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Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Miko Branch. Here is a clear, structured summary of the Miko Branch interview with Rushion McDonald, along with its purpose, key takeaways, and notable quotes, drawn directly from the transcript you provided.All information cites the uploaded file. SUMMARY OF THE INTERVIEW In this Money Making Conversations Masterclass episode, Rushion McDonald interviews Miko Branch, co‑founder and CEO of Miss Jessie’s, a pioneering hair‑care brand serving people with textured, curly, kinky, and wavy hair. Miko recounts how she and her late sister, Titi Branch, built Miss Jessie’s from their kitchen table in their Brooklyn brownstone, developing products designed to genuinely work for people with textured hair. She highlights the brand’s deeply personal roots—named after their grandmother Jessie Mae Branch, the first “CEO” they ever observed in action. Throughout the interview, Miko explains how Miss Jessie’s expanded from grassroots marketing, word‑of‑mouth, and early internet chat rooms to becoming a national brand found in Walgreens, CVS, Target, and more. She stresses the brand’s emphasis on education, authenticity, and providing solutions for all textured hair types. Miko also discusses signature product lines (Curly Pudding, Pillow Soft Curls, Daily Soft Curls, sulfate‑free shampoo) and how Miss Jessie’s became a leader in the natural hair movement—well before it became a mainstream trend. PURPOSE OF THE INTERVIEW 1. To showcase Miss Jessie’s origin story and entrepreneurial journey McDonald highlights how Miko built a multimillion‑dollar brand from her kitchen table. 2. To inspire current and aspiring entrepreneurs Miko demonstrates how authentic problem‑solving creates brand loyalty and long-term success. 3. To educate listeners about textured hair and the natural hair care industry The interview reinforces that natural hair is not a trend—it's an identity and lifestyle. 4. To highlight the importance of cultural heritage and family influence Miko shares how her grandmother, her sister, and her Brooklyn salon shaped Miss Jessie’s values and innovation. KEY TAKEAWAYS 1. Miss Jessie’s was built on authenticity and real consumer needs The brand emerged from real hairstyling challenges Miko and Titi solved for themselves and their salon clients.. 2. Education is central to the brand’s success Miss Jessie’s teaches customers how to understand and care for their curl types—wavy, curly, kinky, multicultural, or transitioning.McDonald says the site offers more information than any hair‑care brand he has interviewed. 3. Family legacy guides the company Their grandmother Jessie Mae’s leadership, work ethic, and kitchen‑table lessons inspired their business approach. 4. The natural hair movement is here to stay People increasingly embrace their God‑given texture; straightening is no longer the dominant norm. 5. Social media amplified—did not create—their success Word‑of‑mouth began long before social media; platforms today simply extend their reach. 6. Miss Jessie’s serves everyone with texture—not just Black women Men, boys, Latinas, mixed‑race individuals—anyone with curls or waves—can find a solution. 7. Product innovation drove their growth Curly Pudding, Pillow Soft Curls, Daily Soft Curls, and sulfate‑free shampoos transformed textured hair care. 8. Their Brooklyn salon doubled as R&D It allowed the sisters to test products directly on customers and ensure real‑world performance. NOTABLE QUOTES (from transcript) On the company’s beginnings “We started our business in our brownstone right at our kitchen table.” “Curly Pudding was the groundbreaker—the game changer.” On the brand’s philosophy “The bottom line is being able to create products that are helpful.” “Information and communication is key to success.” On inclusivity “Anyone who has texture… we have something for you.” On natural hair “Natural hair, curly hair is preferred… it’s how people want to express themselves.” “Natural hair is not a trend—it’s here to stay.” On social media and growth “We were going viral before ‘going viral’ was a word.”. On legacy “Our grandmother Jessie was the first female CEO we’d ever seen.”. #SHMS #STRAW #BESTSee omnystudio.com/listener for privacy information.
Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Miko Branch. Here is a clear, structured summary of the Miko Branch interview with Rushion McDonald, along with its purpose, key takeaways, and notable quotes, drawn directly from the transcript you provided.All information cites the uploaded file. SUMMARY OF THE INTERVIEW In this Money Making Conversations Masterclass episode, Rushion McDonald interviews Miko Branch, co‑founder and CEO of Miss Jessie’s, a pioneering hair‑care brand serving people with textured, curly, kinky, and wavy hair. Miko recounts how she and her late sister, Titi Branch, built Miss Jessie’s from their kitchen table in their Brooklyn brownstone, developing products designed to genuinely work for people with textured hair. She highlights the brand’s deeply personal roots—named after their grandmother Jessie Mae Branch, the first “CEO” they ever observed in action. Throughout the interview, Miko explains how Miss Jessie’s expanded from grassroots marketing, word‑of‑mouth, and early internet chat rooms to becoming a national brand found in Walgreens, CVS, Target, and more. She stresses the brand’s emphasis on education, authenticity, and providing solutions for all textured hair types. Miko also discusses signature product lines (Curly Pudding, Pillow Soft Curls, Daily Soft Curls, sulfate‑free shampoo) and how Miss Jessie’s became a leader in the natural hair movement—well before it became a mainstream trend. PURPOSE OF THE INTERVIEW 1. To showcase Miss Jessie’s origin story and entrepreneurial journey McDonald highlights how Miko built a multimillion‑dollar brand from her kitchen table. 2. To inspire current and aspiring entrepreneurs Miko demonstrates how authentic problem‑solving creates brand loyalty and long-term success. 3. To educate listeners about textured hair and the natural hair care industry The interview reinforces that natural hair is not a trend—it's an identity and lifestyle. 4. To highlight the importance of cultural heritage and family influence Miko shares how her grandmother, her sister, and her Brooklyn salon shaped Miss Jessie’s values and innovation. KEY TAKEAWAYS 1. Miss Jessie’s was built on authenticity and real consumer needs The brand emerged from real hairstyling challenges Miko and Titi solved for themselves and their salon clients.. 2. Education is central to the brand’s success Miss Jessie’s teaches customers how to understand and care for their curl types—wavy, curly, kinky, multicultural, or transitioning.McDonald says the site offers more information than any hair‑care brand he has interviewed. 3. Family legacy guides the company Their grandmother Jessie Mae’s leadership, work ethic, and kitchen‑table lessons inspired their business approach. 4. The natural hair movement is here to stay People increasingly embrace their God‑given texture; straightening is no longer the dominant norm. 5. Social media amplified—did not create—their success Word‑of‑mouth began long before social media; platforms today simply extend their reach. 6. Miss Jessie’s serves everyone with texture—not just Black women Men, boys, Latinas, mixed‑race individuals—anyone with curls or waves—can find a solution. 7. Product innovation drove their growth Curly Pudding, Pillow Soft Curls, Daily Soft Curls, and sulfate‑free shampoos transformed textured hair care. 8. Their Brooklyn salon doubled as R&D It allowed the sisters to test products directly on customers and ensure real‑world performance. NOTABLE QUOTES (from transcript) On the company’s beginnings “We started our business in our brownstone right at our kitchen table.” “Curly Pudding was the groundbreaker—the game changer.” On the brand’s philosophy “The bottom line is being able to create products that are helpful.” “Information and communication is key to success.” On inclusivity “Anyone who has texture… we have something for you.” On natural hair “Natural hair, curly hair is preferred… it’s how people want to express themselves.” “Natural hair is not a trend—it’s here to stay.” On social media and growth “We were going viral before ‘going viral’ was a word.”. On legacy “Our grandmother Jessie was the first female CEO we’d ever seen.”. #SHMS #STRAW #BESTSteve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.
☑️来週3/7（土）のアリキラはお休みです。 🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 良かったよ！と思ったら高評価👍 感想・ツッコミなどチャット＆コメントもぜひ！ ✅番組時間：71分13秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 ✅大相撲ボイス：はかせ(IOSYS) 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ ✅コーナー： 熱闘！メルヘン大相撲「10円美少女ゲームあるある」 🟧投稿フォームはこちら。 ① https://forms.gle/DkTHQ38qNNWTPpta7 （新） ② https://ja-mane.com/form/ （旧・画像添付可能） ※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年2月28日配信 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス
ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年2月パワープレイ Nintendo Switchゲーム『QQQbeats!!!』より エンディング楽曲「Ready Set Q!!!／シイナ(CV:琴宮歩夢)＆アメ(CV:元吉有希子) with IOSYS」 作詞：夕野ヨシミ 作編曲：コバヤシユウヤ ベース：john=hive ギター：三浦公紀 https://www.taito.co.jp/QQQbeats https://www.taito.co.jp/qqqbeats/music 番組時間：79分52秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/2/26に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・226ですね ・ちょっとにゃんが多いな ・200年後も元気にやりましょう（相対指定） ・令和8年も早いな ・お風呂配信やってほしいですね ・世の中のお風呂配信は9割が嘘ってことォ！？ ・イオシスくんの最新情報 ・イオシスちほーオープンしてます ・Satisfactoryソロで2周目みっちりやってます ・満足中毒だ ・たくさんイベントも出てます ・作詞提供のお知らせ 『ブルーアーカイブ』 「デカグラマトン」編 ED楽曲「憧れの残響」 作編曲＆演奏：Mitsukiyo 歌唱：DAZBEE 作詞：夕野ヨシミ ・始めるなら今！（相対指定） ・この世のすべてのEDを作詞します ・イオシス活動1万日！ ・10万日で銀の盾 ・こんなに長く続くとはねー ・写メがなかった時代 ・なんの写真を見てるの？ ・ゼロックスする ・こんなにおじさんなのに ・おじさんの自我がﾎﾟﾛｰﾝ ・YouTube 200万再生！昨年末からずっと診療されています 【東方MV】行列のできるえーりん診療所【IOSYS】 歌編曲：D.watt 音編曲：溝口ゆうま(Innocent Key) 作詞：七条レタス ボーカル：3L MV：take 収録アルバム：IO-0142 東方真華神祭 Release 2008.5.25 ・何が流行るかわからない ・矢がたくさんだね ・半分近くが夕野ヨシミ ・EPとは ・3曲なのに「EP」にすると怒られる ・太陽の楽園の謎の実写MV ・チルパ18周年 ・全部はっきりは言えない ・合わせて2400万再生だぞ！ ・ホントはえ//っ///ちなんだよな ・あ、ちょっと喉がイガイガして ・試験には血糖値が大事 ・無事に試験会場にたどり着けば大丈夫 ＜Aパート＞ ・ふつおたです ・構成作家ついてる（ついていない） ・北海道のデパートの鉄板催事とは ・親戚の会食は寿司ですね ・とんでんでジャンボ茶碗蒸し食べたい！ ・北海道のデパートの人気の催事は北海道フェアです ・北海道民催事に行かない説 ・3万円のギフト券欲しい ・2月は最弱 ・雪がつらい ・北海道の雪解け水を本州にパイプで運んでもろて ・また工場の話してる ・令和に近鉄バッファローズの話してます？ ・デレマス98人分のソロ曲がフルサイズでサブスク解禁 ・のどちんこは人類全員に付いてる ・二股ののどちんこってフタナリってこと？ ・今日の放送でちんこって何回言ったかな？ ・秋田にも松屋が ・一口で胃もたれ ・油物は控えております ・その食生活は老人 ・イマドキの老人より老人っぽい ＜Bパート＞ ・EDの作詞ならまかせろ！（ﾊﾞﾘﾊﾞﾘ） ・Nintendo Switchゲーム『QQQbeats!!!』はセール中です ・みつをたです ・故・Satisfactory従業員 ・すぐリスポーンした従業員 ・HUNTER×HUNTERの新作は見れそうなのかい？ ・創作おとぎ話 赤穂忠臣蔵 第五夜 ・大奥が腐女子の巣窟 ・性癖の出島・長崎 ・ホロピックアップニュース ・みこちが1日消防署長 ・1週間でいろいろあり過ぎなんだよな ・オリンピックがおわって次はWBC ・じゃあ、違法ちゃうか ・麻生さんはカタログギフトで何をもらうんだろう ・あー、湯葉食べたい ・どうにか、お便り送ってください ＜エンディング＞ ・どうですか？ ・今日は口パク動いてますね ・あー！ ・耳は何に連動してるんですか？ ・耳が動いたら即配信終了 ・新しいものを作ろうという気はいつもあります ・コントCDは出ません ・18といえば ・オオタニの背番号は17 ・3月もがんばるぞい
Marcin Kwieciński i Mikołaj Foks zapraszają na 67 odcinek, w którym rozmawiamy na temat pierwszych kroków, które należy wykonać, kiedy masz poczucie że zarządzanie czasem w rodzinie nie działa. Proponujemy konkretną metodę odzyskania kontroli nad chaosem spraw do załatwienia. Zapraszamy do posłuchania! Pobierz materiały dodatkowe do podcastu:https://ogarnijchaos.pl/zarzadzanieczasemwrodzinie ===> Po wysłuchaniu odcinka wypełnij ankietę i podziel się swoją opinią: http://marcinkwiecinski.pl/067ankieta ===> Materiały do podcastu:http://marcinkwiecinski.pl/067Credits:Rozmawiają: Marcin Kwieciński i Mikołaj FoksStrona Marcina Kwiecińskiego:(https://marcinkwiecinski.pl)Strona Mikołaja Foksa: (https://mikolajfoks.pl)Produkcja: Przemysław Goławski (https://golawski.net)Muzyka: Jakzzar – Servants (https://freemusicarchive.org/music/Jahzzar/Servants/Servants/)Efekty: nixeno, CC BY 4.0; LanDub, CC0
Marcin Kwieciński i Mikołaj Foks zapraszają na 69 odcinek, rozmawiamy o tym czego najbardziej brakuje w sytuacjach przeciążenia nadmiarem spraw rodzinnych. Podpowiadamy jak odzyskać siłę i energię do popychania spraw rodzinnych.Zapraszamy do posłuchania!Pobierz materiały dodatkowe do podcastu:https://ogarnijchaos.pl/zarzadzanieczasemwrodzinie===> Po wysłuchaniu odcinka wypełnij ankietę i podziel się swoją opinią: http://marcinkwiecinski.pl/069ankieta===> Materiały do podcastu:http://marcinkwiecinski.pl/069Credits: Rozmawiają: Marcin Kwieciński i Mikołaj FoksStrona Marcina Kwiecińskiego:(https://marcinkwiecinski.pl)Strona Mikołaja Foksa: (https://mikolajfoks.pl)Produkcja: Przemysław Goławski (https://golawski.net)Muzyka: Jakzzar – Servants (https://freemusicarchive.org/music/Jahzzar/Servants/Servants/)Efekty: nixeno, CC BY 4.0; LanDub, CC0
Marcin Kwieciński i Mikołaj Foks zapraszają na 68 odcinek, w którym rozmawiamy na temat gaszenia rodzinnych pożarów. Podpowiadamy które sprawy trzeba zaopiekować w pierwszej kolejności, a które można odłożyć na później. Zapraszamy do posłuchania! Pobierz materiały dodatkowe do podcastu:https://ogarnijchaos.pl/zarzadzanieczasemwrodzinie===> Po wysłuchaniu odcinka wypełnij ankietę i podziel się swoją opinią: http://marcinkwiecinski.pl/068ankieta===> Materiały do podcastu: http://marcinkwiecinski.pl/068Credits:Rozmawiają: Marcin Kwieciński i Mikołaj FoksStrona Marcina Kwiecińskiego:(https://marcinkwiecinski.pl)Strona Mikołaja Foksa: (https://mikolajfoks.pl)Produkcja: Przemysław Goławski (https://golawski.net)Muzyka: Jakzzar – Servants (https://freemusicarchive.org/music/Jahzzar/Servants/Servants/)Efekty: nixeno, CC BY 4.0; LanDub, CC0
Todd Black — Tokyo Blade Detectives #1–12 & The Future of Indie Sci-Fi ComicsIn this episode of The USDN Podcast, we sit down with comic creator Todd Black to discuss his cyberpunk detective series Tokyo Blade Detectives and the Kickstarter campaign collecting issues #1–12.Set 200 years in the future where guns are outlawed but violence still thrives, the series explores faction warfare, advanced technology, and the emotional consequences of conflict through the eyes of teenage detective Miko.We talk about:Building a long-running indie comic universeCrowdfunding strategy and Kickstarter lessonsCollaboration with international comic artistsExpanding creator-owned stories beyond comicsWriting the Thunder Rosa comic biographyAdvice for indie creators navigating today's industryIf you're passionate about indie comics, sci-fi storytelling, and creator-driven publishing, this conversation is for you.Support the Kickstarter: https://www.kickstarter.com/projects/blackmagicwolf/tokyo-blade-detectives-1-12Follow Todd Black: X: https://x.com/Guardians_Comic Bluesky: https://bsky.app/profile/toddblack.bsky.socialThe USDN Podcast — Where Indie Comics Come to Life.
出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_） 「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン アカデミー気付 藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん
Mikołaj Murkociński z kulturalnym przeglądem wydarzeń prosto z Paryża! Następnie łączymy się z Andrzejem Pakulskim prezesem stowarzyszenia Polonia International w Brukseli, który opowiada o powstającej tablicy upamiętniającej 60. rocznicę pierwszych polonijnych obchodów millenium Polski w Belgii. Jak mówi, działania polonijne za granicą, to wieloletnia praca nad prostowaniem historycznych kłamstw i reprezentowaniem Ojczyzny.Na koniec rozmawiamy z Oleną Chopenką, członkinią grupy Ukraińscy Studenci dla Wolności. Opowiada o przeprowadzonej w sobotę międzynarodowej demonstracji upamiętniającej ofiary rosyjskiej agresji na Ukrainę, odbywającej się pod hasłem Strichka.
Ministerstvo životního prostředí přebírá Igor Červený z Motoristů sobě. Co od něj lze ve vedení resortu čekat? „Já se obávám hlavně toho, že v zapálení proti některým agendám ministerstvo nebude naplňovat svoje poslání a zákonné povinnosti, které má,“ říká v pořadu Dvacet minut Radiožurnálu Ladislav Miko, přírodovědec, bývalý ministr životního prostředí a poradce prezidenta pro ekologické otázky.
Ministerstvo životního prostředí přebírá Igor Červený z Motoristů sobě. Co od něj lze ve vedení resortu čekat? „Já se obávám hlavně toho, že v zapálení proti některým agendám ministerstvo nebude naplňovat svoje poslání a zákonné povinnosti, které má,“ říká v pořadu Dvacet minut Radiožurnálu Ladislav Miko, přírodovědec, bývalý ministr životního prostředí a poradce prezidenta pro ekologické otázky.
Ministerstvo životního prostředí přebírá Igor Červený z Motoristů sobě. Co od něj lze ve vedení resortu čekat? „Já se obávám hlavně toho, že v zapálení proti některým agendám ministerstvo nebude naplňovat svoje poslání a zákonné povinnosti, které má,“ říká v pořadu Dvacet minut Radiožurnálu Ladislav Miko, přírodovědec, bývalý ministr životního prostředí a poradce prezidenta pro ekologické otázky.Všechny díly podcastu Dvacet minut Radiožurnálu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 良かったよ！と思ったら高評価👍 感想・ツッコミなどチャット＆コメントもぜひ！ ✅番組時間：93分18秒 ✅ゲスト：はかせさん ✅出演：ジャーマネ・あくとん・蛇草千尋 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ ✅コーナー： ゲストトーク 🟧投稿フォームはこちら。 ① https://forms.gle/DkTHQ38qNNWTPpta7 （新） ② https://ja-mane.com/form/ （旧・画像添付可能） ※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年2月21日配信 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス
ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年2月パワープレイ Nintendo Switchゲーム『QQQbeats!!!』より エンディング楽曲「Ready Set Q!!!／シイナ(CV:琴宮歩夢)＆アメ(CV:元吉有希子) with IOSYS」 作詞：夕野ヨシミ 作編曲：コバヤシユウヤ ベース：john=hive ギター：三浦公紀 https://www.taito.co.jp/QQQbeats https://www.taito.co.jp/qqqbeats/music 番組時間：84分20秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/2/19に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・久しぶりの素数回ですね ・素数じゃない ・11×97 ・在来線回 ・狭軌乗ってきましたよ ・詳しくはファンボックスで ・イオシスくんの最新情報です ・セガさんのお知らせ 『maimai』2026/2/20「IOSYSちほー」オープン！ 追加楽曲 「恋の氷結おてんば湯けむりチルノ温泉」 「イタ電はやめて！ ぼくらのスカーレット・コール」 「むしみこうにゃーのハッピッピー」 たくさん遊んでね！！！ ・イオシスちほー出来ちゃいました ・昔、作詞したやつです ・丁度216万再生 ・しこたまmaimaiやってください ・バニーアーカイブだと怒られるか ・ブルーアーカイブ メインストーリーEx. デカグラマトン編 ED楽曲の作詞を担当いたしました！ 「憧れの残響」 作編曲＆演奏：Mitsukiyo 歌唱：DAZBEE 作詞：夕野ヨシミ ・ブルアカは基本無料プレイです ・今週末、色々イベントあります ・活動1万日です ・阿佐ヶ谷誰かイベント飛ばしました？ ・来週阿佐ヶ谷？いいよ ・D.wattちほー ・日本全国あっちこっちに現るんだろうな ・作詞はスマホがあれば大丈夫 ・無料案内所の曲のせいで、すすきのでは作詞できない ・ここ、切り取り禁止でお願いします ・だいたい全年齢 ・健全なお薬とは ＜Aパート＞ ・あいー ・ふつおたです ・イオシスとの再開はブルアカでした ・なんのMMOなんだろうか ・メロディーの時点で泣ける ・ふぇすで、がんばってピンクの巨乳バニーガールを探してください ・写真を撮ってほしい人だった ・ボカロ曲ぽいタイトル ・HUNTER×HUNTERの念能力はボカロ曲ぽい ・初老の飲み会の報告です ・羽賀研二の曲ってあるんだ ・みそマヨキャベツ小さくします？ ・次回は50回で年度末 ・はかせをロフトの店長に誘ってた前川 ・ずっと羽賀研二の話してるじゃん ・貴重なリーマン ・ほぼ全通してるのでは？ ・メダリストの話 ・YouTubeのURLを読み上げます ・数字は在庫切れなのかな？ ・デバッグ始まっちゃった ・漫才やりますか ・カタタマン ・イオシスはやめません ・ラッパーごめーん こっちで始末しとくから ・ちゃんと読み込んでおかないとダメか ・食い気味代行サービス ・新しい試みリモート漫才 ＜Bパート＞ ・EDの作詞ならまかせろ！（ﾋﾞﾘﾋﾞﾘ） ・みつをたです ・工場長ー宇宙船がワープしてきました ・ゲームの中でもななつぼし育ててる ・マフティーが観光地にいるわけないだろぉ ・霊夢と魔理沙とモチモチの木 ・メンヘラリウム ・創作おとぎ話 赤穂忠臣蔵 第4夜 ・ヨドバCD出ちゃった ・次回、大奥出ちゃうんだ ・由美かおるさんは企業ブースでコスプレイヤー ・ホロピックアップニュース ・公式お風呂覗き ・大空スバル 罠という罠を全部受ける ・汚すぎる動物園爆誕 ・おかゆさんは… ・MyVoiceZooは配信向き ・りくりゅうペアおめでとうございます ・めっちゃメダル取ってる日本勢 ・何でもいいから金メダルが欲しい ・鉛のメダル ＜エンディング＞ ・思い出した歯医者の時だ ・服は着てたんですけど ・たくさん飛行機で往復してもらって ・大人になってから虫歯になってないな ・いったんおわろう
Mikołaj Murkociński, dziennikarz Radia Wnet, relacjonował z paryskich ulic – z okolic Ronda Alesia – przed rozpoczęciem Międzynarodowej Wystawy Rolniczej (Salon International de l'Agriculture). Jak podkreślił, to wydarzenie ma w tym roku szczególny wymiar, bo odbywa się w momencie, gdy francuskie rolnictwo mierzy się z serią problemów.Jutro zaczyna się międzynarodowa wystawa rolnicza… to wydarzenie wyjątkowe na skalę europejską, nawet na skalę światową– mówił.Ujemny bilans handlowy po raz pierwszyMurkociński zwrócił uwagę na dane z 2025 roku, które – jak relacjonował – były dla Francuzów szokiem.W roku 2025 po raz pierwszy bilans handlowy Francji, jeżeli chodzi o sektor rolniczy, był ujemny– powiedział.
Tech House. Mixed live. Duration: 1:31:00.
W dzisiejszej audycji mówimy o inauguracyjnym posiedzeniu Rady Pokoju prezydenta Donalda Trumpa. Rozmawiamy o krwawo stłumionych protestach w Iranie, oraz o nacisku, które na Teheran stara się wywrzeć Waszyngton. Przypominamy o obchodzonym w rocznicę urodzin sławnego astronoma Mikołaja Kopernika Dniu Nauki Polskiej. Naszym gościem jest dziś Kamilla Kostrzewa, autorka książki "Życie bez korzeni” oraz założycielka organizacji „Powrót do Siebie”, działającej w Wielkiej Brytani.
W dzisiejszej audycji podsumowujemy rozmowy o pokoju w Genewie, gdzie dyskutowano o wojnie na Ukrainie, a także o napięciu pomiędzy Iranem a Stanami Zjednoczonymi. Mówimy o litewskich planach utworzenia poligonu wojskowego w pobliżu granicy z Polską. Przypominamy o obchodzonym w rocznicę urodzin sławnego astronoma Mikołaja Kopernika Dniu Nauki Polskiej. Naszym gościem jest dziś Stasys Eidrigevičius - wybitny artysta wizualny. Urodzony na Litwie, od dekad związany z Polską.
Jak bardzo faceta może zafascynować las. Dlaczego kaczuszkom nie marzną nóżki. Kto może zająć się nauką obywatelską i dokąd prowadzą ścieżki leśnego aktywisty. Dlaczego łatwiej śmiecić tam, gdzie już ktoś naśmiecił. Gdzie na drzewach rośnie mech i czym może zachwycić dziupla. Jak znaleźć dobre (znające się na rzeczy) towarzystwo do leśnych kąpieli. Oraz o fotopułapkach, wilkach/dzikach/łosiach/kleszczach, o dziuplach, liście miłosnym i trzęsaku pomarańczowożółtym. // Mikołaj Basiński // aktywista leśny, edukator, psycholog www.szukamwlesie.pl -------- Wesprzyj nas. Pomożesz tworzyć podcast i zmienisz świat: - abonament, czyli duża wdzięczność: www.patronite.pl/drugawersja - kawka w podziękowaniu za odcinek: www.buycoffee.to/drugawersja -------- My na www: www.drugawersja.pl My na Spotify: https://spoti.fi/3MWjX9v My na fejsie: www.facebook.com/drugawersja My na YT: https://www.youtube.com/@podcast_poznanski My na insta: www.instagram.com/druga.wersja My na tiktoku: https://www.tiktok.com/@drugawersja
– Byłem pewny, że wojna wybuchnie – mówi w Radiu Wnet dr Aleksij Wasiliew, który wyjechał z Moskwy miesiąc przed inwazją. Komentarz w ramach dnia specjalnego – „Rosja bez iluzji”.Posłuchaj całej rozmowy:Dr Aleksij Wasiliew, historyk i specjalista od stosunków polsko-rosyjskich, był gościem specjalnego dnia „Rosja bez iluzji” w Radiu Wnet. Z Moskwy wyjechał w styczniu 2022 roku – miesiąc przed pełnoskalową inwazją Rosji na Ukrainę.Opuściłem Moskwę 22 stycznia 2022 roku. Już zdawałem sobie sprawę, że w najbliższych latach nie będę miał możliwości wrócić– powiedział.Jak relacjonował, wcześniej do jego mieszkania przychodziła policja, był pytany o udział w wiecach opozycyjnych oraz o swoje nazwisko pojawiające się na stronie Fundacji Nawalnego.Byłem pewny, że wojna wybuchnie. Logika rozwoju takich reżimów jak putinowski wcześniej czy później musi doprowadzić albo do wojny domowej, albo do wojny zewnętrznej– ocenił.Liberalna „wysepka” w MoskwieWasiliew pracował jako profesor w Wyższej Szkole Ekonomii w Moskwie, uznawanej za jedną z bardziej liberalnych uczelni w Rosji.Moje środowisko to byli studenci i intelektualiści. W tym otoczeniu dominowały raczej postawy opozycyjne wobec Putina– mówił.Zaznaczył jednak, że nawet w dużych miastach sytuacja jest bardziej złożona, a dziś trudno jednoznacznie ocenić nastroje społeczne.„Sondaże to spis bohaterów”Odniósł się także do badań opinii publicznej, które wskazują na wysokie poparcie dla prezydenta Rosji.Dzisiejsze sondaże mają charakter spisu bohaterów. Pokazują, jaki procent społeczeństwa jest na tyle odważny, by powiedzieć: nie wspieram– stwierdził.Według niego niezależni socjologowie oceniają realne, świadome poparcie dla polityki Kremla na poziomie 15–20 proc. Podobny odsetek ma stanowić twarda opozycja. Reszta to – jak określił – „szara masa”, o którą toczy się walka polityczna.„Typowy Rosjanin to przede wszystkim Rosjanka”Pytany o przeciętnego mieszkańca Rosji, Wasiliew przywołał wyniki badań socjologicznych.Typowy Rosjanin to przede wszystkim Rosjanka. Kobieta w wieku 45–50 lat, samotna, z jednym lub dwójką dzieci– powiedział.Jak dodał, „typowa rosyjska rodzina składa się z dwóch kobiet – matki i babci”. Zwrócił uwagę na bardzo wysoki poziom rozwodów w Rosji oraz dodatkowe konsekwencje wojny.Co drugie małżeństwo się rozpadało jeszcze przed wojną– podkreślił.Polityka historyczna jak za Mikołaja IWasiliew, który zajmuje się polityką pamięci i historią XIX wieku, porównał współczesną narrację Kremla do rosyjskiej myśli imperialnej z czasów Mikołaja I.Ta narracja historyczna, którą widzimy w artykule Putina o „historycznej jedności narodów” czy w jego wystąpieniach, jest bardzo podobna do narracji rosyjsko-imperialnej czasów Mikołaja I– ocenił.Jego zdaniem podobne zwroty antyzachodnie w rosyjskiej polityce pojawiały się cyklicznie – m.in. po powstaniu dekabrystów czy w okresie późnego stalinizmu.To niestety typowa, cykliczna sytuacja w krajach drugiej fali modernizacji, do których należy Rosja– podsumował.
W ramach dnia specjalnego „Rosja bez iluzji”, który jest poświęcony rosyjskiej opozycji oraz analizie sytuacji politycznej i społecznej w Rosji, Mikołaj Murkociński przeprowadził wywiad z Ilią Ponomariowem – rosyjskim politykiem opozycyjnym, byłym deputowanym Dumy Państwowej, który jako jedyny w 2014 roku głosował przeciw aneksji Krymu. Od lat przebywa na emigracji i otwarcie wzywa do aktywnego sprzeciwu wobec reżimu Władimira Putina.
出演者： miko、quim 配信ペース： 隔週水曜日 番組時間：98分34秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 申し訳ございません。 mikoラジ、第391回です。 かつては土曜収録。やがて日曜、月曜収録。そして火曜日へ……。 そんな多忙な日々でもmikoラジ収録は（基本）隔週で実施。 最近の話から、しがないさんの学生時代の思い出（？）まで。 たっぷり90分以上でお送りいたします。 最後までごゆるりとお楽しみくださいませ。 ♯途中で色々とノイズ等入りますが、収録時のものです。 ご安心ください、お手持ちの機器は正常です。 番組冒頭で話題に上ったポスト https://x.com/mikonyu/status/2019050470485193094?s=20 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた ／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました ／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ ／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！ お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2026年2月IOSYSはいてない.comパワープレイ楽曲 Nintendo Switchゲーム『QQQbeats!!!』より エンディング楽曲「Ready Set Q!!!／シイナ(CV:琴宮歩夢)＆アメ(CV:元吉有希子) with IOSYS」 作詞：夕野ヨシミ 作編曲：コバヤシユウヤ ベース：john=hive ギター：三浦公紀 https://www.taito.co.jp/QQQbeats https://www.taito.co.jp/qqqbeats/music
#płatnawspółpraca | Zapraszamy na środowe #OnetRano, w którym gośćmi Odety Moro będą: Paweł Śliz - przewodniczący Polski 2050; Przemysław Wójtowicz - były żołnierz, snajper, autor książek; Borys Szyc - aktor; Tomasz Awłasewicz - twórca serialu "Łowcy szpiegów". W części #OnetRanoWiem gościnią Mikołaja Kunicy będzie: Magdalena Sobkowiak-Czarnecka - Podsekretarz Stanu, pion ds. Unii Europejskiej.
Posłuchaj, czego możesz się spodziewać w nadchodzącym sezonie! Zapraszamy do posłuchania! Credits: Rozmawiają: Marcin Kwieciński i Mikołaj FoksStrona Marcina Kwiecińskiego:(https://marcinkwiecinski.pl)Strona Mikołaja Foksa: (https://mikolajfoks.pl)Produkcja: Przemysław Goławski (https://golawski.net)Muzyka: Jakzzar – Servants ( https://freemusicarchive.org/music/Jahzzar/Servants/Servants/) Efekty: nixeno, CC BY 4.0; LanDub, CC0
#płatnawspółpraca | Zapraszamy na wtorkowe #OnetRano, w którym gośćmi Mikołaja Kunicy będą: Paweł Zalewski - Wiceminister Obrony Narodowej; gen. Tomasz Drewniak - były inspektor sił powietrznych; Kamil Wolnicki - redaktor naczelny Przegląd Sportowy Onet; Aleksandra Sikorska - psycholożka, doradczyni programowa "SOS Wioski Dziecięce Polska". W części #OnetRanoWiem gościem Odety Moro będzie: Mieczysław Hryniewicz - aktor.
🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 良かったよ！と思ったら高評価👍 感想・ツッコミなどチャット＆コメントもぜひ！ ✅番組時間：47分02秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ ✅コーナー： 懐かしいもの決定戦 🟧投稿フォームはこちら。 ① https://forms.gle/DkTHQ38qNNWTPpta7 （新） ② https://ja-mane.com/form/ （旧・画像添付可能） ※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年2月14日配信 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス
ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年2月パワープレイ Nintendo Switchゲーム『QQQbeats!!!』より エンディング楽曲「Ready Set Q!!!／シイナ(CV:琴宮歩夢)＆アメ(CV:元吉有希子) with IOSYS」 作詞：夕野ヨシミ 作編曲：コバヤシユウヤ ベース：john=hive ギター：三浦公紀 https://www.taito.co.jp/QQQbeats https://www.taito.co.jp/qqqbeats/music 番組時間：82分27秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/2/12に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・バレンタインイヴイヴです ・女の子同士のチョコの交換でいいのでは？ ・チョコの永久機関が出来上がったな ・ウィマーマ・サーガは500万再生 ・さっぽろ雪まつりおわったね ・2月が半分くらい死んでます ・雪像崩せばただの雪山 ・くたびれました ・イオシスくんの最新情報 ・『東方ダンマクカグラ ファンタジア・ロスト』DLC第13弾として アルバム『TOHO BOOTLEGS 7』よりShanghaihai(prod.IOSYS)」が2026/2/8に収録されました！ ・YouTube 100万再生！ BOOM／Hakos Baelz(hololive-EN) 作詞：七条レタス 作曲：Zekk ※Spotifyでは125万再生 ・作詞提供のお知らせ 2026/2/11リリース Aiobahn +81 1st EP『eau de parfum 〜extended play〜』 夕野ヨシミ作詞楽曲が収録されています！ 「天天天国地獄国 (feat. ななひら & P丸様。)」 「歯無歯無歯無歯無 (feat. 初音ミク & 重音テト)」 「ずぶ濡れ魔法少女 阿比留ミズキ (feat. 桃井はるこ) [w/ SAWTOWNE]」 ・3曲とも捗ってる曲名ですね ・リリイベもあります ・2/15イオパあります ・知っているようで知らないossa ・Satisfactoryがおわりそう ・結構イベント多そうです ・週末は初老もあります ・IOSYS FANBOXの旅行記は作者徘徊のため休載します ・徘徊先で更新できるね えっ？ ・イオシスはライブ配信やってます ・1066回はホントなんだよね ・怖っ ・コンテンツあり過ぎでは？ ・2001本目やっていくか ＜Aパート＞ ・ふつおたです ・テキトーに生きたい ・先輩元キッズ ・みんなドラえもんのゲームに詳しい ・ファミコンの互換機はなんぼでもある ・ジーコサッカー（本物） ・マインドシーカー発売40周年でやりますか ・サクナヒメのスマホ版 ・すべて米に関するCM ・本業じゃないか！ ・米のコメントでコメ稼ぎ ・たまごかけご飯は、まず塩で ・美味しいカレーはいいお肉から ・ご飯に合わないもの選手権 ・アマプラおすすめ枠 ・サムネがおじさんだらけ ・漫才やります？ ・なぜか最近漫才やってます ・たしろとか たきとか ・タマのマッサージ ・何のお店行ってるんだい ・夕野先生はおむつ派 ・最近行ってるのはホントにゴールドジムなんですか？ ・リングフィットの新作はもう出てもいいのでは？ ・健康のためにまず株を買います ・構成台本があるのような流れ ＜Bパート＞ ・QQQbeats!!!是非買ってください！ ・みつをたです ・スーパー戦隊シリーズ50年間お疲れ様でした ・旬の男の娘 ・創作昔話 赤穂忠臣蔵 ・パワープレイは流れないですけどね ・ボカロ曲みたいなコンビ名 ・第１位 ナイチンゲールダンス ・生醤油とは ・創作昔話 ごんぎつね ・義理ち〇こじゃないか ・ファンファーレ二重がけ ・体がごんぎつねを求めている ・ホントにボカロ曲にあるのでは？ ・群馬帝国にも雪が積もりました ・ホロピックアップニュース ・大空スバルこっそり金を借りる ・ファイナル最後のアップデート ・同意するゲーム早く買ってください ・戦後最多議席 ・今年の漢字は「高」で決まりだな ・片玉党夕野ヨシミくん ・ギャバンやないか ・ロジクール入ってるじゃないか ・コピペのまま作ったので ・みなさまからのお便りお待ちしてます ＜エンディング＞ ・ｲｴｰクマ牧場 ・クマは寝てますか？ ・それは冬眠ではなく永眠なのでは？ ・疲れて、よくわかんないこと言い出したのでおわろう
House. 70 minutes. 02-11-26.
Resort klimatu i środowiska odpowiada za podaż drewna. Drewna nie brakuje – wskazywał w Popołudniowej rozmowie w RMF FM wiceminister klimatu i środowiska Mikołaj Dorożała. Polityk odpowiadał na zarzuty dot. bierności państwa wobec drożejącego pelletu. Obecny kryzys, zdaniem Dorożały, to efekt łańcuchów dostaw, które były przygotowane na o wiele cieplejszą zimę. Decyzję prezydenta Nawrockiego o zawetowaniu utworzenia Parku Narodowego Doliny Dolnej Odry nazwał "kwestią ideologiczno-polityczną".
出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_） 「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン アカデミー気付 藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん
Zapraszamy na wtorkowe "Onet Rano.", w którym gośćmi Mikołaja Kunicy będą: Urszula Pasławska, PSL; Magdalena Korona, ekspertka mBanku ds. cyberbezpieczeństwa; dr Konrad Popławski, Ośrodek Studiów Wschodnich; Norbert Dudziuk "Norbi", piosenkarz. W części "Onet Rano. #WIEM" gościem Marcina Zawady będzie: Natalia Szewczak, Business Insider Polska.
“Would it be cool if I spent the night? You can say no.” In this episode of Predators I've Caught, Chris breaks down the chilling sting that led to the arrest of Milan Miko, a 25-year-old culinary student caught attempting to meet a minor for illegal sex. Working alongside the Genesee County Sheriff's team, Chris reveals how Miko allegedly left his girlfriend's family dinner to pursue the meetup—after sending explicit messages to a decoy posing as a 15-year-old. Chris also examines what may drive this kind of behavior, from compulsive pornography use to the need for control, and why understanding predator psychology is essential to protecting kids online. Sponsored by: OneSkin: Get up to 15% off OneSkin with the code HANSEN at https://www.oneskin.co/HANSEN #oneskinpod AirDoctor: Breathe cleaner air every day with AirDoctor—get up to $300 off at https://AirDoctorPro.com using promo code HANSEN TruthFinder.com. To get the answers you're looking for about the new people in your life, and todiscover information on potential predators, go to www.TruthFinder.com/predators Get your official Chris Hansen merchandise at https://haveaseat.dashery.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 良かったよ！と思ったら高評価👍 感想・ツッコミなどチャット＆コメントもぜひ！ ✅番組時間：67分31秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ ✅コーナー： 2026年1月の月例報告 やってみたいコト！ 🟧投稿フォームはこちら。 ① https://forms.gle/DkTHQ38qNNWTPpta7 （新） ② https://ja-mane.com/form/ （旧・画像添付可能） ※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/h... https://ja-mane.com/blog/2025/03/09/h... 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう • 極東の羊、テレキャスターと踊る @ フリーBGM DOVA-SYNDROME OFF... ■2026年2月7日配信 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス
出演者： miko、quim 配信ペース： 隔週水曜日（遅延） 番組時間：131分40秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 申し訳ございません。 2026年の配信3回目も大遅刻！ mikoラジ、第390回です。 引き続き、お仕事（&ライブ出演）で忙しい我さん。 そんな忙しい最中のとあるエピソードにしがないさんが食いつくところからスタート。 老若男女に愛される、逸般社会人がお届けするお家ラジオは今日も平常運転！ 最後までごゆるりとお楽しみくださいませ。 ♯途中で色々とノイズ等入りますが、収録時のものです。 ご安心ください、お手持ちの機器は正常です。 番組冒頭で話題に上ったポスト https://x.com/mikonyu/status/2019050470485193094?s=20 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた ／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました ／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ ／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！ お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2026年2月IOSYSはいてない.comパワープレイ楽曲 Nintendo Switchゲーム『QQQbeats!!!』より エンディング楽曲「Ready Set Q!!!／シイナ(CV:琴宮歩夢)＆アメ(CV:元吉有希子) with IOSYS」 作詞：夕野ヨシミ 作編曲：コバヤシユウヤ ベース：john=hive ギター：三浦公紀 https://www.taito.co.jp/QQQbeats https://www.taito.co.jp/qqqbeats/music
ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年2月パワープレイ Nintendo Switchゲーム『QQQbeats!!!』より エンディング楽曲「Ready Set Q!!!／シイナ(CV:琴宮歩夢)＆アメ(CV:元吉有希子) with IOSYS」 作詞：夕野ヨシミ 作編曲：コバヤシユウヤ ベース：john=hive ギター：三浦公紀 https://www.taito.co.jp/QQQbeats https://www.taito.co.jp/qqqbeats/music 番組時間：84分54秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/2/5に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・2月です ・あらゆるイベントのある2月 ・『さっぽろ雪まつり』にブルアカの雪像があります ・オリンピック始まっちゃう ・どこでやってるの？ ・春季と秋季もオリンピックをやろう ・男子花見 ・あまり花見をしたことないのである ・女子バニーマラソン ・男子逆バニー高飛び込み ・選挙がんばってください ・当選したら、お便りください ・うっふ～ん、選挙行ってぇ～ん ・ぬるぽ村を8区に分けちゃう？ ・一票の格差10万倍だぞ ・イオシスくんの活躍報告 ・ゲーム実況をすごいやってます ・今週は活躍が少なかった ・D.wattのイベントが被ってる ・天気は大丈夫なんでしょうか？ ・週末の度にホテル新千歳空港ができてしまう ・2026/2/15はイオパ ・2026/2/26イオシス1万日 ・ブルアカの毎日ＭＶご覧ください ・逆夕野ヨシミって、普段全裸みたいじゃないですか ・対遇バニー ＜Aパート＞ ・ふつおたです ・冬おわってください ・雪像はなんぼでも作れますよ ・雪を輸入 ・雪を捨てたいのに雪像のために雪を持ってくる ・アスファルトを切りつけながらスパイクタイヤで進む ・ノーゲットワイルドでフィニッシュです ・おっ//ぱいがいっぱい出てくる ・ガンダムはどこから見たらいいのか ・あけましておめでとうございます ・虹レートが最高 ・最初はウッドレート ・マイクラかな？ ・漫才のネタを作ってみました ・博多華丸大吉オマージュ ・サーバーブーストしてみました ・声がおじさんなんだよ ・ミリオンのくだり直すんだ ・歌ネタは賛否両論 ・年一のぬるぽ詰め合わせのためにDVD-Rを焼く ・切りよく18とは ・最高の楽曲を作りたいよー ・それ、中島みゆき！ ・誰もこの曲を知らないのである ・地上波で流れてもいい歌詞ならね ・Ｖ紅白懐かしいですね ＜Bパート＞ ・どうすっかこれ ・そのＢＧＭは誰が作ったんだい ・強めによろ ・サントラも出てますのでよろしくお願いします ・みつをたです ・ご当地仕事猫に北海道と東北と四国がない ・食戟のソーマみたいなイベント ・創作おとぎ話 忠臣蔵 第2夜 ・同人サークル「吉良きらりん」 ・ダミーサークルはよくない ・花粉ですかね？ ・ホロピックアップニュース ・ホロぐらがアニマックスで放送 ・キレるすうちゃん ・スーパー戦隊おまえがナンバーワンだ ・それ、ロジクールじゃないかい ・やりきりました ＜エンディング＞ ・大人になると褒められませんからね ・黄砂＆花粉 ・嫌なダブルブッキング ・月曜日にイオシスロードショーをやります
Episode 105 House. Deep house. 1:11. Recorded 02-05-26.
A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Envisioning Hopeful Futures Host Miko Lee speaks with two Bay Area artists, activists, and social change makers: Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists. LINKS TO OUR GUESTS WORK Tara Dorabji Author's website New book Call Her Freedom Find more information about what is happening in Kashmir Stand With Kashmir Cece Carpio Tabi Tabi Po running at Somarts SHOW Transcript Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: Good evening. I'm your host Miko Lee, and tonight I have the pleasure of speaking with two Bay Area local artists, activists, and social change makers, Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists. I so love aligning with these multi hyphenated women whose works you can catch right now. First up, I talk with my longtime colleague, Tara Dorabji Tara is an award-winning writer whose first book Call Her Freedom just came out in paperback. And I just wanna give a little background that over a decade ago I met Tara at a workshop with the Great Marshall Gantz, and we were both asked to share our stories with the crowd. During a break, Tara came up to me and said, Hey, are you interested in joining our radio show, Apex Express? And that began my time with Apex and the broader Asian Americans for Civil Rights and Equality community. So if you hear a tinge of familiarity and warmth in the interview, that's because it's real and the book is so great. Please check it out and go to a local bookstore and listen next to my chat with Tara. Welcome Tara Dorabji to Apex Express. Tara Dorabji: Thank you so much for having me. It's wonderful to be with you, Miko. Miko Lee: And you're actually the person who pulled me into Apex Express many a moon ago, and so now times have changed and I'm here interviewing you about your book Call Her Freedom, which just was released in paperback, right? Tara Dorabji: Yep. It's the one year book-anniversary. Miko Lee: Happy book anniversary. Let's go back and start with a little bit for our audience. They may have heard you, if they've been a long time Apex listener, but you as an artist, as a creator, as a change maker tell me who are your people and what legacy do you carry with you? Tara Dorabji: Who are my people? My people I would say are those who really align with truth. Truth in the heart. That's like at the very core of it. And I'm from the Bay Area. I've been organizing in the Bay a long time. I started out organizing around contaminated sites from nuclear weapons. I've moved into organizing with young people and supporting storytelling. So arts and culture has been a huge part of it. Of course, KPFA has been a big part of my journey, amplifying stories that have been silenced, and I think in terms of legacy, I've been thinking about this more and more. I think it goes into two categories for me. One are the relationships and who remembers you and and those deep heart connections. So that's one part. And then for my artistry, it's the artists that come and can create. On the work that I've done and from that create things that I couldn't even imagine. And so I really think that's the deepest gift is not the art that you're able to make, but what you create so that others can continue to create. Miko Lee: Thank you so much for sharing the deep kind of legacy and sense of collaboration that you've had with all these different artists that you've worked with and it's, your work is very powerful. I read it a year ago when it first came out, and I love that it's out in paper back now. Can you tell our audience what inspired Call her Freedom. Tara Dorabji: Call Her Freedom is very much inspired by the independence movement in Indian occupied Kashmir. And for me it was during the summer uprisings when, and this was way back in, In 2010-2009, after the Arab Spring and for the entire summer, Kashmir would be striking. It would shut down from mothers, grandmothers, women, children in the street. This huge nonviolent uprising, and I was really drawn to how it's both one of the most militarized zones on earth. And how there was this huge nonviolent uprising happening and questions about what it could look like, even like liberation beyond the nation state. And so I was really drawn to that. My dad's from Bombay, from Mumbai, that's the occupying side of it, and ethnically we're Parsi. So from Persia a thousand years ago. And so I think for me, at a personal level, there's this question of, okay, my people have been welcomed and assimilated for generations, and yet you have indigenous folks to the region that are under a complete seizure and occupation as part of the post-colonial legacy. And so I went and when I went to Kashmir for the first time was in 2011, and I was there. Right when the state was verifying mass graves and was able to meet with human rights workers and defenders, and there was a woman whose husband had disappeared and she talked to me about going to the graves and she told me, she said I wanted to crawl in and hug those bones. Those are the lost and stolen brothers, sons, uncles, those are our people. And another woman I spoke to talked about how it gave her hope for the stories to carry beyond the region and for other people to hear them. And so that became a real core part of my work and really what call her freedom is born from. Miko Lee: Thank you for sharing and I know that you did a film series and I wonder if you could about Kashmir and about what's going on, and I think that's great because so many times we in American media don't really hear what's going on in these occupied lands. Can you talk a little bit about how the interconnectedness of your film series and the book and was that part of your research? Was it woven together? How did you utilize those two art forms? Tara Dorabji: I think we're both accidental filmmakers. That might be another way that our cross, our paths cross. In terms of medium. So for me, I was actually working with Youth Speaks the Brave New Voices Network at that time and doing a lot of short form. So video content, three minutes, 10 minutes, six minutes. And it was playing really well and what I was seeing coming outta kir by local filmmakers was beautiful, gorgeous, highly repressed work generally, longer form, and not always immediately accessible to an audience that didn't have context, that hadn't been, didn't understand. And my thinking was this was a gap I could fill. I had experience, not as a filmmaker, but like overseeing film teams doing the work, right? And then here are some of the most silent stories of our time. So when I went back to do book research in 2018, I was like, Hey, why don't I make some short form films now? I didn't even know what I was getting into. And also I think. When you go in as a novelist, you're absorbing your hearing and it takes time. There's no clock. It was, it's been the hardest project to get from start to finish. And I couldn't be like, okay, Miko, like I've done it once. Now this is how you do it. And when people trust you with their story, there's an urgency. So throughout the whole project, I was always seeking form. So my first trip went straight to KPFA radio. Took the stories, project sensor, took the stories, and so I wanted to build on that. And so the documentary films provided a more some are, I'm still working on, but there was some immediacy that I could release, at least the first film and the second film, and also I could talk about how can this work dovetail with campaigns happening on the ground and how can my work accelerate what human rights defenders are doing? So the first film here still was released with the first comprehensive report on torture from the region. And so it gave that report a whole different dimension in terms of conversation and accessibility. It was a difficult film but necessary, and because I had to spend so much time with. It was a difficult film but necessary, and because I had to spend so much time with transcribing, watching the footage over and over again, it really did inform my research from the B-roll to sitting and hearing the content and also for what people were willing to share. I think people shared in a different way during video interviews than when I was there for novel research. So it worked really well. And what I am, I think most proud of is that the work was able to serve what people were doing in a really good way, even though it's really difficult work. Miko Lee: It built on the communication strategies of those issues like the torture report and others that you're working on. Tara Dorabji: Exactly. And in that way I wasn't just coming and taking stories, I was applying storytelling to the legal advocacy strategies that were underway. And, you make mistakes, so it's not like there weren't difficulties in the production and all of that. And then also being able to work with creatives on the ground and at times it just. You, it became increasingly difficult, like any type of money going out was too heavily scrutinized. But for a time you could work with creatives as part of the projects in the region and then that's also super exciting. [00:11:18] Miko Lee: Yeah. Can you talk a little bit more, I heard you say something about how the, when people are telling your story for the novel versus telling the story for the video that the cadence changes. Can you share a little bit more about what you mean by that? Tara Dorabji: Yeah, I think when I'm doing novel research, it's very expansive, so I'm dealing with these really big questions like, what is freedom? How do you live in it? How do you, how do you choose freedom when your rights are being eroded? And so that conversation, you could take me in so many different directions, but if I am focused on a very specific, okay, I'm doing a short documentary film around torture, we're gonna go into those narratives. Or if I'm coming with a film medium, like people just see it differently and they'll speak and tell their stories differently than with a novel. It's gonna be fictionalized. Some of it might get in there or not. And also with a novel, I don't ever, I don't take people and apply them to fiction. I have characters that like, I guess come to me and then they're threaded through with reality. So one character may hold anecdotes from like dozens of different people and are threaded through. And so in that way you're just taking like bits and pieces become part of it, but. You don't get to see yourself in the same way that you do with the film. So in some ways. It can be safer when the security environment is as extreme as is as it is right now. But there's also this real important part of documentary film where it's people are expressing themselves in their own words, and I'm just curating the container. Miko Lee: Was there an issue like getting film out during the time that you were doing the documentary work? Because I've heard from other folks that were in Kashmir that were talking about smuggling film, trying to upload it and finding different, did you have to deal with any of that, or was that before the hardest crackdown? Tara Dorabji: I mean there were, there's been series, so 2019 was abrogation where there was a six month media blockade. And so just your ability to upload and download. And so that was after I had been there. The environment was there was challenges to the environment. I was there for a short time and you just come and you go. You just do what you're gonna do and you be discreet. Miko Lee: And what is going on in Kashmir now? Tara Dorabji: The situation is really difficult. One of the lead leads of the report on torture and coordinator from the human rights group that put, that helped put out that report has been incarcerated for four years Koran Perve. Miko Lee: Based on what? Tara Dorabji: His human rights work. So they've just been detaining him and the United Nations keeps calling for his release. Miko Lee: And what do they give a reason even? Tara Dorabji: They, it's yeah, they give all kinds of trumped up charges about the state and terrorism and this and that. And also. One of the journalists and storyteller and artists in the first film that I released, Iran Raj, he's been incarcerated for two years. He was taken shortly after he was married, the press, the media has been dismantled. So there was, prolific local press. Now it's very few and it's all Indian State sponsored narrative propaganda coming through. ] Miko Lee: How are concerned folks here in the US able to get any news about what's happening in Kashmere, what's really going down? ara Dorabji: It's really hard. Stand with cashmere is a really good source. That's one. There's cashmere awareness. There's a few different outlets that cover what happens, but it's very difficult to be getting the information and there's a huge amount of repression. So I definitely think the more instagram orgs, like the organizations that go straight to the ground and then are having reels and short information and stories on Instagram is some of the most accurate information because the longer form journalism. It is just not happening right now. In that way people are being locked up and the press is being dismantled and people running, the papers are being charged. It's just horrendous. Entire archives are being pulled and destroyed. So hard. Really hard. So those, Stand With Kashmir is my go-to source, and then I see where else they're looking. Miko Lee: So your book Call Her Freedom is a fictionalized version, but it's based around the real situation of what's been going on in Kashmir. Can you share a little bit more about your book, about what people should expect and about what you want them to walk away with understanding. Tara Dorabji: It's a mother daughter story. It's a love story. It's about love and loss and families, how you find home when it's taken. And the mom is no Johan. She's a healer. She's a midwife. She has a complex relationship with her daughter and she haunts the book. So the story told from multiple points of view, we never get and ignore the mom's head, but. She comes back as she has a lot to say. And I think it's interesting too because in this village that's largely run by men, you have these two women living by themselves and really determining their own fate. And a lot of it has to do with both nors ability to look at ancient healing practices, but also a commitment that her daughter gets educated. And so she really like positions her daughter in between the worlds and all the while you have increasing militarization. And Aisha starts as a young girl just starting school. And then at the end of the story, she's a grandmother. We get to see her relationships evolve, her relationship with love evolve, and a lot of the imperfections in it. And one of the things in writing this is when you're dealing. Living in occupation, there's still the day-to-day challenges that so many of us endure. And you have these other layers that are horrific. Miko Lee: Yeah. And I'm wondering how much of yourself as a mother you embedded into the book as a mother, as an activist, as a mother of daughters, how much of yourself do you feel like you put into the book? Tara Dorabji: A ton. It's my heart and spirit in there. And there were some really, there's this scene where the mom does die, and I actually wrote that before my mom passed away. And I do remember like after my mom died, going through and editing that part. And it was just like. It was really, it was super intense and yeah, I mean it definitely made me cry and it was also like the emotion was already there, which was interesting for me to have written it before but then have it come back and a full circle, I think. Miko Lee: So did you change it after you experienced your own mom dying? Tara Dorabji: It was soft edits. In my second novel, there's a scene and it, that one completely changed 'cause I didn't hit the emotion. Emotional tenor, right? It's funny, but in this one it was pretty good. I was like, I did pretty good on that one. But yeah, so it was just like tinkering with it a little. I think also my daughters were about four when I started. Miko Lee: Oh, wow. Tara Dorabji: And it came out as, when they're 18. So the other part was I was able to use their age references constantly throughout it because. I could just map to what it's like being a mom of a kid that age. So I did ob yeah, definitely used my own. So it's an amalgam and also it's fictionalized. So in the book, it's not Kashmir, it's Poshkarbal there's right a village. And so trying to take people out of something that they can identify as reality, but then at the same time, you can see the threads of reality and create a new experience. Miko Lee: So since you brought that up, tell us about the next book that you're working on right now. Tara Dorabji: Yes, it's still very much in a draft form, but takes place here in the Bay Area. Similar themes around militarization, family secret love, lineage loss, and part of it's in Livermore Home to one of the world's nuclear weapons lab. Mm-hmm. Part of it's in San Francisco, so exploring into the future tech, AI, and. There's an underpinning around humans' relationship to technology, and I think at this point. We know that technology isn't gonna solve the crisis of technology. And so also looking at our relationship to land and culture and lineage. So there's, it's about, now I'm looking at about a hundred year span in it. Miko Lee: Wow. Really? Tara Dorabji: Yeah. Contained with the geography of the Bay Area Miko Lee: Toward the future. Toward the past? Tara Dorabji: both past and future Miko Lee: Whoa. Interesting. Tara Dorabji: Yeah. Miko Lee: I'm reading Empire of AI right now. I don't know if you're familiar with that, but, oh, the AI stuff is so deeply disturbing about humanity. You're really thinking about where we're going, so I'm curious to find out your fictionalized versions of the impact. Tara Dorabji: It's a major change we're going through. Yeah, and you and I grew up in a time when we didn't have cell phones and we used maps, and Yeah. If I was gonna meet you, I had to be there and we'd have to make a plan in advance and yeah. It's just shifting so rapidly. So we went Miko Lee: through that. Even how to read a, how to read a clock like my girls, I had to show them as adults how to read a clock. Wow, I didn't realize these things. Our world is so digitized that even the most basic, that concepts ha how are shifting and even fine motor skills. Like most young people do not have good, fine motor skills. Tara Dorabji: Yeah. Miko Lee: Because they're just used to being on their phone all the time. Tara Dorabji: Yes, and the, and I would give it is during the rain over the holidays, there is just always a family out with a small child in their yellow rain boots. And the kid like reaching into the tree, grabbing, smelling it dad or mom holding them. And so there are these anchors. Miko Lee: Yeah. Tara Dorabji: And even though humanity is accelerating in this one way, that's very scary and digitize. It's like the anchor of the earth in our community and our relationships still is holding us. Some of, you know, there's still that pull. And so I think that how people form their communities in the future and the way that. The choices that are gonna be made are just gonna become increasingly difficult. We faced it in our generation, parenting around cell phones, social media. We're seeing that impact of the suicidality, all of those things coming up. And that's gonna accelerate. So I do think it's, definitely a major change in transition some dark times, but also some really beautiful possibilities still rooting in our communities and in the world. Miko Lee: And because we both work in movement spaces, I'm really curious I heard you talk a lot about connection and land and I'm just curious in your book. I got this vibe and I know a lot of the work that we do in the community. I'm wondering if you could speak a little bit on the land back movement internationally. In so many of those spaces, women are at the forefront of that. I wonder if you could talk a little bit about that. Tara Dorabji: That's one of the most exciting things happening right now is the land back movement. In my younger days when I was studying what determines a woman's quality of life internationally at a scale, it's, it was really came down to land ownership. So in societies where land ownership went to women, they were able, and it was like. Outpaced by far, education and those other things is like that access to the land and the resource in that way. And land back is an acceleration of that, and I think particularly when we're looking at a lot of questions around philanthropy, spun downs, how it's done. When you transition an asset back into the community as land and land stewardship, right? Because then there's like the ownership for the stewardship and yeah, the different ways that it's done. But that is a lasting impact for that community. And so often when you're investing in women. Then it goes not just in terms of their quality of life, but the children, right? And the whole community tends to benefit from that. And I think even looking at Kir in the, one of the things that always has fascinated me is Kashmir during, it was independence was a carve up by the British, so that's a post-colonial strategy to keep people fighting. That has been very successful in the subcontinent. Kashmir had Miko Lee: all over the world. Tara Dorabji: Exactly. And Kashmir had a semi-autonomous status. That's what was really stripped in 2019, was that article from the Constitution. And so in the very early days when their autonomy was stronger, they started some pretty revolutionary land reforms. And so there was actually clauses where the people that were working the land could have it. And people Kashmiris were transferring land. To two other cashmeres. And so it was this radical re resource redistribution and you have a really strong legacy of feminism and women protesting and leading in Kashmir and I think that part from my perspective is that was a threat. This fear of redistribution of resources, land distribution other areas started to follow suit and the nation state didn't want that to happen. They wanted a certain type of concentration of wealth. And so I think that was one of the factors that. There were many, but I do think that was one that contributed to it. So I do think this idea of land backed land reform is extraordinarily important, and particularly looking at our own relationship with it. How do we steward it? How do we stop stripping the land? Of its resources and start realigning our relationship to it where humans are supposed to be the caretakers. Not the ones taking from. Miko Lee: Thank you for sharing. I was thinking so much about your book, but also about the movement that we live in and the more positive visions of the future. Because right now it's devastating all the things that are happening in our communities. So I'm trying to be a bit hopeful and honestly just to keep through it make sure that we get through each day. Given so many of our brothers and sisters are at risk right now I'm wondering what gives you hope these days? Tara Dorabji: Yeah, a lot of things do, I think like when I do try to take the breaths for the grief and the devastation because that loss of life is deep and it's heavy and it's real and it's mounting. So one, not to shy away from feeling it. Obviously not, it's hard. You don't want to 24 7, but when it comes in to let it come in and move through. And for me it's also this idea of not. It's just like living in hope. How do you live each moment and hope? And so a big part of it for me is natural beauty, like just noticing the beauty around me and filling myself up in it because that can never be taken away. And I think also in some of the most violent acts that are being committed right now, the way people are meeting them with a pure heart. Miko Lee: Yeah. Tara Dorabji: It's like you can't stop, like that's unstoppable is like that beauty and that purity and that love. And so to try to live in love, to try to ground in hope and to try to really take in the beauty. And then also like how do we treat each other day to day, and really take the time to be kind to one another. To slow it down and connect. So there are, these are tremendously difficult times. I think that reality of instability, political violence, assassination, disappearances, paramilitary have come visibly. They've been in the country, but at a, in the US at a more quiet pace, and now it's so visible and visceral Miko Lee: And blatant. Yeah. It's just out there. There's no, they're not hiding about it. They're just out there saying out there, roaming the streets of Minnesota right now and other states to come. It's pretty wild. Tara Dorabji: Yeah. And I think that the practice is not to move in fear. The grief is there, the rage and outrage can be there. But the love and the beauty exists in our communities and and in the young people. Miko Lee: Yeah. Tara Dorabji: And our elders too. There's so much wisdom in our, in the elders. So really soaking up those lessons as much as possible. Miko Lee: Thank you so much for chatting with me and I hope everybody that checks out your book call Her Freedom, which has gotten some acclaim, won some awards, been out there, people can have access to it in Paper Book. We'll put a link in our show notes so people can have access to buy it from an independent bookstore. Tara Dorabji: Thank you so much. Wonderful to catch up and thank you for all your work on Apex as well. Miko Lee: Thank you. Next up, take a listen to “Live It Up” by Bay Area's Power Struggle. MUSIC “Live It Up” by Bay Area's Power Struggle. Next up I chat with Visual artist, cultural strategist and Dream Weaver, Cece Carpio about her solo exhibition that is up and running right now at SOMArts through March. Welcome, Cece Carpio to Apex Express. [00:33:37] Cece Carpio: Thank you for having me here. [00:33:39] Miko Lee: I am so excited to talk with you, and I wanna start with my very first question that I ask all of my guests, which is, who are your people and what legacy do you carry with you? [00:33:52] Cece Carpio: That's a packed question and something I love. just in terms of where I come from, I was born and raised in the Philippines, small little farming village town, and migrated as my first so ground in the United States here in San Francisco. So my peoples consists of many different beings in all track of. The world whom I met, who I've loved and fought with, and, relate with and connect with and vision the world with. So that includes my family, both blood and extended, and the people who are here claiming the streets and claiming. Claiming our nation and claiming our world to make sure that we live in the world, that we wanna envision, that we are visioning, that we are creating. I track along indigenous immigrant folks in diaspora. black, indigenous people of color, community, queer folks, and those are folks that resonate in, identify and relate, and live, and pray and play and create art with. [00:35:11] Miko Lee: Thank you so much. And do you wanna talk, chat a little bit about the legacy that you carry with you? [00:35:16] Cece Carpio: I carry a legacy of. Lovers and fighters, who are moving and shaking things, who are creating things, who are the healers, the teachers, the artists and it's a lot of load to carry in some extent, but something I'm very proud of, and those are the folks I'm also rocking with right now. I think we're still continuing and we're still making that legacy. And those are the people that are constantly breathing on my neck to make sure that I'm doing and walking the path. And it's a responsibility I don't take lightly, but it's also a responsibility I take proudly. [00:35:58] Miko Lee: Thank you for sharing. We are talking today because you have an exhibit that's at SOMArts Space, your first solo exhibit, and it's running all the way through March 29th, and it's called Tabi Tabi Po: Come Out With the Spirits! You Are Welcome Here First, tell me about the title and what that evokes for you. [00:36:18] Cece Carpio: Yes, so Tabi Tabi Po is a saying from the Philippines that essentially. Acknowledge, like it's most often used when you walk in the forest. And I think collectively acknowledge that there are other beings and spirits there beyond ourselves. So it's asking for permission. It's almost kind of like, excuse me, we're walking your territory right now. And, acknowledging that they're there and acknowledging that we're here or present and that, we're about to. Coexist in that space for that moment. So can we please come through? I think this is also not just like my open idea and choosing this title is not that we're only just coming through, but we're actually coming out to hang out for a little while and see what's happening here and kick it. Opening up space and welcoming folks who wants to come out and play with us and who wants to come and share the space. [00:37:15] Miko Lee: Ooh. I really love that. I feel that when I walk in the forest to this ancestors that are with us. That's beautiful. This is your first solo exhibit, so I'm wondering what that feels like. You have been a cultural bearer for a really long time, and also an arts administrator. So what does it feel like to have your first solo exhibit and see so much of all of your work all around? [00:37:36] Cece Carpio: Well, I'm a public artist. Most of the stuff that I've been doing the last decade has been out in public, creating murals and installations and activations, in different public spaces, and went somewhere. Specifically Carolina, who is the curator at SOMA have asked me to do this. To be honest, I was a little bit hesitant because I'm like, oh, it's a big space. I don't know. 'cause I've done group exhibitions in different parts of the years, but most of the stuff I do are affordable housing to like public activations to support the movement. Then I kind of retracted back and it's like, maybe this is the next step that I wanna explore. And it was a beautiful and amazing decision to work alongside so Mars and Carolina to make this happen 'cause I don't think it would've happened the way we did it in any other space, and it was amazing. Stressful that moments because I was still doing other projects and as I tried to conceive of a 2000 square footage gallery and so my district in San Francisco. But it was also the perfect opportunity. 'cause my community, my folks are here and. We are saying that it's a solo exhibition, but it really did take the village to make it all happen, and, which was one of my favorite part because I've been tracking this stem for so long and he is like folks on my back and I wanted to tell both my stories and our stories together. It was very opening, very humbling. Very vulnerable and exciting. All at the same time, I was able to talk or explore other mediums within the show. I've never really put out my writing out into public and is a big part and component of the exhibition as well as creating installations in the space. Alongside, what I do, which is painting mostly. But to be honest, the painting part is probably just half of the show. So it was beautiful to play and explore those different parts of me that was also playing with the notion of private and public, like sharing some of my own stories is something as I'm still trying to find ease and comfort in. Because as a public artist, I'm mostly translating our collective stories out, to be a visual language for folks to see. So this time around I was challenged a little bit to be like, what is it that you wanna share? What is it that you wanna tell? And that part was both scary and exciting. And, and he was, it was wonderful. It was great. I thought he was received well. And also, it was actually very relieving to share parts and pieces of me out with my community who have known for a long time. There were still different parts of that there were just now still learning. [00:40:39] Miko Lee: What did you discover about yourself as you're kind of grappling with this public versus private presentation? [00:40:45] Cece Carpio: What I learned about myself through this process is I can actually pretty shy. I mean, I might be, you know, um, contrary to like popular belief, but it was definitely, I'm like, Ooh, I don't know. I don't know. My folks who had been standing close with me, just like, this is dope. And also just in the whole notion that, the more personal it is, the more universal it becomes and learning that, being able to share those part of me in a way of just for the pure sake of sharing, actually allows more people to resonate and relate, and connect, which at this moment in time is I thing very necessary for all of us to know who our peoples are when this tyranny, trying to go and divide us and trying to go and separate us and trying to go and erase us. So I think there's something really beautiful in being able to find those connections with folks and spaces and places that otherwise wouldn't have opened up if you weren't sharing parts and pieces of each other. [00:42:00] Miko Lee: That's so interesting. The more personal, kind of vulnerable you make yourself, the more it resonates with folks around the world. I think that's such a powerful sentiment because the, even just having a gallery, any piece of artwork is like a piece of yourself. So opening up a huge space like Somar, it's, that's like, come on in people. Thank you for sharing with us. To your point about the shocking, horrible, challenging, awful times that we live in. As we talk right now, which is Saturday, January 31st, there protests going on all around the country. I'm wondering if you can talk a little bit about what it means to be a visual artist, a cultural bearer in a time of fascism and in a time of struggle. [00:42:43] Cece Carpio: Well, if you go and see the exhibition, that's actually very much intertwined. My practice has always been intertwined with, creating a vision in solidarity with our communities who are believing and fighting for another world that's possible. My practice of this work has been embedded and rooted with the movement and with organizations and people who have the same goals and dreams to, bring in presence and existence of just us regular, everyday people who are still fighting to just be here to exist. So just to your question of, but what it means to do this work at this time. I think it is the imagination. It is the creativity that allow us to imagine something different. It is the imagination, it is the dreams that allow us to create that. Other world that we wanna envision when, everything else around us is telling us another way that's not really the best for ourselves and for our peoples and for the future generations that's gonna be carrying this load for us. And with this. In so many ways, a lot of my. my creating process, my making process has always carried that, and even myself, immigrating to this place that was once foreign is figuring out where I can belong. My art practice has not only been a way in which I express myself, but it has been the way in which I navigate the world. That's how I relate to people. That's how I am able to be part of different groups and community. And it's also how I communicate. , And that's always been, and still is a very big portion of my own practice. [00:44:37] Miko Lee: Can you share a little bit more about your arts practice, especially when we're living in times where, people are trying to get a paycheck and then go to the rally, and then maybe phone banking and organizing and there's so many outside pressures for us to just continue to move on and be in community and be in movement work. I'm wondering how do you do it? Do you carve out times? Is it in your dreams? Where and how do you put yourself in your arts practice. [00:45:04] Cece Carpio: I don't think there is a wrong or right way of doing this. I think being an artist, it is not only about being creative on what, a paint on the walls, it is about being creative on how you live your life. I don't know if there's a formula and it's also been something that, to be honest, it's a real conversation. I mean, most of us artists. We're asking each other that, you know, like You do it. How do you figure out, like how do you add hours in your day? How do you continue doing what it is that you love and still fall in love with it when we're under capitalism trying to survive, all these different things. Everyone has a different answer and everyone has different ways of doing it. I'm just kind of figuring it out as I go, you know? I'm an independent artist. It is the center of the work that I do, both as a livelihood and as a creative practice, as a spiritual practice, as a connective practice. This is what I do. For me it is just like finding my peoples who wants to come and trek along. Finding folks who wants to support and make it happen. Beyond painting on walls, I'm also an educator. I've taught and pretty much most of the different levels of, what this nation's education system is like and still do that in practice, in both workshops, , sometimes classrooms, community group workshops and folks who wants to learn stern, both technical and also like conceptual skills. I consider myself also a cultural strategist, within a lot of my public activation and how I can support the movement is not just, creating banners or like little cards, but actually how to strategize how we utilize art. To speak of those things unspoken. But to gather folks together in order to create gateways for, other everyday folks who might not be as involved with, doesn't have time or availability or access to be involved to make our revolution irresistible. Many different cultural strategist comes together and we produce public art activations to make it both irresistible, but also to provide access, to folks who otherwise probably would just walk by and have to go to their everyday grind to just make it on this work. As long as I see it aligned within kind of divisions that we have together to consistently rise up and get our stories known and become. Both a visual translator but also a visual communicator in spaces and places sometimes, you know, unexpected, like for example, within the protest when protest is over, like what are left behind within those spaces where we can create memories. And not just like a moment in time, but actually how do we mark. The space and places we share and that we learn from and that we do actions with. We can make a mark and let it be seen. [00:48:05] Miko Lee: Thank you for that. I'm wondering, as you're talking about your profound work, and how you move through the world, I'm wondering who are some of the artists that inspire you right now? [00:48:17] Cece Carpio: So many, so many folks. Artists at this moment have been becoming vital because of the intensity of our political climate that's happening. There's so many artists right now who are. doing a lot of amazing, amazing things. I definitely always have to give shout out to my mama, Esra, which is one Alicia, who's just consistently and prolifically still creating things. And she, I've been doing and collaborating with her for many, many years. What I think I really love and enjoy is that she's continuously doing it and like it gives us more hunger to like, all right, we gotta catch up. it's amazing and [00:48:58] Miko Lee: beautiful. Amazing work. [00:49:00] Cece Carpio: Yes, and I've been very fortunate and been very lucky to be part of an artist Has been such an inspiration , and a collaborator and in the many process of the different works that we do. So some of the crew members definitely shout out to my brother Miguel to, folks like Frankie and Sean Sacramento. Then we have span over in New York, like we've, we're now spreading like Voltron. ‘ve been very lucky to have some amazing people around me that love doing the same things who are my family. We're continuing to do that. So many more. It's really countless. I feel like I definitely have learned my craft and this trait by. Both being out there and making happen and then meeting folks along the way who actually are in the same path. And it's such a beautiful meeting and connection when that happens. Not only just in path of creating work, but, and path of we down to do something together. There's so many, there's so many. It's so nameless. [00:50:05] Miko Lee: Thank you for sharing some of them, some of the artists that helped to feed you, and I'm sure you feed them. You just have finished up an artist in residence with the Ohlone people. I'm wondering if you could talk a little bit about what that experience was like being an artist in residence there. [00:50:21] Cece Carpio: It has been an amazing, and the relationship continues. Karina actually gave the spirit plate on the opening, which is such a big honor because I consider her, both a mentor and a comrade and, and [00:50:34] Miko Lee: Karina Gold, the Chair of the Ohlone tribe. [00:50:38] Cece Carpio: Yes. And who I have such admiration for, because if. Both integrity and also the knowledge that she carries and the work that she's doing and how she opens it up for different folks. How she walks is such a big part of how that collaboration started in the first place. As an indigenous immigrant that's been consistent. Like what does even mean to be indigenous in the land that's not yours, you know? Just the notion of what is our responsibility as stewards of this land to live on stolen land? I had this specific skill that I wanted to share, and they were more than willing, and open to dream together of what that could look like and was able to do. Many different projects and different sites , of land that's been returned to indigenous hands. It was such an honor to be part of that. Creating visual markers and visual acknowledgement in spaces that, you know, kind of telling the autobiographical stories of those spaces and how it was returned, what our divisions, and to work alongside the young people, the various different communities she believes and wanted to take part of the movement. I learned as much or if not more. I share my knowledge of like how to paint a mural or all the different skills. So it was very much a reciprocal relationship and it's still a continuous relationship that we're building. It's gonna be an ongoing fight, an ongoing resistance, but an ongoing victory. They've already have shared and won and have shown and shared with us the experiences of that. It's been very rejuvenating, regenerating, revitalizing, and in all those different ways, being able to bear witness to that, but taking small part in pieces, and certain projects to uplift and support that and also just to learn from the many different folks, and people from both Sego and the communities that they've able to like. Create and build through the time, I mean through the young time actually that they've been here, but definitely still growing. [00:52:46] Miko Lee: Thank you. Your show is up until the end of March. What do you want folks to feel after they go see Tabi Tabi Po [00:52:55] Cece Carpio: Mostly are gonna feel whatever they wanna feel. I'm kind of curious to know actually, what is it that people are feeling and thinking, but I think Enchantment, I wanna recapture that feeling of Enchantment in a time and moment where. It can be very frustrating. It can be very, depressing. Seeing the series of event in this nation and just uncaring, and like the pickable violence that's imposed to our peoples. I wanna be able to give folks a little bit of glimpse of like, why we are fighting and why we were doing this for and even see the magic in the fight. I think that's a big part of the story that's being told and that the, knowing that we're still writing a story as we go. Within this exhibition, there's a lot of spaces of me sharing parts of my story, but a big part of that is also spaces for folks to share theirs. That exchange of magic is something that we can use as ammunitions, we can use as tools to keep us going in times that is very, very trying. [00:53:59] Miko Lee: The magical exchange to make the revolution irresistible. [00:54:03] Cece Carpio: Let's do it. Let's go. [00:54:05] Miko Lee: Sounds great. We're gonna put links to the show at SoMarts we'll put them on our Apex Express, um, page, and I'm wondering what's next for you? [00:54:14] Cece Carpio: We will also have programs that coincides alongside the various stories that we're telling with this exhibition to welcome for other community members, other artists, other cultural bearers, other fighters to come and join us, and be part of it and tell stories, heal time. Imagine a magical future to celebrate the victories and wins as big and small as they come. So that is gonna be happening. What's nice for me is, actually it's going simultaneously is I'm still painting. I'm going to be in support of painting a new space opening for a Palestinian owned bakery. They're opening up a new space back in their hometown right here in Oakland. And Reem is a close friend, but also a very frontline fighter. 'cause you know, genocide is still happening right now. I wanna be able to support that and also support her. Another public art installation is actually gonna be unveiling within next month over at soma. In the district of Soma Filipino with the Jean Friend Recreation Center. I'm actually trying to carve out more time to write. I'm still exploring, definitely like in the infants stages of exploring it, but falling in love with it. At some point in time within this show, . Wanna be able to actually get it published, in a written form where both the images can accompany some of the written work , and wanna see like its duration last beyond the exhibition show. There's always the streets to come and protest to happen and contributing to that work that we do to reclaim what is ours, the world that is ours. [00:55:53] Miko Lee: Thank you so much. You're doing so many things so powerfully, so beautifully, so articulately and I guess the best way for folks to follow up is on your Instagram. [00:56:04] Cece Carpio: Yeah, I'm still actually operating in myself. [00:56:06] Miko Lee: Okay. Okay. Well thank you so much for your work, everything that you do in the community, so powerful, and thanks so much for speaking with us today. Thank you. Thanks so much for listening to our show tonight. Please go check out Cece's exhibition Tabi Tabi Po at SoMarts and go to a local bookstore to get the paperback version of Tara's Call Her Freedom. Support artists who are paving the way towards a vision for a new future. They are working to make the revolution irresistible. Join us. [00:56:41] Closing Music: Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night. The post APEX Express – 2.5.26-Envisioning Hopeful Futures appeared first on KPFA.
#płatnawspółpraca | Zapraszamy na wtorkowe "Onet Rano.", w którym gośćmi Mikołaja Kunicy będą: Mirosław Suchoń, Polska 2050; Maciej Samsonowicz, Ministerstwo Obrony Narodowej; dr Konrad Ciesiołkiewicz, Uczelnia Korczaka, wiceprzewodniczący Państwowej Komisji ds. przeciwdziałania wykorzystaniu małoletnich; Agnieszka Prasek, rzeczniczka prasowa IMGW-PIB. W części "Onet Rano. #WIEM" gościem Marcina Zawady będą: Izabela Kruk, Dyrektor Komunikacji Sponsoringowej ORLEN; Marek Plawgo, Wiceprezes Zarządu Polskiego Związku Lekkiej Atletyki.
Episode 104 - After Hours House, but later. Loose grooves. Warm tones. No rush. This one lives in the space between leaving and staying. Nothing flashy. Basement Beats Radio continues — same signal, different hour.
ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年1月パワープレイ M1. YATSUZAKI HARDCORE (Liqo NEXT100 Remix) 作曲：SHC crew リミックス：Liqo 音楽ジャンル：Hardcore 収録アルバム：YATSUZAKI HARDCORE COLLECTION 2025 2025・12・31 Release https://notebookrecords.net/discographyportal.php?cdno=YHC-1005 番組時間：83分48秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/1/29に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・こんばんわ ・あいさつは大事ですから ・1064は素数か？ ・運転免許の筆記を受けてみる ・運転免許返納過激派 ・30万あったらガールズバー行けますよ ・自動車学校ガールズバー ・シャンパン入れて即飲酒運転 ・イオシスくんの最新情報 ・楽曲提供しました！ 【original MV】お嫁♡HOLIC【hololive/ネリッサ】 作詞 : かたほとり 作曲・編曲 : ARM ギター : 西山昌一郎 ベース : 蒼井刹那 ヴァイオリン・ヴィオラ : 三輪紫乃 ・生楽器は大変 ・YouTube 400万マーマ！ 「ウィマーマ・サーガ」 歌：しぐれうい (9) vs. しぐれうい (16) 作編曲：D.watt 作詞：まろん ・この曲をイカれてると思わない人はイオシスメンバーにした方がいい ・ディスコードの調子が悪いな ・春の即売会参加のお知らせ 2026/4/26 M3-2026春 スペースいただきました！ありがとうございます！ ■IOSYS あ-07a Notebook Recordsとの合同スペースです。よろ～ ・1月がおわるんじゃなくて、今年がおわるんだ ・春節なら休んでもいいか ・旧スク水新スク水 ・ロリ神は1.4憶 ・今週土曜日も寒気が来ちゃう ・2026/2/8は選挙です ・DJやるんですか？ ・選挙がある国でよかったね ・来週から雪まつりありますね ・雪がヤバイ ・雪はなんとかなりませんか？ ・タマを取って9年 ・ファンボックスご覧ください ・支援者もっと増えてもいいのに ・牛タン毎日食べたいな ・いいお肉の焼き方のお便りお待ちしてます ・漫才の台本がたくさん来てます ＜Aパート＞ ・ふつおたです ・宮崎の字の話 ・混迷を極めてる ・住所はめんどくさい ・イブキちゃんの歯磨き動画 ・月曜日のKENZEN ・「ホロぐら」を公共の電波に流すんだな ・大変です夕野さん！ ・番外編 かぐや姫 ・小さな裸のおじさんは出てきてほしくないな ・終末時計を動かすおじさんのお仕事なくなっちゃう ・今日は飛ばしてますね ・『SOUND VOLTEX』と『pop'n music』でプレイできます ・正式なクレーム ・クレープだよ！ ・舶来ものかな？ ・音ゲーは全部やってください ・毎日ゲーセン行ってください ・漫才やります？ ・出囃子用意しました ・因果応報です ・M3に出すなら噛んでないやつにします ・ピンクの片玉 夕野ヨシミです ・カナメストーンよ ・プレス工場の事務ならやれます ・漫才は冬に最適 ＜Bパート＞ ・ディスコード越しだとセリフだけ鮮明に聞こえる ・優秀なノイキャン ・みつをたです ・東横INNが、2月に高知出店で全国制覇 ・是非行ってほしいホテルAZ ・納豆2個で生卵1個 ・ごはんが進んじゃう ・GENKIバッチ ・東横INNご当地GENKIバッジがコンプできる ・自力で集めてもむなしいのでは？ ・創作昔話 忠臣蔵 ・頒布停止でござる ・年末にやってくれんか ・同人ゴロなのは確定なのね ・初の免許更新 ・ホロピックアップニュース ・ギャルキチ ・最近はテラリアが始まってますね ・遊びやすくなってる ・漫才の台本なのでは？ ・じゃあ、病院に行きましょう ＜エンディング＞ ・漫才の在庫は2本あります ・漫才は健康にいい ・今日もなんとかなりました ・エンディングに話すことがなにもない ・プロの漫才師はすごい
In this episode of Intermittent Fasting Stories, Gin talks to Miiko Anderson, who is from Shaker Heights, OH but now lives in Europe with her family.Join Gin in the new Fast Feast Repeat app for The Grown-Up Year: 52 Weeks to Listen, Play, and Nourish, as well as a growing collection of intermittent fasting resources. Go to app.fastfeastrepeat.com to join us or go to the App Store and download the Fast Feast Repeat app, available for both iPhone and Android.Are you ready to take your intermittent fasting lifestyle to the next level? There's nothing better than community to help with that. In the Delay, Don't Deny community we all embrace the clean fast, and there's just the right support for you as you live your intermittent fasting lifestyle. You can connect directly with Gin in the Ask Gin group, and she will answer all of your questions personally. If you're new to intermittent fasting or recommitting to the IF lifestyle, join the 28-Day FAST Start group. After your fast start, join us for support in The 1st Year group. Need tips for long term maintenance? We have a place for that! There are many more useful spaces beyond these, and you can interact in as many as you like. Visit ginstephens.com/community to join us. An annual membership costs just over a dollar a week when you do the math. If you aren't ready to fully commit for a year, join for a month and you can cancel at any time. If you know you'll want to stay forever, we also have a lifetime membership option available. IF is free. You don't need to join our community to fast. But if you're looking for support from a community of like-minded IFers, we are here for you at ginstephens.com/community. Miiko shares her journey with intermittent fasting, discussing how it transformed her health and lifestyle. She reflects on her initial struggles, cultural differences in eating habits, and the importance of listening to one's body. Miko emphasizes the benefits of BHRT and the significance of making informed choices about nutrition. She encourages others to embrace their journey and highlights the empowerment that comes with understanding one's body and health.Takeaways:• Miiko started intermittent fasting about eight years ago.• She experienced immediate health benefits, including increased energy and reduced inflammation.• Incorporating exercise, especially strength training, is crucial for overall health.• Listening to your body's needs is essential for effective fasting and nutrition.• Miiko debunks myths about aging and muscle loss, showcasing her own experience. She is now at 19% body fat, feels amazing, and has been able to build muscle easily as a post-menopausal intermittent faster. • BHRT has played a vital role in Miko's health and well-being as she ages.• Eating like a grown-up means making your own informed choices about nutrition and health.At the end of the episode Miiko encourages listeners to do their own homework before getting started and also listen to the podcasts to remain motivated.Join Gin in the new Fast Feast Repeat app for The Grown-Up Year: 52 Weeks to Listen, Play, and Nourish, as well as a growing collection of intermittent fasting resources. Go to app.fastfeastrepeat.com to join us or go to the App Store and download the Fast Feast Repeat app, available for both iPhone and Android.Get Gin's books at: https://www.ginstephens.com/get-the-books.html. Good news! The second edition of Delay, Don't Deny is now available in ebook, paperback, hardback, and audiobook. This is the book that you'll want to start with or share with others, as it is a simple introduction to IF. It's been updated to include the clean fast, an easier to understand and more thorough description of ADF and all of your ADF options, and an all new success stories section. When shopping, make sure to get the second edition, which has a 2024 publication date. The audiobook for the second edition is available now! Join Gin's community! Go to: ginstephens.com/communityDo you enjoy Intermittent Fasting Stories? You'll probably also like Gin's other podcast with cohost Sheri Bullock: Fast. Feast. Repeat. Intermittent Fasting for Life. Find it wherever you listen to podcasts. Share your intermittent fasting stories with Gin: gin@intermittentfastingstories.comVisit Gin's website at: ginstephens.com Check out Gin's Favorite Things at http://www.ginstephens.com/gins-favorite-things.htmlSubscribe to Gin's YouTube Channel! https://www.youtube.com/channel/UC_frGNiTEoJ88rZOwvuG2CASee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Na radionaukowe.pl dostępna trankrypcja*** Są takie zwierzęta, które nie mają zewnętrznych organów rozrodczych, ale rozmnażają się na potęgę i płodzą tysiące potomków. Żyją na lądzie, ale muszą wracać do wody, żeby doszło do przedłużenia gatunku. Nie mają sierści ani piór, żeby się ogrzać, a jednak żyją w różnych strefach klimatycznych, nawet w Norwegii i na Syberii. A do tego są bardzo stare, wyewoluowały około 350 milionów lat temu. W Polsce mamy ich 19 gatunków: salamandrę, 4 traszki, 2 kumaki, grzebiuszkę, 3 ropuchy, 2 rzekotki oraz 6 żab. Mowa oczywiście o płazach, a opowiada o nich dr inż. Mikołaj Kaczmarski, herpetolog z Uniwersytetu Przyrodniczego w Poznaniu. Niektóre umiejętności płazów wprawiają w zdumienie. W Ameryce Północnej żyje gatunek żaby, która potrafi dosłownie zamarznąć, hibernować w bryle lodu, i zwyczajnie się wybudzić, kiedy lód stopnieje. Pewien azjatycki gatunek zaskrońca potrafi przyswoić sobie toksynę z pożartej ropuchy i użyć jej do zaatakowania następnej ofiary. Niezwykły jest też sposób, w jaki przeobrażają się płazy (bezogonowe. Ze złożonych jajeczek, czyli skrzeku, wykluwają się kijanki, larwy kompletnie niepodobne do dorosłych osobników. Oddychają skrzelami, żyją wyłącznie w wodzie, mają ogon i generalnie wyglądają i żyją podobnie do ryb. Z czasem „rybie” cechy zanikają, wykształcają się kończyny i mała żabka czy grzebiuszka wychodzi na ląd, by prowadzić dorosłe życie.Płazy pełnią ważną rolę w środowisku. Jako drapieżniki regulują populację owadów, w tym tych, których pełno na wilgotnych obszarach, a sprawiają nam, ludziom, spore kłopoty, jak komary czy meszki. – Problem płazów jest taki, że to są zwierzęta, które żeby dobrze funkcjonować w środowisku, muszą być pospolite, powszechne – wyjaśnia herpetolog. A niestety jest im coraz trudniej. Osuszamy potrzebne im tereny podmokłe, budujemy drogi i miasta na szlakach ich wędrówek godowych. ***Słuchasz nas regularnie? Zajrzyj na https://patronite.pl/radionaukoweNasze wydawnictwo: https://wydawnictworn.pl/ ***Wszystkie płazy są w Polsce pod ochroną. Organy ochrony środowiska mają obowiązek interweniować, jeśli coś im grozi. Co na przykład w sytuacji, gdy ropuchy przechodzą przez jezdnię do zbiornika z wodą i masowo giną pod kołami? Właściciel drogi powinien zbudować pod nią odpowiedni przepust albo zastosować szybsze, doraźne rozwiązanie. – Godzimy się na zamknięcie drogi, kiedy jest remont. Zamknięcie drogi, kiedy migrują ropuchy, wydaje się też być czymś, na co możemy sobie pozwolić – zauważa dr Kaczmarski. W końcu migrują tylko raz w roku, żeby się rozmnożyć. W odcinku usłyszycie też, czym jest kurczak górski, dlaczego upodobania kulinarne za granicą doprowadziły do załamania populacji żaby zielonej w Polsce i jak duży może być największy żyjący płaz na świecie.Odcinek powstał podczas XVI podróży Radia Naukowego do Poznania. Podróże są możliwe dzięki wspierającej nas społeczności Patronek i Patronów.Miniatura - zdjęcie żaby wodnej: Clément Bardot, Wikimedia Commons https://commons.wikimedia.org/wiki/File:Grenouille_verte_(Pelophylax_kl._esculentus).jpgZobaczcie, jakie piękne dźwięki wydają polskie płazy! https://www.youtube.com/watch?v=ii8Db0nwXHQhttps://www.youtube.com/watch?v=Pi-DyBSejac
#płatnawspółpraca | Zapraszamy na czwartkowe "Onet Rano", w którym gośćmi Mikołaja Kunicy będą: Katarzyna Dębek - redaktor naczelna Forbes Polska; Paweł Kowal - Koalicja Obywatelska; gen. Leon Komornicki - generał dywizji Wojska Polskiego w stanie spoczynku, Stowarzyszenie Euro-Atlantyckie; Michał Szymański - dyrektor operacyjny GoWork.pl. W części "Onet Rano. WIEM" gościem Bartosza Węglarczyka będzie: Sławomir Sierakowski - Krytyka Polityczna.
出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_） 「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– —– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン アカデミー気付 藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん
出演者： miko、quim 配信ペース： 隔週水曜日（遅延） 番組時間：92分55秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 申し訳ございません。 2026年の配信2回目から大遅刻！ mikoラジ、第389回です。 お仕事で忙しい我さん。しがないさんと一緒に社畜トークに花が咲きます（？）。 10代リスナーが増えているらしいのに、とってもしみったれとぅないと。 若人よ、これが大人だ……（真似しないでね）。 最後までごゆるりとお楽しみくださいませ。 ♯途中で色々とノイズ等入りますが、収録時のものです。 ご安心ください、お手持ちの機器は正常です。 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた ／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました ／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ ／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！ お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2025年1月IOSYSはいてない.comパワープレイ楽曲 M1. YATSUZAKI HARDCORE (Liqo NEXT100 Remix) 作曲：SHC crew リミックス：Liqo 音楽ジャンル：Hardcore 収録アルバム：YATSUZAKI HARDCORE COLLECTION 2025 2025・12・31 Release https://notebookrecords.net/discographyportal.php?cdno=YHC-1005 変わらぬ"やりたい音"を、札幌から全世界へ！ YATSUZAKI HARDCOREが贈る2025年総まとめコンピレーション！
🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 良かったよ！と思ったら高評価👍 感想・ツッコミなどチャット＆コメントもぜひ！ ✅番組時間：49分04秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ ✅コーナー： 熱闘！メルヘン大相撲「こんなVtuberはあぶない！」 🟧投稿フォームはこちら。 ① https://forms.gle/DkTHQ38qNNWTPpta7 （新） ② https://ja-mane.com/form/ （旧・画像添付可能） ※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年1月24日配信 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス
ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年1月パワープレイ M1. YATSUZAKI HARDCORE (Liqo NEXT100 Remix) 作曲：SHC crew リミックス：Liqo 音楽ジャンル：Hardcore 収録アルバム：YATSUZAKI HARDCORE COLLECTION 2025 2025・12・31 Release https://notebookrecords.net/discographyportal.php?cdno=YHC-1005 番組時間：88分19秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/1/22に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・バニーガールが真面目に仕事のメールを送ってます ・耳をピコピコさせながらカタカタターン！ ・バニーがはぐれメタル狩りは合ってるんだよな ・イオシスくんの最新情報 ・2026/1/18 Release 新装版シリーズ RoughSketch活動20周年記念 東方アレンジ① イラストレーター：UME ・東方IO-BEST BEATS ・東方IO-BEST BEATS 2 ・東方IO-BEST BEATS 3 ・RoughSketch TOHO WORKS 2007-2012 IOSYS SHOPで頒布開始しました～ ・CDのジャケットは丹精込めて作られてますからね ・白銀ノエルさん・吉野家コラボおめでとうございます！ 【original】ぎゅーどんかーにばる！【白銀ノエル/ホロライブ】 作詞・作編曲：まろん YouTube 442万再生！ ・「にじさんじ組曲」爆誕！ 16. 一旦ステイ TONIGHT／不破湊 19. 壱百満点☆パクスサロメーナ／壱百満天原サロメ ライブで披露されたそうです！嬉しい！ ・ニコニコ組曲って何年前？ ・コナミさんへの楽曲提供のお知らせ 『SOUND VOLTEX』 「Zt!riΔ／m@sumi vs RoughSketch」 共作編曲：RoughSketch 2026/1/22から遊べます！ ・明日のイベント 2026/1/23 ケンモチヒデフミ、Eye、IOSYS TRAX ＊IOSYS TRAX at 表参道WALL&WALL ・夕野ヨシミとjohn=hiveが作詞を担当させて頂いた ブルーアーカイブの楽曲について、CD受注販売が始まりました！ ・ヒナ『温もりのそばで、羽を預けて』 ・ミカ『幸せになるよ』 ・ハイランダー『出発進行！ハイランダー！！』 受付期間は2月16日(月)23:59まで！ 5周年グッズと合わせてぜひどうぞ～！！ ・ブルアカの曲作り過ぎでは？ ・ブルアカPC版はじまりました ・キャラソンのMV上がってますのでご覧ください ・今からブルアカやる美 ・TOKYO ERG SUMMITにあゆさんが出ます ・行けるイベント行ってください ＜Aパート＞ ・ふつおたです ・うふぅ～ん 冬将軍よ～💛 ・新コーナー「大変です夕野さん」 ・海が荒れて定期船が出ない ・離島は大変 ・空港がない離島は興味がない ・カーボンマイクロビキニ ・おじさん！出番はまだだよ！ ・ポータル欲しいなー ・大⑨州東方祭の話 ・うたうチルノちゃんを買うともう1枚もらえるキャンペーン（逆 ・パイナップル（手りゅう弾） ・ホントに何もない筑豊地方 ・福岡県が40％ら51％に（テクテクライフ ・宮崎市の字がでかい ・アパホテルの朝食食べたかったよー ・勤続年数20年 ・リフレッシュ休暇がもらえる ・我々は好きな時に休んでますからね ・25周年は都道府県制覇したんだった ・六大陸とは？ ・ねぎしでやるか ・バスツアーでいいのでは？ ・夢が広がる30周年 ・今年の秋もイベントやります ・先週の放送を寝過ごしてリベロできなかった ・本気で出るならネタをたくさん用意しなきゃ ・アーカイブを見て3時に寝る ・電波ソング漫談 ・漫才の台本いっぱい来てますよ ・出囃子も作ればいいんだよな ・出汁はドリンクバーじゃない ・あのお客さんのおかげでフードロス対策になって助かるわー ＜Bパート＞ ・勢いって大事なんだな ・みつをたです ・創作おとぎ話 カチカチ山 ・物騒なカチカチ山だね ・グラボは80℃くらいになりますからね ・いろんなチコちゃん出てきちゃう ・ブルアカのPC版 ・Twitterで見た ・贅沢品以外は消費税0にして ・それ、痛風だわ ・1月も残りわずか ・ホロピックアップニュース ・団長吉野家コラボ ・余さん ・ストゼロが流行ったのはなんだったのか ・Hytale[ハイテール]やりたくなってきた ・置き配ガチャ失敗 ・各種お便りお待ちしてます ＜エンディング＞ ・来週クマ牧あります ・クマちゃんたちのイベントが2026年6月に小樽であります ・何でもあるウイングベイ小樽 ・次のイオシスのイベントは4月のM3です ・もう、出がらしです ・潔くおわろう
O tym, dlaczego będziemy chodzić do klubów książki, oglądać żubry i odkurzać kasety VHS - czyli o powrocie analogowego stylu życia.--Odcinek powstał we współpracy z aplikacją Bookbeat, w której znajdziecie PONAD MILION audiobooków i ebooków, a nowi użytkownicy rejestrując się do 1 lutego mogą słuchać za darmo aż 40 godzin przez 60 dni. Kod OKUNIEWSKA, albo klikając tu: KLIK!Audiobooki, które tym razem polecam to "Rok w którym nie umarłem" Mikołaja Grynberga, ale wspominam też o "Jezus umarł w Polsce" tego samego autora, oraz "Pieśni proroczej" Paula Lyncha - FANTASTYCZNA.
Segment 1 • AI toys are feeding kids dangerous ideas. • Abortion is celebrated in a book… for 5-year-olds. • COVID-era work restrictions ease. Did we learn anything? Segment 2 • Massachusetts puts limits on challenging explicit library books. • AI robot “Miko” is being pitched as a friend for your child. • Arrests and persecution arise in China. Segment 3 • NYC embraces collectivism — and forgets its history. • New mayor sworn in on the Quran; women's rights under Islam questioned. • Odd pairings emerge as culture redefines truth vs. tradition. Segment 4 • A billboard in Times Square claims Jesus was a Palestinian. • Muslim American Heritage Month is being celebrated loudly. • You truly do learn something new every day... and not all of it's true. ___ Thanks for listening! Wretched Radio would not be possible without the financial support of our Gospel Partners. If you would like to support Wretched Radio we would be extremely grateful. VISIT https://fortisinstitute.org/donate/ If you are already a Gospel Partner we couldn't be more thankful for you if we tried!
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