Podcasts about Wachowski

This week Emily, Jordan, and guest producer Steven Ray Morris watched the 2008 Wachowski sister's flop Speed Racer, starring Emile Hirsch and Susan Sarandon.Tune in next week when our movie will be... Honey.-----Watch Emily Fleming on the Mythical Kitchen channel!Jordan Morris will be GalaxyCon in New Orleans July 11-13. Also Jordan will be at San Diego Comic Con! More details on that coming soon!Steven Ray Morris has a wonderful podcast called See Jurassic Right which you should listen to!Matt has stand up dates!PASADENA JULY 5TH -New World Disorder Comedy with Francesca & Friends. Tickets: https://www.showclix.com/event/New-World-Disorder-07-05-25-9-30-pm

With an actual Friday the 13th just around the corner, this week we cover a recently released movie inspired by the Friday the 13th films and rom-coms: HEART EYES (2025). But is it all hearts and flowers or is this box office darling a big time let down? Listen to this week's episode to find out!Next time we'll be covering the Wachowski-helmed thriller BOUND (1996).Thanks for listening and stay spoopy ya'll!THE GGP CREWTimestamps:00:00:25 Intro00:01:27 Start00:03:50 HEART EYES Begins00:04:51 Friday the 13th Inspiration00:16: Rom-Com Inspirations00:22:00 Cast and Crew Continued00:34:17 RunDown00:37:00 SPOILERS!!!!01:05:04 HEART EYES Wrap-Up01:07:35 Ratings01:10:26 Next Time- BOUND (Paramount+)01:15:08 Pride Stuff and Soapboxings01:20:02 End of Rant01:21:08 Jonathan Joss01:19:34 GoodbyesThe Grindhouse Girls Podcast is created by Katie Dale and Brit Ray. This week's episode is edited by Katie Dale.Part of the Redacted Entertainment Network.Royalty free music used: Ready Set Go and Outro White SmokeCopyright 2020 Grindhouse Girls PodcastThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Bienvenidos, una vez más, a vuestro podcast favorito. Y si es la primera vez que nos escuchas, bienvenido a tu próximo programa favorito. En Buscadores de la Verdad hemos abordado el cine en más de una ocasión. No es casualidad. Dentro de nuestro blog técnico —preocupado.com— creamos una sección llamada Vídeos Es Clave, cuyo título es un guiño a aquel mítico programa llamado La Clave, donde se hablaba de cine… y de sus circunstancias. Muy lejos de la televisión basura actual, La Clave era un espacio donde reinaban la reflexión y el contenido de calidad. Porque el cine, amigos, no es simplemente entretenimiento. Como anunciamos en el título de este episodio: el cine es mucho más. Es un arte que trasciende la distracción, una herramienta narrativa que nos permite reír, llorar, reflexionar y soñar. Nos conecta con lo más profundo de nuestra psique, nos transporta a mundos imposibles y, al mismo tiempo, nos confronta con las realidades más crudas. Es espejo, es mapa, es lenguaje de lo humano. Cada película es un lienzo donde se proyectan culturas, ideologías y anhelos. Pero también, y esto es clave en nuestra mirada, el cine puede ser —y muchas veces es— un medio de programación y control social. En manos equivocadas, se convierte en un instrumento de adoctrinamiento y control. En el gran hermano de Orwell que no solo observa sino que manipula a su antojo las mentes débiles. Hablamos aquí de un concepto tan inquietante como real: la programación predictiva. A través de narrativas cuidadosamente elaboradas, el cine puede sembrar en el inconsciente colectivo ideas, escenarios y valores destinados a normalizar conductas futuras, erosionando el pensamiento crítico y preparando a la sociedad para aceptar lo inaceptable. Y con esa mirada hemos analizado ya varias películas en esta sección de nuestro proyecto. La primera fue El destino de Júpiter (Jupiter Ascending), una cinta de ciencia ficción escrita y dirigida por las hermanas Wachowski, las mismas creadoras de Matrix. La película se centra en una humilde muchacha (Mila Kunis) que se gana la vida limpiando baños, y se entera de que tiene un gran destino genético. En esta película habría tres capas, la primera y más obvia que muestra simplemente un cuento de hadas espacial, una intermedia donde se nos hablaría de entidades no humanas y se las relacionaría con civilizaciones ancestrales de la Tierra; y una tercera, aún más críptica, en la que se abordan temas como la soberanía personal, la ley marítima y las entidades legales representadas en letras mayúsculas. Un auténtico puzzle simbólico En la segunda película que analizamos, 12 monos, hablamos de como el satanismo era la capa mas profunda que nos mostraba la película. Toda la película es una burla a la creencia cristiana y de otras religiones monoteístas en un único Dios todopoderoso. En una escena clave, el personaje sugiere la existencia de una jerarquía de seres malignos que operan como secretarios de entidades superiores. Se dice sin ambages: “Ademas ya he avisado, ya se ocupan de mi. ¿Qué quieres decir?- pregunta Bruce Willis He contactado con ciertos subordinados, espíritus malignos, secretarios de secretarios y otros varios servidores que contactaran con mi padre. Y cuando mi padre sepa que estoy en un sitio asi para que me trasladen a uno de esos tugurios elegantes…” Termina diciendo “Mi padre es Dios… yo venero a mi padre”. Una inversión blasfema de la cosmovisión cristiana. La película, lejos de ser una simple historia de ciencia ficción distópica, es una crítica velada y perversa a la fe monoteísta. La tercera película elegida fue Blade Runner, una de mis favoritas, desde luego un claro referente dentro del mundo de los universos distópicos y de los mundos post apocalípticos. Esta película no recibió toda la atención que hubiera merecido por dos motivos; el primero es que se estreno dos semanas mas tarde del debut en taquilla de E.T., el extraterrestre, ocurrido el 11 de junio de 1982. El segundo motivo es que lo que realmente esconde esta película no debía ser promocionado a las masas como el tema ET que empiezo a ser ampliamente difundido en la década de los 80 a través de películas y series. Pero Blade Runner no es una película cualquiera: es una meditación profunda sobre el transhumanismo, la eugenesia, y el anhelo de trascendencia. En sus capas más profundas se esconde una búsqueda mística de Dios, la llamada “iluminación”. Una pregunta filosófica sobre lo que significa ser humano en boca de un ser artificial. El análisis de Eyes Wide Shut, la inquietante última película de Kubrick, fue tan profundo que dio origen a mi segundo libro: Ojos bien abiertos. Muchos se quedan en su superficie de thriller erótico o crítica elitista, pero nosotros vamos más allá. Esta obra revela rituales, símbolos y estructuras de poder que operan en la sombra. Desde los Rothschild hasta el programa MK Ultra, pasando por referencias al orfismo, el camino del druida y del mago: esta película es una llave hacia lo oculto. Nuestros análisis van más allá de la superficie de la pantalla, desentrañando significados ocultos que el director ha tejido en capas más profundas, invisibles a simple vista. Consideramos que esta obra se estructura en tres niveles principales, de lo más evidente a lo más enigmático: la primera capa revela conspiraciones de grupos de poder ocultos, como los Rothschild, que operan en las sombras; la segunda explora la operatividad de estos grupos, incluyendo técnicas de control como el MK Ultra y rituales de sexo y sangre; finalmente, la tercera capa, la más profunda, nos sumerge en el camino del druida, el poeta y el mago, evocando el misticismo del orfismo. Esta estructura invita a una reflexión crítica sobre las intenciones subyacentes de la narrativa y su impacto en la percepción del espectador. La quinta película que hemos analizado en nuestra sección Videos Es Clave ha sido El Hoyo. Aqui analizamos el simbolismo esotérico de los personajes llegando a la conclusión de que tanto Goreng como Trimagasi eran arquetipos del Quijote: Goreng (Don Quijote) y Trimagasi (Sancho Panza) que representaban a un iniciado y a un maestro masón respectivamente, de origen español. Que además Trimagasi podría simbolizar a Hermes Trismegisto, personaje con nombre griego y sincrético del dios egipcio del conocimiento Toth, creador del hermetismo (Tabla esmeralda) así como de Hermes el dios olímpico mensajero, de las fronteras y los viajeros que las cruzan, del ingenio y del comercio en general, de la astucia, de los ladrones y los mentirosos, y el que guía las almas al inframundo, al Hades, posteriormente llamado Mercurio en la mitología romana. (Caduceo). No es casualidad que el caduceo aparezca en más de un lugar en el film. Este análisis lo hicimos junto a Jordi que en paz descanse y podéis encontrar los videos sobre todas estas películas en la descripción de este podcast en Ivoox. También hemos analizado otras películas como una sobre la trata infantil llamada Sound of Freedom cuyo análisis dejaba en claro que tan solo pretendían colocar un velo entre la triste verdad que rodea el abuso ritual infantil y lo que se muestra en la película, que un traficante de drogas de poca monta era el malo malísimo detrás de los secuestros y abusos de niños. Lejos de exponer la verdad cruda del abuso ritual, parece más bien funcionar como una cortina de humo: un entretenimiento anestésico que disfraza la verdadera magnitud del problema. Y por si fuera poco, me atreví incluso con Rashōmon, la obra maestra de Kurosawa, dejando un pequeño hilo sobre su carga simbólica. Porque hasta en los silencios del cine japonés hay gritos que invitan a la verdad. Amamos el arte. Amamos el cine. Y amamos hablar de lo que se oculta tras la cámara. Por eso, hoy nos acompaña Carlos, más conocido como Cinefilia Cult, un experto apasionado por un arte que no puede ni debe medirse en números. Puntuar una película es reducirla a una estadística. El cine se vive, se siente, se analiza. Pero no se cuantifica. El cine es uno de los lenguajes de la imaginación, donde cada fotograma, sonido o silencio lleva una intención que no puede cuantificarse sin perder su magia. En lugar de números, el cine merece ser explorado a través de conversaciones, interpretaciones y experiencias personales, que capturan mejor su riqueza y profundidad inefable. Bienvenido, Carlos, a Buscadores de la verdad. Hoy, más que cine. ………………………………………………………………………………………. En tu perfil vemos que tu película favorita es Ran (1985) otra película de Kurosawa, junto a clásicos como el film de Kapra “Vive como quieras” (1938) y Los amantes crucificados una película de culto japonesa (1954) ¿Qué elementos te conectan con estos films y qué te atrae de esa época cinematográfica? ………………………………………………………………………………………. Has marcado 363 películas vistas, con 60 este año ¿Hay algún tema o tendencia en tu cine de 2025 que te haya sorprendido especialmente? ………………………………………………………………………………………. En 2024 dejaste una reseña de Dragonkeeper, una coproducción España‑China, destacando su “impecable factura visual”. ¿Podrías profundizar en cómo ves la evolución de la animación internacional y su integración en el cine español actual? ………………………………………………………………………………………. También vi que puntúas Dune: Part Two con un comentario crítico sobre el montaje y el tratamiento a los personajes ¿Qué crees que quedó por hacer bien en esta continuación y qué opinas que aún funciona del estilo de Villeneuve? ………………………………………………………………………………………. Nuestros análisis en Buscadores de la Verdad destacan las capas profundas en películas como Blade Runner o Eyes Wide Shut. ¿Tú también empleas este enfoque de mirar “tras la superficie” en las películas que ves y reseñas? Y si es así ¿Puedes darnos un ejemplo reciente? Hay quienes consideran la cinefilia (cinephilia) una forma de vida. ¿Qué significa para ti ser cinefílico? ¿Qué te aporta esta comunidad? ………………………………………………………………………………………. ¿Cómo equilibras tu gusto por producciones clásicas con tu pasión por descubrir simbologías ocultas en el cine moderno? ………………………………………………………………………………………. Sueles escribir críticas detalladas —por ejemplo, dijiste de Pearl (2022) que “puedes casi percibir los olores”. ¿Cuál es tu proceso a la hora de redactar una reseña: cómo sintetizas lo sensorial y lo narrativo? ………………………………………………………………………………………. Explicanos un poco que es eso de Letterboxd y por que lo utilizas. Con tu uso intensivo de Letterboxd —más de 300 películas, reseñas y listas—, ¿qué consejos darías a quienes empiezan a usar la plataforma para profundizar en el cine? ………………………………………………………………………………………. Algunas de las películas recomendadas en el podcast la noche eterna Politecnica Incendies Cuando llega el otoño El nadador ………………………………………………………………………………………. Conductor del programa UTP Ramón Valero @tecn_preocupado Canal en Telegram @UnTecnicoPreocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq Invitados Dra Yane #JusticiaParaUTP @ayec98_2 Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 …. Cinefilia Cult @cinefiliacult Sigo descubriendo cine. Algunos me llaman Cult, otros Carlos. Si no hay respeto, no somos nada Contacto: cinefiliacult94@gmail.com https://letterboxd.com/cinefiliacult/ ………………………………………………………………………………………. Enlaces citados en el podcast: AYUDA A TRAVÉS DE LA COMPRA DE MIS LIBROS https://tecnicopreocupado.com/2024/11/16/ayuda-a-traves-de-la-compra-de-mis-libros/ VIDEOS ES CLAVE https://tecnicopreocupado.com/videos/videos-es-clave/ ES CLAVE 1 DESENTRAÑAMOS EL DESTINO DE JÚPITER https://tecnicopreocupado.com/2018/09/07/es-clave-desentranamos-el-destino-de-jupiter/ ES CLAVE 2: REVELAMOS LA BURLA AL CRISTIANISMO EN 12 MONOS DIC 21, 2018 https://tecnicopreocupado.com/2018/12/21/es-clave-2-revelamos-la-burla-al-cristianismo-en-12-monos/ ES CLAVE 003: BLADE RUNNER https://tecnicopreocupado.com/2019/08/12/es-clave-003-blade-runner/ ES CLAVE 004 EYES WIDE SHUT https://tecnicopreocupado.com/videos/videos-es-clave/es-clave-004/ ES CLAVE 005 ANÁLISIS SIMBÓLICO DE LA PELÍCULA»EL HOYO»(2019) PRIMERA PARTE https://tecnicopreocupado.com/2021/08/15/analisis-simbolico-de-la-peliculael-hoyo2019-primera-parte/ ANÁLISIS SIMBÓLICO DE LA PELÍCULA»EL HOYO»(2019) SEGUNDA PARTE https://tecnicopreocupado.com/2021/08/30/analisis-simbolico-de-la-peliculael-hoyo2019-segunda-parte/ Simbología en Rashōmon, película japonesa producida en 1950 por el director Akira Kurosawa https://x.com/tecn_preocupado/status/1692865238960341296 Hilo película “Sound of Freadom” https://x.com/tecn_preocupado/status/1679893602980311043 ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros Epílogo Luis Eduardo Aute - Cine, Cine https://www.youtube.com/watch?v=iYi4CBNhCxE

Az egy hét kimaradás oka szervezési probléma volt. Ezután azonban egy hosszabb szünet várható.Spoiler vége: 3:10:52Sziasztok,Ez itt a Vágatlan Verzió, három hetente jelentkező filmes podcast 94. epizódja. Most, hogy a világ kifordulni látszik önmagából, úgy döntöttünk, megvizsgáljuk a filmtörténet néhány disztópiáját, különös tekintettel arra, hogy milyen tanulságokat tartunk mára is érvényesnek belőlük. Beszélgetünk a génmanipuláció nem túl távoli lehetőségeiről, az emberen elhatalmasodó s őt felemésztő bürokráciáról, a totális államok és a média viszonyáról, a virtuális valóságról és a mesterségesség látszatvilágáról, végül pedig.Tartsatok velünk, és jó szórakozást!Tartalomjegyzék:0:00 – Bevezetés39:07 – Gattaca (1997)1:29:57 – Mátrix (1999)2:43:07 – Brazil (1985)3:14:16 – Az éhezők viadala (2012)Alternatív linkek:iTunes - https://podcasts.apple.com/hu/podcast/v%C3%A1gatlan-verzi%C3%B3/id1382751778Spotify – https://open.spotify.com/show/3OVfiTmsGL8iYljlRWZ8g3Social media:Discord: https://discord.gg/Kq9gDYDnaJFacebook: https://www.facebook.com/vagatlanverziopodcastInstagram: https://www.instagram.com/vagatlanverzio/E-mail:vagatlanverzio.podcast@gmail.comLinkek, források:Az AI és a tudományos felfedezések:https://qubit.hu/2024/12/09/mindent-atformal-a-mesterseges-intelligencia-de-igy-milyen-tudomanyos-karrierrol-almodhatnak-a-mai-gimnazistakHaikyuu ajánlás:https://www.imdb.com/title/tt3398540/Speedrun csatorna:https://www.youtube.com/c/SummoningSaltKen Lee – a gyorsuló ember:https://www.youtube.com/@kenleeoriginal/videosUri Geller és Pokémon:https://www.gsplus.hu/jatekvilag/mar-biztosan-visszater-a-pokemon-amit-uri-geller-20-even-at-uldozott-321868.htmlNick Boström szimulációs argumentuma:https://en.wikipedia.org/wiki/Simulation_hypothesisVektor – a Mátrix szinkronparódia:https://www.youtube.com/watch?v=UgTP84qFmhIJéghegyek népe hangoskönyv:https://www.youtube.com/watch?v=LD2OfqrwjvYKulturális forrásaink (minden áthallás jogos, de nem szándékos) :Önkényes Mérvadó, A hét mesterlövésze, Retroschock, Pál Feri, Jordan PetersonKülön köszönet:Tamásnak, az intróban nyújtott hangjáért!https://bogyopeter.tumblr.com/ - Péternek, a csodálatos artworkért!http://eper.elte.hu/ - Az EPER Rádió stúdiójának a felvétel lehetőségéért!Köszi, hogy meghallgattatok!Ádám, Ákos, Alex____________________________________________________________podcast, film, kritika, elemzés, kibeszélő, bemutató, disztópia, scifi, utópia, virtuális valóság, génmanipuláció, Terry Gilliam, Wachowski, Suzanne Collins

This week, Ian's Birthday Episode, that Nora is Not present for, Will and Ian will suit up, push the petal to the metal and BURN OUT! They need to win the race, they need to be-SPEED RACER (2008) PG 135 minutesDirected by: The Wachowski's. Starring: Emile Hirsch, John Goodman, Christina Ricci, Matthew Fox, Susan Sarandon, Ariel Winter, Scott Porter, Kick Gurry, Rain, Roger Allam, Hiroyuki Sanada and Many Other Talented People!00:00:30- No Nora This Week00:02:30- First Thoughts00:08:40-00:10:25- Interview With Vivian about 'The Nut Job'00:17:00- SPEED RACER (2008)00:20:30- Rating/Review00:58:30- Totals (incorrect on pod. correct are 15.64 and 10)01:01:30- Stand Your Ground interview teaser01:03:50- Next Week/Bye!Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/THELastActionCritics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @TheLastActionCriticsemail:   Thelastactioncritics@gmail.comYoutube.comNext Week: Atomic Blonde (2017)

Isn't it obvious... I'm trying to seduce you. Jack and Corey are joined by actor/comedian Sydney Steinberg (The Sober Show, Platonic) to talk the Wachowski Sisters breakthrough steamy neo-noir BOUND (1996)! The three talk erotic thrillers, 90s movies, Jennifer Tilly and Gina Gershon's perfect chemistry, the Wachowski's legacy, sex motivators, Joey Pants, slow motion, cool title sequences, hand sex, love letters to fingers, Subarus, Baby's Day Out, Christopher Meloni's bubble butt, dying your hair, European cuts, mobsters, tighty-whities, jaw harps, and high school sweethearts.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Puntata a cura di Untimoteo. Animatrix è una raccolta antologica di 9 cortometraggi voluta nel 2003 dalle sorelle Wachowski. Proprio loro, le creatrici della tetralogia di Matrix (sul cui ultimo capitolo, Matrix Resurrections, e la sua relazione con la saga abbiamo scritto nel sito di Mondoserie). In Animatrix firmano anche le storie dei primi tre shorts.L'opera rappresenta una delle prime interessanti interazioni tra animazione computerizzata e animazione classica. A distanza di oltre 20 anni il prodotto è ancora fresco e intrigante. A parte un episodio, invecchiato davvero maluccio...“Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana.Leggi il nostro articolo su Matrix Resurrection: https://www.mondoserie.it/matrix-resurrections/ Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

What do you get when you mix cyberpunk philosophy, a rave in a cave, and a thousand Mr. Smiths? A sequel so ambitious it broke Big D's brain and made Gene question reality itself. This week, the Shat Crew finishes up listener Jeremiah's Sci-Fi Through The Ages series by plugging into The Matrix Reloaded, a film that doubles down on slow-mo kung fu, pleather trench coats, and high-concept jargon that may or may not mean anything. Is Neo still "The One," or just another guy with a Superman complex? Did Trinity and Neo's love scene spark human emotion—or just a need for brain bleach? And what's up with the Keymaker, the Merovingian, and that architect making coochie cakes? Prepare for laughs, rants, and maybe even some deep thoughts as we decode the most audacious freeway chase ever put on film. Whether you're Team Zion or just here for the bullet time, this is The Matrix Reloaded like only Shat can deliver. Plot Summary In The Matrix Reloaded, Neo, Trinity, and Morpheus return to fight for the survival of Zion, the last human city resisting machine domination. As Neo grapples with his destiny as "The One," he discovers deeper layers of the Matrix's control and faces powerful new adversaries like the upgraded Agent Smith and the enigmatic Merovingian. With time running out before a massive machine attack, the crew races to unlock the path to the Source and ultimately, human freedom. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Escape with us to the world of the Wachowski's adaptation of the beloved cartoon and Manga.

This week, we discuss two films from the Wachowski siblings. The first is Cloud Atlas (2012), an epic science fiction film which weaves together six interconnected stories across time and space, exploring how individual actions ripple through history to shape destinies. The second is Bound (1996), a neo-noir erotic crime thriller where two women plot to steal from the mob, igniting a tense game of deception, passion and survival.   Timestamps What we've been watching (00:01:02) – Adolescence, Black Bag, Toxic Town, Reacher season three, Undercover, The Departed Cloud Atlas (00:33:52) Bound (00:59:20) Coin toss (01:14:05)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

When you join our Lez Hang Out family on Patreon you will gain instant access to 24 and counting full-length bonus episodes, ad-free weekly episodes, mp3 downloads of all our original songs, an invite to our exclusive Discord channel, and more! We can't wait to see you there.  You can also support the podcast by buying our original merch at bit.ly/lezmerch.  Welcome back to Lez Hang Out, the podcast that is forever in its Wachowski era.  This week, Leigh (@lshfoster) and Ellie (@elliebrigida) talk about the 2015 Netflix series Sense8 for this Lez-ssentials episode, a recurring segment on the essential movies and TV shows in the lesbian canon.  Sense8 is an incredibly queer show that we honestly cannot believe first premiered a whole entire decade ago. It truly ranks up there next to Orphan Black for us as one of the most impressive shows ever to exist on television. Although we really wish it had gotten more seasons, what we did get was an absolute masterpiece. Sense8 was nominated for GLAAD media awards in 2016, 2018 and 2019 for its queer representation and if you did not get a chance to watch it back then, we really cannot recommend enough that you watch it right now. Like for real, why are you reading this? Go watch Sense8 first and then listen to the episode, because this is full of spoilers from here on.  As you might recall from our episodes on The Matrix and Bound, we are big fans of the Wachowski sisters' work. Sense8 is no exception. In fact, Lana Wachowski has said that much of Nomi's storyline was autobiographical in nature. In terms of lesbian couples in media, it doesn't get much more top tier than Nomi and Amanita. Honestly, they might still be at the top even now. We love that Amanita is so ride or die for Nomi; and in context of it being 2015 at the time, the scenes where she defends Nomi against her terfy friends hit even harder. But, as much as we are all in on Nomi and Amanita, they are not the only queer rep in this show. In fact, we'd argue that every single person in the cluster is queer simply by nature of being a sense8. By having this diverse group of people all across the globe suddenly psychically linked, the Wachowskis make a statement about the nature of sexuality, the value of shared experiences in relation to developing empathy, and what it means to be a “we” in all senses of the word.  At the end of the episode, stick around to hear our original song based on Sense8, titled “Sum of Our Parts”, written by Leigh Holmes Foster and produced by Ellie Brigida. Join us on Patreon at bit.ly/lezpatreon for instant access to mp3 downloads of all our original songs or find us on Bandcamp to purchase songs individually.  Remember, you can give us your own answers to our Q & Gay on Instagram and follow along on Facebook, TikTok, Youtube and BlueSky @lezhangoutpod.  Find your fav tol and smol hosts Ellie & Leigh at @elliebrigida and @lshfoster respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices

Willkommen beim Podcast von Technologie-Scout Boris Bärmichl!Bereit für eine faszinierende Entdeckungsreise in die Welt der Technologie?

Amateurs de récits post-apocalyptiques, de cannibales et de batailles spectaculaires, cet épisode de ComicsDiscovery est fait pour vous ! Cette semaine, votre podcast comics préféré explore Post Americana, une œuvre explosive signée Steve Skroce, publiée chez Hi Comics. Un monde post-apocalyptique sans pitiéDans Post Americana, l'Amérique a été dévastée par une apocalypse nucléaire. Les plus riches se sont barricadés dans la Bulle, un bunker high-tech, laissant le reste de la population survivre tant bien que mal dans un univers hostile peuplé de mutants et de cannibales. Quatre-vingts ans plus tard, un président autoproclamé rêve d'imposer sa Nouvelle Amérique, un régime autoritaire sans pitié. À l'intérieur de la Bulle, Mike mène une rébellion clandestine, tandis qu'à l'extérieur, Carolyn, une jeune survivante, tente de subsister dans ce chaos. Lorsque leurs destins se croisent, ils s'allient pour renverser le tyran dans une vendetta sanglante et frénétique. Steve Skroce : entre comics et cinéma culteSteve Skroce, auteur de ce récit déjanté, est un artiste canadien au parcours remarquable. Dans les années 1990, il se fait connaître chez Marvel Comics avec des séries comme Cable et X-Man, avant de briller sur The Amazing Spider-Man. Son talent le mène à Hollywood, où il collabore avec les Wachowski en tant que storyboardeur principal pour des films cultes comme Matrix et ses suites. Ses storyboards précis et dynamiques ont contribué à façonner les scènes d'action emblématiques de la saga. Malgré sa carrière cinématographique, Skroce revient régulièrement à ses premières amours : la bande dessinée. On lui doit des œuvres marquantes comme We Stand On Guard (avec Brian K. Vaughan) et Maestros (dont on a deja parlé dans cet épisode de ComicsDiscovery), où il allie son style détaillé et son sens inné de l'action. Une explosion visuelle et narrativePost Americana est une véritable claque visuelle et narrative. Fidèle à l'approche décomplexée de Steve Skroce, chaque page est un déluge d'action, de violence et de détails incroyables. Le travail de Dave Stewart à la colorisation sublime ces planches hallucinantes, rendant chaque scène encore plus immersive. Cette BD, pleine d'énergie, séduira les amateurs de récits barrés et de culture bis, dans la lignée de Toxic Avenger ou Planet Terror de Tarantino. Attention, Post Americana ne cherche pas à philosopher : c'est un pur divertissement gore et explosif, parfait pour ceux qui savent ce qu'ils veulent. Découvrez Post Americana dans ComicsDiscoveryRetrouvez notre analyse complète et nos impressions sur cet ovni du comics dans l'épisode de ComicsDiscovery dédié. N'attendez plus pour plonger dans cet univers chaotique et captivant ! Le mot de la finComme toujours, nous vous invitons à partager votre avis avec nous ! Que vous soyez d'accord ou non, échanger avec vous est toujours un plaisir.Si vous souhaitez nous écouter en direct, rendez-vous le mardi soir à 21 h sur notre chaîne Twitch :James et Faye sur Twitch. Retrouvez nos chroniqueurs : Sophie : Découvrez ses réseaux ici Faye : Découvrez ses réseaux ici Eve : Découvrez ses réseaux ici James : Découvrez son instagram Suivez-nous sur nos réseaux sociaux : Facebook : ComicsDiscovery sur Facebook Twitter : @comicsdiscovery sur Twitter Instagram : @comicsdiscovery sur Instagram TikTok : @jamesetfaye sur TikTok Écoutez nos podcasts sur vos plateformes préférées : Spotify : ComicsDiscovery sur Spotify Ausha : ComicsDiscovery sur Ausha Apple Podcasts : ComicsDiscovery sur Apple Podcasts Deezer : ComicsDiscovery sur Deezer Retrouvez nos replays vidéo : YouTube : ComicsDiscovery sur YouTube Twitch : James et Faye sur Twitch Pour nous soutenir : Tipeee : Soutenez-nous sur Tipeee Rejoignez-nous sur Discord :Venez discuter avec nous sur notre serveur Discord :Rejoindre le serveur Discord Découvrez nos autres productions :Retrouvez toutes nos productions et articles sur notre site officiel :James & Faye

We know, we know…we said we'd be back in a week during the Mailbag ep, but I didn't realize there was ANOTHER week before we got back. So Jason and I fired up the mics from vacation, and recorded a special new retrospective of the episode our listeners selected as the greatest Escape Hatch ever (it was actually Dune Pod at this point - but STILL), the first appearance of the actor from Warrior, Banshee, and See, Hoon Lee! Waaay back in the simple days of April of 2023, right as a little new technology known as ChatGPT was suddenly bursting into the mainstream, we covered the biggest science fiction masterpiece since Blade Runner, the Wachowski's The Matrix. Hear our finest hour, plus catch up with what Jason and I have been up to over the holidays! Chapters Introduction (00:00:00) The Matrix Episode (00:12:21) Wrap Up (02:20:41) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Cʹest une trilogie métaphysique et cyberpunk sortie entre 1999, à lʹaube du 21e siècle, et 2003. Trois films : Matrix, Matrix Reloaded et Matrix Revolutions, qui constituent la base dʹune saga qui va révolutionner lʹhistoire du cinéma. Cʹest un mythe originel créé par deux frères alors, les Wachowski, devenus, depuis, des sœurs, Lilly et Lana Et nous, nous allons nous balader dans leur monde, celui de la Matrice, en parlant plus spécifiquement de Matrix, le premier film. Car celui-ci impose un avant et un après. Il marque une transition dans le monde du cinéma par lʹutilisation de ses effets spéciaux, de sa violence, et de sa philosophie qui emprunte de références bibliques et mythologiques. Mais ce qui frappe au-delà du syncrétisme religieux assumé, cʹest que Matrix est avant tout un film dʹaction et cʹest sans doute dans ce registre quʹil se singularise le plus. Avec des scènes de combats parfaitement chorégraphiés, mêlant arts martiaux à des techniques de tournage ultrasophistiqués et à des effets spéciaux encore peu vus au cinéma, avec un montage au cordeau, très physique, et des acteurs en costumes noirs, près du corps, ainsi quʹune musique omniprésente, tout cela fait lʹeffet dʹune bombe à sa sortie. En 2003, les deux autres volets de la trilogie terminent ce premier cycle, qui trouvera un pendant avec un quatrième volet en 2021 et un cinquième en préparation et ancrent Matrix dans le 21e siècle faisant de Néo, Morpheus et Trinity des héros dʹun genre nouveau. Dès lors, préparez-vous. Il ne nous reste plus quʹà tomber dans le terrier avec Alice. Pilule rouge ou pilule bleue, choisissez-bien. REFERENCES 1999 Keanu Reeves, Carrie-Anne Moss and The Wachowskis/ The Matrix / Interview https://www.youtube.com/watch?v=ZwsFJRiuwbA Making The Matrix https://www.youtube.com/watch?v=dgm-CFOSRH8 "De Matrix à Sense8, la révolution Wachowski" diffusé en 2024 https://www.dailymotion.com/video/x8zogry Matrix Reloaded behind scenes https://www.youtube.com/watch?v=7pxYn5_zV2g

En este episodio de Marea Nocturna, grabado con público en el Festival 42 de Barcelona, celebramos los 25 años de The Matrix, un clásico que revolucionó el cine de ciencia ficción y marcó la cultura pop del siglo XXI. Exploramos sus múltiples influencias, desde los mundos distópicos de Philip K. Dick y el cyberpunk de William Gibson hasta el anime y el cine de Hong Kong, junto a su innovadora campaña de marketing y el icónico bullet time. Analizamos sus profundas conexiones filosóficas y literarias, su impacto como saga y el legado de las Wachowski, cuyo estilo siguió inspirando a generaciones con obras como Sense8 o Cloud Atlas. Un recorrido por la película que definió el fin del milenio y su huella imborrable en el blockbuster moderno. Un homenaje imprescindible para los amantes de la ciencia ficción y de una de las películas más influyentes de los últimos tiempos. Tómate la píldora roja, despierta del sueño y descubre el mundo de Matrix.

Jennifer spills the beans on what it takes to be an actress in Hollywood. We talk "Beverly Hills Housewives", how your gal pal will cover your problem spots in lesbian love scenes, poker, glamour, getting hit on by producers, and the indignity of promoting yourself by going on to podcasts like this one.Bio: Jennifer Tilly received an Academy Award nomination for her role in Woody Allen's “Bullets Over Broadway” for her memorable portrayal of the terribly untalented Olive, actress wannabe, and gangster's moll. Her performance in “Liar Liar” as Jim Carrey's gold-digging client earned her an American Comedy Award nomination, as well as a Blockbuster award nomination as Favorite Supporting Actress.Tilly is perhaps best known from the indie noir film “Bound”, which has earned her a cult following. “Bound,” directed by the Wachowski's follows two lesbian con artists trying to rip off the mob. The film garnered many accolades including a GLAAD media award, and a Saturn award nomination (Best Actress) for Tilly. Other film credits include “The Getaway,” “The Fabulous Baker Boys,” “Let It Ride,” “The Cat's Meow,” “Intervention,”(Winner-Best Actress-San Diego Film Festival) “Dancing at the Blue Iguana,” “Made in America,” “Bride of Chucky,” (Saturn Award nominee-Best Actress) “Seed of Chucky,” “Curse of Chucky,” “Cult of Chucky,” “The Crew,” “The Wrong Guy,” “Inconceivable,” (Winner-Best Actress-WIFT) “An American Girl,” “Edie and Penn,” “Hide and Seek,” “Saint Ralph,” “The Doors,” ”Relative Evil” (Winner-Best Actress-DVD Exclusive Awards) “Second Best,” “Tidelands,” and many more. Other notable TV appearances include “Modern Family,” “Drop Dead Diva,” “Moonlighting,” “Cheers,” and “Frasier.” She had recurring roles on “Hill Street Blues,” “It's Garry Shandling's show (Ace award nomination-Best Actress) and “Out of Practice” (CBS). She was a series regular on “Key West” (Fox) and “Shaping Up.” (NBC) Tilly is in great demand as a voice over actor. For the last twenty-two years she has delighted audiences as Bonnie on “Family Guy.” She played the snaky haired Celia in Pixar's classic movie “Monster's Inc.,” as well as the Disney+ series “Monsters at Work,” Grace, the new age cow in Disney's “Home on the Range,” a con mouse in “Stuart Little,” and Madame Leota in “The Haunted Mansion.”Theatre credits include "Tartuffe," (LA Public Theatre) "Boy's Life" (LAAT) and "Baby With The Bathwater," (LAPT) and “Vanities,” (Dramalogue Award-Best Actress) She received a “TheatreWorld Award” (Best Newcomer) for her performance in Second Stage's "One Shoe Off" at the Joseph Papp Theatre.  Tilly is also a regular performer in the smash hit comedy revue, “Celebrity Autobiography” and Illeana Douglas' “Living Room Show.” These days Jennifer is dividing her career between acting and poker. In 2005 she astounded the Poker world when she bested a field of over 600 women to win the coveted gold bracelet at The World Series of Poker. She followed that up by capturing a WPT title, winning Ladies Night 3.

On poursuit l'entretien avec Camille Brunel qui décortique la représentation des autres animaux dans la culture, et interroge la prégnance du spécisme dans ces représentations. Mon invité analyse plusieurs dizaines d'œuvres cinématographiques, de dessins animés et de documentaires au prisme de l'antispécisme.  On soulève les questions de l'anthropomorphisme, de l'utilisation des animaux comme symboles ou métaphores, du renversement de la situation entre humains et animaux pour faire apparaître le spécisme, de l'exploitation des animaux acteurs, de la symbolique végétarienne ou de la portée animaliste de certains films et dessins animés, de l'effet de Disney sur les représentations des animaux, et de bien d'autres choses encore ! ________________________________ Références et sources citées dans l'entretien :  Livres de Camille Brunel :  - Le cinéma des animaux - Je est un animal - Les métamorphoses Conférences : - « L'animal, le film et le végétarien : Parcours secret du végétarien au cinéma » - Camille Brunel - « L'animal est-il un humain comme les autres ? » - Camille Brunel - « Les animaux ne sont pas des métaphores » - Victor Duran-Le Peuch Films : Babe, La légende de Manolo (Jorge Gutierrez), I Robot, La série Mad Max, Happy Feet (George Miller), Clous Atlas, Matrix (les soeurs Wachowski), Le sang des bêtes (Georges Franju), Nuit et Brouillard (Alain Resnais), L'Odyssée de Pi (Ang Lee), Noé (Darren Aronofsky), White God (Kornél Mundruczó), Cheval de guerre (Steven Spielberg), Mystère (Denis Imbert), Eo (Jerzy Skolimowski), Le Règne animal (Thomas Cailley), La revanche d'une blonde (Robert Luketic), La forme de l'eau (Guillermo del Toro), Massacre à la tronçonneuse (Tobe Hooper), Hellboy (Guillermo del Toro), Qu'est-ce qu'on a fait au bon Dieu ? (Philippe de Chauveron), Avatar 2 (James Cameron), Gorge, coeur, ventre (Maud Alpi) Dessins animés : La Belle et la bête, Frère des ours, Madagascar, Wallace et Gromit (Nick Park), Chicken Run, Dumbo, Bambi, Zootopie Documentaires : Secrets of the Whales et Secrets of the Elephants (James Cameron), Océans (Jacques Perrin et Jacques Cluzaud) Autres références :  - Casques de réalité virtuelle pour les vaches - Étude sur les chats qui nous ignorent - Frankenstein ou le Prométhée moderne - Mary Shelley - La politique sexuelle de la viande - Carol J. Adams - Repas véganes sur le tournage d'Avatar - The Disneyfication of animals - Rebecca Rose Stanton  - Publispécisme, concept développé par Axelle Playoust-Braure, voir ép 9 et 10 du podcast où elle l'explique - Deux analyses de la question raciale dans Zootopia : - Au nom des requins - François Sarano - L'inconscient des animaux - Florence Burgat Recommandations de Camille Brunel :  - Le film Cow d'Andrea Arnold - Le TED Talk ‘Grief and love in the animal kingdom' par Barbara J. King (et son livre How animals grieve) - La folie des chats - Claude Béata ________________________________ SOUTENIR : https://linktr.ee/poissonpodcast Comme un poisson dans l'eau est un podcast indépendant et sans publicité : votre soutien est indispensable pour qu'il puisse continuer à exister. Merci d'avance ! Abonnez-vous sur les réseaux sociaux à @poissonpodcast (Twitter, Instagram, Facebook, etc.) ________________________________ CRÉDITS Comme un poisson dans l'eau est un podcast indépendant créé et animé par Victor Duran-Le Peuch. Charte graphique : Ivan Ocaña Générique : Synthwave Vibe par Meydän Musique : Poker par Galshi Revolution

Jonny and Heather record the episode on Columb--er, Indigenous People's Day, and have some things to say about the costs of colonialism and the importance of Two Spirit/Q-Spirit. The review some events last week, one a planned pesentation on the queer history of the region and the other a grassroots protest for an anti-trans speaker brought to speak in Carbodale on National Coming Out Day. They then switch to some TERF-y women causing additional problems for queer and trans folks with their loose connection to history, science, and reality. They end with excitement for new films in the works by the Wachowski sisters celebrating trans horror, as well as other films available for streaming that avoid the Bury Your Gays trope. 

Directors the Wachowski siblings, actors Jennifer Tilly, Gina Gershon, and Joe Pantoliano, editor Zach Staenberg, and consultant Susie Bright

This month for our movie night, Captain Ingle and I go back in time to the year 1999 and the release of one of the most important science fiction films in recent history. Questions regarding the truth of our reality have been asked since the dawn of our species, and the Wachowski's modern classic "The Matrix" presents these thoughts in a truly profound and extremely influential way. In fact, the concepts presented in this film still resonate with us a quarter of a century later. Join us, along with special guest Aaron Dye, as we go boldly!

Put on your black latex and take that red pill, because we're bending reality and running from Agents in The Wachowski's 1999 masterpiece THE MATRIX! Along the way, we discuss the horrifying weirdness of belly buttons, Carrie-Anne Moss' life-saving hotness, and the media-illiteracy of dudebros the world over! Subscribe to our PATREON for access to ad-free eps, full video eps, bonus discussion eps, and more!

A estas alturas todo el mundo conoce la película o ha leído la obra literaria en la que se basa. Estrenada en 2006 tuvo bastante repercusión y ésta llega hasta nuestros días. Está claro que los hechos que narra no son tan de ciencia ficción dado lo que está ocurriendo en nuestros días. Es por eso que he creído factible hacer un análisis sobre la misma porque su fundamento tiene más vigencia que nunca. “V de Vendetta” es una obra icónica, tanto en su versión original como cómic escrito por Alan Moore y dibujado por David Lloyd, como en la adaptación cinematográfica de 2005 dirigida por James McTeigue y producida por los hermanos Wachowski. Esta obra es un comentario profundo y crítico sobre el poder, el autoritarismo y la resistencia individual y colectiva frente a la opresión. A continuación, te presento un análisis detallado de “V de Vendetta” desde varias perspectivas: 1. Contexto Histórico y Social La historia se desarrolla en una Inglaterra distópica, gobernada por un régimen fascista conocido como Norsefire. Este contexto refleja las ansiedades y preocupaciones sobre el autoritarismo y la pérdida de libertades individuales, influenciado por el clima político de los años 80, cuando Margaret Thatcher estaba en el poder en Reino Unido y Ronald Reagan en Estados Unidos. Alan Moore, conocido por su inclinación política hacia la izquierda, escribió “V de Vendetta” como una crítica al auge del conservadurismo y la erosión de las libertades civiles. 2. El Personaje de V V es un enigma, un símbolo más que un individuo, lo cual es intencionalmente ambiguo. Su máscara de Guy Fawkes, un conspirador histórico que intentó volar el Parlamento inglés en 1605, se convierte en un emblema de resistencia contra la tiranía. V, que en la película es interpretado por Hugo Weaving, encarna tanto las virtudes como los peligros del anarquismo. Es un personaje complejo que lucha por la libertad a través de medios violentos, cuestionando si los fines realmente justifican los medios. La ideología de V está profundamente influenciada por el anarquismo y el libertarismo. Aunque su misión es destruir un régimen opresivo, su visión de un futuro ideal es uno sin gobernantes, donde los individuos son verdaderamente libres. Esta idea es representada en su discurso sobre la libertad y el caos, y en su voluntad de morir para permitir que su ideal continúe. 3. Evey Hammond Evey, interpretada por Natalie Portman en la película, representa la transformación personal y la liberación del miedo. Comienza la historia como una joven temerosa y sumisa, pero a lo largo de la trama, bajo la guía y manipulación de V, se convierte en una figura fuerte y capaz de tomar decisiones autónomas. Su evolución simboliza la capacidad humana de resistir la opresión y encontrar una identidad propia, libre de las cadenas impuestas por el poder. 4. Temas Centrales • Autoritarismo y Libertad: El régimen de Norsefire es una representación extrema de un gobierno totalitario, donde la libertad de expresión, la disidencia y la diversidad son suprimidas en nombre de la seguridad y el orden. V, por otro lado, defiende la idea de que la libertad auténtica solo puede surgir a través de la destrucción de un sistema opresivo, aunque esto implique caos y violencia. • El Poder de las Ideas: “V de Vendetta” explora cómo las ideas pueden ser más poderosas que cualquier individuo. La máscara de Guy Fawkes se convierte en un símbolo de resistencia global, lo que refleja la capacidad de un símbolo o una idea para trascender a la persona que lo origina. • Miedo y Control: El gobierno de Norsefire utiliza el miedo como herramienta para controlar a la población, una estrategia que tiene ecos en la vida real, donde los gobiernos a menudo explotan amenazas (reales o fabricadas) para justificar la represión y la centralización del poder. 5. Simbolismo La obra está llena de simbolismos que refuerzan sus temas centrales. La máscara de Guy Fawkes, como se mencionó, es un símbolo de resistencia. El número “V” y el uso de la letra en la narrativa (representando el número 5 en números romanos) son recurrentes y refuerzan la identidad y misión del protagonista. La rosa escarlata que V deja como firma en cada asesinato es una referencia a la belleza efímera y la muerte. 6. Adaptación Cinematográfica vs. Cómic La película “V de Vendetta” introduce cambios significativos con respecto al cómic original, especialmente en su enfoque ideológico. Mientras que el cómic es más explícitamente anarquista, la película suaviza este mensaje, presentando a V como un luchador por la libertad en un sentido más amplio y menos ideológicamente específico. Este cambio hizo la película más accesible para un público masivo, pero también ha sido criticado por diluir el mensaje radical de Moore. 7. Relevancia en la Cultura Contemporánea “V de Vendetta” sigue siendo relevante hoy en día, en un mundo donde las tensiones políticas, la vigilancia estatal y las luchas por los derechos civiles están más presentes que nunca. La máscara de Guy Fawkes ha sido adoptada por movimientos como Anonymous y Occupy, convirtiéndose en un símbolo universal de resistencia contra el poder. 8. Conclusión “V de Vendetta” es una obra poderosa que invita a reflexionar sobre el poder, la libertad y el papel del individuo en la sociedad. Aunque el uso de la violencia por parte de V puede generar controversia, su lucha por un mundo más libre y justo resuena profundamente, especialmente en tiempos de crisis política y social. La obra nos recuerda que, aunque los regímenes pueden intentar reprimir la disidencia, las ideas de libertad y justicia son inquebrantables y capaces de inspirar cambio más allá de cualquier figura individual. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/plomo-o-salud-zz-podcast-06x03/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X: https://x.com/LuisBermejo y https://x.com/zz_podcast Instagram: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0

In this episode, Masie & Stuart return to the realm of space operas with the Wachowski sisters' sci-fi blockbuster film Jupiter Ascending. A critical and finacial failure upon release, the reputation of this movie is often quite negative in online film circles. However, our hosts are here to argue that it might have some compelling ideas... some 90's shojo isekai ideas in fact. Listen as our hosts try to argue in favor of this film's charming, feminine, anime-esque version of a power fantasy, and why maybe the script probably could've used a couple more drafts.   Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram, Twitter, and Letterboxd and Cinema-Bones on Tumblr for podcast updates.   Additional Sources & Reading: Jupiter Ascending - Toronto Sun Director Article Wachowski Sisters' Video Interview

PART 2 OF 2   Support the show on PATREON Buy our MERCH   We finish our most requested report this season PLASTIC MAN. The Wachowski's actually took TWO stabs at this. Once in the 90s and again in the 2000s with their key star Keanu Reeves oft reported as their top choice.   00:00 - Intro/Recap   03:39 - The Story (Continued)   39:34 - What Happened?   47:15 - Outro   CAST: PLASTIC MAN - Erik Ruof SUSAN - Danielle Santos ICURUS - Ben Wagner   CONTACT US: Hit us up: cancelledmovies@gmail.com You can Suggest a Movie Cancelled Movie Report YouTube Channel Follow us on Instagram 

PART 1 OF 2   Support the show on PATREON Buy our MERCH   Our most requested report this season is about the long in development project from DC... PLASTIC MAN. The Wachowski's actually took TWO stabs at this. Once in the 90s and again in the 2000s with their key star Keanu Reeves oft reported as their top choice.   00:00 - Intro   01:54 - The History of the Project   09:06 - The Story   52:44 - Outro   CAST: PLASTIC MAN - Erik Ruof SUSAN - Danielle Santos ICURUS - Ben Wagner   CONTACT US: Hit us up: cancelledmovies@gmail.com You can Suggest a Movie Cancelled Movie Report YouTube Channel Follow us on Instagram

This week, we watch the heady sci-fi action fantasy (insert any genre here) film that took the 90's by storm. This film spawned countless imitators, including three inferior sequels, and everything about it still holds up today. The Matrix (1999), directed by the Wachowski's.

Bullet-time! Long, slow-mo shots in mid-air! Reverse kanji and a sushi menu! We've got you covered with all the green-tinted, leather-weather, trench-coat-rocking scifi-action as Scott, Matt and Andrew tackle The Wachowski's "The Matrix", starring Keanu Reeves and Laurence FIshburne. From the incredible visuals to the wooden acting to the still-not-entirely-resolved plot hole(s), they're here to take you as far down the rabbit hole as you're willing to go. But the real question here... would you choose to be unplugged?Make sure to subscribe to Behind the Timeline for all of our newest updates and episodes! And if there's a movie or show you want us to cover, check out our website for the means to let us know what you wanna see!-Email: gobehindthetimeline@gmail.comTwitter: BehindtimelineInstagram: GobehindthetimelinePatreon: https://www.patreon.com/BehindTheTimeline?fan_landing=true

This week, we watch the heady sci-fi action fantasy (insert any genre here) film that took the 90's by storm. This film spawned countless imitators, including three inferior sequels, and everything about it still holds up today. The Matrix (1999), directed by the Wachowski's.

GO SPEED GO!! Finalmente ele chegou: o Cinemou de Speed Racer virou realidade e debatemos tudo que achamos sobre esse que foi um grande fracasso das Wachowski, mas está sendo redescoberto. Teve gente emocionada, tá? No Papinho falamos, claro, sobre o assunto do ano: a volta de Robert Downey Jr. para a Marvel! E no +Papinho disponível no nosso Patreon, falamos sobre Um Lugar Silencioso: Dia Um, spin-off estrelado por Lupita Nyong'o e Joseph Quinn. Vale a pena? Faça parte do nosso Fã-Clube no Patreon e tenha acesso à conteúdo extra! Apoie o Cinemou, faça parte do nosso grupo no Telegram e ouça o +Papinho! RICARDO RENTE YoutubeTwitterInstagramLetterboxd ALEXANDRE ALMEIDA Newsletter do Alexandre TwitterInstagramLetterboxd SIGA O CINEMOU! YoutubeInstagramTwittercinemoupodcast.com

Buckle up for a high-octane episode of "The Middle of Culture" as hosts Eden and Peter, fueled by their passion for film, rev their engines for a deep dive into the Wachowski sisters' 2008 film "Speed Racer." At the time, it was a critical and commercial flop, but since its release, this visually stunning adaptation has gained a devoted following. But does it truly deserve a victory lap?Before hitting the track, our hosts share their current media obsessions:- Peter's self-inflicted productivity book challenge- Eden's adventures in the latest Final Fantasy XIV expansionThen, it's pedal to the metal as we explore:- The jarring disconnect between "Speed Racer's" initial reception and its cult status- Our honest, unfiltered reactions to this polarizing film- Are the movie's unique visuals just there to compensate for its shortcomings?- Are internet defenders genuinely onto something, or just along for the ride?- The ultimate question: Is "Speed Racer" worth your valuable viewing time?Join us for a nitro-boosted discussion that'll have you questioning everything you thought you knew about this controversial piece of cinema. Whether you're a die-hard fan or a skeptic, this episode is sure to fuel your pop culture engine!#SpeedRacer #CultClassics #WachowskiSisters #MovieReview #PopCulturePodcast #FinalFantasyXIV #ProductivityBooks

This week, we don't step behind the mic to be an audio driver... we do it because we're driven, as we go under the hood with the Wachowski sisters' much-maligned avant garde anticapitalist art film (for kids!), the 2008 anime adaptation Speed Racer, written and directed by Lana and Lilly Wachowski, and starring Emile Hirsch, Christina Ricci, John Goodman, Susan Sarandon, Matthew Fox, Roger Allam, Hiroyuki Sanada, Benno Fürmann and Richard Roundtree. Turned loose on kid-friendly fare after R-rated successes, the Wachowskis served up a visionary piece of art about what it means to be an artist, and the struggle to create under capitalism. A box office flop upon its release, it's gained a cult following in the years since, and count Justin as a Day 1 believer as he saw it twice in IMAX and all of its technicolor splendor has likely been imprinted on his eyelids ever since. It's a contentious pick to close out Masterpiece Month, a nomination for canon consideration so audacious that it just may test the limits of the very friendship undergirding this podcast. But fret not! Beyond hearing a nerdy boy yap about his nerdy interest for an impossibly long time, we also mark the midway point of the year by revealing our Top 5 films of 2024 thus far. If you'd like to watch Speed Racer before listening to this episode, it is sadly unavailable to stream in both the US and Canada at the time of publication. But you should see it. It's great. (Can you guess which one of us writes this stuff?) Other works discussed in this episode include Twisters, Civil War, Hit Man, Late Night with the Devil, Longlegs, Devil, Love Lies Bleeding, Dune: Part Two, Furiosa: A Mad Max Saga, Challengers, Speed, Midnight Run, Mission: Impossible - Rogue Nation, Lisa Frankenstein, National Treasure, Pirates of the Caribbean, Pirates of the Caribbean II: Dead Man's Chest, The Matrix, V For Vendetta, Pacific Rim, Cars, Sky Captain and the World of Tomorrow, Star Wars Episode II: Attack of the Clones, Yellowjackets, Nope, Alita: Battle Angel, and Gran Turismo, among countless others. We'll be back next week to kick off another themeless month of madness on the show, as we're following Masterpiece Month by purposefully steering the ship directly into an iceberg and watching the movie that killed Hayden Christensen's leading man career. Yes, it's another box office dud from the summer of 2008: Doug Liman's Jumper, which sadly just like Speed Racer is not currently available to stream. Until then, we'll see you at the movies!!

We conclude our Pride Month series with a wonderful discussion between Amanda, Zach, and special guest Matt Braunsdorf as they dissect the 1996 queer film Bound. A sexy thriller and early work from the Wachowski sisters, Bound delivers all sorts of turns and surprises. Not enough adjectives can describe what happens in this movie, so check it out and see if we nailed the discussion! Take a listen and don't forget to like us on Facebook and follow us on Twitter. Make sure to leave a 5 star rating on Apple Podcasts. Have questions or comments? Shoot an email to dbcrazypod@gmail.com and we will answer them on the next podcast. Please subscribe on Apple Podcasts, Pandora, Amazon Podcasts, TuneIn, Spotify, or Google Podcasts and remember to rate and leave a comment. The feedback helps us tremendously!

He's Back x3! We've got the return of Seth, Robert, and director David DeCoteau all in one episode. In a film that Brandon thought was space related, we instead end up in a post-apocalyptic, secret alien-run arctic cadet training base, with tons and tons of shirtless dudes and boobs to go around. What are Seth's true thoughts on our season-long sponsorship? Does this movie invoke famous directors like Ridley Scott, Stanley Kubrick, the Wachowski sisters, etc.? And how does a time-share guessing game point system work? Tune in this week to find out all this and more, but only on "The Good, The Bad, & The Movies"! P.S. Check out these links to stay connected with TGTBTM Discord: https://discord.gg/rKuMYcKv Youtube: https://youtu.be/Eko4AGaqpC8 --- Send in a voice message: https://podcasters.spotify.com/pod/show/tgtbtm/message

The Wachowski's Speed Racer was released in 2008 to horrible reviews and an even worse box office performance. But as time has progressed, a small but vocal contingent has gone on to reappraise the film, claiming that it was misunderstood at the time of its release. On this episode "Speed Racer (2008)", you get both sides of the argument as Jason found it a groan-inducing, cheesy bore while Ryan could get enough of the flashy visuals and eye candy. Where do you fall on this debate? Feel free to send in a comment and let us know what you think, and enjoy this feisty episode of Esoterica Cinema!

It's the triumphant return of warrior, actor, and philosopher Hoon Lee! We tackle the Wachowski's apex mountain, The Matrix Reloaded. This is as close to Dune Messiah as we've ever gotten, y'all. Chapters Introduction (00:00:00) Hatch News (00:21:45) The Matrix Reloaded Roundtable (0:30:58) Your Letters (02:02:07)   Notes and Links Check out the Escape Hatch Merch! Great swag and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Patreon! Support the show as a patron and receive exclusive bonus episodes, early access to episodes, join our LIVE recordings, and much more. Join the Escape Hatch Discord Server! Our server is live, and this is the place to hang out with Haitch, Jason, guest hosts, and other friends of the pod. It's a spot to chat movies, books, games, whatever. Join us! https://discord.gg/R5ThKbTn7t Checkout TAPEDECK Podcasts! Escape Hatch is a member of TAPEDECK Podcasts. Check out our fellow podcasts! Escape Hatch Set List on Letterboxd: https://letterboxd.com/escapehatchpod/list/escape-hatch-set-list/ Let us know what you think of the show. Write us at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211‬. Rate and review the podcast to help others discover it wherever you listen to the pod.  Follow @escapehatchpod on Twitter and Instagram Music by Scott Fritz and Who'z The Boss Music Cover art by Ctcher Edited and produced by Haitch Escape Hatch is a TAPEDECK Podcasts Jawn, a production of Haitch Industries

Another hilarious conversation ensues as Wes returns to the cave for another exciting adventure. The guys cover the latest news of the week (even some non-geek related news) in addition to filling Wes in on the wrestling revolution taking place. Also, The Matrix 5 moves forward without creators the Wachowski's, a new Evil Dead film in the works, a disappointing update for Moon Knight fans and more!Also, Elisabeth Moss gives an update on an Invisible Man sequel, another exorcism film in the pipe for Russell Crow, Famke Janssen's return to the 'Jean Grey' role in Deadpool & Wolverine and so much more!Don't forget to follow the guys on Facebook, Twitter, YouTube and Instagram. Contribute to the GeekZip Podcast through our official Patreon account, where as members, you'll receive exclusive content regularly! Email your questions and comments to geekzippodcast@gmail.com.Online news clips and stories by: comicbooknews.com, screenrant.com, ign.com, cosmicbook.news, fangoria.com, YouTube, Facebook, WWE, givemesport.com, wwfoldschool.com, wrestlezone.com, screencrush.com, variety.com, small-screen.co.uk, indiewire.com,  ihorror.com, comingsoon.net, cbr.com, rue-morgue.com, paramountartscenter.com, mountainhealtharena.com, chaswvccc.com, Time Warp-Ashland, KY, msn.com, eonline.com, deadline.com,

The Filmlosophers and Intern Amy reflect on the anniversary of taking the red pill 25 years ago and being awakened to the cyberpunk phenomenon that is the Wachowski sisters' cinematic masterpiece, 1999's The Matrix.

The "Dirty Sons of Pitches" Available on Spotify and Apple Episode 405 includes: -What's the opposite of an R.I.P. for O.J. Simpson? -Trailer reaction for "Joker 2" and a possible new "Matrix" movie from a not-Wachowski? -Nate has finally seen "Indy 5" and... it's even worse than he worried.  -"Godzilla x Kong" is a silly monster smash 'em up that works on its own dumb fun terms.  -By the Decade -- 1990s Bonus - "The Shadow" / "Matinee" / "Quiz Show" -The guys close out the awesome decade of cinema that was the 1990s with a misguied big-screen revamp of 1930s radio serial action hero "The Shadow" with Alec Baldwin, then discuss the pleasures of Joe Dante's nostalgic and warm-hearted ode to the appeal of movies with "Matinee," and end on analyzing the commentarry and impact of the little-talked about Oscar-nominee for Best Picture for 1994, the behind-the-scenes movie on the early TV gameshow scandal, "Quiz Show." 

On episode 224 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Cody Dericks to take a look back and review The Matrix for its 25th anniversary and give out their Top 5 1990s Action Films. As talked about a couple of times on the AwardsWatch Podcast as well as on Director Watch, 1999 is one of the greatest years for cinema, not just in the modern era but of all time. The collective batch of films released in that last year of the 20th century profoundly spoke to the times they were released, while also paving the way for the next 25 years of films and filmmakers to come. One of the most influential films from that year was The Matrix, which just celebrated its anniversary of release just a few days ago. In a wonderful conversation, Ryan, Dan, and Cody break down this one-of-a-kind sci-fi-noir- action spectacle, talking about what the films means to them and so many others, as well as it's substantial legacy that has made it stand as one of the best films of all time. In the back half of the show, in honor of speaking about The Wachowski's masterpiece, the AW team go back to their nostalgic pasts and talk about their Top 5 action movies released within the 1990s. A bountiful decade to choose from, they were able to narrow this difficult exercise down with films like Mission: Impossible, Twister, Heat, Speed, Face/Off, Saving Private Ryan, Terminator 2: Judgment Day, and more were discussed. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h14m. On our next episode, we will be reviewing Dev Patel's directorial debut, Monkey Man, and talking about our favorite actor-director debut feature films. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Why is The Matrix a big deal? Find out in this rerelease in honor of the movie's 25th anniversary.   Thanks to Jefferson Betmarik for making us pull 1999's The Matrix off our shelves and talk about it.  This movie was directed by the Wachowski siblings, and stars Keanu Reeves, Laurence Fishburne, and Carrie-Anne Moss among others.  Jim and I have watched this movie so much, and spent so much time talking about it over the years, so it's no surprise that we were able to easily fill 1:20 with our personal thoughts and observations.  What surprised is was how many new thoughts and ideas we had from our latest watch.  We had a lot of fun revisiting the movie, and I hope you get a kick out of listening. Thanks again, Jefferson!  If you'd like to find out how you can commission your very own podcast, check out our shop page for all the details. Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Go behind the vein-popping sophomore feature from writer/director Rose Glass, Love Lies Bleeding, with this special Q&A! Remember: "ONLY LOSERS QUIT," So don't skip out on this episode like most folks do leg day!  The film is a quirky and queer neo-noir full of greasy mullets, guns, and girl-on-girl with brief interludes of body horror. Its sexual fluidity, spunky attitude, and cosmic edge recall the films of Gregg Araki mixed with the Wachowski's Bound, Ridley Scott's Thelma & Louise, Darren Aronofsky's Requiem For A Dream, and David Lynch's Lost Highway. It's a strange cinematic cocktail of sex and violence whose mileage will vary from viewer to viewer. 

We were going to read a Wachowski unproduced script on their take of Plastic Man from the DC comics. But in the process, Dunigan read that version and sent me a different Wachowski script, Carnivore, that just left us in one of those lost dilemmas of life. So, we just went in with a casual filled romp, talking some of the Wachowski films, Fantastic 4 games and alternative takes, short but sweet video games, rock concert experience woes, and the fight against the old folks. Just another party filled adventure on the show. So, come on by and join us on another adventure of OMO Podcast. Old Man Orange is Spencer Scott Holmes & Ryan Dunigan - 2024 - "Young Adults, Old Man Attitude. Talking retro games, classic films and comic good times with a crisp of Orange taste." - www.OldManOrange.com Our link tree with all the places one could go for OMOP - https://linktr.ee/OldManOrange Support the Show the easy and simple way, by using one of our Amazon Links to make your purchases. Doesn't cost you a penny extra but sends a little something our way. Thanks! Super Mario Bros 1993 Movie - https://amzn.to/3UHoYUp Grab some comedy with, Pizza Boyz, the sitcom styled Indie Comic series by Spencer Scott Holmes with Comics on Amazon Comixology, Indy Planet, and the Old Man Orange Etsy Shop where you can find shirts, stickers, and other merch too. Support original artists! - https://linktr.ee/OldManOrange

Michael Mendehlson studied business at the University of Pennsylvania. He started his career in the entertainment industry from the mail room of The Tonight Show with Johnny Carson, and working himself all the way up to becoming a major producer and CEO of Patriot Pictures. He has produced hit major motion pictures such as The Matrix directed by the Wachowski sisters, What Women Want from director Nancy Meyers, Quentin Tarantino's directorial debut Reservoir Dogs, and served as financier for David Fincher's Fight Club. --- Support this podcast: https://podcasters.spotify.com/pod/show/industry-standard-w-barry-katz/support

This week on the Erotic Thriller Club we are joined by Blair Gorman-Diaz of the No Kids Podcast to talk about the Wachowski sister's 1996 film Bound! Gina Gershon, Jennifer Tilly, the mob, the dangers of getting fingered by a smoker, Garrett gets dominated! What more you could ask for?

This week, Brandon and Ben kick off the first week of February with the special effects extravaganza that changed movies forever...The Wachowski's The Matrix!Next Episode: The Matrix Reloaded

Screenwriter Thomas Althouse rejoins the program to discuss the treachery he has personally witnessed and suffered through within Hollywood. Althouse is the original screenwriter of the Matrix Trilogy which was stolen back in the early 90's. He has been fighting now for almost 3 decades to get credit for his original work. Althouse has proven to millions of people now worldwide who have seen sufficient evidence proving he is the original writer behind the paradigm changing Matrix Trilogy.If you want to text Thomas Althouse to ask him questions or to provide information, contact him at (267) 893-0847. Donate to help Thomas Althouse: Paypal @ReclaimMatrixSee past episodes with Thomas Althouse at https://sarahwestall.com/?s=tom+althouse

Get ready for a world of wet because we're continuing our month of erotic thrillers with a look at the Wachowski sisters' 1996 ovinal queer classic Bound! Tagging in for the conversation is the founder of Salem Horror Fest: Kay Lynch! Join us as we kick things off with a brief discussion on the differences between noir and neo-noir before going all in on the casting drama that nearly cost us Jennifer Tilly! Then it's all (and we mean all) fair game as we analyze this masterpiece of queer cinema. Plus: plenty of frank sexual conversations, femme tops, threatened masculinity, overhead shots galore, and all the praise for Jennifer Tilly and Gina Gershon's lead performances. And remember: Don't force the snake. Slow and easy does it. References: > Kelly Kessler. “Bound Together.” Film Quarterly (Summer 2003) > Drew Burnett Gregory. “Bound” Is a Trans Classic. Autostraddle. > “The Difference Between You and Me” Bonus Materials. Bound, Olive Signature, 2018. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Kay: Twitter / Instagram > Salem Horror Fest: Website / Twitter / Instagram Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada   Learn more about your ad choices. Visit megaphone.fm/adchoices

At the beginning of the 90s, lesbians were a punchline for a male-gaze-oriented media, an easy target for expressing the anxiety that women might not need men after all. By the middle of the decade, women-loving-women had become the heroes of a number of neo-noir crime films, but the culture at large still rejected lesbianism when not intended to arouse men. While The Matrix has widely been reappraised as a trans allegory after the transitions of its directors the Wachowski sisters, their previous feature Bound was transparently queer, but its reception was complicated by the media's perception of its makers. Bound was released just a few months after the burial of an extremely similar film called Wild Side. Barely seen on its initial release amidst studio recutting and the suicide of its director, today Wild Side plays as a heartbreaking and troubling example of what could have been for its star Anne Heche, who would soon after become one-half of the most famous lesbian couple in Hollywood – and suffer the career consequences.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices