Podcasts about Miko

The Dazai no Sochi--the head of the Yamato government in Kyushu--was a powerful position, with a lot of autonomy with lucrative opportunities.  The people in this position were often powerful members of the court capable of representing the sovereign.  They would often go on to become quite powerful in their own right.  So who were the movers and shakers that held this prestigious position during Uno no Sarara's reign?  This episode, we take a look at those who held the position and those who supported them. For more, check out our blogpost:  https://sengokudaimyo.com/podcast/episode-151 PS:  Hang around to the end (or check the end of the transcript) for information on some possible updates coming to the show. Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 151: The Dazai no Sochi of the late 7th century   Tsukushi no Masaru was busy.  A new boss was coming in, and he wanted to make sure everything was prepared.  The Dazai may have been about as far as one could get from the capital and still be in Yamato, but it was also the first—and sometimes only—encounter some would have with the archipelago, so there was no excuse to be slacking off.  Of course, this was hardly his first new boss, though for as long as he'd been on the job, each one could well be his last.  He was getting a bit long in the tooth, after all.  Twenty-nine years was a long time to be working in the same position.  As Masaru paused, he thought back on some of the people he'd served.  There was Soga no Akae—he was ambitious.  Apparently he'd been in some rather compromising positions before coming out, but he'd done well enough when he went back.  Shame that he backed the wrong horse. That did bring a chuckle to old Masaru's throat, though.  He remembered when Prince Kurikuma had come out there, to the the Dazai, , and there were still people around who told stories of him.  When those Afumi court stooges had showed up to try and conscript the barrier guards, Prince Kurikuma and his sons just stared them down.  Everyone had been afraid that it would end in bloodshed, or at least that there would be consequences for defying the court, but Kurikuma was adamant, and the messenger had left with his tail firmly between his legs. Then there was Shima. By the time he came, Masaru already knew how everything was supposed to work. He may not have been in charge, but that wasn't his ambition.  It was enough for him to be good at what he did.  He didn't need to go all the way to the Palace and deal with the politics there—there were enough politics out here already.  Shima, though, he was clearly suited for that Palace life.  He was a capable administrator, but Masaru could tell he was ambitious.  When he left, everyone knew that he would be going on to bigger and better things. And now there was another Prince coming out. So they would get the government offices prepared and greet him with proper fanfare.  They'd bring him in and hold the ceremonies, and then they would get down to work.  A stream of officers would present him with what they were working on and what had to happen.  Masaru would be there to help make sure that everything was running smoothly and nothing got too out of hand.  And that was the way things worked out on the edge of the realm.   Welcome back to Sengoku Daimyo.  We are still covering the reign of Uno no Sarara, and, similar to last episode, we are going to continue to talk about the people who made up Yamato at this time.  This episode, more specifically, we are going to be turning away from the capital, in Asuka, and looking all the way over to Tsukushi—modern Kyushu—and at the people who served as Dazai no Sochi, or head of the local government out there, as well as the bureaucrats and staff that worked for them—at least as far we know.  Many of them went on to have considerable careers that took them well beyond Kyushu.  At the same time, we'll take a look at some of the things that happened under their rule as what Aston translates as the "Viceroy of Tsukushi". After that, I have a special announcement about the podcast at the end of the episode, so if you are interested in learning more about what we plan on doing, please listen all the way to the end to hear about some plans for the future. And with that out of the way, let's begin. So we are talking about the position of Dazai no Sochi or the Viceroy of Tsukushi.  Often these people are referred to only as being of the "Tsukushi no Dazai" or the "Tsukushi no Ohomochi".  The term "Sochi" appears later, and we first see this term applied to Prince Kawachi, in 689.  It seems to show up with two different characters, which might be a term from the later Taihou code that was retroactively applied or may refer to an evolution of the position over time.  I'm honestly not sure.  There is still plenty of confusion over what was meant in some of the references. We've discussed this position before on the podcast: This was the sovereign's representative to the world outside of the archipelago.  Not only did the Dazai no Sochi  oversee all of Tsukushi—all of Kyushu— and extensive defensive forces stationed there and in the outlying islands, but they oversaw all diplomatic and trade missions to and from the archipelago.  Envoy missions would come to Tsushima, where they would get a local pilot and send word ahead.  They would then be received at the government center, the Dazai, near modern Fukuoka and Hakata bay.  For most envoys, this was as close as they would ever get to Yamato proper.  They would offload their goods there and be put up at the government supplied quarters in Wogohori.  They would be wined and dined there, entertained as appropriate to their status, while word was sent on to the capital.  In rare cases, envoys would be sent on another journey through the inland sea to Naniwa, and then on to Asuka, but otherwise their journey would end at the Dazaifu.  Any return gifts would come back with the correspondence from the capital, and thus be handed out to the envoys and their escorts before the mission was sent back home to Silla, Tamna, or wherever they had come from. Being the middle man in this operation offered a lot of power and authority, but it also would have been quite lucrative.  While diplomatic missions brought gifts for the court, they also brought  trade goods, of which the Dazai no Sochi could have first  pick.  This is on top of the fact that this position often came with a stipend equaling the labor of hundreds of individuals.  Many of the Dazai no Sochi would serve limited terms, eventually returning to Asuka, where we see them take on powerful positions. Take, for example, our first Dazai no Sochi, Tajihi no Mabito no Shima. Tajihi no Shima was born, we are told, in or around 624 to Tajihi no Maro and a daughter of Ohotomo no Hirafu.  Tajihi no Maro, Shima's father was a powerful noble in the court of Ohoama, aka Temmu Tennou, and he had enough standing that he was one of the named individuals who provided eulogies for Ohoama on the occasion of his passing.   The Tajihi family were quite well placed: they were descendants of Hinokuma no Takata no Miko, aka Senka Tennou, Shima's great-grandfather.  This earned them the kabane of "Mabito", or "True Person" because of their royal lineage.   Tajihi no Shima was placed in charge of the Dazai from at least 682.  His predecessor that we know about is Prince Yagaki, who was dismissed around 676, and we don't know who filled the gap between him and Shima. Shima had quite the run.  We don't know exactly when he returned to the court in Asuka, but it cannot have been later than 689, when we see Awada no Mahito in the position.  A year later, in 690, Shima was made Udaijin, or minister of the right.  That's a huge deal and we will talk about that in a bit, but what did Shima actually oversee during his tenure as Dazai no Sochi? We have quite a few events attributed to him, this reign.  In 686, we see the Tsukushi no Dazai sending tribute in the form of human beings:  Common men and women of Goguryeo, Baekje, and Silla, along with 62 priests and nuns.  We aren't told where these men and women came from, but I suspect that they were refugees or captives from all the fighting on the peninsula.  That they were given as tribute suggests to me that they were enslaved—or at the very least they were not free.  If they were uneducated, they were likely put to work as labor, perhaps building out the new capital or opening new farmlands.  Later we see the various missions from Silla around the death of Ohoama, and the back and forth that went on, there, and in 688 the Tsukushi no Dazai entertained Kara, a Minister of Tamna, aka modern Jeju island, who had been sent by the king of that small country.  You may recall that Tamna, while late to the game, may have been one of the last holdouts of an early Japonic speaking people outside of the archipelago. Being the Tsukushi no Dazai, Shima would not have only been concerned with foreign envoys, but also with two other groups of Hayato—specifically the Ohosumi no Hayato and the Ata no Hayato.  Little is known about them, other than that Yamato considered them to be distinct ethnic and cultural groups living in the far south of Kyushu.  We've talked before about how southern Kyushu maintained a significantly different material culture through Kofun period until more recent times.  We also have indication that they had a distinctive shield and even art style—the famous "Hayato shields" appear to have been appropriated by the court, along with a contingent of Hayato men that were expected to act as an exotic guard for the sovereign and the court.  The earliest reliable evidence we have for them is a record from 682.  There are some questions as to whether or not they were related to the groups previously called Kumaso or even the Tsuchigumo, but there is no clear historical or archaeological  evidence linking them other than the common cultural finds in Kyushu more generally. The Ata and Ohosumi Hayato may have been distinct clans or lineage groups living in Ohosumi and the area of modern Satsuma.  We have a record in 687 of the Ata no Hayato attending Ohoama's funeral and presenting a eulogy.  The chiefs who came brought 337 others—a sizeable contingent—and they were all given presents by the court.  Later, we would see presents given out to 174 Hayato by Shima's successor in the Dazai, Awada no Mahito, and then in 692 we know that the court sent priests to preach Buddhism to Ata and Ohosumi.    In 695, Hayato of Ohosumi were entertained in the capital, and they even held a wrestling match for the Queen and her attendants in the area west of Asukadera, by the site of the famous Tsuki tree. So the Hayato would have been another group that Shima no doubt dealt with on a somewhat regular basis in his capacity as Dazi no Sochi—and then later on when he returned to Asuka and took up his new role as Udaijin.   And as I mentioned, that appointment was a Big Deal.  The position of Udaijin had been vacant since Nakatomi no Kane, one of the infamous leaders of the Afumi court, was non-consensually removed from the position—and this plane of existence—when he was executed in 672, at the closure of the Jinshin no Ran.  After that, Ohoama appears to have been gun-shy about sharing power with anyone outside the royal family.  The position had been left vacant for about 18 years.  So what made Uno no Sarara take up Shima as Minister of the Right?  And what about the Minister of the Left, or the Sadaijin? Well, we don't have a Sadaijin, but we do have a Dajodaijin in the form of Prince Takechi, Ohoama's first-born son.  The Dajodaijin was the Prime Minister in charge of the entire Dajokan, the Council of State, made up of the ministers of the left and right and the 8 bureaus of the government.  The Sadaijin and Udaijin served under the Dajodaijin, in that hierarchical order, with the Sadaijin generally being considered higher in precedence.  So it looks like, in this case, they had the Dajodaijin, Prince Takechi to run the Council and Shima, as Udaijin would have been responsible for ensuring the administration of the eight bureaus was properly carried out. That Shima was appointed just under Prince Takechi again shows the power and influence he likely had and the trust he must have had from Uno no Sarara.  Remember, the Crown Prince, Kusakabe, had died before he could take the throne.  Uno was enthroned as Queen, while the Crown Prince, Karu, was still a minor.  Whereas Ohoama had his wife and many sons to help him run things, Uno no Sarara was running thin.  As had been seen with Prince Ohotsu, there was always the threat that one of Ohoama's other sons could be propped up on the throne.  Uno had to look after Karu's birthright, but there was no guarantee that he would make it to adulthood in times before modern medicine.  It appears that Prince Takechi was actually considered the next in line, just in case something happened to Karu before he could ascend the throne, which makes sense that Prince Takechi was also trusted as Dajo Daijin.  Shima's place as Udaijin must have been indicative of similar trust that he would look after the royal family's interests.  This was no doubt helped by the role he played as Dazai no Sochi. As Udajin, Tajihi no Shima went on to have a rather incredible career.  He was given 4 cho of land for his residence.  This appears to be around 10 acres or so—a not inconsiderable amount of land, and it probably refers to the amount of land he was granted in the new Fujiwara capital city.  Later, in the Nara capital of Heijo-kyo, Prince Nagaya's residence was about that size and Fujiwara no Nakamaro's residence is thought to have been about twice that.  This would have given Shima space for multiple buildings, sprawling gardens, servants quarters, quarters for his wives and children, and much more. Tajihi no Shima would continue in his role as Udaijin, and would eventually, be promoted to the position of Sadaijin, a post he held only briefly, as he passed away almost a year later. He was not forgotten, however.  It is thought that he was the model for one of the suitors of Kaguya Hime in the famous story of Taketori Monogatari—the tale of the Bamboo Cutter.  Taketori Monogatari, also known as Kaguya Hime Monogatari, is considered the oldest known story in the Monogatari form.  It was probably written in the late 9th or early 10th century, with references to it appearing in works as early as 909 CE.  This suggests that Tajihi no Shima and others were still remembered, at least in part, over a century later. Shima is also thought to have been the patron of the famous poet, Kakinomoto no Hitomaro, one of the famous 36 immortal poets.  We'll have to include Hitomaro in a later episode, though we might come back to him after this reign, as he isn't mentioned in the Chronicles, but we do have some fragmentary biographical information thanks to his inclusion in the Man'yoshu.  In fact, he's probably one of the most famous poets in the Man'yoshu who is not otherwise mentioned.  We are told that he was the court poet during the reign of Uno no Sarara, so it makes sense that Shima may have very well been his patron and helped him get his start. Now while Shima was back in Asuka, making it big in the court, the position of Tsukushi no Dazai had to be filled, and we are told that the mantle was taken up by Awada no Mahito no Ason.  This name is a bit tricky, as it seems to have two kabane:  Mahito and Ason.  Since his father is said to have been Kasuga no Awada no Omi no Kudara, the assumption seems to be that "Mahito" was his name, rather than his kabane.  Although it was likely pronounced "Mabito" at the time, I'm going to go with the modern pronunciation of "Mahito" in part to distinguish it from the kabane.  A quick side note:  When reading names from this period, we usually see the kabane coming right after the family name, as the kabane is basically a rank for the family and not the individual.  But we do occasionally see the kabane tacked on at the end of a name, as in Awada no Mahito's case.  I would also like to quickly draw your attention to his father's name:  Kudara.  That can also be read as Baekje.  Was this an indication that his father or an ancestor came from the continent, perhaps from Baekje?  Or just that he had close ties to that kingdom?  I couldn't find anything specific, but it seems interesting that he was put in place at the Dazai, where dealing with the continent would have been an important part of his duties. Awada no Mahito was not just a noble of the court, and even if his father was of Baekje descent, that may not have been the main thing that gained him the position.  It may have also had to do with an earlier incident.  We are told that in 653 Mahito was one of those who traveled with the 2nd envoy to the Tang court as a scholar monk.  He would later return to secular life, but that experience must have been a big feather in his cap, helping him land a good position at court.  In fact, in 685, we are told that he was Jikikwoushi rank—a fairly respectable position for anyone at the time—and he apparently tried to get his father raised to the same rank as he was.  Aston translates the record as saying he was willing to give his rank to his father, but it is unclear to me if this means he was offering to give up his rank altogether.  At the very least it seems that he felt awkward outranking his father—a good, filial attitude, it would seem.  However, Ohoama didn't care.  In the past, rank may have been given to entire families, but now the court was giving rank to individuals, and the rank Mahito had earned was his, not his father's.  And so his request was denied. Four years later, Ohoama was gone and Awada no Mahito was sent to the Tsukushi no Dazai.  We are told that he was in that position as of 689.  If that was the position of Dazai no Sochi, however, he didn't hold it for long, as Prince Kawachi was raised up to that position that same year, and here we have a bit of a conundrum.  Mahito is only mentioned as "Tsukushi no Dazai" while Prince Kawachi is specifically mentioned, at least twice, as Tsukushi no Dazai no Sochi.  There are some who suggest that Mahito may have been the Dazai Daini, an assistant to the Dazai no Sochi—effectively the second-in-command it would appear.  This makes some sense, when you consider it, and he may even have been acting Dazai no Sochi until Prince Kawachi was appointed. Of course, because our records are quite lackluster, and we are never actually told when Tajihi no Shima left the position, it is possible that Awada no Mahito was actually the Dazai Sochi for many years leading up to 689, and that Shima had returned to Asuka some time ago.  This is the problem with the way things are written—sometimes they mention a name and sometimes just a position, and rarely do they mention when someone stepped down. Still, Mahito oversaw a few things that we can be somewhat sure about as they happened after he is first mentioned in the position, though it was all in the same year.  For one thing, he is the one who presented gifts to the 174 Hayato in the first month of 689.  This included cloth, ox hides, and deerskins.  He was also there when the Queen sent relief to the Barrier Wardens whose terms were up.  These were the Sakimori, a position set up to defend the archipelago and repel any potential invasions.  I would assume they were regularly rotated out, especially if they were expected to man the fortifications out on some of the islands.  It is interesting that we don't often see them referenced, so it isn't clear to me why the reference was made here—it may have just been a note in one of the sources the Chroniclers were using. Later that same year, we also see garments being given out—likely meaning official court clothing—to the Tsukushi Dazai and others.  This was probably to bring them all in line with the latest formal wear being used in the court in Asuka.  We also know that in the 6th month of that year they entertained the Silla envoys, who were given various presents. And then, two months later, Mahito is out and Prince Kawachi comes in.  At the same time that Prince Kawachi is being made the Dazai no Sochi, our previous Dazai no Sochi, Tajihi no Shima, had his rank and fief increased.   I doubt this was a coincidence, and it is one of the things that, for me, lends credence to the idea that Shima had just then returned to Asuka and Prince Kawachi was his replacement, suggesting that Mahito had really just been in an acting capacity while the change over was taking place. Unfortunately, if we were looking for more information about Prince Kawachi's background, we would be disappointed.  Although he is a prince, probably descended from Nunakura, aka Bidatsu Tennou, we don't have a lot about him.  He—or someone with the same name, since we do see these Princely titles get reused, it seems—is found in the reign of Ohoama traveling with Ohotomo no Yasumaro and Fujiwara no Ohoshima to go entertain Gim Jisyang of Silla.  Later we see a Prince Kawachi delivering eulogies during Ohoama's funeral.  That suggests he held an important position, and that he was somewhat familiar with the continent, but we don't get a whole lot more.  Our next evidence is when he was appointed to the post of Dazai no Sochi in 689, a position he would hold until his death in 694—which may also explain why we just don't see too much of him in the record.  A promising career may have been cut short, as happened all too often back in that day and age. Still, as Dazai no Sochi, he had plenty to keep him busy.  Not a month after he arrived, Isonokami no Maro and Ishikawa no Mishina arrived at the head of a delegation.  They were there to deliver patents of rank to members of the Tsukushi government and to inspect the fortifications at the edge of the archipelago.  These were the same fortifications being manned by the newly arrived Sakimori. Speaking of the members of the Tsukushi government, it took a lot of people to make the Dazaifu work, not just the Sochi giving people orders about what they should do.  There were numerous assistants helping to keep everything running.  Some of them would have just been dealing with the Sochi's own residence, while others were clerks, guards, and more.  It really was a miniature version of the court in Asuka, and would have required a lot of people to tend to it.  And we know of at least one of them:  Tsukushi no Fubito no Masaru, whose imagined thoughts we heard at the top of the episode.  In 691, Masaru was recognized for 29 years of service as a secretary to the Tsuksuhi no Dazai.  Twenty-nine years in place suggests to me that he would have likely been one of the longest serving members of the Tsukushi government center.  He would have known where all the bodies were buried—perhaps quite literally.  While the Dazai no Sochi was often a temporary appointment, sometimes just for a few years, they would have likely leaned on Masaru for his expertise.  This is just like how modern government appointees like ambassadors may come and go, including for political reasons, but they rely on permanent staff, including a lot of locals, to provide the institutional knowledge they need to do their jobs.  One can assume that if Masaru had been successful for 29 years he knew how things were supposed to work.  And so I hope that his superiors made sure to remember that when Secretary's day rolled around. Prince Kawachi didn't make it 29 years, but he made it five.  He might have gone even longer, but he died in office in 694 and was posthumously raised in rank for his service.  History is full of stories, but in real life, the stories don't always follow the expected narratives.  As much as we'd like to think otherwise, good, moral people do not always triumph and sometimes those who do awful things are never punished.  And some times stories come to abrupt ends.  Of course, looking back, it just is what it is.  Prince Kawachi's life becomes little more than a footnote.  And yet, what if he had gone on?  Would he have followed Tajihi no Shima to help become one of the grand ministers of the court?  Unfortunately, we will never know.  He could have been a rising star, but we just know about his passing. Five months after Prince Kawachi's untimely death, he was followed in the post by Prince Mino.  Prince Mino would continue in the position, it seems, through the end of the reign in 697—or at least nobody else was appointed until 700, when Isonokami no Maro—apparently the same one who had previously come out to inspect the fortifications during Prince Kawachi's tenure—was appointed.  Although he came into the position in the next reign, we'll still touch on him, as he was another notable figure at this time. Looking back at Prince Mino, however, we seem to run into a problem—there are too many Princes Mino in the record.  If you just use the English translations, you'll find several references to Prince Mino, but if you look at the original text, you'll see that there are at least three different spellings.  For one it means "Beautiful Field" and another is just "Three Fields".  A third "Mino" is spelled with characters that don't necessarily create obvious meaning, and may just be a phonetic spelling. It is possible that all of these Princes Mino are the same.  Spelling wasn't standard, and different characters could be used for the same name.  On the other hand, we have one set of characters being used to describe a Prince Mino who supported Ohoama during the Jinshin no Ran, while another, the "Three Fields" Prince Mino, describes one of the sons of Prince Kurikuma, who was with his father in Tsukushi when the Afumi court came calling.  Since travel wasn't necessarily an overnight endeavor—unless you were Ohoama, rushing through the mountains to the east—it would seem that the Prince Mino in Tsukushi is unlikely to be the same one as the Prince Mino who joined Ohoama's forces back in the Home Provinces. So let's make the assumption that Prince Mino—Prince "Three Fields" Mino—is one person and the others are separate.  What do we know about him? Well, he appears to have had experience with Tsukushi and the government out  there, since he would be the son of Prince Kurikuma, a former Tsukushi Dazai no Sochi.  We talked about Prince Kurikuma before, back in numerous episodes, but particularly in episodes 128 and Episode 144, as well as references in betweend. Prince Kurikuma was not only a significant factor in the outcome of the Jinshin no Ran, denying the Afumi court the resources of all of the defenders at the Tsukushi fortifications, he shows up in local legends in Tsukushi still today.  So he definitely seems to have had an impact on the region.  It also suggests that Prince Mino had connections in the area through his father. After his father's posting as Dazai no Sochi ended, Prince Mino appears to have returned with him to Asuka.  He is described as a key member in Ohoama's court.  He was one of the Princes mentioned in the audience at the Daigokuden in 681, when Ohoama instituted the commission to bring together the various court sources that we presume would eventually lead to the creation of the Chronicles—the Nihon Shoki and the Kojiki.  Later, he become a daibu, a high official, of the Household Bureau, responsible for the household of the sovereign, the sumera no mikoto.  This meant the upkeep of the palace, the kitchens, and the various servants waiting on the sovereign and his family.  This also means that he was likely close to the movers and shakers of the court. One of the projects under his purview appears to have been the laying out of a new palace and a new capital city.  In 682 he headed up the investigations at the place called Nihiki, determining that it would be a good location for what would eventually become Fujiwara-kyo—a project still underway in Queen Uno's reign.  He was also sent out to Shinano two years later to look for a site for a second capital.  It ended up not happening, but he spent a couple months and eventually came back with a map of the region.  It may be that the Fujiwara-kyo project took up a lot of Mino's time and effort, because we then don't hear from him for another decade, during which Ohama passed away and so much more happened.  Assuming he was still involved with the Fujiwara capital project, however, we see that in 691 there was a ceremony held for the tranquility of the new capital—a Chin-sai or, what we would today call a "Ji-chin-sai".  This is a "land pacification ceremony" done when breaking ground on a new building or other project.  So it looks like planning and land clearing had taken some 10 years, but it was finally ready to get started.  Later that same year we hear of them laying out the residences of high ranking nobles, like the Udaijin, Tajihi no Shima, and we also see the Queen inspecting the roads.  Then, a year later in 692, they were holding the land pacification ceremony for the new palace.  The queen would move into the new palace in the very last months of 694. But by that time, Prince Mino was on to his next assignment.  He had been appointed Tsukushi Dazai no Sochi earlier that year following the death of Prince Kawachi.  Not much more is said of Tsukushi for the next three years of the reign, but we do see the Hayato visiting Asuka, presumably with Prince Mino's assistance. We don't have a clear idea of when Prince Mino retired—it's certainly not in the Nihon Shoki—but we know that he did because he was succeeded in the role by none other than Isonokami no Maro, who would take up the position in 700.  Prince Mino, on the other hand, returned to the court, where he would eventually pass away in the year 708. And that was the last Dazai no Sochi who held the position during this reign, but I do want to talk about the one who came after Prince Mino just a bit—though more because this was an up-and-coming court noble whom we should be watching. Isonokami no Maro was born, by all accounts, in the year 640.  Despite his name he was actually born to a family that we know somewhat well from much earlier on: The Mononobe.  In fact, his father is apparently Mononobe no Muraji no Umaro, and he appears to be descended from the main line of the Mononobe family, which had declined ever since Mononobe no Moriya had been defeated and killed by Soga no Umako and others. And it seems that the Mononobe curse of being on the losing side in a contest for power hit Maro during the Jinshin no Ran, because we see him, at that time referenced as Mononobe no Muraji no Maro, along with two servants, or Toneri, serving Prince Ohotomo—aka Koubun Tennou—up to the very end.  In fact, when Ohotomo fled and the Afumi court deserted him, only Mononobe no Maro and the servants stayed with him when he eventually strangled himself. And one would think that would be it.   You were with the rival for the throne in the most contentious fight in recent memory.  You couldn't protect him and you were on the wrong side.  Sure, Ohoama was going to pardon you because he couldn't just rid himself of half of the court and hope things would still run smoothly—that would be a surefire recipe for disaster, and nobody wanted the government crippled like that.  However, you can't imagine that those on the losing side would be given any position of trust or authority. And yet, in 676, we see that Mononobe no Maro was sent to Silla.  And he wasn't just helping out: he was sent as the chief envoy of Ohoama's court.  That is quite the turnaround in four years, and we don't really know why, but it has been speculated that Ohoama was actually impressed.  While other members of the Afumi court fled and abandoned Ohotomo to his enemies, Maro and the two toneri with him did not, staying with Ohotomo until the bitter end, and likely conveying what had happened to the other side once it was all over.   That kind of loyalty was impressive, especially back then. It is also thought that Maro may have benefited from the fact that Enoi no Okimi, who was also descended from the Mononobe family, fought on the side of Ohoama.  This is a common scenario we see throughout Japanese history, where different members of the same family fight on different sides of a conflict, often meaning that no matter who wins the family can still claim to have been on the winning side.  When Okimi passed away in 676 he was posthumously recognized as the ujigami, or clan head, of the Mononobe, leading some to suspect that a bit of his shine may have rubbed off on Maro as well. In 684, when the various kabane were being rectified by Ohoama's court, the Mononobe no Muraji were included as Ason, or Asaomi.  There is some thought that around this time is when Maro changed his name to Isonokami, which is a name that was previously used by members of the Mononobe, including one of the brothers to Mononobe no Moriya.  We see him mentioned as Isonokami no Maro in 686, as one of those giving a eulogy for Ohoama: specifically he gives the eulogy on behalf of the Houkan, or Nori no Tsukasa, the Judicial officers.  He is mentioned right after Fuse no Miushi, whom we talked about last episode, who would go on to become a Dainagon and, later, Udaijin, or Minister of the Right. The first connection between Isonokami no Maro and Tsukushi was in 689, and we noted it earlier—he came out to inspect the fortifications as well as to hand out patents of rank to the court officials working out there on the edge of the realm.    He would return to Asuka in time to be a part of Uno no Sarara's official enthronement ceremonies.  There he is named Mononobe no Maro, and is in charge of the shields.  Given what we know of the role of the Mononobe as the early soldiers of the court, it makes sense that he would play this role, and that they would use the name Mononobe rather than Isonokami.  In the same way, the ritual was conducted by Fujiwara no Ohoshima, but he is recorded as Nakatomi no Ohoshima, probably because these were roles specifically for the Mononobe and Nakatomi, rather than for the Isonokami and the Fujiwara. This is another thing that can be quite frustrating when researching Japanese history—names can change at the drop of a hat, and people often had various ancestral names and titles that could be pulled out for various political or ceremonial reasons.  If you don't have the history or understand the nuance it can be easy to just think that it is a different person altogether.  And when you don't have much information, sometimes you have to ask yourself which is it? Maro would stay close to Queen Uno, even accompanying her to Ise shrine, and then, in the following reign, he would succeed Prince Mino as Dazai no Sochi in the year 700.  It isn't clear, however, if he left for the Dazaifu immediately, since in 701 he is noted as having been promoted from the office of Chunagon to Dainagon, and in that same year he went with Royal Prince Osakabe to pay respects at the house of the late Udaijin, Tajihi no Shima, who had just passed away.  He then left for Tsukushi in 702—or possibly headed back.  But in 703, he was once again back in Asuka, paying condolences on the death of the next Udaijin, Abe no Miushi—aka Fuse no Miushi, the same one whom Maro had pronounced a Eulogy with during the funeral ceremonies for Ohoama.  Isonokami no Maro would go on to take the mantle of Udaijin, and then eventually Sadaijin as well.  He would be raised up to the second rank, along with the famous Fujiwara no Fubito, who took the vacated position of Udaijin.  This meant that technically Maro was the senior of the two, though many people think that Fujiwara no Fubito held most of the actual power.  Regardless of that, Isonokami no Maro nonetheless would go on to become the highest ranking court noble before his eventual death in 717.  At that point he was 78 years old, by the reckoning of the day, and he had seen multiple sovereigns, several bloody conflicts, and the creation of two permanent capitals—Fujiwara kyo and Heijo kyo, in modern Nara.  He went from being a supporter in the Afumi court, on the wrong side of the Jinshin no Ran to become the highest ranking court noble in the land.  He would be granted the head of the Mononobe family and would continue to prosper as Isonokami.  It was truly a remarkable career over an incredible span of time. And there you have it.  A look at some of those that were sent out to the Dazaifu in Tsukushi.  In later years, the post of Dazai no Sochi would be seen more as a burden than a blessing, but at this point it was still a lucrative and powerful position.  Several of those involved in the Dazaifu or who held the position as Dazai no Sochi would go on to even more powerful positions back in Asuka.  Whilst this posting did move you further away from the politics—perhaps not always a bad thing—it also put you atop a structure where one had considerable power, authority, and autonomy, at least at this point. Next episode we'll get back to the court in Asuka and take a look at a little more of what is going on.  Before I end this, however, a quick administrative note about the podcast.  This creation is a labor of love.  It was started largely as a way to get myself to regularly dive into the Chronicles and really see what was going on.  In particular, I was excited about the Asuka period, because I don't think we really have enough of a sense of what life was like and what was going on back then.  It was clearly a very dynamic time, and yet we tend to see it through the lens of later Nara and Heian court culture, which was still very much evolving.  The stories that I *didn't* know about were what drew me to this project, and I hope that we've all learned a bit more as the project has continued. And we are reaching the end of the area that is covered by the main Chronicles, the Kojiki, the Nihon Shoki, and the Sendai Kuji Hongi, which have been our main guides through this period.  But that doesn't mean we are bringing things to a close. Next we have the Shoku Nihongi and many other grecords, and I am going to keep up with the project and the schedule as best I can.  In fact, it looks like I may be able to devote even more time to it in the near future as some drastic life changes are coming for me, such that I will no longer be working a 9-to-5 job while also trying to get this podcast out like clockwork twice a month—not to mention my other passion, teaching traditional Japanese martial arts here in the DC region at a local not-for-profit dojo.  This is happening as we are also in the process of building a house, traveling, and more.  But it does mean that we are going to be looking into alternative sources of funding beyond just donations.  We are eternally grateful to everyone who has donated, but I may end up doing something that I've been putting off for a while: allowing advertisements.  I want to do this so that we can continue to offer this for podcast for free, but hosting, staying up to date on sources, etc. does cost money.  I'm not looking to make a huge profit, but if we can at least get the podcast paying for itself, that would be a good start. Before I do that I'll look to find a way that we can get subscribers on Patreon and elsewhere ad-free copy.  I just need to figure that out, but once I do, I'll let you all know. So there you have it.  We aren't going to stop the podcast, but we may be adding a bit more to it in the future.  I hope, though, that we can do more beyond the historical chronicles.  For instance, did you know that we have an English translation of a 17th century cookbook up on our website, SengokuDaimyo.com?  I would love to redact those recipes and maybe provide some cooking videos for anyone who would want to try them.  A shoutout to Max Miller of Tasting History, who reached out to us about using a couple of our translations for his episodes on historical Japanese cooking – Max is a great guy and his series and cookbook are well worth following.  But there's a lot more to explore: one of my favorites so far that we've tried is "keiran", or "eggs": doughy balls filled with brown sugar and cooked in a miso based soup.  I don't know if there is anything like that still being served in Japan, but it's a strange and pleasant recipe and I would love to do that again and record it for everyone to try. All of this is in the works, and nothing will change immediately, but I wanted to keep you all in the loop.  Thank you so much for listening, I can't tell you how much it means. And of course, as always, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_）  「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン　アカデミー気付　藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 　良かったよ！と思ったら高評価👍 　感想・ツッコミなどチャット＆コメントもぜひ！ 　 ✅番組時間：44分02秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 　 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ 　 ✅コーナー： 　モザイク貫通王 　 🟧投稿フォームはこちら。 　① https://forms.gle/DkTHQ38qNNWTPpta7 （新） 　② https://ja-mane.com/form/ （旧・画像添付可能） 　※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ 　https://ja-mane.com 　 🟧アリキラ白書 2023と2024、公開中！ 　https://ja-mane.com/blog/2023/10/26/hakusho2023/ 　https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 　極東の羊、テレキャスターと踊る by しゃろう 　https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年6月13日配信 　 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス

ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年6月パワープレイ 「Phantasmagoria mystical expectation」 アレンジ・ギター・ベース　ARM ボーカル　悠 杏李 作詞　kiku　夕野ヨシミ 原曲：風神少女 音楽ジャンル：ミクスチャーポップ 収録アルバム：東方風櫻宴 2006・5・21 Release https://www.iosysos.com/discographyportal.php?cdno=IO-0090 https://www.youtube.com/watch?v=fOmaLZDp3y0 番組時間：86分22秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/6/11に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・札幌も夏が始まりました ・外は、暑いんでしょうね ・喉の肉離れ ・VDONinjaの調子が悪い ・今日はアイドリングがないから事故っちゃう ・ポッドキャストの人は待ってないよ ・イオシスくんの活動をあれしますか ・かつ丼と活動って似てますよね ・＜楽曲提供＞ 　カバー楽曲 　「天ノ弱」／ドラゴンブラッド：スレイヤーズ学院 　歌唱：花たん 　作詞・作曲：164 　編曲：コバヤシユウヤ(IOSYS) 　ギター：三浦公紀 　ベース：john=hive(IOSYS) ・ドラゴンブラッドを始めるなら今！ ・正解はじゃがポックル ・じゃがポおじさん ・楽曲提供のお知らせ 　「私たちは、花になる／イロドリミドリ｜HaNaMiNa｜S.S.L.」 　作詞：七条レタス 　作曲：D.watt 　編曲：fu_mou(Hifumi,inc.) ・楽曲提供のお知らせ 　「きゅんキラ☆ネバギバ行進曲／あぴゃりちゃん」 　作編曲：コバヤシユウヤ 　作詞：john=hive 　Guitar：三浦公紀 ・トピックチャンネルとは ・やはり、かわいいキャラは必要 ・自由の女神を女性枠ととらえるとは ・ガワだけのwiki ・追加されたよ 　Nintendo Switch『グルーヴコースター フューチャーパフォーマーズ』 　2026/6/11 無料アップデート 　「HG魔改造ポリビニル少年」 　作詞・作編曲：IOSYS TRAX 　歌：さきぴょ ・YouTubeタイトーチャンネルにて試聴動画が公開されました 　「DX超性能フルメタル少女」 　作詞・作編曲：IOSYS TRAX 　歌：ちよこ 　「HG魔改造ポリビニル少年」 　作詞・作編曲：IOSYS TRAX 　歌：さきぴょ ・もう、12,3年前 ・アメリカニキは現金を持ってきてください ・​ありったけのキャッシュをかき集め ・何をやります？ ・1分将棋を盤面もなく初心者が？ ・歩が8枚集まってキング歩 ・マイクラ将棋 ・ムダ話を雑談力って言いました？ ・新日本将棋連盟作ろう ＜Aパート＞ ・ふつおたです ・歯医者で引き分け ・ぬるぽもギネスいけるのでは？ ・急なニンテンドーダイレクト ・強引に同意を求める ・ビールおかわりした直後にワインを飲む ・生ビール放送 ・東方projectすげーな ・ニュークラだとキャバクラになっちゃうな ・ぴっちりした服はみんな好きだから ・歯って欠けませんか？ ・吉野家がタッチパネルに ・梅干しとチーズと炭酸水しかない冷蔵庫 ・え？ネットスーパーで2万も？何を？ ・ウイスキーは普通1本で済むから ・お便り1通で何分やってるのか ・ホラー映画をご所望 ・ミーガン ・女性Vならホラーゲームは映えますよね ・英語のタイトルなら自信がない ・東方アレンジっぽい単語を組み合わせる ・穴からは離れてほしい ・マスパ音頭はありそう ・バニーガーデンを買ってしまいました ・重い過去のキャラに定評のあるキュリエイトさん ・今日は漫才をやりますか ・そのお店がグレーだったとしても？ ・片玉から紹介されました ・バター犬牧場ってなんだよ ＜Bパート＞ ・みつをたです ・水道管が壊れたので送ります ・おっきなゴンってなんだよ ・シアンさんどうしたの？ ・減った骨は食べちゃったの？ ・暗殺の母のＣＶが柴田理恵さん ・ばんちょーがせくちーな件について ・豆柴でごまかせる ・供給の多いブルアカ ・ブルアカ始めるなら今！ ・にじさんじピックアップニュース ・にじさんじストーンズ ・小ジョッキで水を飲みましょう ・でび様の新曲 ・カラオケでオケツブンブンフェスティバル ・ほな、エンドラ討伐がええんじゃないかな ・ボーイは食べ物じゃないんだよな ・ホロピックアップニュース ・しぐれういだから ・75万円のエレキギター ・イオシスは1万日ですけどね（マウント ・100万円のＰＣも使ったことない ・合体してもスペックは大したことはない ・お家で核融合発電 ・Ｖピックアップニュース ・ローソンのVTuber ・いろんなＶがいるんだね ・ガッツ石松さんご冥福をお祈りします ・ロリ3人組 ・今はフローラ ・ポロって出るゆうじ ・おにぎりスライムとは ・ゲーム実況をやる曜日が足りない ・冥曜日 ・朝配信でおやすみなさーい ・お便りお待ちしてます ＜エンディング＞ ・Forza Horizon 6やりますか ・あまりテクテクライク知識は生かせない ・梅雨はやる気あるんですか？ ・もう、ほぼ水 ・キリン5番絞り ・体内で石の錬成しないようにしましょう

Free Your Mind Mixed live Duration: 1:09:00

W nowym odcinku wideokastu „Kultura na weekend” Bartek Chaciński sprawdza, jak wygląda od kuchni współczesny rynek muzyczny i dlaczego masowe wydarzenia to coś więcej niż tylko rozrywka. Naszym gościem jest Mikołaj Ziółkowski, szef agencji ALTER ART, człowiek, który od lat kształtuje festiwale muzyczne w Polsce. Rozmawiamy m.in. o nadchodzących rewolucjach pokoleniowych, wyzwaniach logistycznych i Open'er Festival 2026. Analizujemy też globalne zjawiska: współczesna konsumpcja muzyki i gig tripping, czyli turystyka koncertowa, która drastycznie zmienia ceny noclegów w miastach festiwalowych. Mikołaj Ziółkowski tłumaczy, dlaczego tradycyjne openerowe pole namiotowe to wciąż kluczowy element tożsamości imprezy, pozwalający utrwalić jej historię i zapewnić dostępność. Dlaczego pojedyncze koncerty na żywo potrafią dziś kosztować krocie, jak na polskim rynku wyglądają kontrowersyjne ceny dynamiczne i z czego naprawdę wynika ostateczna cena biletu za wielodniowy karnet. Od nas dowiesz się, jak na przestrzeni lat zmieniają się najlepsze koncerty w Polsce i dlaczego współczesne line-upy to unikalny miks pokoleniowy. Ziółkowski odpowiada krytykom, którzy powtarzają, że „kiedyś to były Openery”, i dowodzi, że współczesny festiwal wymaga przełamywania barier i otwartości na nowe brzmienia. Objaśniamy, dlaczego obok młodych gwiazd na scenie stają legendy muzyki, tacy artyści jak Florence+The Machine, The xx, Calvin Harris, Nick Cave&The Bad Seeds czy The Cure. Jest też nowa fala, którą reprezentuje np. zespół Kneecap. Festiwale to być może ostatni bastion, który ratuje relacje międzyludzkie i leczy samotność Gen Z. Dlaczego dla młodego pokolenia kontakt z przyrodą i... czyste toalety są tak samo ważne jak dobra muzyka? Dlaczego aktywne słuchanie muzyki i wychodzenie ze strefy komfortu mają dziś wymiar niemal polityczny, a sobota na tegorocznym Open'erze będzie najważniejszym miejscem na świecie? Czego dowiesz się z odcinka: 1. Z czego wynika cena biletu na festiwal i jak Mikołaj Ziółkowski ocenia ceny dynamiczne w Polsce? 2. Dlaczego legendarne zespoły i legendy muzyki występują na scenie obok artystów młodego pokolenia? 3. W jaki sposób festiwale muzyczne w Polsce walczą z samotnością Gen Z i dlaczego pole namiotowe to świętość? Oś czasu: 00:00 - Najciekawsze fragmenty rozmowy 00:01:53 - Jak zmienia się świat letnich festiwali? 00:08:50 - Co jest najważniejsze dla Open'era? 00:14:58 - Skąd taka cena biletów festiwalowych? 00:34:35 - Jak zmieniają się oczekiwania młodej publiczności? 00:43:33 - Największe marzenie artystyczne szefa Alter Art Dowiedz się więcej na polityka.pl: https://www.polityka.pl/ Obserwuj nas w mediach społecznościowych: Facebook https://www.facebook.com/TygodnikPolityka Instagram https://www.instagram.com/tygodnikpolityka/ X https://x.com/Polityka_pl

出演者： miko、quim 配信ペース： 隔週 番組時間：126分10秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 　申し訳ございません。 隔週に1回お届け。mikoラジ、第399回です。 記念すべき400回まで、あと1回！ そんな収録だったのですが、まさかの収録開始時にまさかの事態が?! ほぼほぼ収録開始前のトークのような雰囲気からの、ロングロングトーク！ ……ハプニングが起きると、収録って長引きますよね（遠い目）。 最後までごゆるりとお楽しみくださいませ。 ♯途中で色々とノイズ等入りますが、収録時のものです。 　ご安心ください、お手持ちの機器は正常です。 大切なお知らせ https://x.com/quim/status/2064306767971180693?s=20 大変な絵 https://x.com/radio_4649/status/2064723321288380804?s=20 ・おとらってRECORD 公式サイト n-remix.com/otolatte/ ↑『おとらって10thライブ KUWANA』に参加予定の方は、 　「来場予約はこちらから」からご予約を！ 開催日／2026.8.23(日) 　第一部　OP11:30　ST12:00 　第二部　OP14:40　ST15:00 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた 　／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました 　／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ 　／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！　お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2026年6月IOSYSはいてない.comパワープレイ楽曲 「Phantasmagoria mystical expectation」 アレンジ・ギター・ベース　ARM ボーカル　悠 杏李 作詞　kiku　夕野ヨシミ 原曲：風神少女 音楽ジャンル：ミクスチャーポップ 収録アルバム：東方風櫻宴 2006・5・21 Release https://www.iosysos.com/discographyportal.php?cdno=IO-0090 MV https://www.youtube.com/watch?v=fOmaLZDp3y0

Cantabria no solo ha sido cuna de paisajes, tradición y cultura, sino también de algunos de los helados más icónicos de varias generaciones en España. El popular Fantasmiko y el recordado Mikolápiz tienen su origen en esta comunidad autónoma, concretamente ligado a la historia de Helados MIKO, una marca que marcó época y cuyo nacimiento ha sido rescatado esta semana en la antena de Radio Santander.En la sección de historia del programa La Ventana de Cantabria, Héctor Campo, geógrafo y propietario de Free Tour Santander, ha visitado los estudios para desgranar el origen de esta emblemática heladería, sorprendiendo a muchos oyentes al vincular sus raíces con la región.

Gościem Jakuba Chełmińskiego jest wiceminister Ministerstwa Klimatu i Środowiska Mikołaj Dorożała – Główny Konserwator Przyrody. Co czeka dziki w miastach a niedźwiedzie w Bieszczadach? Dlaczego nowe bagna mogą być ochroną przed ruską armią? Czym są lasy społeczne? Więcej podcastów na: https://wyborcza.pl/podcast. Piszcie do nas w każdej sprawie na: listy@wyborcza.pl.

Dziś relacja z pierwszej linii frontu. Połączymy się z Mikołajem Rykowskim, który teraz jest w Libanie. Opowie o nowej fali wojny na Bliskim Wschodzie. Czy Izraelowi uda się pokrzyżować plan Trumpa? A dziś także o nowych wątkach w aferze podkarpackiej, o Klarenbachu, gwieździe Republiki, i jego żonie – o lewych dyplomach z Collegium Humanum. Będzie także o premierze Tusku, który chce stawiać pomnik.

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 　良かったよ！と思ったら高評価👍 　感想・ツッコミなどチャット＆コメントもぜひ！ 　 ✅番組時間：71分20秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 　 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ 　 ✅コーナー： 　オープニングなぞなぞ 　アリキラ社員食堂 　ふつうのおたより 　 🟧投稿フォームはこちら。 　① https://forms.gle/DkTHQ38qNNWTPpta7 （新） 　② https://ja-mane.com/form/ （旧・画像添付可能） 　※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ 　https://ja-mane.com 　 🟧アリキラ白書 2023と2024、公開中！ 　https://ja-mane.com/blog/2023/10/26/hakusho2023/ 　https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 　極東の羊、テレキャスターと踊る by しゃろう 　https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年6月6日配信 　 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス

ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年6月パワープレイ 「Phantasmagoria mystical expectation」 アレンジ・ギター・ベース　ARM ボーカル　悠 杏李 作詞　kiku　夕野ヨシミ 原曲：風神少女 音楽ジャンル：ミクスチャーポップ 収録アルバム：東方風櫻宴 2006・5・21 Release https://www.iosysos.com/discographyportal.php?cdno=IO-0090 MV https://www.youtube.com/watch?v=fOmaLZDp3y0 番組時間：94分7秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/6/4に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・焼肉焼いても家焼くな ・鉄骨飲料 ・最近CMを見ない ・イザベルがCDをたたき割るCMを今こそ再び ・詐欺広告は法律で禁止にするぞ！ ・広告のゲームが大好き ・イオシスくんの活動をあれしましょ ・東方名華祭行ってきました ・ミューズの患部って石鹸みたいだね ・昨日はハムを作ってました ・楽曲提供しました！ 　「すぷれあダイアリー／すぷれあ」 　作詞：七条レタス 　作編曲：D.watt 　ギター：Hylen　花籠つばさ ・YouTube 300万再生！【東方MV】行列のできるえーりん診療所【IOSYS】 ・さすがD.watt ・イロドリミドリラストライブあります ・D.wattって何人いるの？ ・クークリのイオシスとは ・ご当地キャラが80体 ・しゃべるご当地キャラにろくなやつはいない ・2026年のケツが見えてきた ・バニーガーデン２の1周目をクリアしました ・漁船RTA ・RTA in IOSYSをやらないと ・アプデでアルケミーファクトリー盛り上がってます ・先週は控えてた無駄話が大量に出てしまった ・カチン コチン湖 ＜Aパート＞ ・ふつおたです ・上半期おわっちゃうよー ・梅雨がない北海道 ・エアコンのリモコンを探すところから ・今日はペースが早いな ・ブルアカの話 ・ダンジョンウィズイン ・え？電車の中でえっちなゲームを？ ・スマホでゲームしだすとベットから出てこなくなっちゃう ・それ、キーボードだよ ・小宮果穂ちゃんの30MS ・勝手に首だけ発売しちゃう ・サウンドクラウドアプリはいいぞ ・1人でも使っているならポッドキャストは続けます ・初老の飲み会の報告 ・車車機金のめかとき ・東京秘密クリニックとは ・家で肉を食べない ・世界一長いカレーのレシピ ・漫才は来週 ＜Bパート＞ ・懐かしっ！ ・20年経ったね ・あれは東方って書いてあるだけなんだよな ・2枚組は手作りするの大変なんだって ・TINAMIとは ・みつをたです ・おじさんの漫才ほど面白いのはないね ・1行ふつおたみたいなみつをた ・おしっこなぞなぞ ・創作昔話ごんぎつね ・チョコモナカ〇ンポー！ ・ごんぎつね中毒の我々 ・さらに悪手を重ねてます ・完全新作ロボットアニメ ・出だしだけで面白い ・ｲﾔｯ! 来ないで！ ・にじさんじピックアップニュース ・この悪魔、人生経験豊富なのでは？ ・どっちの料理ショー ・電波の届かない岩の中 ・ススキノ1丁目からススキノ2丁目に引っ越し？ ・番組の途中ですが速報です ・センシティブフォルダが増えていく ・どうしてイオシスに発注しなかったんですか ・好き過ぎるのも問題 ・ホロピックアップニュース ・ポルカの中のユニコーンがそわそわ ・お腹の調子をそのままポスト ・Vピックアップニュース ・SusHi Tech TOKYO って何ですか？ ・車の運転にテンポのいい曲は危ない ＜エンディング＞ ・伝えたい思いはありますか？ ・オープニングで全部言っちゃった ・90分やってるからおわろう

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's APEX Express show is focused on food justice and Asian America. First, Host Miko Lee talks with artist Macy Tran about their work on food as a form of resistance, and then she speaks with researcher Dr. Milkie Vu around her work on food insecurity and Asian American communities.   Show TRANSCRIPT [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:30] Miko Lee: Welcome to Apex Express. I'm your host, Miko Lee, and tonight we're talking about food justice and Asian America. First, we talk with artist Macy Tran about their work on food as a form of resistance, and then we speak with researcher Dr. Milkie Vu around her work on food insecurity and Asian American communities. Join us tonight as we delve into food justice. Welcome to Apex Express, Macy Tran, I'm so happy to meet you.    [00:01:03] Macy Tran: I'm happy to meet you as well, Miko. Thanks for having me.   [00:01:06] Miko Lee: I just wanna start with the question I ask all of my guests, which is, who are your people and what legacy do you carry with you?    [00:01:13] Macy Tran: I come from a legacy of powerful Vietnamese people who were born and raised in Vietnam and now are part of the diaspora in Minnesota. I come from food peoples and healers and chefs and creatives of all sorts who have learned how to make ends meet and to adapt and to work with what they have. I come from a long line of people who have loved through food and who have used food as a means of cultural preservation and education and survival, which has now been passed on to me. There's so much to say about who I come from. My grandparents have stories of survival and resilience throughout the American War in Vietnam. And it's only because of just their love and the decisions they've made on behalf of their love that I am here today. My parents own a restaurant in Minneapolis, Minnesota, Vietnamese restaurant called Pho 79/Caravelle That has a 40 plus year legacy of serving Chinese and Vietnamese food to the Minneapolis community. It started with my grandma's brother, and then it passed down to my grandma. And now my grandma has since passed and has passed it down to my father and my mother. And so I like to say that it's restaurant people who raised me. I grew up sleeping in the booths and all of the aunties, even though they weren't blood aunties were my aunties. Because our survival was just so foundationally just predicated on food and what we served and shared with others, and also what we ate at home and the celebrations that we would have both at the restaurant and at home. This is really what makes me.    [00:03:20] Miko Lee: Thank you for sharing. Do you wanna talk more about the legacy part?   [00:03:24] Macy Tran: I carry a legacy of peoples who really know the importance of food and the way we use food to care and support each other. Even in the most hard of times when my family was. On a boat with 200 other people and didn't know if they were going to survive when they kind of landed abroad. The shores of Indonesia, food has been with them throughout it all, and it is how I was raised to love and care for people. I see the ways that food is not just a means for sustenance, but also as joy, as creativity, as love, and I carry all of those, decisions and skills with me.    [00:04:19] Miko Lee: Thank you so much. I learned first about your book when I read a piece that you wrote for 18 million Rising, and I'm wondering if you could just talk about how that piece around food as a form of resistance, how did that come about?   [00:04:33] Macy Tran: I have a friend who works with 18 million Rising, and since the federal occupation in Minneapolis, I've been doing a lot of food justice organizing here. And it has been a way in which I have seen and expressed just the skills and love that I give to my community. I was just feeling compelled to give food. That was what I knew. In the past two months as my friends have been going out on the streets following ICE agents around legally observing, I have felt that my role in this movement is to feed frontline folks who are out doing the work and also feeding our community during a time in which it's very scary and difficult to leave your home without fear of being abducted. In Minneapolis we have created systems of, food resource sharing that have been really powerful to witness and experience and to get engaged with. And so one way that I've been doing it is I've been cooking community meals most Sundays, sometimes Saturdays that feed 200 plus people.   [00:05:47] I am providing delicious food for my friends who are out on the streets and coming home and hungry and cold. And I also helped facilitate and organize a food distribution at my parents' restaurant after the murder of Alex Preti I really wanted to not just be involved in like acting and responding to what was happening but as an artist, as a creative, I felt the need for also remembering and preserving and reflecting about what's been going on in Minneapolis. I kept being pulled in all these different directions and was organizing over here and supporting this community and doing this. And then when my friend reached out to me at 18 million Rising,. It was such a great opportunity for me to really reflect on my practice of food as resistance and food as justice. I've been a food writer in the Twin Cities for about the past three years. Food, events, I mostly cover restaurant stories and festivals and theater and all that sort of stuff in the BIPOC community here in the Twin Cities. And I realized writing this piece that this was the first time in a while, that I had written something actually for myself from my heart that was in my voice. Without an editor saying, no, you have to say it this way. No, we have to cut that part out. No, you use too many words here, and so I really took this piece as an opportunity to share what my life was like here in my own words and my own experiences. And just use it as a moment to really reflect and share the things that I'm learning and the way that I am practicing and using food as a bridge to healing and transformation during this time in which we are ripe for needing that.   [00:07:47] Miko Lee: Can you roll back a little bit and talk to me about how you got started as an organizer? What, when you first learned about social justice work and what pulled you in?   [00:07:56] Macy Tran: It definitely wasn't the way that I was raised. I was born in the us my parents were born in Vietnam and then came over to the US and they really raised me with the mentality of you just put your head down and you work hard and you don't really get involved. And like, yeah, you care for others, but mostly you care for your family. I was actually someone who was always butting heads with my family because I was like, do you not see all of these issues that are happening in the world? Like the issue, the systems that were implicated in. We have to care beyond just ourselves, and we would always butt heads about that.   [00:08:33] Miko Lee: At what age did that start?    [00:08:35] Macy Tran: Oh, probably when I was a teenager. around that time I was finding my voice. and it wasn't until college that I really started putting words and frameworks and theory into what I have already witnessed in my family and my community, which is just community care and the ways that facilitates justice and transformation I would say since college that I really started actively organizing primarily on campus. I went to a smaller liberal arts school. So organizing and just getting involved in our community in that way was pretty easy. And like after I graduated college, I spent five years in Southeast Asia, one year in Vietnam, and then four years in Thailand where I was primarily working at the intersections of education and refugee justice and environmental justice. I got to meet all sorts of organizers and activists from across the region who have taught me. Really everything, a lot of what I know about organizing and what it means to show up specifically within a Southeast Asian context and how to use kind of my feet in both worlds, both my American political identity and my Southeast Asian political identity.   [00:09:59] And to merge those for the better and for my community. So I would say that. I've always had a big heart ever since I was little. And actually my parents were always like, you are too trusting. You people are gonna take advantage of you in the world. And I was like, I just wanna live in this world with so much love. And the way that they taught me to do that was. Through food and through reliability and just what it means to show up consistently for my people. And so in some ways it was all baked into me, even though they might not see that and they might not have raised me in that way. I see the ways in which they have sacrificed for love and nourished their families through food and made incredibly scary risks for the freedom of their family and for their people, and for a new life. And I just feel like I'm walking in their footsteps, doing the same even if they might not feel that way.    [00:11:09] Miko Lee: So did you have to talk your family and the restaurant into getting involved in the food support work for activists in Minnesota?   [00:11:18] Macy Tran: it wasn't a challenging conversation to have and I was surprised by that.    [00:11:22] Miko Lee: Oh, great.    [00:11:23] Macy Tran: Um, yeah, my parents have been, actually, this is the most politically active and vocal I have seen them. It's really incredible. I would say that for a lot of actually the Vietnamese community that I've been witnessing in Minneapolis, like they're saying things that I never thought that they would say. They're putting analysis like what together? The Vietnamese community is, I would say, skews at least the older generation, I should say. The older generation of Viet folks skews pretty right wing, conservative Republican, Trump supporting. And I'm just seeing dissent for the first time. It's not always like that explicit, but it is, I would say in the past what I've seen is just like. When kind of rightwing or more Republican opinions come up, if people disagree with that, it's just like you're just quiet. But now I'm seeing a way in which like people are responding, commenting on social media, like posting publicly about it. It's just been really, really powerful. When I first started organizing in response to the federal occupation, my parents were really quite worried and they did not want me to get involved. And they didn't really understand why I felt compelled to do this. And then when Alex Prety was murdered, I. It was actually my auntie, my mom's youngest sister that brought up the idea of a food distribution because she was feeling like I just wanna do something and like, what is an avenue in which we can do something? Well, we have this restaurant. Mm-hmm. And so she proposed it to my parents first, which Oh    [00:13:05] Miko Lee: wow.   [00:13:06] Macy Tran: Love, shout out to her because    [00:13:09] Miko Lee: Thank you, auntie.    [00:13:10] Macy Tran: She did right. She did the hard work for me. I think I would've been a little more hesitant or would've taken a little bit more time to just process, like how to go about asking them, because there's just a different power dynamic there. Sure. But because my auntie is more of a peer mm-hmm. And she had this idea and she has also worked at the restaurant mm-hmm. For many, many years of her life. I think it really spoke to my parents and I think it really was a moment for them to connect the ways that this restaurant is so important to not only our family and how we show up in community, but also to our community in Minneapolis. Mm-hmm. I have traveled all across the world and have met people who have eaten at Pho 79 and have told me stories of getting engaged there, of getting a tattoo of the, like restaurant on their, on their arm. The, the logo. Yeah, the logo. It's crazy, you know, like people, and I've also heard generations of families like growing up on my parents' food. Mm-hmm. As we share food with people and they support our business, it's only because of our community that we've been able to survive this far you know?. My parents came to Minnesota with nothing, and it's only because of the kindness of other Minnesotans and other Vietnamese Minnesotans that we were able to get anywhere.   [00:14:35] In this moment they saw that and they saw that. We can, we have these resources. This won't be hard for us. We have everything here that we need. This is the channel in which we can work in. And yeah, they were just ready to do it. I think also my parents were ready to take a risk because the business was not doing well, we weren't, there were not people coming out to eat. Everyone was scared to go out to eat. People were not really spending money. And this was really ever since the pandemic and the way that has impacted the restaurant industry and particularly immigrant businesses, and then also the George Floyd uprisings and the way that just the, violence and also the transformation that happened to the street that we were on Eat Street. It just really changed the ways people saw that corridor, that business corridor. And it was a really big business impact. And so my dad was just, I think, in a place where he was really willing to take a risk and a stand for what he believed in. And my mom as well. As a way to also just like. Really be present in community and show that, hey, like we are out here and we believe in loving our community and seeing the ways that people are showing up for our community as and for our business as well. And honestly, since the food distribution business has been steady and I think. My parents are, I mean, they're definitely feeling relieved, but I'm just feeling so grateful that they stood on their values, you know, and they stood grounded in that. And as a result, like the community is reciprocating. and that is such a beautiful thing that I don't, I think my dad took a risk not knowing what would happen, because more exposure is not always good. And I've been telling him that, you know, especially with the Vietnamese community being, of, of his genera generation being more right wing and more conservative. He recognizes that and he recognizes that we had to do something. So I feel so proud of them for just being really chill and okay, and actually impassioned and compelled to do something.   [00:16:57] Miko Lee: It sounds like it brought you a little bit closer with your family too.    [00:17:00] Macy Tran: Definitely. Definitely did. Yeah. I feel like me and my family have never really been able to sit at a table and talk about politics and what's going on in the world without one of us just like getting activated or feeling defensive or not seeing each other. It is a terrible thing what has happened and what continues to happen in our city, under federal occupation and so much beauty and creativity and love has come from it. And I even feel that at the most micro scale between me and my parents.    [00:17:39] Miko Lee: Can you, share with us that are not located in Minnesota, what the experience is like of this federal occupation on a day to day? Like, we're talking today on March 2nd, and I say that because our world, everything's changing every day and this is gonna air on a separate day. So I wanna name that. So right now, what is it like when you're just walking through the streets in downtown Minneapolis ?   [00:18:01] Macy Tran: Yeah. It's interesting because when you ask me this, I think about my experience like a month ago and how different it was and it felt to walk around a month ago compared to now. A month ago. It. I was seeing a neighbor on every corner of major streets, like looking for ice. You know, I was seeing car caravans, honking and following ICE agents. It's interesting 'cause like I actually just had a friend visit from Milwaukee and. She was nervous about ice. She's Asian American as well, and she was like, should I be scared? What's actually going on? And I told her, actually, yes, what's going on is scary and violent. And I feel so safe because I am meeting neighbors I have never met before. I'm making small talk with people who are just. Out on the streets walking their dog in a way that they would not normally, I'm talking to business owners, we're talking about the impacts of this occupation. Everywhere I go, there were eyes and that felt really powerful and strong. And now that operation Metro Surge is technically over they are supposed to be withdrawing ICE agents from the city. I would say there is definitely a decrease in the number of ICE agents in our city. Activity is much slower. However I would say out in the suburbs of Minneapolis and St. Paul, they are seeing action and enforcement from ICE agents. That is. Either at the, kind of the same amount that we were receiving or escalated. The concentration is higher out in the suburbs And so even though things were quieter in the city, they were elsewhere. And    [00:19:57] Miko Lee: yeah, I just saw videos this morning of protesters that were peacefully marching that just got tackled. Actually by Minnesota Sheriff's department working in conjunction with ice. I know every state in every region is a little bit different. But I thought that was something that Governor Waltz was working on right?    [00:20:15] Macy Tran: So actually the city ordinance that you are talking about is actually on a Minneapolis City level. So that was a decision made by Mayor Fray. Oh, that's only city. So it's only MPD, Minneapolis Police Department, who is not supposed to assist in, federal and right. Federal enforcement. However, on a county level, that's different. I see. So sheriffs might be working with, I know it's like, so complic, what a mess complicated. I    [00:20:41] Miko Lee: know. This is the same, I mean, this is the same everywhere, right? Mm-hmm. It's all broken down. Okay. So, so I think I hear you saying that ICE has kind of moved on with the targeted big city approach and they're going out into the suburbs instead. Is that right?    [00:20:57] Macy Tran: Yes. There are still protestors, and observers going every day to the Whipple building. The Whipple building is where ICE agents are coming from, and so they have definitely recorded a decrease in the number of ICE vehicles. So the volume isn't as high, but the cars are still coming and we're still seeing enforcement and violence in our neighborhoods. Just the other day, just a few streets down, a person was abducted in our neighborhood in Minneapolis. And because the volume isn't as high, they're not as easily able to track. And so they're working a lot more under the radar. Yeah. Mm-hmm. And their tactics have become just a lot more. Under the radar as well. In the early days in January, it was really easy to identify ICE out-of-state license plate, tinted windows. Big vehicles like super easy. Nowadays they're putting like coexist bumper stickers and little things on their dashboards and like, you know, driving little sedans and it's definitely not as easy and they're moving a lot more covertly. And because Operation Metro Surge has technically decreased and because many of our frontline activists have been working at this for months and are getting tired. Mm-hmm. There is a really interesting transition period happening here. Mm-hmm. Where I think we're all trying to align on what is the next.   [00:22:31] What's the next step? Mm-hmm. How? How are we, what is the best way to move given that this is the way that ICE is operating now? Yeah,    [00:22:40] Miko Lee: right. Just    [00:22:41] Macy Tran: under reflection. Mm-hmm.    [00:22:42] Miko Lee: Under such sneaky circumstances, like what they recently did in New York at Columbia, showing up at Columbia University with a missing child picture of a little kid. And that's how they got entry into the dorms, which is so wrong to terrible get a student. So that's actually illegal to like misrepresent being a police officer when they're not, they're a nice officer and    [00:23:05] Macy Tran: mm-hmm.    [00:23:06] Miko Lee: Showing a photo, I mean, it's so awful.    [00:23:08] Macy Tran: Mm-hmm.    [00:23:09] Miko Lee: I'm wondering how people that don't live in Minnesota can get involved.   [00:23:14] Macy Tran: Hmm. The, greatest frontier currently that is in need of support is rent support. There are, probably hundreds of maybe thousands of people who are likely at risk of eviction in the Twin Cities, because they have not been able to work for the past two months without fear of being abducted. We're calling on Governor Waltz for an eviction moratorium, which would prevent folks from being evicted. Governor Waltz is the only person who really has jurisdiction to implement an immediate rental moratorium, and he's done that before during the pandemic, and so we're trying to make arguments that this is. A state of emergency people are like not able, they weren't able to work. Like people are going to get evicted putting calls to his office, sending emails. So that's one way to get involved from abroad, uh, or not abroad outside of Minnesota, but also abroad if you're abroad And listening to this. The other way was, is that there's a lot of hyper-local organizing that is happening within Minneapolis that I can speak to every. Neighborhood and corner, I feel like, of Minneapolis is being accounted for usually by a team of just volunteer mutual aid groups who are fundraising for rent, who are fundraising for groceries who are fundraising for utilities.   [00:24:45] And these are all like live fundraising pages on the internet. And if you have even just 10, $20 to spare to help a Minneapolis resident, um, not get evicted in the next month. Um, every dollar matters. In this moment, rent is due. Soon, we're just at the beginning of March. And if folks aren't able to pay rent now and they haven't been able to pay rent in the last couple of months, like this is only going to have a snowball effect. We cannot risk vulnerable neighbors migrants, immigrants being, like more of them being unhoused at this moment. We already in our city have so many unhoused people who are not being cared for by our city officials, who are having their encampments being taken down and who are already not receiving adequate support. Our system cannot handle an influx of more unhoused people and we can prevent this. I would say that is kind of the biggest frontier at the moment in terms of what I'm seeing organizing on the ground.    [00:26:01] Miko Lee: Would you have links that you could share with us definitely for rent support. That would be really great if, and I'll definitely, I'll add them to the Apex Express show notes so folks that wanna get involved can contribute and help support community. You wrote in your piece about books, lovely books and podcasts and things that inspired you, which I always love hearing about those things. And one of the books you wrote about was Rice and Baguette, A History of Food in Vietnam. Can you talk a little bit about it, how it deepened your understanding of food legacies and resistance?    [00:26:33] Macy Tran: Mm So I read that book while I was living in Vietnam actually. So it was really cool for me to, what I love about that book, it's a little like academic. I will say that it is a food history like you are reading history, you know, it's a little bit like dense at some points, um, for    [00:26:49] Miko Lee: the real foodie audience.    [00:26:51] Macy Tran: For real. I'm like, if, yeah, exactly. And luckily that's me. I was into it. What I loved about it were, the legends, like there were some what I, so in Vietnam when I was living there, something that I loved and was learning more was that like Vietnamese people have so many legends about folk legends about food, like the origins of the watermelon,, the origins of our bunte cake, which is the cake that we eat, the sticky rice cake we eat during, lunar New Year. There are so many Food origin stories that I just did not grow up being raised on. And so, this book talked about some of like, how did pho even get started, you know, is pho even truly Vietnamese? It's, that's a debate I'm not gonna have right now. But. I loved just hearing the greater context in which all of this existed, especially not growing up with those stories and being,    [00:27:55] Miko Lee: Hey, wait, what is the origin of watermelon?    [00:27:58] Macy Tran: So it's this like funny little. Story where, this prince essentially gets banished to an island with his wife. And then on this random island, he finds this like incredible fruit, the watermelon, and he's like, whoa, this is so delicious. I want I must show this to the people back at home, but they won't have me because I'm banished. And then he basically floats the watermelon back to the mainland and they find it and they're like, oh my gosh, this is so incredible. We must, invite this man back to the mainland.    [00:28:38] Miko Lee: How did they know it was from him? Did he like carve his name in the watermelon?    [00:28:43] Macy Tran: I don't know. It's actually been a while since I've heard this story, so I could be just like. You know, I don't know all the details. That's    [00:28:50] Miko Lee: okay. That's always better anyway.   [00:28:53] Macy Tran: just stories like that. I love to hear them. I also learned about what it was like to eat and cook during foreign occupation when, oh, you know, the French were colonizers mm-hmm. When the Chinese were colonizers. Mm-hmm. And just the incredible Vietnamese food ways that emerged from those periods of colonization. Mm-hmm. They were both brutal and violent and also full of adaptation and creativity and survival foods. And so the book just talked about all of that, and I just love knowing those stories that help me know the ways in which our people have been able to survive for this long and are now free under, foreign  occupation.    [00:29:40] Miko Lee: Speaking of, you mentioned creativity and adaptability, and you are a multihyphenate person, as an artist, as an organizer, as a writer, as a visual artist, collage maker, I'm wondering how your artistry impacts your organizing and vice versa. How do they speak to each other? How do they influence each other?    [00:30:01] Macy Tran: Hmm. I am someone who, when there is an issue or a problem that arises, I'm often just confronting it with what can I do? What can I like feasibly do? How can I show up? And I think my artistic practices actually help me slow down. Even the ways that I can show up in community and do things in community, I'm very responsive. I'm always like, okay let's do a thing. Let's organize it. Let's get our hands dirty. I am out there, I am organizing people, you know, like tangibly. And I think the ways that my artistic practices partner with that is that my artistic practices help me reflect and remember and deepen and find spiritual grounding and purpose. my art is a way that I bridge conversations with my ancestors and I bridge what it means to know myself and be a person, a community member, a Vietnamese American daughter in this moment, right? And it reminds me of the skills that I have and wanna bring to the world. It also helps me create different narratives for understanding what's happening and. For finding creative solutions and for collaborating with others. So I think I would honestly be so burnt out and exhausted and sad if it were not for my artistic practices. I think it's because of my artistic practices that I find energy, that I find belonging, that I find meaning in the work that I'm doing.    [00:31:51] Miko Lee: I love that answer. Can you share, because you brought this up, can you share about a conversation or an interaction you've had with an ancestor and how that's influenced you recently?   [00:32:03] Macy Tran: Hmm. That's such a great question. I'm going to tie this answer into Lunar New Year because, lunar New Year is a time in which our material world and the spiritual world really can converge in a meaningful way, at least for me. And every year when I celebrate Lunar New Year, I will do something different. I deepen my practices. I just kind of deepen what I know about. Folk tradition and ancestor worship. And every year I learned new things and I wanna try new things. And so this year was the first year that I built a public altar space in my living room. Usually I just have it in my bedroom or in a small corner of my home somewhere that's like usually private. But I built like. It wasn't like a tiny little altar, like it was big, you know, like I had photos of all my relatives on there. I had flowers, I had five kinds of fruits. I had, you know, little, every time I ate a meal, I was putting a meal aside for my family to eat with me. And, Some cultures you don't eat the food that you leave on the altar, but in my family we do. And the reason for that is because we get to become one with our ancestors. We get to embody what our ancestors are and eat as well and their spirits, and so this past Lunar New Year, I actually threw a, I had celebrations on both sides of the family. And then I organized a new year party for my chosen family who came from all walks of life. And the prompt for the party, it was a potluck. The prompt for the potluck was cook something or bring something that your ancestors would be just delighted to eat on the altar. And so we    [00:34:00] Miko Lee: love that.    [00:34:01] Macy Tran: Oh yeah. It was so sweet. People came out with their best work, I should say, like the food was fantastic. Our ancestors were eating well, and I was sitting there. And this altar was full of tiny little plates of food, beautiful flowers. I also asked people to bring pictures, photos of their ancestors or people that they wanna honor. Incense were lit. The room was filled with incense smoke, and I was just, there was a moment where I was just, kinda in the corner of the room just watching, you know, and I had a feeling like, wow, all of our ancestors are hanging out right now. Not only are me and my chosen family, you know, building a community and belonging for ourselves but also like. I could have never, and probably they could have never predicted that my friend's like Jewish grandpa was hanging out with my Vietnamese grandmother and grandfather, you know, or yeah, my friends like grandparents from Antigua are now hanging out with like my family members and it's, it was just a moment where I just felt not just the joy.   [00:35:16] And love in the space of connecting with my real, like my friends in that moment. But also just the miraculousness of what it meant to hold all of our ancestors in that space. And so, after that I ended up writing a piece on my substack, actually as a letter to my ancestors. I, I kept the altar up for a week, a week and a half. And on the last day I was ready to take it down and move it back upstairs into my room. But on the last day, I thought, I'm gonna light the incense one more time. And have my ancestors in the space as I write this piece to them. There were so many things I wanted to say to them. And also at the same time, I felt like as I was writing, they were saying things to me, this is what I have to teach you in this moment, is kind of what they were saying to me. This is like, this is what it's like to celebrate that under occupation. This is what it was like when we thought it wasn't even possible to celebrate Tet. Like we had literally nothing but rice and water and yet we still did, and my grandma recently passed a I mean, it's not so recent anymore, but it's been just over a year now. And she was like, One of the first like major deaths of the elder generation in my family. And Tet was the time that I could commune with her and share love with her. And, I could just feel her presence in the space and I would even, memories felt like a way that she was talking to me. The memory of just the crackle of her sesame balls, like she made the best sesame balls. They were like. Thin and crispy and fluffy, but also like so like they were not skimping on the mung bean on the inside. It was fantastic. So I'm just like, I haven't had a sesame ball from her in over a year, but I can remember how it tastes and feels, and my mouth and that memory itself is a message from her. To remember what has fed me through so many years, and how important it is to just remember the, not only just the foods that we eat, but the people that have loved that food into existence. And now me, you know,    [00:37:38] Miko Lee: have you made it the dish, the sesame balls.    [00:37:43] Macy Tran: I actually have her recipe books, so I planned to I just didn't have time, this past Tet, but me and my brother were going to, and then I think we decided we wanted to do it on just like on a lower key day, like instead of like in the midst of just like so much family celebration, there was so much to prepare and we were like, let's just plan a low key weekend where it's just me and you and there's no timeline and we don't have to get this anywhere and they don't have to be perfect. Like    [00:38:14] Miko Lee: that sounds lovely. So it's personal and it's family and Exactly. And if for a one year anniversary, death anniversary is coming up, that might be a great time to honor her.    [00:38:22] Macy Tran: Exactly. Exactly.    [00:38:24] Miko Lee: I'm wondering what was like some standout dishes from that lovely event to you?    [00:38:29] Macy Tran: Ooh. I mean, I will talk about the dish I made.   [00:38:33] Miko Lee: Okay.    [00:38:36] Macy Tran: Which I thought was fantastic and I think my friends also thought were delicious. Was delicious. Um, but a dish that is commonly eaten during the lunar new year for Vietnamese people is a tit ka, which is a caramelized, braised pork belly. This caramelized, braised pork was stewing for probably three hours. Wow. And so, yeah, and I used coconut water with it. I didn't like, straight up coconut water and it    [00:39:04] Miko Lee: no Coca-Cola.    [00:39:06] Macy Tran: No Coca-Cola not in this one. And I just made a huge, huge pot and it was basically almost all gone by the end of the night. So that was like a really good feeling. Um, my brother made an incredible duck heart lap. He works at Diane's Place, actually, it's a famous Hmong restaurant in Minneapolis. And they processed duck on the menu. And so he had like access to all these duck organs and he made an incredible loup that he brought to the party. And my, one of my little sisters, Iris, she's Puerto Rican and she made like tostones, like fried plantains and then she also made Puerto Rican rice, and she, she made like three or four dishes. So like, people really went above and beyond for their ancestors. I could really, I mean, it was probably like 20 people who came to this party, so there were so many dishes and they were all. So good. So I, I don't wanna, once I get into it, I'm gonna go into it, so I'm not gonna chat your ear off.    [00:40:13] Miko Lee: Sounds lovely. Sounds yummy. Mm-hmm. And my last question is, I'm wondering what manifestation for the year of the horse you have for yourself.    [00:40:23] Macy Tran: The 18 million rising essay that I wrote came, it was right before the lunar new year that it got published. And it came during a time where I was already thinking a lot about my creative practice and how in, in relationship my creative practice in relationship with also the ways that I organize and the ways that I cook and, organize around food. And when this opportunity for this essay emerged and just the way it has been received has been such an honor, like, because I haven't written for myself, you know, in so long and like really with my own voice I just didn't realize that people were going to resonate with it so much and find like an invitation to engage in food justice themselves and their own ancestry. And also the ways that it made them think about food and their relationship to food. And it was such a blessing for me to receive that resonance from people, you know, and to receive, just the stories that I've heard and the way it spoke to them. And I felt like that has been a blessing for me to just really expand my creative practice and be more public with it. I'm like, dang, if this little thing that I wrote impacted people in the way that they think about the world, like. I have so many more ideas I wanna share and like be in partnership with others about.   [00:41:57] And I just launched my Substack, right after the Lunar New Year and I was like, all right, you're the fire horse. Let's freaking go. I am ready, I am running. So, I just wanna be creating so much and like act manifesting and actualizing a lot of the dreams that I have, my creative dreams that I have continued to put on the back burner. Things about hosting supper clubs and doing more work around my parents' restaurant, like helping them create narrative around the restaurant and sharing our restaurant story with people. And just using my words and experiences as a way to connect with the world and also be open to the ways that people wanna connect with me. So that's kind of the ways that I'm, I'm seeing this year unfold already, and it's already started with a bang. I also wanna add that year of the fire horse for me is just a lot about movement and progress. And so in this sense movement, I think of social movements and the ways that social this particular social movement against ICE in our city will fundamentally. Impact us for the next lunar year. It happened right at the beginning of the lunar New Year and it's going to have deep effects into the year, and we will forever be changed by this. And I am so excited to see the ways in which we harness this energy for transformation, for care into something that's really meaningful.   [00:43:37] Miko Lee: Thank you so much for joining us on Apex Express. It was a delight to talk with you.    [00:43:42] Macy Tran: Thank you, Miko. This was so great. Thanks for having me.   [00:43:45] Miko Lee: Next up, listen to researcher professor, Dr. Milkie Vu, speak on her exploration on Asian Americans and food insecurities. Welcome, Dr. Milkie Vu, assistant professor at Northwestern. Welcome so much to Apex Express.    [00:44:04] Dr. Milkie Vu: Thank you. I'm delighted to be here.    [00:44:07] Miko Lee: Dr. Milkie is a mixed methods researcher focusing on community engagement and health issues, and I'm excited to talk with you today. I wanna start by first asking the question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   [00:44:24] Dr. Milkie Vu: My people are the Vietnamese community, and when I think of my people, the first word that comes to my mind is resilience. I was raised in Vietnam. I speak Vietnamese fluently and I embrace my culture very deeply. I carry the memory of my parents and grandparents who have lived to colonization multiple world. And the challenge of post-war poverty and the ability to, endure all these hardship is the legacy that I bring with me and in my day to day life it acts as a personal life of hope for me and then professionally in the. Work that I do is really a foundation and it drives my dedication and commitment to working on health solution with Asian American and immigrant communities who have similar stories of hardship, but also perseverance.   [00:45:19] Miko Lee: Thank you so much. I really appreciate how your background has informed the work that you're doing, and I wonder if you could talk a little bit more about this study, this scoping review on food insecurity among Asian Americans. Can you one first start off by breaking down what a scoping review is.   [00:45:37] Dr. Milkie Vu: Yeah, I'm happy to talk about that. So a scoping review is essentially a methodology that we use to be able to summarize existing scientific literature and try to understand how this literature. Answer research questions that we have.   [00:45:56] Miko Lee: Can you tell me what inspired this study?    [00:45:59] Dr. Milkie Vu: I've done community engaged research with, Asian American population for over a decade. In doing so, I have come to realize , as an anecdotal evidence, how food insecurity is a issue in the community. And yet that's very little that has been, done in terms of research or policy that target this problem., So for example, the US Department of Agriculture, will publish annually a report on food insecurity in America and it will include several, racial and ethnic populations, but Asian Americans are frequently ommitted from that report. So, you know, at the national level, that data doesn't exist, which then, makes it very difficult to understand what is the severity of the problem and what are some of the solutions that could be done to address them. So that's why we were interested in doing a deeper dive into summarizing the literature too be able to see what has been done about this problem and what are some of the barriers that exist, towards food security for community members, and what are some of the literature gaps? Our review was published in 2024 was the first scientific review of the literature on food insecurity among Asian Americans.    [00:47:27] Miko Lee: And what did your study uncover?    [00:47:31] Dr. Milkie Vu: We documented several important findings. There is a lack of existing data on this problem. Due to this myth of Asian Americans being the model minority. Assuming that Asian Americans are uniformly successful socioeconomically and thus not experiencing, any challenge including food insecurity. One of the things that we found is the importance of data disaggregation and looking at food insecurity in different Asian origin groups. We found that food insecurity really varied. So for example, if you look at some groups like Japanese Americans, we found the prevalence of between two to 11% of the population reporting food insecurity. But then if you look at some of the Southeast Asian groups, for example, Filipinos or Hmong American or Vietnamese, the rates are much higher. So the studies that we found report, between eight to 41% of food insecurity and among Filipino population. Close to 48% for more Hmong American, and then between 14 or 28% for Vietnamese Americans, so much higher than the rates for other groups.   [00:48:48] Data Dion is important and there shouldn't be this grouping of different Asian groups in research because then it really erased like the struggles specific communities with food insecurity. I think the other finding that was really important is looking at more systemic or structural barriers that prevent people from being food secure. Our review found that limited English proficiency is a important driver of food insecurity. The lack of appropriate language services, whether that's food pantry or for things like snap navigation. These could be important target point infusion policy or interventions that could help address food insecurity, community members. We also look at a couple of qualitative studies that found really interesting things. So for example, even when Asian American community members do use food assistance programs like snap, the benefits are often not sufficient. And they have a negative experience. There's also fear of how that might negatively impact the immigration status or application. Those are important barriers that should be acknowledge.   [00:50:08] Miko Lee: Some of these numbers are so high. You mentioned 48% with Hmong folks with, it's just so surprising, and I wonder if there's a sense of the why some of these communities have a higher food insecurity than others.    [00:50:21] Dr. Milkie Vu: Yeah, one of the things that we did point out in the conclusion was the need for just more studies focusing on these, smaller Asian groups or smaller Asian population that are done in like the appropriate language to be. From some of the experience I've had, part of it is probably shaped by, the historical conditions to which some of these, communities might have come to the us. For example, thinking about my community Vietnamese, coming to America as refugees, fleeing persecution or free fleeing war and how that, historical conditions might create structural and socioeconomic challenge in Britain, in the community. I am also curious about is the availability of service and program that are linguistically appropriate or, providing culturally relevant food for these communities. So those are important points that we can hypothesize, but obviously more research is needed to understand, the root cause of these challenge and how to address them.   [00:51:28] Miko Lee: And were you focused on specific regions or this was national?    [00:51:34] Dr. Milkie Vu: I'm really glad that you asked about this. So the review itself is, summarizing all published literature focusing on Asian Americans. All of the studies take place in the us. A lot of the, studies probably focus on data that are from the coast. So either on Asian American, on the east coast or the west coast. , But we looked at the study like from a nationwide angle and I'm also happy to talk about some of the new committee organizations in Chicago looking at food insecurity and community-based solutions to address that among Asian Americans. Part of the motivation for the follow-up study was just thinking about the lack of data focusing on the Midwest or Chicago where I live.    [00:52:20] Miko Lee: Please, I'd love to hear more about that . [00:52:23] Dr. Milkie Vu: The COVID pandemic, had brought a lot challenges for food insecurity. For people nationwide in general, but then for Asian American, there's also this, so what I call like the double, almost like a double pandemic, like the waves of entire Asian violence and hate crimes. And so thinking about how that impact food insecurity in general among, Asian American community members. About two years ago, we interviewed around, 13 organizations in Chicago. All of them are either community based organizations, social services or food pantry, working with, primarily with Asian American community members, from diverse groups: korean, Chinese, Vietnamese, Filipino, south Asian, Mongolian, et cetera throughout Chicago. And the question that we asked them was, thinking about what programs they have offered during the COVID pandemic that aim at reducing food insecurity among community members. How did they implement this program? Who are some of the vulnerable populations served by the program? How did the pandemic as far as anti-Asian racism impact the program organization? That was the first study that looked at how community organization in Chicago help address this issue of insecurity on this, the COVID pandemic.   [00:53:57] Miko Lee: And so what is the next step for this study or what is the next piece that you're working on as connected to this?    [00:54:05] Dr. Milkie Vu: Yeah. Think about the role of the community organization as grassroots organizations that work from the ground up , as opposed to more top down program structure. They're doing a lot of the heavy lifting to help community members address food insecurity, because they know the community very well. They are able to provide the in language service that community members need. They're also trusted by community members. So a lot of the time,, certain populations especially say if those with limited their English proficiency or, more newly arrived immigrants, might feel more comfortable going here as opposed to going to this organization as opposed to, another one that are more generic and don't have the staff that speak the right language. I think the other thing is, staff with the similar cultural backgrounds are able to understand. There was one quote from the study that I did in Chicago. That stuck with me. When we tell them you could go to the food bank, the American food is not quite tailored to their taste. So they will get a big chunk of cheese and they will be like, what is this? Nobody wants to eat this. Again, thinking about the role of committee organization as so important in knowing the language, knowing the cultural preferences. And then just thinking of ways that we can further support, the programs and operations that they do. This is a really challenging time for nonprofits, social service organization, both in terms of providing food as well as other social service to Asian American and immigrant communities. How can research from a place like, researchers, from academia like me, are able to partner with them to further the service that they do and be able to find the funding that support them and community members. I think that's the important step for me.   [00:56:02] Miko Lee: Dr. Vu, how can folks find out more about your work?    [00:56:06] Dr. Milkie Vu: Yeah, In order to understand more about the work that we do, so we have a website, for our lab that frequently include, you know, like our current projects as well as publications. So you can go to site, so SI ts.northwestern.edu/vu group. and you'll be able to find more information about the research that we published. We've also recently, in the beginning of the year start, to find ways to disseminate research on social media. So we also have a Facebook group for our lab that disseminates our research findings as well as include information about the community members and partners Other trainees in the lab that make this work possible. The labs Facebook group is at facebook.com/maybe give research. and then you can always reach out to me via my email milkie.vu@northwestern.edu So I'm glad to connect with people who have similar research interests or would like to learn more about the work that we do.   [00:57:06] Miko Lee: Thank you so much for joining us and sharing your information about your important work that you're doing on research with Asian American community. Appreciate hearing from you.    [00:57:15] Dr. Milkie Vu: Thank you so much.   [00:57:18] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – 6.4.26 – Food Justice appeared first on KPFA.

Zapraszam na audycję o "Bladym królu" Davida Fostera Wallace'a. ▶️ Słuchaj dalej

出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_）  「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン　アカデミー気付　藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん

#Formula1 - Mikołaj Sokół - Czy Grand Prix Monako przyniesie nowego zwycięzcę w sezonie 2026? Cała nadzieja w Ferrari... a może McLarenie? Mikołaj liczy na Verstappena! Między "złotymi dziećmi" Toto Wolffa posypią się iskry - czy Mercedes będzie powinien wprowadzić swoją wersję “papaya rules”? Reaktywacja Hamiltona - chwilowa, czy już na zawsze? Jak mistrz odnalazł swój flow w Ferrari. Tysięczny wyścig McLarena - wspominamy najważniejsze momenty kultowego zespołu Formuły 1. Dlaczego Tymek Kucharczyk powinien zostać w USA. Wspominki ze wspólnych nocowanek z Czarkiem, prawo jazdy na koparkę i Ferrari Luce.Zapraszamy serdecznie!Naszym Partnerem w sezonie 2026 jest IMPULS-LEASING Polska (#wspolpraca)Promocyjna oferta dla widzów CoDrive, Nowy Nissan Qashqai już od 980 zł miesięcznie, oferta limitowana https://impuls-leasing.pl/promocja/KONKURS - typowanie wyników GP Monako: https://impuls-leasing.pl/typuj-podium-wyscigow-2026/Licytacja pracy z autografem Roberta Kubicy: https://allegrolokalnie.pl/oferta/limitowana-praca-kolekcjonerska-z-autentycznym-autografem-roberta-kubicy-pxa(współpraca)Chcesz pojechać ze mną na GP Austrii, Belgii lub USA? Wyślij zapytanie na: travel@codrive.pl(promocja własna)

Trener Mikołaj Raczyński w naszym podcaście opowiada o tym jak trenować do półmaratonu. Cykl przygotowawczy omawiamy na podstawie jego autorskich planów przygotowujących do Garmin Półmaratonu Gdańsk. Impreza wystartuje już 27 września, a organizatorzy oferują 100 000 złotych za pobicie rekordu Polski. Mikołaj Raczyński trener biegaczy i biegaczek wyczynowych oraz amatorskich przygotował trzy plany treningowe dostosowane do potrzeb wielu osób. Plany dostępne są już na naszej stronie internetowej, a w tym odcinku omawiamy poszczególne jednostki oraz filozofię treningu półmaratońskiego trenera klubu Passion First. W tym odcinku usłyszysz m.in. o: – Skali RPE i prawidłowej ocenie intensywności treningu– Biegach spokojnych– Słynnym treningu trenera Raczyńskiego 10 x 20”/40”– Szacowaniu tempa startowego– Odcinkach tempowych przygotowujących do półmaratonu– Specyfice treningu do półmaratonu jesiennego– Sygnałach alarmowych pokazujących, że trening idzie w złym kierunkuRozdziały:00:02:35 Puchar Europy na 10 000 metrów00:10:10 Czym jest skala RPE00:19:50 Jak określić tempo półmaratońskim00:30:09 Przebieżki 10 x 20”/40”36:00 Bieg spokojne00:48:27 Rozgrzewka przed akcentem00:57:50 Jak rozpoznać zbyt duże zmęczenie01:26:00 Najważniejsze porady przed Garmin Półmaratonem GdańskPartnerem podcastu jest Garmin Półmaraton Gdańsk. #współpraca

Krzysztof Kieślowski był reżyserem, który widział coś więcej w prostych rzeczach i codziennych decyzjach. W jego filmach to, co się zdarza przypadkowo, nigdy nie jest tylko czymś zwykłym. Zamiast tego, ludzkie historie stają się opowieścią o wolności, sumieniu i czymś większym.Goście:

Dawno nie mieliśmy tak wielkiego sukcesu w polskich biegach długich. W nowym odcinku miom i Waszym gościem jest Ela Glinka – zwyciężczyni Pucharu Europy na 10 000 metrów w La Spezii. Wynik 31:45.36 to nowy rekord życiowy, drugi czas w historii polskiej lekkoatletyki i pewne minimum na Mistrzostwa Europy. Spotkaliśmy się na warszawskim stadionie przy Podskarbińskiej, by w reportażowej formie porozmawiać o kulisach tego fenomenalnego startu. Z plenerowej rozmowy dowiecie się między innymi: dlaczego w walce o życiówkę Ela zrezygnowała z patrzenia na zegarek, jak innowacyjnie wykorzystała tradycyjny wachlarz przed startem, o czym w euforii na mecie zapomniał trener Mikołaj, ...będą też łzy wzruszenia. Rozmowa została zarejestrowana na zewnątrz, co dodaje jej naturalnego klimatu, choć wymaga odrobiny wyrozumiałości dla jakości dźwięku. Zdecydowanie warto jednak posłuchać do końca.

NLP ぬるぽ放送局 第1081回 次は無駄沼～無駄沼～ #nurupo by IOSYS

– Widzę, że ludzie są zdenerwowani. Nie najlepiej reagują na kamerę, a moi rozmówcy potwierdzają, że sytuacja jest napięta – mówił Mikołaj Murkociński, relacjonując sytuację w Armenii przed czerwcowymi wyborami. 

出演者： miko、quim 配信ペース： 隔週 番組時間：89分10秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 　申し訳ございません。 隔週に1回お届け。mikoラジ、第398回です。 労働は害悪でおなじみの我さん。 今週もハードでデスで笑いが悪い意味で止まらない模様。 しがないさんも驚きの隈……。 チーム我等の明日はどうなる?! 最後までごゆるりとお楽しみくださいませ。 ♯途中で色々とノイズ等入りますが、収録時のものです。 　ご安心ください、お手持ちの機器は正常です。 大変な絵 https://x.com/radio_4649/status/2059720447147843593?s=20 ・おとらってRECORD 公式サイト n-remix.com/otolatte/ ↑『おとらって10thライブ KUWANA』に参加予定の方は、 　「来場予約はこちらから」からご予約を！ 開催日／2026.8.23(日) 　第一部　OP11:30　ST12:00 　第二部　OP14:40　ST15:00 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた 　／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました 　／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ 　／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！　お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2026年5月IOSYSはいてない.comパワープレイ楽曲 M1. One Era feat. DD"ナカタ"Metal Produced by RoughSketch Vocal by DD"ナカタ"Metal 音楽ジャンル：Hardcore 収録アルバム：NBCD-052 20 Years Of RoughSketch: Golden Best & Remixes 2026 2026・4・26 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-052 積み重ねた『ジャパニーズ・ハードコア』を貴方に クリエイター「RoughSketch」の活動20周年を記念した2枚組アルバム。 書き下ろし新曲を含めたベストアルバムに加え、ディスク2には活動の中で出会った日本全国各地のトラックメイカーによるRemixが集結！ CD特典コンテンツとして2026年3月8日に行われた6時間ライブセットの音源をフルでダウンロード可能！

Cicho jak (miejscami) w Warszawie czyli Młodzieżowa Mapa Ciszy Czy Warszawa może być miejscem wyciszenia? Okazuje się, że tak, i to bardziej, niż mogłoby się wydawać. Dzięki inicjatywie młodych mieszkańców powstała Młodzieżowa Mapa Ciszy m.st. Warszawy – przewodnik po miejscach sprzyjających odpoczynkowi i regeneracji w tętniącym życiem mieście. O pomyśle i ealizacji mówia Justyna Słowińska- Zarymbska i Mikołaj Musiał z Centrm Myśli Jana Pawła 2.

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 　良かったよ！と思ったら高評価👍 　感想・ツッコミなどチャット＆コメントもぜひ！ 　 ✅番組時間：79分13秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 　 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ 　 ✅コーナー： 　あくとんさんの静岡ホビーショー体験記 　熱闘！メルヘン大相撲「鉄道系乙女ゲームあるある」 🟧投稿フォームはこちら。 　① https://forms.gle/DkTHQ38qNNWTPpta7 （新） 　② https://ja-mane.com/form/ （旧・画像添付可能） 　※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ 　https://ja-mane.com 　 🟧アリキラ白書 2023と2024、公開中！ 　https://ja-mane.com/blog/2023/10/26/hakusho2023/ 　https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 　極東の羊、テレキャスターと踊る by しゃろう 　https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年5月23日配信 　 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス

ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年5月パワープレイ M1. One Era feat. DD"ナカタ"Metal Produced by RoughSketch Vocal by DD"ナカタ"Metal 収録アルバム：NBCD-052 20 Years Of RoughSketch: Golden Best & Remixes 2026 2026・4・26 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-052 番組時間：88分33秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/5/21に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・煩悩10倍ですよ ・今回くらいはバニーの話やめますか？ ・バニーの話がないと無言ですよ ・変わらずやってます ・イオシスくんの近況報告 ・東京イベント物販ですぐ完売しちゃったラフスケッチぬいぐるみ ・売り切れる前に買ってください ・まとめ買いのチャーンス！ ・値段設定間違えちゃった？ ・楽曲提供しました！ 　『東方LostWord』「ラストワールド　～ LastWorld」 　原曲：亡き王女の為のセプテット 　編曲：ARM (IOSYS) 　作詞・ボーカル：ビートまりお 　ギター：西山昌一郎 ・コナミさんのお知らせ 　『jubeat beyond the Ave.』で2026/5/21から遊べます！ 　「スカーレット警察のゲットーパトロール24時／七条レタスグルー　プ」 ・どこにでもいるスカ警 ・ラフさんはカナダへ ・新千歳からサンフランシスコに直行便 ・時差ボケしたことあります？ ・気合では無理 ・自律神経は無に帰しました ・名古屋で味仙に行きたい ・にんにくに自律神経を支配される ・いつもまじめじゃないんですね ・イオシス事務所無くならなくてよかったね ・昼間なら警察来てますよ ・両隣がまじめな会社でよかったね ＜Aパート＞ ・ドライTシャツを着るシーズンになりました ・たくさん買ってください ・ふつおたです ・山形は寒いって ・東京はもう、40℃あります ・ブース設営で8割疲れちゃう ・最近は夏コミに行ってないので ・改修工事で空調3000倍 ・スーパー田植えタイム終了 ・設営で8割は合ってる ・2日やって、翌日30分 ・農家「いいよー」 ・15万のホイール ・今、乳首って言いました？ ・お米を作るゲームじゃないんだ ・Forza Horizon 6がおすすめ ・ゲームだから飲酒運転はどうですか？ ・バニーガールの話題出ちゃったなー ・名探偵マーニーとフランケンふらん ・巡回済みだったか ・AIぬるぽ放送局 ・これもう、はかせいらなくね？ ・しれっとAIはかせ ・やればできそう ・ずんだもんにした方が可愛くていいね ・漫才やりますか ・ちょっとだけ自己紹介を変えておきました ・だれが加護ちゃん世代だよ ・勝新世代って ・ヤニ漫画がアニメ化されてく ＜Bパート＞ ・みつをたです ・北海道の匿名の方から ・JAの仕組みとは ・わかんないまま批判するのはよくない ・バニーちゃんと遊んでるのは部分的にそう ・札幌市は人口減ってますよ ・デカ岡市 ・今、バニーガールのこと考えてたから ・そろそろ返してほしいですね ・温かくてシャケが獲れない ・ずっとバニーの話してる ・ファンティアが大変 ・強めのモザイクかけときますね〜 ・にじフェスピックアップニュース ・ケツよさん ・イチボをケツ肉とは呼ばない ・３Dちょまのカラオケが可愛かった ・ホロピックアップニュース ・大空スバルさん200万人突破おめでとうございます ・広島の花ソーセージ ・ニュースが多い ・Vピックアップニュース ・今週も新しい固有名詞を浴びました ・おっぱいを大きくしたい ・あっ、おめでとうございます ・各種お便りお待ちしてます ・ふつおたに短いメッセージを送ってみてください ・Do you like Wednesday? ＜エンディング＞ ・デカ箱イベントは大変だよー ・今年は晴れるといいなー ・なくなった裕次郎記念館 ・昭和ってやべーな ・あの頃はモザイクがかかってたね ・真田丸面白いです ・平成怖いよー ・マシュマロってやったことないな

Dziś będziemy wspólnie czekali na Dariusza. A może Mariusza? Zapraszamy do odcinka, stworzonego z pomocą scenarzysty Mikołaja Korzyńskiego (dziękujemy!).*➤ ODWIEDŹ NASZ SKLEP: https://pozdrawiam.net/kategoria-produktu/podcastex/➤ WESPRZYJ PODCASTEX: https://patronite.pl/podcastex➤ POSTAW NAM KAWĘ: https://suppi.pl/podcastex________________Zapytania biznesowe: kontakt@podcastex.pl 

#płatnawspółpraca | Zapraszamy na środowe #OnetRANO, w którym gośćmi Mikołaja Kunicy będą: Maciej Konieczny - Razem, Wojciech Tochman - pisarz, Krzysztof Cibor - Greenpeace Polska, prof. dr hab. Tomasz Grzyb - psycholog. W części #OnetRanoWIEM gośćmi Marcina Zawady będą: Diana Sałacka - Centrum Kopernika Badań Interdyscyplinarnych Uniwersytetu Jagiellońskiego, dr inż. Klaudia Żerańska - fizyczka materiałowa, popularyzatorka nauki, Copernicus Center.

The Oakland-based singer, Miko Marks, first came onto the music scene as a country artist. But Miko's powerful vocal range is wide, and so is her creativity. Now she identifies as an Americana and roots singer. She currently has a residency at Yoshi's in Oakland that's running now throughout the summer. Her next show is Thursday, May 21st. And her special guest is jazz legend Faye Carol. Miko sat down with KALW's Jenee Darden on “The Sights + Sounds Show.” They spoke about Miko's growth as an artist. Here's an excerpt of that interview.

出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_）  「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン　アカデミー気付　藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん

Tonight our guests from the Esoteric Society of the Philippines tell us about handling paranormal cases, kontra kulam tips, speaking with Spirits and Elementals and the upcoming Summer Soulstice 2026The Summer Soulstice 2026 is on June 6, 2026 - 7F The Columns, Malugay. You can find more information here: https://www.facebook.com/ESP.SoulsticeIf you want to find more about ESP, you can find them on FB: https://www.facebook.com/ESPhilippinesThank you again to Miko and Aki for taking the time for this interview. Hopefully we will have a part 2 :D hehehe.If you have experiences with Cosmic Entities or experiences similar to what you heard, you can email me at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠paranormalsph@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠In case first time mo makinig sa podcast, pwede ka magsimular sa Episode 1:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠EPISODE 1 The Unexpected Visitor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kung di nyo pa nabalitaan, meron tayong episodes na Deep Dive, English and Tagalog, mahahanap lang yan sa YouTube:English - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/playlist?list=PLcg83FW_a91KrMPaZK-9AkbDNNDS0venx⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tagalog - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/playlist?list=PLcg83FW_a91KpB4E63SE1nG_Bm7IGkgd4⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you enjoy this kind of conversation, you might want to subscribe :D ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- - - - - - - - - - - - - - - - - - Do you want to support the podcast? You can help keep us going by giving us a cup of joe! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ko-fi.com/paranormalpodcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also support us on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/paranormalpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We have different tiers for supporters, from the general support to early access, to joining us on the calls way in advance. No pressure, just additional help for us :) The Para Normal Podcast. Engineered and Produced by f90 Productions Rate and Review our show on Spotify, Pocket Casts, and Apple PodcastsFor brand partnerships, advertisements, or other collaboration opportunities with our podcast, please contact our management team at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠info@tagm.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy. 

📢夕野ヨシミさんリンク📢 X - 夕野ヨシミ(IOSYS) 　https://x.com/shatyou 夕野さんのアレコレのリンクをまとめたサイト 　https://shatyou.com/ 木曜20:45にぬるぽ放送局も聞けるIOSYS YouTube Ch. 　 https://www.youtube.com/@iosys_official 土曜16:00にリングフィットアドベンチャーも観れるIOSYS Gaming Ch. 　 https://www.youtube.com/@IOSYSGaming 土曜21:00にPrime Videoの映画をみんなで観るイオシスロードショー Ch. 　 https://www.youtube.com/@IOSYSRoadshow －－－－－－－－－－－－－－－－－－－－－－ 🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 　良かったよ！と思ったら高評価👍 　感想・ツッコミなどチャット＆コメントもぜひ！ 　 ✅番組時間：68分12秒 ✅ゲスト：夕野ヨシミさん(IOSYS) ✅出演：ジャーマネ・あくとん・蛇草千尋 　 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ 　 ✅コーナー： 　ゲストトーク 🟧投稿フォームはこちら。 　① https://forms.gle/DkTHQ38qNNWTPpta7 （新） 　② https://ja-mane.com/form/ （旧・画像添付可能） 　※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ 　https://ja-mane.com 　 🟧アリキラ白書 2023と2024、公開中！ 　https://ja-mane.com/blog/2023/10/26/hakusho2023/ 　https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 　極東の羊、テレキャスターと踊る by しゃろう 　https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年5月16日配信 　 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス

出演者： miko、quim 配信ペース： 隔週 番組時間：100分55秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 　申し訳ございません。 隔週に1回お届け。mikoラジ、第397回です。 GW、終わっちゃいましたね……次の祝日は7月です。 病み上がりのしがないさん、労働は害悪な我さんのそれぞれのGWとか、GW明けとか。 ふたつの初めての○○○○があったり、いつも通りと特別と。 最後までごゆるりとお楽しみくださいませ。 ♯途中で色々とノイズ等入りますが、収録時のものです。 　ご安心ください、お手持ちの機器は正常です。 ・おとらってRECORD 公式サイト n-remix.com/otolatte/ ↑『おとらって10thライブ KUWANA』に参加予定の方は、 　「来場予約はこちらから」からご予約を！ 開催日／2026.8.23(日) 　第一部　OP11:30　ST12:00 　第二部　OP14:40　ST15:00 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた 　／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました 　／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ 　／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！　お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2026年5月IOSYSはいてない.comパワープレイ楽曲 M1. One Era feat. DD"ナカタ"Metal Produced by RoughSketch Vocal by DD"ナカタ"Metal 音楽ジャンル：Hardcore 収録アルバム：NBCD-052 20 Years Of RoughSketch: Golden Best & Remixes 2026 2026・4・26 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-052 積み重ねた『ジャパニーズ・ハードコア』を貴方に クリエイター「RoughSketch」の活動20周年を記念した2枚組アルバム。 書き下ろし新曲を含めたベストアルバムに加え、ディスク2には活動の中で出会った日本全国各地のトラックメイカーによるRemixが集結！ CD特典コンテンツとして2026年3月8日に行われた6時間ライブセットの音源をフルでダウンロード可能！

ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年5月パワープレイ M1. One Era feat. DD"ナカタ"Metal Produced by RoughSketch Vocal by DD"ナカタ"Metal 収録アルバム：NBCD-052 20 Years Of RoughSketch: Golden Best & Remixes 2026 2026・4・26 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-052 番組時間：79分35秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/5/14に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・ガンプラを積んでる人とゲームを積んでる人と本を積んでる人 ・脳みそが３ついる ・もう、1週間経ちました？ ・気象予報士の資格を取りましょう ・バカの天気予報 ・夕野ヨシミ宅の天気予報 ・すすきのの夜の天気予報 ・高校の部活は何に入ってましたか？ ・30年前にPCってあったんですか？ ・イオシスくんの活動報告 ・母の日に700万再生ウイマーマサーガ ・楽曲提供しました！ 　「ガチマジ☆デスゲーム／一条莉々華(hololive DEV_IS ReGLOSS)」 　作詞・作編曲：uno(IOSYS) 　Guitar：NUE ・​​Nothing But Requiem は略するとNBRになっちゃう ・わざとなんですけど弊害が生まれた ・有馬わい​「ロバパンだ！」 ・たまに食べるパンはなんだ？ ・紐パン？ ・新装版3種を2026/5/31の東方名華祭で新規リリースします！ ・カラー印刷でよかった ・次の即売会参加のお知らせ 　2026/5/31 東方名華祭 　■IOSYS L-11/12 ・お品書きがイラストレーターファイルになりました ・Ctrl+7以上の思い出はないんですか？ ・YouTube IOSYS musicチャンネルにて 　IO-0336 TOHO BOOTLGES 6 　全トラックフルバージョン公開しました。たくさん聴いてね！ ・今月はラフさん無双だね ・やはり7人いるな ・ぴちぴちのジャージはBOOTHで買いました ・おすすめのラフスケッチぬいぐるみ ・イッパイカッテクレナイトイオシスツブレチャイマス ・カナダ現地時間0時は日本時間何時なのかな？ ・アメリカで東方のイベント ・2026/10/24 トークライブやります（阿佐ヶ谷） ・アリキラに夕野さんがゲスト出演します ＜Aパート＞ ・有馬わいさんは5文字しか打てないのかな？ ・ふつおたです ・リアルバニーもかわいいよね ・北海道は冬日&夏日 ・田植え２デイズ ・長靴を履かない農家になりたい ・農家は朝が早い ・播種とは ・直播のフローチャート ・三ちゃん農業 ・ばあちゃんは出稼ぎですすきのでバニーを ・イオシス農園早くやらないと ・アマプラ無料枠のおすすめのアニメ映画 ・アンジェラちゃん 検索しといてください ・令和の水野晴郎めざしましょう ・ハイボールならロックだね ・いやあ、映画って本当にいい感じですね ・焼肉とバニーガール ・行くなら最後のチャンス ・サラダバーいいですよね ・牛柄ビキニの焼肉屋さん ・☆５はやり過ぎなのでは？ ・初老の飲み会の報告 ・偏見のテクノ曲 ・GWに仕事が入らなかったはかせ ・あだ名が鬼だったので芸名はオニー ・人間シャンパンタワーやってましたね ・資本主義感じるねー ＜Bパート＞ ・尿管結石が割れそうな重低音 ・みつをたです ・暮らしのライフハック 　TwitterのGIF検索でU149って入力すると幸せになれます ・すみぺさんはTwitterがうまい ・人間みなロリかショタだったからね ・創作おとぎ話　赤穂忠臣蔵　最終回十三夜　エピソード ・かけないんですけどね ・大作お疲れさまでした ・ファンアート欲しいな ・あいだみつをさんをご存じない？ ・最後に確認するのは人間なんだよ ・にじさんじピックアップニュース ・ジョー力一さん濃い味なのでご覧ください ・角煮教 ・にじさんじフェス気になりますね ・アサミ閣下ドストライク ・ホロピックアップニュース ・さくらみこでもわかる参考書 ・Vピックアップニュース ・新しい固有名詞がいっぱいある ・直播を直播 ・ちふたんさんもグループなのでは？ ・通信料はお客様負担ですが無料でお便りが送れます ＜エンディング＞ ・一瞬だけ聞こえるはかせの声 ・大人になると誰も怒ってくれない ・五月病の具合はどうですか？ ・錬金病です ・我々は五月病になる機会がない ・見たことのないI ・コラボのカラムを比較的上に

#płatnawspółpraca | Zapraszamy na wtorkowe "Onet Rano.", w którym gośćmi Dominiki Długosz będą: Krzysztof Szczucki, Prawo i Sprawiedliwość; Janusz Kaczmarek, były prokurator krajowy w latach 2005-2007; Marek Józefiak, rzecznik prasowy Greepeace Polska; Marek Tronina, szef fundacji "Maraton Warszawski"; Wojciech Chmielarz, pisarz. W części "Onet Rano. WIEM" gościem Mikołaja Kunicy będzie Marek Sumiła, dyrektor zarządzający Danone.

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 　良かったよ！と思ったら高評価👍 　感想・ツッコミなどチャット＆コメントもぜひ！ 　 ✅番組時間：70分50秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 　 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ 　 ✅コーナー： 　あくとんさんのマニアな話 🟧投稿フォームはこちら。 　① https://forms.gle/DkTHQ38qNNWTPpta7 （新） 　② https://ja-mane.com/form/ （旧・画像添付可能） 　※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ 　https://ja-mane.com 　 🟧アリキラ白書 2023と2024、公開中！ 　https://ja-mane.com/blog/2023/10/26/hakusho2023/ 　https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 　極東の羊、テレキャスターと踊る by しゃろう 　https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年5月9日配信 　 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス

ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年5月パワープレイ M1. One Era feat. DD"ナカタ"Metal Produced by RoughSketch Vocal by DD"ナカタ"Metal 収録アルバム：NBCD-052 20 Years Of RoughSketch: Golden Best & Remixes 2026 2026・4・26 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-052 番組時間：88分52秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/5/7に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・1000回もやってるこっちはいかれてるな ・サバを読むをテキトーに解説 ・昔はMDに吹き込んでいたのかな？ ・ミキサーから何に繋いでたんだ？ ・MDの回転音 ・最近のコンピューター部はすごいな ・イオシスくんの活動報告 ・GWなのでイベントがたくさんありました ・ちゃんと服を着てた夕野さん ・スタバのくしゃくしゃの紙を持ってた ・D.wattは、ちゃんと財布を持ってきてました ・元気だったイノキーさん ・エモかった例大祭 ・20年ずっと出てるなー ・焼きそばとタコ焼きはありませんでした ・結局小麦粉 ・ねぎしのハンバーグをポローン ・創作昔話「がんバくん」 ・YouTube 500万再生！ 　【東方MV】患部で止まってすぐ溶ける～狂気の優曇華院【IOSYS】 ・YouTube 100万再生！ 　「電波的妄想美少女Q」 　歌唱：KOTOKO 　作詞・作編曲：MARON ・ウイマーマサーガ700万再生 ・今の中国語は嘘です ・もっと！孕ませ！炎のおっぱい異世界 おっぱいスパイ学園！ ・タイトルがイカれとるな ・CG監修がミニョンさん ・トロントはカナダのどっちなんだい ・ミニョンさんのページ見てたからイベント情報がまったく頭に入ってこなかった ＜Aパート＞ ・ふつおたです ・GWはけものフレンズ ・金ビキニはいつ着てもいいからね ・おかゆんさんの金ビキニ放送 ・妄想するっていいですよね ・久々にマイクラやりたい ・プレイヤーキャラはおじさんばかり ・海は整えなくても平らでしょ ・ミリオンは合計6カ所です ・ブルアカ横浜中華街コラボ ・チーパオとチャイナ服の違い ・餃子とシューマイの違い？ ・漫才やりますか ・漫才やって体温上げていこう ・ちょっとだけアレンジしました ・シン正月とは ・人類お正月化計画 ・カオスだったな ・片玉で守られた部分ってどこ？ ・映像があってよかった ・あれはリツコさんだからね ・​​タイピング補完計画 ・なんで真矢みきなんでしょうか？ ・ハイコンテクスト ＜Bパート＞ ・みつをたです ・エヴァが繋がった ・今すぐ病院に行ってください ・創作昔話　ごんきつね ・ゴールデンボールじゃないか ・1週間出っぱなしだったか ・7つもいらないでしょ1個で十分 ・創作おとぎ話　赤穂忠臣蔵　第十三夜　第二部 ・エピローグに続く ・大石が斬っちゃった ・明坂聡美さん、ご結婚おめでとうございます！ ・ナイフを持った女性声優の画像 ・にじさんじピックアップニュース ・サメは哺乳類 ・資格は若いうちに取れ ・子供たちに伝えたいことが大人に刺さる ・鼠径部だと思ってた ・ぬるぽ放送局の切り抜き動画 ・やはり、mixi2ですか？ ・ホロピックアップニュース ・栃木未来大使とは ・買った覚えのないガンプラがうちに届く ・Vピックアップニュース ・VJ KOO ・そろそろAI MOC出来そう ・AIはかせは出来そう ・サンプラーでよかった ・さすがイオシス早いなー ・AIはかせ「一旦、CMで～す」 ＜エンディング＞ ・VJ KOOもサンプラーなのでは？ ・安く済ませたい方お待ちしてます ・バニーガーデン２に新衣装が ・ご奉仕バニーとは ・はかせがXでスペースやってます

Choć statystyki wskazują na dużą skalę rezygnacji, w rzeczywistości jedynie 20% osób całkowicie porzuca edukację, podczas gdy reszta zmienia kierunek studiów lub przesuwa naukę w czasie. Głównymi przyczynami tych decyzji są niedopasowanie oczekiwań maturzystów do realiów wybranych kierunków oraz trudności ekonomiczne i osobiste. O powodach drop outów rozmawiamy z drem hab. Mikołajem Jasińskim z Ośrodka Przetwarzania Informacji Państwowego Instytutu Badawczego oraz Wydziału Socjologii Uniwersytetu Warszawskiego.

Send us Fan MailOn today's episode, we interview Dr. Miko Rose, A psychiatrist and the founding dean for the proposed Indiana University of Pennsylvania.  She will discuss the importance of the school and why it is so impressive that it will be one of the few State Osteopathic schools in existence.  She will discuss why it is so vital to fill the underserved primary care need and what the school plans to accomplish.  She will discuss growing up in an indigent family and how she discovered osteopathic medicine, ultimately training as a psychiatrist.  An amazing do not miss episode.

Matt and Daniel are joined by author and human rights activist Miko Peled to discuss insularity among New York Jewry, the secularization of the bible by Zionists, and the reason for the season: diasporic treason.Please donate to Mercy Corps: https://www.mercycorps.org/New Bad Hasbara Merch: https://estoymerchandise.com/collections/bad-hasbara-podcastSubscribe to the Patreon https://www.patreon.com/badhasbaraPalestine House of Freedom: https://www.daralhurriya.org/The General's Son: https://www.justworldbooks.com/books-by-title/the-generals-son-10th-anniv-ed/Miko on IG: https://www.instagram.com/mikopeledMiko on X: https://x.com/mikopeledSee Francesca Fiorentini and Matt Lieb May 21 in Pasadena: https://events.leapevents.com/event/new-world-disorder-05-21-26-8-pmWhat's The Spin playlist: https://open.spotify.com/playlist/50JoIqCvlxL3QSNj2BsdURWhat's The Spin Album List: https://bit.ly/whatsthespinlistSkad Skasbarska playlist: http://bit.ly/skadskasbarskaSubscribe/listen to Bad Hasbara wherever you get your podcasts.Spotify https://spoti.fi/3HgpxDmApple Podcasts https://apple.co/4kizajtSupport this podcast at — https://redcircle.com/bad-hasbara/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_）  「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン　アカデミー気付　藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん

Episode 792: May 2, 2026 playlist: Gnod, "Shadow Mirror" (Chronicles of Gnowt (Vol 1)) 2026 Rocket Delia Derbyshire Appreciation Society, "Dubby Signal Chain (System 7 Remix)" (Flower of Life) 2026 A-Wabve Brunhild Ferrari, Eiko Ishibashi, Jim O'Rourke, "LOreilleVoleuse Extract 1" (L'oreille Voleuse) 2026 Persistence of Sound Marisa Anderson, "Quodlibet" (The Anthology of UnAmerican Folk Music) 2026 Thrill Jockey Four Tet, "Baby (Tony Romera Remix)" (Baby Love Cry) 2026 Text Miko, "tomorrow days" (Petals and Marbles) 2026 Room40 Sharon Jones and The Dap-Kings, "Don't Wanna Lose You" (Don't Wanna Lose You) 2024 Daptone Michael F. Hunt, "Music for Multiple Keyboards [excerpt]" (Passage of Time: The Music of Michael F. Hunt) 2026 Phantom Limb rikardfvs, "Bicycling in the Miskatonic Valley" (Dark Ambient Mix 2) 2026 Sounds for the Soul Khan, "Say Goodbye (feat. Julee Cruise)" (Say Goodbye) 2022 [self-released] Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

W Republice Czeskiej filmy czeskie cieszą się bardzo dużą popularnością. Niektóre są w stanie wyprzedzić nawet wysokobudżetowe superprodukcje z USA. Co sprawia, że Czesi bardziej od filmów zza granicy wolą własne produkcje? Czego w tych filmach szukają? I dlaczego to na terenie Republiki Czeskiej powstało tak wiele kinowych hitów o randze światowej?(00:00:00) Zwiastun odcinka(00:00:25) Powitanie(00:01:27) Rozmowa(00:58:30) Zakończenie i podziękowaniaWszystkie głosy, które usłyszycie w tym odcinku należą do fizycznych, rzeczywiście istniejących osób i nie zostały wygenerowane maszynowo przez algorytmy. ✅ Wspieraj Brzmienie Świata na Patronite:⁠⁠⁠⁠⁠⁠⁠ https://patronite.pl/brzmienie-swiata⁠⁠⁠⁠ 

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 　良かったよ！と思ったら高評価👍 　感想・ツッコミなどチャット＆コメントもぜひ！ 　 ✅番組時間：65分14秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 　 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ 　 ✅コーナー： 　ふつうのおたより 🟧投稿フォームはこちら。 　① https://forms.gle/DkTHQ38qNNWTPpta7 （新） 　② https://ja-mane.com/form/ （旧・画像添付可能） 　※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ 　https://ja-mane.com 　 🟧アリキラ白書 2023と2024、公開中！ 　https://ja-mane.com/blog/2023/10/26/hakusho2023/ 　https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 　極東の羊、テレキャスターと踊る by しゃろう 　https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年5月2日配信 　 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス

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A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee focuses on Asian American Men, Bruce Lee and the mano-sphere. She chats with renowned author and thinker Jeff Chang about his new book: Bruce Lee & the making of Asian America, Water Mirror Echo. Then she talks with Rachel Koelzer the Communications Director for Nakasec about their new study of Asian American men and the manosphere. How are images of Asian American male identify being shaped and formed in our current society and what does Bruce Lee have to do with this? Listen in. More in tonight's show Jeff Chang's book: Water, Mirror, Echo Nakasec ReportAsian American Men and Mano-sphere CAAMFest 2026, running May 7-10, 2026, San Francisco's AMC Kabuki Theatre Show Transcripts [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:40] Miko Lee: Welcome to Apex Express. I'm your host, Mika Lee, and tonight we are focusing on Asian American men, Bruce Lee and the Manosphere. I chat with renowned author and thinker Jeff Chang about his new book, Bruce Lee and the Making of Asian America Water Mirror Echo. Then I speak with Rachel Koelzer, the communications director for NAKASEC, about their new study of Asian American men and the Manosphere. So how are images of Asian American male identity being shaped and formed in our current society, and what does Bruce Lee have to do with all this? First, listen to my conversation with author Jeff Chang. Welcome Jeff Chang to Apex Express.    [00:01:24] Jeff Chang: Ah, it's so great to be here. Miko. So happy.    [00:01:27] Miko Lee: I'm so happy to talk with you about your latest book. You're such a prolific writer, and here you have written a big Bruce Lee and the Making of Asian America Water Mirror Echo. Such a mighty title. I wanna start first just a question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   [00:01:49] Jeff Chang: Oh my gosh. What a great question to start with. You know, my family, my communities, they all kind of blend together, the blood family, the kin family, and the chosen family, for me. I guess I'm always [laughs], I'm first born Chinese Kanaka, you know, I'm always aware that I am, representing, I guess, So I, you know, I carry that family with me wherever I go.   [00:02:16] Miko Lee: I, I think I know what that means. But for our audience that might not know what a firstborn Chinese kanaka means, can you break that down a little bit? What does that mean to you when you say that?    [00:02:25] Jeff Chang: Yeah, I mean, you know, it's just the, i, it it's just a thing of, you know, you're gonna go out and represent the family and, you're thrust into Taking on responsibilities and stuff for your folks, your siblings, your, younger cousins, those kinds of things. I was always very aware of that within the family. My dad's from a really big family, had six siblings and, my mom's from a large extended, family. so that's, That's such a fantastic question Miko. Bruce was the second child, which, you know, birth order and all that kind of stuff. It also squares, I think with, a Chinese family. He felt like he was always in the shadow of his older brother.   [00:03:10] Miko Lee: Okay. Hold on. Let's get to Bruce in a second. I wanna finish with you as an author, creator person.    [00:03:16] Jeff Chang: Okay.    [00:03:16] Miko Lee: Wait, so you are the number one son.    [00:03:18] Jeff Chang: I'm the number one son. Yeah.    [00:03:19] Miko Lee: Ooh, okay. I get it. Yeah. And then what is the legacy that you carry with you?    [00:03:24] Jeff Chang: The legacy. I just have to represent, in a point, a kind of a way, in a proper kind of a way. You know, the family , and those kinds of things. I was also very rebellious. I came back after my freshman year as the Berkeley Radical. My Uncle Fungi was like, oh, here comes the Berkeley radical. Okay. Then of course, you gotta sit down and drink beer and tell 'em , all the stories and that kind of thing. So, you know, just being able to, carry on, a legacy of being upright and being, just, right. And sort of being appropriate in all that you do. just aware of that. Grew up aware of that. Yeah.    [00:04:02] Miko Lee: And then what was your first memory of Bruce Lee?   [00:04:06] Jeff Chang: Ah, I don't have a first memory. He was just part of the ether, you know what I mean? He was part of the   [00:04:10] Miko Lee: Ah, yeah.   [00:04:11] Jeff Chang: Yeah. He was part of the air. I think I came of age, after the generation, like my older cousins who were able to see Bruce in the theaters. We came up the next generation, we saw Bruce on tv. Return of the Dragon would come on and everybody would stop everything and just watch that. During the commercial breaks we're jumping around and kicking each other and stuff like that. I mean that, that kind of thing, right?    [00:04:34] Miko Lee: Yeah, totally. When I was growing up, people would always ask me if I was related to Bruce Lee, because Lee, because that was like, right, yeah, Lee. Yeah. Yeah. There's not a billion Lees' in the world.    [00:04:44] Jeff Chang: Yeah, yeah, yeah. Totally.    [00:04:45] Miko Lee: Yeah. So I get it and I try to explain to my daughters, and our kids are around the same age, the cultural phenomenon that he was, and it's hard to explain it to this generation because there wasn't really other Asian American representation than Bruce Lee when we were growing up.   [00:05:03] Jeff Chang: Yeah. Yeah. And now they have Alysa Liu, you know, they have eileen Gu, they have all of these different folks. So if you don't like Alysa, you could like Eileen. Or if you don't like, if you like Eileen, you don't have to like Alysa. Right. Or you can like 'em both. They have choices.   [00:05:14] Miko Lee: You could like Chloe.    [00:05:16] Jeff Chang: Yeah, yeah, yeah, yeah. They like Chloe, right? There's choices. Yeah. Like Chloe's on the Olympic stand with two other Asians. It's just wild. It's a beautiful thing. and it's not like the kind of reality that we grew up in. It's true.    [00:05:29] Miko Lee: Yeah. So what made you decide to write this book? you've written many books about pop culture and around theory and around Americana, and what made you decide to write a book about Bruce Lee?    [00:05:41] Jeff Chang: So the book came to me actually, it was an Asian American editor back during a time, not so long ago, but a while ago, when there weren't a lot of Asian American editors in the business. And he came to me and that was amazing in and of itself. And he said basically, Hey man, you did this book on hip hop. This is back in, the latter part of the two thousands. I wanna imagine I haven't gone back and looked at the date. 'cause it, it actually hurts me to think about it. But he saw you did this book like. Do you think you could do a book on Bruce Lee? And I was like, yeah, I could do that. I was hyped to do that. Please. Because Yeah. 'cause Bruce was our hero. Yeah. Just like we were talking about. The most famous Asian American who's ever lived. It took me a long time to get going and I gotta admit I lost the plot at some point. I just was like, what am I doing? There were books that came out, about Bruce in the interim. there was one other biography that had come out, in the late 2010s,    [00:06:37] Miko Lee: and I think I told you about one of the books. I think it's that book that I read written by a white guy and I wrote about it in good reads because I read a lot and that's how I keep track of the books I read. I don't think about anybody else reading those reviews that I write? It's like writing in a journal or something. Now I use story graph ‘ it's amazing. Not commercial, but at the time I used Goodreads and the author wrote back to me, I think I told you this story.    [00:07:04] Jeff Chang: Yeah, yeah. Tell me. Tell, so what did you write and what did the author write back to you?   [00:07:08] Miko Lee: I wrote that I thought that this author did not understand what an icon Bruce was to the Asian American community, and it was written in a way that didn't, grasp the whole complexity of what he meant to us. He wrote this really, mean note back to me about how he had Shannon, Bruce's daughter's support and he was the one that could tell the story. And I thought, whoa, I was just shocked. That was the first time. Since then, I've had many different authors write back to me, but that was like the first one and wrote back in a mean way. So anyways.    [00:07:39] Jeff Chang: Was it public or this was a private, A private email back to you.    [00:07:43] Miko Lee: I think it's public. I don't know. Have to go look. I was shook at the time. Like what?    [00:07:49] Jeff Chang: Wow. Okay.    [00:07:50] Miko Lee: Anyway, so when I heard you were writing a book, I said, okay, finally, finally. Yay.    [00:07:55] Jeff Chang: Hmm. Yeah. You know, and I'll be honest, I, I had this sort of crisis of confidence. I was sort of like, you know, this is, okay, we'll put it out there. 'cause you already went there. It's Matthew Polly's book, Bruce Lee Life. I read it, he had done amazing research. He had spoken to a lot of people. I thought I was supposed to do this kind of a book. Now there's a particular kind of genre, that folks who are maybe in the industry recognize and, it's called I'm putting scare quotes around this, like the definitive biography,    [00:08:27] Miko Lee: right.    [00:08:28] Jeff Chang: In this particular case, the definitive biography, because he's a movie star s. Sort of coincides or converges with this other genre, which is the celebrity biography. I'm putting scare quotes around that too. So, the mission of a celebrity biographer is really to tell a story of, this celebrity. Is not as cool as you think they are. Like, their crap stinks. They cheated on their spouses. They like didn't file their taxes, they kicked their dog, they said mean things to different people. That's a celebrity biography. It's basically to tarnish the star. and if not, then it's sort of a hagiography, which is sort of a whole other kind of thing. And we don't wanna do that as writers. We wanna approach the truth. But there's sort of a certain kind of thing that comes into play, with Bruce. There's a sort of genre of the take down of Bruce where it's usually men that are writing this, and the men are usually like, well, Bruce was my hero when I was a kid, but now I've gotta take him down. You know what I mean? It's, and so you see it over and over again and, you know, there's a sort of a weird thing going on, especially I think with, white males who have loved Bruce Lee in the past feeling like they need to take him down.So let's say    [00:09:50] Miko Lee: Quinton Tarantino.    [00:09:52] Jeff Chang: Okay, you said it. I didn't, but I was gonna say like Albert Goldman, who was a journalist who famously wrote a take down of Elvis Presley.    [00:10:00] Miko Lee: Right.   [00:10:01] Jeff Chang: and did one of Bruce that was unbelievably racist. Now, I'm not saying that Matthew was trying to do this at all. I think that his scholarship and his work was really, really good. But I, I felt crowded out a little bit. You know, I felt like, gosh, I don't know what there is to say? I was very aware that there were a lot of books that had been written about Bruce and that I was writing into or out of, or in opposition to a tradition.   [00:10:30] Miko Lee: Mm-hmm.    [00:10:31] Jeff Chang: These are the Bruce. Lee Stories. and so at that particular point, in the late 2000 tens, I just said, what am I gonna do? And Lourdes, my partner, walked me up to the park and just tore into me like, what, you're gonna give up now? You can't give up now. You gotta do this, you have to. Who else is gonna do this? And I'm just feeling all that, Chinese Kanaka, firstborn, guilt, responsibility. she's about the only person that I can take a tongue lashing like that from. We walk back the mile to the house and my head was between my legs and I was like, all right, I'll do it. I'll do it. But I didn't know what I was gonna do to be completely real. I didn't know what I was gonna do. So the other thing that was kind of happening at this particular point was I was noticing, and you and I both have, children who are now adults, but at that time they were younger. They were like coming into their own, they're in their teens and that kind of thing, and that particular generation was coming up in some ways. Like we talked about, like they had all of these folks that they could look to.    [00:11:34] Miko Lee: Mm-hmm.    [00:11:34] Jeff Chang: Right. you know, our kids have opportunities in media that we never had.   [00:11:39] Miko Lee: Mm-hmm.    [00:11:39] Jeff Chang: We've had to break through in a lot of ways. And there was also, in a weird way, this sort of entropy around this notion of Asian America. Like young people who call themselves Asian American would also sit around and be like, what even is an Asian American? How do I relate to these other types of folks who are also classed as Asian Americans, or who describe themselves as Asian Americans as well. Like politically, culturally, the kind of food we eat, the way we dress, who we hang out with. Like all of the diversity that we've celebrated for so many years felt like entropy, I think, to them like this is, there's no center to this anymore. Then the pandemic happened and the violence, Was one way of saying this is it's the ice cube moment. This is what they think of you. You know what I mean? Yeah. And, and I think that was what galvanized, especially a lot of young people to find a new sense of purpose, a new sense of activism, a new sense of, how to be in the world And    [00:12:43] Miko Lee: for maybe some young folks who had never felt that they had experienced direct racism before, to suddenly see it really blatant in the community.    [00:12:52] Jeff Chang: Right. And, it was personal. It touched all of us. I know everyone has stories about how we were treated during the pandemic, and especially the women and especially, the queer folks. In a lot of ways it was paradigm shifting and it was paradigm shifting for me too, you know, so I'm writing about this guy who considers himself a martial artist.    [00:13:13] Miko Lee: Mm-hmm.    [00:13:14] Jeff Chang: And he's teaching people about self-defense.    [00:13:18] Miko Lee: Mm-hmm.    [00:13:19] Jeff Chang: And in his career being accused of fomenting violence, like a lot of. Folks in hip hop have been over the years.    [00:13:27] Miko Lee: Mm-hmm.    [00:13:28] Jeff Chang: I'm suddenly like looking at this in a completely different light. What does it mean to think about self-defense and violence and training to be a warrior, right? I have a lot of folks who are in the military. My mom worked for the police department, like what does that mean? For somebody like me who's, essentially anti militarist, who has critiques of the police, as we all should. who's a deep supporter of Black Lives Matter, like how do we think about what it means to, to be a warrior, and also to understand like the dignity, right in wanting to be a protector.    [00:14:04] Miko Lee: Right.    [00:14:05] Jeff Chang: Right. And to, uplift what that means, but to kind of think about all of these existential questions and then at the same time to see Bruce popping back up on our walls and murals and popping up on our feeds as a symbol, right. Of pride. Especially during this particular period, near us in the bay, like in San Francisco, Chinatown or Oakland Chinatown, young people bringing back the image of Bruce as a symbol of pride and also this sort of cry for like, can you see us? This sort of underlying desire to find solidarity. All of this mixed up with this like identity crisis that is now taking a different type of turn. So it was a lot to think about and suddenly I was just like, oh, oh, oh, wait a minute. Maybe that's what I'm supposed to write about. So the book became, about Bruce, but also about Bruce as an Asian American and about him kind of traveling parallel to the rise of the Asian American movement.    [00:15:04] Miko Lee: Yeah, I think it's so powerful that way, that it does tell this whole Asian American history for folks that might not know from, the very beginning of our, coming from the exclusion act to I hotel, to Vincent Chin and not just like politically, but then also cinematically because he crossed over so many barriers for us. So we're also getting Asian American cinema history with Anna May Wong and Sessue Hayakawa, and even the Hong Kong industry. So I love how you combined all these different elements. It's such a wonderful way to look at that. And I'm wondering what made you decide to organize the book into these three categories of water, mirror, echo.   [00:15:44] Jeff Chang: The line came first, Bruce's famous. Epigraph is, be water my friend, and, me being the nerd that I am, I wanted to trace the origins of that and found it pretty quickly, in a sort of, Daoist type of text. called the leads and the full, Section that, had influenced Bruce so much was moving be like water, still be like a mirror, respond like an echo. This is a line that actually resonates through Zen Buddhism as well. It was one of those things where when I first read it in Bruce's Dao Jeet Kun Do, I fell outta my chair. It was amazing. It blew me away. We'd all heard “be water.” We'd heard athletes say it. we'd heard, business leaders, say, we saw the activists in Hong Kong, using it, in the streets. and. Yet to see all of this together was even deeper. That was a window into wow. We think of Bruce as the great popularizer of martial arts. Bruce, he's not recognized as the great popularizer of Asian philosophy, in a lot of ways. It happened during this particular period during the sixties where, views of Asians and Asian Americans were beginning to shift dramatically, opening up in a lot of ways. So we had this phrase, my editor, Akia Clark, and I. She was like, all right, “how are you gonna organize this Jeff?” I was like, I don't know, help me. And she's like, all right, there's a water, there's a mirror, there's an echo here. And it actually tracks to his life and the arc of his story and I was like, “oh, wow. Yeah.” So I can't take any credit. I have to give it to my editor, who is,    [00:17:24] Miko Lee: that's a good editor.    [00:17:25] Jeff Chang: Amazing. Yo, she was amazing. Rekia was like, I signed you because, I grew up and the only Asian I knew was Bruce Lee. She grew up in largely black communities. She was like, I need to know more. , I really want to hear your take on this. And, and So it was a, an incredible collaboration in that way because it was the type of here's where we meet. She was literally giving me free reign to be able to tell me a story. Tell me why we're meeting here. Right. Why were we meeting through Bruce? That ended up giving me so much confidence and focus after I'd had, all of these years of being in the woods and, uh, what am I gonna do? And then, Lourdes is trying to shake me up That's kind of how it,    [00:18:09] Miko Lee: it took that time, that time to simmer, and your creative juices to be able to come up with this.    [00:18:15] Jeff Chang: Yeah. Yeah. It didn't feel. Like it at the time, but looking back now, I'm not the fastest, ho nu in the water.    [00:18:22] Miko Lee: Because you talked a little bit about confidence and how much Bruce shared about, Asian philosophy, which I think is really true. I wonder if you could speak a little bit more about his sense of confidence, both in himself, and then a sense of destiny, like the mark that he was gonna leave on the planet.    [00:18:38] Jeff Chang: It's very interesting to me because I think that this has been kind of, a part of the Bruce Lee legend. It was like he was born for a purpose. I was going through his papers and talking to, his, surviving family members and friends, like it was all improv.    [00:18:55] Miko Lee: Really him saying all those things was improv. What was all improv?    [00:18:59] Jeff Chang: Yeah. I think part of it, I think, well, maybe it wasn't an all improv, certainly he was driven.   [00:19:04] Miko Lee: Mm-hmm.    [00:19:04] Jeff Chang: He was incredibly ambitious and he was incredibly driven and he knew where he wanted to go. Absolutely 2000%, I think he entered this journey, like all of us in our journeys, you know, like we're maybe packed for the journey, but we might find along the way that we don't have what we need. I was attuned to the points where that narrative would break down. To all of the vulnerabilities that he was feeling in different moments. and especially because I got to talk to folks, who knew him, who maybe hadn't necessarily been interviewed in like, the years. His very close Asian American friends, the folks who knew him, off the martial arts training floor. the folks who thought he was weird and kind of corny, folks at UW. All of these folks knew him at the University of Washington. And the, the common thing was, this guy's goofy. He's just had a one track mind. Like, he just wants to like show us like. Like Gung fu things all the time. Like who does that?    [00:20:08] Miko Lee: Like Bruce stop already. We heard that.    [00:20:10] Jeff Chang: right, right. Like punch me like, you want me to punch you? That was funny. You know, I was just, and that was sort of also a mind shift, you know, like    [00:20:19] Miko Lee: Yeah.   [00:20:19] Jeff Chang: It was like, oh, so there was a time before    [00:20:21] Miko Lee: he was revered,    [00:20:22] Jeff Chang: the cool guy. Yeah, before he was the cool guy. Then before he was the guy that was like super suave and like all the, whatever all the ladies wanted and all the guys wanted to be like, that's been the Bruce narrative. So I was attuned to those parts and what strikes me is how much at the end he stuck to his guns. Like folks will read this in the last section of the book, and I don't want to give it away, but this is when Destiny kicks in and Bruce rises to the top and he makes another dragon. He becomes this global star and it was meant to happen. And I was like, no. He was actually fighting every step of the way. Like every day of his life. He felt like this thing was gonna fall apart. At one time, he boycotted his own movie because they weren't giving him what he wanted. Some of his closest friends say the real thing that killed him. People talk about the coroner's report conspiracy, like evil spirits that, but what he really did was like sacrifice himself in a way. That's how a lot of his friends talk about it, you know? From a sense of this deep personal loss of somebody whom they loved so much and who was like there one day and suddenly gone the next, And so, you know, to deal too with that, question of the melancholia that comes with what we experience when we're the survivors of someone we love, who suffers a premature death. In that regard, like I feel like the last part of the book too was deeply informed by. All of the stuff that's come before, with the Black Lives Matter movement. You know, and understanding, that these came from deep sources of grief and mourning and loss. Thinking about what it's meant for Asian Americans to have to look at two generations before we get to the things that Bruce was fighting for representationally    [00:22:14] Miko Lee: Yeah.    [00:22:14] Jeff Chang: You know, before we can get to everything everywhere, all at once. And Michelle Yeoh, receiving the Oscar for that. Like it took two generations. It took Brandon passing away one generation after his father, and then it took a whole bunch of other work that, a lot of folks needed to do in order for us to be able to. Get the kinds of representations that we hoped that we might see after, another dragon. and that, something that, has produced a melancholia in us, you know?    [00:22:48] Miko Lee: Yeah. Yeah.    [00:22:49] Jeff Chang: So.    [00:22:50] Miko Lee: You are talking a little bit about the people that you interviewed and there's so many clearly that you did, and when I was reading it, the backstory of Taki, that was when I thought, oh, this is an Asian American author. I mean, I know you, but it like, including that whole backstory I thought was so powerful and actually helped to build out the story of who he is, who his friends were and how he worked with them. I'm wondering if there's an interview that you didn't get.    [00:23:14] Jeff Chang: So many. So many.    [00:23:16] Miko Lee: Oh really?    [00:23:17] Jeff Chang: Yeah. I mean, I haven't gone back to look at the original contract and the date because so many people passed away. I got started on this, I had three other books that I had to complete from my, publisher at the time this book was signed out of, those contracts. I had had a full-time job then, and then when the, pandemic and BLM sort of reached that inflection point, it was a much more than full-time job. I didn't have time to be able to actually devote the book that I really needed to. I did research over a very long course of time. I did interviews over a very long course of time, but I started the interviews too late, so I couldn't interview Taki.    [00:23:54] Miko Lee: oh wow. Okay.    [00:23:55] Jeff Chang: I couldn't, yeah. Taki, was, alive. He lived to a very old age, but Alzheimer's. Um,    [00:24:01] Miko Lee: oh wow.    [00:24:02] Jeff Chang: Took him, you know? By the time I started reaching out, it was a little bit like too late. I spoke to his son instead at great length. and a lot of other folks around, him. There wasn't just one, there were a million interviews. I didn't get. Taki, I didn't interview Jesse Glover. I would've loved to have interviewed some of his friends From Hong Kong, but we couldn't access them because of the pandemic. I had an amazing researcher on the ground, Winnie Fu who, did a lot of amazing work there and was able to source a lot of stuff for us. There was so many people, and even now, like I was just up in Seattle for the unveiling of the Bruce Lee postage stamp, and I got to meet a friend of his from high school, and so I'm gonna sit down. I've been talking with Shannon's, cousin, Bruce's niece who has been keeping the genealogies of the family. We've been talking a lot. I'm gonna go back and interview her, and so hopefully maybe by the time the paperback edition comes around, I might be able to have some new information that I might be able to throw in in that edition.    [00:25:03] Miko Lee: Yeah. What surprised you most about the research?    [00:25:06] Jeff Chang: I think that Bruce was vulnerable. He felt very lonely a lot of the time. he had set himself out like this huge impossible dream in some ways. he knew his destination. He had no idea how he was gonna get there. That's where I talk about it was all improv. and at different points he despaired. I don't know if these folks are really seeing me, I don't think they really understand me. After the Green Hornet, he couldn't get a job. That he felt was befitting him, you know? So he's taking whatever work he can get. He's working as a fight choreographer for Nancy Kwan. And, just doing what he can and he's relying upon people to put him on. He's doing Gung FU training of a lot of the Hollywood top brass. So he can reach out to them, but even they don't believe in him. They don't believe in him like that. That's why he decides he has to leave. But it takes him literally four years to realize, oh, they don't see me as a main character. They don't see me the way I see myself. Yeah. So I gotta go. Even then he's still trying to get on the TV show, Kung fu. When that door slams and they cast David Carradine yellow face, he's like, oh, that, and that's when the ice cube moment really sets in for him. Like, that's how they see me. That's how they really understand me. After that, he's fighting this battle to try to get back to Hollywood. That's, one of the things he feels like he really wants to do. his thought is that I need to build up as much capital as I possibly can in order to be able to negotiate from a point of, strength. It's just very hip hop. It's very wutang clan. He's able to kind of get there. But he's still gotta fight these battles at the end. They just wanted him to shut up and kick. They gave him a black CoStar and a white CoStar because they were afraid that an Asian lead wouldn't make it. They wanted to name the movie Hans Island. Not Enter the Dragon because, Oriental villains were easier to understand than an Asian American male lead. So    [00:27:00] Miko Lee: that's such a horrible title too.    [00:27:02] Jeff Chang: Oh my God. How can you imagine we would not be talking about Hans Island.    [00:27:07] Miko Lee: I don't know how they thought that was a good idea.    [00:27:10] Jeff Chang: Yeah, it's true.    [00:27:11] Miko Lee: Is there anything else that you would like your audiences that to understand about Bruce Lee?    [00:27:16] Jeff Chang: What I tried to do is portray him in the context that he actually lived in, We've got the legend of Bruce, we've got the stories, of Bruce that have kind of burnished the legend. What I tried to do was to try to put him back as a human being, as a young person walking through Hong Kong streets and the streets of China, you know, down Grant and then, down King Street in Seattle. making it up to the studios, in Hollywood. and what that meant, for him to, actually accomplish all this kind of stuff. Because when we take away the legend, and this is one of the things I was worried about too, back in the late 2000 tens when I was like, I don't know what I'm gonna write. When you take away the legend. I was worried that people were gonna be like, oh, you just want to drag down this guy? And you're like the guy that's just throwing water on our hero. But what I'm, really understanding now is. when you look back at what he went through and what he overcame, he actually becomes even more heroic, to all of us. He wasn't a perfect person. but I think he remains a hero like more than a half century after his passing because of the things that he did.    [00:28:28] Miko Lee: I think that's right and I think you do an amazing job in the book of incorporating this powerful Asian American history and putting, his experience in a time and place that helps the broader world understand what an icon he is and remains. And I really appreciate you for writing this book and taking this time and the amount of energy it took to Percolate really pays off.    [00:28:52] Jeff Chang: Thanks so much. I so appreciate you.   [00:28:55] Miko Lee: So I'm gonna be interviewing NAKASEC on their new study on Asian American Men in the Manosphere. Are you familiar about this?   [00:29:02] Jeff Chang: Oh, I can't wait to read this. I cannot wait to read this. It's so,    [00:29:06] Miko Lee: do you know about this? No. To this report.    [00:29:08] Jeff Chang: I didn't know about it. I didn't know about it. I'm, I'm glad somebody's doing it.    [00:29:11] Miko Lee: Yeah. So they did a whole survey and they found that there is a lot of Asian American men that are part of the manosphere. Mm-hmm. And I'm wondering for you, who's written about Asian American male identity, if you have thoughts about this?    [00:29:26] Jeff Chang: So many thoughts. I was very much thinking about the Asian American manosphere as I was writing this book, because these are my cousins, these are my friends, these are, folks who I've sparred with.   [00:29:39] Miko Lee: Right.   [00:29:40] Jeff Chang: These are conversations I'm having with folks, at the bar over a meal. I'm really interested in seeing how we're able to understand what the appeal of the far right has been around questions, of masculinity in this moment and to win these folks back. I've also seen on the flip side, shifts and changes, around, how Asian American masculinity is displayed sea on social media in this era of a crackdown in immigration.    [00:30:19] Miko Lee: Yeah.    [00:30:20] Jeff Chang: We really do need solidarity. We really do identify with, what Latinos, are going through. What I worry about is that, the Asian American left, our first in instinct would be just to be like, ah, I can't talk to them. it's Gonna like upset me too much. I can't deal with this. Somebody has to,, because that, those are our folks and we've lost them over the last, five years or so and we've gotta get 'em back.   [00:30:45] Miko Lee: And are there folks that you know of that are working specifically on ways to pull this community back?    [00:30:50] Jeff Chang: I imagine that there's a lot of work on the ground that's happening. because this is the, world that I'm in, I look to the folks who are, doing podcasts or doing social media work and, who are, often, men who. Are, you know, kind of like me, like troubled by this development and trying to find a way to speak to their folks as well. I'm monitoring that. I'm not, deep within it, but, like I said, I wrote this book, understanding that, that particular subset of our community. those are the folks that, are the Bruce Lee fans.    [00:31:22] Miko Lee: Yeah.    [00:31:23] Jeff Chang: and are the folks who are, involved in, mixed martial arts and, involved in, athletics and, all these other kinds of things. And, and they're not too far away.    [00:31:33] Miko Lee: Yeah. It feels like there's a disconnect between that kind of loving of Bruce Lee and that world, and interaction with politics, interaction with the current events and how that's impacting them and their families.    [00:31:48] Jeff Chang: Well, I think it's. Yeah. I put that down to the fragmentation of the way that we receive media.    [00:31:54] Miko Lee: Mm-hmm.    [00:31:55] Jeff Chang: You know, and also, of course, the ways in which social media is geared towards the extremes. The way it's geared towards the extremes and towards lifting up the. Loudest crudest voices sometimes. Mm-hmm. That's exactly where the manosphere originates from. Right? That's where it    [00:32:15] Miko Lee: lives.    [00:32:15] Jeff Chang: Yeah. That's where it lives, is inside that pocket. It's about again, trying to get inside of that and what's causing that. What's the melancholia that's behind that? What is generating this rage, this fury, and being able to channel that, fury, that anger into, ways that will actually help not just all of us, but specifically them.    [00:32:39] Miko Lee: Yeah.    [00:32:40] Jeff Chang: That's an organizing problem that we have to take up.   [00:32:43] Miko Lee: Thank you for sharing. I'm gonna send you the research, the report so you can read it and,    [00:32:48] Jeff Chang: uh, I can't wait to break this open. Oh,    [00:32:52] Miko Lee: okay. I appreciate you. Thanks so much.   [00:32:54] Jeff Chang: Thank you.   [00:32:55] Miko Lee: Next up I speak with Rachel Kelzer, the communications director for NAKASEC, about their new study of Asian American men and the manosphere.Welcome Rachel Koelzer, communications Director for NAKASEC. Welcome to Apex Express.    [00:33:12] Rachel Koelzer: Hi. Thank you so much for having me today.    [00:33:15] Miko Lee: Can you first explain for our audience, your organization that you work with NAKASEC    [00:33:19] Rachel Koelzer: So NAKASEC is short for the National Korean American Service and Education Consortium. We are a national network of five affiliated organizations in six states.   [00:33:32] Miko Lee: Thank you. I wanna start with the question I ask all of my guests, which is, who are your people and what legacy do you carry with you?   [00:33:41] Rachel Koelzer: This is a great question. My people are the dreamers. They are the community rooted, change makers who believe that we are accountable and responsible to each other. For our collective wellbeing, our collective liberation, and our collective joy and care for each other. My people are also Korean adoptees, part of the Asian diaspora, and people who have survived challenges of life and still seek joy and to thrive.   [00:34:23] Miko Lee: Thank you so much for sharing. Through your work at NAKASEC, you recently released this report with a big old title, Asian Men, the Manosphere and Social Media, an Inflection Point for Asian American Advocacy and American Democracy. Wow. Can you first talk about what inspired this study?   [00:34:43] Rachel Koelzer: I became aware that there was this ongoing trend and challenge that we were having of not reaching young Asian men. Our followers were predominantly non men. Based on gender and significantly more women following us. Something like 70 30, 80 20. I talked with other organizations who also do advocacy and community based work who also faced similar challenges. I just wondered why. What is it that is preventing us from effectively reaching this large portion of our community that we serve? So from there we went and partnered with Dr. Tom Wong, and really started to dive into exploring the reasons behind it.    [00:35:34] Miko Lee: So let's back up for a second. Can you explain for our audience what the manosphere is?    [00:35:40] Rachel Koelzer: The manosphere in kind of simplified terms, it's a loosely connected network, of online communities, influencers and content creators who focus on men's issues, masculinity, dating, health and fitness, financial wealth, and gender dynamics. It includes this wide spectrum of content, that range from like the more everyday fitness self-help. To more controversial topics, like anti-feminism, traditional gender roles and critiques of modern women in society. The common thread across these, loosely connected, communities and spaces is this underlying thread of traditional gender norms and expectations.    [00:36:30] Miko Lee: So is the manosphere inherently misogynistic?    [00:36:34] Rachel Koelzer: Yes.    [00:36:35] Miko Lee: Well that was a really quick response. Yes. No question.    [00:36:38] Rachel Koelzer: [Laughter] I being real here, you know? Yeah. It is.    [00:36:46] Miko Lee: Okay.    [00:36:46] Rachel Koelzer: So within the broader manosphere, there's also men's rights activists. Some more like toxic masculine type views. There is a little bit of a range, but yes, inherently, there's deep rooted misogyny.   [00:36:58] Miko Lee: So how did you find people for your Study were they self-described people that participated in the manosphere?   [00:37:06] Rachel Koelzer: We partnered with Dr. Tom Wong, who is at the University of California, San Diego to conduct this survey. He used the voter file. They are self-identified Asian men and we set the parameters to be between the ages of 18 to 45. They identified across political ideology, across political party, and started with more general questions around their social media use. What platforms were they on? What, were the reasons that they were on social media. Who did they follow? To get a baseline understanding of where and what they're consuming. We know that they're online. There were questions about engagement with the manosphere.   [00:37:52] Miko Lee: What did this study reveal? What was surprising to you?    [00:37:57] Rachel Koelzer: What was really shocking is that one in five young Asian men are regularly engaging with manosphere content. That's 20% one in five.   [00:38:07] Miko Lee: That's a huge number.    [00:38:08] Rachel Koelzer: It's a huge number. Yeah. They're engaging with this content that is, starting off pretty innocuous like, you want to look better, you want to feel better, you want to have better relationships. What's being embedded in that to varying degrees of, subtlety are these values of more traditional expectations and roles. It's alarming that this that this many young Asian men are regularly engaging with it. We defined engaging, as, commenting, following, sharing. There were questions about how often they're seeing it across their feed, whether or not they're looking for it or not. We found that 35% of young Asian men are encountering manosphere content on their social media feeds several times a week.   [00:39:00] Miko Lee: Are they identifying it as manosphere content?    [00:39:04] Rachel Koelzer: They identified it, yes. In the survey we did provide a definition. Beforehand of what the manosphere was, and so anything within that would have to fall under this category.   [00:39:17] Miko Lee: Are most of those influencers and content creators, Asian American men also?    [00:39:23] Rachel Koelzer: That's a really good question. When both Dr. Wong and our team, NAKASEC team, were doing some research there, we didn't actually come across when we were looking at like the bigger names, right? Tens of thousands, upwards of millions followers. We didn't really come across many of those large followers that are Asian men. The men that are perpetuating it, regardless of their race or ethnic background. I think what that points to, you mentioned white supremacy earlier, but there's this idea and value that's perpetuated of colorblindness. And so in this space, the gender kind of supersedes the race. What was really curious is, later on in the study we also asked, about early childhood experiences and lessons, from the adults in their lives around masculine values, around showing and expressing emotions, and around representation of asian men in the media. A large portion agreed that the overall representation of Asian men is harmful. We know for those of us who have been interrogating our experiences in the world for a while. We know that Asians and Asian men in particular, we're stereotyped, we're troped in a lot of ways, right, of these feminine, unattractive, nerdy, geeky, or you've got the other side, you've got the Bruce Lees, you've got the Jackie Chans, right? There's a flattening that happens and . I think that is where the manosphere is dangerous and potentially even more appealing to communities who feel that they've been overlooked and undervalued, because it offers answers and those answers are really harmful to other communities, but they're still providing answers.   [00:41:28] Miko Lee: Can we speak a little bit more about the perceptions of Asian Americans in the media There's the stereotypes around women being either the dragon woman or the sexual exotic kind of play toy. Asian men, as you were pointing out, it's either the kung fu guy or the nerdy guy or the effeminate guy. Right. There's like not that much distinction. Is that your perception as well?    [00:41:57] Rachel Koelzer: Yes. I think there's been, even from when I was a child and growing up, over the past 30 years, there's been, improvements. But I think overall yes.   [00:42:08] Miko Lee: When I grew up, the only images were movies and television, and there just was not that much. So we did have those stereotype visions, but it was so limited in scope and content. There just was not as much content. Now it's everywhere. There's content in your phone, there's all these different social media apps, there's all these different channels you can watch. I'm wondering how that has impacted Asian Americans men's perspectives on how they see themselves and if that. Just looking at social media and the manosphere and how that impacted, the reason why you did the study and the outcomes of the study.   [00:42:46] Rachel Koelzer: The study showed that 26.7% of the men who were surveyed feel that Asian men are portrayed favorably in social media. That's actually still a very low percentage. 71.6% agree that Asian men are often underrepresented or stereotyped in media and popular culture. Even though yes, there's still greater representation, that there's still the portrayals and the quality and caliber or what that representation actually is, or how it's developed is still significantly lacking. What the manosphere offers, one, it offers answers as to how you might get away from, from those, right? You might be able to get out of that, which is to be this hyper quote unquote, masculine, dominating, character. It points the blame directly away from systems like patriarchy and white supremacy. It doesn't really interrogate what internalized misogyny, internalized racism, looks like and is doing. It's saying. You know what the problem is actually that women are becoming too independent. The problem is that, men are becoming too effeminate, and so there's this combination of race blindness and naming another villain in a way that punches down.   [00:44:32] It's a combination of looking for genuine insight and information to better understand their experiences and they're finding answers, but the quality of those answers and the ways that they're getting pushed to those are very problematic, very concerning. Not just for what that means for women in queer rights and immigrant rights and marginalized communities rights. These kinds of values that are being espoused and normalized. But what that means for, , how someone starts to view themselves and, their role in the world and the impact that that has on the systems, and structures of our society.    [00:45:13] Miko Lee: There's so many interesting things that you said. I heard you say the men are finding a sense of belonging in the manosphere, and they're getting answers and the answers being right wing propaganda, which is being fed to them. Is that right?   [00:45:26] Rachel Koelzer: Yeah, I think that's right. The problem is the quality of the answers that they're receiving. The values that are embedded within that, whether or not they're being explicitly named, it's not. There are, again, if you go further, deeper, there are folks that are very proud to be part of the manosphere. That is a known and a shared identity as far as like we are part of the manosphere.Then there are those, I think Joe Rogan himself is like, I'm not part of that, but if you listen to his content and his messages, right? There's a lot of those traditional right wing, very violent and misogynistic roots that are coming out in there.   [00:46:13] It starts off very innocuously looking for answers, looking to better understand your life, your experiences, and what you can do about it. That's innocuous enough. Right. And there's even, like, there's a lot to be said about that kind of,, what's the word I'm trying to think of,, initiative, right? To better understand and seek resources and things. But unfortunately through a combination of the algorithm. Through investments into these kinds of content creators, , and spaces we're seeing that those proliferating a lot more. And so whether or not young Asian men are intentionally seeking this type of content, they're being fed it regularly.   [00:46:54] Miko Lee: I also heard you this comment about race blindness. I get that it because it's like men, men, men we're men and we're bounding together. But race blindness feels like a rube, if you will, for, white supremacy and misogyny. It's this way of saying we are all one, but very much targeting, specific folks that are not in positions of power and control.   [00:47:21] Rachel Koelzer: Yeah, absolutely. It flattens and erases the experiences of people who have been marginalized through, our laws, our policies, and it stops the need. It stops the self-reflection and interrogation too that is asked of us otherwise, which is to reflect on what power do I hold and what is my responsibility with that power, whether it's, having more privilege because I'm a citizen. Having privilege because you are a man. Even if you are also, historically and presently marginalized because of your race as an Asian person, it reduces that depth and again, that responsibility for self-reflection and interrogation.   [00:48:22] Miko Lee: So given all that, your report says this is a warning sign, which clearly it is and an opportunity. I wonder if you could talk a bit more about what is the opportunity here as we're in this time of great change. Great revolution, the year of the fire horse. Talk about how we can actively disrupt that pipeline to radical extremism.    [00:48:46] Rachel Koelzer: It's an important question and it's an important conversation that we need to have. There needs to be an awareness and an understanding of what it is that, is threatening the health and wellbeing of our community and of our country. What this study showed is we're at an inflection point. The percentages, the numbers, we're not so far down the rabbit hole, but we're like right on the edge. We're like at this tipping point, and so intervention is necessary now. This is a great opportunity for organizations, for community leaders to be having these conversations. To be engaging in political education with their community members to be, educating and informing and connecting with members of their community, particularly young Asian men. And it's an opportunity for these in-person spaces and these digital spaces to be countering the manosphere with our own answers.   [00:49:51] I think that's one of the biggest things, especially when we're talking about a digital space, to be investing in content creators, to be investing in artists, to be investing in doing the work of putting out our own answers and solutions. Explanations and analysis of what is happening. It's a call to action and an opportunity for funders, donors for people who have the ability, to put money behind these kinds of spaces online. There's just this significant disparate investment. It's an opportunity to be really investing in community, really investing in recreating spaces, building out spaces, I'm thinking particularly again, community-based organizations who can be understanding what the risks and threats are and understanding their communities where they are, and not necessarily adding to, but, with this threat in mind, how does that inform the spaces that you're creating or the strategies that you are engaging?Whether it's online or in person.   [00:51:13] Miko Lee: We need to gather up our brothers, our nephews, our uncles, gather 'em all up, talk about our real, Asian American history of resistance, our power, our ability to move forward, connect with that in person, pull them outta the manosphere, connect all together so that we could move forward as a community in solidarity with each other.   [00:51:37] Rachel Koelzer: Absolutely. There's opportunities across the board regardless, of where your particular position is. Even if you're not a part of a community organization or you're a teacher, a parent. One of the things that also came up in this study was that across ideologies, across the political spectrum and across age groups, there was a significant number. It was like close to 70 or over 70% had shared experiences, of being discouraged from showing emotions, from being, from seeing, modeled from the men in their lives, examples of stoicism. Of, more traditional masculinity, more traditional gender norms. And so there is this also aspect of, yeah, bringing in folks, bringing in our nephews, our brothers, our cousins, our friends, our uncles, and a reflection upon what can we do to be, raising our next generations, our current and our next generations, to value themselves and those around them who are different. To be able to express emotions, be able to have deep, reciprocal relationships, , and to have respect and understand what it means to reflect on one's privilege that comes as a result of, an identity in this very hierarchical world, whether it's, as a man under patriarchy or white, under white supremacy. These are skills that can be taught and can be learned. I think that this is also an opportunity to be reflecting on how we as a society understanding these    [00:53:33] Miko Lee: Well, Rachel Koelzer, thank you so much for joining me and sharing about your report. How can people find out more about your work?   [00:53:42] Rachel Koelzer: Thank you so much for having me. You can follow NAKASEC on most social media platforms. Visit our website. We've got tons of resources and information there and check out our local affiliates. You can find out more about them on our website and on our socials. If you are, you know, in the area, would love to see you.    [00:54:01] Miko Lee: Thank you so much.    [00:54:03] Rachel Koelzer: Thank you.   [00:54:04] Miko Lee: Thank you so much for joining us. Just a note that Apex Express will be off air for fundrive until May 28th, but we wanna acknowledge that May is Asian American, native Hawaiian and Pacific Islander Heritage Month, and there are film festivals and cultural events happening all around the country that celebrate our diverse experiences. One Bay Area one to note is CAAMFEST. It's back! The center of Asian American media returns for its 44th year and its festival from May 7th through the 10th is at the Kabuki Theater, a MC in San Francisco with an amazing program of impressive filmmakers. Check it out, maybe I'll see you there and happy AANHPI month. Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night..    The post APEX Express – 4.30.26 – Bruce Lee and the Manosphere appeared first on KPFA.

"Pani minister powinna zweryfikować pracę wiceministra Dorożały, bo uważam, że nie zawsze działa zgodnie z linią naszego rządu. Pamiętajmy, że na wizerunek pani minister wpływają również wiceminstrowie i ich praca" - powiedział w Popołudniowej rozmowie w RMF FM Rafał Komarewicz z klubu parlamentarnego Centrum. W ten sposób odniósł się do tego, czy warunkiem pozostania na stanowisku szefowej resortu klimatu i środowiska Pauliny Hennig-Kloska było odejście z resortu wiceministra Mikołaja Dorożały. Polityk KP Centrum podkreślił także, że pomimo pewnych zgrzytów "koalicja jest razem".

出演者： miko、quim 配信ペース： 隔週 番組時間：126分07秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 　申し訳ございません。 隔週に1回お届け。mikoラジ、第396回です。 しがないさんに、光あれ！ RPGみたいな出だしですが、待望の光回線（？）が入ったしがないさん。 ウッキウキで始めるも微妙に収録トラブル……？ 光回線が届かないしがないさんと、ベッドまで辿り着けない我さん。 そんなふたりが今週も年季の入ったお家ラジオをお届けいたします。 最後までごゆるりとお楽しみくださいませ。 ♯途中で色々とノイズ等入りますが、収録時のものです。 　ご安心ください、お手持ちの機器は正常です。 ・おとらってRECORD 公式サイト http://n-remix.com/otolatte/ ↑『おとらって10thライブ KUWANA』に参加予定の方は、 　「来場予約はこちらから」からご予約を！ 　開催日／2026.8.23(日) 　第一部　OP11:30　ST12:00 　第二部　OP14:40　ST15:00 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた 　／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました 　／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ 　／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！　お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2026年4月IOSYSはいてない.comパワープレイ楽曲 行列のできるえーりん診療所 歌唱：3L 作詞：七条レタス 歌編曲：D.watt 音編曲：溝口ゆうま(Innocent Key) MV：take MV https://www.youtube.com/watch?v=HEn0o_UGnUQ 収録アルバム：IO-0142 東方真華神祭 Release　2008.5.25 https://www.iosysos.com/discographyportal.php?cdno=IO-0142 エヤッサはじけよう!今日は無礼講よ! 東方Projectのアレンジアルバム第7弾!! 「Border of extacy」「博麗神社町内会音頭」ほか全15曲収録!

"Dynamika sejmowa jest taka, że wszystko się może wydarzyć, ale myślę, że minister Hennig-Kloska się obroni. Deklaracje są jasne. Chyba tylko jeden poseł zagłosuje przeciw [niej - przyp. red.]" - powiedział w Popołudniowej rozmowie w RMF FM wiceminister klimatu i środowiska Mikołaj Dorożała, odnosząc się do głosowania nad wotum nieufności dla szefowej resortu klimatu i środowiska. Podkreślił, że rozmowa na klubie parlamentarnym Polski 2050, do której doszło we wtorek, była merytoryczna. "Obyło się bez awantur" – zapewnił.

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ 　良かったよ！と思ったら高評価👍 　感想・ツッコミなどチャット＆コメントもぜひ！ 　 ✅番組時間：59分22秒 ✅出演：ジャーマネ・あくとん・蛇草千尋 　 2005年にスタートして、ついに800回を突破した、 今年もいろんなことにゆるーく挑戦するラジオ。 地球の平和のためにはみなさんのおたよりが必要です！ 　 ✅コーナー： 　フリートーク 　熱闘！メルヘン大相撲「アリキラ商事の入社式で大盛り上がり。何があった？」 🟧投稿フォームはこちら。 　① https://forms.gle/DkTHQ38qNNWTPpta7 （新） 　② https://ja-mane.com/form/ （旧・画像添付可能） 　※ 画像を添付する場合のみ②をご利用ください 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ 　https://ja-mane.com 　 🟧アリキラ白書 2023と2024、公開中！ 　https://ja-mane.com/blog/2023/10/26/hakusho2023/ 　https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 　極東の羊、テレキャスターと踊る by しゃろう 　https://www.youtube.com/watch?v=qy05MFjNZbE ■2026年4月25日配信 　 #ラジオ #ポッドキャスト #webラジオ #IOSYS #イオシス

ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2026年4月パワープレイ 「行列のできるえーりん診療所」 歌唱：3L 作詞：七条レタス 歌編曲：D.watt 音編曲：溝口ゆうま(Innocent Key) 収録アルバム：IO-0142 東方真華神祭 Release　2008.5.25 https://www.iosysos.com/discographyportal.php?cdno=IO-0142 番組時間：80分48秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2026/4/23に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・ゲームが趣味でよかったなー ・よからぬこと？ ・ゲームが趣味で深夜すすきのを徘徊してる人もいるんですよね ・バニーガールとマルチプレイゲームやると楽しいな ・バニーガールとF-ZEROを？ ・イオシスくんの最新情報 ・まろんくんがオランダから帰ってきました ・4/19イオパがありました ・電波ソング特化音ゲー！！！ 　ゆんゆん電波シンドロームの新曲です！！ 　『YUNYUN HARDCORE』 　歌：Qちゃん (CV：ななひら) 　作曲：まろん × nora2r ・ゆんゆん電波シンドロームよろしくお願いします ・夕野ヨシミとjohn=hiveで作詞させて頂いたブルーアーカイブの楽曲が 　4月20日(月)からJOYSOUNDにてカラオケ配信されます！ 　・パヒャヒャッ♪ パヒャヒャッ♪ 　・出発進行！ハイランダー！！ 　・温もりのそばで、羽を預けて 　・幸せになるよ ・ブルアカの新曲3曲出てます ・バズって欲しい黒崎コユキはハチャメチャ ALL OK！ ・作詞しすぎにゃ～ ・1日1曲いけます！ ・老いてなお作詞が盛ん ・雨衣 1st Official Album『アメノチパレード』収録曲 　天才マイクロモラトリアム / SAWTOWNE feat. 雨衣 　作編曲：SAWTOWNE 　作詞：夕野ヨシミ(IOSYS) ・天才マイクロビキニじゃなくてよかった ・雨衣ちゃん可愛い ・らふさんの悪口を言うなら今です ・らふさん「眼球の電源切ってもらえます？」 ・『 歓迎光臨☆デビュー・ザ・ワールド 』2種類のMV上がってます ・例のアレは出ないことになりました ・無料の名刺はあります ・イオシスショップでも名刺付いてきます ・出るはずのあおりで出ないのがイオシスっぽいね ・モジャン夕野はいません ・おしながきのお持ち帰りができます ・D.wattは、来れたら来ます ・例大祭の話は来週で ・この時期は忙しい ・『QQQbeats!!!』が、GWセールで50%OFF ・イオシスがかかわってないけどバニーガーデン２買ってください ＜Aパート＞ ・いろんなもの食べた過ぎて分身しちゃったんだね ・山岡屋には行くんだね ・ふつおたです ・諸説ありますがMOCさんの誕生日でした（要出典） ・例のイルカ復活 ・今年もモックロスに挑戦 ・同い年のはずのMOCさん ・地震に山火事 嫌になっちゃう ・還暦は朝まで飲むのは辛い ・初老の飲み会の話 ・ダッシュ四駆郎がYouTubeで見れる ・来週にはメニューが変わる阿佐ヶ谷ロフト ・お金が欲しい人は赤って言われて赤 ・全員犬派 ・アイドルに最寄り駅聞いちゃダメだろ ・しょうゆを一斗缶で買ったらおわりだよ ・チャーハン大捜査線 ・アイマスがスパロボに参戦 ・ブルアカにニコちゃん実装 ・お願いしたら何でもしてくれそうな子 ・息子も早くブルアカプレイ出来るようになるといいですね ・ハイテンションギャルラップ ・エモになったねー ・ガールズと書いてギャルズと読む ・みなさんも診療所に行ってください ＜Bパート＞ ・みつをたです ・アロナちゃんとプラナちゃんが可愛すぎる ・作詞家の方のヨシミさん ・しょうゆを飲んでも背は伸びない ・みつをじゃなくておまわりさん来ちゃった ・みつをここから ・無免許でしたね ・4月は若手の解散ラッシュ ・創作昔話　ごんきつね ・たんぽぽ屋さんに行こう ・あーあーあーあー ・たんぽぽ屋さんってなんだよ ・書き起こしじゃったか ・創作おとぎ話　赤穂忠臣蔵　第十三夜 ・続いちゃった ・ペスのパチュリー ・はじめてパワープレイかけましたね ・来週から黄金週間 ・ホロピックアップニュース ・かなころは永遠 ・もうすぐですねから2年 ・日光は大事 ・夕野ヨシミは日光を浴びない ・にじさんじピックアップニュースとかないのかな？ ＜エンディング＞ ・新音源をM3で出さないサークルがあるんですよー ・うおむすめとは ・サザエさんじゃん ・みなさんからのお便りお待ちしてます ・追加情報です ・「天才マイクロモラトリアム」4/24(金) 19:00プレミア公開 ・猫背は持ちネタ