Podcasts about material matters

David Venables is the European director for the American Hardwood Export Council. Over the last 20 years, the organisation has created an array of extraordinary installations, sculptures and products – working with the likes of Alison Brooks, Waugh Thistleton, Heatherwick Studio, Jaime Hayon, Benedetta Tagliabue, and Stefan Diez to name just a few – that extoll the virtues of wood in general and US hardwood in particular. Its latest installation. No. 1 Common, will launch at this year's Material Matters Copenhagen, which runs from 18-20 June at Gammel Dok, Christianshavn, and includes new pieces from Andu Masebo, Anna Maria Øfstedal Eng, and Daniel Schofield.  Importantly, David is someone steeped in the wood industry from birth. This is a man who really knows his material.In this episode we talk about: AHEC's new installation at Material Matters and why it's vital to promote what nature provides; how the organisation chooses the architects and designers it works with; his post-Covid desire to promote a ‘lost' generation of creatives; the relationship between fashion and wood; the history of the US hardwood forest and why it's an environmental success story; the benefits of cutting down trees; President Trump, tariffs and selling American materials globally; growing up in the family saw mill; being fired as a salesperson; and, ultimately, why wood is his passion. Support the show

In deze aflevering van Doorzetters spreken we met Thomas Rau, visionair architect en ondernemer. We duiken diep in zijn innovatieve benadering van duurzaamheid en de circulaire economie in de bouwsector. Thomas deelt zijn inzichten over waarom het optimaliseren van het huidige systeem niet genoeg is en hoe we een echte transformatie kunnen realiseren. We bespreken het belang van het Madaster-platform, het zien van gebouwen als materialendepots, en zijn visie op de toekomst van architectuur. Keywords: Thomas Rau, duurzaamheid, circulaire economie, architectuur, Madaster, bouwsector, transformatie, materialendepots. ________________________________________ 7. Shownotes 7.1 Algemene Informatie • Naam van de gast: Thomas Rau • Beroep van de gast: Architect en ondernemer • Titel van de aflevering: Thomas Rau: Architect van Transformatie ________________________________________ 7.2 Biografie van de Gast Thomas Rau is een visionair architect en ondernemer, internationaal erkend voor zijn innovatieve benadering van duurzaamheid en de circulaire economie in de bouwsector. Als oprichter van RAU Architects, Turntoo en Madaster heeft hij baanbrekend werk verricht in het herdefiniëren van de relatie tussen mens, natuur en economie. Met zijn focus op het ontwerpen van gebouwen als materialendepots en het promoten van materialenpaspoorten, streeft hij naar een transformatie van het systeem in plaats van optimalisatie binnen het bestaande. Thomas is bekend om zijn inspirerende visie en toewijding aan het creëren van een duurzame toekomst. ________________________________________ 7.3 Samenvatting van de Aflevering In deze aflevering van Doorzetters spreken we met Thomas Rau over de noodzaak van een transformatie in de bouwsector. We bespreken het hoofdonderwerp van duurzaamheid en de circulaire economie, en duiken in subonderwerpen zoals het Madaster-platform, het concept van gebouwen als materialendepots, en de rol van vrijheid en verantwoordelijkheid. Thomas deelt zijn persoonlijke ervaringen, inclusief de uitdagingen tijdens de financiële crisis, en biedt waardevolle inzichten voor iedereen die geïnteresseerd is in een duurzame toekomst. ________________________________________ 7.4 Belangrijkste Gesprekspunten en Takeaways • Gesprekspunten: 1. De noodzaak van systeemtransformatie in plaats van optimalisatie. 2. Het belang en de werking van het Madaster-platform. 3. Gebouwen zien als tijdelijke materialendepots. 4. De woningcrisis als een sociaal probleem. 5. De verbinding tussen vrijheid en verantwoordelijkheid. • Top Takeaways: 1. Duurzaamheid binnen het huidige systeem is niet genoeg; er is een fundamentele transformatie nodig. 2. Het registreren en waarderen van materialen in gebouwen kan bijdragen aan een circulaire economie. ________________________________________ 7.5 Memorabele Citaten van de Gast 1. "We moeten niet het systeem optimaliseren, maar transformeren." - Thomas Rau 2. "Vrijheid en verantwoordelijkheid zijn met elkaar verbonden." - Thomas Rau 3. "Alles wat de mens doet, moet hij mooier achterlaten dan hij het heeft aangetroffen." - Thomas Rau ________________________________________ 7.6 Links en Resources • Website van de gast: o Madaster: https://www.madaster.com • Boeken: o "Material Matters" door Thomas Rau en Sabine Oberhuber ________________________________________ 7.7 Tips • Tip van Richard: o De docuserie "De Taxiocraat" op NPO. • Tip van de gast (Thomas Rau): o Ga iedere half jaar naar een begrafenis om de tijdelijkheid en emotie van verlies te ervaren. • Tip van Ruud: o Bezoek de stad Groningen voor een verrassende ervaring.

13 Tishrei | Day 320 | Leap Year Off-Limits Questions: Why the Alter Rebbe did not want to be asked for advice on material matters -- Can you spare four minutes a day to gain deeper insight into yourself, your soul, your spiritual make-up, your personal purpose, and how to enjoy a meaningful relationship with G-d? If yes, Let's Talk Tanya. Tanya, the seminal work of Chabad Chasidism, is the personal owner's manual for the Jew who seeks to serve G-d and live a life suffused with holiness, purpose, and joy. Let's Talk Tanya is a daily series that attempts to translate the Tanya into resonant and relevant language Tanya is divided into daily portions. Following this regimen, one concludes the Tanya every year. Let's Talk Tanya, in 4 minutes on average, briefly reviews the day's segment, conveys its basic ideas, and zooms in on one large idea. To watch, listen, or subscribe to Let's Talk Tanya: YouTube: https://www.youtube.com/@LetsTalkTanya Spotify: https://spoti.fi/3uFNrie Apple Podcasts: https://apple.co/3BqG9Tm Google Podcasts: https://bit.ly/3FMnvrs Instagram: https://www.instagram.com/letstalktanya/ Twitter: https://twitter.com/LetsTalkTanya www.letstalktanya.com To donate or for dedication opportunities, please visit letstalktanya.com/donate or reach us at contact@letstalktanya.com Have Tanya questions? Submit questions for possible inclusion in a future Tanya Q&A Segment: letstalktanya@gmail.com __ The full text of the daily Tanya is available at: www.Chabad.org/DailyTanya

Alkesh Parmar is a designer and researcher. Over the years, he has hollowed out champagne corks and turned them into chandeliers, as well as transforming traditional Indian terracotta cups into light fittings. But he is best known for his work with citrus peel in general – and orange peel in particular.Using a material generally thought of as waste, he has created a variety of extraordinary products including a juicer (for obvious reasons) and a lampshade. His practice combines craft with critical design and, it's fair to say, he was a relatively early adopter in the design industry of working with local materials and questioning the effects of globalisation.When he's not working with waste, he is also a teacher at the Royal College of Art. Alkesh was one of the stars of the Material Matters fair when it launched in 2022 and he's returning to Bargehouse when the doors open for the 2024 edition, which runs from 18-21 September. In this episode we talk about: why he's researching the history of oranges for the Material Matters fair; the properties of orange peel and how it can behave like leather; how he sources his material of choice; the importance of failure to his practice; not wanting to run a large company; coming from a family of shoemakers; and his relationship with light. The Material Matters fair is free for trade but you must register in advance here: https://registration.iceni-es.com/material-matters/reg-start.aspxSupport the show

Sanne Visser is a Dutch-born, London-based designer. She describes herself as a ‘material explorer, maker and researcher', who is best known for a string of installations and products using human hair. Since graduating from Central Saint Martins a little under a decade ago, she has exhibited all over the world and been nominated for a number of awards. Happily too, she will be one of the stars of this year's Material Matters fair – taking place at Bargehouse, Oxo Tower Wharf from 18-21 September – with an installation called, Locally Grown, that invites visitors to explore their hair as a new material. Essentially, people will able to have a free hair cut and then (if they stick around long enough) watch it being spun and turned into rope. Sounds kind of interesting right? In this episode she talks about: her installation at the Material Matters fair (obviously); how she became fascinated by hair in the first instance; the processes she puts the material through; its (quite) extraordinary properties; the ethics around ownership of designing with hair; creating new material systems; collaborating with makers, hairdressers and scientists; the products it's possible to make with hair; coming from a creative family; finding school testing; and the importance of teaching to her practice.And remember the Material Matters fair is free for trade but you must register in advance here: https://registration.iceni-es.com/material-matters/reg-start.aspxSupport the Show.

Artist Bharti Kher was brought up in England before moving to India almost on a whim in the early '90s. Since then, she has established herself as a major player on the international art scene. Her sculptures talk about women's place in society and the female body. She has a fascination with mythology and mixing the real with the magical, as well as a profound interest in materials and found objects. She has melted down bangles, used saris, and ceramic figures, as well as casting people with plaster. But she's best known for her work using bindis, made from felt. And she will be using bindis to create a huge piece on London's Southbank, which opens in September. Right now, she has a wonderful exhibition at Yorkshire Sculpture Park, entitled Bharti Kher: Alchemies, which shows a range of pieces from 2000-2024.In this episode she talks about: using things she finds – from radiators to bangles; how objects have inherent narratives and why she ‘exhausts' them; the importance of bindis; breaking things; her fascination with negative space; casting people in plaster; growing up in Epsom and loving art from a young age; travelling to New Delhi on the toss of a coin; and being married to a fellow artist. And remember the Material Matters fair takes place at Bargehouse, Oxo Tower Wharf from 18-21 September. It's free for trade but you must register in advance here: https://registration.iceni-es.com/material-matters/reg-start.aspxSupport the Show.

Oliver Heath is a designer, architect, author and one of the world's leading advocates for biophilic design. Along with his team and the sustainable platform Planted, he currently has an exhibition at the Roca Gallery in South London, which focuses firmly on bio design – illustrating what it is, why it's important, and how it can be used in the spaces we inhabit. Oliver has been a fixture on our TV screens since 1998, working for the likes of the BBC, ITV, Channel Four, the Discovery Channel and Norway's TV2. He is a regular on DIY SOS and was, of course, one of the designers on the iconic '90s show, Changing Rooms.In this episode we talk about: his fascination with biophilia and how it affects his practice; its core principals and history; why sustainability is about more than counting carbon; problems with architecture education; his issues with clay; the importance of evidence in his design approach; how wood effects the heart rate; being average at school; getting famous on Changing Rooms; reinventing himself professionally… and the importance of soup. And remember the Material Matters fair takes place at Bargehouse, Oxo Tower Wharf from 18-21 September. It's free for trade but you must register in advance here: https://registration.iceni-es.com/material-matters/reg-start.aspxSupport the Show.

Jim Goddin of thinkstep ANZ is an expert in Materials, Minerals and Mining and as a member of the Critical Minerals Expert Committee, he has been actively involved in shaping the UK's Critical Minerals Strategy. Jim joins the Think.Future podcast to talk about the new International Standard for measuring success in a Circular Economy and introduces the Materials Circularity Indicator which he played a pivotal role in developing.

This week's episode features an insightful conversation with Jacqui Hogans. I learned a number of interesting things throughout this episode. Things I'd never thought of - like how salty is fog. And how does that salt impact building materials. This conversation was a good time and helped me understand more about the policy and façade inspections in place to help keep us safe as we're walking around cities.Check out our Instagram (@tangibleremnants) for some snapshots of Jacqui's photos from her Masonry Monday posts.Links:Mather High School, Preservation High School in NYC#MasonryMonday Cesar Chavez Resource Study, describing the various sites relevant to Cesar Chavez's lifeTangible Remnants on InstagramTangible Remnants WebsiteLinkedTr.ee for resourcesEarn CEUs for listening to this podcastSignup for Ask Me Anything w/ Nakita ReedGabl Media NetworkSarah Gilberg's MusicBio: Jacqui Hogans, AIA, RIBA, CSI , with nearly 20 years of experience in historic restoration and building envelope space, Jacqui Hogans knows facades. She cut her teeth working in New York City, on projects ranging from the Guggenheim Museum and the American Museum of Natural History to inspection and repair of numerous office buildings and high-rise residential buildings. A decade ago, Jacqui headed West to San Francisco, where she now serves as a Project Manager at McGinnis Chen Associates (MCA), consulting on remedial and historic repair programs in addition to consulting on new construction projects.Jacqui managed the mosaic restoration of Oakland's storied Paramount Theatre, which won several awards, including the Governor's Historic Preservation Award and the California Preservation Design Award. Jacqui manages and designs historic preservation projects and remedial façade repair projects, leading a team of architects, engineers, and technical staff she has affectionately dubbed the “Façade Squad.” She also directs the inspection of historic buildings as part of San Francisco's new Façade Inspection and Maintenance Ordinance, if that wasn't enough, she heads up MCA's East Coast presence from her new home base in the New York City area. She has a special interest in historic brick and stone, and shares her love of masonry each Monday on LinkedIn.Jacqui is a Registered Architect in both California and New York State, and holds a Master of Science in Historic Preservation from Columbia University. She earned her BA in Architectural Studies from Brown University in Providence, Rhode Island. When she's not hanging off buildings, Jacqui enjoys running (she's run 3 marathons!), indoor cycling, reading about historic architecture, traveling...

Adam Yeats is co-founder and managing director of Bert Frank, one of the UK's leading lighting companies. Yeats started the brand with designer, Robbie Llewellyn, in 2013. Since then it has gone from strength to strength, opening a showroom in London's Clerkenwell in 2019, exhibiting at home and abroad, and winning the Elle Decoration British Design Award for Lighting in 2016. The company was also the headline sponsor for last year's Material Matters fair. Craft has always been an intrinsic element of the brand and Yeats comes from a family steeped in making and British manufacturing. So what's it like to be an ambitious manufacturing company in post-Brexit Britain?In this episode we talk about: growing up in his father's factory; why he lives next door to his workshop; founding the Bert Frank brand; the importance of craft and skill to the company's products; working with brass; learning his trade, from sweeping the factory floor to running the business; how Bert Frank has evolved over the past decade; wanting to create a legacy for his family; the economic consequences of Brexit; starting a new assembly facility in Belgium; the importance of immigration to his workforce; the state of manufacturing in the UK; and why he always wanted to be a marine biologist.To find out more about Material Matters go to materialmatters.design or check out our Instagram page: materialmatters.design.Support the Show.

Ptolemy Mann is a British artist who came to widespread attention with her woven textile pieces, often stretched across a frame and notable for her extraordinary use of colour. More recently, her practice shifted and she has turned to painting on paper with fascinating – and inevitably colourful – results. Her latest pieces combine the two, as she paints on her hand-woven artworks. Ptolemy is hard to avoid at the moment. Currently, she has a show of paintings at the Union Club in London's Soho. During May, there will also be a solo exhibition with Taste Contemporary at Cromwell Place and her first monograph is published by Hurtwood that same month.In this episode we talk about: why the time is right for her first book; her fascination with colour; being told she was a ‘terrible' painter as a student; taking up weaving and her love of the craft's restrictions; learning to stand up for her ideas; unexpectedly creating products for John Lewis; picking up a paint brush again; how the realisation she wasn't going to have children changed her practice; why her new works are ‘an act of anarchy'; and growing up with her ‘bohemian' father.To find out more about Material Matters go to materialmatters.design or check out our Instagram page materialmatters.design. Support the Show.

BFBC-Miles City | Wednesday

There have been over 100 episodes of Material Matters but, for listeners who might be new to all this, the idea is that I speak to a designer, maker, artist, or architect about a material or technique with which they're intrinsically linked and discover how it changed their lives and careers. However, once in a while I break my own self-imposed format and interview someone I've always wanted to meet. This is one of those episodes. Architect John Tuomey is the co-founder of multi-award winning practice O'Donnell + Tuomey, with his wife Sheila O'Donnell. The firm has designed the Glucksman Gallery Cork, the Lyric Theatre in Belfast and the upcoming V&A East Museum, while in 2015, John and Sheila were awarded the prestigious RIBA Royal Gold Medal. Towards the end of 2023, he published First Quarter, a gorgeous, lyrical memoir that tells the story of his formative years – from childhood in rural Ireland through to becoming a fully-fledged architect in London and Dublin.In this episode we talk about: writing First Quarter during lockdown; how an email from his sister started the process; his peripatetic childhood; growing up in rural Ireland; the storytelling aspect of architecture; the brutality of his school years; the pivotal relationship with his father; the up-ending of Ireland's clergy; being an extrovert introvert; moving to Dublin and London; meeting Sheila at university; working for James Stirling; and the possibilities of a derelict site…Support the show

Sara Grady and Alice Robinson co-founded British Pasture Leather in 2020. The duo aim in their own words ‘to link leather with exemplary farming and, in doing so, to redefine leather as an agricultural product'. All of which means creating a new network of systems within the industry. Essentially, the pair are attempting to make the material we buy traceable in the same way food is. In 2022, they created an exhibition, entitled Leather from British Pastures, during the London Design Festival, which included collaborations with the likes of Mulberry and New Balance, as well as Material Matters favourites, Bill Amberg and Simon Hasan. More recently, Alice has written a new book, Field Fork Fashion, which charts a bullock's journey from a field to a series of finished products and dishes – creating her own supply chain in the process.In this episode we talk about: how most leather is made; issues around the chrome tanning process; how British Pasture Leather is trying to make a difference;  increased meat consumption across the globe and why it changes the value of a hide; building a new supply chain; the state of the British tanning industry; producing their material entirely in the UK; redefining quality and embracing imperfection; how leather brought them together; buying a bullock and writing a book. Support the show

In our digital age of cloud-driven services, it can be easy to forget the vast amount of physical infrastructure required to build it, power it and keep it all online. The world needs materials, and we are only going to need more if we want to reach net zero, so what is the current state of supply chains, and how are economies across the globe taking on the challenges?In today's episode, Quentin is joined by Richard Tite, Chief Investment Officer at TechMet and Ed Conway, Author and Broadcaster join Quentin for a look into the hugely intertwined web of industries that often go under the radar in in this for a holistic view of material supply chains. Over the course of the conversation, they discuss:Drivers behind the changes being witnessed in the world's economy. The differences in attitude and approach to supply chains across the globe and how these might change in the future.Where we are seeing bottlenecks in the current supply chain process.Insight into the processing process of battery materials and the scale necessary to achieve targets.The solutions needed to meet the raw material requirements to electrify the world.Mentioned in the episodeMaterial World by Ed Conway About our guestsRichard Tite - Chief Investment Officer at TechMet. TechMet is focused on the raw material supply chain of the energy transition, specifically lithium, nickel, cobalt, rare earths, tin, and vanadium. TechMet is a permanent capital vehicle investing across the whole technology metal value chain, and together with Mercuria, have created TechMet-Mercuria - a physical commodity trading platform focused on the battery metal and recycling supply chain. To find out more about TechMet, visit their website. Or connect with Richard on LinkedIn.Ed Conway - is an author and broadcaster. He is the Economics and Data Editor of Sky News and a regular columnist for The Times and Sunday Times. His latest book , Material World, covers ‘the six most crucial substances in human history, that took us from the Dark Ages to the present day'. To find out more about Ed's work - visit his website or follow him on LinkedIn.About Modo EnergyModo Energy provides benchmarking, forecasts, data, and insights for new energy assets - all in one place.Built for analysts, Modo helps the owners, operators, builders, and financers of battery energy storage solutions understand the market - and make the most out of their assets. Modo's paid plans serve more than 80% of battery storage owners and operators in Great Britain.To keep up with all of our latest updates, research, analysis, videos, podcasts, data visualizations, live events, and more, follow us on Linkedin or Twitter. If you want to peek behind the curtain for a glimpse of our day-to-day life in the Modo office(s), check us out on Instagram.

Caroline Till is a consultant, author, curator, and academic. She founded Franklin Till, along with Kate Franklin, in 2010 and, since then, the future research agency has worked with the likes of international textile exhibition Heimtextil, paper giant GF Smith, Caesarstone, Tarkett, and IKEA's former blue sky thinking agency, Space 10. The pair has published magazines such as Viewpoint and Viewpoint Colour and co-written the influential book Radical Matter, as well as curating Our Time on Earth, a touring exhibition about the future of the planet which started at London's Barbican last year.  Not only that, but for many years, Caroline headed up the Material Futures course at Central Saint Martins, which has produced a number of designers that have appeared on this podcast. She's also a speaker who is much in demand internationally and opened the talks programme at this year's Material Matters fair.In this episode we talk about: being a climate optimist; why Franklin Till specialises in material and colour; her issues with trends; turning down projects; not being keen on the word ‘sustainability'; defining regenerative design; the importance of seduction; issues with capitalism; thinking of materials as systems; technology's relationship with nature; and the benefits of studying textile design. However, we kick off with her objection to the UK's current Home Secretary, Suella Braverman… Our thanks go to the headline sponsor for this series of the podcast – and the Material Matters 2023 fair – the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.ukSupport the show

15 Tishrei | Day 292 Off-Limits Questions: Why the Alter Rebbe did not want to be asked for advice on material matters -- Can you spare four minutes a day to gain deeper insight into yourself, your soul, your spiritual make-up, your personal purpose, and how to enjoy a meaningful relationship with G-d? If yes, Let's Talk Tanya. Tanya, the seminal work of Chabad Chasidism, is the personal owner's manual for the Jew who seeks to serve G-d and live a life suffused with holiness, purpose, and joy. Let's Talk Tanya is a daily series that attempts to translate the Tanya into resonant and relevant language Tanya is divided into daily portions. Following this regimen, one concludes the Tanya every year. Let's Talk Tanya, in 4 minutes on average, briefly reviews the day's segment, conveys its basic ideas, and zooms in on one large idea. To watch, listen, or subscribe to Let's Talk Tanya: YouTube: https://www.youtube.com/@LetsTalkTanya Spotify: https://spoti.fi/3uFNrie Apple Podcasts: https://apple.co/3BqG9Tm Google Podcasts: https://bit.ly/3FMnvrs Instagram: https://www.instagram.com/letstalktanya/ Twitter: https://twitter.com/LetsTalkTanya www.letstalktanya.com To donate or for dedication opportunities, please visit letstalktanya.com/donate or reach us at contact@letstalktanya.com Have Tanya questions? Submit questions for possible inclusion in a future Tanya Q&A Segment: letstalktanya@gmail.com __ The full text of the daily Tanya is available at: www.Chabad.org/DailyTanya

This show was recorded 21 September 2023 and can be viewed on our website ⁠here⁠. To join us live for future shows and ask your own questions, please view and sign up for upcoming events in our ⁠⁠⁠⁠⁠⁠⁠Knowledge Center⁠⁠⁠⁠⁠⁠⁠. Thank you for tuning in!

In our final episode of mini-episodes reporting from the London Design Festival, an annual event that takes over the UK capital every September, we visit Material Matters on London's Southbank. Now in its second year, the fair has sprung from a podcast of the same name and occupies the atmospheric Bargehouse at the Oxo Tower. On until September 23, across five floors, it houses over 40 brands, designers, makers, manufacturers and organisations who all celebrate the importance of materials in bringing us closer to a circular economy. We speak to the journalist and podcaster behind the fair, Grant Gibson, and also hear about new material innovations and techniques from the likes of leading UK design duo Pearson Lloyd, East London-based contemporary crafter Gareth Neal and Danish textile artist Tanja Kirst. In our next episode, we jump from the London Design Festival to Singapore Design Week.

In episode two of our series of mini-episodes reporting from the London Design Festival, an annual event that takes over the UK capital every September, we visit some of the exhibitions on show in the west side of town at Brompton Design District. Curator of the area, design writer and consultant Jane Withers, explains the theme, Conviviality – The Art of Living Together, and shares some of her highlights. We catch up with East London-based designer and woodworker Rio Kobayashi (6:41mins) and hear about his colourful debut solo show, Manus Manum Lavat, which includes furniture pieces reinvented and reborn through colour, artisanship and marquetry.  Also in this episode, hear from design duo Peter Pilotto and Christopher de Vos Caballero (16:30mins) , who return to Cromwell Place for the first time since 2017 and have shifted their focus from fashion to home. Phase 2 consists of rugs created in Nepal, lacquered tables made in the UK, upholstery exhibited on vintage sofas, embroidered velvets, and also a range of gender-inclusive clothing. We hear about their inspirations for the collection, from malachite to design longevity.   In our next episode, we head to Material Matters on London's Southbank ⁠⁠– keep your eyes peeled for the next drop.

Tom Lloyd and Luke Pearson co-founded the hugely influential design studio, Pearson Lloyd, in 1997. Since then, it has gone on to work in areas such as the workplace, transport and health care, with organisations like Virgin, Lufthansa, the Department for Health, and furniture giant Senator. The practice is the Designer of the Year at the Material Matters 2023 fair and will be using the space at Bargehouse to investigate how its use of materials has been transformed over recent years, including projects with clients such as Modus, Batch.Works, Howe, Flokk, Profim and Camira. In this episode we talk about: controversially criticising Arne Jacobsen's classic Egg chair; their installation at Material Matters 2023; marrying craft and industry; how their material perspective has changed; balancing environmental, social and economic needs; why they're still using plastic; building out obsolescence; the aesthetics of circularity; bringing contemporary workplace theory to schools; the importance of visible fixings, durability and repair; working with the aviation industry; the problem with paint; meeting at the Royal College of Art; being drawn into the furniture industry; celebrating their differences; and fearing boredom. Our thanks go to the headline sponsor for this series of the podcast – and the Material Matters 2023 fair – the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.uk And to register for the Material Matters fair, which runs from 20-23 September at Bargehouse, Oxo Tower Wharf go to: https://www.eventbrite.co.uk/e/material-matters-2023-tickets-591491014547PS apologies for my slightly ham-fisted Monty Python analogy…Support the show

Grant Gibson is one of the UK's leading design, craft and architecture writers. His work has been published in The Observer, New Statesman, The Guardian, Daily Telegraph, and House & Garden, to name just a few. During a long career in magazines, Grant has been editor of Blueprint, deputy editor of FX, and acting executive editor of the RIBA Journal. More recently he has been editor of Crafts and a contributing editor of the Dutch architecture title MARK. He was also the launch editor of the London Design Festival Guide and co-founded Real to Reel, the UK's first film festival devoted to making. In 2019, he launched the critically acclaimed podcast, Material Matters with Grant Gibson. Three years later the show was transformed into a new fair at Bargehouse, Oxo Tower Wharf. Material Matters 2023 takes place at Bargehouse, Oxo Tower Wharf from 20-23 September.

Marie Carlisle is CEO and co-founder of social enterprise (and Material Matters exhibitor), Goldfinger. The organisation opened its doors at the foot of West London's Trellick Tower in 2013 and makes high end furniture from wood – that has often been reclaimed or ‘treecycled' – in its workshop. Not only that but it has a showroom and cafe, as well as an academy that teaches marginalised young people the craft of wood working through its apprenticeship programme. It is a fascinating and, I think, important place.In this episode we talk about: how Trellick Tower shaped the business; making waste aspirational; bridging North Kensington's social divide; why Goldfinger works with wood; the relationship between wood and wellbeing; the importance of ‘treecycling'; collaborating with the likes of Arup and Tom Dixon; her fascination with food and setting up the cafe; the once a month community meal; how the pandemic changed the People's Kitchen model; working with young people in the academy; how the social enterprise has changed over the past decade; Goldfinger's future. Our thanks go to the headline sponsor for this series of the podcast – and the Material Matters 2023 fair – the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.uk And to register for the Material Matters fair, which runs from 20-23 September at Bargehouse, Oxo Tower Wharf go to: https://www.eventbrite.co.uk/e/material-matters-2023-tickets-591491014547Support the show

My guest for the 100th episode of Material Matters is a British designer who sits somewhere between industry and craft. Michael Marriott has a fascination with materials – so much so that his web shop is called Wood Metal Plastic – and a love of resourceful design. Over the years he's created furniture for the likes of Established & Sons, SCP, and Very Good and Proper, as well as designing and curating exhibitions, working on interiors, and teaching. However, he seems happiest in his own workshop, working on batch production pieces. It's safe to say he's a pivotal figure in the recent history of British design. In this episode we discuss: standing on the edge of regular design practice; but not being a craftsman; how tools change design and the importance of a jig; creating cost-effective products; why ‘resourceful' could be his middle name; the problem with design as an extension of marketing; his love of wood; not working with big Italian furniture brands; readymades and waste; how a trip to Ford's Dagenham factory changed his life; struggling at school; and his discovery of modernism. It's a delightful way to mark our centenary. Our thanks go to the headline sponsor for this series of the podcast – and the Material Matters 2023 fair – the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.uk And to register for the Material Matters fair, which runs from 20-23 September at Bargehouse, Oxo Tower Wharf go to: https://www.eventbrite.co.uk/e/material-matters-2023-tickets-591491014547Support the show

Alice Kettle is one of the country's leading textile artists. She uses embroidery to tell stories and throw the spotlight on contemporary issues – most noticeably the refugee crisis in her series Thread Bearing Witness. Currently, she has a solo installation at two sites in The City of London as part of her prize for winning The Brookfield Properties Craft Award. While an exhibition she co-curated, Threads: Breathing Stories into Materials, opened at Bristol's Arnoldfini in July. She is also professor of textile arts at Manchester School of Art.In this episode we discuss: creativity as a humanising force; how the refugee crisis affected her practice; why making is empowering; the importance of scale; the special meaning of the number three; being influenced by Greek mythology; growing up in a boys' boarding school; her interest in stitching after the tragic death of her mother; her move from abstract painting to thread; and taking risks with her pieces. Our thanks go to the headline sponsor for this series of the podcast – and the Material Matters 2023 fair – the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.uk And to register for the Material Matters fair, which runs from 20-23 September at Bargehouse, Oxo Tower Wharf go to: https://www.eventbrite.co.uk/e/material-matters-2023-tickets-591491014547Support the show

Beatie Wolfe is a musician and artist, who has in her time been described as a ‘musical weirdo and visionary' and one of the ‘22 people changing the world'. In a relatively short career she has: created a 3D interactive album app and a musical jacket; worked in the world's quietest room to develop an ‘anti-stream'; fired her music into space; made a documentary with the Barbican; designed an environmental protest piece, entitled From Green to Red, which was shown at the Nobel Prize Summit; worked with people suffering from dementia; and recorded a track for a 12 inch record made of bioplastic, alongside Michael Stipe. Her latest project, Imprinting: The Artist's Brain, was on show as part of the recent London Design Biennale at Somerset House, and is a 'sonic self-portrait' that involves old-school telephones as well as a thinking cap designed by an iconic tailor. The theme running through all this is her desire to 're-materialise' music and give it back a sense of ‘tangibility and ceremony'. In this episode we discuss: keeping space rock in her pocket; her latest project at the London Design Biennale; being self-critical as a child; writing her first songs aged nine; working with renowned tailor Mr Fish; the importance of collaboration; sending her music into space; finding the balance between innovation and tradition; her childhood desire to be a ninja; being in a grunge band; the power of art; and the importance of neurologist Oliver Sacks to her career. Our thanks go to the headline sponsor for this series of the podcast – and the Material Matters 2023 fair – the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.ukSupport the show

Ndidi Ekubia creates extraordinary, almost liquid-looking, vessels from silver. She graduated from the University of Wolverhampton in 1995, before going on to the Royal College of Art. Since then, her work has been shown internationally at exhibitions such as TEFAF in Maastricht, Masterpiece in London, and Pavilion of Art & Design in New York.Her pieces are held in Winchester Cathedral, Aberdeen Art Gallery & Museum and The Asmolean Museum in Oxford. Currently, she has a series of vessels in Mirror Mirror, a new exhibition at Chatsworth House that also contains furniture, lighting, ceramics, and sculpture from designers such as Fernando Laposse, Samuel Ross, Faye Toogood, and Ettore Sottsass. Ndidi was awarded an MBE in 2017 for services to silversmithing. In this episode we talk about: why she loves silver; the rhythm that lies behind her process; listening to the metal and trying not to ‘torture' her material; silver's memory; the importance of function; the African influence in her pieces; wanting to leave Manchester as a child but returning as an adult; her early love of Lowry; discovering metal as a student; having her work reassessed in the wake of Black Lives Matter; and her relationship with her gallery, Adrian Sassoon.We are delighted that the headline sponsor for this series of the podcast – and the Material Matters fair – is the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.ukSupport the show

Henry Tadros is chairman of one of the country's most renowned furniture companies, Ercol. The firm was founded by Italian immigrant, Lucian Ercolani, in 1920 but it really found its feet after the Second World War with the Windsor Range – an industrial version of a traditional craft chair – that is best known for its steam bending process and using a combination of elm and beech wood. Over the years, Ercol's furniture, with its pared back – but somehow very British –aesthetic, has found its way into millions of homes across the globe. And the company has remained firmly in family hands. Henry is the fourth generation to run Ercol, taking over from his father, Edward, last year. In this episode we talk about: the manufacturer's history with elm and beech; Dutch Elm Disease and its effect on the brand; turning to ash instead; launching his new brand L.Ercolani; working with designers such as Matthew Hilton, Tomoko Azumi and Norm Architects; joining the family business and working his way up from the factory floor; his family's fascinating history; the influence of the Shakers; the importance of apprenticeships for Ercol; the company's sometimes fraught relationship with Modernism; where Henry's brands will be in 15 years time.We are delighted that the headline sponsor for this series of the podcast – and the Material Matters fair – is the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.ukSupport the show

Donna Wilson is a globally-feted designer. She initially made a name for herself in 2003 with a series of knitted toy creatures made of lambswools, which managed to be odd and endearing all at the same time. Since then, she has worked with the likes of SCP, John Lewis, V&A Dundee, as well as having a solo show at the Yorkshire Sculpture Park. Meanwhile, her range of products has expanded, encompassing furniture and accessories, sculpture, fashion, and magazines. There's also a book. In 2010, she was named Designer of the Year at Elle Decoration's British Design Awards. Most recently, she has launched The Knit Shop, a micro-knit factory in Dundee. She describes the new production facility as ‘my small bit to keep the tradition of knitwear and textile production in Scotland alive, so that these precious skills are not lost forever'.In this episode, we talk about: taking control of her production and the difficulty of manufacturing in the UK; how the pandemic re-shaped her business; becoming a brand; creating her creatures; preserving her craft essence; the importance of repair; having a poem written about her (yes, really); knitting; growing up on a Scottish farm and being inspired by her grandmother; and how getting spotted by New York design retailer Murray Moss changed her career. We are delighted that the headline sponsor for this series of the podcast – and the Material Matters fair – is the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.ukSupport the show

Julian Stair is one of the UK's leading ceramic artists. He has exhibited internationally since the 1980s and made his name making beautiful, pared-back everyday forms. Julian's work is in 30 public collections, including the British Museum and the V&A and he was awarded an OBE in 2022 In March, he launched a fascinating, and deeply moving, new exhibition at the magnificent Sainsbury Centre near Norwich, entitled Art, Death and the Afterlife. The show is his response to the pandemic and the cinerary jars and abstracted figurative forms invite visitors to meditate on the relationship between the clay vessel and the human body. To emphasise the point, in a number of the pots, the clay itself contains the cremated ashes of people donated by their loved ones. In this episode we discuss: how his new show was shaped by the pandemic; the relationship between the pot and the human body; why pots matter; using people's ashes to create his work and reflecting their personalities in a vessel; art's ability to cross boundaries; working against the tides of fashion; the importance of writing and history to his practice; and dealing with the death of his own son. This series of the podcast – and the Material Matters 2023 fair – is brought to you by the brilliant lighting specialist, Bert Frank. For more details go to: bertfrank.co.ukMeanwhile, this episode has been sponsored by Maak, the specialist auction house and art consultancy dedicated to contemporary ceramics and craft. To find out more go to: maaklondon.comSupport the show

Rosalie McMillan and Adam Fairweather are co-founders of the materials, design and manufacturing house, Smile Plastics. They have a factory in South Wales which takes plastics and other materials traditionally classed as waste and transforms them into extraordinarily eye-catching, large scale, solid surface panels. Over the years, the company has worked with the likes of Stella McCartney, Christian Dior, Paul Smith, Selfridges and the Wellcome Trust to name just a handful. Interestingly, this is the second coming for the material. I first came across it in the mid-1990s, when it was created by the designer and educator, Jane Atfield, for her renowned RCP2 chair, a piece that is in the permanent collections of the V&A and the Crafts Council and which is currently included the Yinka Ilori show, Parables for Happiness, at the London Design Museum.In this episode we talk about: the history of Smile Plastics; reviving the company in 2014 after it had closed four years earlier; how Adam and Rosalie started in a bomb shelter next to piles of compost; why the company was ahead of its time; the craft behind the material's process; Adam's early fascination with coffee waste; Rosalie's other career in jewellery; their live/work balance; calling the factory's machines Colin; and their ambitious plans for global growth.Support the show

This week WGSN Editorial Director Bethan Ryder is joined by Reiko Morrison WGSN's Head of CMF and Benjamin Hubert, founder of the London-based industrial design agency Layer Design. Layer recently launched a monograph, published by Phaidon, during the London Design Festival which coincided with an exhibition which ran as part of the inaugural Material Matters fair. The book covers the various stages of Benjamin Hubert's career and the many products he's designed for the likes of Bang & Olufsen, Vitra, Moroso, Cappellini, Muuto and more. Hubert had a design career in his sights while still at school and initially wanted to design cars, but went into product design instead and has designed a huge range of products from lighting to tech, and it's tech in particular where Layer Design excels at creating incredibly tactile products though a combination of materials. The three discuss how they see the future of Consumer tech evolving with less screens and a rich sense of materiality and haptic happiness.

Co-founders of design fair Material Matters tell Monocle about its inaugural edition, which is held at the Bargehouse at Oxo Tower Wharf.

Co-founders of design fair Material Matters tell Monocle about its inaugural edition, which is held at the Bargehouse at Oxo Tower Wharf.See omnystudio.com/listener for privacy information.

As a special preview to Material Matters 2022, launching from 22-25 September at Bargehouse, Oxo Tower Wharf, we meet one of the stars of the fair. Benjamin Hubert is an industrial designer and founder of LAYER, the experience design agency that has worked with the likes of Airbus, Bang & Olufsen, Braun and Moroso, to name just a handful. The practice is celebrating the launch of its new monograph with an exhibition at the show. The book, written by Max Fraser and published by Phaidon, traces Benjamin's journey from graduate designer to establishing and, subsequently, expanding his own studio. In the process, it sheds light on the business of design and what it takes to create a successful practice. Don't worry though there is plenty on the importance of materials here too.In this episode we talk about: how his practice fared during the pandemic; why he's publishing a monograph now; how his process includes the use of watercolours; creating LAYER and a controversial speech in South Africa; expanding his portfolio from designing furniture to creating apps; the importance of making and painting as a child; being driven to succeed; having a thick skin and learning to accept rejection; working in 3D knitting; taking online abuse. It's a fascinating listen. To visit Material Matters 2022, it's really important register at this link before you arrive: https://www.eventbrite.co.uk/e/material-matters-2022-tickets-373171364597Support the show

Despite decades of research into the historic settlements of Mainland Southeast Asia, our understanding of the region's long-term settlement history remains incomplete. We know, for example, that mainland Southeast Asia was home to the world's most extensive pre-industrial low-density urban complex at the site of Greater Angkor in Cambodia – but we don't know how the site, and its low-density configuration, fits within the broader settlement history of the region. Yet understanding these settlement histories is important not only for understanding what happened in the past, but also for how we interpret settlement patterns developing across the region today. Joining Dr Natali Pearson on SSEAC Stories, Dr Ben Dharmendra takes us on a journey spanning millenia to explore the long-term history of settlement development across Mainland Southeast Asia. About Ben Dharmendra: Ben Dharmendra recently completed his PhD at the University of Sydney. His research is focused on how human settlements develop through time and the effects they create. His PhD project involved reconstructing the long-term history of Mainland Southeast Asian settlements and how this history influenced the development of the region from around 500BCE to 1900CE. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre's website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Despite decades of research into the historic settlements of Mainland Southeast Asia, our understanding of the region's long-term settlement history remains incomplete. We know, for example, that mainland Southeast Asia was home to the world's most extensive pre-industrial low-density urban complex at the site of Greater Angkor in Cambodia – but we don't know how the site, and its low-density configuration, fits within the broader settlement history of the region. Yet understanding these settlement histories is important not only for understanding what happened in the past, but also for how we interpret settlement patterns developing across the region today. Joining Dr Natali Pearson on SSEAC Stories, Dr Ben Dharmendra takes us on a journey spanning millenia to explore the long-term history of settlement development across Mainland Southeast Asia. About Ben Dharmendra: Ben Dharmendra recently completed his PhD at the University of Sydney. His research is focused on how human settlements develop through time and the effects they create. His PhD project involved reconstructing the long-term history of Mainland Southeast Asian settlements and how this history influenced the development of the region from around 500BCE to 1900CE. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre's website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Despite decades of research into the historic settlements of Mainland Southeast Asia, our understanding of the region's long-term settlement history remains incomplete. We know, for example, that mainland Southeast Asia was home to the world's most extensive pre-industrial low-density urban complex at the site of Greater Angkor in Cambodia – but we don't know how the site, and its low-density configuration, fits within the broader settlement history of the region. Yet understanding these settlement histories is important not only for understanding what happened in the past, but also for how we interpret settlement patterns developing across the region today. Joining Dr Natali Pearson on SSEAC Stories, Dr Ben Dharmendra takes us on a journey spanning millenia to explore the long-term history of settlement development across Mainland Southeast Asia. About Ben Dharmendra: Ben Dharmendra recently completed his PhD at the University of Sydney. His research is focused on how human settlements develop through time and the effects they create. His PhD project involved reconstructing the long-term history of Mainland Southeast Asian settlements and how this history influenced the development of the region from around 500BCE to 1900CE. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre's website: www.sydney.edu.au/sseac. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Despite decades of research into the historic settlements of Mainland Southeast Asia, our understanding of the region's long-term settlement history remains incomplete. We know, for example, that mainland Southeast Asia was home to the world's most extensive pre-industrial low-density urban complex at the site of Greater Angkor in Cambodia – but we don't know how the site, and its low-density configuration, fits within the broader settlement history of the region. Yet understanding these settlement histories is important not only for understanding what happened in the past, but also for how we interpret settlement patterns developing across the region today. Joining Dr Natali Pearson on SSEAC Stories, Dr Ben Dharmendra takes us on a journey spanning millenia to explore the long-term history of settlement development across Mainland Southeast Asia. About Ben Dharmendra: Ben Dharmendra recently completed his PhD at the University of Sydney. His research is focused on how human settlements develop through time and the effects they create. His PhD project involved reconstructing the long-term history of Mainland Southeast Asian settlements and how this history influenced the development of the region from around 500BCE to 1900CE. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre's website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite decades of research into the historic settlements of Mainland Southeast Asia, our understanding of the region's long-term settlement history remains incomplete. We know, for example, that mainland Southeast Asia was home to the world's most extensive pre-industrial low-density urban complex at the site of Greater Angkor in Cambodia – but we don't know how the site, and its low-density configuration, fits within the broader settlement history of the region. Yet understanding these settlement histories is important not only for understanding what happened in the past, but also for how we interpret settlement patterns developing across the region today. Joining Dr Natali Pearson on SSEAC Stories, Dr Ben Dharmendra takes us on a journey spanning millenia to explore the long-term history of settlement development across Mainland Southeast Asia. About Ben Dharmendra: Ben Dharmendra recently completed his PhD at the University of Sydney. His research is focused on how human settlements develop through time and the effects they create. His PhD project involved reconstructing the long-term history of Mainland Southeast Asian settlements and how this history influenced the development of the region from around 500BCE to 1900CE. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre's website: www.sydney.edu.au/sseac.

Hannah and Justin Floyd are the creators of an intriguing material, called SolidWool. The composite is made up of wool, which is used as the reinforcement, and bio-resin that acts as a binder. The wool itself comes from the Herdwick sheep found in the Lake District that was once a staple of the carpet industry but which has recently fallen out of vogue. According to the Floyds, some farmers have taken to burning fleeces because they were fetching next to nothing on the open market. So instead, they set about finding a new use for something increasingly considered as waste and imbuing it with value. The finished result is beautifully smooth and probably best compared to fibreglass. When Grant first came across the duo at a show in Milan almost a decade ago, they were displaying a range of items made from the material, including: knives, sunglasses, a table and, perhaps most importantly, the extremely elegant Hembury Chair. After a serious health scare, the pair sold their company to Roger Oates Design in 2020. It put a new version of the Hembury back into production, with Justin staying on as a consultant. In this episode we talk about: how SolidWool is made; the importance of beauty; issues with Herdwick wool; taking inspiration from where they lived; the desire to produce ‘products with purpose'; the importance of play; why designers love chairs; working together; overcoming cancer; selling the company; and Justin's unfinished business with SolidWool. And a reminder that to visit Material Matters 2022, which runs at Bargehouse, Oxo Tower Wharf from 22-25 September you need to register here: https://www.eventbrite.co.uk/e/material-matters-2022-tickets-373171364597Support the show

Simon Hasan made a name for himself when he graduated from the Design Products course of the Royal College of Art in 2008 with a collection of pieces made from Cuir Bouilli or boiled leather, an ancient material that was used to make medieval armour. The collection made quite a splash and, subsequently, he worked on a number of projects such as Craft Punk, during the Milan Design Week in 2009, the Designer in Residence Programme at the Design Museum and the Vauxhall Collective. His work embraces different scales from furniture to accessories and more recently, he has collaborated with the likes of Kvadrat, Another Country, Linley and Chloe. Simon has received two Wallpaper Design Awards and he has pieces in the permanent collections of the Crafts Council and the Fondazione Fendi. He taught for many years at the RCA and is currently Furniture and Product Design Course leader at London Metropolitan University.In this episode we talk about: the history of Cuir Bouilli; why he alighted on the material in the first place; his fascination with Dutch design; being the 'odd one out' at the Royal College of Art; never wanting to make life easy for himself; the relationship between craft, industry and fashion; working in the advertising industry before discovering design; failing to apply himself at school; collaborating with global brands; and why teaching is so important to him. And a reminder that to visit Material Matters 2022, which runs at Bargehouse, Oxo Tower Wharf from 22-25 September you need to register here: https://www.eventbrite.co.uk/e/material-matters-2022-tickets-373171364597Support the show

Michael Young is a world renowned product designer who initially made his name in London during the mid-90s, and quickly found himself working for significant brands, including Magis and Rosenthal. After a sojourn in Iceland, he traversed the globe and set up his practice in South East Asia. Over the years, his portfolio has become wildly eclectic. Young has designed furniture for Coalesse, speakers for KEF, suitcases for Mon Carbone, and bikes for Giant. He has also re-imagined the Mini Moke,  created his own beer brand, and produced gallery pieces to boot.In this episode we discuss: living and working around the world during the pandemic; managing a global practice in Hong Kong; launching a beer brand aimed at creatives; his fascination with making and how it informs his process; learning from Tom Dixon; redesigning the Mini Moke; being an ‘explorer'; copying in China; being diagnosed with dyslexia and the impact it has on creativity; the role Sir Terence Conran played in his nascent career; developing a thick skin; oh and why he hasn't yet designed a comfortable sofa. And a reminder that to visit Material Matters 2022, which runs at Bargehouse, Oxo Tower Wharf from 22-25 September you need to register here: https://www.eventbrite.co.uk/e/material-matters-2022-tickets-373171364597It's going to be great!!Support the show

In today's episode, Dr. Starnes walks us through James 1:9-11, discussing the importance of how Christian's view material wealth and possessions. We hope this episode will deepen your walk with Christ. Support the show

What if - We build on the rock!?Everyone then who hears these words of mine and does them will be like a wise man who built his house on the rock. And the rain fell, and the floods came, and the winds blew and beat on that house, but it did not fall, because it had been founded on the rock. And everyone who hears these words of mine and does not do them will be like a foolish man who built his house on the sand. And the rain fell, and the floods came, and the winds blew and beat against that house, and it fell, and great was the fall of it. Matthew 7:24-27 ESVMaterial Matters!Everyone then who hears these words of mine and does them will be like a wise man. Mathew 7:24 ESVThe whole point of the parable is that God's truth must to be lived, not just learned.What you build your life out of is a really big deal. Everyone who hears these words of mine and does not do them will be like a foolish man. Mathew 7:26 ESVYou can't build your life out of garbage and wonder why it stinks.Location is CriticalYou can't build a house on the sand and be angry at the ocean. Persistence in PowerfulYou can't build a house without a roof and be angry at the rain!Looking unto Jesus, the author and finisher of our faith. Hebrews 12:2 NKJVUse the right Builder! Unless the LORD builds a house, the work of the builders is wasted. Psalm 127:1 NLT Jesus came as the Messiah in the manger and as a Master Builder with a blue print and a hard hat.You can't build a life without the Lord and expect it to last.Believing in who Jesus is and what He can do changes everything about how live lives!

In my opinion, Carl Clerkin is one of the most original – and certainly one of the wittiest – designers currently practicing. He graduated from the now-defunct furniture course of the Royal College of Art in the late '90s, a time when many of his contemporaries were dreaming of fame and fortune with a glamorous Italian manufacturer. However, he steered a very different – more local – course. His work, which ranges from industrial to fine art pieces, is always imbued with a sense of narrative and not a little charm. Clerkin is also a teacher at Kingston University and has curated exhibitions such as The Learned Society of Extra Ordinary Objects at London's Somerset House. He returns to the London venue this month with The Beasley Brothers' Repair Shop, as part of the gallery's new show Eternally Yours – an exhibition about repair, care and healing.In this episode we talk about: his new installation at Somerset House and the importance of mending; the role narrative and humour plays in his work; feeling uncomfortable in the art world and becoming a designer by default; growing up in London's Eastend; the influence of Michael Marriott; his love of teaching… and his fascination with buckets. Support the show

Juliette Bigley is an artist and sculptor who creates extraordinary, abstract, but somehow familiar, pieces out of metal. I first saw her work at New Designers, the graduate design show held annually in London, after she left The Cass  in 2013 and, since then, her career has gone from strength to strength. She has a piece in the permanent collection of the V&A; won a slew of awards; written a book entitled, Material Perspectives; and exhibited around the world. Happily she's also an incredibly eloquent advocate for her material of choice and the importance of thinking through making.In this episode we talk about: discovering metal by chance and the effect that moment had on her life; why making helps her understand the world; how different metals have contrasting personalities; her fascination with the vessel; a love of lines and boundaries; her background in music and healthcare; the relationship between music and making; her problem with perfection; oh and swimming the Channel (yes, really).It's an incredibly rich. Support the show

Nigel Coates is a hugely influential architect, designer, artist and educator. He first came to widespread attention as a teacher at the Architectural Association in the early 80s when he co-founded NATO, a radical architecture collective that published a series of magazines with a unique perspective on the city.Later, he co-founded the practice, Branson Coates, and created buildings and interiors across the globe from Caffe Bongo in Japan to the National Centre for Popular Music in Sheffield. He has also designed a slew of products for the likes of Fornasetti and GTV as well as exhibitions, such as Ecstacity and Mixtacity at Tate Modern. Importantly, he did much of this while being head of architecture at the Royal College of Art. He has just published an intriguing – and occasionally quite racy – memoir. It's a book that charts the changes in architecture in general, and London in particular. There are tales of extraordinary projects, of club culture and parties, of friendships and loves, and of lives sadly lost.In this episode we talk about: his early life in Malvern and his difficult relationship with his parents; his love of Italy; teaching at the Architectural Association and the creation of NATO; working in Japan and, finally, building in the UK; his role in controversial projects such as the National Centre for Popular Music and the Millennium Dome; the problem with developer-led London; regrets about about not building more; being queer and ‘the unspoken conformity of architecture'; and missing his great friend Zaha Hadid. Support the show

Richard McVetis is an embroiderer, who is fascinated with time. Each of his, often monochromatic cuboid, pieces is meticulously made to explore the subtle differences that emerge through the ritualistic and repetitive nature of sewing.More recently, he has taken inspiration from his family's mining heritage to investigate a story of race and class through stitch. The artist says that he uses making ‘to understand the world, to give material form to abstract ideas, making the intangible tangible'.Richard has shown his work around the globe and has been shortlisted for a number of prizes including: the Jerwood Drawing Prize, and the Loewe Craft Prize in 2018. He currently has a solo show, Shaped by Time, running at Farnham's Craft Study Centre.In this episode we talk about: his new show in Farnham; the joy of slowing down and developing patience; drawing with thread; the majesty of the hand; his love of simplicity; the subjectivity of time; gender politics and embroidery; growing up in a mining community and how that has fed into his work; his other career in retail design; and why he never sews in public.Support the show

Read more > Listen to the podcast (duration: 30:06) > The scope and severity of extreme weather events seems to be increasing exponentially these days, with the devastating impacts of climate change and global warming never far from our minds. Yet for all the attention this existential threat to our planet rightfully receives, the myriad causes of it don't always get the focus they warrant. While the well-known use of fossil fuels for energy produces more than half of global greenhouse gas emissions, another, less well-known source is responsible for a sizeable portion of the problem: the materials traditionally used to make all manner of both consumer and commercial goods and products in our world, which today account for close to half of emissions. On this episode, we talk to John Bissell and Rich Riley, co-CEOs of Origin Materials, a more than decade old start-up that is on a mission to solve this urgent environmental challenge.See www.mckinsey.com/privacy-policy for privacy information