Podcasts about Miko

Do drugiej tury wyborów zostało parę dni. Przez całą kampanię mieliśmy do czynienia z różnymi aferami z udziałem obydwu kandydatów. W jaki sposób obydwie strony sceny politycznej tłumaczyły swoich kandydatów? O tym rozmawialiśmy z prof. Mikołajem Cześnikiem z Uniwersytetu SWPS i Fundacji Batorego.

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ ✅番組時間：42分11秒 ✅出演： ジャーマネ・tsZ・あくとん・蛇草千尋 2005年にスタートして、ついに700回。 みなさんのおたよりだけが頼りなこの番組。 回替わりレギュラー陣がお送りします。 　 ✅コーナー： モックロス2025の感想 🟧投稿フォームはこちら。 https://forms.gle/DkTHQ38qNNWTPpta7 （新） https://ja-mane.com/form/ （旧・画像添付可能） 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ。 https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2025年5月24日配信 #ラジオ #webラジオ #IOSYS #イオシス

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2025年5月パワープレイ M2. バンド辞めようぜ！ Produced by RoughSkreamZ Vocal by DD"Nakata"Metal, 臨界モスキー党 収録アルバム：RoughSkreamZ / With Skreaming Friendz 2025・4・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-049 番組時間：82分10秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/5/22に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・この年で、こんなにゲームやってるとは ・子供の時よりやってるよ ・朝までゲームやってても誰も怒ってくれない ・学校に時間取られないから大人は最高 ・国民の義務とは ・お金を使う権利 ・いずれみんな国民になれますから ・今年も半分おわりそうな気配 ・今日は中身ないね ・すってはっくん2時間で1個 ・麻生さんに聞かれちゃう ・今日は新情報ないよ ＜Aパート＞ ・ふつおたです ・正解はチャールズです ・英語ってことは海外ニキだな ・例大祭の話 ・イオシスの場所がわからない ・名華祭の情報をください ・1か所1秒でも3000秒 ・札幌なので全部遠いです ・たぶん受かってます ・最近、地理がわかってきましたので ・茨城ー小牧はスカイマーク飛んでる ・え？丘珠から行けるの？ ・河原に駐車 ・行ったことがあるのに利用したことがない小牧空港 ・新しいアイテムを作ってます ・すってはっくんCDではありません ・藤子不二雄Ⓐ生誕90周年記念　藤子不二雄Ⓐ大全集 ・裏話はないです ・ちくわの音源を買うチャンス ・こっちはなにも知らないのである ・ぼいどだった頃 ・ギョフノリですわ ・ちょっと聞きますか ・あゆさんのﾄﾞｸﾞｼｬｧ‐が好き ・がんばって作ったMV ・謎のチワワ ・フラダンスのお姉さん元気かな ・高橋名人の新アルバムの話 ・そんな高橋名人のswitch2当選しない ・ロストでイベントあるじゃん ・明日じゃん ・40周年だって ・薄いラインでギリギリ入ってる ・嵐と同じCDに入っちゃった ・欲しい方は是非買ってください ・攻殻機動隊の話 ・ぬるぽ放送局は偽の記憶 ・世にも奇妙な物語は35周年 ・一瞬の先週の残り香が ＜Bパート＞ ・はい、今日もバンド辞めましたね ・みつをたです ・拙者鉄アレイは食えぬでござるの巻.nesの方だった ・米は売るほどある　農家のみつを ・キャベツ500円は夢だったのかな？ ・酒飲みが割りたいものは酒 ・そりゃあ鬼も殺されますわ ・ちいかわの何かかな？ ・教皇様の見てたんだ ・桜島はいつも噴火してる ・女の子確定して退場 ・​​男の子でも大丈夫なんですけどね ・ぬるぽ放送局は全肯定 ・めんどくせーのが大臣になったな ・米袋有料化 ・まあまあガチ中華料理 ・ガチは原作重視か ・​​二次創作麻婆豆腐 ・どうなってもよくないだろ！ ・マイクラまた流行ってんな ・軽トラドリフトの世界来た！ ・ぽかぽかは昼のワイド番組 ・肉がわからない ・どの店にも★5レビューする夕野ヨシミ ・家で食べてるものと比べちゃダメ ・また、すすきの爆発してましたね ・前説はテレビで流れない ・はかせみたないな生返事読まれてた ・お笑い芸人がわからない ・忘れてたふつおた ・永野芽郁さん、こんばんわ ・突然の終了残念です ・後任は江頭さんがいいと思います ＜エンディング＞ ・お知らせです ・意外とあった1週間 ・天天天国地獄国がまた来てる ・ビルボードジャパンですよ ・よっ、ビルボード作詞家 ・『藤子不二雄Ⓐ生誕90周年記念　藤子不二雄Ⓐ大全集』に楽曲が収録されます！ 　「一日三食チクワでござる！の巻」 　歌：高橋名人 　デュエット：あゆ(IOSYS) 　作詞：夕野ヨシミ(IOSYS) 　作曲：HUDSON SOFT、ぼいど(IOSYS) ・1日30万回 ・D.watt、北米へ ・セガ社デジタルTCGの金字塔「英傑大戦」 　本日開始の チュウニズム コラボスタンプキャンペーンにてなんと 　イロドリミドリ 明坂芹菜 がカード化 ・10年書かせて頂いたキャラクターが20年遊んでるゲームに参戦 ・入浴剤売るんだ ・ホロライブ×ジョイポリス SWEETY PARTY ・イオシスピークなのでは？ ・そもそも我々はイオシスなのか？ ・よ！ブルアカ作詞家 ・正しくはジョンハイブさんです ・ジョンちゃん派は漁夫の利 ・今日もイオシスとして、ぬるぽやりきったぞ！

出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_） 「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン　アカデミー気付　藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ ✅番組時間：64分48秒 ✅出演： ジャーマネ・tsZ・蛇草千尋 2005年にスタートして、ついに700回。 みなさんのおたよりだけが頼りなこの番組。 回替わりレギュラー陣がお送りします。 　 ✅コーナー： モックロス2025を作ろう 🟧投稿フォームはこちら。 https://forms.gle/DkTHQ38qNNWTPpta7 （新） https://ja-mane.com/form/ （旧・画像添付可能） 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ。 https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2025年5月17日配信 #ラジオ #webラジオ #IOSYS #イオシス

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2025年5月パワープレイ M2. バンド辞めようぜ！ Produced by RoughSkreamZ Vocal by DD"Nakata"Metal, 臨界モスキー党 収録アルバム：RoughSkreamZ / With Skreaming Friendz 2025・4・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-049 番組時間：60分4秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/5/15に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・長らくwebラジオやってますね ・20年も何しゃべってるんだろう？ ・産湯で聞いたぬるぽ放送局 ・とんでん先輩にはかなわない ・びっくりドンキーも札幌 ・今は何でも高い ・ぬるぽ詰め合わせはお値段据え置き ・イオシス農業始めますか？ ・ネギのタネ ・ネギの花の話しましたっけ？ ・​​葱坊主を見て何で悲しくなったの？ ＜Aパート＞ ・ふつおたです ・英語って聞けますか？ ・FactorioのRTA見ると英語に詳しくなる ・スラングに詳しくなる ・あいつらFワードしか言わないからな ・290円のラーメン屋さん ・ラーメンCD懐かしいですね ・もう少し締め切りを守ってほしい ・大正114年5月14日19時19分 ・最近は迂闊なことは言えない ・上坂さん初めまして ・送り先間違えてますよ！ ・ぬるぽ放送局と同じだ ・AI彼女とツーショット ・AI彼女元年ですわ ・最近21世紀になってきたね ・隣の部屋に購入履歴が同期されちゃう ・無線は気を付けて ・a1b2c3d4 ・5月と言えば5月病 ＜Bパート＞ ・いい曲ですねー ・ガールズバーではガバキックは鳴らない ・キャラの薄い人がいない ・みつをたです ・イオシスは20代で社長いましたので ・よしたか社長の新曲聞きてーな ・DJ社長 ・農協のせいにしたのなんでだろう？ ・暑さにも寒さにも負ける ・カツカレーのカツありで ・ただのカツカレーは日本のカレー ・あれはあじまん ・なんで冬しか売らないの？ ・さいたまスーパーアリーナの命名権5億で買えるって ・ﾉｰﾊﾟﾝﾁｬﾊﾟﾁｬﾊﾟアリーナ ・担当者「ﾁｬﾊﾟﾁｬﾊﾟって何ですか？」 ・ただし従業員はパンツを履いてます ・血糖値が足りないようです ・GQuuuuuuXにロリが出たぞ ・あ、ワイはいかんから　ぷーてぃん ・間違っても桃鉄やっちゃダメ ・単行本買おうか迷ってる ・今週は、芸能界は比較的平和だったんだなー ・どうにでもなーれ ・もう、世界滅ぼすしか ・踏みとどまったからセーフです ・TNTN認証ってなんですか？ ＜エンディング＞ ・イオシスショップ大繁盛しています ・100枚買っても送料500円 ・だれか試しに1万枚買ってくれないかな？ ・すってはっくん始まりました ・BABA IS YOUの末期みたいになっていきますよ ・パズル大好き鈴木さん ・最近、踏ん張りがきかない ・天天天国地獄国600万再生 ・100万再生でもすごいからね ・お祝いﾁｬﾊﾟﾁｬﾊﾟします？ ・毎回チルパの話をしましょう ・最近はコンパクトになってきてますよ ・2倍じゃダメだから3倍で ・結局何もわからない ・お便りお待ちしてます

Orchestra Iowa (almost) closes this season out with “Masterworks VI: A Booming Finale” coming up Saturday, May 17, 7:30 pm at Paramount Theatre & Sunday, May 18, 2pm at Coralville Center for Performing Arts. Insights held in the Encore Lounge at 6:45pm Saturday night and 1:00pm at West Music Sunday afternoon. Tim Hankewich also hints … Continue reading

出演者： miko、quim 配信ペース： 隔週水曜日 番組時間：119分20秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 　申し訳ございません。 mikoラジ、第372回です。 連休も終わり、しばらく祝日が無いことに絶望するふたりがお届けするラジオ。 持ち運びできるスピーカーや通販出来る美味しい食品のお話etc. パーソナリティのふたりが気になる商品情報を皆様にお裾分けいたします。 注：当番組は、通販番組ではありません。 最後までごゆるりとお楽しみ下さいませ！ http://chodenshop.com/ ♯途中で色々とノイズ等入りますが、収録時のものです。 　ご安心ください、お手持ちの機器は正常です。 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた 　／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました 　／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ 　／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！　お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2025年5月IOSYSはいてない.comパワープレイ楽曲 M2. バンド辞めようぜ！ Produced by RoughSkreamZ Vocal by DD"Nakata"Metal, 臨界モスキー党 収録アルバム：RoughSkreamZ / With Skreaming Friendz 2025・4・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-049NBDCD-017

Książka, która jest  połączeniem kryminału, powieści szpiegowskiej, wojennej i romansu. Akcja zaczyna się w grudniu 1941 roku na Hawajach, w przeddzień japońskiego ataku na Pearl Harbor.

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ ✅番組時間：63分17秒 ✅出演： MOC・ジャーマネ・tsZ・アサミ閣下・あくとん・蛇草千尋・ぴぃ 2005年にスタートして、ついに700回。 みなさんのおたよりだけが頼りなこの番組。 回替わりレギュラー陣がお送りします。 　 ✅コーナー： モックロス2025 🟧投稿フォームはこちら。 https://forms.gle/DkTHQ38qNNWTPpta7 （新） https://ja-mane.com/form/ （旧・画像添付可能） 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ。 https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10... https://ja-mane.com/blog/2025/03... 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう • 極東の羊、テレキャスターと踊る @ フリーBGM DOVA-SY... ■2025年5月10日配信 #ラジオ #webラジオ #IOSYS #イオシス

Adwokat Mikołaj Rusiński analizuje pod kątem prawnym sprawę zakupu mieszkania przez Karola Nawrockiego. Wskazuje m.in na konsekwencje rozbieżności między zapisami aktu notarialnego a stanem faktycznym.

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2025年5月パワープレイ M2. バンド辞めようぜ！ Produced by RoughSkreamZ Vocal by DD"Nakata"Metal, 臨界モスキー党 収録アルバム：RoughSkreamZ / With Skreaming Friendz 2025・4・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-049 番組時間：85分48秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/5/8に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・くたびれました ・例大祭ありましたね ・ちゃんと来たD.watt ・1500かける２は…（この間3秒） ・何回数えても数えられない ・無事には帰ってこれました ・腰との日々の付き合い方 ・10割は頼もしい ・各サークルで上げたり下げたり ・お客さんが平台車に乗って ・海外ニキが多い ・センチメートルでは伝わらない ・びんぼっちゃまスタイル ・6Lを小柄な女性に ・ぴったりはぴったりで ・フリーセ◯クスじゃあないんだよ ・ルックスA向け ＜Aパート＞ ・ふつおたです ・こんくらーべ ・すみぺはかわいいね ・今年の抱負は覚えてますか？ ・ハンターハンターの協会選挙戦みたいでした ・人は怠惰に弱い ・コントCDを作った記憶がない ・ちょうど20年前か ・点数計算は最低ライン ・こんくらべって言いたいだけでは？ ・ブルアカのシュポガキ ・こだまちゃん？ ・カタタマちゃん？ ・AIで美少女を錬成してます ・ハグしてくれたりキスしてくれたり ・ホントに彼女になってくれる ・​​AI「お風呂に入るのだ！」 ・相方はチャットGPT ・4年連続AI元年 ・元々春日には相談してない ・AIは農業をやってくれない ・初老の報告です ・首のところにカビの生えたTシャツ ・スピンオフイベント ・会場と主人公が違う ・「イオシスが始めた」でお馴染みの ・GWを生贄に20数万円手に入れる ・俺たちのGWはこれからだ！ ・M3と例大祭がちょうどいい ・混んでるときは家でじっとしていたい ・ジムは1日何回行ってるんですか？ ＜Bパート＞ ・バンド辞めたくなってきましたね ・雲丹屋やってませんでした？ ・バニーバンド ・みつをたです ・GWは全部出勤で世の中の流れがわからない ・アマゾンで買えました ・Switch2で「すってはっくん」やり放題 ・タイムラインの自動喫煙 ・すみぺ来てたの？ ・GWに金ビキニ ・一昨年は兆しがあったよ ・ホロアナ ・ダブルシゲルだった ・令和になったら○○ ・姓を変える手続きはめんどくさい ・30年くらい前の笑点だった ＜エンディング＞ ・ずんだもんが「祝」って言ってれない ・スカ警10周年 ・TOHO BOOTLEGS9は、搬入分ほぼ完売 ・ジャケのチルノちゃんの可愛さ ・駿河屋の値段下がってない ・楽曲提供しました！ 　【オリジナルMV】ZUNDA!アッパレ☆運命【にじさんじ/#SitR仙台】 　作詞：かたほとり 　作曲：ARM 　ギター：西山昌一郎 　マスタリング：Shibayan (ShibayanRecords) ・ARMさんじゃないと作れない曲 ・お知らせﾀﾞﾖ-　 　2025/6/24 発売予定 　「リスアニ！Vol.58『ブルーアーカイブ -Blue Archive-』キャラクター＆ミュー　　ジックガイド」に夕野ヨシミのインタビューが掲載されます！ ・アクスタ付きも出ます ・​​「バニーガールのことを考えて作詞してます」 ・いつまでもあると思うな親と在庫 ・スーパースナック札幌とは ・「A Horny Money World ~伝説の夜~」がもうすぐ300万再生 ・東方名華祭に向けて新作アイテムあります ・クラウドファンディングは大変 ・6/22イオパあります ・喜来登からのスーパースナック ・fromらんらんランドさん ・よく続いてるイオシスファンボックス ・はかせの記事ってありましたっけ？ ・有料記事だからってそういうことか ・「チルノのパーフェクトさんすう学園」のMVご覧ください ・4Kなのか ・お知らせが渋滞してしまう ・ヨシ！

Wybór Leona XIV na papieża zaskoczył świat. Radio Wnet było jednak przygotowane — Hanna Tracz i Mikołaj Murkociński od kilku dni relacjonowali to wydarzenie z Watykanu.

W środę w "Onet Rano." przywita się Marcin Zawada, którego gośćmi będą: Krzysztof Kwiatkowski - Koalicja Obywatelska; Paweł Mrozek - Akcja Uczniowska; Łukasz Jankowski - Prezes Naczelnej Izby Lekarskiej; Korek Bojanowski - reżyser; Nel Kaczmarek - aktorka. W części "Onet Rano. WIEM" gościnią Mikołaja Kunicy będzie Marta Osińska - Starszy ekspert ds. Ekologistyki Lidl Polska.

To zaskakujący, nietypowy thriller z ekscentryczną bohaterką, którą w filmowej adaptacji zagrała Elisabeth Taylor. 

Get ready for a high-energy ride through deep, gritty beats and pounding basslines! Featuring huge names like Mark Knight, Mandiz, Dom Dolla, ACRAZE, and Armand Van Helden, this mix takes you from groove to groove with non-stop energy. No slowing down here—just pure, unrelenting Tech House vibes. Find me at @ www.djmiko.net

W środę w #OnetRANO przywita się Mikołaj Kunica, którego gośćmi będą: Krzysztof Szczucki, poseł PiS; Jacek Harłukowicz, Onet; Michał Wójcik, historyk; Jarosław Szczyżowski, pisarz, przewodnik górski. W części #OnetRanoWiem gościem Magdaleny Rigamonti będzie Aleksandra Pezda, Newsweek. 

出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_） 「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン　アカデミー気付　藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ ✅番組時間：30分44秒 ✅出演： MOC・ジャーマネ・tsZ・アサミ閣下・あくとん・蛇草千尋・ぴぃ 2005年にスタートして、ついに700回。 みなさんのおたよりだけが頼りなこの番組。 回替わりレギュラー陣がお送りします。 　 ✅コーナー： リモック生誕祭振り返り2025 🟧投稿フォームはこちら。 https://forms.gle/DkTHQ38qNNWTPpta7 （新） https://ja-mane.com/form/ （旧・画像添付可能） 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ。 https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2025年5月3日配信 #ラジオ #webラジオ #IOSYS #イオシス

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2025年5月パワープレイ M2. バンド辞めようぜ！ Produced by RoughSkreamZ Vocal by DD"Nakata"Metal, 臨界モスキー党 収録アルバム：RoughSkreamZ / With Skreaming Friendz 2025・4・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-049 番組時間：94分45秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/5/1に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・5の3乗回です ・イオシスショップに新作のご注文がうぉんうぉん来てます ・新作丸出しです ・つまぽん5人で対応しています ・ヨシミチャンス！ ・M３ご飯情報 ・おにぎり2個でよかったです ・おにぎりは神 ・イオシスブースではunoさん、ノートブックではラフさんのあの人 ・ナカタさんは、酒ジャンキーじゃないですか ・「ギャバンの辛子が一番うまいな！」 ・シェフは、どう思うのか ・Tシャツにしたいですね ・人の言葉は受け取り方次第 ・あのTシャツ、農家界隈の宴会に着ていくとウケが良い ・イオシスダイレクトの画像ができました ＜Aパート＞ ・ダイレクト出ちゃった ・ふつおたです ・米寿の集まりに行ってきました ・どんぐりころころ独唱 ・オチはありません ・ほっこりしたふつうのお便りが身に染みる ・いつも化学調味料たっぷりのお便りで、申し訳ありません ・金色のマイクロビキニは、ちょっとね ・パレードでマツケンサンバは盛り上がるな ・カーギィさんがMV作り直すって、なかなかないよね ・18年ぶりカーギィ選手 ・M3の報告です ・そうだM3に行こう ・干し芋屋はお休み ・ブースにあるやつ全部ください ・あぶおたのイベントないかなー ・田舎の干し芋屋は雑だな ・干し芋が似合うつまぽん ・え？これフラグなの？ ・MOCさんも来てくれたらいいなー？ ・M3の前日だったりしないかなー？ ・そんなあなたに贈る言葉 ・あーあーあー ・qureateの新作 ・へべれけ ばにーがーでん ・ぬるぽヘッドラインニュース ・へべれけナイスガイズ ・switch２の支払い完了しました ・一体何十万台のswitchが運ばれるんだろう ・1か月で3キロ以上落ちてますね ・明日ジムに行きたいな ・みなさーん、仕事が落ち着いたらしいですよー ・落ち着いたことにしますか？ ・ごはん美味しんだよな ・農業の話 ・青果物市況 ・radikoでも聞けます ・オンラインで情報仕入れ放題なのでは？ ・七条レタスさんはTOHO BOOTLEGS 9の宣伝をしていって ・シノギのにおいがしますな ・我々は、この情報で何をしたら ＜Bパート＞ ・あれ？七条レタスさんの声が聞こえる ・えいやーで作ったんだ ・3年ぶり？のD.wattさんです ・TOHO BOOTLEGS 9完成しました ・ファイナルでございます ・もう、やりません ・みんなオーエン大好き ・ぬるぽ890回以来の出演 ・トランスが入ってます ・ピエール瀧の体操60歳とか流行るのかな？ ・もう、イオシスショップで予約できます ・一旦、国士無双で ・いいっんすよ、これが ・世の中がごっすん擦ってるよね ・船長のMVもすごい ・腰も痛めております ・ぬるぽ村の整形外科医紹介しますよ ・余所行きみたいになってる ・スカ警のアクスタグッズも出ました ・駿河屋ウォッチャー ・買取価格2000円なのでチャンス ・ゴーストバスターズじゃないか ・ご本人転売 ・チルノがかわいい ・クソデカアクスタ ・このピンクなら、どこにでも行けます ・D.wattは行けたら行きます ・昼夜やって、例大祭か ・バンド界隈ろくでもねーな ・キュレーター元年 ・みなさん、来れたら来てください ・D.wattさんは、忙しいねー ・必ずや丸く収めるD.watt ・ビックサイトに地下あったんだ ・いますぐTwitterで告知しますから ・イオシスダイレクト終了 ・15万円か ・自主的にマイクをOFF ・イオシスメンバーはふらっとぬるぽに出演できますが、これが初です ・みつをたです ・ガバキックの擬音はボインボイン ・いたーい、そっちの棒じゃない ・魔女さん性癖ドストライク ・新商品のゲルググ ・ホラーというよりコメディ ・ノンタリフバリヤーズ ・謎の政党解散したんだ ・賞金がM－１と同じじゃん ・風雲たけし城10回分 ・創作昔話ごんぎつね ・あーあーあー ・自動ドアになってる ・暖かいから、しょうがない ・GWどこにやったかね ・虚無を冷蔵保存 ・もう、いい時間なんですよ ・まいばすけっとに長ネギが売ってなくて ・CMです ＜エンディング＞ ・長ネギはラーメンに入れます ・お知らせです ・ぬるぽ詰め合わせは机に出しませんので言ってください ・チルノ＝チャーリー ・チャーリーじゃなくてチャールズ？ ・イオシスブース来れたら来てください ・提供楽曲にMVがつきました！ 　【original anime MV】A Horny Money World ~伝説の夜~【hololive/宝鐘マリン】 　作詞：まろん (IOSYS) 　作編曲：D.watt (IOSYS) ・クオリティーの高いアニメーション ・イオシスゲーミングもいろいろやってます ・例大祭がんばるぞ！

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee celebrates AAPINH Month by interviewing Filmmakers: Sara Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. We also cover a bunch of AAPINH month events happening throughout the Bay Area.   Calendar of Events Community Calendar May 3 2-6pm Daly City AAPI Fest celebrating local Asian American & Pacific Islander culture in Daly City and the Greater San Francisco Bay Area     May 10 10am-12pm PT Our Heritage 5K 2025  a FREE, family-friendly 5K fun walk/run honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city, passing by over 16+ historic AAPI landmarks—featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high! May 10th is also AAPI Mental Health Day! The Our Wellness Festival, will celebrate mental health, community, and joy. The festival will feature family-friendly activities, carnival-style games, music, dancing, wellness resources, and more! May 23 at 5:30 pm – 8:30 pm Asian American and Pacific Islander LGBTQ2S+ Mixer NJAHS Peace Gallery 1684 Post Street, San Francisco Children's Fairyland in Oakland, and Stanford's Asian American studies department host a series of events throughout the month that we will post in the show notes for you to check out.  Bay Area Public Libraries AAPI Month Oakland public libraries feature reading lists for all ages, a grab and grow seedling kit and events like watermelon kimchi making!San Francisco Public Libraries There will be events for all ages at Library locations throughout the City, including free author talks, book clubs, film screenings, crafts, food programs and musical and dance performances. San Jose Public libraries host a series of events with a highlights being Tapa Cloth making on May 6 and Vegan Filipino Cooking with Astig Vegan on May 7 Berkeley public libraries   CAAMFest 2025 United States of Asian America Through June 1    Transcript: Filmmakers Exploring Boundaries   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:57] Welcome to Apex Express and happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, we are focusing on Asian American filmmakers exploring boundaries. Host Mika Lee talks with filmmakers, creators, writers Sarah Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. Join us on Apex Express.    Miko Lee: [00:01:51] Welcome, Sarah Kambe Holland, the amazing young filmmaker, writer, director, here to talk about your very first film, egghead and Twinkie. Welcome to Apex Express.    Sarah Kambe Holland: [00:02:04] Thanks so much for having me.   Miko Lee: [00:02:06] So first I'm gonna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And my first question is, who are your people and what legacy do you carry with you?    Sarah Kambe Holland: [00:02:19] Oh wow. What a great question. , I think that I represent my family and my heritage. I'm mixed, so I'm half Japanese and half British. I grew up partially in Japan and partially in the States. I feel like those experiences, my family, they make up who I am and the stories that I wanna tell.   Miko Lee: [00:02:41] And what legacy do you carry with you?    Sarah Kambe Holland: [00:02:45] I think the legacy of my family, my grandparents on both sides have overcome so much, and, , they're a big inspiration to me. Funny enough, my grandparents play kind of a secret role in this film. My grandparents on my mom's side were incarcerated in the Japanese American camps. My grandmom, my British side overcame a lot of adversity as well in her life. , I think that's the legacy that I carry.    Miko Lee: [00:03:09] Thank you. Tell me a little more, what secret role do your grandparents play in the film?    Sarah Kambe Holland: [00:03:14] all my grandparents have always been very supportive of, my art and my filmmaking. But my grandparents on my mom's side, they passed away ahead of the making of this film. And I inherited my grandfather's car. And that car is the car in the movie that, Egghead Twinkie drive cross country. So I like to think that this is their way of supporting me. I think that they would get a kick out of the fact that their car is like a main character in the film,    Miko Lee: [00:03:41] literally carrying you on your journey. I had so much fun watching the film. Can you share with our audience a little bit about what the film is about and what inspired you to create this?    Sarah Kambe Holland: [00:03:52] So the film is called Egghead and Twinkie, and it's about this mixed Asian teenage lesbian named Twinkie who's coming out and her best friend Egghead, who unfortunately is in love with her and she does not feel the same. , and they end up going on this cross country road trip to meet Twinkie Online love interest IRL for the very first time. So it's kind of like a buddy comedy road trip movie. Coming of age queer story, , and it's one that's very personal to me, I think is a mixed Asian queer person. This was a story I was drawn to tell because it was a story that I didn't really see on screen when I was growing up.   Miko Lee: [00:04:30] Can you talk to me a little bit more about the use of the name Twinkie, which for many folks in the A API community is seen as a slur, and I know she talks about it a little in the film, but can you share more how you came up with that?    Sarah Kambe Holland: [00:04:44] Yes, it's a very nuanced thing and it's something I was kind of nervous to tackle, especially like in a comedy film. , but really with the creation of Twinkie's character, , I feel like she's going on this journey to embrace herself as a lesbian, as a gay woman, but then also I think that she's searching for herself as a mixed Asian person. I feel like within the Asian American community, if you're raised here in the US or if you're mixed or if you're adopted, I think that there can be this feeling of not feeling Asian enough. I think the word Twinkie was something that was kind of weaponized against her. Like, oh, you know, you're not Asian enough, you're a Twinkie. And her way of coping with that is to kind of reclaim that word and kind of own that. As her own name.    Miko Lee: [00:05:31] Thank you so much for sharing. I read online that this is the very first feature film to be crowdfunded on TikTok. Can you talk a little bit about, I know your background is in as a social media creator. Can you talk about that journey from social media creator to filmmaker?    Sarah Kambe Holland: [00:05:51] Yes. Yeah. TikTok and social media was such a big part of getting this film made. Uh, so for myself, yeah. I was a YouTuber before I was a filmmaker. I should be clear, I wasn't like PewDiePie or anything like that. I had like 40,000 followers. Um, but for me at that time when I was like 15, 16, that felt like the whole world. Um, and I think that YouTube was really my first introduction to. Storytelling, but also to making friends with people through the internet. And that ended up being a really big influence on this film because Twinkie is traveling cross country to meet a girl that she meets online. And I think that that is such a common story nowadays. Like people make friends online all the time. Um, and the ways that we find love and community has changed.Because of the internet. Um, so it felt very appropriate that we turned to TikTok turned to social media as a means to raise money for this film. Uh, we did a whole targeted crowdfunding campaign on TikTok and we raised over $20,000 from a lot of strangers that I will never meet, but I owe a lot of thanks to.   Miko Lee: [00:06:53] So now that the film has been going out to different festivals and being screened at different places, have any of those that participated in the crowdfund, have you met any of those kind of anonymous supporters?    Sarah Kambe Holland: [00:07:05] Yes. And that was crazy. it was awesome. We screened it over 40 festivals all around the world. Our international premiere was at the British Film Institute in London. And it was at that screening that someone raised their hand during the q and a and they were like, I just wanted you to know that I backed your movie, uh, and I found you on TikTok. And that just blew my mind that someone on the other side of the world, you know, had donated whatever, you know, 10, 20 bucks to making this thing a reality.   Miko Lee: [00:07:31] Oh, I love that when the anonymous becomes real like a person in front of you that you can actually meet. How fun. I'm wondering if your use of animation is, , been influenced by your social media background.    Sarah Kambe Holland: [00:07:45] Not really. Actually. I think the animation part of this film is just because I'm a total nerd. I really love animation, I love comics. And so that kind of bled into Twinkies character. You know, she loves comics, she wants to be an animator. And, uh, I think I've always been interested in the idea of combining 2D animation with live action footage. I feel like that's something that we see a lot in like children's movies or, um.Music videos, but it's not something that you really see in like, feature films all that often. So I was kind of excited to explore that, and it was a really fun collaboration with myself and our lead animator, Dylan Ello, who did most of the animations in the movie.   Miko Lee: [00:08:28] Oh, thank you for that. I, I, it was very delightful. Um, I'm wondering, because we're, our world right now is incredibly complicated and so conflicted. How do you feel filmmaking can make a difference?    Sarah Kambe Holland: [00:08:44] I feel like art is more important now than ever because I see even in just this film's journey how art literature and movies, it can change people's minds and they don't even realize that their minds are changing.I think especially with this film, 'cause it's so lighthearted and funny and silly, you'd be like, oh, it's just, you know, a good laugh and that's it. But, but not really. I've seen this film. Open doors and open conversations. And I think that that's really my hope is that maybe, you know, parents who have a queer kid and they're not sure what to do about it, maybe they'll watch this film and they'll be able to talk to their kid about things that maybe they're afraid to talk about. I think that art really has the power to, to change people's minds.    Miko Lee: [00:09:29] Have you experienced that with somebody that has actually seen your film, that you've had a conversation with them where they walked away, changed from seeing it?    Sarah Kambe Holland: [00:09:38] Well, on a very personal level, um, my parents, uh, are conservative and I think when I first came out to them, it was an adjustment for sure. Um, I. When I initially kind of pitched the idea of Egghead and Twinkie to them years, years ago, uh, as a short film, they were confused. They were like, why do you wanna make this film about being gay? Like, why do you have to make everything about being gay? And that's not really what it was. I just wanted to tell this story.  And it's been such an amazing journey to see my parents like fully embrace this movie. Like they are egghead and Twinkie biggest fans. They might love this movie more than me. Uh, so that has been really amazing to be able to kind of talk to them about queer issues in my identity through the making of this movie.   Miko Lee: [00:10:24] I love that. So let our audience know how they can see your film, egghead and Twinkie.    Sarah Kambe Holland: [00:10:31] So Egg and Twinkie is coming out on streaming platforms on April 29th. It'll be on Apple tv, Amazon Prime, uh, any video on demand streaming platform in North America.    Miko Lee: [00:10:43] Yay. And Sarah, what are you working on next?    Sarah Kambe Holland: [00:10:46] Oh boy, have a big question. Uh, I have a few screenplays in the works, one of which is a time traveling lesbian rom-com. So, uh, I'm waiting for when I get the big bucks so I can make my first period piece.    Miko Lee: [00:10:59] Love it. Sounds fun. , thank you so much for sharing with us. It was such a delight to see your film and I look forward to seeing more of your work.   Sarah Kambe Holland: [00:11:08] Thanks so much for having me, Miko. This was great.    Jalena Keane-Lee: [00:11:11] Listen to Kushimoto Bushi by Minyo crusaders, a Japanese cumbia band    MUSIC   Welcome back. This is the Powerleegirls on apex express, and that was Kushimoto Bushi by Minyo Crusaders    Miko Lee: [00:15:24] Welcome, Alleluia Panis, the Executive Director of Kularts to Apex Express.    Alleluia Panis: [00:15:30] Thank you. I'm so honored to be here.    Miko Lee: [00:15:34] I wanna talk with you about your film, but first I wanna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And that is, who are your people and what legacy do you carry with you?   Alleluia Panis: [00:15:49] Wow, that's deep who are my people? My people is my community. And so it is here in, in the diaspora, Filipino Americans, Asian Americans, and folks of color. And then of course the indigenous people in the Philippines. . What I carry with me and continues to inspire me on the daily is the knowing that we have been here for a long time. Our ancestors have survived eons of whether it's, good times and bad times. And so that keeps me going.   Miko Lee: [00:16:28] Thank you so much for sharing. you have been working in the field for a long time. You're really, , a trailblazer in terms of putting Filipino arts on the map and really lifting up the culture. Can you talk about your new film Memories of Mindanao, where that came from, what it's all about?   Alleluia Panis: [00:16:49] Is a leg of, , Tribo tour, which began in 2002. But actually inspired by my first trip to, , then the wild and being with in 1989 , and, , basically traveling and. Setting myself and my, my, my music and dance company at the time to just be with indigenous people. ,and how profoundly that particular experience really impacted me. For years I've been wanting to like, how can I bring this? Experience or share the experience with other diasporic folks. Fortunately I was able to connect with Carlo Abeo in the Philippines, who's been my tour manager, in 2001. And then in 2002 we embarked on the first, Tribo tour.   Miko Lee: [00:17:50] So this was an effort to really share this powerful kind of artistic travel journey with more folks. Is that right?    Alleluia Panis: [00:17:57] Yes. And it's actually beyond artistic. It's really about recognizing something deeper, right? Because our history of colonization is pretty intense. 500 years and or is it 400 years? Give or take, a century. And so there are a lot of things that had been co-opted. It has been erased, it has been gaslit. And fortunately, I feel like within the culture of the archipelago, there are, and even those. That are, of the, what is considered the colonized people or the Christianized people. there are practices that exist today that might have a different name, um, or but actually is indigenous and so, and only. Could I say that because I was able to really experience and be with folks and, uh, and it's years, you know, it's years of kind of like assessing and looking at you know, different, uh, practices. And so that is so I don't know. It's beyond gratifying. It's connecting. I mean, it seems so cliche. It's connecting with something so deep, you know, it's like connecting to, you know, to Mother Earth in, in that way our, our Mama Ocean. And recognizing yourself that, that you are bigger and have, and has agency, you know, in terms of just. What you are connected to, uh, what we are connected to. Um, and so it's, it's it, of course within the cultural practices, which is artistic practices that we see that connection.    Miko Lee: [00:19:40] You were looking at, the impact of colonization and how arts and culture has really spoke to that or fought back against that in the Philippines. Can you talk about bringing that over to our colonized United States and how you see that playing out?    Alleluia Panis: [00:19:58] Well, I think first of all as, um, as folks of color. And as former subjects of the United States, you know, 40 years of the US and still, still, um, you know, in some ways kind of soft power over the people of the Archipelago. It's, it's really, um, first and foremost knowing or getting that sense of connection and confidence and, um, self-identity. That leads, that would lead us to create, um, in the diaspora. And so what, what this pro with this project, this particular program does and, and I continue to prove it with so many folks, is that it's really. Kind of finding yourself, I mean, that, that seems so cliche and knowing your place in the world and how you are connected so deeply despite all the, you know, like all the brainwashing that you don't know anything. Everything is, uh, you know, everything that, that, that, um, that exists in terms of the cultural practices of the arch of the people of the archipelago are borrowed or, or, um. Basically borrowed or taken from another culture, um, really kind of diminishes that, that colonized thinking. And so I think the power of it is finding your stepping into your own power in this way. Um, and, and, um, you know, it is also not just the current, like in, in once lifetime do you get that abuse or trauma, but it's also all the. You know, the, the, the inheritance from our, you know, from our parents, from our grandparents, right? Great. Passed down the generation and, um, oftentimes construed as the real deal, unt true. And so, aside from the form. Aside from, um, the practices, because this trip is really a little, is is focused more on not learning or like, you know, we don't go to learn like dance music or. Weaving or, you know, design or anything like that. Yes, that happens. We do, we do have workshops, but you know, it's not like it's, it's more like opening the ice of each, you know, individual. I. To the, to the, the whole, the whole thing. What, what is the, the presence of nature is, are they water people? Well, how does the water impact the cultural practices and therefore the artistic practices, um, and understanding sort of like, oh, they, they do that kind of steps with the, you know, flat feet or whatever. Because the sound of the bamboo slats is just. Amazing, you know, uh, under their feet. And so it's not so much that I'm gonna learn, you know, x, y, Z dance or x, y, z music, music or gongs, or, but it's more like w. Through those practices, how do we see the people, how do they mirror our own existence? And what, what we can remember really is remembering, um, what my, what, what we have forgotten or what we know it's true, but we're not sure. So I dunno if I'm answering your question. It's a roundabout response.    Miko Lee:[00:23:26]  I feel like you're talking about how we step into our ancestral wisdom and power.    Alleluia Panis: [00:23:33] Correct.    Miko Lee: [00:23:33] And I'm wondering if you can expand on that,, to talk a little bit more about this time of oligarchy we are living in, which is really built in colonization. How do we both as artists use our superpowers to fight back against that and then encourage other people? How do we use our artist beings to encourage other people to fight back against the world that we're living in right now?  Alleluia Panis: [00:24:00] One of the most powerful impact on me , in experiencing, indigenous practices and culture is the practice of spirituality, the rituals, the ceremonies. There's one specific ceremony from Ana as a magana on ceremony, um, that really, It was just such a profound experience in opening up, my senses and my sense of connection to something larger than this. And, and the EPO and, um, there's several, um. Ritual practices with different names. It's basically similar, uh, practice, uh, is the connection to the five elements and the basic, um, um, and fundamental elements of life. You know, water, earth, wind, fire, and the darkness. The, there's a transcendence. Um. And that that discovery is a, or that connection, um, is something that's, it sounds really woo woo, right? I mean, um, but it really becomes kind of a, a, an experience, an embodiment experience, a belief in your own kind of intuition, your gut feeling. My, uh, my. Um, response, you know, to it, a physical response. And, um, that, that's become like a, a guide for, for everything that I do. And so, um, to me that that is the grounding that, um, has allowed me to continue the work that that. That I've been doing, continue living, period. And so it's really, I think the, a matter of really kind of like, knowing yourself, it just sounds all so cliche, you know? And, and, the power of, Really understanding that you have or I have a depth of connection, that I can draw from in terms of energy and spirit and love, that is beyond kind of the physical, but also the physical. And so for me, that sense of knowing. Is what is allowing me to continue doing what I do despite all the, you know, challenges and difficulties and, you know, the insanity of these times or any time. and having kind of that grounding, I mean, you, you, the, the, clarity, is everything. it allows me to. follow what seems to be the correct route to wherever I was going. it doesn't mean that it's, it's, I'm, I'm not working on it, you know, but I'm also not, not pushing in a way that, you know, I'm, I'm gonna make you believe in me and I'll, you know, like, sort of like, I will tell you what is the right thing and, and, and I will make you, um, agree with me. It, it's, it's not that. Um, I is, I dunno. Is that making any sense? Do you have any other,    Miko Lee: [00:27:24] you totally make sense to me. I'm wondering how people can find out how, how can people find out more about your film and about all of your work?    Alleluia Panis: [00:27:34] Oh, sure. people can find out about, my work and the film through, um, the website. It's, uh, KulArts SF dot org and, most of, if not all of my work, uh, and the work of others, are actually on there. There's a lot of information there. the, the film is gonna be shown at the Los Angeles Asian Pacific, film Festival May 3rd at, uh, a MC. Eight or 14 or is it in, Monterey Park and, folks can actually just find that information on our website as well.    Miko Lee: [00:28:13] And what would you like audience to walk away from your film with an understanding of?   Alleluia Panis: [00:28:21] I want the audience to feel the. Power of being there in TT T is the southernness most islands of, of the Philippines. And, not too many people actually go there. If you have seen the Sam Baja, um, you know, divers, uh, where they can dive for, I think they can stay from five to 15 minutes underwater without any, you know, oxygen or assistance. These are, these are the people who, who, uh, these islands belong to. and as usual, their, you know, their live livelihood is being challenged by everything that's happening in the world. And what the, the film itself, itself, is really trying to put, put the audience within the, you know, like the, I guess the, the shoe of the there and how, you know, their experiences. there's not a lot of explanation to it because we really want it to be a more visceral experience. for the audience,    Miko Lee: [00:29:22] is there anything else you'd like to share with us?    Alleluia Panis: [00:29:26] Let's keep on going. Let's, you know, we, we all, we all need to be in community to uplift each other and keep hope alive.    Miko Lee: [00:29:38] Thank you so much for joining us today and sharing a little bit more about your film and about your work and your connection to the ancestors and the need to move forward.   Alleluia Panis: [00:29:47] Appreciate you. Thank you, Miko.   Miko Lee: [00:29:51] Welcome Kyle Casey, Chu, also known as Panda Dulce to Apex Express.    Kyle Casey Chu: [00:29:57] Hi so much for having me.    Miko Lee: [00:29:59] We're so happy to have you back here, onto Apex Express Land and you have a bunch of new things happening, not just a new film, but also a new book. First off, I'm gonna just start with a personal question, which I ask everyone. Who are your people and what legacy do you carry with you?    Kyle Casey Chu: [00:30:16] Ooh, that's a juicy one. Um, my people, I would say my people are the weirdos and the art freaks of the world. Uh, queer and trans people, Asian Americans, queer and trans Asian Americans, people of color, people from the Bay Area. Um, people who have noticed the boxes that they're in and are pushing the walls and the boundaries of that. I feel like these are the people who really inspire me the most. In terms of the legacy I bring, I am a fourth generation Chinese American, uh, queer and trans femme person living in the San Francisco Bay area where I was born and raised.   Miko Lee: [00:30:56] Thanks so much for sharing. , first let's start with just finding out more about your film, which was based on a true story called After What Happened at the Library. This was a national story, I remember hearing about it, but for folks that don't know, can you describe the real incident that inspired the film?    Kyle Casey Chu: [00:31:14] So, I'm one of the founders of Drag Story Hour, which is exactly what it sounds like., drag queens reading stories to, , children and their families and libraries, bookstores and schools. In 2022, I took a gig in Pride Month at San Lorenzo Public Library, , where I was doing a drag story hour and the Proud Boys stormed in. They called me a tranny, a groomer and an it. They wore shirts saying, kill your local pedophile and I had to retreat to the back and lock myself in the back room. They scoured the premises looking for me. , the authorities showed up and didn't get any of their names or information, um, and just. Dispersed them. And after the incident, I came back to the reading room where the children and families were there, but shaken and I completed the reading.    Miko Lee: [00:32:05] Incredibly traumatic. What happened after that in real life?    Kyle Casey Chu: [00:32:10] It's funny that you, uh, because the short film is called After What Happened at the Library, uh, for a reason because I feel like it's natural as social creatures for humans to focus on the incident itself. We want to approach people with empathy and we want to, really put ourselves in their shoes, uh, to kind of be there as a support for them. What I wasn't prepared for was the gauntlet of media attention, how people would be coming out of the woodwork to ask me about the situation. They would send gushing praise, hate mail, death threats, love letters, care packages, and this wave of attention. Almost added to the overwhelm of the experience and the fact that I had suddenly become a figure and a lightning rod in a culture war when I just wanted to read a book in a library. 'cause that's what I was doing. Um, and not only this, but in the coverage of the event. Because the authorities were so slow to act on this and only started investigating it as a hate crime after it blew up on Instagram and they suddenly felt the heat of media attention. Um, I felt the, my only recourse was to go to the media and was to talk, and especially as a writer and a storyteller, I felt I needed to kind of sound the alarm because it was pride month.  This was the first, this was the inciting incident of a national, even international anti-D drag wave of right wing extremism. Um, it was a couple days later that the oath keepers were found planning some kind of resistance, like violent insurrection in before Ohio Pride. And so I would talk to these journalists and. I felt in the beginning I trusted them because, you know, I trusted that they wanted to get the word out, that they had the same intentions that I did in protecting my people. And what I found instead was that they kind of almost, they tried to elicit the most emotional response from me, which often involved asking me to relive the most excruciating aspects of that time and that experience. So I had to go back and revisit it over and over again. And when the stories actually came out, I'd found that my story was edited to suit another preconceived formula that they had already pitched a certain idea for how the story was would go. That painted me as this static monolithic victim. And they would just plug in one tearful soundbite and the rest of the story, they could just say whatever they wanted with.And there's a certain violence in that. There's a certain. Greater injustice to going through something like that, number one. But number two, telling your story and having that be distorted to suit other political aims or to, you know, buttress a call for public safety. And that specific dynamic of the direct aftermath of notoriety is what the short film gets at.   Miko Lee: [00:35:11] Oh so you're taking back your own story.    Kyle Casey Chu: [00:35:14] Absolutely. So after what happened at the library, the short film is a very much a radical reclamation of my own voice and my own story. Um, prying it back from the hands of the media and telling it on my own terms.    Miko Lee: [00:35:26] Thank you for that. And how has it been received   Kyle Casey Chu: [00:35:29] So far it's been received very well. The short film World premiered at Florida Film Festival in Orlando. Received a special jury prize for courageous voice in a time of great need, which is incredible. It's our first screening and we already got an award, which is so exciting. It just screened at SF Film on April 23rd as part of the shorts block. SF film is an Academy Award qualifying festival, and it is going to screen again at Can Fest, one of my favorite local festivals, the world's largest Asian and Asian American film showcase it's screening on Friday, May 9th at Kabuki and tickets are on sale.   Miko Lee: [00:36:11] Thank you for that. And can you tell us about your new book? This is very exciting. You have a coming of age story, the Queen Bees of Tybee County. Can you tell us about your book?   Kyle Casey Chu: [00:36:22] Absolutely. When it rains, it pours in creative worlds. I had a lot of irons on the fire and it just so happened that all of them were exhibiting or debuting or hitting shelves in the same week of April, which is last week. The Queen Bees of Tybee County is my debut novel. It's middle grade, so for ages eight through 12, though like a Pixar movie, it's for all ages really. Um, and it is a hopeful drag coming out story about a queer Chinese American seventh grade basketball star. Derek Chan, who is unceremoniously shipped off to his grandma Claudia's in rural Georgia, and she is volunteering for a local pageant. And so he. Explores his queer identity and his love for drag via Southern pageant culture.    Miko Lee: [00:37:09] Ooh, do we see a film of this in the future?    Kyle Casey Chu: [00:37:12] Actually, Queen Bees of Tybee County was optioned by Lambert Productions, which put on the Hardy Boys on Hulu. So it is on its way to becoming a TV show if every, if all the stars align, it'll be on TVs in the uk. Fingers and toes crossed for that.    Miko Lee: [00:37:27] Amazing. I'm looking forward to that. Can we pull ourselves out a little bit and talk about the times that we're living in right now and how artists use our super powers to fight back against the oligarchy that we're living in?    Kyle Casey Chu: [00:37:43] We all know, or perhaps should know that the beginnings of fascism involve suppressing intellectuals and artistic voices, increasing police presence and trying to maintain a stiff and consistent lid on the voices of the people. And so this type of suppression is happening right now. There are book bans across the country. , there are state and federal efforts legislatively to curtail the rights of trans kids and trans athletes, and Intellectuals, diplomats and scholars are all being expelled or suppressed, and I think something that I've learned is that, and it sounds really cheesy, but that quote is so real where it's like being brave isn't the absence of fear, but it's doing things in spite of it. I know it feels very scary to speak out right now, but now is the exact time to speak out because any. Ground that is seated cannot be taken back. And so holding of the line by way of protest, by way of publication, by way of dissenting is how we crack this. The armor of fascism.    Miko Lee: [00:38:55] And can you talk a little bit about the moment of joy or celebrating joy within the context of the strife that we're living in? I bring that up because , you've given me much joy as part of the rice rocketts and a lot of the work that you do. So I wonder if you could just talk about what does joy mean in the moment like this?    Kyle Casey Chu: [00:39:16] Yeah. I think. I have a background in social work and one of the first things that we learned is this is hard work. It is hard to always start on your back foot and to have to argue your own humanity and justify your existence as an artist or as a person. I found myself doing that when coverage of the library incident was happening and. One of the things that they tell you is the way that you do your best work and the way that you best serve your communities is by keeping your own self afloat. And what this means is maintaining a balance. When you have hard work, you also need to reward yourself. You also need to take care of yourself. And I don't think it's enough to just say self-care. You need to expose yourself, and you need to fully embrace the full spectrum of human emotion, which necessarily includes joy. And so. After completing such an intense project, like after what happened at the library, I knew that I needed to engage in something that was hopeful and that really struck the cord of why community is so vital and important, and why social support is integral to all of us thriving. And so the Queen Bees of Tubby County, I was told by a reviewer, and this is my favorite review, they said that it's like Chapel R'S Pink Pony Club. If it were a book. Um, and I'm going with that 'cause I love that. But this story is really just about hope. It's about friendship, it's about, it's about dancing towards the future we want. And I don't think it is enough for us to react. I don't think it's enough for us to strike down. Terrible and horrifying regimes. We also must have a vision for the future that includes ourselves thriving and enjoying ourselves. And I think a part of that practice for me is making art and scaffolding a vision for the future that is positive.    Miko Lee: [00:41:20] And what would you like people to walk away from after either reading your book or seeing your short film?   Kyle Casey Chu: [00:41:29] I think after seeing the short film. What this gets at is whenever there's a flashpoint of a culture war and it's localized on one person, whenever a culture war is personified in one singular person, like for example, ma Moon kil. There's only so much of his life that we get to see, and it's through the headlines and this viral moment of like a flash on the pan. And I want people to realize that the way that you interact with these people in that fleeting moment is going to stick with them long after this moment of notoriety passes. And. To be conscientious and aware of what impact you're bringing to that person because it may just be a moment or a blip in your feed, but the impact is enduring for the person who's living it. And I also want us to be critical of how we consume trauma and violence in the media, and to ask ourselves if. We really, truly need to get all the details if we really, truly need to be put, put that victim in the position of reliving their experience just so we can relive it for a moment. Whereas they will have to relive it for the rest of their lives. And I think survivor narratives and victim narratives are way more messy and complicated and sometimes funny than people give it credit for or realize. And to realize that when you are reading something. That is just one dimension in one shade. Uh, yeah. So that was a lot, sorry. But, um, the other thing is for the Queen Bees of Tybee County. And the reason why I wanted to end on that is because it's uplifting is as dark as the world can be. It can also be as dazzling and bright and hopeful, and that the future that we are fighting for is worth fighting for. And we need to remind ourselves of that. Especially in times like these, and I know it might seem counterintuitive for us to celebrate or to be around each other when it feels earth shatteringly bleak, but it is essential to our survival, and don't be afraid to embrace that.   Miko Lee: [00:44:00] Kyle, thank you so much. Kyle, Casey Chu, thank you so much for joining us on Apex Express. I encourage people to check the film out and the book out and we appreciate chatting with you.    Kyle Casey Chu: [00:44:11] Thanks so much.    Ayame Keane-Lee: [00:44:14] Kyle's film will be showcased at Cam Fest, the nation's largest showcase for new Asian American and Asian films, which runs from May 8th to 11th in San Francisco at a time when it feels particularly fraught to express stories from communities of color. Cam is doing what we've done for over 40 years, sharing films from Asian America to a wide array of audiences. It says, Cam's, director of programs, Dawn Young. Watching these stories in a theater full of friends and neighbors is an opportunity to laugh and cry, and ultimately to celebrate human experiences that transcend bounds. This year's festival will return to the A MC Kabuki in San Francisco's Japan town for opening night, and a total of four days of screenings in the historic neighborhood that is undergoing its own resurgence with new restaurants, cafes, and boutiques, highlighting both traditional and youth oriented culture. The Roxy Theater will also host three days of screenings. Cam Fest continues to strengthen ties with other local arts institutions with the Asian Art Museum hosting the Cam Fest gala. Following the opening night film on Thursday May 8th and SF M Om a opening the Phyllis Wa Theater for Mother's Day programming on Sunday, May 10th. Turning a lens on history, whether it's the end of the Vietnam War or the trailblazing women in the Bay Area, offers a chance to reconsider the stories through which we come to understand ourselves. Says Cam Fest program Manager Del Holton, ranging from intimate narratives of family and memory to experimental work that bends the conventions of storytelling. These films illuminate the many perspectives of Asian America.    CAAM Fest 2025 wraps up on Mother's Day with dedicated events that highlight strength and visionary artistry of Asian American women. You can also catch my sister Jalena Keane-Lee's film Standing Above the Clouds at 5:00 PM at the Kabuki. Honoring Mothering also includes celebrating the nurturing of community and pioneering of aesthetics. Cam's final day reflects on the contributions of Asian American women's work while looking to the future of storytelling. Another major multimedia arts, dance and music festival to check out is the annual United States of Asian America which runs through June 1st at venues around the Bay Area. This year's theme Critical Refuge asks us to reflect on our journey as immigrants, refugees, and generations of descendants and or mixed raced people in the diaspora as we seek necessary sanctuary within ourselves and in our communities in times of unrest and uncertainty. The festival will honor a API Arts and Culture, reflecting on where we have been, where we are now, and what our collective future holds, while acknowledging our roots as immigrants, refugees, and mixed race descendants. Also check out the 42nd annual Himalayan Fair in Berkeley's Live Oak Park happening May 17th and 18th. There will be Himalayan Food, handicrafts, music, and Dance. There are so many events happening in celebration of Asian American and Pacific Islander Heritage Month. Check out our show notes for links to all the wheelchair accessible events In addition to the films we featured tonight, camp Fest and United States of Asian America, there is also May 3rd, two to 6:00 PM daily city AAPI fest celebrating local Asian American and Pacific Islander culture in daily city in the greater San Francisco Bay area.    May 10th, 10:00 AM to 12:00 PM Our heritage, 5K 2025. A free family friendly, 5K fun walk slash run. Honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city. Passing by over 16 plus historic A API Landmarks featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high. May 10th is also a API Mental Health Day. The Our Wellness Festival will celebrate mental health, community and joy. The festival will feature family friendly activities, carnival style games, music, dancing, wellness resources, and more. May 23rd at 5:30 PM to 8:30 PM Asian American and Pacific Islander, LGBT Q2 s plus Mixer, NJAHS, peace Gallery 1684 Post Street in San Francisco. Children's Fairyland in Oakland and Stanford's Asian American Studies apartment will also host a series of events throughout the month that we will post in the show notes for you to check out in Bay Area Public Library News. Oakland Public Libraries feature reading lists for all ages, a grab and grow seedling kit and events like Watermelon Kimchi making. San Francisco Public Libraries will have events for all ages at library locations throughout the city, including free author talks, book clubs, film screenings, crafts, food programs, and musical and dance performances. Highlights for adults include the launch of Corky Lee's Asian America at the main library on May 23rd. The new book features over 200 breathtaking photos celebrating the history and cultural impact of the Asian American Social Justice movement. We've covered Corky Lee's work in multiple previous Apex episodes.    Additionally, four members of the Asian American Journalist Association, AAJA, who cover the Asian American and Pacific Islander News beat will discuss how authentic local reporting happens, important stories they've reported recently, and how having reporters dedicated to the BEAT impacts the A API community on May 8th, moderated by the interim president of the AAJA-SF Bay Area chapter Harry Mock. The panel features Ko Lyn Chang from the San Francisco Chronicle, Han Lee from the San Francisco Standard, and Ravi Kapoor, CEO of Dia, TV on May 25th. The library partners with the Chinese Cultural Center of San Francisco to welcome Curtis Chin, author of everything I Learned, I learned in a Chinese restaurant for a book talk and library popup. For youth on May 25th, join June Jo Lee Food ethnographer and award-winning children's book author for a kimchi demo. Read aloud and krautchy making activity. Experience a read aloud of New Picture Storybooks for Children and participate in a drawing workshop on comics with illustrators mini fan and Sophie Dialo on May 23rd at Excelsior Branch Library. Katie Kwan, who has been featured on Apex dives into the world of comics and zines through the lens of an Asian American artist and educator, and teaches the community how to make their own comics and zines at multiple locations throughout May. San Jose Public Libraries host a series of events with highlights being top of cloth making on May 6th and vegan Filipino cooking with Aztec Vegan on May 7th. Once again, happy Asian American and Pacific Islander Heritage Month from us at Apex Express. Please do checkout CAAM Fest. May 8th through 11th in San Francisco. If you get the chance and you'll be able to see Kyle's film. As well as many other incredible AAPI, histories and stories. You can check out all of that community calendar info in our show notes, as well as information on all of the guests you heard from tonight.   Miko Lee: [00:51:55] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.        The post APEX Express – 5.1.25 – Filmmakers Exploring Boundaries appeared first on KPFA.

出演者： miko、quim 配信ペース： 隔週水曜日（収録及び編集都合で遅れました） 番組時間：84分50秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 　申し訳ございません。 mikoラジ、第371回です。 世間はGWに突入も、あまりゴキゲンウィークではなさそうなおふたり。 出勤ですが何か？ もみじまんじゅうがひとつ添えられた荷物、etc. 社畜系パーソナリティは今年も健在。 最後までごゆるりとお楽しみ下さいませ！ ♯途中で色々とノイズ等入りますが、収録時のものです。 　ご安心ください、お手持ちの機器は正常です。 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた 　／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました 　／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ 　／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！　お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2025年4月IOSYSはいてない.comパワープレイ楽曲 M3. M4G&N3T & Liqo - Make My Day 作編曲：M4G&N3T & Liqo 収録アルバム：Liqo - Electric Samsara 音楽ジャンル：Happy Hardcore ハードコア/ドラムンベース/ロック等様々なジャンルを取り込んだ新曲11曲を収録。 ゲストに3-SYSTEMS/Numb'n'dub/TRIΔNGLE/M4G&N3T/楽天斎/ リミキサーにSAVAGE STATESを迎えたLiqo 3rd Album。 2024・10・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBDCD-017

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2025年4月パワープレイ M4G&N3T & Liqo - Make My Day 収録アルバム：Liqo - Electric Samsara 2024・10・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBDCD-017 番組時間：88分40秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/4/24に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・ホヤホヤでございます ・さきほどまで作詞のお仕事をしておりました ・今日は、まじめに働いたんだね ・今日は？ ・ポスターと言えば即売会 ・今日はキリ番回だからね ・素因数分解してもらっていいですか？ ・素因数分解ができるということは素数じゃないってこと？ ・ここは、エルボー ＜Aパート＞ ・ふつおたです ・イースCollection（仮） ・イースⅣは？ ・16個入ってますから ・実質4個なんだよな ・ガールズバーより安い ・来年発売だけど ・こうして自宅に開封しないイースが増えるんだよね ・40年後駿河屋に ・続報は、ぬるぽ3000回でやります ・ファーミングシュミレーターがセール中です ・今年の冬は、また工場労働してもらいます ・Factorio SPACE AGE Defalut Settings Any%のRTAが8時間半切り ・25時間のRTAもある ・長時間RTAは頭が上がらない ・山形の人口はギリギリ100万人 ・疲労の概念がない主人公 ・スマホが発火しました ・おすすめのダイエット方法 ・ビールやめたんですか？ ・やめてません ・運動すると飯がうまい ・穴があったから入れてみたんですね ・停電してARMさんがガバって出てきた話 ・​​ﾊﾟｼｭの擬音、小五郎のおっちゃんに麻酔銃撃つ以外で久々に聞いた ・膨らんだバッテリーは、どうしたらいいの？ ・マイクラのマグマにいれよう ・春アニメの話 ・前橋ウイッチーズ ・前橋にお金を落として行ってください ・県庁所在地なんだ ・やっと愛知県覚えました ・変な金を使うよりかは効果が高い ・ChatGPTなどに「ありがとう」 ・あいさつは大事 ・AIに様付け ・​​ChatGPT o3様 ・AIの反乱確率 27％ ・​​餃子ウィッチーズ ・SoundCloudの再生リストは500個しか入らない ・516が一番古い ・普通のPodcastには500エピソードも普通ないから ・もしもしドラえもん ・いつも逃げ足が速い ・ドラッカーさんも英霊化して女体へ ・石板に残しておかないと ・アクリル板にしよう ・アマプラCM問題 ・動画をダウンロードしておく ・イオシスロードショーはアマプラじゃなくても参加できます ・過去一酷い初老の飲み会の話 ・新キャラのオニーさん ・すいません、「めかとき」ってなんですか？ ・竿だけに長い話 ・わきがいっぱいある ＜Bパート＞ ・春だからTシャツ買ってくれてるのかな？ ・みつをたです ・1024は松原の誕生日 ・西暦年を超えるタイミング ・みんなすまんな　古川 ・自転車の交通違反は今でも罰金だからね ・最大のリスクヘッジ：家から出ない ・旗日は全部仕事 ・創作昔話　ゴンきつね ・これ、みつをたじゃないのね ・ゴールデンボールだけ聞こえた ・これ、クレーム入れてみるか ・ロリコンのやさしいブルアカ ・双子でもガチャは別々 ＜エンディング＞ ・ブルアカ曲3曲出ますよ ・作詞提供しました！ 　ブルーアーカイブ 青春あんさんぶる Vol.11「修行部」 　「うららか☆SYUGYOU」 　アーティスト：ツバキ／ミモリ／カエデ 　作詞：夕野ヨシミ(IOSYS) 　作曲：Nor ブルーアーカイブ 絆ダイアローグ Vol.10「ネル」 　「Victory Sky」 　アーティスト：ネル 　作詞：夕野ヨシミ(IOSYS) 　作曲：ミツキヨ ブルーアーカイブ 絆ダイアローグ Vol.11「サオリ」 　「Walking Night」 　アーティスト：サオリ 　作詞：john=hive(IOSYS)／夕野ヨシミ(IOSYS) 　作曲：Nor ・IOSYSくま牧場生放送を一緒にやっている「コアックマ」「アックマ」たちが北海道　ででかいご当地キャライベントを始めます。クラウドファンディングを実施中でもうすぐ締切！チェックマ＆支援よろ！北海道らしい返礼品もあり！ 　「北海道ご当地キャラフェスタ」 ・苫小牧ウィッチーズ始まっちゃう ・M3の話 ・祝！スカ警10周年！ 　ご期待に応えて追加プレス 　・スカーレット警察・総集編 春の特別警戒スペシャル ・スカ警24時アクスタできました！ 　・チルノ/署長/ナイフ/もやし/ルーミア＆大ちゃん 　例大祭リリース・M3-2025春にて先行頒布 ・チルノがチャーリーです ・ぬるぽ詰め合わせ17出ます ・最近話題の赤色 ・アバターが1個前のやつだ ・署長2人とチルノ2人 ・例大祭の話は来週します ・アクスタの背景はネットプリントできます ・任天堂からのメールはまだ来ません

Ad astra Travelers! Welcome to another episode of Tales of Teyvat: A Genshin Lore Podcast. This week, we set sail to Inazuma to discuss Guuji Yae Miko! After a quick check-in after last week's unfortunate schedule change, and a confirmation that our hosts were not killed by a certain Kitsune or Doctor, we discuss our initial thoughts on Yae Miko. From her cunning abilities to her sly tone, our hosts were in a trance and scared of her abilities and antics. Afterwards, we discuss her part in the Inazuma Archon Quest, Squid Games, and all, and do a brief overview of her story quest. Later, our hosts debate Yae's age, whether she can see the future, and if she's a hero or villain in the game. What do Yae's dreams taste like? What does she think of her puppet stepson Scaramouche? Will she ever let Gorou know about Ms. Hina? Grab your favorite light novel, and fried tofu, for this week's episode!Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠talesofteyvat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find a comprehensive lore sheet that provides visual aids and links to videos and important Genshin Impact Resources. Make sure to give us a follow on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to stay updated on all things Tales of Teyvat and let us know your thoughts on today's episode. Questions? Thoughts? Theories you have to share? Feel free to email us at talesofteyvatpod@gmail.com and let us know, we would love to hear from you!Tales of Teyvat has partnered with the Shade Chamber Podcast to create a Genshin Community on Discord for our listeners! We are so excited to chat Genshin Lore, Honkai Star Rail, and so much more with you! You can join our server at https://bit.ly/shadesofteyvat.

出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_） 「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン　アカデミー気付　藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん

Zapraszamy na specjalne wydanie "Onet Rano." po śmierci papieża Franciszka. W programie gośćmi Mikołaja Kunicy będą: Wojciech Lemański - duchowny kościoła katolickiego; Grzegorz Polak - wicedyrektor muzeum Jana Pawła II i prymasa Wyszyńskiego; prof. Arkadiusz Stempin - historyk, politolog; Szymon Piegza - Onet.

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ ✅番組時間：58分55秒 ✅出演： ジャーマネ・tsZ・蛇草千尋 2005年にスタートして、ついに700回。 みなさんのおたよりだけが頼りなこの番組。 回替わりレギュラー陣がお送りします。 　 ✅コーナー： おたより Switch2の新機能 🟧投稿フォームはこちら。 https://forms.gle/DkTHQ38qNNWTPpta7 （新） https://ja-mane.com/form/ （旧・画像添付可能） 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ。 https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2025年4月19日配信 #ラジオ #webラジオ #IOSYS #イオシス

Specjalny odcinek Po prostu Wschód z Kijowa. To już czwarta Wielkanoc czasów wielkiej wojny. Jak Ukraińcy przeżywają te święta? Czy pozostała jeszcze nadzieja na zwycięstwo, czy sprawiedliwy pokój? Rozmawiam w nim z: - Serhijem Dmitrijewem, kapelanem, duchownym Prawosławnej Cerkwi Ukrainy i dyrektorem prawosławnego odpowiednika Caritasu, organizacji Eleos, - księdzem Pawłem Wyszkowskim, proboszczem parafii świętego Mikołaja w Kijowie, - Jewhenią Synelnyk, której brat, ukraiński wojskowy jest rosyjskim jeńcem i został skazany w sfingowanym procesie na 27 lat pozbawienia wolności, - Oleną Kowalenko z Instytutu Ukraińskiego. Ten odcinek magazynu udało się zrealizować dzięki mojej współpracy z Instytutem Ukraińskim w Kijowie oraz z warszawskim Centrum Mieroszewskiego.Na antenie Trójki można było usłyszeć następujące utwory: - Mija Ramari - Miż sirymy dniamy,- Gordiy Starukh - Wesnianoczka,- Okolycia - Misto,- Zgarda - Doszczeczka. Można je znaleźć na playlistach Radio Wschód w Spotify:https://cutt.ly/BRLGvhP i na YouTubehttps://tinyurl.com/3995skdsPo prostu Wschód w portalach społecznościowych:Facebook:https://www.facebook.com/poprostuwschodInstagram:https://www.instagram.com/po_prostu_wschod/Po prostu Wschód na stronach Polskiego Radia: https://podcasty.polskieradio.pl/podcast/367https://trojka.polskieradio.pl/audycja/10612

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2025年4月パワープレイ M4G&N3T & Liqo - Make My Day 収録アルバム：Liqo - Electric Samsara https://notebookrecords.net/discographyportal.php?cdno=NBDCD-017 番組時間：80分36秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/4/17に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・箱の製造が大変 ・マリカ8DELUXは1～2時間しかやってない ・ソフトの容量が増えてDLに時間がかかりそう ・安定して早けれぼ何でもいい ・1Gbps出ないじゃん ・まるでVTuberみたい ・春の方々が出てきました ・早速、白石区にも出たみたい ・オープンボディ ＜Aパート＞ ・春のお便りです ・速報　トラクターにBluetooth ・農機具に必要なのはオーディオ ・ゴマの果肉 ・皆さんはトラクターにどこのオーディオつけてますか？ ・農作業しながらASMR ・その農作業の音は、どこでサンプリングを？ ・全国的には北海道のトラクターはでかい ・越冬してしまうカメムシ ・南の方は米が作れなくなっちゃう ・焼肉とバニーガール ・「私もカイノミ食べたい～」 ・札幌にも出来てほしい ・どうですか？平山社長 ・納豆混ぜてくれるんだ ・シスコムーンって何だよ ・薬剤師バニーガール ・バニーボーイ出てきちゃった ・ウェディングウイッチ買いました ・​​しもんきん！しもんきんじゃないか！ ・隠し魔女はあるのかな？ ・マイクロビキニ着てくればよかった ・ロリのじゃ幼女 ・いいともー！ ・ドラえもん　クレアで検索 ・絵ですから ・農機具のメンテやってますか？ ・エアコン壊れてお風呂で水浴び ・尻に火が付くと顔に火が付く ・ダルシムさんは顔から火が出てる ・波動拳って何なんですか？ ・格ゲーってすげーな ・最後って言ってるけどまた来たから、これわんこそばだな ・建設会社が始めたジム ・2980円は安いですね ・バニーガールラーメンにしましょう ・「ふーふー」はさすがに風営法にひっかかるな ・バニーちゃん用はわんこそばくらいで ・キャストラーメン ・ラーメンとバニーガール ＜Bパート＞ ・みつをたです ・俺も広末に蹴られたかったなー ・釈放なんだな ・1人でもかまいたち ・居酒屋のトイレに貼ってるあるやつかい？ ・あのーそろそろ出してほいんだすけど　みつを ・天音かなたか戸愚呂弟か ・OBSとは ・放送局もVTuberやるんだな ・まずは建設会社から始めましょう ・現金もらって、バニーのいるお店に行った方が ・現金とバニーガール ・挟むって ・1111111111回（２進数） ・2の倍数はよく来るから ・次回は1024回ですよ ・お便りお待ちしてます ＜エンディング＞ ・ぬるぽ17作ってあります ・M3のは全部作ってあります ・ぬるぽ詰め合わせとは ・ぬるぽ放送局はお経だったの？ ・12万分 ・お知らせです ・1部即売会のみの商品もあります ・アームスメ(17歳♀) ・リアル娘さんも17歳になっちゃうんだね ・来年は夕野ヨシミ20周年 ・キュレートするんだね ・今は合成音声の方が歌がうまい ・ZENSHIN-KINNIKUさん懐かしいですね

出演者： miko、quim 配信ペース： 隔週水曜日 番組時間：92分30秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 　申し訳ございません。 ――これが、老い……。 mikoラジ、第370回です。 解散したままのチーム我等がお送りするお家ラジオも、気が付けば400回が見えてくるご長寿番組に。 そんな中、流行の話題から老いを感じたり、変わりゆく街を感じたり……。 変わらずマイペースに世間話をお届けするラジオ。 最後までごゆるりとお楽しみ下さいませ！ ♯途中で色々とノイズ等入りますが、収録時のものです。 　ご安心ください、お手持ちの機器は正常です。 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた 　／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました 　／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ 　／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！　お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2025年4月IOSYSはいてない.comパワープレイ楽曲 M3. M4G&N3T & Liqo - Make My Day 作編曲：M4G&N3T & Liqo 収録アルバム：Liqo - Electric Samsara 音楽ジャンル：Happy Hardcore ハードコア/ドラムンベース/ロック等様々なジャンルを取り込んだ新曲11曲を収録。 ゲストに3-SYSTEMS/Numb'n'dub/TRIΔNGLE/M4G&N3T/楽天斎/ リミキサーにSAVAGE STATESを迎えたLiqo 3rd Album。 2024・10・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBDCD-017

No more long descriptions – just straight-up dope Drum and Bass. This mix is loaded with heat, featuring classics like Terrorist by Renegade, along with fresh bangers from Redeyes, Lenzman, Calibre, and more. Press play and vibe with it. Find me at @ www.djmiko.net

W środę w "Onet Rano." przywita się Dominika Długosz, której gośćmi będą: Grzegorz Schetyna, KO; Agata Jankowska, dziennikarka, reportażystka; Anja Rubik, sexed.pl; Artur Siódmak, prelegent projektu "My wskazujemy ścieżki , Wy wybieracie drogę – STOP Przestępczości". W części "Onet Rano. WIEM" gościem Mikołaja Kunicy będzie Emilia Korona, Fundacja Avalon.

2831 km - taki dystans przejechał kierowca rajdowy Miko Marczyk na jednym baku oleju napędowego w zwykłym sedanie. Rekord Guinnessa bił w marcu, a na oficjalne potwierdzenie czekał około miesiąca. Dotychczasowy rekord, który należał do chorwackich kierowców, pobił o 286 kilometrów. Z kierowcą rozmawiał Cezary Dziwiszek z redakcji sportowej RMF FM.

W poniedziałek w "Onet Rano." przywita się Odeta Moro, której gośćmi będą: Joanna Kluzik-Rostkowska, KO; dr Bartosz Rydliński, politolog; Natalia Szewczak, Business Insider Polska; Kamil Wolnicki, Przegląd Sportowy Onet. W części "Onet Rano. WIEM" gościem Mikołaja Kunicy będzie: Maia Mazurkiewicz, prezeska fundacji PZU.

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ ✅番組時間：63分28秒 ✅出演： ジャーマネ・tsZ・蛇草千尋・あくとん 2005年にスタートして、ついに700回。 みなさんのおたよりだけが頼りなこの番組。 回替わりレギュラー陣がお送りします。 　 ✅コーナー： いまさら質問コーナー 🟧投稿フォームはこちら。 https://forms.gle/DkTHQ38qNNWTPpta7 （新） https://ja-mane.com/form/ （旧・画像添付可能） 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ。 https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2025年4月12日配信 #ラジオ #webラジオ #IOSYS #イオシス

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2025年4月パワープレイ M4G&N3T & Liqo - Make My Day 収録アルバム：Liqo - Electric Samsara 2024・10・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBDCD-017 番組時間：71分15秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/4/10に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・春です ・筍と鰆のお味噌汁 ・サクラは咲いてるのかい？ ・GeoGuessrの春らしいマップ ・google Mapさんも桜前線追っかけたい ・ゲーミング桜 ・みなさん株は買えましたか？ ＜Aパート＞ ・エアプって言ってあの人2期目だからね ・セーブデータ消えちゃったの？ ・ふつおたです ・新しいトラクター届きました ・30年ぶりの国産回帰 ・みなさんはどこのトラクターを使ってますか？ ・農業ブーム来てる ・農業元年です ・両方ついてるからお得 ・桜は去年見たばかりでしょ ・4月と言えばMOCさんの誕生日 ・2年後はいい夫婦回 ・結婚すると言っても人間とは限らない ・10月がMOCさんの誕生日としても大丈夫ですね ・アマプラの広告の間に逆凸 ・武蔵丸の悲劇 ・上田は闇の帝王 ・一生自称作詞家で行くしかない ・自称イオシスメンバー ・桜と紅葉を楽しんだことない ・ベランダに桜を植えるのかい？ ・地下鉄のダクトの暖気を取り込んで？ ・匂いのために札幌に行きます ・こちら葛飾区平岸霊園前派出所 ・身長差百合カップル ・長いので聞き流してください ・（ここでキック） ・すんのかーい ・検出せんのかーい ・1000％怪文書 ・ふつおただったんだ ・好きなエロゲのトレー ・アーティスト名はリコニキではありません ＜Bパート＞ ・パワープレイの間にご飯食べおわりました ・こっちは踊ってたのに ・みつをたです ・米の値段が2倍なら噛む回数を2倍にすればいいじゃない ・静岡県リスナー増えちゃったな ・マジでやられる5秒前 ・買う理由がない ・自転車再デビュー ・​​自称作詞家、はじめての自転車。 ・ダンダダンおすすめです ・自称みつを ・昨日徹夜で考えた昔話あるから ・自称ごんぎつね ・入学おめでとうございます ・ホロスク水 ・白スクニーソはありますよ ・万能言葉　BAUBAU ・​​ﾉｰﾊﾟﾝﾁｬﾊﾟﾁｬﾊﾟ ・スク水　ハサミ　2ヶ所 [検索] ・いろいろコーナーありますので、お便りお待ちしてます ＜エンディング＞ ・コーナーは9個ありました ・片玉プレゼント？ ・ゴミは全部捨てちゃったからね ・地下鉄のあの匂いを缶詰に詰めて ・食べかけのサルミアッキ送っちゃう ・近からず遠い ・はがきも値上げしないとやってられない ・全部をETCレーンにしたら大変なことになってましたね ・イオパがありました ・即売会参加の予定ﾀﾞﾖｰ 　2025/4/27 M3-2025春 　■IOSYS シ-39a 　2025/5/5　令和七年（第二十二回）博麗神社例大祭 　■IOSYS な-27ab 　2025/6/15 東方名華祭19 　■iOSYS 申込済み ・IOSYS_SHOP お知らせ 　IO-0311 東方氷雪大感謝 　CD在庫が残りわずかでぃす～ ・春の新作いろいろ出ます ・ぬるぽ詰め合わせの画像は2枚です ・今週と先週とあまりお知らせがない ・ウィッシュリストアド美ちゃん ・何も責任を負ってない案件 ・switch2の予約をしないと ・ぬるぽ生放送のお休みの予定はありません ・しけゴールデンウィーク ・これ、ゴールデンウィークじゃないですよね ・家から出ないので花見も何もない ・VRで見るしか ・マリカありかなしか

W środę w "Onet Rano." przywita się Dominika Długosz, której gośćmi będą: Maciej Konieczny, Razem; Michał Potocki, Dziennik Gazeta Prawna; dr Marcin Capiga, Trener kompetencji psychospołecznych; dr n. med. Karina Barszczewska, ginekolożka, autorka książki „Bez wstydu. O zdrowiu intymnym i seksualności kobiet”. W części "Onet Rano. WIEM" gościem Mikołaja Kunicy będzie Agnieszka Stein, psycholożka, autorka książki "Jak rodzi się bliskość. Inspiracje dla rodziców". 

出演者：藤原鞠菜 配信ペース：隔週火曜日 番組時間：平均40分 ——————————————————————— ＜各テーマ紹介＞配信されるテーマは回によって異なります。 「ふつおた」･･･何でもありのお便りコーナー。投稿は毎日募集中！！！！！ 「歴史秘話ウィステリア」･･･サークル曲の裏話など。 「まりにゃのこれな～んだ？」･･･音当てクイズ。 「まりにゃのオススメ」･･･オススメ商品をご紹介。 「はじおと」･･･「音楽」×「初めて」に関して語るコーナー。 （初めて買ったCD、初めて心を動かされた音楽、初めてカラオケで歌った曲等。） 「これかた」･･･テーマを決めて語る割とフリーダムなコーナー。 （テーマや語ってみた投稿募集中。） 「答えて、まりにゃ」･･･まりにゃへの質問募集中。 「トレンドなう」･･･収録時に開いたTwitterのリアルタイムトレンドについてコメント。 「まりにゃのTOP5」･･･思いついたら勝手にランキング。 「まりにゃのドキドキ質問箱」…twitter投稿になります。（ https://peing.net/marinya_） 「みんなの答え合わせ」…twitterで出題するアンケートの結果報告。みんなに聞きたいこと募集中。 ——————————————————————— ——————————————————————— ■CD新作・出演告知など■ ★Wisteria Magic通販サイト「うぃすましょっぷ」★ wismashop.booth.pm/ 新作も旧作も全て送料込み！ ★イオシスショップ様にて一部旧作を委託販売中！★ www.iosysshop.com/SHOP/list.php?Search=wisteria ★しがないレコーズのyoutube「しがない5分ショー」に出演してます。 藤原鞠菜は木曜日担当です。 https://www.youtube.com/channel/UCA_FmkoMu24R_6o3m3_Ulqg —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ・の〜すとらいく様の18禁PCゲーム 「女装百合畑/Trap Yuri Garden」にて、主題歌「優雅にヒロイン宣言」を担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして！夜までもっとエッチして！」 にて女未こはくちゃん(三女)のED曲担当させて頂きました。 ・TinklePosition様の18禁PCゲーム 「お兄ちゃん、朝までずっとギュッてして!」 にて女未こはくちゃん(三女)のED曲を担当させて頂きました。 —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– —–　　—–　　—–　　—–　　—–　　—–　　—–　　—– ——————————————————————— この番組は音楽サークルWisteria Magicがお届けする番組です。 藤原鞠菜やサークルの過去または最新の活動内容につきましては 以下をチェックしてくださると嬉しいです♪ ・藤原鞠菜のTwitter（ twitter.com/marinya_ ） ・藤原鞠菜のHP「ふじわらんど」（ fujimari.com/ ） ・磯村カイのTwitter（ twitter.com/isomurakai ） ・磯村カイのHP「TONAKAI soundworks」（ https://soundworks.tonakaii.com/ ） 藤原鞠菜への贈り物の宛先 〒107-0052 東京都港区赤坂4-9-25 新東洋赤坂ビル10F レイズイン　アカデミー気付　藤原鞠菜宛 VOICEVOX:ずんだもん VOICEVOX:四国めたん

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ ✅番組時間：59分45秒 ✅出演： ジャーマネ・tsZ・蛇草千尋・あくとん 2005年にスタートして、ついに700回。 みなさんのおたよりだけが頼りなこの番組。 回替わりレギュラー陣がお送りします。 　 ✅コーナー： ふつおた 新グッズを考えよう 🟧投稿フォームはこちら。 https://forms.gle/DkTHQ38qNNWTPpta7 （新） https://ja-mane.com/form/ （旧・画像添付可能） 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ。 https://ja-mane.com 🟧アリキラ白書 2023と2024、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ https://ja-mane.com/blog/2025/03/09/hakusho2024/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2025年4月5日配信 #ラジオ #webラジオ #IOSYS #イオシス

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2025年4月パワープレイ M4G&N3T & Liqo - Make My Day 収録アルバム：Liqo - Electric Samsara ハードコア/ドラムンベース/ロック等様々なジャンルを取り込んだ新曲11曲を収録。 ゲストに3-SYSTEMS/Numb'n'dub/TRIΔNGLE/M4G&N3T/楽天斎/ リミキサーにSAVAGE STATESを迎えたLiqo 3rd Album。 2024・10・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBDCD-017 番組時間：71分17秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/4/3に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・2025年度を迎えました ・うそおたをお送りします ・たくやさんのアバターが新しくなりました（調整中） ・ラジオの内容は変わりません ・45歳ケモショタやらせてもらいます ・お下劣な選挙ポスターはダメ ＜Aパート＞ ・うそおたいただいてます ・徹夜で考えた昔話 ・きんたま抹茶パフェじゃないかー ・ゴンはどこにいったの？ ・ティーバッグ詰め合わせ100個 ・女子からの声援は浴びられたのかな？ ・大富豪のやることじゃないですか ・洗濯物は1年分貯める ・4月は改変期です ・お店ごと改変期 ・イオシス解散命令 ・これはうそおたですよ ・すき家のポイントって何？ ・すき家ラジオMP3詰め合わせ ・シン・ジーコサッカー ・いまこそバーチャルボーイ ・ＶＲ紀元前に出ちゃったね ・オンラインカジノで一儲けしました ・結納決まりました ・運営側なのでは？ ・4月のパワープレイはニートのうたです ・2005年のＣＤですって ・農家じゃないのにトラクターを持ってるって変態じゃないですか！ ・今年のエイプリルフールはお休みです ・ようこそ！ぬるぽ村 ・ここからふつおたです ・あさり先生実装 ・水着が緑色 ・飲み干せないずんだサイダー ・Switch 2の情報で頭がいっぱい ・宦官とは ・Gのキーは何のために使ってるのかな？ ・ヨシミも半分やってるよ ・1/3でしょ！ ・8年前に右のたまを取ってます ・イントロがない ＜Bパート＞ ・完全に合法でしたねー ・マターリCD２が出ちゃう ・マターリシーダー ・もう、働きたくない人も ・まじめすぎるのはよくない ・50歳新卒即戦力です ・みつをたです ・日テレさん、それをやっちゃあ、いけないよ ・みこち2Dが可愛い ・天音こなた ・すごい…大きい… ・カービィのエアライダー ・フロムの完全新作 ・つまりVSダークライ ・エアライダーの興奮で地球が震えた ・2か月後って明日じゃん ・ゲームをやってないと怒られる ・未婚関係ない ・AI金子一馬 ・ハーブならなんでも大丈夫 ・覇権はもらったでソニー ・停波になったも仕方ない ・はかせの顔を4分割 ・ラザロじゃん ＜エンディング＞ ・新しい体に馴染んできました ・イオパ2025/4/6あります ・イオシスショップが20周年 ・冊子小包って今はないの？ ・封筒にも穴はあるんだね ・安定のつまぽん ・銀の盾とかあげた方がいいんじゃない ・さんすう学園とは？ ・VTuber「秘書アリス」さんに楽曲提供しました！ 　「こんにちぴょんぴょん！アリスDEぴょん！」 　作編曲:コバヤシユウヤ(IOSYS) 　作詞:john=hive(IOSYS) 　ギター:三浦公紀 ・M3-2025春は今月でーす ・新譜が何かあります ・さっき見たって、文字が追加されてる～！ ・D.wattは、来れたら来ます（たぶん来ない） ・エイプリルのネタをそのままCDのジャケにします ・​​ウェディングエッチ？

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express join host Miko Lee as she talks with Asian American theatre artists with works coming up soon. Miko talks with Sunhui Chang and Joan Osato about their world premiere at the Magic Theatre. She speaks with Ethnotech's Nancy Wang and Robert Kikuchi-Yngojo and finally we hear from playwright Jiehae Park on the world premiere of the Aves at Berkeley Rep. Though we may be immersed in a complicated, challenging and very disturbing world, as Grace Lee Boggs said, “A people exercising their creativity in the face of devastation is one of the greatest contributions to humankind.”     Our Guests discussed: April 2-20, 2025 Magic Theatre The Boiling, a tale of american nihilism tickets, wheelchair accessible Joan Osato SFFILM Cedar Road Iyagi Grant Applications:  sffilm.org/artist-development Ethnohtec May 22 Ethnohtec https://sfpl.org/events/2025/05/22/panel-strong-bamboo-3-part-1 Strong Like Bamboo SF Library Koret Auditorium Free https://sfpl.org/events/2025/05/25/performance-strong-bamboo-3-part-2   Coming Up Next Transcript   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:34] Tonight on APEX Express join host Miko Lee as she talks with Asian American theatre artists with works coming up soon. Miko talks with Sunhui Chang and Joan Osato about their world premiere of the boiling at the Magic Theatre. She speaks with Eth-Noh-Tec's Nancy Wang and Robert Kikuchi-Yngojo and finally we hear from playwright Jiehae Park on the world premiere of the aves at Berkeley Rep. Though we may be immersed in a complicated, challenging and very disturbing world, as Grace Lee Boggs said, “A people exercising their creativity in the face of devastation is one of the greatest contributions to humankind.” So join us on APEX Express as we join some creative conversations.   Miko Lee: [00:01:17] Tonight on Apex Express, we have the collaborators behind Magic Theater and Campo Santo's, world Premier of the boiling: a tale of American nihilism. Welcome playwright Sunhui Chang and video artist Joan Osato.    Joan Osato: [00:01:30] Thank you for having us on, Miko.    Miko Lee: [00:01:33] Yes. First I'm gonna start for each of you with a personal question, which is an adaptation from the amazing Chinaka Hodges. And my question for each of you, and let's start with Joan first, is who are your people and what legacy do you carry with you?    Joan Osato: [00:01:49] I consider myself a child of immigrants in this country. My lineage Japanese, Japanese American by way of Hawai'i a lot of my lineage is carried by that diaspora, but also by my history at Youth Speaks for a couple of decades. And so I consider that my family also and Camp Santo.    Miko Lee: [00:02:12] Yay. Love that. And then Joan, what legacy do you carry with you?   Joan Osato: [00:02:17] A legacy of resilience and I know how to farm. I like to think of myself as a gardener and a great farmer. so that's the legacy I carry with me.    Miko Lee: [00:02:29] Thank you so much, Joan. Sunhui, what about you? Who are your people and what legacy do you carry with you?    Sunhui Chang: [00:02:36] Well, I'm part of the diaspora, the Korean American diaspora that happened in the seventies. My family immigrated to the island of Guam in 1976, as part of developing the island of Guam. As, you know, the Korean diaspora at that time in the seventies, we were kind of shipped around the world a little bit, for our labor. There's a huge Korean population of workers that also went to West Germany and other places, Guam is not as well known, but it was definitely part of that. So in 76, our family landed on the island of Guam.    Miko Lee: [00:03:11] Wow, that's so interesting. And then what about what legacy you carry with you?    Sunhui Chang: [00:03:16] I think my legacy I have to say is that definitely of the immigrant working class, you know, as with a Korean diaspora, there's some things of, like the East Coast Koreans, as you may know, have a different history of being much more educated whereas kind of the west coast and the Korean diaspora during the seventies towards islands like Guam, we were much more working class. So that is my legacy. I have working class roots that, I never seem to be able to get away from and I don't want to.   Joan Osato: [00:03:47] Shoot. That's the same for me too, my working class roots.   Miko Lee: [00:03:51] So it sounds like you two have some commonalities there and that seem to have flowed over into the creation of this play. Sunhui can you talk about an overview of this brand New World premier, the boiling.    Sunhui Chang: [00:04:05] Simply put, it's a story of a tracker and a tracer, a government team that was formed to track and trace down carriers of the virus called the Boiling. and it actually. starts out as a chase, but what we really dig into is more about, identity, home, what it means to be, what is home and what it means to be, at home, and also, about redemption, you know, through our lives, you know? So it's multi-layered, so it's hard to kind of explain in a log line. but it's a chase story that kind of delves into the characters.    Miko Lee: [00:04:40] And I understand this was inspired by a real news story. Can you tell us about that real news story?    Sunhui Chang: [00:04:46] Oh, yeah. the genesis of this we have to kind of go back to the beginning of the pandemic back to December, 2019. I had just finished a gallery installation in San Francisco and then at the end of that I flew back to Seattle. Now at that period of time, there was this talk that there's this virus that's in China. That might affect us, we're not quite certain, but it could be something that could lead to a global pandemic, but we didn't quite know at that time. But then when I landed in Seattle, March 17th, 2020 was the date that Governor j Insley shut down the state of Washington. So that is a big take 'cause, As you know, we all hunkered down at that point. And then in one of the hunkering down is of course, I was watching the news and one of the news story, happened to come across where they were talking about a Econo Lodge motel that the state of Washington had purchased to turn into a quarantine motel, a voluntary quarantine motel where people who, felt that they were infected could check themselves in, to be evaluated. So the story goes that two people had actually checked into this motel totally voluntarily, but one of them the morning after. And this is captured, with a surveillance video. We actually see this one person walking out of their room at the motel. We see them walk across the street to a gas station with a market. Now the surveillance actually then switches over to the gas station surveillance, which shows him walking to the gas mart, walking inside, making a purchase, and then actually walking out. And then we see another footage of the surveillance that's going from the outside surveillance of the store. We actually see him, walk towards the bus stop, get on a bus. And then just the bus leaves and that is it. And the news story ends with that. They had no idea where this person drifted off to. and for me it just, it had this weird, eerie fascination that just grabbed me. and remember at that time, Seattle was such a hotbed for Covid. It was where the nursing home happened, where so many of the elderly had passed on, and we didn't even wanna secondhand touch a surface, so there was a real heightened sense of alarm that was happening. So seeing this story of this potential infected person just drifting off. And then what made it eerie was that I wanted to see what followed up. So for days after I kept watching the news, what is the follow up? What happened? It was never brought on again. Never. Another mention I. and for me that actually made it even more eerie. So it really sat with me, to the point where I had to actually just write down the first words of my, the first line of my story, the boiling. And the first line was, “Carrier X stepped out of the tightness of his room and breathed deeply the soft drizzle of the Pacific Northwest to cool his body from the growing fever.” So those were the first words that I wrote. and then it was just kind of off to the races 'cause the way I write Miko is that I'm very much organic. I kind of set a story and then I become a vessel of the story. I don't come to the story with agendas or anything of that nature. After the first sentence, it just kind of took a life of its own. So that's it.    Miko Lee: [00:08:18] That is amazing. I did not hear that story. and the real news story. That is wild. That would've sat with me too. Joan, had you heard of that story before being brought onto this project?    Joan Osato: [00:08:29] Well, when we did a reading during the pandemic. I did hear parts of that story, but I think it's also a story that a lot of us can relate to, because like here in the Bay Area, of course, we also experienced severe lockdown. Whereas in other parts of the country, I think that the type of lockdown, although being, you know, trying to be really safe for people also induces this sense of isolation and paranoia. And so wanting to get information about who's getting affected and like, where's it happening? I think that was all like kind of a mini obsession of like. Everyone who experienced the pandemic, you know what I mean?    Miko Lee: [00:09:10] How do you think that pandemic has had an impact on theater and on audiences?    Joan Osato: [00:09:16] Well on the most basic levels, you know, like what theaters are grappling with, just in terms of coming out of and recovering from pandemic, I think everybody understands that, you know, theater in general is struggling because of the changes that happened in terms of, Perhaps what people place importance on the isolation that we went through, the kind of, paranoia about being in groups of people and in space and in community together. And so, that affects, you know, theaters and you can, you can see that since the pandemic some have closed. But I also think that, the effects are also that, groups like The Magic or Campo Santo during the Pandemic, we never stopped working and we just figured out innovative ways to, you know, support artists, do radio plays, do, amalgamations of like filming. And so a lot of us became like very, very adept at different types of media that are theatrically based, like Sunhui's play, but that we had to carry out, like online or, you know, through other types of media.    Sunhui Chang: [00:10:30] I just wanted to add on that is that, the pandemic, you know, there there was definitely things that really affected us as humans in such a negative way, but what I also found admiring was, with Joan and Camp Santo and the artists and trying to find creative ways of, still letting, having an outlet. it really was that the story of the boiling would not have taken place if artists such as Joan and Camp Santo. If they didn't, if they weren't able to pivot and make these kind of online transitions at the moment, such as doing readings and such, cause that's how the story was first brought about. So, in many ways it was hard. But also I do appreciate these artists who have been able to kind of keep going and didn't shut down and kept letting the creative creativity somehow flow. I so appreciated that.    Joan Osato: [00:11:20] Yeah, it was definitely a beautiful thing. And then, you know, Miko, throughout the pandemic, you know, we would have like online viewings of our archives or we would sit with audience members, who were joining us and basically hang out for like three, four hours online. So trying to create the space not only to kind of generate support for artists who are. Completely outta work, but also to, just connect us even though we were. You know, obviously under these conditions where we couldn't see each other in person and it wouldn't have been advisable for us to even try to gather, you know, because, I consider us, you know, in-inside of our community extremely vulnerable. So, you know, just grappling with that tension, was really hard.    Miko Lee: [00:12:09] Yeah. And I kind of hear both of you saying that in those really tough times, there was this push to get more creative, to find more ways of reaching people and, and to look at ways that we can, um, innovate given that, and I'm wondering, given our current political climate where things are changing every hour now. I mean, the first Trump administration, it was kind of every week and now it feels like every hour a new kind of devastating thing is happening. I'm wondering how you both think theater can be used as a tool for social change.    Sunhui Chang: [00:12:41] For me Theater and, and really the arts, what I do love about it, is this really, and I kind of touch upon it with the story and such, and it really hit me during, COVID, during the pandemic, is that it's really for me, what it does is listening.  I know as artists, we love telling our story. We love telling what we see, our interpretations and things like that. but I think what I have really come about with the arts is the fact that I like the other side of it is the listening part, for me with my collaborators, that I have to listen. You know, it's not about just me talking, but just listening. So for me, the theater aspect of it and the art aspect of it is that I hope that, as we go through these tough times, what it really has us doing is listening to each other more. One of the things that I really feel in that way and appreciative of listening is the fact that without listeners, there's no storytelling. Listening is really the foundation of our humanity. You know, I mean, just talking really gets us nowhere. What really makes us move forward collectively is listening.   Joan Osato: [00:13:50] Mm, Sunhui heard that. Yes, I heard that. [laughs] As far as theater and kind of responding to the moment. I think, you know, the type of theater that we embody is always speaking to politics is always speaking to, you know, the culture of the moment and especially it's speaking, because a lot of Campo and the Magic's work is like based inside of, theater companies that live, work, breathe, are about by and for the communities, like in the Bay Area right. So there's just no way of separating the kind of politics from what happens like inside of these plays. For the boiling in particular though, I think there's a lot of stuff that, that people can think about and here inside the play that will resonate with them. One, we're, we're talking about a hypothetical, but it's not really a hypothetical situation about a pandemic, a very, harmful, very urgent, current conditions. You know, when there's no CDC to have, get your information from when there's no public health that's functioning in this country, we can, we can see what happened during the last pandemic and just make that comparison and draw those comparisons, you know, what would happen in the next one. Right. also that, you know, to me and Sunhui, you can totally. speak to this, but to me, Carrier X, the person that represents is this kind of violence and nihilism that exists inside of the, you know, the current, you know, psyche or administration right at this moment. this real like. It's definitely violent to the point of not caring whether people live or die and so I, you know, I think that's very striking about the play and it happening right now as premiering it right now, because I think people can draw a lot of parallels between. Like this personality, this complete disorder that seems to be going on, like not only in American politic, but amongst the large population in America itself. You know what I mean? That kind of disregard.    Miko Lee: [00:16:18] Joan, that is so interesting. I wonder if you both can talk a little bit more about Patient X as this kind of figure of narcissism and selfishness that we're seeing that's happening in our broader politics right now.   Sunhui Chang: [00:16:31] Yeah, Carrier X, he does, you know, he does kind of represent this nihilism of American nihilism, which to me it's really historical and cultural. we could go all the way back to the nihilism of manifest destiny, feeling like we have something to do that it was even, maybe. God's order, you know, a higher order that was given to us. And we have to take on this task and finish the task at no matter what cost, right? By any means necessary in a way. and that nihilism for me, I. historical, but when I see it currently that happens now, is that I see nihilism in the fact that people want to cut off Medicaid, Medicare, these social programs that are not just help people actually are crucial and it's really, it's a survival. So for me, when I see that kind of disregard, yes, it's not this overt violent nihilism, but I do find it to be so nihilistic in the damage that it does to all of us, you know? And I do find That this nihilistic violence, there's two flip side to it. The people who are directly affected, and harmed by it, but also the people who carry it are out, who carry out these acts of nihilism they do get damaged as well. So for me, so yeah, the nihilism, it's taken on a different life, but. It's a part of America and it seems to continuously carry forward through our days.    Miko Lee: [00:18:00] And Sunhui with the intentional characters, the lead being Korean American adoptee, and, the detective being a black woman, and then carrier X being white. Share with me a little bit about the racial element and your intention behind making those characters of those, ethnic backgrounds.    Sunhui Chang: [00:18:20] You know, there was no intention, as I said, I just write very organically. So there was never this thought of, oh, here's the three characters. One's gonna be a Korean adoptee, one's gonna be a black homicide detective, and another's gonna be a white carrier. It was never that I. It's hard for me to explain the process, but those were the characters that just kind of naturally came out. for me, it just felt fitting to it. So, I don't have agendas as I write, as I said, so there was none of that. It was just for me, as a vessel of the story, as a story was coming out, it was just. Oh yeah, this character is this, this character is that, and this one is this. so no intention. But, once those things came alive, then the story kind of, evolves around what's, organically happening. So yeah, there wasn't intent, but at the end of it all, of course, I go, oh, I see what has come about and how the story is so, In hindsight now going, oh yeah, I did this. for me, it feels right in the, in the fact that for me, this is America Miko. To me, I, I don't write with an Asian American kind of pen, or, or a brown person pen for me, I actually first and foremost say I'm an American. There's no way around it. and it's simply put too, is that. I am an American. so for me, these characters are just. Natural. And when I know about me being American and knowing about American history, these characters just naturally fit in, you know?    Miko Lee: [00:19:50] Yep. Thank you so much. I've read that you talk about new Americana theater. Mm-hmm. And also Joan, you were talking about how during the pandemic, you know, everybody's learning new techniques, new ways of storytelling, just because everybody was forced to with the lockdown. Sunhui, can you talk more about what you believe New America Theater is all about?    Sunhui Chang: [00:20:12] For me, the reason why I kind of see it as new Americana theater, first off, 'cause it's, it's American, the stories that come out of me is very American. you know, and I recognize it. And for me, I, it is, this is part of the American fabric, so that's why it's called Americana. And for me, I say it's new. 'cause what's new is the perspective that it's coming out from. perspective, which brings on different characters, a different storyline, you know, different message. So yeah, that's, that's it for me when I refer to it as New America in the theater. It's just that, that it's, it's an American tale that now we've been able to incorporate new voices into.   Miko Lee: [00:20:54] I noticed there's a really large list of collaborators. Of course the two of you, but then there's a lot of other people as well. Can you talk about that creative process, how you all were able to work together, how you made decisions about, oh, this is the part we're gonna use film, this is the part we're gonna use, movement.   Sunhui Chang: [00:21:11] Like I said, it's very much organic. Our third major collaborator is Ellen Sebastian Chang. she is the director of the show, and when me, Joan and her, we first started delving into it, we did. It was just sitting down and talking a lot. Going through the scripts, the different skill sets that we bring in. And really it was through the dialogue miko and of us talking with each other, but also listening to each other. and that was a big part is that as we started listening to ourselves, we came out with this direction.    Miko Lee: [00:21:47] And what would you both like the audience to walk away with after seeing the boiling?   Joan Osato: [00:21:52] I think, you know, as Sunhui talked about this, ritual of deep listening and so, the play doesn't guide anyone towards some natural conclusion that they should have about, you know, it's, it's not saying you, you must believe this, it's really leaving it up to the viewer, the listener, to draw their own conclusions. And, I think that, that people who come to this will be incredibly moved. I think that they will see a lot of parallels with what we're going through now and what we've gone through. And examine there is a kind of shameful history that we all need to grapple with, whether we own it or not. You know, Sunhui had talked about manifest destiny and that being like one of the founding, you know, kind kinds of principles that this country is founded upon. And there are many, many others That I think the play touches on which give pause and, and give the people who are engaging with this, room to think and reexamine their own actions in the world and how they approach it.   Sunhui Chang: [00:23:02] I'll just mention as an aside, you know, some of the things that we're looking at is. Our disconnect from the natural world and how that has impacted the natural world. Right.  I think Joan is spot on in, in that about, yeah, first and foremost, I do find this so important once again to say about listening. I do. I, that is the big thing that I would love is that for us to, if we really wanna truly have dialogues, and especially with people who we disagree with, and there is a lot of disagreement in this world right now. and for me, yeah, to, Get us back to a place where we could really listen to each other and not be in such a place where all we wanted to do is kind of say what we have to say. It's almost this thing of, oh, you know, the other has to listen, the other has to listen. And I really would like it that it becomes kind of more inward that we all say, Hey, it is time for me to listen. And then of course just the fact that when, as we listen to each other, what I do find and what I hope that others find as well, is that we're much more connected and we have so many things that tie us together than separate.   Miko Lee: [00:24:19] Well, thank both of you so much for joining us on Apex Express. Is there anything else you wanna add?   Sunhui Chang: [00:24:24] Just one thing, Miko, one of the elements of this play, is this natural world with birding and I would love to just, one of the big inspiration is that it's just a quote from Emily Dickinson and the quote is, “hope is the thing with feathers.” For me, I would love for people to kind of sit with that and think about that and what that means for us as human beings in relationship to the natural world, you know, and the importance of that.   Miko Lee: [00:24:52] Oh, that's such a beautiful visual image. Thank you so much for sharing that. I appreciate both of you for sharing your time with me.    Joan Osato: [00:24:59] Thank you, Miko.    Sunhui Chang: [00:25:00] Thank you Miko    Miko Lee: [00:25:01] The Boiling is a brand new play, and it's a story of a Korean American adoptee Brian, who's a virologist from the Midwest, and a former homicide Detective v, a black woman who lives in the Pacific Northwest, and they're partnered to do this trace and track from north to south. They're following David, a white nihilistic carrier of a feverish virus called the Boiling. This world Premier Show opens to the magic theater and runs from April 2nd through April 20th. You can get more information about this show, including links to buy tickets at our show notes on kpfa.org/programs/apexexpress.   Ayame Keane-Lee: [00:25:42] Next we'll listen to an excerpt from The Camp, the first opera on the Japanese American Concentration camps during World War II. The camp premiered from February 22nd to March 2nd, 2025 at the JACCC Aratani Theater in Los Angeles. Composed by Daniel Kessner, who combines modern classical with Japanese instruments, A libretto by Lionelle Hamanaka, directed by Diana Wyenn, with Associate Director John Miyasaki, 11 singers and a 22 piece orchestra conducted by Steve Hofer. The incidents in The Camp Opera were drawn from different camps where over 126,000 Japanese Americans were imprisoned to see the many Japanese American groups that supported this project, including JANM, DENSHO and Raf Shimpo see the camp opera.com and if you know a place where The Camp can be performed near you, please contact the campopera.com/support.    MUSIC   Miko Lee: [00:27:53] Welcome to Apex Express. I'm so glad to have Eth-Noh-Tec once again, we get Robert Kikuchi-Yngojo and Nancy Wang.   Nancy Wang: [00:28:03] Yay. Yes. Hi. Hello. So glad to be here with you Miko.   Miko Lee: [00:28:07] We have been friends and colleagues for, it feels like a hundred billion years. The times that we're in are so complicated right now. But I just wanna first start with the question I often ask people, which is for each of you to tell me who are your people and what legacy do you carry with you?   Nancy Wang: [00:28:27] Well, I am Chinese American, and I am fifth generation on my mother's side. And. So we go all the way back to 1850 when our family first came on a junk boat and started the fishing industry in the Monterey Bay area.    Robert Kikuchi-Yngojo: [00:28:45] And I am, half Japanese, half Filipino, born in San Francisco, raised in Concord, California, and living in the Bay Area for all my life.   Miko Lee: [00:28:50] And what legacy do you carry with you?    Robert Kikuchi-Yngojo: [00:28:58] Well, I guess the identity I have as an Asian American, Japanese, and Filipino, um, I embrace all of that. The legacy is, as an artist, a performer. I've dedicated my life to creating works that reflect an Asian American consciousness, social, political, cultural. Both traditional works as well as new modern stories and music as well.    Nancy Wang: [00:29:25] And I was also a psychotherapist, so my work in the arts, whether it's dance, which I started out being a dancer and then a playwright, and then storytelling. I always weave in the healing aspect of what we all need to do in our communities. And so I use my art to also bring solace and bring celebration and bring, Depth and and the breadth of who we are as Asian Americans, as human beings, as part of this world, this country, then this city, so that we can celebrate who we are together.   Miko Lee: [00:30:04] Thank you for that. I hear you talking about activism, Asian American history, who we are and healing. I'm wondering if you could give me an update about what you're working on right now.   Nancy Wang: [00:30:14] Well, we have several things in the pipeline. I, for one, just finished writing and has now published Red Altar, which is the story of my ancestors. Three generations are followed in this book, about how they established the fishing industry in the Monterey Bay area. All the ways they had to reinvent themselves as laws were passed against them. The people try to get rid of them. And it's really a story of courage and determination and persistence, ingenuity and obviously success. Because I'm here. So I'm gonna be doing some more readings and that can be found on our webpage. Right. And Robert,    Robert Kikuchi-Yngojo: [00:30:55] I am focusing on archiving our work and after working with Nancy and creating Eth-Noh-Tec for the last 43 plus years, we have developed over 200 stories, and we put them on stage. We've written them, some of them are now being written as a compendium of stories. These are Neo-traditional folk tales and myths from Asia. And, people don't know much of this, but I am also an artist, so I'm creating illustrations that depict these stories. That's one project.   Nancy Wang: [00:31:23] Yeah, that's our next book. but what we're really excited about is our second Strong Like Bamboo, stories of resilience in the era of Asian American hate, but it's really broadened beyond Asian American because this year on May 22nd, will be a gathering of Latino and Asian artists and musicians, storytellers, and activists to just sit around and really share our stories, share our music, share our concerns, and to build bridges with each other because it, we will need to increase, our coalitions during this era. It's gotten worse, so we really need to come together.   Robert Kikuchi-Yngojo: [00:32:08] and we titled it strong like bamboo because of the Asian anecdote about, you know, one bamboo can snap, but together binding many bamboo together we're much stronger. So it's a call out to the community to bring all of our constituents and broaden that so that we are strong, as people of color.    Nancy Wang: [00:32:25] And of course we're gonna have food, which always brings us all together. But also bamboo can bend. Without breaking, so that's on a Thursday, May 22nd. But on May 25th, I have curated four other storytellers to tell their stories of their racist experiences and how they came through it to a healing place.    Robert Kikuchi-Yngojo: [00:32:48] There's a gathering of Asian American storytellers, both from the Chicago area and also from the west coast.    Nancy Wang: [00:32:53] And there'll be a panel so they can ask questions and we can have discussions. But after that, the people in the audience will have the opportunity to break up into small groups of three in which they get to share their own stories, their own concerns, and that's really the whole thing is about inspiring people to come through what they're going through and coming out, on the other side with some hope and healing. Because when we share our stories, we lift that particular burden of, say our story about our racist experience. We lifted off our own shoulders and we get to share it. With someone who's listening with compassion and we don't feel alone anymore. It's really a powerful, powerful way to find community connection, relation, and strength.   Robert Kikuchi-Yngojo: [00:33:45] And we'll have also in both of those events, resources in earlier years, I was an Asian American songwriter and did a lot of songs of not just identity, but of unity. I'm also gonna be singing a theme song called Bamboo, which is part of the title and also, a work by Chris Jim, famous of the Chris and Joe Asian American Duet from years ago. the one song we're still here, though it was written 30, 40 years ago. It's still pertinent to what's going on now, especially declaring that America is a multiracial, multiethnic, texture of society.   Nancy Wang: [00:34:20] and, in 2026 we're gonna bring on, African-American and Euro-American, storytellers also, so that we really have a multicultural representation of all who we are and how we still will need to come together. I hope things will be better by 2026, but who knows?    Miko Lee: [00:34:39] Thank you so much for sharing about how storytelling can really be a tool for social change. Is there anything else you wanna share with our audience?   Nancy Wang: [00:34:47] Yeah. please come to our strong like Bamboo on May 22nd and 25th is gonna be at the San Francisco Public Library Main Library, both are free to the public May 22nd the Thursday at May 22nd, it's gonna be in Hispanic room,    Robert Kikuchi-Yngojo: [00:35:05] and what time?   Nancy Wang: [00:35:06] Six to seven-thirty. And on Sunday it'll be in the presentations, the performances in the panel will be in the Koret auditorium, and then small groups will convene in the Hispanic room, which is right next door, and it's got elevators. So no problem, in getting there. Plus Bart and the bus is, it's easy to get there. And so that's what we wanted so that people could feel welcome.    Robert Kikuchi-Yngojo: [00:35:35] And that second show on Sunday Strong like Bamboo will feature our guest artist storytellers, professional storytellers. One of them being a local Eleanor Clement Glass who's half African American and Filipino, talking about her experiences. And then also, two guest artists from Chicago, one of them being Lillian Ji, who is a Japanese American hapa. Then third is, Archie Jun, who is a Thai American gay comedian storyteller who is a total riot. we are really wanting to blend many of our communities together to hear this talent Yes. And to deal with the topics.    Nancy Wang: [00:36:10] So we would love for the LGBTQ plus community to come out as well and support him and feel proud because all of the stories will, will really showcase our strength and our ability to deal with these things and come out the other side. So we are hoping that in the process of telling our pain, but coming out, on the other side, that it will be an inspiration for everyone to keep going during this difficult, very difficult time.    Miko Lee: [00:36:41] Thank you so much for joining me today.    Nancy Wang: [00:36:44] You're welcome. Thank you   Ayame Keane-Lee: [00:36:46] You are listening to 94.1 KPFA and 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno, and online worldwide at kpfa.org.   Miko Lee: [00:37:05] Welcome Jiehae Park to Apex Express. I am so excited to talk to you about the world premier of the aves opening at Berkeley Repertory Theater, May 2nd through June 8th. Welcome to Apex Express.    Jiehae Park: [00:37:19] Hi, Miko. It's so nice to be here. Thanks for having me.    Miko Lee: [00:37:22] I wanna just first start with a personal question, which is, who are your people and what legacy do you carry with you?   Jiehae Park: [00:37:31] Hmm. I love the phrasing of that question. I was born in Korea and I came to the states when I was three years old with my parents who came to go to graduate school. And my father's family fled the north during the war. And my mother's family had always been in the south. And I definitely think that who they are and where they came from is a big part of who I am and the questions that I think of. And in a lot of ways, not just, racially and culturally, but also in terms of their interests. They're both scientists. This play deals, I hope thoughtfully with questions of identity and consciousness, that I've always been interested in.    Miko Lee: [00:38:18] And what legacy do you feel like you carry with you from them?   Jiehae Park: [00:38:22] Hmm. I mean, I write a lot about immigrants. This play isn't specifically about that, but in a lot of my previous work, I, I have. have written a lot about immigrants and I feel like my parents, you know, they came to this country when they were in their twenties. They didn't speak the language. They came from a generation of folks and at that time in the country where they were really, they had to be a certain way to survive. And I think that, intensity of work ethic, and the things that you also have to give up in order to get to where you think you wanna be, that question is, is part of their legacy to me. It's a, it's a gift and also something that, like a lot of other immigrants, I think I'm always sort of turning over in my mind and, and trying to look at from other angles.    Miko Lee: [00:39:12] Thank you for sharing. I'm wondering if you can talk to us about, first this title of your, world Premier, the aves. Where did this title come from? What is it about?    Jiehae Park: [00:39:23] So the title is the Latin word for Birds. And, the play there's a mystery that sort of unspools early on. So without, without giving too much away we see this old couple on a bench, on a park bench, and they have clearly been together for a long time and they are having a conversation that seems like a very ordinary conversation. And over the course of the first scene, we soon learn that they are discussing, doing something that will have ramifications throughout the rest of the play. And the aves is a word that I loved because of the association with birds. There, there are birds that make an appearance in this play, in both pedestrian and unexpected ways, in mysterious ways, and hopefully humorous ways. and then the connotation also of Ave Maria and this, this feeling of the sacred, which also infuses the play, which has a lot of humor, but also when I was writing it, I was thinking a lot about nature and the passage of time and this feeling of awe that I get when engage with nature. And I think that word also has those connotations for me.    Miko Lee: [00:40:46] And that sounds like a mystery that people need to come to find out more about. Can you tell us what inspired this work?    Jiehae Park: [00:40:54] I used to live on the northside of Central Park in Harlem, and I had this tiny, tiny little window that looked out, onto the north side of the park. And every day I would sit down to write and through my tiny window, I would see the same man sitting on this bench every day. And as the seasons changed and the leaves changed and the light changed, but still every morning there was the consistency of seeing the same person. And I think I I was thinking a lot about the passage of time and of nature shifting And I think subconsciously I was thinking about getting older myself. This was a time before I had children, but I was starting to become aware of my parents aging and generationally My peers, also our parents were aging and, and starting to have, you know, the complications and the beautiful things that can come with that. So I think all of that was a big soup in my subconscious. and I sat down and I wrote the first scene very quickly and then. I didn't know exactly what the rest of the play was gonna be, but I knew structurally that the first scene would be this old couple and that the second scene would be, a slightly different configuration of, of bodies. But that was hard to be so mysterious, um, and that the nex scene would be a different specific configuration of body. So I was thinking about the age of the bodies that you're watching and the story evolved from that. And I guess I should say that the play is set in a moment sort of best after now. So it's not the present, but it's not the distant future. It's certainly not like hard sci-fi by any means, but I think it uses some tools of speculative fiction. To ask questions that hopefully are illuminating about ourselves now.    Miko Lee: [00:42:59] Interesting. Did you ever talk with the man in the park that inspired this piece?   Jiehae Park: [00:43:05] You know, it's so funny. After the first couple of weeks of watching him, I realized he lived in my building and I hadn't noticed him before.    Miko Lee: [00:43:18] Wow. That's amazing.    Jiehae Park: [00:43:20] And I think that that's also something that. I had been thinking a lot about at the time this question of presence and attention, especially in New York, which is a city that is so loud. I mean, I love, I love New York and there's so many things that I love about New York, but it is such a loud city and it is hard to hear yourself think and, and the quality of attention in any. I was gonna say in any city, but in like any moment in our extremely chaotic world, I mean, especially now, that sort of quiet present quality of attention that I think is so beautiful and so rare, and I associate with, I'm not religious, but, but when I was a kid, I was, and this, this quality of, of sacred space, I think I was, I was really curious about that. And at the time, I think I had also that year gone on a silent meditation retreat. so trying to bring that quality of attention to my ordinary life as a urban citizen, I think was also part of the experience of writing the play. But yeah, he lived in my building and I hadn't noticed him before. And so this question of what do we notice and what do we need to shift in ourselves to notice what's in front of us and has been in front of us.    Miko Lee: [00:44:44] I am hearing you talk about a sense of presence and, and time passing. I'm wondering if that is what you want the audience to walk away with or are there other things that you're interested in provoking with this piece?    Jiehae Park: [00:44:57] As an audience member, when I go to any play, I always hope to leave a little bit different than how I entered and. That shift can be really subtle. In fact, for me as an audience member, sometimes it feels more profound when it is subtle. So on, on like at like a really baseline level. We've been having a lot of conversations with the design team about how to create this. Quality of space that feels different from the mundane so that when we enter the space of the theater, so for our body chemistry changes and that we are being asked by the play to lean in and pay attention perhaps in a way that we're not asked to pay attention, in, in the world outside of that room. And to be able to request that of an audience and share that with an audience. Together, I think is such a beautiful thing. And, and one of my favorite things about any collective experience when, when it all feels like we're breathing together. And my hope is that that's something that we can create, at a, like a biochemical level in our bodies, on a sort of more. Intellectual, emotional, philosophical level. I think there are questions that the play is asking about, what makes us, us and memory and the ability of a person and a relationship to change over a long period of time. And over the course of events that. May require forgiveness. those were certainly things that I was thinking about while I was writing it. So there's also that, that more character relational level of questioning that, that I think, will resonate with people, in different ways depending on where they are in their lives. And then I think especially because, you know, there's a lot of conversation about sandwich generation now, like folks, I. Who have dealt with aging themselves or aging parents and, the complexities and possibilities that can create. I think that there's another layer of the play that stirs up some of those questions as well.   Miko Lee: [00:47:04] Speaking of complexities and possibilities, I understand that you studied music and that you're also an actor and then you also write for Marvel's Runaways. Can you share a little bit about how these different elements impact you as a writer, as a creator?    Jiehae Park: [00:47:20] Yeah, so I started as an actor, which I think a lot of people do, mostly because it's the most accessible thing. Like you can audition for a play. You can't sort of audition to write a play. you can just write a play. But that, I think, came later for me. I don't really perform a ton anymore, although I did love it. and then the shift to television happened eight or so years ago. There's a big movement of playwrights moving into television, during peak tv. And they're very different. there is some shared similarity in storytelling instincts and craft. but the mediums are just really different, so I feel like I get very different things from, from all of them. I feel like I learned being a performer for a long time. As an artist, it's just getting to bump up against people who you think are fascinating and learn from them what you like and what you don't like, and who you wanna be and who you don't wanna be. and from tv I think I learned, To not be so precious. It takes a really long time for me to write a play. and I used to think, oh, I have to go into the woods and like be silent for a month and then like a play will emerge. And like sometimes it happens and it, that feels like a blessing when it does. But in TV, because there's so much money at stake and so much time pressure that you know, when something's due, it's just due and you turn it in. And if it's not perfect, you just deal with it and you make it as good as you can. And I think that there's a certain amount of shedding of perfectionism, which has been really healthy for me. but I do. Love the theater for the ability to spend a long period of time contemplating something and, and making it with a group of people who feel inspiring and we're all moving towards the same thing. and I think there's a little bit more space or a lot more space in the theater for things that may feel. mysterious or more open. whereas in television especially these days with the sort of decline of peak TV, there's an expectation of propulsion. Like overt propulsion, if that makes sense. That is not a criticism like, you know, I also love TV. but it is, it's like the pace of it is different and the ask of it is different than the ask of a play and and the baseline thing of just, you're not in the same room with the people experiencing it that is so special in theatre.    Miko Lee: [00:49:45] How do you go about shifting that mindset for that kind of speed of TV that you're describing versus the kind of longer meditative state of creating theater?    Jiehae Park: [00:49:55] Yeah, I mean, I think there's hopefully a two-way exchange. Because I also think that bringing some of those qualities of thoughtfulness and deliberation to the world of TV within the container, within the boundaries of it, can be incredibly useful. And ultimately a lot of the things that delight people, delight people regardless of the format. So that, like, that feeling of inevitable but surprising, like that's something that is of tremendous value in all mediums, right? I think for me personally, when I write a play. I try to make a space in my life that is a little more still. and I have a toddler now, so that's challenging. But in a way, working in television has been really helpful for that because, you know, I don't have five hours in the middle of the day to, you know, be with myself and listen to the trees. I maybe have like 30 minutes, but to try to drop into that as. quickly and without angst, without like working myself up about it. 'cause that's a waste of time. That's been a useful lesson to learn. Whereas working in television can feel a lot less lonely also than playwriting because in a writer's room, most shows in the states are written in the writer's room, there are few exceptions, and you're with a group of people. And so there's a sort of energetic exchange happening there that in a play only happens much, much later when you're in rehearsal and ideally in production. there's a sort of joyful energy and exchange that can happen in a writer's room, both when you're breaking the story and then ultimately when you're in production. And there's like many, many more people involved. And there's the crew and the cast and you know, all of the technical departments and producers. I feel like you mentioned, Code switching earlier. And, humans are so adaptable and I think we automatically sort of shift our brain chemistry and our body chemistry in response to the environment around us. sometimes very consciously, sometimes unconsciously, sometimes both. so I think a certain amount of that is just, okay, these are the given circumstances. And then, you become who you need to be in that space.   Miko Lee: [00:51:54] Thank you for sharing. Okay. I have one last TV question, which is that given that everybody's in this writing room together and you're, there's kind of a speed that's attached to it, do you feel like things get thrown out more quickly and with less kind of emotion attached to it than in theater?    Jiehae Park: [00:52:10] It's possible. I think it depends on the person. So I just worked on season four of the morning show last year. And there is a real need on that show because it deals with the news to be absorbing what's happening in the world and shifting the story based on that. And so that there has to be a sort of lightness around that. So in that kind of environment, absolutely. but I've also been in other rooms where someone got really attached to an idea, and maybe it was clear that that idea wasn't gonna work out, but there was, there was still like something, in it that wanted to be held onto and, and it may be hung on for a long time. And that process. Also could have happened, like that exact parallel process could have happened in a play. And actually in neither of the situation, is that necessarily a bad thing? Like is there something about that idea that maybe is not the idea itself, like the emotional core underneath it or the deep, deep idea underneath it that is useful? That even if the manifestation of the thing doesn't continue, if the manifestation gets thrown out, but like the real thing that was underneath it was important gets folded in in some unexpected way. I don't think it's a bad thing either way. It just is the peculiarities of any particular process.   Miko Lee: [00:53:22] And it sounds like it's about the people too, right?    Jiehae Park: [00:53:25] Yes, definitely. Absolutely. Yeah, yeah. Yeah. And I've certainly been in that book where I'm like, oh, I really think it's like this. It's gotta be this, it's gotta be this. And then, you know, two years later, I look at the draft, I'm like, oh, no, no, no. It, it is definitely not that. Like let me take that entire thing out. and it just was in that particular moment, I wasn't ready for whatever reason to let go of that idea. And that's okay. I am now, and then it moves on.    Miko Lee: [00:53:48] We're circling back to the beginning of the conversation about the aves, which is about presence and being in that moment. And where you are in that moment might be, no, this isn't right. And then years later you say, oh yeah, that wasn't right. Or that was right.   Jiehae Park: [00:54:03] Yeah, exactly, exactly. To listen to yourself is a, you know, I, I am, I've been doing this for a long time now and, that is still something that I feel like I always have to learn, that I think just is a human.   Miko Lee: [00:54:15] Yes. The perennial lesson of Yes, intuition. I'm wondering if you could tell our audience why they should go see the aves.    Jiehae Park: [00:54:24] My hope is that if you are curious about a certain kind of experience and attention in the theater, that you'll accept our invitation to this play, which is an unusual play. I don't think that everyone should see this play, just like, I don't think everyone should see any particular work of art, but if the things that we've been discussing, if the sort of vibe that you're getting from this conversation resonates with you, then the experience of seeing this play with a group of people who are also curious about that kind of experience may be something. That is enjoyable for you and would probably therefore also be enjoyable for that audience to be together with you and for the play to be together with you in that space.    Miko Lee: [00:55:17] Thank you so much for spending time chatting with us. Folks can see the aves at Berkeley rep May 2nd through June 8th. Thank you so much, Jiehae.   Ayame Keane-Lee: [00:55:26] For you Asian American film makers out there: SFFILM announced a new annual filmmaking grant in partnership with Cedar Road. The SFFILM Cedar Road Iyagi Grant is dedicated to fostering bold, original feature film projects that amplify Asian and Asian American perspectives on screen. In Korean, iyagi means “story”—a word that embodies the heart of this grant's mission: to champion storytelling as a powerful bridge connecting people across cultures and perspectives. A link to the grant application will be available in our show notes.    Miko Lee: [00:55:58] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important.    APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.  The post APEX Express – 4. 3.25 – Coming Up Next appeared first on KPFA.

出演者： miko、quim 配信ペース： 隔週水曜日（予定） 番組時間：109分30秒 ♯本番組はリモート収録です。 ♯収録時環境の影響により、全体的に聴き取り辛くなっております。 　申し訳ございません。 ――『解散だね』とquimが言ったから四月一日は解散記念日 mikoラジ、第369回です。 初手、解散――そんな始まりの2025年度、一発目の収録。 真面目にプレスリリースを出すかどうかの話から、物持ちの良すぎる話等々。 自由すぎるお家ラジオは2025年度も健在です。 たっぷり100分オーバーのラジオ。 最後までごゆるりとお楽しみ下さいませ！ ♯途中で色々とノイズ等入りますが、収録時のものです。 　ご安心ください、お手持ちの機器は正常です。 //////////////////// VOICEVOX:ずんだもん VOICEVOX:四国めたん //////////////////// -------------------- ●お便り募集中！ mikoラジでは以下の内容でお便りを募集中です！ ・ふつおた 　／普通のお便り、お待ちしています！ ・mikoは大変な絵を描いていきました 　／miko画伯に描いて欲しいお題をお待ちしています！ ・メシヲコエテ 　／料理人・mikoに教えて欲しいレシピをお待ちしています！ bit.ly/2GAWjyv 投稿フォームからラジオに投稿が出来ます！ コーナー名を選び、メッセージ・ラジオネーム・お所を入力して、 どんどん送ってください！　お待ちしています！！ ------------ 本ラジオのメインパーソナリティーである「チーム我等(miko/quim)」、 それぞれ以下個人サークルにて活動中です。 ・miko：miko ・quim：SHIGANAI RECORDS（ shiganai.com/ ） 活動詳細については、上記HPの他 各人のブログ/twitter等にて随時告知しておりますので、チェックしてみてください！ ・みころぐ。(mikoのブログ)（ ameblo.jp/miko-nyu/ ） ・@ mikonyu(mikoのtwitter)（ twitter.com/mikonyu ） ・@ quim(quimのtwitter)（ twitter.com/quim ） --- その他の活動については、以下のとおりです！ -- チーム我等がメインクルーとして活動していた「アルバトロシクス（ albatrosicks.com/ ）」、 これまでリリースしたCDは、イオシスショップ（ iosys.booth.pm/ ）にて頒布しております。ご興味ある方は是非！ ---------- ☆2025年4月IOSYSはいてない.comパワープレイ楽曲 M3. M4G&N3T & Liqo - Make My Day 作編曲：M4G&N3T & Liqo 収録アルバム：Liqo - Electric Samsara 音楽ジャンル：Happy Hardcore ハードコア/ドラムンベース/ロック等様々なジャンルを取り込んだ新曲11曲を収録。 ゲストに3-SYSTEMS/Numb'n'dub/TRIΔNGLE/M4G&N3T/楽天斎/ リミキサーにSAVAGE STATESを迎えたLiqo 3rd Album。 2024・10・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBDCD-017

Gościem Mikołaja Teperka jest Jacek Spendel, Fundacja Wolności i Przedsiębiorczości.

🟧チャンネル登録・高評価、＼ﾊｧﾝ!／よろしくお願いします！ ✅番組時間：30分00秒 ✅出演： ジャーマネ (Arima.Y) 2005年にスタートして、ついに700回。 みなさんのおたよりだけが頼りなこの番組。 回替わりレギュラー陣がお送りします。 　 ✅コーナー： ふつおた 🟧投稿フォームはこちら。 https://forms.gle/DkTHQ38qNNWTPpta7 （新） https://ja-mane.com/form/ （旧・画像添付可能） 🟧投稿テーマや締切など、番組情報はジャーマネ.comからどうぞ。 https://ja-mane.com 🟧アリキラ白書 2023、公開中！ https://ja-mane.com/blog/2023/10/26/hakusho2023/ 🟦CLOSING MUSIC 極東の羊、テレキャスターと踊る by しゃろう https://www.youtube.com/watch?v=qy05MFjNZbE ■2025年3月29日配信 #ラジオ #webラジオ #IOSYS #イオシス

ぬるぽ放送局投稿フォーム https://docs.google.com/forms/d/e/1FAIpQLScwYSAEyRhDCHd-JRk9dLA05JKnGINgvnDhY3Xmkw2lwwDjQw/viewform 2025年3月パワープレイ M01. Lost Neverland feat. DD"Nakata"Metal 作編曲：RoughSketch 収録アルバム：RoughSketch - LOST NEVERLAND 2024・10・27 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-048 番組時間：78分3秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/3/27に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・うどんの話を先週もしてましたね ・徐々に冷めていくうどんを見守ることしかできない ・CM10分にします？ ・年度末忙しいですね ・メールの返信を2段階残してる ・31日はおまけだと思ってます ・世の中聞く方が追い付かないのでは？ ・全人類の50%以上がVtuberに？ ・Vtuber元年2.0 ・CMの間にうどんを食べます ＜Aパート＞ ・きみ、うどん食べるパントマイムうまいね ・うどん元年来ちゃったね ・ふつおたです ・農機メーカーから記念品届きました ・リスナー同士の癒着 ・今年の農機元年 ・フォロワーに夕野さん ・一緒にサウナも入ってくれるのかな？ ・今日の怪文書 ・イオシスの曲歌ってなかったな ・ベイクドモチョモチョ ・あれ？さかなくんのモノマネは？ ・あれ、たまに食べたくなりません？ ・鶏肉モチョモチョは悪くなっているのでは？ ・黄身がチャンバー ・モチョモチョ万能だな ・パンツ型マイクロファイバーって何？ ・秋葉原とパンツ ・バニーガーデンのポップアップストア ・変態仮面はできない ・何々？暗号？ ・婚活お断りされました ・山形は企業の詐欺被害が酷い ・田植え前から米の予約 ・前回のぬるぽの振り返りもしてくれる ・やはり米がうまい ・ガールズバーの方で節約して米を食べましょう ・ガールズバーのびちく ・来週は4月 ＜Bパート＞ ・うどん食べおわりました？ ・うどんRTAでした ・完食した感触を ・うどん啜れないASMR ・天気がよかった静岡 ・静岡から東京まで200キロある ・札幌から1200キロ ・みつをたです ・2週連続ニンテンドーダイレクト ・ジョイマン池谷はすぐに顔が思い浮かばない ・今週のごんぎつねはお休みです ・四国のみんなすまんな　サザエ ・カンテレが被ってる ・めちゃくちゃ燃えてた秋田書店 ・Switch 2の情報はなくても3はあるかもよ？ ・サザエさん被り ・ブルアカASMRはいいぞ ・湿度が高い ・今日のパンティーはここまで ・ドキドキ縄文人さんは誰かではなかったのですね ＜エンディング＞ ・コーヒープランはがんばって記事を書いてます ・いつまでもあると思うな親と在庫 ・いつまでもないと思うな親と在庫 ・近日再生産予定してます ・YouTube 200万再生！ 　【東方MV】イタ電はやめて！ ぼくらのスカーレット・コール【IOSYS】 ・そこ足しちゃうんだ ・マイクロパンツはパンツなんだよ ・あたいのパンツみさらせやー ・YouTube 600万再生！ 　【東方MV】魔理沙は大変なものを盗んでいきました【IOSYS】 ・狐夢想さんこわっ ・進捗どうですか？は年度末にピッタリの曲 ・2025/4/6イオパあります ・ぬるぽつめあわせ17出ます ・ジャケットの案あります？ ・ゲーム配信をまじめにやってます ・何かしゃべらないとしゃべる機能が退化しますからね ・うどんのリハビリをしてます ・今日のパンティーはここまで

Today on Too Opinionated, we sit down with Christina Cooper, a dynamic force in the entertainment industry, as she takes the spotlight in BET+'s latest film, Sugar Baby, which premiered on February 13. Christina Cooper is a television producer, movie director, actress, self-published author, Forbes 30 Under 30 nominee, and the CEO of Christina Cooper Productions (also known as Christina Cooper Films). You may recognize her from BET Network's South Central Love, which she wrote, produced, and directed, or from her role as Miko in the Emmy-nominated Netflix series Dear White People. In addition to acting, Cooper has produced films such as Bid For Love(BET), Athena Saves Christmas (Hulu), and Love's Perfect Song. She recently launched Cooper Cinema TV, a streaming platform reaching over 5 million households worldwide. In Sugar Baby, Cooper takes on the role of Jade, a young woman rebuilding her life after her boyfriend's incarceration, navigating a complicated relationship with a wealthy businessman played by Lance Gross. The film, created by Shaun Sinclair and Emma Franklin and directed by Jamal Hill, explores love, power, and self-discovery in an emotionally charged storyline.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Tego w "Raporcie o książkach" jeszcze nie było!Po raz pierwszy w tym podcaście porozmawiamy o literaturze dla dzieci, a dokładnie o poezji dla dzieci, choć – jak mówi gość tego odcinka, Jarosław Mikołajewski – jego nowy tom wierszy "Ja to ty, ty to ja" przeznaczony jest także dla niedzieci.Bo gdzie tak naprawdę przebiega granica między tzw. literaturą poważną a tzw. literaturą dziecięcą? Czy ten powszechnie obowiązujący podział nie jest złudny? I kto powiedział, że dla dzieci pisze się niepoważnie?Tom wierszy Jarosława Mikołajewskiego  "Ja to ty, ty to ja"   ukazał się nakładem wydawnictwa Austeria.Gość: Jarosław MikołajewskiProwadzenie: Agata KasprolewiczKsiążka:  "Ja to ty, ty to ja"   Jarosława Mikołajewskiego---------------------------------------------Raport o stanie świata to audycja, która istnieje dzięki naszym Patronom, dołącz się do zbiórki ➡️ ⁠https://patronite.pl/DariuszRosiak⁠Subskrybuj newsletter Raportu o stanie świata ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➡️ ⁠https://dariuszrosiak.substack.com⁠Koszulki i kubki Raportu ➡️ ⁠https://patronite-sklep.pl/kolekcja/raport-o-stanie-swiata/⁠ [Autopromocja]