Podcast appearances and mentions of julia barton

Take a short walk into deep radio history. Julia Barton and Sarah Montague join Rob to talk about two audio storytelling classics from the 1930s: "Seems Like Radio Is Here to Stay," an homage to radio by Norman Corwin, and the anti-fascist play "The Fall of the City," by Archibald MacLiesh. Old school radio at its best!

[Scroll down for takeaways you can use from today's show.]Win prizes! Tell us your favorite Sound Judgment episodeDeadline: 6.30.23This Sound Judgment season is quickly coming to an end. Our season finale airs Thursday, June 29. We go behind the scenes with the hilarious hosts of Famous & Gravy, the podcast that asks, “Would you like to have had this dead celebrity's life?” To celebrate, we need your help! Please tell us your favorite and/or most useful Sound Judgment episode and why. In return, we're selecting a winner, at random, to receive merch from their favorite podcaster. If that podcaster doesn't offer merch, you'll receive NEW Sound Judgment merch!To enter, respond to this quick questionnaire   by Friday, June 30, 2023, midnight EST. Would you like Sound Judgment listeners to hear your voice on our podcast? Record a brief voice memo and email it to us at allies@podcastallies.com by Friday, June 30. If selected, we'll run your voice memo on a future episode of Sound Judgment. (Be sure to include your name, the name of your podcast or business, your favorite or most useful Sound Judgment episode, and why you chose it.) Thank you. We love our listeners! ... Julia Barton is the executive editor of Pushkin Industries, following a long career in public radio. She helped develop Revisionist History and Against the Rules, among other chart-topping shows. She's the editor of Malcolm Gladwell's audiobook The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series for PRX's Radiotopia, Spacebridge, was called “dazzling” by The New Yorker.A note about Sound Judgment: We believe that no host does good work alone. All hosts rely on their producers, the hidden hands that enable a host to shine. We strive to give credit to producers whenever it's possible to do so.  Discussed on this Sound Judgment episode: The Best Audio Storytelling: 2022Foreword by David SedarisGet 15% off The Best Audio Storytelling: 2022 with the promo code BestAudioSJ15 here.The anthology features many different podcasts. We examined: "I Can Do Anything" by Jason Reynolds, from his Radiotopia podcast, My Mother Made Me"Armand's Garden" by Erica Heilman, from her podcast, Rumble Strip"The Tunnel,"  featuring reporter Andrea Bernstein, from Pineapple St. Studios/Wondery's Will Be WildSubscribe to Sound Judgment, the Newsletter, free newsletter about creative choices in audio storytelling. Follow Elaine: FacebookLinkedInInstagram  

Pushkin Industries released a "Best Of Audio Storytelling: 2022" but instead of putting it out as a podcast series, it's an audiobook. Does it matter? Julia Barton at Pushkin says no. On the latest Sound School, Julia talks about tearing down audio silos, and discusses a handful of stories from the collection, including selections from Radiotopia, NPR, Rumble Strip, and more.

The seeds of Julia's life mission were planted when she earned her Reiki I certification at the age of 8. A born intuitive and empath, young Julia used reiki to feel safe and protected. Despite growing up in a holistic household, adulthood found Julia unsure of how to best use her gifts. Her isolating experience with post-partum depression cultivated a desire to support and nurture others. Julia became a post-partum doula and Reiki Master Teacher to guide new mothers to trust their intuition and find joy in their post-partum journey, and created Olive & Bloom Holistic Care and Healing to help women bloom into their fullest selves. Learn more about Julia: www.oliveandbloom.net Facebook and Instagram: @oandbloom

This week we chat to Julia Barton, about her scary and lonely experience with Postpartum depression. She didn't know where to turn and found that help was nowhere to be found. As a result, she began to explore alternative routes to heal and find herself and such a troubling time. Her story is unique and engaging, and she ow spends her time helping other women who may find themselves in similar situations. As she points out, there is no manual to help women after they have given birth, and that seems all the more terrifying when any sort of depression strikes. She is here to tell you that its OK, and it will get better.  Thank you Julia!Links from Julia:Website: www.oliveandbloom.net Facebook: https://www.facebook.com/oandbloom?mibextid=ZbWKwLInstagram: https://instagram.com/oandbloom?igshid=ZDdkNTZiNTM=Support the show

The seeds of Julia's life mission were planted when she earned her Reiki I certification at the age of 8. A born intuitive and empath, young Julia used reiki to feel safe and protected. Despite growing up in a holistic household, adulthood found Julia unsure of how to best use her gifts. Her isolating experience with post-partum depression cultivated a desire to support and nurture others. Julia became a post-partum doula and Reiki Master Teacher to guide new mothers to trust their intuition and find joy in their post-partum journey, and created Olive & Bloom Holistic Care and Healing to help women bloom into their fullest selves. Learn more about Julia: www.oliveandbloom.net Facebook and Instagram: @oandbloom

Join Heidi Esther in a Through the Looking Glass Conversation. What is that? A conversation that will give you a new tool to help you uncover more of your inner badass! Today, Heidi Esther chats with Authors and Energy Healers, Julia Buck Barton and Heather Kokx about, you guessed it, Energy Healing. We will do a deep dive into what energy healing is, how it can help you, and our experiences with it. Come with your questions, leave with an affirmation from the Snowman of Affirmation!#SnowmanofAffirmation sneak peek: YOU are a channel for.....  LINKS REFERENCEDConnect with Heather Kokx at http://heatherkokx.comHeather's book, Gateway to Healing at https://www.amazon.com/Gateway-Healing-Guide-Happiness-Journey-ebook/dp/B09B2V2DTLConnect with Julia Barton at http://www.OliveAndBloom.netJulia's first book https://www.amazon.com/Elevate-Your-Voice-Courageous-Perseverance/dp/1732785821/Julia's second book Link...coming soon! Discover more Tools to heal and grow your inner Badass ACTION STEP! Sign up for encouraging, heartwarming inspiring messages from Heidi Esther and get a free Jumpstart to Joy Guide, with playful exercises to get taking steps to Your #JoyfullyEverAfter  -  https://heidiesther.com/joy

Join Heidi Esther for a chat with Postpartum Doula + Advocate, Reiki Master + Best-Selling Author Julia Barton! We  share  about depression in motherhood and what Julia's journey to living life in Full Bloom looks like, as well as her new book and the launch of Olive and Bloom. Join for the journey, stay for the self-love and self-worth :) IN this conversation, Julia and I talk a lot about peeling back the layers that life gives us to find our authentic selves. Trying to find what is happy for us. If this resonates with you, then you might be ready to start peeling back some layers in your life to find your authentic happy! Check out Heidi's Peeling Your Onion Experience today at http://heidiesther.com/peeling-your-onion. Not sure if Peeling your Onion is right for you? Take the readiness quiz here: https://heidiesther.com/peeling-your-onion-quiz/#takeitWho is Julia? The seeds of Julia Barton's life mission were planted when she earned her Reiki I certification at the age of eight. A born intuitive and empath, young Julia used Reiki to make herself feel safe and protected. Despite growing up in a holistic household, adulthood found her unsure of how to best use her gifts. That all changed when she started a family. Her isolating experience with postpartum depression cultivated a desire to support and nurture others. She became a Postpartum Doula and Reiki Master to offer love, warmth, and support to help new moms trust their intuition and find joy throughout their postpartum journey. Her desire to help women bloom into their fullest selves became a business, Olive & Bloom Holistic Care and Healing. Find support for you or someone you love at http://www.oliveandbloom.net You can also follow Julia at https://www.instagram.com/oandbloom/https://www.facebook.com/oandbloom/And here's a link to her best-selling book on Amazon! https://www.amazon.com/Elevate-Your-Voice-Courageous-Perseverance/dp/1732785821

She channeled her dead Grandmother at the age of 8.She was intuitive...raised on Reiki...and wasn't like the other kids. Because she felt so different, she spent most of her life people pleasing and trying to make everything perfect for everyone.Does this story sound familiar?Today I'm talking with Julia Barton,  a #1 Best Selling Author, Reiki Master, Postpartum Doula, Volunteer and CreatorDoula. Julia came here today to teach us how to become a Doula, but in the end...we learned so much more.From understanding her postpartum depression (through a psychic medium, I might add), to children having the natural ability to feel spirit, this was an intense conversation.We get into the details on stuff like:The breaking point in her life that forced her to rediscover her giftsThe "it takes a village" of raising a childSocietal expectations of mothers and women and Human Giver SyndromeThe differences between the different types of Doulasand more!Plus, she has a really cool story behind the name "Olive & Bloom" (vroom vrooooom!), so click play and listen in!Connect with Julia:InstagramWebsiteFacebookI look forward to getting to know you better so please subscribe, rate and review, and connect with me on Instagram! (@adrikeefe)Head over to www.AdrianaKeefe.com for more information, free tools and tips, and more!Heartfül of Kerøsene - Jeff II https://youtu.be/ZbyFsGMjfRgCreative Commons AttributionFree Download / Stream: https://bit.ly/al-heartful-of-kerseneMusic promoted by Audio Library https://youtu.be/y-tbE2FIA1o

On today's podcast, I welcome Julia Buck Barton, a fellow author in the “Elevate Your Voice” book (which you can purchase on April 6th on Amazon).The seeds of Julia Barton's life mission were planted when she earned her Reiki I certification at the age of eight. A born intuitive and empath, young Julia used Reiki to make herself feel safe and protected. Despite growing up in a holistic household, adulthood found her unsure of how to best use her gifts. That all changed when she started a family. Her isolating experience with postpartum depression cultivated a desire to support and nurture others. She became a Postpartum Doula and Reiki Master to offer love, warmth, and support to help new moms trust their intuition and find joy throughout their postpartum journey. During our conversation, we talk about the courage it took Julia to rebloom. We explore:Overcoming perfectionismThe importance of community in healingTrusting your intuitionReturning to your true sourceFinding your life's purpose Finally, Julia shares how her desire to help women bloom into their fullest selves became a business, Olive & Bloom Holistic Care and Healing. Learn more at:www.oliveandbloom.net

I always say: when you share your story, you shine a light.   And that is exactly what our next featured author from the LIGHTbeamers Author Program aims to do.   Julia Barton is a postpartum doula and Reiki master at Olive & Bloom. She's new to the LIGHTbeamers Community, and came by way of the Author Program where she and I, plus 13 other women, are on a journey to discover our stories and share them with the world. And Julia's story -- while uniquely her own -- will resonate with other women and I believe, will serve as a guiding light for so many.   Listen in on my conversation with Julia, as she and I talk about: · The inside story of why she said yes the Author Program · Her reason for wanting to become a postpartum doula AND at the same time, tell her story on postpartum depression · The biggest lesson she wants to share with other women who are heading into pregnancy, going through it, or have already gone through childbirth · Why she went the non-traditional route in dealing with postpartum depression · Her experience in preparing her story for the book, and what she's looking forward to when the book gets published · The beautiful reasons why she named her business Olive & Bloom   We all have stories to tell, and sharing your story matters. Whether it's to heal your own soul, or let someone know they're not alone, telling your story is an important practice we should all be doing.     Connect with Julia: Olive & Bloom https://www.facebook.com/oandbloom/ Julia's Array https://www.facebook.com/juliasarray Learn more about your ad choices. Visit megaphone.fm/adchoices

Scotland is about to host its first seaweed festival -- an artistic, culinary and environmental event on Isle Martin. Festival curator and environmental photographer Julia Barton shares the story and rolls out the welcome mat. 

20 years ago, a little film called The Matrix came along. The film raised the bar for action, science-fiction and special effects. More importantly, it's just so gosh darn cool. To celebrate its 20th anniversary, Shawn sits down with Julia Barton, who had never seen the classic sci-fi/action film. (She didn't even know there was kung-fu involved!) Find out whether or not she enjoyed her plunge down the rabbit hole or if she would have preferred to take the blue pill. Big thanks to listener Jonathan, who requested this episode ALL THE WAY BACK in December of last year. We're sorry it took so long! HOSTS Shawn Eastridge Julia Barton

20 years ago, a little film called The Matrix came along. The film raised the bar for action, science-fiction and special effects. More importantly, it's just so gosh darn cool. To celebrate its 20th anniversary, Shawn sits down with Julia Barton, who had never seen the classic sci-fi/action film. (She didn't even know there was kung-fu involved!) Find out whether or not she enjoyed her plunge down the rabbit hole or if she would have preferred to take the blue pill.Big thanks to listener Jonathan, who requested this episode ALL THE WAY BACK in December of last year. We're sorry it took so long!HOSTSShawn EastridgeJulia Barton

Pulp Fiction is 25 years old this year. Missing Frames celebrates the occasion by introducing the Quentin Tarantino classic to someone who has never seen it before. Julia Barton and Ryan Lambert join Shawn in discussing Julia's many, many feelings watching this beloved movie for the first time. HOSTS Shawn Eastridge Julia Barton Ryan Lambert

Pulp Fiction is 25 years old this year. Missing Frames celebrates the occasion by introducing the Quentin Tarantino classic to someone who has never seen it before. Julia Barton and Ryan Lambert join Shawn in discussing Julia's many, many feelings watching this beloved movie for the first time. HOSTSShawn EastridgeJulia BartonRyan Lambert

 How a sunken nuclear submarine, a crazy billionaire, and a mechanical claw gave birth to a phrase that has hounded journalists and lawyers for 40 years and embodies the tension between the public’s desire for transparency and the government’s need to keep secrets.   Whether it comes from government spokespeople or celebrity publicists, the phrase “can neither confirm nor deny” is the perfect non-denial denial. It’s such a perfect deflection that it seems like it’s been around forever, but reporter Julia Barton takes us back to the 1970s and the surprising origin story of what’s now known as a “Glomar Response.” With help from David Sharp and Walt Logan, we tell the story of a clandestine CIA operation to lift a sunken Soviet submarine from the ocean floor and the dilemma they faced when the world found out about it.   In the 40 years since that operation, the Glomar Response has become boilerplate language from an array of government agencies. With help from ProPublica editor Jeff Larson and NPR’s Dina Temple-Raston, we explore the implications of this ultimate information dodge. ACLU lawyer Jameel Jaffer explains how it stymies oversight, and we learn that, even 40 years later, governmental secrecy can be emotionally painful.   After listening to the story ...    After 40 years, many of the details of Project Azorian are only now coming to light. The US government’s default position has been to keep as much of it classified as possible. It took three years for retired CIA employee David Sharp to get permission to publish his account of Project Azorian. And FOIA played an indirect role in that, as Cold War historians got the CIA to release, in redacted form, an internal history of the mission. After that and a threat of legal action, Sharp was finally able to publish his manuscript in 2012.   We mentioned conspiracy theories that have swirled around Project Azorian filling the void where official silence has reigned. One of them is promulgated in the 2005 book “Red Star Rogue” by Kenneth Sewell and Clint Richmond. They posit that the K-129 was taken over by rogue Stalinist KGB agents in order to start a nuclear conflict. But the conflict was to be between the US and China, as, according to the authors, the sub had powers to disguise its sonic signature as a Chinese Navy vessel.   This book is the basis of the 2013 drama “Phantom,” which features Ed Harris and David Duchovny as Soviet military officers who sip vodka in a very un-Russian way.   Russian Naval historians, like Nikolai Cherkashin, are not only insulted by this take on the cause of the K-129’s demise, they say the true cause is much easier to pinpoint: They say an American vessel, possibly the USS Swordfish, collided with the Soviet submarine.    Despite the fact that the US government has turned over many documents about Project Azorian and what it found to the Russian government, many in the Russian Navy stand by their theory that it was far too easy for the US to locate the K-129 on the bottom of the Pacific, given the technology of the time. According to these theories, Project Azorian was nothing more than an elaborate cover-up disguised as... an elaborate cover-up. We can neither confirm nor deny that we exactly understand how that would have worked in practice or execution.   But for our money, there’s probably no stranger and more telling document from this time than a video of the funeral at sea for Soviet sailors ostensibly recovered by the US during Project Azorian. Audio of the service starts at 1:25 in this post. Eulogies and rites are performed in both English and Russian (albeit with an American accent).   It’s one of the more solemn moments of the Cold War, and one that the Glomar Response helped keep a secret for a very long time. Support Radiolab today at Radiolab.org/donate.   

In a new podcast called 'Against The Rules', author Michael Lewis looks at the idea of fairness in different walks of life...in law, the media, the financial markets, and in sport...and asks why the 'referees' in all these areas seem to be under attack. In the first episode called 'Ref, You Suck' he visits the NBA's Replay Centre in Secaucus, New Jersey- the place where every pro basketball referee's decision gets scrutinised (and if necessary over-ruled) by other referees on 110 TV screens in real time during each NBA game. 'Against The Rules with Michael Lewis' is edited by Julia Barton for Pushkin Industries.

Since 2009, Julia Barton's edited a lot of radio and podcasts you probably listen to including Revisionist History. On this HowSound, Julia talks shop about her approach to editing.

Spacebridge tells a largely-forgotten saga of the late Cold War, when despair about the prospects of a nuclear conflict gripped the world. Both Soviets and Americans grasped at emerging communication technology via satellite and early Internet “spacebridges” that brought together citizen diplomats ranging from New Agers to tech-enthusiasts to astronauts. The urge to “just connect” helped tilt the world from top-down broadcasting to the more horizontal, Internet-levelled society where we all now live…for better and/or for worse. Co-hosted by Julia Barton and Charles Maynes, Spacebridge is a production of Showcase from PRX’s Radiotopia with additional funding from the Carnegie Corporation of New York. Our Russian content partner is the history site Arzamas.Academy. Find out more at radiotopia.fm/showcase.

Last month, we reported on the Edinburgh Shoreline Project and how, over the coming year, scientists and conservationists will work with local people to search for little-known species, explore rock pools and mudflats and undertake practical conservation work. One part of this will be an exhibition by the award-winning sculptor Julia Barton. Although based in Portobello, Julia’s work is part of a much bigger, Scotland-wide project – the Littoral Art Project – aimed at explaining the harm that plastic does to our shoreline and the value of all that material that’s just been thrown away. She’s producing sculptures, such as the one in the photograph #LitterCUBES, from items she’s collected – this little blue box is made of cotton bud sticks found on our own beaches in Portobello.

Every animal that lives in groups has to make decisions as a group. Even a seemingly simple decision like "where should we go for dinner?" can be complicated to negotiate.    Is there a simple rule behind how humans and other animals make group decisions? Margaret Crofoot is a primatologist and Leakey Foundation grantee whose research on baboons suggests there is a rule, and it's not what you might think.   You can read more about Margaret Crofoot's research and see a video of her GPS data on our blog!   Links   Margaret Crofoot's Lab   Shared decision-making drives collective movement in wild baboons   Sponsors   Origin Stories is a project of The Leakey Foundation. You can support this podcast and the research we talk about by making a tax-deductible donation. All donations will be doubled!   This episode is part of the Being Human initiative. A joint project of the Baumann Foundation and The Leakey Foundation dedicated to understanding modern life from an evolutionary perspective.   Thanks to Adept Word Management for their transcription service. Visit Adept Word Management for your transcription needs.   You can download transcripts of our episodes at leakeyfoundation.org/originstories   Credits Produced by Meredith Johnson, edited by Julia Barton.   Theme music by Henry Nagle.   Additional music from: Tech Toys by Lee Rosevere Grand Caravan by Blue Dot Sessions Stars are Out by Podington Bear   Creative Commons music license CC-BY-NC 3.0

Julia Barton is a freelance editor who edits for Revisionist History, The World, and Studio 360. She reports for Radiolab, Marketplace, 99% Invisible, and more. "If people think they might want to be an editor the first step is to pitch to places that have good editors and get edited and really pay attention to that process. ... But also the second thing is to just listen to work — work that you like and work that you don't like — and figure out how are you reacting to it. Like where am I bored? Where am I confused? Where am I checking Twitter? Alternately, why am I unable to do what I thought I was doing because the story is so damn good that I can't do anything but listen to it?"

In this episode of Serendipity, people watch each other watching them. Featuring the story "Strangers in a Small Cafe" by Sharon Mashihi and Kaitlin Prest. Special thanks to Julia Barton, Brian Dolphin and Sarah Montague. Serendipity is the monthly podcast of The Sarah Awards, an initiative of Sarah Lawrence College, and is supported by KCRW’s Independent Producer Project. The Sarah Awards celebrates radio drama for the 21st century. Check us out at thesarahawards.com. There, you can listen to inspiring works, learn how you can make audio fiction of your own and take part in the revolution. Follow us on Twitter @TheSarahAwards. See acast.com/privacy for privacy and opt-out information.

What happens when we build big? Julia Barton remembers going to the top floor of Dallas's then-new city hall when she was teenager. The building, designed by I.M. Pei, is a huge trapezoid jutting out over a wide plaza. Julia … Continue reading →

What happens when we build big? Julia Barton remembers going to the top floor of Dallas’s then-new city hall when she was teenager. The building, designed by I.M. Pei, is a huge trapezoid jutting out over a wide plaza. Julia … Continue reading →