that would like to come on and tell your story and experiences? Maybe you have a show suggestion! Email us at fortheboos12@gmail.com Follow us on Twitter @fortheboos And on Instagram @forthboos-podcast You can also find us on Facebook at For The Boos And on YouTube at For The Boos Remember to Follow, Subscribe, and Rate the show...it really does help! For The B-oo's uses strong language and may not be suitable for all audiences, listener discretion is advised!https://linktr.ee/fortheboos All music and sound effects courtesy of www.pixabay.com and freesound.org #paranormal #ghost #haunted #ghosts #paranormalactivity #horror #creepy #paranormalinvestigation #scary #spooky #ghosthunting #spiritual #supernatural #ufo #halloween #spirit #spirits #ghosthunters #podcast #paranormalinvestigator #terror #ghoststories #hauntedhouse #aliens #haunting #alien #supranatural #pengasihan #ghosthunter #ghostadventures

This week, I talk about one of my favorite haunted locations, Gettysburg, PA! Is Gettysburg haunted by the ghosts of Union and Confederate soldiers who died during the battle? I discuss famous locations in Gettysburg that are alleged to be haunted, such as Devil's Den, the Wheatfield, Little Round Top, Big Round Top, the Triangular Field, the Farnsworth House, the Dobbin House, Sachs Covered Bridge, the Jennie Wade house, and much more! Plus I share some strange personal experiences I've had over the years on the battlefield! #gettysburg #ghoststories #paranormal Links! Gettysburg Battlefield Bus Tours - Haunted Gettysburg: https://www.gettysburgbattlefieldtours.com/haunted-gettysburg/ Gettysburg Hotel - The Haunted History of Gettysburg: https://www.hotelgettysburg.com/2018/09/the-haunted-history-of-gettysburg/ Gettysburg ghost stories on Reddit: https://www.reddit.com/r/Ghosts/comments/9nfx8d/going_to_gettysburg_soon_i_heard_its_pretty/ More Reddit Gettysburg ghost stories: https://www.reddit.com/r/Ghosts/comments/co7vsj/have_you_experienced_ghosts_in_gettysburg/ The Haunted Matron's House: https://youtu.be/IHS76yhG5m8 Follow us on Social media! Instagram: https://www.instagram.com/oddanduntold/ Facebook: https://www.facebook.com/oddanduntold Website: oddanduntold.com Check out Riversend, the band behind "Moonlight," our new intro/outro music! Spotify: https://open.spotify.com/track/1yIwfeu2cH1kDZaMYxKOUe?si=NIUijnmsQe6LNWOsfZ2jPw Riversend Facebook: https://www.facebook.com/Riversendband Riversend Instagram: https://www.instagram.com/riversendband/

Civilian Casualties at Gettysburg Most people who study the American Civil War are aware that there were some 51,000 casualties associated with the Battle of Gettysburg. But when asked the number of civilian casualties the answer is invariably “just one.” And although Jennie Wade, was in fact, the only civilian killed during the actual battle, there are others who died as a direct result of the fighting. A number of other civilians were wounded, and still others were taken prisoner. Depending on how you count, there are as many as 30 civilian casualties. Join Tim Smith, for the last of this winter's Sunday lectures this year, as he discusses the story of the lesser-known civilians who were casualties of the battle. The Farnsworth House at Gettysburg is once again hosting a winter Sunday lectures series featuring local historian Timothy H. Smith. As always, the groups will meet at Sweney's Tavern, with the programs starting at 6 p.m. Food and drinks are available, before, during, and after the program with weekly specials. Parking is available in rear of the Farnworth House.   Support the Show by:  Becoming a Patron- https://www.patreon.com/addressinggettysburg  Grabbing some merch- https://www.addressinggettysburg.com/shop  Getting a book- https://www.addressinggettysburg.com/books  Joining our book club. Email addressinggettysburgbookclub@gmail.com     Supporting Our Sponsors:     Mike Scott Voice- https://www.mikescottvoice.com  The Association of Licensed Battlefield Guides- https://gettysburgtourguides.org/  Seminary Ridge Museum- https://www.seminaryridgemuseum.org/  For the Historian- Mention us for 20% off retail sales (in store) plus free shipping (online)- https://www.forthehistorian.com  The Badgemaker- https://www.civilwarcorpsbadges.com  Civil War Trails- https://www.civilwartrails.com 82 Cafe Use "HANCOCK" for 10% off your order https://www.raggededgerc.com/  Buy Billy Webster's Music- Billy Webster arranged and performed the rendition of "Garryowen" that you hear at the end of the show. https://billysongs.com     Music possibly by:  "Garryowen" by Billy Webster  Camp Chase Fifes & Drums and our website is https://www.campchasefifesanddrums.org  California Consolidated Drum Band check them out here: https://www.facebook.com/CCDrumBand Kevin MacLeod www.incompetech.com 

Whbat was it like for the civilians of Gettysburg who did not leave the area when the armies descended on their littl.e corssroads town? Only Tim smith knows the answer and he provides it in this fun lecture in front of a packed Sweney's Tavern at the Farnsworth House.      Support the Show by:  Becoming a Patron- https://www.patreon.com/addressinggettysburg  Grabbing some merch- https://www.addressinggettysburg.com/shop  Getting a book- https://www.addressinggettysburg.com/books  Joining our book club. Email addressinggettysburgbookclub@gmail.com     Supporting Our Sponsors:     Mike Scott Voice- https://www.mikescottvoice.com  Seminary Ridge Museum- https://www.seminaryridgemuseum.org/  For the Historian- Mention us for 20% off retail sales (in store) plus free shipping (online)- https://www.forthehistorian.com  The Badgemaker- https://www.civilwarcorpsbadges.com  Civil War Trails- https://www.civilwartrails.com  Bantam Roasters (formerly 82 Cafe) Use "HANCOCK" for 10% off your order https://www.raggededgerc.com/  HistoryFix- Use promo code "GETTYSBURG" when you sign up and receive $5 off your first year's subscription at https://www.historyfix.com    Buy Billy Webster's Music- Billy Webster arranged and performed the rendition of "Garryowen" that you hear at the end of the show. https://billysongs.com     Music possibly by:  "Garryowen" by Billy Webster  Camp Chase Fifes & Drums and our website is https://www.campchasefifesanddrums.org  California Consolidated Drum Band check them out here: https://www.facebook.com/CCDrumBand    Brass Band Music courtesy of the Federal City Brass Band  Kevin MacLeod www.incompetech.com  

Tim Smith dazzles a packed Sweney's Tavern with information about the debris of battle. Be sure to check out the Farnsworth House's website or Facebook Page to keep up with Tim's Winter Lecture Series. 

In this lecture at Sweney's Tavern, Tim tells us about the babies born around the time of the battle and more. Sometimes we forget that life went on, even during the battle. Luckily, we have Tim to remind us about it.  Check out the Farnsworth House's Website for 2023's schedule of events http://www.farnsworthhouseinn.com/

Tim Smith's Sunday-night lectures are back! In this one he talks about the harrowing journey of those of Robert Milroy's wagon train that were NOT captured by Ewell's men at the 2nd Battle of Winchester. Keep up with Tim's schedule here We bring these lectures to you because of our sponsors and Patrons. Please consider becoming a Patron to help us keep the show going AND for exclusive benefits like early access to ticket sales, discounts and more! Click here to become a Patron

We can't get enough of Gettysburg, folks. So we're heading back to tell you all about the Farnsworth House! A home, a civil war headquarters, and a hospital, this small farmhouse has far more than just bullets within its brick walls! From a child's ghost that likes to check things out, to a midwife who likes to tuck people in, join us for this spooky tale and pray no one sits on the edge of your bed watching you sleep. For 40% off your first subscription to Magic Mind visit: www.magicmind.co/hoah

We asked Garry Adelman and Tim Smith to join us for our second in-person show of 2022. This time, we set up at Camp Farnsworth, a hidden gem right off the alley behind the Farnsworth House. It's a great spot to hold a party, if you're ever in the mind to.    Garry and Tim's Devil's Den book came out 25 years ago and, as can be expected with these fellas, there are funny stories, new information and general fun during the interview.    But first, our wildly popular game show "Whose Line Is It Anyway But You Have To Name The Person He's Saying It To" in which Cam tries to redeem himself from his abysmal showing on our live show in February. Does one of his challengers pummel him or does he finally come out on top? Some say he's the "Rudy" of Addressing Gettysburg.    And, finally, our audience members get to ask Tim and Garry their questions personally.    Thank you to all of our sponsors for this episode, the Farnsworth House and our awesome listeners who bought tickets and made the night exceptionally fun!   SUPPORT THE SHOW BY:  Becoming a Patron- https://www.patreon.com/addressinggettysburg  Grabbing some merch- https://www.addressinggettysburg.com/shop  Getting a book- https://www.addressinggettysburg.com/books  Joining our book club. Email addressinggettysburgbookclub@gmail.com    Supporting This Episode's Sponsors: The Gettysburg Museum of History- www.gettysburgmuseumofhistory.com Ken Rich's Reluctant Witnesses Historic Town Tours- https://www.facebook.com/Reluctant-Witnesses-Historic-Town-Tour-1235978496434000 TR Historical- https://trhistorical.com/ The Badge Maker- www.civilwarcorpsbadges.com Music by: Billy Webster- Buy Billy Webster's Music- Billy Webster arranged and performed the rendition of "Garryowen" that you hear at the end of the show. https://billysongs.com   Colin Southfield and the Mushroom Country Band- https://www.facebook.com/ColinSouthfieldandTheMushroomCountryBand/

Join us on August 20, 2022 for a full day of nerdiness and fun. Start your day with one of our popular Get Out of the Car tours led by LBG Lewis Trott. August's tour will focus on Rodes' Division on July 1.    Then, enjoy your day as you wish, but be sure to join us for dinner and a show at 6pm. Your ticket includes food and one free drink (cash bar after that), great folks and a live recording of an episode of Addressing Gettysburg featuring a game show, Tim Smith and Garry Adelman and your questions. We sold out of our first batch of tickets so we've raised the limit, but only by 25! So don't delay!!   Looking forward to meeting you! To get your tickets click here!

This one is a little bit different from the usual episode. This week we are releasing a Patreon exclusive episode to the public for a peek inside the type of content you can receive as a Super Fiend or Ultimate Fiend! Come join us on Patreon to be in the inner circle. Patreon content won't be released like this regularly and you never know what topics you may be missing....So today, Andrew takes us on a wild ride and talks about The Flying Dutchman. There are so many weird theories out there about this mysterious ship, especially in regards to its origin story. Isabell takes us back to Gettysburg and does a deep dive into the Farnsworth Inn where during the battle, soldiers took it over and used it not only as a makeshift hospital, but as a place to sharpshoot from. It's a house filled with misery, death, and a ton of ghosts. We also read two listener stories that are just so good, it's going leave us having trouble sleeping. Help us grow by liking, sharing, and following us wherever you listen to Parafiend! Tell a friend, family member, or stranger! We really appreciate it.Follow us on our socials!FB - facebook.com/ParaFiendPodcastFacebook Group - facebook.com/groups/482026689615613IG - instagram.com/parafiendpodcastTikTok - tiktok.com/@parafiendpodcastTwitter - twitter.com/parafiendpodWebsite - parafiendpodcast.comIf you have a listener story you'd like to share for us to read on the show, or perhaps a video you'd like us to feature on an episode, please email us at spiritboard@parafiendpodcast.comAnd thank you to our sponsors:Better Help - visit https://betterhelp.com/parafiend to 10% off your first month of professional therapy.Want to send a letter or package to us? Mail them to:Parafiend PodcastP.O. Box 56Hope Mills, NC 28348Support the show10ish PodcastComedy and edutainment podcast discussing a new Top 10ish List every week.Listen on: Apple Podcasts Spotify THE VIDEO STATION A solo podcast exploring fun movie geek nostalgia. And it's terrible, so please listen.Listen on: Apple Podcasts SpotifySupport the show

ABOUT Kyle Bergman:Kyle's LinkedIn Profile: https://www.linkedin.com/in/kyle-bergman-629809131/Twitter: https://twitter.com/ADFILMFESTInstagram: https://www.instagram.com/adfilmfest/Websites:Architecture and Design Film Festival: https://www.adfilmfest.com/Pacific Rim Parks: https://pacificrimpark.org/Kyle Bergman's Bio: Founder & Festival Director - Architecture & Design Film Festival / New YorkArchitect Kyle Bergman founded the Architecture & Design Film Festival (ADFF) in 2009 and serves as its festival director. He has always recognized the strong connection between architecture and film and ADFF provides a unique opportunity to educate, entertain and engage people who are passionate about the world of architecture and design. Now in its 14th season, ADFF has grown to become the largest film festival dedicated to the creative spirit of architecture and design.Mr. Bergman also serves as president of Pacific Rim Park (PRP) whose mission is to use the process of designing and building parks as a tool to connect people and communities around the Pacific. Mr, Bergman has been involved with PRP since its first park built in Vladivostok, Russia in 1994.Mr. Bergman has been involved with design/build education since 1992 when he created and moderated an architectural lecture series about the design/build process for the Smithsonian Institute. He has taught community design/build classes in the Dominican Republic for the Yestermorrow Design/Build School in Vermont, and served on their board of directors for 9 years.An entrepreneur at heart, Mr. Bergman founded Alt Spec in 1999, a publishing company that produced a visual resource of unique and alternative products for architects and designers. He also produced a play, The Glass House, about the design and construction of two famous homes — Mies van der Rohe's Farnsworth House and Phillip Johnson's Glass House. SHOW INTRO:When I was in college I took an elective in hypnosis and one of the few things that I learned during that course is that everyone can be hypnotized, to some degree. That degree has a lot to do with the individual's ability to let themself go, to suspend disbelief, to have a strong imagination as well as the proclivity to get lost in story.What I have always know about myself is that when I watch a movie, the outside world disappears. I am with Frodo on our way to Mordor, in a landing craft on the beach of Normandy on my way to Save Private Ryan, falling in love with the heroine, summiting the mountain… I could go on but you get the idea.The same happens with great novels where I am fully in the narrative and I find portrayals of human excellence deeply moving.Over the years, I have found myself using expressions of famous novelists, musicians, architects and filmmakers as truisms to live my life by.  I love documentaries because I learn things I did not know. I love discovering how things work in our world and how things we often take for granted in out built environment are not there by happenstance but have come to be through an intense, and usually lengthy, process of collaborative making.I often stand in places and I'm amazed at the amount of decisions that had to be made to bring the thing that I'm experienced into the world. This is no small thing and it's something that I think the general public is unaware of. I would hazard a guess that most walk through their environments blissfully unaware of the magnitude of human invention and hard work that it took to bring most buildings to the world.There have been stories I have read - biographies, monographs and radio shows and podcasts that I have listened to that have described the lives of famous makers, builders, architects, artists, designers and musicians - these alchemists of human ingenuity bringing things to the world that are lasting expressions of what it means to be human - in a certain place - at a certain time.And so, it's probably not so surprising that documentaries that focus on the work of architects or TV shows that show how things are made or how to make them better or how our built world has come to be I find particularly fascinating. I think that if people better understood architecture and design, and the intricate set of interdependencies and decisions made to make the beautiful building or ice cream scoop, the world of design and architecture maybe experienced with more reverence.I've often heard it also said that architects tend to make buildings for architects and the much of the subtlety and deep meaning of what architects and designers do is lost on the general public.An this may be, in part , due to the fact that architects haven't been too good at explaining what they do to the public. In the past there were various guilds, associations of craftsmen or merchants that formed for mutual aid and protection and for the furtherance of their professional interests.And indeed, knowledge of the craft was often held in confidence among its members. I've often heard it also said that architects tend to make buildings for architects and the much of the subtlety and deep meaning of what architects and designers do is lost on the general public. Maybe this is a hold-over from ancient guilds. If so, the consequence has been a poor understanding of the world of architecture and one that needs some revision.This is just one of the mandates that Kyle Bergman and the architecture and design Film Festival have set out for themselves in bringing stories of architecture and design to the general public. The architecture and design Film Festival attempts to write that story in a different way. To bring the art and science of architecture and design, what it means, why we do it and how we do it, to the general public so they better understand the nature of the built world and what it means to be a participant in it.ArchitectKyleBergman founded the Architecture & Design Film Festival (ADFF) in 2009 and serves as its festival director. He has always recognized the strong connection between architecture and film and how the ADFF can provide a unique opportunity to educate, entertain and engage people who are passionate about the world of architecture and design. Now in its 14th season, ADFF has grown to become the largest film festival dedicated to the creative spirit of architecture and design.Kyle Bergman has been involved with design/build education since 1992 when he created and moderated an architectural lecture series about the design/build process for the Smithsonian Institute. He has taught community design/build classes in the Dominican Republic for the Yestermorrow Design/Build School in Vermont, and served on their board of directors for 9 years.He is also the president of Pacific Rim Park (PRP) whose mission is to use the process of designing and building parks as a tool to connect people and communities around the Pacific. The architecture and design Film Festival now screens about 300 documentary films every year. They curate the best of them and bring them to the public in major cities across the US and Canada as well as releasing them online.Because of the work of Kyle Bergman, the general public continues to be invited into a deeper understanding of architects, designers and the nature of the built environment.The architecture critic Paul Goldberger has said “Architecture begins to matter when it brings delight and sadness and perplexity and awe along with a roof over our heads.” For the past 13 or 14 years, the architecture and design Film Festival has brought together the story of architecture and design offering those who participate a felt sense of delight and sadness, a deeper appreciation for the complexity of the practice of design and architecture and a sense of awe about the magic and meaning of buildings. ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. David also writes a popular blog called “Brain Food” which is published monthly on vmsd.com. 

On February 26, 2022, Addressing Gettysburg did its first live-with-an-audience, on-location show and we learned one thing: look out, Rat Pack. There's a new night club act in town.  But seriously, we had fun with guest co-host, Tim Smith and our special guests, Patrick Gorman and Bo Brinkman. Here are some of the highlights from this episode: -a good deal of movie trivia you may not have heard before -West Virginia Mountain Folklorist dazzles us all with vivid memories of watching the movie at the tender, non-memory-forming, age of 2. -the debut of the wildly popular game show "Whose Line Is It Anyway, Except You Have to Name Who the Person Is Speaking the Line To Or Something Like That" -the audience turns on Cam -Loring Shultz, owner of the Farnsworth House, sits down with Tim, Patrick and Bo, to discuss his memories of the actors hanging out there every Friday and Saturday night during filming, how his showcase of memorabilia came about and he finally dispells the rumor that he fed and watered the horses during the shoot.  - "Six Questions" leads the charge of audience questioners   AND MORE!   Special thanks to Eric the Producer, the crew at the Farnsworth House (Lelan, Sarah, Libby and Becky), our audience for buying up all the tickets within the first 48 hours, Casey Turben for help with the sound system, and Jonjon Pinkerton for getting us in touch with other actors who have been on the show.    Hope it's as much fun to listen to as we had making it. And if you missed this one, don't worry. In-person shows are now a part of Addressing Gettysburg.

WTB

Want more Gettysburg? https://www.patreon.com/addressinggettysburg Tim Smith talks about one of those most famous brigades of the Battle of Gettysburg and the Civil War: The Iron Brigade, made up of the 2nd, 6th, 7th Wisconsin, the 19th Indiana and the 24th Michigan from Sweney's Tavern at the Farnsworth House. 

We are SO grateful to have the chance to chat with Matt Flanders this week! Matt Flanders is an independent producer and writer. Most recently, he produced TED K starring Sharlto Copley and directed by Tony Stone. Ted K is out NOW in cinemas or available to buy or on Amazon Prime or AppleTV/iTunes! https://www.tedkmovie.com/ Amazon Prime: https://www.amazon.com/Ted-K-Sharlto-Copley/dp/B09P48HCT4 AppleTV/iTunes: https://itunes.apple.com/us/movie/ted-k/id1605840439 Matt is also currently working on THE FARNSWORTH HOUSE, written and directed by Richard Press and starring Elizabeth Debicki and Ralph Fiennes. He co-wrote and will produce DOWN CAPE, directed by Julia Stiles. Other producing credits include Danny Sangra's GOLDBRICKS IN BLOOM and Alexandra Boyd's WIDOW'S WALK. Before starting his own production company, In Your Face Entertainment, he worked in production and development at Plan B Entertainment. During his time there, he assisted with Ryan Murphy's EAT, PRAY, LOVE, Andrew Dominik's KILLING THEM SOFTLY, Marc Forster's WORLD WAR Z, and Steve McQueen's TWELVE YEARS A SLAVE. Originally from Helena, Montana, he now splits his time between New York City and Upstate New York. Follow The Makers on the socials! Instagram: www.instagram.com/themakerspodcast YouTube: https://bit.ly/themakersonyoutube Facebook: https://www.facebook.com/themakerspodcastfb Email: themakerspod@gmail.com All Episodes: Linktree: www.linktr.ee/themakerspodcast Spotify: https://spoti.fi/3h01xUC Apple Podcasts: https://apple.co/3LVNiyD Audible: https://adbl.co/3t5x1hR Amazon Music: https://amzn.to/35m5bpc Google Podcasts: https://bit.ly/themakersongoogle Anchor: www.anchor.fm/themakers --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/themakers/support

Addressing Gettysburg, wants to bring Gettysburg to you when you can't bring yourself to Gettysburg. Recording the NPS and Tim Smith Winter Lectures are part of that service. If you appreciate what we do for you, then, please consider becoming a Patron. Click here to join the crew! Gettysburg always has something going on. As the great American philosopher, Henry Hill, once said: Fridays are for girlfriends and Saturdays are for wives, but Sunday, that's for Tim Smith at the Farnsworth House.  In this lecture, Tim talks about his explorations of Rock Creek, an often overlooked topographical feature that played its part in the fighting around Culp's Hill. 

This lecture is brought to you without commercial interruption by our Patrons over at www.Patreon.com/addressinggettysburg . When you can't make it to Gettysburg, we want to bring Gettysburg to you. Becoming a Patron helps ensure that we can cover more events outside of our studio, like this lecture. Plus, because we appreciate your support, you will receive up to four new episodes a month through our Patreon account. See what 267 other people from around the world have already discovered. Become a Patron, today! LIVE! (on tape) from the Farnsworth House it's Tim Smith's Winter Lecture Series. In this one, Tim talks about his historic discovery of S.G. Elliott's Antietam Burial Map and he answers the question "just who was S.G. Elliott?" Need A Place To Stay? Try one of the rooms at the Historic Farnsworth House Inn. Click here!

Tim Smith gives lectures every Sunday (mostly, every Sunday) during the Winter months at the Farnsworth House. We record them for you and because of you, but we are enabled by our Patron. Please become one today to help us keep this going and expand into more for you. Click here   In this one, Tim tells us about the history of the Farnsworth House and Sweney's Tavern from the beginning, through the battle and beyond. 

It's Winter (almost) and that means Winter lectures! Hooray! This season, we hope to be able to bring you Tim Smith's lectures from the Farnsworth House as well as the Winter Lecture Series from GNMP.  This episode is the first of Tim's and it is about the Roads of Gettysburg. How many roads funneled into Gettysburg in 1863? 7? 8? 10? 11? 12? Depends on who you ask, apparently.  Tim's lecture is a fascinating look back at how the roads of the area formed into what they were in 1863 and what they are now.  This episode is brought to you for FREE and without commercial interruption by our awesome Patrons. Don't you want to be awesome too? Join them! It enables us to do more shows like this CLICK HERE!

Our first entrepreneur! Not too many can say they've survived the Shark Tank, and came out with a deal - but Matt Bliss and his grandfather's mid-century modern tree design captured the heart (and business mind) of Barbara Corcoran, and we hope this conversation captures yours as well! He recounted the stories of his grandfather, early stages of his business, & the iconic MCM homes he has visited to photograph his trees. We discussed design copies within our industry, and shared a nod to other makers in our community. This episode about Modern Christmas Trees is sure to get you in the holiday spirit!

Peter Bohlin and Peter Gluck are two of most innovative and successful architects in residential Modernist design.  In careers spanning over 14 decades, if we add them all together, their award-winning practices created several hundred award-winning houses you can see at usmodernist.org/gluck and usmodernist.org/bohlin.  Later on, commentary on the the famous Farnsworth House by Mies van der Rohe with Louisa Whitmore. 

Dream come true! What is more fun than sitting down with one of your favorite musicians and talking about mid-century modern design & architecture? We spoke about Jake's personal connection to Herman Miller, learned about hi-fi audio equipment, reviewed influences & style in his music, and discussed architecture across Europe and the Northwest US. Go listen to “Absinthe Party At The Fly Honey Warehouse”, sit down in your favorite chair, and come join our tour & conversation with Jake Snider.Episode Artwork Photo by Ryan Muir

This Inn was at the center of the Battle of Gettysburg... so yes it is definitely haunted.  Book a room to see the nurse in blue or maybe see a soldier at the end of your bed.

Today is the 135th birthday of one of my personal favorite architects: Ludwig Mies van der Rohe. You know his Farnsworth House and Barcelona Chair designs. I have always found his sharp corners and Less is More approach to design very modern, calming, and just plain non-fussy. The world is a better place because he was in it and still feels the loss that he has left. This episode is also available as a blog post. --- Send in a voice message: https://anchor.fm/waldina/message

Mimarın Mutfağı 10 dk'da Yapılar Serisinin sekizinci bölümünde Şikago'nun Illinois, Plano şehrinin güneyinde bulunan Farnsworth House'u ağırladık. 1951 yılında arasında Dr. Edith Farnsworth için bir haftasonu evi olarak kurgulanmış konut yapısı. Mies Van der Rohe tarafından tasarlanan ev, mimarlık tarihinde oldukça önemli bir yere sahip yapının hikayesini araladığımız podcast oldu. Mimar Gamze Ağca'nın seslendirdiği yayını kesinlikle dinleyin derim. Duyuru fotoğrafı tasarımına destekleri için mimarlık öğrencisi Çağla Çağlıyangil'e teşekkür ederiz. Öneri, isteklerinizi sunmak için ve ben de ekibe katılabilir, yayın yapabilirim diyorsanız, bizimle abdullahdogmus.com adresinden iletişime geçebilirsiniz.

Architect Maria Ludwig Michael Mies changed his name.  He added his mother's maiden name Rohe and the Dutch “van der” to become, drum roll please, Mies van der Rohe. Most of his fans just refer to him as Mies – like Cher or Moby or Beyonce, he’s still one of the most famous architects in the world some 50 years after his death.  Today we talk about his greatest house – the Farnsworth House – with Alex Beam, author of the new book Broken Glass: Mies Van Der Rohe, Edith Farnsworth, and the Fight Over a Modernist Masterpiece - and Scott Mehaffey, Executive Director of the Farnsworth house in Plano IL, which you can visit.  Later on, a few minutes with Frank Harmon, reading from his book Native Places. 

Amanda Woomer is a huge travel buff, foodie, and lover of all things strange and unusual. A couple of years ago, she decided to combine her three interests into one and that's how Spook-Eats was born. Spook-Eats is a blog dedicated to travel, food, and a little bit of the paranormal thrown in just for fun. I'll have to admit that I wish I had thought of this first, because I too, love travel, delicious food and (of course), the paranormal. I'm both a little jealous and envious of her. Amanda has been visiting haunted locations ever since 2004, when she first visited Gettysburg, PA. Since then she has traveled to dozens of haunted places in the United States from the Stanley Hotel in Colorado to the home of Robert the Doll in Key West. She frequently travels around the country, visiting bars, cafes, restaurants, and hotels, searching for delicious food and spirits of all kinds. She has been to the Lemp Mansion, the Farnsworth House, the Lizzie Borden bed and breakfast, and even some locales you probably haven't heard of yet! Never one to sit still for long, Amanda has authored 4 books, made guest appearances on several paranormal podcasts and radio shows and has also given presentations as a couple of paranormal conventions. She is constantly updating her website by writing about her adventures and is currently expecting her first child, which is due on August 22, 2020! In addition to being a writer, she is a former international English teacher, and historian. She was born and raised in Buffalo, NY, and has a degree in anthropology. She won her first award for her writing when she was only 12 years old. With publications in anthologies and magazines all over the world, she is currently a featured writer for the award-winning Haunted Magazine. On this podcast, Amanda and I will discuss how she came up with the idea for Spook-Eats, her books and she'll tell us all about some of her most memorable locations. She will also give us the best and worst dishes that she's eaten so far in her Spook-Eats journey. To learn more, you'll have to Turn On, Tune In & Find Out!

  Patron "Balthazar" took us up on the offer to take your requests for topics or guests. His is the first one that was easily fulfilled. So Bob, Tim Smith, Eric the producer, patron Veronica and a cast of bikers and reenactors met at the beer garden of The Farnsworth House to talk about what the civilians experienced with the units that came through or occupied the town from June 26, 1863, on.    Become a Patron today by clicking here  Matthew Callery, Bob Steenstra, Timothy H. Smith. Copyright 2020. All rights reserved  

A riff on Stanley Tigerman’s Titanic, but with the Farnsworth House in lieu of Crown Hall. On May 18, 2020, architecture’s overlong twentieth century was brought to a symbolic close with the … https://www.ribbonfarm.com/2020/05/26/the-farnsworth-house-an-epochal-obit/

A riff on Stanley Tigerman’s Titanic, but with the Farnsworth House in lieu of Crown Hall. On May 18, 2020, architecture’s overlong twentieth century was brought to a symbolic close with the … https://www.ribbonfarm.com/2020/05/26/the-farnsworth-house-an-epochal-obit/

A riff on Stanley Tigerman’s Titanic, but with the Farnsworth House in lieu of Crown Hall. On May 18, 2020, architecture’s overlong twentieth century was brought to a symbolic close with the … https://www.ribbonfarm.com/2020/05/26/the-farnsworth-house-an-epochal-obit/

A riff on Stanley Tigerman’s Titanic, but with the Farnsworth House in lieu of Crown Hall. On May 18, 2020, architecture’s overlong twentieth century was brought to a symbolic close with the … https://www.ribbonfarm.com/2020/05/26/through-a-glass-lightly/

A riff on Stanley Tigerman’s Titanic, but with the Farnsworth House in lieu of Crown Hall. On May 18, 2020, architecture’s overlong twentieth century was brought to a symbolic close with the … https://www.ribbonfarm.com/2020/05/26/the-farnsworth-house-an-epochal-obit/

Tim Smith hosts Lectures throughout the Winter at the Farnsworth House. This one is about Lincoln's 25-hour visit to Gettysburg in November of 1863. We are able to record events like this because of our generous Patrons over at www.Patreon.com/addressinggettysburg  Please consider becoming a Patron so we can bring more of Gettysburg to you. 

Tim Smith hosts Lectures throughout the Winter at the Farnsworth House. This one is about new information Tim has uncovered about Jennie Wade, the only Gettysburg civilian to be killed during the battle.  We are able to record events like this because of our generous Patrons over at www.Patreon.com/addressinggettysburg Please consider becoming a Patron so we can bring more of Gettysburg to you. 

Licensed Battlefield Guide and Author Tim Smith presents lectures at the Farnsworth House on Sundays during the Winter. On this episode, Tim sits down with Matt and goes through the topics yet-to-be-covered in his lectures.  Just some of the topics we touch on here are: -Jennie Wade (January 26) - Pender's Assault on Seminary Ridge - "25 Hours In Gettysburg" about Lincoln's stay in November, 1863   And more! To see Tim's schedule, follow the Farnsworth House Inn on Facebook, visit their website or call them at 717-334-8838 As always, if you wish to take a tour with Tim or any of the guides you hear on Addressing Gettysburg, drop us an email at matt@addressinggettysburg.com and we will put you in touch. 

Lord Peter Palumbo is a developer, art collector, car collector, wine collector, architecture collector and Conservative life peer based in the UK. He was educated at Eton and Worcester College, Oxford, a star athlete who played polo with Prince Charles. He first met Mies van her Rohe in the 1960’s and spent much of the next 30 years trying to get one of his buildings built. In 1972, he purchased the Farnsworth House by Mies van der Rohe in Plano, Illinois and in 1986 he bought Frank Lloyd Wright’s Kentuck Knob near Fallingwater in Pennsylvania. 

The Historic Farnsworth House Inn is named in honor of Brigadier General Elon John Farnsworth, who led an ill-fated charge after the failure of Pickett's charge, claiming the lives of Farnsworth and 65 of his men. A long and violent history. The original part of the house was built in 1810, followed by the brick structure in 1833. The house sheltered Confederate sharpshooters during the three-day conflict, one of whom it is believed to have accidentally shot 20 year-old Mary Virginia "Jennie"  Wade, the only civilian who died during the battle. More than 100 bullet holes pock the walls. Following the battle, the house served as a hospital. The Lincoln procession passed the Farnsworth House on November 19, 1863, on the way to the National Cemetery where he delivered the famous Gettysburg Address. Harvey Sweney, the owner of the house during the battle, composed a letter to his brother, penning the most insightful and powerful account ever written on the subject. Today, the Bed & Breakfast guests enjoy lovely Victorian rooms and at times... Ghosts Today we discuss the ghosts of The Historic Farnsworth House Inn. Get more at http://www.thegravetalks.com

This week we Finally Talk about the city of Gettysburg and a bit about the Civil War.   If you like this podcast, consider supporting us on Patreon.   Sources:   http://www.hauntedhouses.com/states/pa/farnsworth_house.htm   http://www.post-gazette.com/life/travel/2008/04/13/Gettysburg-s-haunted-address/stories/200804130210   http://jennifermelzer.com/2014/10/23/weird-ghost-stories-the-farnsworth-house-inn-part-one/   http://jennifermelzer.com/2014/10/24/weird-ghost-stories-the-farnsworth-house-inn-part-two/   http://jennifermelzer.com/2014/10/25/weird-ghost-stories-the-farnsworth-house-inn-part-three/   http://www.huntersoftheunknown.com/farnsworth-house-inn.html   http://www.yourghoststories.com/real-ghost-story.php?story=17006   http://www.ghostinmysuitcase.com/places/farnswor/index.htm   https://seeksghosts.blogspot.com/2015/07/gettysburg-farnsworth-house.html   https://www.hauntedrooms.com/product/farnsworth-house-inn-gettysburg-pa   http://www.hauntedtravelsusa.com/me/haunted-travels-usa/farnsworth-house-inn-restaurant-9828.html   Extra:   http://www.timesonline.com/77ffbace-fbf9-5677-bbe1-47e424253e80.html   https://www.huffingtonpost.com/2013/10/17/haunted-roads_n_4101142.html   https://www.thoughtco.com/the-worlds-most-haunted-roads-4123216    http://www.precisiontune.com/mystery-mile-is-perfect-for-a-spooky-halloween-ride

Over the next two episodes, the Windows Insider podcast explores all things mixed reality. In part 1, we chat with the Hololens team about design elements in Windows Mixed Reality and how developers can get started creating immersive experiences. We also hear how virtual reality enhances social life and creates community with people from all over the world. Find out more about Windows Mixed Reality here: https://aka.ms/MoreInfo_WindowsMixedReality   Episode transcript ALEX KIPMAN (from video):  Now we're standing together at the threshold of the next revolution of computing.  Now, the thing that excites me about this revolution is that computers will empower us to renegotiate our very contract with reality, giving us the capability to transcend time, space, and devices In this revolution we will immerse ourselves in virtual worlds of our choosing, and we'll be able to accomplish impossible things.  And we'll be able to do all of this while creating lasting memories with the people that we love Our very sense of reality is set to be transformed as we enter this new era of computing, the era of mixed reality JASON HOWARD:  That's Alex Kipman, Technical Fellow here at Microsoft, delivering the keynote at a recent event where he unveiled the company's vision for mixed reality And as you can tell from that clip, his vision is a bold one.  Microsoft's plan for mixed reality is nothing short of transforming the way people interact with the physical and digital worlds But let's back up for a second.  What is mixed reality, and what will it enable us to do? Welcome to the Windows Insider Podcast where we explore all things Windows, the Insider community, and beyond I'm your host, Jason Howard. You're listening to Episode 10, the first of a two-part series where we'll explore mixed reality Microsoft has been a pioneer in mixed reality, also known as MR, starting with the groundbreaking launch of HoloLens in 2015.  The HoloLens is the world's first untethered holographic computer that enables people to have experiences that blend both the physical and digital worlds To learn about recent developments in MR I've invited a couple experts from the HoloLens team to the podcast today BECKY HARUYAMA:  My name is Becky Haruyama, and I am a Principal Designer for the Windows Mixed Reality Engineering Team. And what I've been focusing on most recently is the customer experience in the physical Microsoft stores where people who are going out and looking at what is this Windows Mixed Reality, we have design and experience for them to kind of better understand why they should invest in this KATHERINE HARRIS:  Yeah, and I'm Kat Harris.  I am also on the Windows design team, but I am a developer and I work mainly with our open source toolkits that we provide to developers to help them really dive into working with our headsets, and making very high quality, cool, new experiences and new tools for their companies or bringing their ideas to life JASON HOWARD:  So Becky, let me ask you, what is your definition of mixed reality? BECKY HARUYAMA:  So we are familiar with the physical world.  We live in it every day.  It's made out of atoms.  It's things that you can touch.  And then there is this digital world that is made out of pixels.  And mixed reality is the blending of those two realities together And so while that is still really abstract, if you start thinking about augmented reality and virtual reality, those are actually under the spectrum, the umbrella term of mixed reality So augmented reality is when you have digital artifacts in your physical world, so you can see your environment, you can move around inside of it, and there are digital artifacts that are around.  And there's different kind of fidelities of that And then of course on the virtual reality side your environment is completely digital. And there's not really like a hard edge line, it's more of a blending of people, places, and things.  And so you could have a fully digital person in a fully physical location or physical place.  And so it's really like Alex Kipman talks about this dial, the mixer, that kind of mixes people, places, and things between augmented reality and virtual reality.  So there is no boundary between the two, it's really a mixture of those three characteristics under the umbrella of mixed reality JASON HOWARD:  So Kat, your work is focused on enabling developers to create mixed reality experiences.  What are some inspiring things you've seen people do with this new technology KATHERINE HARRIS:  A lot of different things.  What's great about mixed reality is that it's kind of an open platform for a bunch of different industries to kind of jump into.  You have the medical industry, you have education, you have training people.  And it's this new exploratory like medium of giving content to people and kind of training their brains or delivering that content in a different way that they've never really experienced before And so we're enabling developers now to create new experiences that we would have never realized ourselves.  Just being in the tech industry we're kind of in our own little bubble.  But getting to share this technology with a bunch of different people allows them to create some really cool things I met a woman last week actually who was working in robotics, and she was using the HoloLens to control multiple robots and like control where it was going.  And I was asking her, like, oh, that's so amazing. She's like, yeah, what would be really cool eventually is to be able to have a counterpart application in immersive reality, and have the headsets where people could experience like what the robot was experiencing perhaps.  And that way you have one person controlling it with the HoloLens, and another person experiencing what the robot is experiencing JASON HOWARD:  Wow KATHERINE HARRIS:  Yeah, exactly.  I was like, oh my gosh, that's so cool, I want -- I want that application now BECKY HARUYAMA:  Tell him about what that event was KATHERINE HARRIS:  Oh yeah.  So last week, we had an event with women in VR.  We invited a bunch of women creators who had HoloLens out in the field in LA, New York, Paris, and had them all come in for a two-day workshop to kind of introduce them to the new headsets, as well as showcase their awesome HoloLens applications So there was about nine or ten different applications that people were showing off.  One of them was a museum application called HoloStoria where museums could use it, and you can have 3D assets, place them around your museum, scale them up, add 2D information to also display to the user. And you didn't need to know anything about programming to use it.  So you could give it to curators and stuff, and they could just easily go around and create their museum add-ons or extensions to their physical locations And a couple other fun ones, there was one where you defend kittens from aliens attacking.  So that's more on the gaming side One person was using AI to train a dragon.  Think of a Tamagotchi, but with a dragon that could interact with your physical world.  So it knew where walls were, it knew where the ground was, it could fly and burrow and avoid stuff, and you could interact with it, give it commands We also had like art installations where you could see a stage and interact with your friends and see this art installation come to life Muralize is a very popular application where you take your Instagram feed or any Instagram photo and put it on a wall, pin it there, and then you can actually have paints and stuff and paint the wall with the headset on, so you can see your art.  So it's helping artists create in a new way that I would have never been able to come up with BECKY HARUYAMA:  And this whole thing was kind of identifying people out in the wild who are creating amazing things on HoloLens, and then the effort was helping them kind of port these experiences over to Windows Mixed Reality immersive headsets, just to kind of enable them to have broader reach JASON HOWARD:  So it sounds like developers obviously they have their hands on this, they are doing great things already.  What are some of the key things that, Kat, you and your team are doing to enable developers to have a good experience in this space KATHERINE HARRIS:  Yeah, there's a bunch of things that we're trying to do to meet developers where they are So we have a repository on GitHub called the Holo Toolkit.  And it's a toolkit of assets and scripts that developers can use with the engine Unity.  It's a game engine to use simulations or create 3D environments. And using those scripts and the toolkit they can easily get started with the basic foundations of how do you do spatial mapping, how would one do like hand gesture for tapping or gaze.  And so the scripts are already given to them JASON HOWARD:  Let's talk about some of the design elements in Windows Mixed Reality.  Becky, can you tell us about the considerations you and your team had during development BECKY HARUYAMA:  We really wanted to make sure that we had content that would be interesting to people who are gamers, people who are not gamers, men and women, different ages.  And so we had that as a goal And then we were also looking at the Cliff House, which is our kind of, quote/unquote, "home" in mixed reality.  It's the environment that you cruise around when you're inside the headset.  And we looked at the design of the quote/unquote "architecture," and there are different spaces in the Cliff House And so we looked at what we call these different psychological fields or what are the things that you do in these different types of rooms or these different kind of locations.  So we have a back patio.  It's really beautiful.  It's very relaxing.  You're looking out over Mt. Rainier.  You can go outside and there's birds chirping.  So the psychological field for that is relax and dream And then we have a studio which is more your typical kind of office studio space.  And that's more for creativity and productivity And then we have the deck which overlooks the water.  There are these floating islands.  We like to have a little bit of fantasy in with our reality.  And that one's more aspirational.  It's more like what's next for me.  I'm about to decide what I'm going to do with my life.  And so that room is learn and discover And then we have the theatre, which is this really amazing, huge space that is where you have your games and your movies and it's more about like escaping and playing So we kind of had that as our organizing principles for the way we wanted the demo to unfold.  We looked at what content we needed in each of those locations to kind of ensure that we would have an experience that would really resonate with a wide group of people JASON HOWARD:  Can you tell us a little bit about the history of the Cliff House and why is that the first place you land in the Windows Mixed Reality world? BECKY HARUYAMA:  So one of the things that I think is really interesting when we talk about mixed reality is realizing that on our desktop our 2D screen when you go to the Start Menu, like that's kind of your center of gravity, like that's how you go back to it, it's how you move around, and that is kind of kind of the paradigm that we use So when you think about transitioning into a spatial analogy, and it's actually the thing that we're most familiar with in the world.  Like we were born and we move around in the world, and it is a spatial interface, it is a spatial environment So when you think about what is a home, it's something that everyone can relate to, hopefully, that it is this place that is kind of central to who you are and to what you do. And architects and space planners really leverage these constructs that we're familiar with around what situation am I going to do in this room  and in this room and in this room, and then you design kind of a place around it So having it be a home really seemed to make the most sense, because we wanted it to be familiar, and we infused some like fantasy into it, like I mentioned before with the floating islands.  So it really is like this aspirational, amazing place that we wanted people to instantly understand how to move around within it But it's not your normal home.  Like there are no doors, there are no windows.  You can hop up onto the roof, which is my favorite place to go KATHERINE HARRIS:  Same BECKY HARUYAMA:  Yeah, it's so fun.  It's got the best view And so it just seemed to make the most sense We weren't going to do like a forest.  Ah, I'm lost in the forest, you know, or like you're on a beach.  Well, okay, that's fine, but we wanted it to have a certain level of utility.  We wanted it to be a place that was comfortable, and we wanted it to be neutral enough in the sense so that you could personalize it in the way which you organize all the things that matter the most to you, the apps that you like the most And it was actually inspired by a really beautiful modern house that was built in the 1950s, I believe, it was the Farnsworth House.  If you look it up online, it's this really beautiful, kind of super simple, streamlined house, had a lot of glass, really simple lines.  And the architect built it for his client to kind of support her hobbies, which were playing violin, reading poetry, and looking at nature.  And so it was this really amazing kind of inside-out space that when everyone looks at this picture, it's like, oh, I really want to live there, that's like the most amazing house.  And so that was a lot of the inspiration for the Cliff House And we picked the external environment to be inspired by our beautiful Northwest, and that's why we have Mt. Rainer there also JASON HOWARD:  Nice.  I actually didn't know that about the history.  That's kind of cool that it's based off of an actual house that exists BECKY HARUYAMA:  Yeah, well, a lot of architecture is this really interesting -- you know, you look for inspiration, and then you kind of apply it to the goals that you're trying to facilitate I mean, I think the most important thing is we wanted people to be able to identify with it, and to then make it their own.  And so that was one of our main goals JASON HOWARD:  So to the point of personalization and making Cliff House your own, right, do either of you have your own Cliff House that you've designed and customized and - KATHERINE HARRIS:  Oh yeah, yeah.  Becky, you go first BECKY HARUYAMA:  Yeah, okay.  So I have spent a ton of time in the headset kind of creating my own environment.  And my favorite thing was when I put up the photos app, and put my own personal photos in, so it turned into like a slideshow.  And so I'm hanging out in there, and I'm doing my self-hosting and kind of figuring out how we were going to create the demo for the retail stores.  But then there's my family right there with me. And then we had kind of an internal contest of who could like make the craziest Cliff House.  And some of the other designers made these amazing -- like they take the holograms and they would like make -- I don't know, there was like a hundred flamingos or monkeys, I don't remember what it was, or they'd like take the shopping bag and make it huge, or, you know, it's really fun, because there's a lot of scalability.  You can play with the scale of things in a way that you can't do in the quote/unquote "real world."  And so like playing with the holograms, and then putting your apps in the way that you want to, and like what's on the roof and -- okay, Kat, you go KATHERINE HARRIS:  My favorite thing is to make the Netflix app as big as possible, so I have like an 80-foot screen BECKY HARUYAMA:  Is that on the roof KATHERINE HARRIS:  No.  So there's like the media room, right?  Well, there's a button on the side of the media room where it's just like a wooden room, but then when you hit that button, it turns into outer space.  Or like not outer space, like the stars JASON HOWARD:  Okay KATHERINE HARRIS:  And it's beautiful.  And I just like watching my new Netflix shows, and then seeing this beautiful skyline.  And then it's like Netflix but then it's all my other media as well.  I have a bunch of 360 video apps on the side, and then I have a bunch of games on the roof of the house, so I'll just pop up to the roof, and it's like 360, just all my favorite games. And then, of course, I use my holograms to like make it my own.  So I have like a little dog hologram, a little cat hologram, just lots of pets and animals.  Since I don't own any, I can have hologram ones JASON HOWARD:  And no mess to clean up KATHERINE HARRIS:  And no mess to clean up.  I don't have to like feed them and stuff or forget to feed them, because that's why I don't have a pet, because I would -- they would die.  I've killed a cactus.  Never mind.  That's another story JASON HOWARD:  If you're ready to see the Cliff House for yourself, just go to a Microsoft Store for a free demo.  You'll also be able to check out the different immersive headsets that are available now.  I've tried it, and it's a ton of fun.  Not to mention the fact that I scored Spartan the first time I played the new Halo mixed reality edition. Another exciting development in MR is the opportunity for socializing.  This immersive technology can give you the chance to meet people from all over the world, attend live events in far off lands, and play interactive games Here to tell us more about the social side of MR is Katie Kelly from AltSpaceVR, one of the leading social platforms for virtual reality So AltSpaceVR provides an environment for people to meet up in virtual reality.  Why is it important to have social spaces in VR KATIE KELLY:  I think the better question is, why is it important to have social spaces in general.  And I think in virtual reality having a place where you can hang out with other people is just a natural evolution of where we are with communication technology So you have Skype and you have videoconferencing and you have a phone, and we've gotten really tethered to these devices where you are only communicating through speech or looking directly at somebody on a Skype call.  But you miss out on those things that we do when we're watching TV together, those natural interactions that you have when you're doing something together So what we think is that VR is the natural evolution of communication, is that you are going to have shared experiences with each other instead of being tethered by just your voice or through eye contact on a videoconference JASON HOWARD:  So can you describe a little more what it's like being there in virtual reality just hanging out KATIE KELLY:  Sure.  When you go into AltSpaceVR, you don't know what you're exactly going to get, but our biggest goal is to get you to laugh, hopefully in the first five minutes So you can come into AltSpaceVR and you will first probably pop into our campfire.  It's our communal space where there are people hanging out, and we have marshmallows and we have a forest landscape and a roaring fire, and that's where people go to hang out And so when you go in and there's going to be somebody there, they'll probably say hi, and you'll say hi back, and then you'll realize that you are talking from inside your headset, probably in your living room, hopefully with clothes on, to a random person that might be in Norway or might be in Sweden or might be in California or somewhere in the states, and then you just start talking And if you don't just start that conversation, we have lots of things for you to do to start to encourage those interactions.  Our main goal is to get you to meet somebody new, and to have a good time, and hopefully make a friend And so we have games that you can play, we have dungeons and dragons, and we have chess, and we have Cards Against Humanity is our most popular, of course JASON HOWARD:  That's a fun game KATIE KELLY:  It's called Holograms Against Humanity in AltSpaceVR And you can go explore different environments.  We have a full Mayan maze that will take you 20 minutes to get through, and you'll make some interesting friends along the way We have a disc golf course, and mostly we have events.  We're really known for our events.  You can come in at any point and see a community calendar of all the events that will be happening throughout the day or the week.  And it spans the gamut from meetups to comedy shows to news broadcasts to live streams, our rocket launches.  We do a live stream of SpaceX rocket launches.  Those are some of our most popular live streams Because we've found that people want to experience these pulse moments together with other people.  So what's a better way of doing that than putting on your headset, you're alone in your room in maybe rural Nebraska, and all of a sudden you're in a room watching something really cool with a bunch of people that could potentially be new friends JASON HOWARD:  So as an individual, the experience, I put on my headset, and, you know, I get logged in, so to speak, right?  What do I see of other people?  Am I seeing actual images of them?  Can they upload photos of themselves?  Is it just like a representation, is it some sort of avatar KATIE KELLY:  So right now you're an avatar.  And we have a range of different avatars that you can customize, mostly with different colors for different robot avatars, and then we have a male and a female avatar with a couple different clothing styles, different races, different hair colors.  And so that's where we are right now with our avatar system.  And so when you go into a room, you see a bunch of other avatars But what's interesting, if you haven't tried VR, is it's really hard to explain how present you actually feel with other people.  My father has a Gear VR that I got him years ago when I first started at AltSpace so that we could experience what it was like hanging out with somebody you knew in VR.  And he's always a white avatar with red stripes, with his hands behind his back.  But after probably, I don't know, 15 minutes, I completely just associated that avatar as my father.  At one point, he switched avatars, and I was like, no, dad, you've got to back, now you're just in a different body.  You were you when you were that avatar And we found that across the board that people really start to identify with the avatar that they are, and when I got into AltSpace and I see my friends there now, now that I have friends in VR, which is really strange to say, I recognize people based on their avatar.  I'm like, Lea, hey, how's it going, and Peroxide, how's it going, so nice to see you in your red avatar JASON HOWARD:  So it sounds like people from around the world are participating and joining in and getting together.  Can you tell us a little bit about the people that are participating?  Do you have any information about like the diversity of users kind of around the world KATIE KELLY:  So our events are a testing ground for us to try a lot of things to see what people are going to like in VR.  So we do a lot of things.  I have done the first yoga class in virtual reality.  I have held the first meditation meetup with our amazing previous community manager, Lisa Kotecki.  And we've just tried to supply a lot of different things to see what people like to do And so one idea was to do meetups, and they've become really successful.  So I did an LGBT meetup, and we had a good couple hundred people show up, and we talked about what it was like being gay around the world One guy was from South Africa talking about being gay down there.  A couple in Australia was talking about fighting for gay rights.  A man in Turkey was talking about having to prove that he was gay, because he couldn't join the military because he was gay, but they didn't believe him And then you had a girl in rural Nebraska that was 16, and she couldn't actually say the word gay because her family could hear her, because she was still in her family's house.  So she messaged, she wrote a little text message to one of my coworkers that was in the space I was in.  You have to use your imagination a little bit, but you feel like you're in an actual space with other people And he messaged me and said, "Hey, there's this girl here that wants to talk and tell us her experience, but she can't say the word gay.  What do we do? And so I asked her, I said, what's something you just love to talk about?  And she said chocolate.  I said, okay, every time you want to say the word gay, say the word chocolate She told us about the first time she ever ate chocolate, who she liked to share her chocolate with, all the different kinds of chocolate that she liked.  And then three weeks later, she came out to her family, because she felt like she had her community in VR that she saw once a week, and she didn't feel as different as she had felt before And those stories are happening over and over again, but those kind of moments where you wouldn't be able to find your community out in your neighborhood, you can now put on a headset and potentially find it from anybody around the world JASON HOWARD:  That seems like it takes away some of that isolation, and so that you can connect with other people that are going through whatever particular experience they may be seeing or feeling or thoughts or topics or anything really KATIE KELLY:  Exactly. Another example, we partnered with NBC last year to do a virtual democracy plaza.  So we did a recreation of Rockefeller Plaza in VR that you could wander around, go to the ice rink.  And then they brought in some of their amazing talent, Al Roker, Chuck Todd, Steve Kornacki, to do live newscasts in VR But what they also did was they brought in live streams the presidential debates into VR.  So we did all four of them. And this sounds like it could go wrong in so many ways, right?  Like you're inviting a very polarized nation and world to come hang out in virtual reality and watch this live together. But what we found was that people in general when they felt like they were really there with other people, they talked, they communicated.   They weren't leaving mean messages on YouTube, they were actually having a conversation with somebody.  So even while they disagreed, they were talking The first day after the elections, results came in, I held a casual gathering in VR asking people to talk about their thoughts.  And we had Republicans, we had Democrats, we had people from outside the U.S. talking.  And after about an hour, my heart felt so much better, because the main thing that people kept saying is, hey, we're in this together And I took off my headset after that moment and felt like I had gotten out of my echo chamber that I see on so many other social media accounts, and felt like, okay, I had connected with the people that I didn't necessarily know or have a face to, and I felt like we got each other.  And that's what I've found in AltSpaceVR all the time JASON HOWARD:  So that's interesting that you put it that way, because when you don't have some of that personal connection, you end up with a lot of what you see in social media, be it Twitter or Facebook or wherever, where when you don't know the person and it's just a flat 2D image and it's a wall of text that you're scrolling through, it's easy to sit behind your keyboard and type something that you may not necessarily say or not say it the same way if you were face-to-face with somebody or if you were in a group of people And it sounds like having this extra layer of feeling like you're there, even though you may not physically be there, it kind of takes that down and kind of resets people back to a moment of, hey, I'm actually talking to other people instead of just adding to a wall of text KATIE KELLY:  Definitely.  And I think what's important, too, is to acknowledge the work that the AltSpaceVR community has also done to make it a really welcoming place.  I don't think it's just you're in VR now, you feel like a better person. I think we've worked, one, really hard to make sure that we are really welcoming to a diverse group of people.  So we have live in VR customer support all the time.  We have our community support representatives that are always there in the campfire, a living, breathing person in VR.  I can't say that enough, because we're probably the first people to have that always there.  And they are our first person that you talk to, first person to kind of intro you to the product if you have any questions going on.  But also if you have any troubles, if any problems are arising, you can go and talk to a real person and say, hey, I'm having this issue And then on top of that we've put in some really amazing tools so that you feel like you have control over your environment.  So if I am talking to you and your mic is really loud or maybe you're saying something I don't want to hear, I can mute you.  And then that mutes you for the rest of the experience until I unmute you.  I can also block you if I don't want to see you anymore.  That will remove you from my experience, and will remove me from your experience.  And then also when you block somebody, too, you can report like why did I block this person. And then you have the live 24-hour support.  But then you also have a space bubble.  And this one's really important I think just in VR because it's really easy for an avatar to get so close to you that you feel they're actually invading your personal space.  It feels really uncomfortable.  And so automatically when you come into AltSpaceVR, you have a space bubble around you that if somebody gets too close they disappear and their handle disappears.  And then if you want to get closer, like if you have a couple friends, people love like cheek kisses in AltSpaceVR and fist bumps and hugs. There's this one woman, Clair, that lives in London.  She's in AltSpaceVR a lot.  And every time I see her like she wants to give me a hug.  And I get so excited, I'm like, Clair, and we hug, and it feels like I'm getting a real hug by this woman from around the world So you should have that control, too, to be able to have those more intimate moments when you want, but if you don't, you have some tools at your disposal so you can take care of yourself JASON HOWARD:  So earlier, you mentioned the concept of an echo chamber.  And a lot of times that gets associated with like political thoughts and things like that.  But if you expand upon it a little bit, you get to the whole like your social bubble of like the things you surround yourself with, right, the spaces you choose to participate in So how are you like creating inclusive experiences for all kinds of people?  It sounds like you're already taking steps down that path KATIE KELLY:  I think our events is where we start.  So you can think of an event almost as the easiest way to create VR content, especially if you're not a developer.  And also we should talk later, too, about all the developer tools we have. But specifically with events if you are just a random person, again maybe living in rural Nebraska, not to pick on rural Nebraska, but you can go into VR, set up an event, and you automatically have a way to talk to a lot of different people. And our community has been creating most of the events that we've had, especially the last couple months.  And those have included things like book clubs and poetry meetups and writing workshops for NaNoWriMo last month.  And we've had yoga classes and meditation and talent shows, talk shows.  Talk shows have become really popular where you kind of have the original feeling of YouTube.  You have these people that recognize the power of the platform, and they were basically unknown before, but now they're creating a presence in VR This amazing woman, Vivian, if you ever come into VR, you'll see her show.  And she comes on, and she just puts together this amazing show where she'll have games and trivia and invite people from the audience to come and participate But we're creating a new medium, and it's really fascinating.  And what that goes back to when it comes to diversity is that our events aren't games, they aren't attracting just a gamer audience that usually skews male.  We're attracting a wide range of people because we aren't a game, we're an experience So if you come into AltSpaceVR and you want to go to an event, you might go to a meditation event or there's actually a slumber party I think on Monday night.  And women and men are welcome, but it's run by a bunch of women that wanted to have an event where they could connect with other women and watch movies and TV and just hang out So that's what makes me really excited about the diversity possibility of VR is that AltSpaceVR is showing that there's a lot of people out there that want to experience VR.  They just don't necessarily know where to go, and AltSpaceVR seems to be a great place for them to start JASON HOWARD:  Yeah.  So having this type of space, and I know we touched on a moment about ago about muting and blocking people, things like that, right?  And as we mentioned before, on traditional social platforms there's the whole concept of trolling and annoying people and people that are out to in essence create an unwelcoming environment or they try to take over conversations, things like that, right?  Have you seen this as a problem in AltSpaceVR as of now?  Do you expect it to be a problem into the future KATIE KELLY:  It's a problem in VR in general.  It's a problem in real life in general So one thing that my team spends a lot of time thinking about is how do we try to address those problems as soon as possible, and give users the chance to address it themselves, which is why our mute and our block and our bubble are so important, and why are in-VR 24/7 support is really important So what we found, one, when you come into social VR I do think you're more likely to feel like you are around real people.  So I think it makes it a little bit harder to cause as much grief as maybe some other social platforms, because you want to fit in.  You feel like there's a little bit of a culture that you're joining, and you want to be a part of it But if you don't and you want to cause havoc, you'll figure out ways to.  So we want to make sure that when that happens, we can remove that person as soon as possible or at least have the users have the tools they need to remove them from their own experience JASON HOWARD:  So there's obviously some guidelines in place as for if there's a person who's continually disruptive or creating an unwelcoming environment, things of that nature, that there are consequences to those actions KATIE KELLY:  Yeah, we have a list of community standards that are very important to us that include everything from respecting other people and being inclusive, but also being mindful that we are inviting people from around the world to be in this space together, so we need to work together to make sure that everybody feels welcome and kind of know the rules JASON HOWARD:  So in the opening, right, you mentioned that AltSpaceVR had been acquired by Microsoft.  What was that like?  Like how did that happen KATIE KELLY:  It has been a roller coaster I think for our team the last couple of months, but it's also been really exciting, especially where we ended up. We thought we were closing down in June, and we closed up shop and left AltSpaceVR running.  We're able to keep everything there.  We actually had a goodbye party planned that our users - JASON HOWARD:  Wait, wait, wait, wait, like closing  as in closing the doors, ending the service potentially?  Like, ow, okay KATIE KELLY:  Yeah, we got to a point where that was unfortunately the reality kind of where we were at.  And we had a goodbye party planned, and a bunch of our users showed up.  And it was really heart-wrenching.  But people on my team just kept fighting for the service, and telling people like why this mattered. And then we connected with the Microsoft team, and they saw why it mattered, and they really grew passionate about what we created, and lo and behold, we were acquired by Microsoft JASON HOWARD:  Wow.  That's a good thing, right?  I mean, with the good work that you're doing, and obviously the plans that you have for the future, it's nice that the doors didn't get closed. But anytime there's an acquisition, things seem to change a bit.  How do you see this particular acquisition changing the direction of the company KATIE KELLY:  The thing that I've loved the most that I've heard from the team that we now work with at Microsoft over and over again is that they want AltSpaceVR to stay AltSpaceVR, and that they in a lot of ways are coming to us and our team to kind of find out about like what we did right, and what we've learned for now So in a lot of ways we feel really respected as a team, and really excited about the potential to use the resources, the massive amount of resources that Microsoft has to improve the experience in AltSpaceVR, grow our community, make more exciting events and experiences, and yeah, just grow this thing that we like passionately spent like the last couple years working on JASON HOWARD:  So you mentioned earlier developer tools as part of this platform.  Do you want to highlight on that a little bit KATIE KELLY:  AltSpaceVR's SDK community is a bunch of really creative, really scrappy people that with three.js and A-frame can build their own experiences and environments in AltSpaceVR You can go to AltVR.com and check out our developer community and join our Slack, and you'll basically be introduced to a lot of people that are just doing some of the coolest stuff in VR that I've ever seen So in AltSpaceVR now you can go and you can check out a desert environment that somebody made with a tiki bar.  This amazing woman Faye made a karaoke room with posters that she designed all over the walls, and rainbow wallpaper and rainbow floors So basically, you can kind of let your creativity go wild, and using our SDK make your own VR experiences JASON HOWARD:  So are there any community imposed limitations on what they can create?  Like is there any content that's, for lack of a better word, almost forbidden or not welcome KATIE KELLY:  We think about ourselves really similar to I think how we think about the Internet.  So a space in AltSpaceVR is really similar to a web page.  And we think that people should be able to make whatever web content they want and bring it into AltSpaceVR That doesn't mean we're going to allow our general community to go and see it.  So you always have to go through at least one step to have your content on our listed events page.  But you will have a URL that you can share with your friends.  So if you make a room that you're really excited about, and just want to share it with your community, by all means. And you also have the chance to have private events and private spaces, and you can make it friends only So there's a lot of different ways that you can kind of customize like who you want to share your content with, but we are going to be following our community standards and our guidelines for anything that the general community is going to see JASON HOWARD:  So as part of those standards are there age limitations, anything that need to be thought of before somebody potentially tries to join the community KATIE KELLY:  AltSpaceVR is 13 and over.  And then we have content that we will put warnings on the banner of the tile image on the event page that will tell you whether it's appropriate for 17-plus or more for adults We are a community for adults, and we have some amazing like 13 to 17 year olds in general, but in general when you come to AltSpaceVR you're going to feel like you're around other adults, and it's something that we tried to make the community really awesome for that JASON HOWARD:  So we've talked a lot about the social aspect and people interacting, but more to the broad picture like what do you think the future of social VR experience is? KATIE KELLY:  The future of social VR I think is really up to the imagination of what people can make there.  I do think that VR in general is going to be social, no matter what, in some capacity. And so I think that the future is just becoming a place where anybody can go meet, interact, share content, do cool events, go do other VR experiences, but eventually you're going to want to do it with your friends and the people that you know.  So we think that the future of VR is social, to say it so bluntly JASON HOWARD:  Well, I've got my mom on Facebook, so maybe I can send her a headset and get her to come join one of these types of spaces at some point KATIE KELLY:  You should.  It's really fun JASON HOWARD:  So just as a quick reminder, how can the listeners join the AltSpaceVR community KATIE KELLY:  You can join AltSpaceVR by going to AltVR.com or go to any store on your Oculus headset, on your Samsung Gear, on your Daydream, or through Google Play, and you can look up AltSpaceVR and download us for whatever platform you have.  And if you have a mixed reality headset, you can go to the Steam VR Bridge and find AltSpaceVR and download that.  And we really hope to see you in VR sometime JASON HOWARD:  The acquisition of AltSpaceVR is just one of the ways Microsoft is working on a catalog of immersive experiences.  From games to travel to videos, there are so many ways MR can enhance our work and social lives We're going to continue exploring the subject of mixed reality in January's episode.  Join us next month to find out how the traditional media industry is incorporating virtual reality, and we'll find out more about the technical process for turning people and animals into holograms.  You won't want to miss it Make sure you never miss an episode of the Windows Insider podcast by subscribing wherever you get your podcasts.  And if you liked this episode, be sure to review and rate the podcast so others can discover it as well Thanks, Insiders.  Join us next time on the Windows Insider Podcast NARRATOR:  Our program today was produced by Microsoft Production Studios.  The Insider team includes Tyler An (ph), Michelle Paisan (ph), and Amelia Grime (ph) Our website is Insider.Windows.com Support for the Windows Insider Podcast comes from Microsoft, empowering every person and every organization on the planet to achieve more Moral support and inspiration comes from Ninja Cat, reminding us to have fun and pursue our passions Thanks, as always, to our programs cofounders, Donna Sarkar (ph), and Jeremiah Marble (ph) Join us next month with more stories from Windows Insiders END

Noted art historian and Mies van der Rohe biographer Franz Schulze offers rare insights into this architectural gem, discussing the key people and dramatic events that have shaped its history. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Aspire Episode 9: Jan. 7, 2007 Listener Feedback on Ep8 and on Fallingwater - Travel to in your "back yard" sites! Also the Farnsworth House by Mies van der Rohe.. Listener Feedback at aspire@szilverwolf.com or 813-249-9222 Copyright © 2007 Szilverwolf LLC

Aspire Episode 9: Jan. 7, 2007 Listener Feedback on Ep8 and on Fallingwater - Travel to in your "back yard" sites! Also the Farnsworth House by Mies van der Rohe.. Listener Feedback at aspire@szilverwolf.com or 813-249-9222 Copyright © 2007 Szilverwolf LLC