Podcasts about cultural preservation

SummaryIn this episode of Talk Commerce, Melissa Morris shares her journey in transforming her family's business, Sam's Caribbean Marketplace, into a modern e-commerce platform. With over three decades of history, Melissa discusses her role in revamping the business's online presence using Shopify, enhancing customer engagement through marketing strategies, and introducing innovative services like grocery delivery to Jamaica. She also reflects on her personal passions and the cultural influences that shape her work.TakeawaysMelissa started working in her family's business at 14.The transition to Shopify involved importing over a thousand products.Customer engagement is enhanced through videos and photography.The new website has improved user experience significantly.Innovative services include grocery delivery to Jamaica.Melissa's passion for art and music influences her work.Cultural influences play a significant role in the business.The business is experiencing new customer interest post-transition.Challenges included high shipping costs on the old website.Melissa encourages connections on LinkedIn for networking.Chapters00:00Introduction to Sam's Caribbean Marketplace03:24Early Experiences in Family Business06:06Revamping the Online Presence08:39Integrating Food and Online Sales11:32Innovative Delivery Services14:21Challenges and Future Outlook17:00Cultural Influences and Closing Thoughts

Guggenheim Fellow, artist, producer, and educator Kokayi returns to unpack the layers of sound, storytelling, and being a vessel for cultural memory.Since our first conversation, Kokayi has pushed deeper into multidisciplinary work—blending sound design, improvisation, code, and community-building. This conversation tracks his reflections on legacy, experimentation, and why he's wary of institutions that try to own culture. We talk about what's next, how he stays rooted in practice, and what it means to be free in a creative economy that rewards conformity.Sound as both artform and archival practiceWhy joy is built into his live performance structureNavigating mentorship, freedom, and capitalist frameworksCreating from truth instead of chasing metricsThe importance of protecting your time and your IP

Welcome back to Part 2 of our interview with Kati Csoman along with my co-host Dr. Anna Fenyvesi in our series of Celebrating Hungarian Heritage Together. If you haven't listened to part one of Kati's family story where she talks about her dad, Endre's emigration to the US and his contributions to the American Hungarian community, you can certainaly do that either before or after you listen to this episode. You will still be able to appreciate the Csoman family story regardless of which order you listen. In this episode we are picking up where we left off with the Csoman Family Legacy where you will hear all about Kati's  Hungarian American experiences as a first born American Hungarian of immigrants, and her continued contributions to the American Hungarian legacy. You will certainly feel the Hungarian connection when listening to Kati's story, and you will realize that you are not alone in your Hungarian Heritage journey. Listen along as we Celebrate Hungarian heritage together.If you're interested in purchasing a copy of Hungarian Roots and American Dreams, either in English or in Hungarian, or if you are interested in joining the Facebook group, you will find that information below, as well as, how you can get in contact with Dr. Anna Fenyvesi. If you're interested in getting in contact with Kati Csoman, please send us an email and we will forward your contact information to Kati with her permission. If you have feedback or questions about this episode or you would like to connect with me at the podcast, you will also find that information below. If you've enjoyed this episode and you're interested in learning more about this Hungarian Heritage community, please don't hesitate to reach out. I would love to hear from you. Our theme music is Hungarian Dance by Pony Music, used with special license from Envato Market. Don't forget to subscribe, rate, and review wherever you listen to your podcasts. Thanks again for listening, and until next time, make sure you Stay Hungarian Heritage Strong!  SziastokCONNECT with Dr. Anna Fenyvesi Instagram: @hungarianroots_americandreamsFacebook : Hungarian Roots and American DreamsEmail : fenyvesi@lit.u-szeged.huPurchase a copy of Hungarian Roots and American Dreams through this email: hungarianrootsamericandreams@rootstories.huCONNECT with the Podcast Website: www.myhungarianheritage.com Email: Christine@myhungarianheritage.comInstagram: @hungarianheritagepodcastFacebook: Hungarian Heritage Podcast  *If you would like to get in touch with Katie Csoman, you can reach out to either Anna or myself and we will connect you by email with Kati's permission.         

John Maytham speaks with Onke Simandla, an IT systems specialist and traditional healer from the Eastern Cape, about his innovative AI-powered mobile app designed to recognise and classify medicinal plants using traditional names. The Izazi Mobile App Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Chris Do is coming to Singapore!

We are back with another episode in our series of Celebrating Hungarian Heritage Together!  In this episode I am thrilled to announce that my co-host will be Dr. Anna Fenveysi, and together we will be featuring Katie Csoman's Hungarian heritage story, which is featured in Hungarian Roots and American Dreams. As Kati shares her family's story, you will not only learn about her father's journey to the US  from Hungary in 1956, but you will learn about Kati's Hungarian parents and their contributions and involvement in their Hungarian community in Pennsylvania and in the surrounding regions. This episode is chock full of Hungarian heritage pride, and examples of supporting the American Hungarian community that we had to split this interview into two parts! You will certainly feel the Hungarian connection when listening to Kati's family story, and you will realize that you are not alone in your Hungarian Heritage journey. Listen along to part 1 of Kati Csoman's Hungarian Roots and American Dreams story as we Celebrate Hungarian Heritage Together. Don't forget to stay tuned because Part 2 is coming out next week, and if you think this episode had a lot of Hungarian heritage pride, just wait until you hear part 2. If you're interested in purchasing a copy of Hungarian roots and American Dreams,  either in English or in Hungarian, or if you are interested in joining the Facebook group that was mentioned in this episode, you will find that information below. If you have feedback or questions about this episode or you would like to connect with me at the podcast, you will also find that information below.  If you've enjoyed this episode and you're interested in learning more about this Hungarian Heritage community, please don't hesitate to reach out. I would love to hear from you.  Our theme music is Hungarian Dance by Pony Music, used with special license from Envato Market. Don't forget to subscribe, rate and review wherever you listen to your podcasts. Thanks again for listening, and until next time, make sure you Stay Hungarian Heritage Strong!  SziastokCONNECT with Dr. Anna Fenyvesi Instagram: @hungarianroots_americandreamsFacebook : Hungarian Roots and American DreamsEmail : fenyvesi@lit.u-szeged.huPurchase a copy of Hungarian Roots and American Dreams through this email: hungarianrootsamericandreams@rootstories.huCONNECT with the Podcast Website: www.myhungarianheritage.com Email: Christine@myhungarianheritage.comInstagram: @hungarianheritagepodcastFacebook: Hungarian Heritage Podcast  *If you would like to get in touch with Katie Csoman, you can reach out to either Anna or myself and we will connect you by email with Kati's permission.    

- Music Video Introduction and Interview Announcement (0:00) - Gut Health Program and Interview with Mellow Cat (4:11) - Radical Left Attacks and Judicial Interference (6:06) - Trump's Aggressive Stance and Radical Left's Violence (9:15) - White College Educated Women and Trump Derangement Syndrome (11:49) - Special Report on Vaccines and Bio-Weapons (22:24) - Book Review: 20 Mechanisms of Injuries by Dr. Sherry Tenpenny (27:37) - Chemtrails, HAARP, and Full Spectrum Dominance (34:42) - Mayor of Boston's Defiance and Trump's Response (1:04:21) - Interview with Maxime Bernier: Canada's Populist Movement (1:06:18) - Maxime Bernier's Political Journey and Platform (1:23:50) - Canadian Media Bias and Political Campaigning (1:26:55) - Prime Minister Justin Trudeau and Canadian Politics (1:30:39) - Economic and Energy Policies in Canada (1:35:29) - Immigration and Cultural Integration in Canada (1:49:57) - Trade Relations with the US and Global Politics (1:58:50) - Financial Challenges and Future Prospects (1:59:22) - Cultural Preservation and National Identity (2:06:05) - Conclusion and Final Thoughts (2:07:52) For more updates, visit: http://www.brighteon.com/channel/hrreport NaturalNews videos would not be possible without you, as always we remain passionately dedicated to our mission of educating people all over the world on the subject of natural healing remedies and personal liberty (food freedom, medical freedom, the freedom of speech, etc.). Together, we're helping create a better world, with more honest food labeling, reduced chemical contamination, the avoidance of toxic heavy metals and vastly increased scientific transparency. ▶️ Every dollar you spend at the Health Ranger Store goes toward helping us achieve important science and content goals for humanity: https://www.healthrangerstore.com/ ▶️ Sign Up For Our Newsletter: https://www.naturalnews.com/Readerregistration.html ▶️ Brighteon: https://www.brighteon.com/channels/hrreport ▶️ Join Our Social Network: https://brighteon.social/@HealthRanger ▶️ Check In Stock Products at: https://PrepWithMike.com

In this episode of True Tales From Old Houses, host Stacy Grinsfelder highlights the powerful work of the Descendants Project, a nonprofit dedicated to preserving the heritage and environment of the Black descendant community in Louisiana's river parishes. Through grassroots activism and historic preservation, the organization works to protect their ancestral land and challenge the environmental injustices that threaten their community. Later in the episode, Stacy revisits a 2020 interview with Bill Chapman. Bill is on a deeply personal journey to uncover the names of enslaved individuals connected to his family's historic property, Enon Hall. By giving them back their names, he seeks to honor their memory and acknowledge their humanity.  This special episode of True Tales From Old Houses is part of Podcasthon, a collaborative effort bringing together podcasters to highlight nonprofits and charitable causes. Learn more at Podcasthon.org. WE LOVE OUR SPONSORS If you love True Tales From Old Houses as much as we love making it, please consider supporting the small businesses that sponsor our show—they help keep these stories (and our old house shenanigans) alive! Sutherland Welles - Maker of exceptional polymerized tung oil finishes since 1965. To save 10% on your first order, use the coupon code truetales. The Window Course from Scott Sidler of The Craftsman Blog - Learn everything you need to know to restore your wood windows. For 10% off The Window Course, use the coupon code truetales. Repaint Studios The Repaint Tray from Repaint Studios is the first reusable silicone paint tray liner and lid. The Repaint Tray's air-tight lid keeps your paint fresh for weeks. Use the coupon code truetales10 to save 10% off your order. Old House Hub from My Old House Fix - An exclusive online community that connects passionate old house owners and enthusiasts with experts and service providers. Join for expert advice, valuable resources, and a supportive community. Use the coupon code truetales for a free one-year membership. Mentioned in this Episode Podcasthon.org The Descendant's Project (website) (Instagram) The Descendant's Project (in the news) The Descendant's Project NPR The Descendant's Project Good Morning America Ep #39: Enon Hall Part II Enon Hall (Instagram)

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 19th March 2025. The winner will be contacted via Bluesky. Show references: https://www.ajah.ae/https://www.linkedin.com/in/paul-griffiths-63432763/Kelly's final episodeThe transformation of Painshill Park, with Paul Griffiths, Director of PainshillWhat it really takes to launch a podcast. With Kelly Molson and Paul GriffithsPaul Griffiths has worked in the Heritage, Museums and Tourism world now for nearly 30 years.After spending 16 years working in various role for English Heritage, in 2012 he moved to the Mary Rose Museum as Head of Operations to oversee the opening and operations of the multi award winning museum, welcoming over one million visitors before in 2018 taking on moving to the Painshill Park Trust in the role of Director of Painshill. Paul spent 6 years there before his move in December 2024 to Ras Al Khaimah one of the seven Emirates that make up the UAE. In this exciting brand new role Paul is Chief Executive Officer of the Al Hamra Heritage Village, part of the Al Qasimi Foundation. Transcriptions: Paul Marden: Welcome to Skip the Queue, a podcast for people working in and working with Visitor Attractions. I'm your host, Paul Marden.Longtime listeners will remember my guest today, Paul Griffiths, when he was CEO at Painshill Park, from when he was interviewed back in season one by Kelly. In today's episode, Paul comes back to talk about his new role as CEO of Al Jazeera Al Hamrah Heritage Village in Ras Al Khaimah in the UAE. Now, I'm always interested in the first 90 days of people's experience in a job, so we'll be talking more about that and his for the future. Paul Marden: Paul, welcome back to Skip the Queue. Paul Griffiths: Hello. Thanks for having me, Paul. Great to be here. Paul Marden:  Long time. Listeners will know that we always start with an icebreaker question and our guests don't get to know that one in advance. I think this one's a pretty kind one. I was pretty mean to Paul Sapwell from Hampshire Cultural Trust a couple of weeks ago because I asked him whether it was Pompey or Saints and for political reasons, he felt that he had to abstain from that.Paul Griffiths: Testing his interest. I'd have gone Pompey at the time because that's where we live. Well, did live. Paul Marden: Oh, there you go. There you go. So you've moved over from Portsmouth. You're now in the UAE. Tell listeners, what is that one? Home comfort that after three months away from Blighty, you're missing? Is it proper English marmalade? Paul Griffiths: Do you know what? I've been able to get hold of most things, but I've not been able to get. I know people who cook properly, so I should be able to do this myself, but I haven't. Cauliflower cheese, one thing I'm missing from home, that doesn't sell it anywhere in a sort of pre pack or frozen form. I can even get hold of Yorkshire puddings in Spinny's supermarket, but I can't get hold of cauliflower cheese. Paul Marden: Can you get cauliflowers? Paul Griffiths: Can get cauliflowers. I'm sure I can make cheese sauce if I knew what it was doing. But you normally. I'm so used to normally buying a pack of cheese, cauliflower cheese to have in my Sunday roast. Paul Marden: Okay. So if I ever get to come out, I need to bring out a plastic wrapped, properly sealed so that it doesn't leak on the plane. Cauliflower cheese? Paul Griffiths: Yes, please. Yeah, absolutely. Paul Marden: So your last episode was actually. Or your last full episode was back in season one, episode 22. So five years ago and the world has changed a lot in five years, but most recently it's changed a lot for you, hasn't it? So why don't you tell listeners a little bit about what's happened to you since you were with us in season one? Paul Griffiths: Wow. Yeah, well, season one seems an age away, doesn't it, now with all the wonderful guests youu've had since on Skip the Queue, it's been a different program completely. But, yeah, no, well, back then I was at Painshill, were coming out of a pandemic and I remember, you know, Kelly and I were chatting over all the different avenues that everyone had gone and what we've done at Painshill and that continued brilliantly. And however, my life has taken a change in. In sense of where I am, but I'm still doing the same sort of work, so. Which is, you know, when our industry, and it's such a fabulous industry, it's great to stay in it. Paul Griffiths: So I am now over in the United Army Emirates in the Emirate of Ras Alhaima, which is the third biggest of the seven emirates that make up the UAE, behind Abu Dhabi and, of course, Dubai. So I was approached, God, nearly always, this time last year, about a call over here. Yes. My recruitment company got in touch and went through, you know, had a good look at the job description and thought, well, actually, we'll throw my hat into the ring. And applied, went for a series of online interviews with the recruitment company, then an online interview with the people over here at various departments within the Al Kassimme Foundation and the Department of Museums and Antiquities. Paul Griffiths: So, yeah, looking at this brand new job, which I'm now lucky enough to be in, I then was flown out in August for a round of interviews, met all the team. You know, one of those things that you later discover, the whole real four days was one big interview, although there was. There was a central one. But of course, everyone you were meeting along the way was being asked to feedback, And I love chatting to people and enjoying people's company. So actually went for dinners and lunches and all sorts, which was just a lovely four days and almost felt like a free hit in many ways, Paul. Well, this is going to be a brilliant experience. Paul Griffiths: If I don't get the job, I'm going to have a great four days in Rasta Taima, seeing it, meeting everyone, enjoying the time here. And, you know, the more time I spent here, the more time with the team, the more time, you know, going and visiting sites. I just became more and more that this would be an amazing job. Obviously gave my absolute everything, did loads of research, gave everything in the interview. The interview took a rather unusual turn. After the sort of hour and a half of questions and my questions, I was asked to leave the room for a short period. Not unusual in that sense because I was, you know, I wasn't just going to leave and go because obviously I was in their hands for four days. Paul Griffiths: But the doctor, Natasha Ridge, the executive director of the foundation, came out the interview and said, “Right, that's all gone really well. We're really pleased. We're now off to the palace for you to meet His Highness Sheikh Saud, who is the ruler of Ras Al Khaimah and on the Supreme Council of the UAE.” So I was sort of, I went to one of the small meeting rooms you. Now I know that. Now I know where I was, where I went. But at that point I had no idea. One of the lovely. There's a very much a service thing here. Paul Griffiths: So, you know, we have in the Heritage Village as well later we have a wonderful member of our team, Geraldine, who does lots of cooking, prepares stuff and just had a wonderful fish taco lunch because we're four hours ahead of you, of course, here in Alaihi. So, yeah, so one of the guys came in with, gave me an English breakfast tea and sort of, you know, sat there reviewing what, thinking what on earth was I going to be asked by His Highness. And then was put into one of the drivers and we drove up through Rat Sahma City, through into the palace, up the long driveway and there I was sort of eventually, after about 20 minutes, presented with. Presented to Sheikh Sword who asked me, chatted, asked various questions. Paul Griffiths: I don't think there could be many interviews that you end up with His Highness in the second half of it. You know, it's sometimes a presentation. Yeah. So that was. I was there for about half an hour and that's your time over and off he goes. And off I went back to then go and have dinner with some of the team. So it was a very surreal afternoon. Paul Marden: Being interviewed by royalty. But when you're not expecting that as part of the interview process, that must be quite unnerving. Paul Griffiths: I had a heads up that at some point in my trip I might meet him, but there was no formal arrangements. I had me had to get in a diary. So it hadn't even crossed my mind that's what was about to happen. When I was asked to leave the meeting room, I just thought maybe they wanted to come back with more questions or, you know, say I hadn't gone well, whatever. But, yeah, no, that was the. I took that as a good sign. I thought, well, actually, if I'm being whisked up there, the interview must have gone relatively well because I'm sure they would present me to shake sword if it hadn't gone so well. Paul Marden: Yeah. You'd hope that he would be towards the end of the cycle of the interview round. Paul Griffiths: Yeah. Paul Marden: Not doing the early sifting of CVs. Paul Griffiths: No. He certainly had seen who I was because he asked me some questions about where I'd worked and. Okay, things like that. So he'd obviously seen a CV. He's a very. I mean, I've met him subsequently a few times. I've been fortunate to be a dinner hosted by him a couple of weeks ago. But he is a very, very intelligent man. Works really hard. I mean, work. He, you know, for him, he spends every minute working on the emirate. He ruled, he. He's the ruler. But he's almost a. It's a sort of combo, I guess he's all Prime Minister at the same time as being the ruler. So he is constantly working. You know, I'm really committed and I'm lucky in many ways that where I am working at the Heritage Village is his real. Paul Griffiths: One of his real pet projects that he's really driving forward. So, yes, we come with sort of royal. Royal approval, if you like. So. Yeah. Paul Marden: Excellent. So I. I've not been to the Emirates before, so for those of us that have not been, tell us a little bit about Ras Al Khaimah, of course. Paul Griffiths: Well, Ras Al Khaimah is one of the quieter Emirates mentioned. Sheikh Saud there, he's really driving a sort of, you know, a sort of agenda of bringing in more tourists. But he wants to use culture and territory as part of that. So, you know, it's a more relaxed, low level, if that makes sense. It's not Dubai, it's not full on, it's more relaxed Emirate. It's relaxed in cultural and many of the ways it's not, as you know, some of the other Emirates are, for example, completely dry. Ras Al Khaimah has given licenses to hotels and big restaurants in hotels for serving drinks. And there are a number of sellers where you can purchase for your consumption your own home, whereas Sharjah, you can't purchase any alcohol, for example, so it's a bit more chilled like that. It's a lovely place. Paul Griffiths: We're very fortunate to have the heavier mountains go through the far side of Ras Al Khaimah. So where I'm based is more on the seafront but then not, you know, I can see the mountains behind and there's a number of drives up into the mountains which are absolutely fabulous. Up to the Jebel Jais, which is the highest point in the UAE, we have the world's longest and fastest zip wire. I have not gone anywhere near that yet. Goes up to 100km an hour and is the longest over from the top of the mountain, whisking you off to the other side. I think it looks terrifying. But my. Paul Marden: I'm more interested in cables that take you to the top of the mountain. Maybe with some skis on my feet than I am attaching myself to a cable and going down the mountain. Doesn't sound like fun to me. Paul Griffiths: There's a toboggan ride as well up there as well.Paul Marden: Oh, I'd love that. Paul Griffiths: So that's the toboggan ride's on my to do list when the family get off, I'll save it for then and take my son Barney on that. But you know, there's all this sort of venture sports up on the top of the mountain and driving up there is remarkable. They put a proper road in. It's not the scary driving up the Alps, terrified what's going to come around the other corner. It's very like driving up a road, you know, normal sort of dual carriageway, two lanes each way and then right going through the mountains to the other side to one of the other Emirates for Jazeera , for example. So you're over on the Indian Ocean side Gulf Vermont. That road is just beautiful. There's no traffic on it, you know. Paul Griffiths: So Ras Al Khaimah is only about an hour and hour to an hour and a half from Dubai airport. And Dubai is a sort of people go to Dubai in the same way that we, you know, you'd go to London, I'd go to London when I was in Port Soviet, we would. It's now, you know, it's not considered a. There's always someone from work who's in Dubai every day almost for some reason. So nipping up to Dubai, I was like, I went to a dinner there last week and you know, it just seemed very normal that he jumped in a car and drove up to Dubai and came back that evening. Whereas. Seems remarkable actually to be doing that. But yeah, so because of where we are, Abu Dhabi is about two and a half hours away.Paul Griffiths: And we are the northern point of the Emirate, So we border on to Oman, split into a number of areas. Again, I didn't know any of this till I got here, but there's a part of Oman that's at the top of Ras Al Khaimah. And so, yeah, so it's a beautiful Emirate with nature, with mountain areas, which does get a bit chillier when you go up the mountains. I looked quite silly in my T shirt and shorts when I went up there on a Sunday afternoon. People were going past me like they were going skiing. You know, people wore coats and hats and looking at me as if I'm really daft. But I was still. It's interesting that because it's winter obviously everywhere here at the moment and at home, but it's. Paul Griffiths: People here are often telling me it's a cold day when I'm still standing. I still feel really quite warm. But yeah, finding that sort ofPaul Marden: Talking 30s at the moment for you, aren't we? Paul Griffiths: Yeah, it's a little bit. The last couple days have been down in the lower 20s, really comfortable. But when we last weekend, people were getting a bit nervous that summer had come very early because it was hitting the early 30s last week. So I don't know how for me, when we get to August, when it's in the mid, late 40s with real high humidity, I think I'm just going to go from aircon building to aircon building to aircon building.Paul Marden: I am such a Goldilocks when it comes to that sort of thing. Not too hot, not too cold, it needs to be just right. So I would definitely struggle in that kind of heat. Look, let's talk a little bit about where you are in the new job. So you've taken on the role of CEO of Al Jazeera Al Hamra Heritage Village. So tell me a little bit about the village. Why is this village so historic? Paul Griffiths: Well, it's a really interesting one, Paul, because it is very important, but it's not that old. And that's why what coming to me about making it more alive is something that's going to be crucial to us. So the village has been lived in for many years. It was a pearl farming village. So most of the people who worked here were doing pearl farming, which is pretty horrible job to do. You were, again, learning about this. You were jumping off boats, going to the ocean depths for up to three to four minutes. No protection really, apart from a very light shirt and some little bits on your fingers. But actually you're nothing on your eyes. Paul Griffiths: So you're having to look through the salt water, find the pearls come up and they were going up and down sometime 15, 16 times or more a day. And there's a fascinating exhibition in Dubai at the Al Shindagha Museum which really does focus on how this worked and how these guys were living. So, so it's a real. So that was the village. So the village had that, it obviously had then had fishing men, merchants making boats, merchants selling, trading wares. And Ras Al Khaimah has been quite a strategic part as all of the UAE really for the sort of trades coming from the Middle east and out into the Gulf. So the villages was being lived in up until the very early 70s. Paul Griffiths: Up in the 1970s the Al Za'abi tribe who were based here were offered I guess a new life is the only way to look at it in Abu Dhabi with new jobs, with land, with housing and it's just a better way like pearl farming was now being done so much cheaper and easier in the Orient in Japan mainly. So that was, that dropped away. There wasn't the other merchant trading going on. So actually the oil boom basically led the tribe to almost one up sticks and head to Abu Dhabi. And in many ways good story because we're still in touch with quite considerable amounts of the tribes people who were here. Lots of the elders have done wonderful oral histories, videos talking about their lives here. But this village survived as just fell into ruins, but actually wasn't developed. Paul Griffiths: And where it becomes important is this would have been what all of the Gulf would have looked like before the oil boom. The UAE wasn't a wealthy nation before then. You know, when I went up to Dubai and spent some time at the Etihad Museum, which is based around which Etihad Union is the not Around Man City Stadium should point out very much around about how the UAE had come together and how, you know, so it wasn't the wealthiest nation, but actually they discovered oil. They then brought seven Emirates together. It then has flourished in the ways that we now know what Dabi and ifwe looks like and even Ras Al Khaimah in some parts and really quite glamorous. But this village survived. Paul Griffiths: So although it fell into ruin, all the other fishing, farmhome fishing, pearl farming villages across the Gulf had become, just got destroyed, knocked down, you know, turned into hotels and high rises. And actually when you visit the other Emirates, lots of them are now recreating their historic areas or re purposing some of the historic buildings and they're doing it very well. In Dubai, Sharjah has actually completely rebuilt. It's what it calls the Harp Sharjah, which is. Which was its historic sort of areas, but. Paul Marden: Right. Paul Griffiths: But this survived. Many of the buildings had fallen into disrepair. And what we've been doing for the last few years, as the Al Qasimi Foundation and the Department of Antiquities and Museums is restoring a number of these buildings, we've then sort of gone into a sort of activation so you can walk around. So we've got, you know, carving now. Only a year ago it was mostly sand. We've now got a path going through it, so you can walk in. And the job that I've really been asked to do initially on arrival here is to really push that activation forward and really look at my sort of. What I've done in the past and what we've seen other places do and think about what can we do to bring this bit more to life? Paul Griffiths: Because it's the sort of storage village is around the 1970s. Well, it was abandoned in the 1970s. Well, you know, for us from the UK, from lots of other nationalities, actually, something in the 70s isn't very old. It's in our lifespan. You know, we are looking at this going well, actually. So when I was talking to a lot of. So RAK TDA's basically visit RAK tourism authority. So they are really supportive in wanting to push Al Jazeera Al Hamra Heritage Village, which will from now on abbreviate to AJAH to save me. Keep saying that. Long tanned. So they are really keen that we're doing more stuff. So why would a tourist want to come? What is there to see once you're here? Paul Griffiths: On top of some abandoned and now beautifully restored houses, mosques, you know, things that you would have expected in a village of, you know, a thousand or so population, 500 houses, you know, so more than a thousand people, really. So that's the sort of plan in that way. So in many ways I've got a sort of blank canvas to play with. But, you know, money's not unlimited, so it's about. So working closely with local communities, working with, you know, local traders, looking at what could we bring into the village on the back of the art fair. I know we'll talk about later, but it's, you know, this has been a. This is a real challenge for me to. How do I take this sort of place forwards.Paul Marden: In my mind's eye, we go to the Weald & Downland Living Museum so open air museum, lots of houses recreating life through the ages. Is that the sort of experience that I'm going to get if I come to the village of I'm going to see the properties and I'm going to see this previous way of life come to life in front of me?Paul Griffiths: Well at the moment you'll see you just see in the houses and the buildings but you're walking around looking at historic buildings but we have got a number of the houses we've put in. Each video is at the moment showing the audio visuals so you can walk around and listen to members of the tribes chatting about their youth and what's happening and you can see the buildings in real life. I guess what I'm looking for this is telling the story a little bit of the village which we don't initially do that well at the moment that's no criteria. Yes, this is what we need to do going forward. There's been several stages of activation When I came last August part not many the paths weren't all finished. We didn't have anywhere for visitor services to be at the front.Paul Griffiths: We only had a very small sort officey area which has now been built up to where I'm. Where I'm sat today. So I think what you're going to get is a multi as a blend of traders who will be in our suitcase. The Souk is fully restored sooke and shopping market area so that's my first point is to move some people in there. So I've already got a goldsmith and move to her studio in got some handicrafts we've got some textile people moving in the. Paul Griffiths: The main gallery of Nassau Heyman Design Gallery which is the one big gallery where artists can go is going to have a sort of satellite shop if you like not shop a satellite so there will be pieces of work there are in here with their little souvenir store which they sell because they get people a lot of what the design gallery does is making souvenirs of Ras Al Khaimah that are all handmade so quite special gifts. So what we're hoping is tying up with our local hoteliers who many of which have not been so it's bringing them in and they need something more to see to send their guests here. Paul Griffiths: So you know talking to some of them over lunch when I hosted some of them on Saturday it was a case of you know actually, can they send their clients and say, you can do all your holiday shopping because at the moment they're sending people to the shopping malls which are just, you know, nice, but actually merchandise them to go to a heritage village, get that experience of what the golf would have been like and bags of shopping at the same time. Paul Marden: So who doesn't love a. A museum gift shop at the end? So, you know. Paul Griffiths: Exactly. And we don't really have that here at the moment from an Al Jazeera perspective. So on my plan for this year is to put in. We've got an info booth, as it's called at the moment. It's not a world. It's not the best customer service friendly. It's like a caravan but with some windows. And yeah, it's probably a better. Now it's got air conditioning. Yes. But it doesn't work very well for customers. You're trying to talk through little windows because you can only have small windows to keep the air con working, not have too much open to. It's just passing out. Paul Griffiths: So, yeah, so I'm looking at building this summer, hopefully. Fingers crossed, touch wood, a visitor welcome centre, which is something we're really pushing along with, which will be lovely because that will be that proper visitor welcome with a shop with an induction into an introduction. Sorry, into the Al Jazeera story. And then let people go. And then when they get to the far end, they'll be the souk full of. He says again, hopefully slowly filling them out, but full of traders and local craftspeople and people who are. Even if they're not originally local, they're based in rack, so they are considered local. The UAE is built up of a lot of expat population. When I say expats, I mean just English people from around the world. It's a really accepting, welcoming community. I've been really. Everyone says hello to you as you're walking into the supermarket shops. There's no. Whoever they are where you're from. Paul Griffiths: Everyone's talking to each other because the local population know they've had to bring people in because there's thousands more jobs than there are Emirati population in Ras Al Khaimah. So, you know, it's always been. And when you look at the foundation of the UAE, it was about, we will need to bring people in to bring this. To build this nation with us. So, you know, it's been always a sort of welcome and melting pot of different people. Paul Marden: Yeah, amazing. Look, you mentioned when we had our initial chat. You've been there now three months, you've been doing lots of visiting of other attractions. Because I think you said to me, which I thought was quite interesting, that you were. There's lots that you bring with you from the UK in your experience, but there's lots of best practice and good practice happening within the Emirates already. So you've been kind of going out and visiting a lot of cultural venues and attractions in the Emirates. Tell me a little bit about those. Paul Griffiths: Yeah, so it's been a minute of a manic last month in February, because we've had the art festival. I know we're going to keep hinting at it, we'll get to it at some point, but when I've had some time away, what's been fabulous, it's just sort of. And I think as well, because the family aren't here in my own at the moment, said, “All right, I've got some time off, let's go and explore.” Yeah. So I've sort of driven across to Fajera, spent time in Sharjah and took myself up for a weekend in Dubai, which was fantastic. Booked a very reasonably priced hotel and just spent a weekend flowering around everywhere and just really immersed in my. So and only scratch the surface. There's so much more to see. So, yeah, so I've been going and looking at. Paul Griffiths: Well, you know, I don't want to do something that's not. There'll be alien to, obviously, the culture here. And that's been really. What's been great fun in the last few months is it's not just going into a new job, you know, and learning that. It's actually been a terrifying, at some points, fabulous experience. I was learning new cultures, new working lives. You know, things are working. It's done very differently here. You know, there's a different hierarchical process we have in the UK and permissions are needed in different places. And that's not. I'm not saying any of this is a bad thing, it's just learning those different things. So I've been learning all these different cultures. You know, we're just coming into Ramadan, which I've had no real experience with before. And that is. That is a massive thing here. You know, it's the month. Paul Griffiths: Every billboard you go past is someone trying to sell something for Ramadan, whether it be a new chest of drawers, you know, your family needs this new dining table for Ramadan. It's a bit like, you know, you will see at Christmas at home, everyone catching on, you know, IKEA will be saying, new table and chairs for Christmas. You know, it's. It's not. It's a sort of different repeating itself. You know, those sort of signs you have around the supermarket. Christmas back home. They're all up now in supermarkets here for Ramadan. Paul Marden: Right. Paul Griffiths: Encouraging what people are going to buy for when they break the fast at sunset Iftar. So, you know, so it's all sort of promoting. You need this for. So it's a real. We're going to a massive thing. And that's been a real sort of learning, cultural thing for me, which has been great because actually I've always enjoyed, when I'm traveling, learning about other cultures, you know, it's always been for me, I always try and visit museums, galleries, learn about the place I'm at. And so actually living somewhere and learn about someone who's been. I think it's added to the fun of the experience. But back to your question. Paul Griffiths: Yes, I've been traveling wherever the possibility to start to look at other historic venues, looking at where they've, you know, restored historic markets and souk areas and what sort of things are going in there, what are people doing there. Up in Dubai, there is a place called Al Shindagar Museum, which is where they've. Some of the historic buildings that have been saved by the creek of Dubai have been turned into the most amazing series of museums, is the only way I can describe it, because each house is a different gallery or different theme. So you have the story of the creek being built up, the story of Dubai seafarers. There was a faith and. Faith and religion room, talking about Islam and different cultures, how that's worked around Dubai. Paul Griffiths: Dubai being built up as a city, lots about the rulers and families, but every house you went to is a different place. What was so impressive there from a visitor experience perspective was the training that Stafford had was sensational. You know, you go into someone, you think they're obviously being managed really well because obviously this is. You don't just train. So obviously someone oversees this really well. But clearly the training, everywhere you went, the customer service was exceptional. People coming out from behind counters, giving you introductions, making sure you had everything needed, you know, as you were leaving. Have you got any questions? All those things we try and all have tried to teach over the years, and in many ways we've all been different levels of success of that. Paul Griffiths: But what was amazing was they also got the security guards in on the act as well, because there's a real culture here that there's a separate, they're secure, they're very different. You know, there's, we've got them here, they're in very much brown security, clearly marked, you know, protecting places. But what they've done there is they had clearly trained those security guards as well, because every security guard you came across was getting in the act of chatting to visitors, even if their English wasn't brilliant, they were really keen to direct you to the next. Come this way. So the next place, oh, you finished that room, you must go upstairs. And you know, that sort of. Paul Griffiths: And whether they, you know, really just said, look, you can have a much more interesting day than just standing, staring at people walking around. You can actually chat to visitors from around the world and get talkative. And I just had the most amazing. I ended up in this museum for over five and a half hours or something silly like that. And I thought I was going to be there an hour because it was priced very reasonably. You know, when you judge a museum on, well, actually I paid this, I'm probably going to be here for that amount of time. And actually it was just, you know, I found myself stopping for a coffee, stopping for lunch. But I was so impressed by the way the staff interacted. Paul Griffiths: They also had a number of cultural local guides as well, who really were, you know, in the full sort of Emirati national dress, but wanted to press on. This is where. This is what I'm doing. So I've some, you know, I traveled across to Fujairah every week and was in a, an old, what was the ruler's summer house. And the guy, and the guy who ran it just took me on a tour. I didn't ask for a tour. He just said, would you. Well, he said, should I take you around? Yes, please. And we had this great hours experience as he was just chatting about all the rooms. And I think people here are very keen to share their culture and their heritage and very welcoming. Paul Griffiths: So, yeah, so I've done quite a bit traveling around the other parts of the UAE. I can't go out of the UAE because I've only got a hire car at the moment, so I can't go out to Omar, that's on my list. You get yourself a car. I can travel north of the border into Oman and explore that. But for now, seven emirates to. So no shortage of places. And I've not been up to Abu Dhabi yet, so still with that on my list. So yeah, Paul Marden: Wowzers. Okay. So I guess, and this is completely, what would I feel like if I was in your position of going to this new country, immersing myself in this relatively new place that you're leading? How do I say this without flattering you? You were a well connected guy. If I went to events, everybody knew you. You had this wide network of people having worked in the UK in the attraction sector for a long time and you've now jumped over to the UAE. What's happened to the network? How does that feel? I mean it must feel slightly kind of worrying or nerve wracking. What have you done to build the network in this new place? Paul Griffiths: There's a number of points to that. Right, so let's answer in a few minutes. So the world's a smaller place so I'm still occasionally having teams call zoom calls with really close ex colleagues, friends, you know, I'm sure, I mean I always say I'm sure but everyone keeps saying, “Oh I'm really loving the journey so please keep posting. So I am going to keep posting and probably going to start to annoy people after a while”, but the feedback so far is everyone saying we're loving the journey and following you with it and feel like we're on the journey. So I will carry on. I'm sort of keeping writing stuff up and sharing it and also I don't know how long I'll be here for. You know, probation is massive over here. I have to keep my fingers crossed. Paul Griffiths: I pass probation which is a six month period because it's a real right the UAE all not just off and across the UAE. It's a real big, you know, much more than at home, much more structured. On day one was given a series and this isn't a bad thing at all, a series of probation tasks, you know, around reports that are around other historic parts because the job that I've come over will eventually evolve into a wider heritage role. But at the moment the real focus is on Al Jazeera Al Hamra, which is great. Get one site, get it going, then see where we go next. So I think I'm still connected to lots of people back home. I'm still looking, seeing everyone's posts and enjoy. Paul Griffiths: I mean my usual jealousy of not being part of the ALVA network anymore as they're all having that great time in Belfast in the last couple of days and seeing everyone's post, not just one or two, but everyone you know, Bernard down with you know everyone's post. I wish I was there with them.Paul Marden: The FOMO was real. So I had Andy Povey in the office with me yesterday and we're both saying the FOMO about that ALVAe vent was very real for both of us having. Paul Griffiths: Having spent. You know I was at the Mary Rose few years where we joined ALVA and go experiencing those council weeks and knowing just hey how much they are great for networking A. You get very spoiled because every host wants to really show off what they can do and I think the Titanic always do that because we go there before for a council meeting but it's. Yeah. So you still see this stuff. So it's still sit home and there's still people I can reach out to.Paul Marden: Of course.Paul Griffiths: If we need to and I'm still calling on people things, you know, different projects we're doing here. But then again it's about slowly building up that network here and I think there's a slightly. You know, there's a. Within Ras Al Khaimah I've started making connections with lots of other people in the Heritage world and. And outside that. So we're already, you know, connecting up with different people from different parts of Ras Al Khaimah, the work we're going to do moving forward and for me I think it's been just a. I'm sort of still pinching myself I'm here and that sort of. So many things keep happening and you know. The weather's been gorgeous because I've come out of a grim English weather to this quite nice winter here where it's mostly been late mid-20s. Paul Griffiths: You're in she and shorts when you're off duty. You know, there's other things. The thing that really surprised me is how smart actually the dress code is for business over here. Paul Marden: Okay. Paul Griffiths: So I had to sort of all the usual brands that from home Mount Marks is next everything here so you could order online and get it delivered quite quickly. So I had sort of came out of one wardrobe thinking I was going to be far more in polo shirt and linen trousers are sort of very sort of summer at Painshill look, you know outdoor. But actually yeah my colleagues are still. Because of the aircon atmosphere. Lots of colleagues particularly in the head office are in suits. A bit like where I would have been when back in my London days. When we're in the office you were in a shirt tie. So yes, I had to sort of buy A back home wardrobe almost once I got traveled out with very lightweight clothing. So yes, it's a bit different in that sense. Paul Marden:  Yeah, absolutely. Let's talk a little bit about life as an expat. How have you found the transition? Paul Griffiths: Fine so far. I say there's lots of bits around work and practice and you know, no amount of inductions will be able to help you on some little faux pas you can make about not realising where you need approvals for staff. And obviously coming from the. For the last six years of being director of Painshill and only from feeding into a board of directors, board of trustees who we'd see quarterly and you know, I chat to the chairman every week. There was a lot of me sort of making those sort of decisions instantly was here, you know, particularly as were part of the foundation and we are representing Sheikh Saud as his name's in the title of the organization now, making sure we're going through those tick sheets. Paul Griffiths: You know, if I want to do anything that needs to spend more money, that's out budget, that is going to his Highness to be signed off. So any projects we're doing, we're needing to make cases to the highest man in the country to actually get those, you know, sign offs and things. And I'm not, that's not a bad thing. But you know, it's just that from an expat I guess it's getting used to. Everything's available here. Not the big supermarket up the road sells Waitrose and Marxist products and has a room at the back for non Muslims where you push the button, door opens, it's like a little bit of a naughty boys room. Paul Griffiths: You push back door open, slides you walk in and there's the pork heaven, you know, there's bacon, there's pork scratching, patays, you know, all because it's a real, you know, it's not just there's so many expats here, particularly from the Philippines and stuff who obviously pork is a big part of their diet. So yeah, that's available. I said earlier on there's cellars where you can pick up a great beer or a couple of glasses of bottle of wine or whatever you want. So actually it's not that I found myself flying into this really different world and I'm not really. Paul Marden:  It's a melting pot, isn't it? Paul Griffiths: Yeah. And I'm not someone who's ever been since very young, you know, going off to nightclubs or anything like that. But if you wanted that There is that. The hotels. So actually, if you're a younger person coming out and you wanted that nightlife, the hotels, particularly on Margin island and Minnal Arab, the tubing hotels have really nice restaurants, fully licensed clubs and stuff. But, you know, actually I found sort of the work is busy. Everyone's, you know, lots going on, actually, just going back to, you know, I was in a hotel for the first two months, which wasn't a dreadful thing because it was an apartment hotel. So, yeah, I had enough and now we've moved. I've moved into a villa ready for the family. Come out hopefully in about a month's time.Paul Marden:  Oh, that'd be exciting. Paul Griffiths: Yeah. So that's nice. So we've got the back onto the golf course. It's quite, you know, it's a nice place to be. It's going to be nice and, you know. Paul Griffiths: Yeah, so I've not struggled adapting because it's not. It's not that, you know, normally I've got a wonderful team here, Asia, you know, so with one Emirati and some Filipinos and other people from around the. From around the world. So that's been nice. And it's melting pot of learning their cultures as well as the local culture and. Yeah. And then they eat rice with everything. So it's. Yeah. Every lunchtime there's a bowl of rice, big bowl of salad in the main course and there's me pouring on the one on the salad, everyone else on the rice. But, yeah, it's been great, Paul. I mean, I can't. It's been one of those. Every moment you think this is just a great place to be. Paul Marden: Good. Let's go back to Al Jazeera and talk a little bit about some of the events that have been going on. So I know you're coming to the end of the Ras Al Khaimah Art Festival. Tell me a little bit about that and how well that's gone. Paul Griffiths: It's been brilliant. I know. I had no idea what to expect. First time for this. So this is the 13th International Art Fair. It started off back in the small museum back in the city of Central Town, moved to here, I think, five years ago is what I'm saying, and slowly grown every year since then. So this is the biggest one we've done, really. Lots of massive sponsors on board from across the Emirates, actually fully supported by His Highness, who's been here at least four times, if not five, since we've had the vessel. He was here at the opening ceremony for the big launch, you know it was, and it was like a proper opening ceremony. Paul Griffiths: Everyone sat round with a band and speakers and you know like not quite Olympics but you know it was a proper event. This is the opening of it and it felt like a big event. Yeah. All my female members of my team had, were given time off in the day to do hair and makeup. It was proper. Everyone looked, everyone looked the business, it was lovely. You know everyone was scrubbed up from the maintenance team to, you know, our executive director looking fabulous in a brand new dress. You know it was really was. No, I've had a new suit, I got a new suit for the occasion. Paul Griffiths: So yeah, it was a lovely evening and then it's rolled ever since and for me it's been wonderful because I've seen people in this village which has been quite quiet since I'd arrived and it's sort of been okay, how are we going to get this? But actually clearly putting something on has attracted a complete cross spectrum audience. So you know, we have people coming in, absolutely fascinating, obsessed with the art, beautiful and it's artists I should say from around the world. It's all exhibited outside or inside the little houses. So you know lots of the pieces have been blown up quite big and quite impressive. I mean do look at it on the website, you know people, you know if you go to ajah.ae you can then click on from there.Paul Marden: We'll put the links and everything in the show notes so people be able to find that. Paul Griffiths: It's been, but it's been, for me it's been fabulous because we've seen so many people in, you know I was, you know, we've had, we've got pop up restaurants so this won't mean anything to people back home but the restaurant called Puro P U R O has a restaurant at the top of the mountain at Jebel Jais. Really almost impossible to get booking, you know you have to book months advance for lunch or dinner. It's the place that everybody, both locals, internationals and tourists want to see and often frequented by his Highness. They've got a pop up restaurant here which just is fabulous. Paul Griffiths: They we've had a lovely couple, Kelly and Paolo in running a restaurant called Antica which is a sort of the chef's Italian Paolo but he's lived in Australia so it's a fusion of Australian middle Italy, sort of historic villagey type cuisine with an Emirates twist. But you're just served four or five courses without there's not a menu. It's not a restaurant as such, so it's sort of a sharing experience. But you know, the food is amazing. So I was fortunate to have dinner. Well, I've actually been fortunate enough to have dinner in Antica twice and lunch there as well. But one of the dinners I was then wandering around the village about 10 o'clock at night was full of people, you know, families just. Paul Griffiths: There is a different culture over here that people do more stuff in the evenings because of the temperature and a different way of life because the local people aren't obviously, for obvious reasons, down the pub on a Friday night, they're doing stuff with the family and you go past cafes and even outside of the village, you know, 9, 10 o'clock on a Friday night, they're full of people sitting very beautifully dressed in their finest, drinking coffee and eating desserts. That's a big thing. People seem to love coffee and desserts. Paul Marden: Okay. Paul Griffiths: But, but then of course it's because because of the heat most of the year we'll spend more time indoors resting in the day and then ready to go out at night and do some more stuff. So yeah, so we've had this sort of here in the evenings. It's really fun. What was interesting is our hours for the festival were meant to be midweek. So Monday we always close. Tuesday to Thursday we're meant to be open till 6 o'clock and then Friday, Saturday, Sunday open to 11:00. Often struggling to get people out then the first night. So the Tuesday night was the first night. Medusa goes at 6:00. 5:45, I had a queue of at least 40 people trying to get in. So we just had to make an on the hooves decision. Paul Griffiths: We're going to stay open later. And then we just opened till 8:00 in the midweek. We didn't want to push it too much because of obviously from the staff welfare perspective, an hour's work. But actually that first night were just. Myself and Sikrat, who's the director of the festival, Emirati. Wonderful. Emirati has been my cultural bodyguard in many ways because he's been the person, my go to person for what should I do here? What about this person? How should I do this? So Spencer Crouch just stood there. Look at this crowd. We both just said, “Well we can't turf them away. This would be daft.” So yeah, so we've had. And we've had about 40, 000 visitors will have come through the door by the end of the festival in 28 days. Paul Griffiths: The artworks then going to stay up in place for Ramadan. So we'll be working different hours again during Ramadan and this is the first time Al Jazeera will ever do. Has ever done anything special for. Because before now it's just been a come and visit, walk in, do what you like, leave now. We're trying to structure that visitor experience. So we're going to be for Thursdays, Fridays and Saturdays, because Thursday's the sort of Friday night in many ways. Because a lot of people have Fridays off here. Yes, because of the day of prayers and so a lot of people in Ras Al Hamah go to Dubai and Abu Dhabi for work. So Thursday nights they'll travel back. So actually we're going to be open till midnight on Thursday, Friday, Saturday for Ramadan. Paul Griffiths: So people will break the fast with the families and then they want to do the sort of head top of activity. They've now got food back in them and an energy source. And out they come. So again, first time we've done it, hopefully see numbers with the artwork will still be in place. We're then working on some different options around cuisine, food, coffee and hopefully get some musicians in as well, just to give a bit of an atmosphere. But it is a holy month, so it's not. It's not parties, but it's enjoying the family. Paul Marden: Yeah, absolutely. So what does the future look like for the Heritage Village and for tourism and attractions more generally in RAK? Paul Griffiths: I think for RAK itself, we're trying to bring more tourists in then trying to get the most hotels. Interestingly, as they had a lunch with five of our local big hotels at the weekend using. Using our Antico restaurant, this is excuse to have another lunch there and invite some people in and just take on their views, which is great. So just chatting and getting their thoughts on it. They were saying what. What happens in Iraq a lot at the moment is people are finding the hotels through travel agents, through, you know, searches. I know when were looking before I came out here, I know Ras Al Hamra came up on a Thomas Cumbin telescope. Yeah, similar. What am I thinking of? Probably Tui, I guess, or someone like, you know, someone like that. Paul Griffiths: I was doing a search for when went to Canary, but up came Ras Al Khaimah as a hotel and what they were saying. A lot of people will book that and have no idea really what Ras Al Khaimah is, other than it's part of the UAE. Some people think it's part of Dubai, you know, actually, because it's not, they don't realize it's seven emirates, etc. So a lot of people are booking their sort of tourists, their hotels. Our job is to try and then get them out and attract them to do other stuff. So there's lots of adventure tourism going on at the moment. We talked about the zip wire and lots of hiking, walking, camel rail, camel riding, you know, trips to the desert where you can zoom around in 4x Fours and go karts and stuff. Paul Griffiths: So from my perspective of the Heritage village is about bringing it more alive, bringing more people in, promoting it, more linking up with these sorts of hoteliers, concierges. And this is really early days for us because this has always been sort of slightly done but not really pushed yet. And sort of listening to what their advice is and seeing how we can act upon it, you know, and what sort of stuff we can take forward because, you know, there's a lot to be done. And there's lots of other heritage sites across rat about 90 on the list of actual heritage sites. And some of those are real ruins that you're never going to be able to do anything with. Paul Griffiths: Those sort of English Heritage free sites, you know, the ones you stumble across with a little brown sign and you pull up with a lay by, have a potter around and off you go without seeing anyone. There's a bit like that. But then there's a number of sites that will work well with some activation. You know, we've got Dyer Fort, which is on the World Heritage site tentative list and we're working on projects to slowly take that forward to World Heritage status. Touchwood because it's a really important for, you know, and it's perfect for visits. You climb up to the top, you get the most gorgeous views. You know, really is a gorgeous little site. So more interpretation, more things there is what's needed. But you know, again, this is all early days. Paul Griffiths: So it's all about sort of, you know, each day's excitement. What can we do, what can we push forward, who can we talk to? And what's been great is as the festival's gone on, more people have been coming and chatting to me. Mine have become more, well known. That sounds wrong, goes back to your sort of earlier question about, you know, people are sort of learning about, oh, this person's here now. Paul said, although people can call me sir or Mr. Paul, which is fine. I can deal with that. Keep saying now, people, I keep saying, please don't call me sir. You really don't need to. But it's so culturally great. But Mr. Everyone see everyone externally, she's called Mr. Paul, so I can put up with that. But I was there. Although when we host his. Paul Griffiths: His Highness hosted dinner that I was invited to, I then got even pushed up to His Excellency, which was a title. I want to go. Paul Marden: That's quite nice. Paul Griffiths: Yeah, I love that. Apparently. I always thought that someone else I knew was his title. His Excellency was part of the family, but actually it's. Once you get to a CEO director level in royal that circle, you immediately become His Excellency, so. Paul Marden: Well, there we go. I will correct myself in future communications. Paul Griffiths: Please do. Yeah, but I thought it was wonderful. That's why it's just been lovely, the funny comments coming from people back home saying, oh, well, I've amended my entry in my phone to now shake your he status. But yeah, so. But there's a sort of cultural things. It's just. Okay, right, lovely. That's fun. Paul Marden: It's been a whirlwind for you. It's been really interesting actually, talking about it and understanding more about. About what's happening there, about how exciting it is, this huge opportunity that you've got to make a something out of this beautiful historic village and then that, you know, the remit will grow from there. So I think. I think this has been lovely. We always wrap up our interviews with a book recommendation and you've had this privilege once before. So have you run out of recommendations or do you have something ready for me? Paul Griffiths: Well, I was going to recommend the Red island, an Emirati story, because it's based on Al Jazeera Al Hamra, but I thought that might be a little bit too niche. This guy. So, again, little things have come across. This guy's written a book, Adil, and he's going to be coming to Al Jazeera to do a book reading signing. These little opportunities. I have read the book, I promise. It was actually fascinating because it's all about local culture. It went off in a number of tangents, but actually from a point of view of how the Emirati local culture works and families, it was actually quite a really good induction. But now I've decided to go with a more book for management or book for running. And I don't think anyone's given this before, but if they have, I'm nervous. Paul Griffiths: But this book, Fish!, which is one of my favourite books. I've actually launched this as the Al Jazeera Book Club for the spring. So all the team have a copy. Book clubs are massive over here for work. Every department has one here in the foundation. So this book, Fish, is based around the Seattle fish market. My colleagues who've worked me in the past, both. I can hear them groaning now because they've forced everyone to read this, but it's basically around having fun when you're at work. And it talks about the story of the Seattle fish market, how they were just flogging fish, but actually one day decided, we need to liven this up. We need to want to be here. So introduced, sort of involving the crowd, fish flying through the air. Paul Griffiths: But It's a more of a story about a woman joins, it moves up in a company into a department that no one's been able to manage. She gets to the bottom of using the fish market. And it's just a really fun, easy reading book. And so I recommend it to. To listeners and viewers. Paul Marden: That's brilliant. So listeners, if you would like a copy of Fish,Paul Griffiths: It's quite a cheap book as well, Paul, so please, you have to give one away. So it's not too much money. It's just 9.99 in the non fiction section. So, yeah, cheaper. Paul Marden: Bargain. Bargain. That's the trouble with. So I've been doing a few live events where we have panels, four people with book records, recommendations. That's going to bankrupt me. No, not today. We got a bargain this time. So I like this. Yeah. If you'd like a copy of Fish, if you'd like a copy of Paul's book, head on over to Bluesky and when Wenalyn posts the show note, go over there and repost it and say, I want Paul's book. And the first person to do that will get a copy of the book. Paul, delightful as always. Three times on the podcast, at least. Paul Griffiths: I think this would be number. This would be number four because we had the original episode where Kelly grilled me about life at Painshill. Then we did the Turn the Tables episode when I grilled Kelly on setting up podcasts. And then we did. Then we did the Goodbye to Kelly, whatever it was. 100 episode. And then this. Yeah, four Skip the Queues. Which is always a pleasure and I'm so delighted as you're my favourite podcast, obviously.Paul Marden: It's, oh, you say the nicest things. That must be a record. I need to go back and check that I think four times on the podcast is pretty impressive. Paul Griffiths: I think I should get to add all mine up into one as a total so I can beat Dominic Jones, who's always had the biggest number, isn't he? Paul Marden: So, yeah, so he does and he still does. So, yeah, I think aggregating the number of listens for across all of your episodes, I think that might be within the walls. Let me see what I can do and I'll add everything up and we'll see if you can take Dom's crown. Paul Griffiths: Sorry, Dom. Paul Marden:  Because he's not competitive at all. Paul Griffiths: No, he's not, mate. He's a great guy, though. So, yeah, a friendly rival. Paul Marden: Exactly. Thank you very much, Paul. I would love to keep in touch. Paul Griffiths: Let's keep talking. Paul Marden: I want to hear what happens not just after the first 90 days, but I want to hear what happens in a year's time and two years time. So thank you so much for coming on and telling us about Ras Al-Khaimah and the Heritage Village. It's been lovely. Paul Griffiths: Yeah, thanks for having me. It's great. Been a real pleasure. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm.    The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

In this episode, Kevin Walsh, the creator of Forgotten New York, shares his journey of preserving the history and infrastructure of New York City. He discusses the origins of his passion for documenting the city's past, the impact of his work on the community, and his reflections on the changes in New York over the years. Kevin also opens up about personal challenges, health concerns, and offers valuable advice for the younger generation on pursuing their dreams and finding fulfillment in life. The Karol Markowicz Show is part of the Clay Travis & Buck Sexton Podcast Network - new episodes debut every Wednesday & Friday. See omnystudio.com/listener for privacy information.

The More Sibyl Podcast Presents: 학문의 위기와 문화 보존|The One with Dr. Natalia Shcherbakova: On Crises in Academia and Cultural Preservation | Episode 3 (2025)Dr. Natalia Shcherbakova returns to the podcast for a thought-provoking conversation that dives deep into some of today's most pressing issues—healthcare reform, AI's impact on education, cultural identity, and the realities of academia. From the shocking assassination of UnitedHealthcare's CEO to the hidden dangers of private equity takeovers in healthcare, Dr. Natalia provides sharp insights into a system that often prioritizes profit over patient care. We also tackle the rise of AI in the classroom, discussing the challenges of academic dishonesty, the struggle to foster critical thinking, and the evolving role of professors in an increasingly digital world. If you've ever wondered how technology, policy, and personal values intersect in education and healthcare, this episode is for you.But that's not all! Dr. Natalia also shares her personal journey as an immigrant academic—balancing professional excellence while preserving her Russian heritage. She reflects on the differences between Russian and American education systems, the power of strong public speaking skills in academia, and her efforts to pass down cultural traditions to her daughter. Whether you're an educator, student, or someone passionate about cultural identity, this episode offers rich insights and engaging discussions. Tune in for an enlightening exchange that challenges conventional thinking and sparks meaningful reflection!

In this episode of the Econ Dev Show, Robert Sturns, Director of Economic Development for Fort Worth, discusses how the city is transforming from "Cowtown to Boomtown" while preserving its authentic character. With over 25 years of experience in municipal government, commercial real estate, and banking operations, Sturns details Fort Worth's success in securing major investments, including recent wins with Bell and Embraer, while balancing business recruitment with community development initiatives like Evans & Rosedale and the Panther Island project. Sturns also discusses his journey in the profession, including his 20+ year career serving both Fort Worth and Arlington. He offers insights into managing regional relationships, particularly addressing the challenge of establishing Fort Worth's identity distinct from Dallas, while emphasizing the importance of teamwork and partnerships in economic development success. Actionable Takeaways for Economic Developers Balance large-scale development with community needs and cultural preservation Focus on building relationships before transactions in deal-making Leverage existing cultural assets (like the Stockyards) for economic growth Develop strategic plans for transformational projects like Panther Island Create mixed-use developments that honor local heritage while embracing progress Build strong partnerships with educational institutions for workforce development Maintain clear communication channels with stakeholders and the community Use existing success stories (like Bell and Embraer) to attract similar industries Implement creative financing solutions for major development projects Balance business retention efforts with new business recruitment strategies Like this show? Please leave us a review here (https://econdevshow.com/rate-this-podcast/) — even one sentence helps! Special Guest: Robert Sturns.

In this episode of Talking Art, host Ben Gougeon welcomes Colm Phelan and Danny Collins from the award-winning traditional Irish ensemble, Goitse.

In this episode, we're talking about how America has real leadership again under Trump's administration, the importance of deporting illegal immigrants to restore law and order, and why we need to confirm RFK Jr. for the good of American health and wellbeing. We'll break down the policies that actually put America first, expose the chaos that's unfolded since, and discuss how we can push for real positive change for our country. We also need to focus on how we (desperately) need a separation of business and state.—https://noblegoldinvestments.com/invest/gold-ira/

How is artificial intelligence redefining industries, from corporate branding to cultural institutions? In this episode of Tech Talks Daily, I speak with Hussein Hallak, founder and CEO of Next Decentrum, about the profound ways AI and immersive technology are shaping customer experiences, education, and cultural preservation. With over 25 years of experience spanning branding, technology, gamification, and education, Hussein is a serial entrepreneur who has launched more than 20 ventures and advised startups globally. His work at Next Decentrum focuses on using AI and immersive tech to create meaningful, lasting value—moving beyond hype to real-world applications that transform industries. We explore how AI is not just optimizing efficiency but also revolutionizing storytelling, customer engagement, and global knowledge-sharing. Hussein discusses projects such as AI-powered holograms in tourism, the role of AI in making cultural heritage more accessible, and the challenges institutions face in adopting cutting-edge technology. He also shares his thoughts on AI's impact on learning, highlighting how it enables personalized, immersive experiences that accelerate skill development. With Vancouver emerging as a unique hub for innovation across VFX, quantum computing, and fusion technology, we also examine the city's growing tech ecosystem, its strengths, and the challenges of scaling without direct access to major funding centers. As AI continues to push the boundaries of creativity and accessibility, how can businesses and cultural institutions harness this technology to build deeper connections and unlock new opportunities? Tune in for an insightful conversation on the future of AI-powered innovation.

Send us a textIntroductions 0:00Discussion on Leftovers and Turkey 3:00Cultural Dependence on Buffalo 9:28Cultural Politics and Narrative Dominance 14:16Intermixing of Cultures and Cultural Preservation 32:08Challenges in Cultural Preservation and Future Directions 45:41Hosts: Aaron Brien (Apsáalooke), Salisha Old Bull (Salish/Apsáalooke), (Shandin Pete (Salish/Diné)How to cite this episode (apa)Pete, S. H., Brien, A. & Old Bull, S. A. (Hosts). (2025, February 25). #60 - Deossifying Myths at the Crossroad of Modern Tribal Boundaries [Audio podcast episode]. In Tribal Research Specialist:The Podcast. Tribal Research Specialist, LLC. https://tribalresearchspecialist.buzzsprout.comHow to cite this podcast (apa)Pete, S. H., & Brien, A. (Hosts). (2020–present). Tribal Research Specialist:The Podcast [Audio podcast]. Tribal Research Specialist, LLC. https://tribalresearchspecialist.buzzsprout.com/Podcast Website: tribalresearchspecialist.buzzsprout.comApple Podcast: https://podcasts.apple.com/us/podcast/tribal-research-specialist-the-podcast/id1512551396Spotify: open.spotify.com/show/1H5Y1pWYI8N6SYZAaawwxbX: @tribalresearchspecialistFacebook: www.facebook.com/TribalResearchSpecialistYouTube: www.youtube.com/channel/UCL9HR4B2ubGK_aaQKEt179QWebsite: www.tribalresearchspecialist.comSupport the show

"Somehow, miraculously, Tibetans have managed to preserve their identity. They have actually transplanted the Tibet they left behind and have created a whole new little Tibet in India. This is a huge success story, which should be celebrated. Now we are in the third generation and Tibetan culture is very much alive" - Tsering Namgyal Khortsa, author, 'Little Lhasa; Reflections in Exiled Tibet' talks to Manjula Narayan about the vibrant arts and cultural scene of Dharamsala, which is the seat of the Tibetan government in exile, the pull of Tibetan Buddhism and the Dalai Lama to a range of seekers from across the world, and the exiled people's shift to becoming a diasporic community.

2024 was a special year for Carnival and the Japan-New Orleans connection! Lafcadio Hearn's life & works inspired the theme for Rex Parade 2024: "The Two Worlds of Lafcadio Hearn - New Orleans & Japan". But why Hearn? What went into the float design? What other ways has Hearn left a lasting impact on both New Orleans & Japan? Find out today with a super-sized special Mardi Gras bonus episode, featuring insights from Rex historian/archivist Will French & historian/archivist emeritus Dr. Stephen Hales, Royal Artists float designer/artistic director Caroline Thomas, Lafcadio Hearn's great grandson Bon Koizumi,  legendary chef John Folse, Captain of the Krewe of Lafcadio John Kelly, JSNO's resident Lafcadio Hearn expert Matthew Smith, and even the Mayor of Matsue Akihito Uesada! Get ready for Mardi Gras 2025 by reflecting on this unique connection between New Orleans & Japan!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Music Credits ------Background music provided by: Royalty Free Music by Giorgio Di Campo for Free Sound Music http://freesoundmusic.eu FreeSoundMusic on Youtube  Link to Original Sound Clip------ Audio Clip Credits ------Thanks to Dominic Massa & everyone at WYES for allowing us to use some of the audio from the below Rex Clips:Segment about Royal Artist & Float DesignFull 2024 Rex Ball Coverage (Krewe of Lafcadio/Nicholls State segment)Thanks to Matsue City Hall & Mayor Akihito Uesada for their video message below:Message from Matsue Mayor Akihito Uesada------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Hearn/Matsue/History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about Rex ------2024 Rex Parade/Float PDF with Full DesignsCaroline Thomas's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

In this episode, I had the pleasure of interviewing Matt Cardin, an accomplished writer, editor, and higher education professional known for his profound exploration of creativity, spirituality, and the mysterious intersections of religion and horror.Matt's work delves deeply into non-duality, the paranormal, and dystopian cultural trends, offering unique perspectives on the connections between creativity, spirituality, and life purpose.I first encountered his writing and teaching, particularly through his books A Course in Demonic Creativity: A Writer's Guide to the Inner Genius and the upcoming Writing at the Wellspring: Creativity, Life Purpose, Nonduality, and the Daemon Muse. I had the privilege of participating in his Writing at the Wellspring course, which provided transformative perspectives on creative practice.Matt Cardin is an author known for delving into the realms of horror and the metaphysical. His widely acclaimed fiction books, including To Rouse Leviathan and What the Daemon Said, focus on the convergence of horror with religion and creativity.With a Ph.D. in leadership and an M.A. in religious studies, Matt brings a richly layered understanding to these topics. A native of the Missouri Ozarks, he has lived in Texas and now resides in North Arkansas with his wife, where he continues his work of thoughtful cultural and creative exploration.Connect with Matt Cardin @https://mattcardin.com/https://www.livingdark.net/Time Stamps:01:48 Introduction and Opening Remarks 01:52 Journals and Life Mission 02:48 Exploring Life Purpose and Creativity 03:34 Writing and Creativity 07:52 Rebecca West and Patterns 09:11 Understanding Non-Duality 13:21 Non-Duality and Creativity 15:42 Discovering Non-Duality 21:32 Meditative Practices and Teachers 25:26 The Monastic Option and Cultural Preservation 34:20 Tuning into the Muse 36:37 Effortless Action and Creative Quietude 37:35 Exploring Western and Eastern Perspectives on Consciousness 38:04 The Concept of God and Mental Projections 40:04 Houston Smith and the Perennial Philosophy 43:00 Horror in Religion and Spirituality 43:46 Lovecraft vs. Ligotti: External vs. Internal Horror 46:08 The Intersection of Horror and Spirituality 46:28 Religion as a Cosmic Order and Its Horrific Potential 55:50 The Wellspring Book and Future Plans 57:48 Final ThoughtsExcerpts from Interview:On Non Dual“ Where is the actual boundary between what I'm calling myself and what I'm calling everything else? When you really start to investigate that in a first person sense, that's when the magic eye picture suddenly gains that added depth. And your mind is blown.”On Religion, HorrorYou can see the horror in religion and you can see the religion in horror… You're playing with fire when you're playing with religion because it creates a world. And then there's this infinitude that it also lets in that is going to blow up that world. You might receive that as horror. You might receive that as joy… Religion is a perturbing or disturbing of the universe, including the universe that is oneself and the entire conception that goes with it that is provided by the religion to possibility to tip over from horror or to bliss or whatever is right there.”On Life Mission, Creativity Make a monastery out of your life, a monastic preservation and cultural transmission activity, the mission of your life here in the world. What seeds are you going to plant that a future civilization might find of use? What could you contribute to some future phoenix rising from the ashes of the present order?   Get full access to Leafbox at leafbox.substack.com/subscribe

Join the dialogue - text your questions, insights, and feedback to The Dignity Lab podcast.In this conversation, Jennifer discusses the impact of the Victorian era and the Pre-Raphaelite movement on modern craft and dignity with designer Natalie Chanin. They explore the significance of hand craftsmanship, the relationship between dignity and work, and the need for a cultural shift in how we perceive and value craft in society. Chanin shares her journey of creating a sustainable fashion movement in Alabama, emphasizing the importance of community and environmental consciousness. She describes her own relationship with dignity.ResourcesThe Geometry of Hand-Sewing: Project and Stories Celebrating Hand-Sewing, Quilting, and Embroidery for Contemporary Sustainable Style by Natalie ChaninEmbroidery: Threads and Stories from Alabama Chanin and the School of Making by Natalie ChaninAlabama Studio Sewing + Design: A Guide to Hand-Sewing an Alabama Chanin Wardrobe by Natalie ChaninAlabama Stitch Book by Natalie ChaninWilliam Morris GalleryTakeawaysCraftsmanship is essential for personal dignity and fulfillment.Natalie Chanin's work blends environmental consciousness with cultural preservation.Dignity in work is crucial for individual and community well-being.The concept of craft has evolved but remains significant in society.Industry's disregard for dignity has roots in the Industrial Revolution.Handcrafted items foster a deeper connection to the creator.A shift in corporate culture is necessary to honor dignity.Craft can be both a skill and a form of expression.Connecting with one's work enhances the perception of dignity.Exploring what it means to live and lead with dignity at work, in our families, in our communities, and in the world. What is dignity? How can we honor the dignity of others? And how can we repair and reclaim our dignity after harm? Tune in to hear stories about violations of dignity and ways in which we heal, forgive, and make choices about how we show up in a chaotic and fractured world. Hosted by physician and coach Jennifer Griggs.For more information on the podcast, please visit www.thedignitylab.com.For more information on podcast host Dr. Jennifer Griggs, please visit https://jennifergriggs.com/.For additional free resources, including the periodic table of dignity elements, please visit https://jennifergriggs.com/resources/.The Dignity Lab is an affiliate of Bookshop.org and will receive 10% of the purchase price when you click through and make a purchase. This supports our production and hosting costs. Bookshop.org doesn't earn money off bookstore sales, all profits go to independent bookstores. We encourage our listeners to purchase books through Bookshop.org for this reason.

Nemonte Nenquimo is the first female leader of the Amazon's Waorani people, and her memoir, “We Will Be Jaguars,” is the November pick for Reese's Book Club. It's an incredible story of resistance, of climate activism, and of protecting the rights of indigenous peoples. She reflects on her culture's deep connection to the land, the spiritual significance of the jaguar, and her mission to ensure that indigenous stories and wisdom are preserved. Plus, journalist and entrepreneur Nicole Lapin drops some knowledge on the power of passive income. See omnystudio.com/listener for privacy information.

In this episode of Uncommon Sense with Ginny Robinson, Ginny sits down with Teddy Pierce, a writer, speaker, and political commentator whose educational background in Aristotelian philosophy and Thomistic ethics fuels his advocacy for America's founding principles and the Natural Law.Teddy discusses his book, Dethrone Davos: Save America, and the urgent need to confront the dangers of collectivist ideologies, moral relativism, and communism. Ginny and Teddy unpack how these forces threaten America's God-ordained freedoms and what we, as individuals and a nation, can do to stand firm against them.Tune in to discover why standing on the principles of God's truth is more critical than ever.—https://policecoffee.com/—Order Teddy's book, Dethrone Davos: Save America: https://www.amazon.com/Dethrone-Davos-America-Theodore-Pierce-ebook/dp/B0D5NKGGNC—Order my book, Culture: The Dangers of Herd Mentality and Why We're Headed in the Wrong Direction: https://www.paypal.com/ncp/payment/SLYWFXAB6479S

Shoshana Stewart is the President of Turquoise Mountain, an NGO founded in 2006 in Afghanistan by His Majesty King Charles, to preserve cultural heritage and support artisans where their traditions are under threat. Shoshana joined Turquoise Mountain in Afghanistan in 2006 where she lived for five years, and has led the project create over 25,000 jobs, bring over $17 million of crafts to market, build the Institute for Afghan Arts and Architecture, restored over 150 historic buildings in the Old City of Kabul, and provided primary healthcare for almost 200,000 people. She has also expanded the project to work with artisans in Myanmar, Saudi Arabia, Jordan (including Syrian refugees), and Palestinian artisans.Shoshana has an MBA from the London Business School, a Master's Degree in Education, and a Bachelor's Degree in Astrophysics. Before moving to Afghanistan, she taught science to eighth grade students. She is also a Senior Fellow at the Yale Jackson Institute for Global Affairs.Shoshana explains the world of cultural preservation and how artisans are supported across various regions in today's conversation with Anne. Her journey, which unexpectedly began in astrophysics, led her to a profound career in cultural heritage restoration in Afghanistan. Turquoise Mountain started with the original goal of revitalizing Kabul's architectural legacy, as Shoshana says, and now supports artisan communities in various regions of the world. Shoshana emphasizes to Anne the organization's expansive work from Afghanistan to other regions like Saudi Arabia, Jordan, and Myanmar.Further going into Turquoise Mountain's initiatives, Shoshana discusses the restoration of historic sites, as well as the establishment of schools and clinics for some returned refugees, as a way to support the community they had restored. She shares compelling stories of resilience and creativity, showcasing how these efforts have helped foster global collaborations. Designers like ethical jeweller Pippa Small play a pivotal role in this story, bringing Afghan jewelry to international markets and highlighting the powerful impact of blending tradition with modern market strategies. Through these partnerships, Shoshana educates Anne on how Turquoise Mountain not only preserves cultural heritage, but also creates sustainable livelihoods for artisans.Shoshana tells Anne about her decision to pursue an MBA to address market challenges, which showcases her commitment to finding innovative solutions for artisan communities. The discussion reflects on the significant challenges posed by recent global events, including political upheavals and the COVID-19 pandemic, underscoring the resilience of the communities supported by Turquoise Mountain. The organisation's ability to maintain connections and support artisans through these turbulent times is a testament to its enduring impact.As the conversation unfolds further, Shoshana highlights the transformative power of cultural heritage in fostering connections between artisans and clients, and changing perceptions about regions often associated with conflict. Anne then touches on broader themes of mindfulness and intentional living, as Shoshana reflects on the practices that ground her amidst the ongoing challenges of her work. These insights offer a deeper understanding of how the arts can sustain communities, grow meaningful connections, and support mindful living.This interview provides a rich illustration of stories and insights from Shoshana's work with Turquoise Mountain. It paints a vivid picture of how cultural preservation and can create a positive global impact, demonstrating the importance of heritage and craftsmanship in building resilient communities.A compelling conversation with a true advocate of the global arts community.Selected links from episode:Out of the Clouds website: https://outoftheclouds.com/Out of the Clouds on Instagram: https://www.instagram.com/_outofthecloudsThe Mettā View website: https://avm.consulting/metta-viewAnne on Instagram: https://www.instagram.com/annvi/Anne on Threads: https://www.threads.net/@annviAnne on LinkedIn: https://www.linkedin.com/in/anne-v-muhlethaler/Shoshana Stewart on LinkedIn: https://www.linkedin.com/in/shoshana-stewartTurquoise Mountain website: https://www.turquoisemountain.org/Turquoise Mountain on Instagram: https://www.instagram.com/turquoisemountain/Shoshana's talk at TEDx: https://www.youtube.com/watch?v=Zo2qgHUDbRoShoshana's talk at London Business School: https://www.youtube.com/watch?v=7ty1PzJa_YgWilliams CollegeJay Pasachoff Teach for America   Yale's Jackson School for Global AffairsRory Stewart Minaret of JamThe Connaught Hotel The Prince's LodgeThe King's LodgePippa SmallGuy OliverPippa Small's Afghan-made collectionPippa Small's Olive Bethlehem collection Aliph Foundation, the Alliance for the Protection of Cultural Heritage in Conflict the British Council's Cultural Protection Fundthe American Embassy's  Ambassador's Fundthe Goethe InstitutePeloton AppHannah CorbinTaylor Swift's Shake It OffPhilip Pullman's His Dark Materials This episode is brought to you by AVM Consulting Struggling to connect with your audience? Feeling disconnected from your brand's purpose? Is motivating your team becoming a daunting task?AVM Consulting offers a unique blend of coaching, consulting, and storytelling services designed to help your brand connect authentically, align with your values, and inspire your team to achieve greatness.With a track record of success in working with fashion and luxury partners worldwide, AVM Consulting, led by industry expert and certified coach Anne Mühlethaler, is your trusted partner in achieving your brand's vision. Ready to transform your brand and drive meaningful change? Don't wait any longer. We like to make magic happen.FIND OUT MORE ABOUT AVM CONSULTING HERE. ***If you enjoyed this episode, click subscribe for more, and consider writing a review of the show on Apple Podcasts, we really appreciate your support and feedback. And thank you so much for listening!  For all notes and transcripts, please visit Out Of The Clouds on Simplecast - https://out-of-the-clouds.simplecast.com/   Sign up for Anne's email newsletter for more from Out of the Clouds at https://annevmuhlethaler.com.  Follow Anne and Out of the Clouds: IG: @_outoftheclouds or  @annvi  Or on Threads @annviOn Youtube @OutoftheClouds For more, you can read and subscribe to Anne's Substack, the Mettā View, her weekly dose of insights on coaching, brand development, the future of work, and storytelling, with a hint of mindfulness.

In this episode of Why Distance Learning, hosts Seth Fleischauer, Allyson Mitchell, and Tami Moehring welcome Maddie Roach, the Distance Learning Specialist at the National World War II Museum. Maddie shares her experiences building engaging virtual programs that connect learners to history in unique ways, discusses how the museum adapted post-Katrina, and explores how distance learning makes education accessible across the globe.Key Topics Discussed:Maddie's journey from museum volunteer to distance learning specialist.The development of digital exhibits and synchronous virtual field trips.Operation Foot Locker, a program that ships World War II artifacts to classrooms.The museum's mission to preserve history and teach lessons of tolerance.Golden moments when students connect personally with history, including stories from underrepresented groups.The importance of balancing synchronous and asynchronous learning experiences.In-depth insights for educators:Maddie explains how distance learning bridges physical gaps and brings the museum to students worldwide. She discusses how their programs meet the needs of diverse audiences, from K-12 classrooms to lifelong learners, and shares strategies to create meaningful connections through primary sources and oral histories.Call to Action:Tune in to this episode to discover how Maddie and her team use technology to make history come alive. Learn how virtual programs like Operation Foot Locker and interactive webinars are transforming history education. Check the show notes for links to the National World War II Museum's virtual offerings and explore how to bring these experiences into your classroom.About today's guest:Maddie Roach is the Distance Learning Specialist at the National World War II Museum. With a background in history and public history from the University of New Orleans, Maddie blends her love of technology and education to develop engaging, meaningful virtual programs for learners around the world.See the museum's promo video, featuring Maddie and mentioned in the episode: https://www.youtube.com/watch?v=5QBMSd7fLxsHost Links:Discover more virtual learning opportunities at CILC.org with Tami Moehring and Allyson Mitchell.Seth Fleischauer's Banyan Global Learning has performed over 40k live virtual teaching periods while improving students' language, digital, and cultural competencies.

In this episode of The Get Down, Ritzy P. interviews Richard Ng and Jake Foreman about  their journeys into the world of Web3 and the founding of IndigiDAO, an initiative aimed at empowering Indigenous entrepreneurs through decentralized autonomous organizations (DAOs). They discuss the core objectives of IndigiDAO, the impact of a significant grant from the Robert Wood Johnson Foundation, and the milestones they have achieved. The conversation also highlights the importance of community, the role of government in supporting micro enterprises, and personal insights from both founders. Be sure to sign up for our newsletter, Chews! Richard Ng is a seasoned social impact leader with over a decade of experience driving innovation and growth in both the nonprofit and for profit sectors, and currently is the Program Manager and Co-Founder of IndigiDAO, an initiative supporting indigenous entrepreneurs to set up economic cooperatives to create a kinship economy. Richard's passion for creating positive social change is evident in his impactful work across a range of industries.Henry Jake Foreman MCRP is a specialist in facilitation, development, and implementation of engaging learning experiences for students of all ages and has created a variety of curricula around education, health, and entrepreneurship. He is the founder of Karuna Colectiva, a social enterprise that delivers the principles of engagement, innovation, and application through mentorship, bicycling, and cooperative economics. He is also the Program Director of New Mexico Community Capital and manages the Financial & Business Basics course that is designed to help build a solid foundation to form and grow business ideas with a personal financial plan for success.We discuss:IndigiDAO's aims to support Indigenous entrepreneurs through a DAO structure.Community and collaboration as essentials for Indigenous entrepreneurs.Prioritizing assistive technologies in IndigiDAO's design and mission.The impact of The Robert Wood Johnson Foundation grant on IndigiDAO's development.Thanks for tuning in! To get the full scoop on creating a more inclusive Web3, DeFi, and Bitcoin space, make sure you catch every episode – we're packed with actionable tips and insights. If you found this episode valuable, spread the word and share it with someone who needs to hear this. Don't forget to follow, rate, and review our podcast on your favorite listening app – it helps us reach even more people who are passionate about building a better future for everyone in the crypto space.CONNECT WITH RICHARD NG:LinkedInCONNECT WITH JAKE FOREMAN:LinkedInNew Mexico Community CapitalCONNECT WITH BUTTERSCOTCH MEDIA:Check us out on our website butterscotch.media and subscribe to our newsletterFollow us on X @butterscotch360Watch our content on YouTube

Go learn more about Four Visions Marketplace here. The Sensual Summit February 16-19, 2025 in Los Cabos: click here for details Start Here: Here is the link to join the SoulWork Onboarding Welcome Video!  Go get onboarded for Adi Shakti's 99 Day Magical Mystery Tour for the chance to win prizes and retreats: https://www.instagram.com/p/C-FuuGMumcc/ Here is the link to join the SEEKER Membership for FREE.     ✨ The Fine Line of Service: Navigating Cultural Advocacy, Ethics, and Personal Growth Service work has always been a calling for me, but the journey is full of complexity and nuance. In this episode, we dive deep into the challenges of cultural advocacy, from the pitfalls of white saviorism to the ethical dilemmas we face when stepping into indigenous communities. Together, we'll unpack what true service means, how to avoid harm, and the ways we can grow through these experiences. If you're ready to explore the messy but rewarding path of ethical service, join me for this candid conversation.

Tribes in California are urging President Joe Biden to designate three new national monuments in order to protect what the tribes say are natural and cultural treasures. The proposed Sáttítla National Monument would cover 200,000 acres in northeastern California important to the Pit River and Modoc Nations. The California State Assembly also signed onto the push to designate 627,000 acres as the Chuckwalla National Monument and almost 400,00 acres as the Kw'tsán National Monument. The effort comes as the 10th Circuit Court of Appeals is expected weigh in on a challenge to President Biden's use of the Antiquities Act to set aside some 1.5 million acres of land, including the Bears Ears National Monument in Utah. GUESTS Tomas Tortez Jr. (Torres Martinez Desert Cahuilla Indians), Tribal Council Chairman of the Torres Martinez Desert Cahuilla Indians Brandy McDaniels (Pit River), Sáttítla National Monument Working Group Lead for the Pit River Nation Delaine Spilsbury (Ely Shoshone), tribal elder Rick Spilsbury (Ely Shoshone), tribal elder and retired engineer Monte Sanford, Bahsahwahbee National Monument campaign director

Christina Delgado underscores the importance of connection, collaboration, and uplifting cultural identities. In this episode of "The Truth in This Art," host Rob Lee welcomes back Christina Delgado, a Baltimore-based photographer, curator, and founder of Tolas Room, a Puerto Rican home museum and cultural space. The discussion centers on Christina's efforts to celebrate and educate visitors about Puerto Rican and New York Rican culture and history, particularly within Baltimore's local Boricua narrative. Christina shares her journey as an artist and cultural worker, emphasizing community engagement, the challenges of gentrification, and the role of art in preserving cultural heritage.You may also check out her first interview with Rob through this link. This program is supported in part by a grant from the Robert W. Deutsch Foundation.If you have a story about art, culture, or community in Baltimore, share it with us at rob@thetruthinthisart.com for a chance to be featured on "The Truth In This Art" podcast. This is a unique opportunity to contribute to the arts and culture podcast scene and showcase your insights on "The Truth In This Art" with Rob Lee.Follow The Truth In This Art on Twitter, Threads, IG, and Facebook @truthinthisart Original music by Daniel Alexis Music with additional music from Chipzard.Episode illustration by Alley Kid Art.About "The Truth In This Art"Hosted by Rob Lee, "The Truth In This Art" podcast dives into the heart of creativity and its influence on the community. This arts and culture podcast from Baltimore highlights artists discussing their ideas, sharing insights, and telling impactful stories. Through these artist interviews, listeners gain a deeper understanding of the creative economy and artistic life in Baltimore. Support the show:Merch from Redbubble | Make a Donation  ★ Support this podcast ★

In this episode of 'The Truth in This Art,' host Rob Lee interviews Yesenia Mejia Herrera, an interdisciplinary artist, activist, and educator originally from Oaxaca, Mexico, now based in Baltimore. Yesenia shares her journey of preserving and uplifting Indigenous Latinx traditions, focusing on her work with Creative Alliance's CIELO initiative and the importance of honoring cultural heritage. They discuss the intersection of Latinx arts, cultural preservation, and community building through projects like the upcoming Tianquiztli Artisan Market and Baltimore By Baltimore. Yesenia also highlights the significance of sharing Latinx cultures with the Baltimore community and passing these traditions to younger generations, including her son. This conversation offers a rich exploration of Latinx arts, cultural traditions, and the power of community-driven initiatives.Links to events:Tianquitli Artisan MarketBaltimore By BaltimoreCIELO This program is supported in part by a grant from the Robert W. Deutsch Foundation.If you have a story about art, culture, or community in Baltimore, share it with us at rob@thetruthinthisart.com for a chance to be featured on "The Truth In This Art" podcast. This is a unique opportunity to contribute to the arts and culture podcast scene and showcase your insights on "The Truth In This Art" with Rob Lee.Follow The Truth In This Art on Twitter, Threads, IG, and Facebook @truthinthisart Original music by Daniel Alexis Music with additional music from Chipzard.Episode illustration by Alley Kid Art.About "The Truth In This Art"Hosted by Rob Lee, "The Truth In This Art" podcast dives into the heart of creativity and its influence on the community. This arts and culture podcast from Baltimore highlights artists discussing their ideas, sharing insights, and telling impactful stories. Through these artist interviews, listeners gain a deeper understanding of the creative economy and artistic life in Baltimore. Support the show:Merch from Redbubble | Make a Donation  ★ Support this podcast ★

“It was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair…" It is striking how much these immortal words, written by Charles Dickens in the mid-19th century at the height of the Industrial Revolution, still apply today. We live in a similarly paradoxical era, only a more complex one. It was during Dickens' time that we began down the unstainable path of prioritizing industry over ecological health, mainly because we were captivated by the hope of progress, or resigned to its inevitability. These conditions really haven't changed. What is different is the accelerated pace of change. Most of the technological comforts we take for granted occurred within the past one hundred years, including electricity, which almost nobody had access to one hundred years ago.So how do we best live and love in modern times? Perhaps the key is to escape the boundaries of time. Both men on this program have stepped outside the conventions of their day. They have left behind modern technological conveniences and chosen to directly encounter the natural world. Thomas Rain Crowe, following the tracks of Thoreau, retreated to his own cabin in the woods, where he lived without electricity and running water for four years. Marc Thibault has ventured deep into the Amazon rainforest on many occasions. He just came back a couple of days ago.What have these men learned about life while indigenizing themselves to the land? Can we remember what it is to be fully human and learn to live and love in the broadest possible sense? What do kinship systems of nature teach us about love? Can modern society learn to go beyond insular love between two humans and become one with the Beloved, one with the Great Mystery of life we are all so privileged to experience.ABOUT OUR GUESTS:Thomas Rain Crowe is an internationally published author, editor, and translator of more than thirty books, including the multi-award winning memoir Zoro's Field: My Life in the Appalachian Woods (2005). He is also a publisher himself (New Native Press) which publishes works of environmental activism and cultural preservation. He was born and raised in Cullowhee, NC. in the Appalachian mountain region of western North Carolina, and this laid the foundation for his literary endeavors and also shaped his profound connection to his land based cultural heritage. During the 1970s he lived abroad in France and then returned to the US, moving to San Francisco, where he became editor of Beatitude (Be-at-a-tood) magazine and press in San Francisco, which made him one of the “Baby Beat” generation. From 1979-1982, he moved back to the woods of western North Carolina to live in the aforementioned cabin where he composed Zoro's Field. His literary repertoire includes poetry collections, essays, and books that delve into themes encompassing nature, spirituality, social issues, and the human condition. Beyond his original poetry, Crowe became renowned for his skillful translations of contemporary and historical European, Sufi, and Hindu poets, including his most recent publication, a masterful translation of select Kabir poems entitled Painting from the Palette of Love, which I might add, I just devoured over the last two days.  For a quarter century Marc Thibault has been involved in the social and environmental impact sphere as an entrepreneur, system thinkers and policy influencer covering a wide span of industries and issues developing novel solutions requiring human-centered design while integrating environmental and social concerns. His spent 10 years pioneering model-driven decision support systems until he had his first life-changing epiphany, when he realized how much modern humans, especially children, were exposed to toxic chemicals. Being a father of two boys, he devoted the next 15 years to solving environmental health issues working across the private, public and non-profit sectors and has also worked with hybrid B corps to provide plant based alternatives to toxic chemicals and better protect our children – And then he had his second life changing experience in 2012 when he visited the Ecuadorian Amazon rainforest which led him to starting Nativien (an Indigenous-centered hybrid organization using the universal language of medicinal plants). He is currently active in supporting Indigenous Peoples to create a network of Living Pharmacies throughout the Amazon Rainforest, with three essential goals: 1) bring about a biocultural economy, 2) strengthen Indigenous Traditional Knowledge systems, and 3) change the way moderns relate to the natural world and traditional Indigenous communities.

Exposing Social Engineering in Media and Protecting Family Values   In this episode of the Currents Podcast by Big Ocean Women, Carol delves into a conversation with Andrew Young about the troubling admissions from major animation studios like Disney that their storytelling has been tarnished by social engineering and political agendas. They discuss the widespread acknowledgment of this issue, peel the layers back to see where the issues originated, the societal impact, and the backlash from parents. The episode also explores global orchestration by organizations like the United Nations and their influence on social policies. Listeners are provided with strategies for protecting children and preserving family values amidst these challenges. Andrew shares insights on legislative efforts and personal initiatives aimed at countering these issues, including potential film projects highlighting these themes.   00:00 Introduction and Guest Introduction 00:27 Disney and the Decline of Storytelling 01:56 Social Engineering and Public Awareness 05:19 Mothers' Outrage and the Power of Consumer Choice 08:17 Global Orchestration and the United Nations 12:55 Sexualization of Children and Alfred Kinsey 25:25 Parental Actions and Legislative Efforts 30:39 Screen Time and Family Dynamics 31:02 Maternal Feminism and Community Action 32:10 Challenges of Section 230 and Big Tech 33:15 The Dark Side of the Internet 37:13 Parental Vigilance and Child Safety 41:14 Hollywood Project on Exploitation 49:13 Cultural Preservation and Family Values 54:19 Conclusion and Call to Action   Find out more about NCOSE and get involved: https://endsexualexploitation.org/legislation/ https://endsexualexploitation.org/action-center/ “I think that … we need an education; all of us need to know what's going on and we can't just live blindly.” - Carolina Allen “Our love has to be bigger than our fear, and we need to know who we love. Who do we love? We love our children.” - Carolina Allen   “I think that as a humanity, we have to draw the line in the sand where if you have ill intentions towards children. I'm sorry, I can't negotiate with you.” - Carolina Allen   Carolina Allen is the founder and leader of Big Ocean Women, the international maternal feminist organization representing perspectives of faith, family, and motherhood throughout civil society. Carolina holds a B.A. in philosophy from the University of Utah with an emphasis in cultural religions and philosophy of science. Her inspirational and philosophical work has been presented at various international U.N. conferences. She is a native of Brazil, and a fluent trilingual. She and her husband Kawika are parents to 7 children. She is an avid soccer fan and had a brief career as a semi-professional player.   Andrew Young has worked for XBox, DreamWorks, and other kids entertainment companies. He has seen firsthand how deliberate decisions to insert specific scenes and vocabulary take place. He talks about his experiences with what he found out about social engineering when he worked as an animator at DreamWorks, the effects we see in our society, and what we can do to counteract it as we stand for faith, family, and motherhood.  

Rayette Martin from the Nevadans for Cultural Preservation joins the podcast to talk about the work they are doing and how they are preserving rock art in Nevada.Transcripts For rough transcripts of this episode go to https://www.archpodnet.com/rockart/127Links Nevadans for Cultural PreservationContact Dr. Alan Garfinkel avram1952@yahoo.com Dr. Alan Garfinkel's Website Support Dr. Garfinkel on PatreonArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public StoreAffiliates and Sponsors California Rock Art Foundation Motion: https://www.archpodnet.com/motion

Rayette Martin from the Nevadans for Cultural Preservation joins the podcast to talk about the work they are doing and how they are preserving rock art in Nevada.Transcripts For rough transcripts of this episode go to https://www.archpodnet.com/rockart/127Links Nevadans for Cultural PreservationContact Dr. Alan Garfinkelavram1952@yahoo.comDr. Alan Garfinkel's WebsiteSupport Dr. Garfinkel on PatreonArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public StoreAffiliates and Sponsors California Rock Art Foundation Motion: https://www.archpodnet.com/motion

Send us a Text Message.0:00 Dream Guests on My Podcast7:33 Musical Reflections on Seven Generations26:05 Complexities of Kinship Rules33:51 Crow Kinship Structure Clarified42:03 Crow Kinship Structure and Roles52:33 Navigating Crow Kinship and Social Rules1:07:25 Preserving Salish Kinship and Language1:11:38 Salish Social Organization and Kinship1:24:00 Cultural Preservation and Social Organization1:35:10 Secret Crow Function CultureHosts: Aaron Brien (Apsáalooke), Shandin Pete (Salish/Diné)How to cite this episode (apa)Pete, S. H., & Brien, A. (Hosts). (2024, Jul 31). #56 -  Native Cousin Chronicles: "She's my Mom's, Dad's, Sister-in-Law's, Daughter's Grandson"  [Audio podcast episode]. In Tribal Research Specialist:The Podcast. Tribal Research Specialist, LLC. https://www.buzzsprout.com/953152/15136464How to cite this podcast (apa)Pete, S. H., & Brien, A. (Hosts). (2020–present). Tribal Research Specialist:The Podcast [Audio podcast].  Tribal Research Specialist, LLC. https://tribalresearchspecialist.buzzsprout.comPodcast Website: tribalresearchspecialist.buzzsprout.comApple Podcast: https://podcasts.apple.com/us/podcast/tribal-research-specialist-the-podcast/id1512551396Spotify: open.spotify.com/show/1H5Y1pWYI8N6SYZAaawwxbTwitter: @tribalresearchspecialistFacebook: www.facebook.com/TribalResearchSpecialistYouTube: www.youtube.com/channel/UCL9HR4B2ubGK_aaQKEt179QWebsite: www.tribalresearchspecialist.comSupport the Show.

Push play for a tour of Happy Top, a one-of-a-kind B&B in Athens, Georgia that's also an analog performance space and recording studio. You'll hear the origin story, the approach to the vintage decoration and design (there's a piano in every room. Literally.), and how owner T.S. Woodward created a signal flow speaker system, giving each room a different audio flavor. Plus, an authentic perspective on why Athens has such a special music scene.I'm Kyle Lamont, founder and host of Concert Cast, a rockumentary podcast network. Our series "In the Pocket" explores independently owned venues where music and community come together in surprising places. We showcase these unique spots, often at risk due to gentrification, by telling their stories and showing how they shape concert culture.T.S Woodward wishes to say a very special thank you to Michael Smith-Lanzar (his next door neighbor from 2019-2022 [but resident there since 2014]) who was the first person he met on Bryan St, told him all about the history of Happy Top, helped to negotiate with the city the sewer/water infrastructure & who is an indefatigable activist for human rights.Book yourself a stay at Happy Top:https://www.airbnb.com/rooms/34414912?source_impression_id=p3_1721428035_P3x6xgljy6A-N1Q7For more rockumentary podcasts exploring concert culture visit https://concertcast.live/index.htmlKeep up with Kyle Lamont on Instagramhttps://www.instagram.com/kyle_lamont/Follow Cookie Tongue Bandhttps://www.instagram.com/cookietonguemusic/Copyright by Kyle Lamont of Good To Go Studios LLC 2024, USA Concert Cast: A Woman-Owned Rockumentary Podcast NetworkCreated and hosted by Kyle Lamont, Concert Cast explores Concert Culture through energetic music journalism. Lamont's informed questions, personal anecdotes, and curated local music soundtracks connect listeners with their favorite musicians and iconic venues, offering a unique perspective on the live music experience, earning a Spotify Editor's Pick recognition in 2022.

Grab your bachi and join the Krewe as they sit down with Takumi Kato (加藤 拓三), world champion taiko drummer, to explore the sounds of taiko, his personal experiences and approaches to taiko, & his current adventure across the United States performing 1,000 times in all 50 states.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, YouTube, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:26:27)------ Past KOJ Episodes on Music ------The Japanese Pop Music Scene ft. Patrick St. Michel (S5E10)Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo Lens (S4E1)City Pop & Yu ft. Yu Hayami (S3E14)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)------ Links about Takumi Kato & Peaceful Forest ------Takumi Kato's Homepage (ENG)Donate to Support Takumi's Taiko InitiativeNHK World Program about Takumi Kato & "Peaceful Forest"Performance Here in New OrleansTakumi Kato on IGPeaceful Forest on IGTakumi on FacebookTakumi Kato on YouTube------ JSNO Upcoming Events ------JSNO Event Calendar

In this episode of "The Truth in This Art," host Rob Lee welcomes back Meagan B. a.k.a "Ducky Dynamo", a DJ and curator renowned for her work with Baltimore club music, to celebrate Black Music Month. Ducky Dynamo discusses her role in promoting black artistry and the cultural significance of Baltimore club music. She reflects on the vibrant nightlife of her early years and the collective experiences within the club scene. This conversation addresses the challenges of cultural preservation, gentrification, and the exploitation of club music by mainstream artists. Ducky emphasizes the need for community involvement and creative solutions to sustain Baltimore's unique cultural heritage.Episode Highlight:Ducky Dynamo's introduction (00:01:01) Ducky Dynamo introduces herself, sharing her role as a DJ and curator, and her deep involvement in Baltimore club music and black artistry.Role of Baltimore club music (00:07:19) Ducky Dynamo dives into the role of Baltimore club music in the broader context of black music and culture, and its impact on the local community.Concerns about the future (00:10:27) Ducky Dynamo voices her concerns about the future of Baltimore club music and its potential impact following the current wave of popularity.Impact of venue closures (00:12:57) This part of the discussion turns to the impact of venue closures on the preservation and recognition of Baltimore club music, highlighting the intentional blighting of certain areas.Gentrification and Cultural Preservation (00:18:15) This segment of the conversation explores the impact of gentrification on black culture and the importance of preserving black-owned establishments.The Auction of a Historic Venue (00:21:58) Ducky Dynamo describes the efforts to preserve a historic nightclub venue in Station North through a community-driven GoFundMe campaign.Baltimore's Cultural Impact (00:43:38) Rob and Ducky discuss Baltimore's cultural impact on American entertainment, the city's chief exports, and the need for recognition and support.Baltimore Club Music Day (00:55:12) Ducky Dynamo highlights the existence of Baltimore Club Music Day and promotes upcoming events and initiatives related to preserving club culture.Key Takeaways:1. Embrace the power of community to preserve and celebrate cultural heritage.2. Recognize and honor the roots of music genres to prevent cultural exploitation.3. Stay connected to your local scene to support and uplift authentic artistry.4. Creative solutions and active involvement are key to sustaining vibrant cultural traditions.Website and Socials:soundcloud.com/duckydynamoX: @duckydynamoInstagram: duckydynamoFacebook: Ducky Dynamo LinkedIn: Meagan (Ducky Dynamo) BusterLink to the first episode with DJ Ducky.Don't miss out on supporting Ducky Dynamo by visiting her website and following her on social media. If you enjoyed this episode, please rate and review it, and consider supporting our work on Patreon to keep these important conversations going. Your support makes all the difference! This program is supported (in part) by a grant from the Robert W. Deutsch Foundation. If you have a story about art, culture, or community, share it with us at rob@thetruthinthisart.com for a chance to be featured on 'The Truth In This Art' podcast.Follow The Truth In This Art on Twitter, Threads, IG, and Facebook @truthinthisart Original music by Daniel Alexis Music with additional music from Chipzard.Episode illustration by Alley Kid Art.About "The Truth In This Art""The Truth In This Art," hosted by Rob Lee, is a podcast that explores the essence of creativity and its community impact, amplifying artists' voices and their profound stories.Connect with me:Website | Twitter | Instagram Support the show:Merch from Redbubble | Make a Donation  ★ Support this podcast ★

What if artwork could be a powerful tool to reclaim and preserve a culture? Join us in an engaging conversation with John Ppepion, a distinguished artist from the Blackfeet Nation in Montana, as he shares his remarkable journey and the rich heritage that fuels his creativity. John's decision to embrace his art full-time in 2009 was more than a career move; it was a commitment to his roots and a declaration of the resilience of the Blackfeet people. We explore his utilization of traditional Blackfoot motifs and styles, including pictographic and ledger art, and discuss how his choice of mediums, from buffalo hides to antique ledger paper, ties him intimately to his ancestry and historical practices.The episode sheds light on the growing Native American Indigenous art movement, which stretches beyond the canvas to influence fashion, culinary arts, and more. We address the pressing issues of inclusion and representation in mainstream art, emphasizing the necessity of authentic indigenous voices over non-indigenous interpretations. Discover how elements of nature, traditional symbols, and personal experiences serve as profound inspirations in Native American art. John shares insights into how ceremonial practices, historical artifacts, and even museum collections play crucial roles in the storytelling and preservation of indigenous culture.Listen in as John opens up about the intense dedication required to be an artist, from balancing sleepless nights brimming with ideas to early morning work sessions. We delve into the transformative power of collaboration, the significance of prioritizing personal projects, and John's ambitious plans for upcoming exhibitions in Montana and a debut in New York City. Learn how art serves as a vital instrument in preserving Indigenous culture and identity, ensuring that the stories and traditions of the Blackfeet people are recorded and cherished for generations to come. Don't miss this inspiring episode filled with passion, creativity, and cultural enlightenment.

This episode of the Getting Smart Podcast is part of a new short monthly series where Mason Pashia is joined by Dr. Jason Cummins, a previous guest and a friend of the podcast, to speak with indigenous leaders and academics to discuss how indigenous ways of knowing and leading can, and should, shape the education system.   On this podcast episode, they are joined by Lona Running Wolf from the Piikani Nation to discuss her extensive work in educational reform and cultural preservation. Lona shares insights from her journey, highlighting her current role as the project administrator for Blackfeet ECO Knowledge, a nonprofit organization aimed at reversing the effects of historical trauma on Native communities through cultural, language, and environmental initiatives. Together they discuss the systemic challenges faced by Native students, the impact of policies such as the boarding school era, and the importance of integrating cultural knowledge into educational frameworks to better serve diverse learner needs. Lona also discusses the profound influence of Blackfoot culture on Maslow's hierarchy of needs, emphasizing a community-centric approach to education and well-being.  

A week ago, the Metropolitan Museum of Art held its 2024 Met Gala — a yearly event to raise money for the Costume Institute. The gala also marks the opening of the Costume Institute's annual show, which this year is called "Sleeping Beauties: Reawakening Fashion." The idea behind this exhibit is to showcase pieces from the museum's collection that are too delicate to show on mannequins. Instead, the exhibit will feature recreations of the pieces using AI and 3-D techniques, along with sound and smell. But what about textiles that museums choose to display — how is science used to maintain these incredible, often fragile, pieces of the past?In this episode of Tiny Matters, Sam and Deboki cover the fascinating textile landscape, from  plant-based fibers to the evolution of modern synthetic materials and the investigative approaches used to preserve not just these fabrics but also the stories they tell and the cultural significance they hold.We have a YouTube channel! Full-length audio episodes can be found here. And to see video of Sam, Deboki, and episode guests, check out Tiny Matters YouTube shorts here!Links to the Tiny Show & Tell stories are here and here. Pick up a Tiny Matters mug here! All Tiny Matters transcripts are available here.

Listen in to another compelling episode as Brie and Ashlei recount their extraordinary experiences from the most remote and challenging environments on Earth. From mountainous treks to deep cultural engagements, they share stories that will surprise and delight. In this episode, you'll discover: Adventures in Greenland and Borneo: Ashlei talks about her intense and inspiring journeys, including encounters with local communities and their traditions. Challenges of the Great Outdoors: Learn about the practical aspects of managing day-to-day needs in harsh conditions, including a revolutionary tool that changed Brie's approach to outdoor adventures. The Art of Documentary Filmmaking: Gain insights into the difficulties and rewards of capturing authentic stories in extreme settings. Cultural Preservation and Modern Challenges: Discussion on how traditional lifestyles cope with the pressures of modern conservation and governmental regulations. Perfect for those interested in adventure travel, cultural anthropology, and environmental conservation, this episode offers real stories from the field that are as thought-provoking as they are entertaining.   Explore Ashlei's work: https://www.tracingthought.com/ Instagram Facebook   For women only: No more hiding! Pee standing up with Brie's favorite trail-friendly device. Read more and access searchable transcripts: Blog post:   Visit www.wildwomanphotography.com to check out featured wild women, episode transcripts and more information about our small group photography escapes!   

About our Guest: Jon Rezendes is an influential conservationist with a dedication to the preservation and rewilding of the Chihuahuan Desert region, particularly in El Paso, Texas. His military background brought him to El Paso, where he found a second home amid the natural beauty of the desert landscape. As the Vice President of the Frontera Land Alliance and a board member of the Texas Lobo Coalition, Rezendes is a champion for environmental causes in the region. He is a strong advocate for the protection of the Rio Bosque wetland, a critical riparian habitat threatened by development proposals. Episode Summary: In this thought-provoking episode of "90 Miles from Needles," host Chris Clarke engages with Jon Rezendes to explore the rich ecological landscape and current environmental threats facing the Chihuahuan Desert, particularly the battle over the Rio Bosque wetlands in El Paso. The conversation provides an in-depth look at the socio-political challenges and the community's fight to prevent detrimental changes. Jon Rezendes passionately discusses the significance of protecting the delicate Rio Bosque wetlands against proposed infrastructure projects such as a disruptive highway. The area, crucial for migratory birds and local flora and fauna, faces the pressure of urban sprawl and industrial traffic which could irrevocably damage this unique ecosystem. Supported by the local community and organizations, Rezendes highlights the urgent need for advocacy and action to sustain this natural gem. He envisions a future where rewilding efforts expand, forever changing the local desert into a cradle of biodiversity that could one day welcome apex predators like the Mexican wolf back into the region. Key Takeaways: The Rio Bosque wetlands near El Paso are a vital habitat for over 260 bird species and numerous other animals, yet they are currently endangered by various threats, including proposed highway projects. Jon Rezendes advocates for realistic and sustainable alternatives to alleviate traffic that don't damage vital ecosystems, such as improving the existing rail transit system. Defenders of the wetland are rallying against Texas DOT's proposal for highway construction, gathering community support through petitions and local agency involvement. The vision for the Rio Grande Valley is one of expanded rewilding, potentially re-establishing apex predators like the Mexican wolf and removing barriers such as the border wall for ecological restoration. It's critical for the conservation community and influencers beyond Texas to support the efforts to protect and rewild the Chihuahuan Desert ecosystems. Notable Quotes: "We intend to shine enough light on this situation to make sure that we're elevating the voices of the people in Socorro that don't want their home to be turned into an unrecognizable industrial wasteland." "El Paso is small in terms of our influence, but we are mighty in terms of our grassroots efforts." "We are not going to let this happen. This is absolutely backwards, and we will do anything in our power to prevent a highway through our wetland." "Nothing would make me happier to know that wolves are running up and down the Rio Grande Valley again, passing between Mexico and the United States." "Rio Bosque is fighting for survival amid Texas' broader environmental narrative, where prosperous future melds with respect for the land and vibrant riparian forests." Resources: Follow Friends of the Rio Bosque on Instagram:@friendsriobosquewetlands Comment on the Border East highway before May 14  (Even if you're not a Texan). Texas Lobo Coalition: Texas Lobo Coalition As we delve into the rich tapestry of environmental activism and the future of the Chihuahuan Desert, we invite listeners to experience the full episode as Jon Rezendes shares his urgent advocacy call for Rio Bosque wetlands. Tune in and join this engaging conversation that may very well shape the natural legacy of Texas and beyond. Stay connected for more episodes from "90 Miles from Needles" that continue to enlighten and inspire.Become a desert defender!: https://90milesfromneedles.com/donateSee omnystudio.com/listener for privacy information.

This week, The Musafir Stories speaks to author and writer and illustrator, Seema Misra as she takes us to the land of the rising sun, Arunachal Pradesh! Today's destination: Arunachal Pradesh! Nearest Airport: Dibrugarh Airport (DIB) Nearest Railway Station: Naharlagun railway station, NHLN Requirements: Inner-line permit Packing: Pack depending on the weather, winters are cold and monsoons are wet! Time of the year: Dec-Feb, or during shoulder seasons after the monsoon! Length of the itinerary: 11 days Itinerary Highlights:  Start from Dibrugarh Namdapha jungle camp in Miao Roing with stops at Tibetan settlements at Choephelling Golden Pagoda at Namsai Archaeological remains at BhismakNagar Lake Sally Aalo or Aalong (home of the Kalo tribe) Mechuka Pasighat Links: Link to Seema's blog: https://seemamisraart.blogspot.com/ Link to Seema's Instagram: https://www.instagram.com/seemamisra/ https://www.instagram.com/lonelycanopy/ Link to Seema's portfolio: https://sites.google.com/view/seemamisraart Link to episode on Mechuka: https://open.spotify.com/episode/5xnYrM4dIVeOHXKh2sqngv?si=87Jk5QZ9SPiOpZLTHjduJw Link to episode on Tawang: ​​https://open.spotify.com/episode/5VmROjDO0oJZCkpMtGjLy2?si=-hriIlseTLa6FbQ55VcnZA Link to episode on 7 Lakes trek: https://open.spotify.com/episode/7gEeyeSuykvK25ihBw6tFj?si=QuVE285TS2qbg5Jw7x7k2Q Link to episode on Glaw Lake: https://open.spotify.com/episode/3VlES9609CvpupgwcFSR3n?si=Zq2x35mZQ66tQchLuo9Acg Link to episode on Indore and Ujjain: https://open.spotify.com/episode/0BwEHojSBcJi5RoMjFhWjb?si=xtfnJph4Q5m0PVlph6XPiA Photo by Seema Misra Follow the Musafir stories on: Twitter : https://twitter.com/musafirstories?lang=en Facebook: https://www.facebook.com/themusafirstories/ Instagram: https://www.instagram.com/musafirstoriespodcast/?hl=en website: www.themusafirstories.com email: themusafirstories@gmail.comSee omnystudio.com/listener for privacy information.

Episode 320 features Wafa Ghnaim, a Senior Research Fellow at The Metropolitan Museum of Art, Curator for the Museum of the Palestinian People and Founder of The Tatreez Institute, alongside Dr. Tanveer Ahmed, a Senior Lecturer in Fashion and Race at Central Saint Martins and also Course Development Lead for MA Fashion and Anthropology at London College of Fashion. “Inherently, just by being Palestinian and by teaching about Palestinian life and history, and including oral history in my work as a foundational aspect of my research, I am threatening these kinds of structures, in and of itself. And so, simply my existence is resisting that colonialism and the normalization of destruction and death of Palestinian bodies.” -Wafa “Translating lots of decolonial thought around the canon and Eurocentrism and what shapes our ideas of art and design is really crucial to understand how we then deconstruct the canon. It's not just a question about changing reading lists or to me, about representation and bringing in more Black and Brown academics into our institutions, although that is part of the equation. I think what we need to do and what I think is the most important role for me is to undue the harms that coloniality has done to our disciplines and within our institutions.” -Tanveer  APRIL THEME — COMING TOGETHER TO BUILD A BETTER FASHION FUTURE Decolonizing fashion, intersectionality, identifying the knowledge holders, cultural inheritance and systems change were some of the key themes we explored in this week's episode. We take a look at some of the areas that fashion educators are dismantling when it comes to heteronormative and Eurocentric views on fashion education and design. And how this knowledge can translate from the classroom or across cultural communities into practical ways. Building off of our last episode, we question – what are the biggest challenges we still face and how can we work toward more transformation?  We learn from one of our guests that this focus and lens on decolonising fashion where marginalization and othering is built into the foundation, is very different to the offerings of cultural preservation, which holistically exists to share lived experience, pass over craft practice, history, culture and honor the hands and bodies of the people at the center of this. As our guest shares, what else is there if we cannot honor the people preserving culture. Fashion as it exists, still has a ways to go in embracing this at its roots, but our guests give us hope as they move through the world, sharing their wisdom and truth, and teaching us the meaning of how to be good custodians and stewards, so we can uphold this legacy with care and intention and continue to center Indigenous craft, culture and practice.  Links from the conversation: Tatreez & Tea Website Tanveer's Work Profile Follow Wafa (@tatreezandtea) on Instagram

Thanks to our Partner, NAPA Auto Care Andy Bizub explores the influential book "Driving Force: Extraordinary Results with Ordinary People" by Peter Schultz. Dive into the pivotal role of culture in business success with personal insights on maintaining a positive work environment. This episode is packed with wisdom for business owners and leaders seeking to improve their operations and team dynamics. Andy Bizub, Midwest Performance Cars, Chicago and Northbrook, IL.  Andy's previous episodes HERE. Show Notes Watch Full Video Email Lori Schutz for your copy of "The Driving Force: Extraordinary Results with Ordinary People": scmink2@earthlink.net Leadership Book Insights (00:02:07 ) Exploring 'The Driving Force by Peter Schutz's' perspectives on leadership and empowerment. Book's Business Influence (00:03:04) The book's influence on leadership strategies and business operations. Book Discussion (00:05:35) Diving into the book's content and its effects on businesses. Cultural Preservation (00:06:34) The role of culture in maintaining successful business practices. Toxic Employees (00:10:41) Addressing the challenges of toxic employees in the workplace. Empowering Leadership (00:12:14) How leaders can empower their employees to achieve excellence. Employee Growth (00:13:27) Encouraging employees to grow and potentially outperform their leaders. Team Diversity (00:15:27) The benefits of having a diverse and skilled team. Overcoming Barriers (00:18:39) Sharing a story about overcoming barriers at Cummins Engine and its relevance to shop communication. Communication Barriers (00:20:04) The effects of cultural and physical barriers on shop communication. Slack for Shop Communication (00:22:31) Using Slack to improve communication and reduce barriers in the shop. Customer Quality (00:23:42) The impact of customer quality on business success. Customer Vetting (00:29:58) Identifying red flags and conveying service value to potential customers. Thanks to our Partner, NAPA Auto Care Learn more about NAPA Auto Care and the benefits of being part of the NAPA family by visiting https://www.napaonline.com/en/auto-care Connect with the Podcast: -Follow on Facebook: https://www.facebook.com/RemarkableResultsRadioPodcast/ -Join Our Private Facebook Community: https://www.facebook.com/groups/1734687266778976 -Subscribe on YouTube: https://www.youtube.com/carmcapriotto -Follow on LinkedIn: https://www.linkedin.com/in/carmcapriotto/ -Follow on Instagram: https://www.instagram.com/remarkableresultsradiopodcast/ -Follow on Twitter:

Alice Gorman is an internationally renowned expert of space archeology. The Associate Professor has made a career of tracking human-made items in the cosmos, and studying their cultural significance. She lays claim to the first archaeological fieldwork to ever to take place outside of Earth, co-directing a study on how astronauts interact with their surroundings at the International Space Station in 2022. She has contributed to international space policy and has authored a book on the topic: Dr Space Junk vs the Universe: Archaeology and the Future.

Step into the world of AI and blockchain at Edge of AI with inventor of NFTs, Eric Pulier. Explore the ethical growth of exponential technology, the merging of AI with weapons and biological tech, and the fascinating overlap of AI ethics and NFTs. Learn about Eric's role at the FII Institute and Vatom, and his vision for a decentralized economy that empowers individuals.Support us through our Sponsors! ☕

In the final episode of the first season, Mariah expresses gratitude for the growth and expansion experienced by Four Visions over the past year. The episode begins with a prayer, setting the tone for a discussion on indigenous cultures and traditions. Four Visions, originally created to support the Ingano tribe, now serves as a bridge between ancestral traditions and modern plant medicine practices. Emphasizing the importance of wisdom keepers and elders in guiding discussions on plant medicine and legalization, Mariah also highlights the need for humility and receptivity when working with plants. This episode touches on the impact made in indigenous communities and the organization's future initiatives. The importance of right relationships with plants, the integration of traditional practices and Western psychology, and the preservation of indigenous languages and healing traditions are all discussed.  In This Episode: Mariah Gannessa | @mariahgannessa This podcast is brought to you by Four Visions Website | fourvisions.com Instagram| @fourvisionstribe Facebook | Four Visions Youtube | Four Visions Nominate a podcast guest! Intro Music created from music by Juan David Muñoz | @jdmusicesencia Subscribe to the FVM Podcast and leave us a review! iTunes | Spotify | Google Podcasts  

In today's episode, our host Diana Clark talks with Sara Green about her organization Art for Refugees in Transition (A.R.T.). They discuss the founding of A.R.T. and the importance of its mission for personal and community development. Check out A.R.T.'s website to learn more about their programs and mission: artforrefugees.org A.R.T's Instagram: @a.r.t.forrefugees Contact Sara Green: info@artforrefugees.org Liked this episode? Let us know! Subscribe and leave us a review below! Connect With Us If you or someone you know would like to share their personal refugee or refugee activist story, send us an email at seekingrefugepodcast@gmail.com or SOSRPA@mailbox.sc.edu, or connect with us on any of these social media platforms: https://www.instagram.com/refugepodcast/ https://www.facebook.com/seekingrefugepodcast https://twitter.com/refugepodcast Our Team: Claire Mattes, Shireen Kaur, Rohit Swain, Emily Jensen, Diana Clark (Host), Anusha Ghosh, Thrisha Mote (Producer), Victoria Halsey (Editor), Saanvi Somani, Yatin Nerella, Jazmine Rathi

Join us as we delve into two distinct yet enthralling segments that celebrate cultural heritage and explore the fascinating world of literary con-artists. From the preservation of Pakistani culture to the allure of charming tricksters, this episode promises insights, reflections, and a dash of intrigue.   The Preservation of Pakistani Culture with Nigar Alam (00:23) Ashley sits down with Nigar Alam, the talented author of "Under the Tamarind Tree". Tune in as they explore how Nigar's work delicately encapsulates stories of refugees, shedding light on the representation of their struggles and triumphs. Discover how the perception of women and their family's reputation plays a pivotal role in this narrative, and delve into the inspiring initiatives like the Citizens Archive of Pakistan that foster cultural preservation.   Get a copy of Under the Tamarind Tree Here!    Resources mentioned by Nigar Alam Citizens Archive of Pakistan The Loft Literary Center WHO DO YOU THINK YOU ARE?!: Our favorite cons in books (09:54) We all have that special niche interest that we're drawn to. In this segment Rah, Jordy, and Nox dive into a few of their favorite books that have the trickiest of protagonists- con-artists. Join them as they unravel what makes these con-artist characters so appealing and the unique elements that draw us into their escapades. Get ready to add to TBR!   Books mentioned by Rah & Nox Fairest by Gail Carson Levine Counterfeit by Kristin Chen Adult Drama by Natalie Beach Thief liar lady by D.L Soria My Friend Anna: The True Story of a Fake Heiress by Rachel DeLoache Williams We Set the Dark on Fire by Tehlor Kay Mejia Stone Cold Fox by Rachel Koller Croft Kill for Love Laura Picklesimer The Girls I've Been by Tess Sharpe Yellowface by R. F. Kuang Killing Me by Michelle Gagnon  The Guest by Emma Cline  Support our hosts & guest: Nigar Alam:  Website //  Instagram Ashley:  Instagram Nox: Blog // Instagram // TikTok // Twitter // YouTube Rah: Instagram // Twitter // TikTok // The StoryGraph Jordy: Instagram Beyond the Box: Our weekly round-up of blog and podcast content delivered directly to your inbox every Friday   Check out our online community here!    This episode was edited by Niba and produced by Renee Powers on the ancestral land of the Dakota people.   Original music by @iam.onyxrose   Learn more about Feminist Book Club on our website, sign up for our emails, shop our Bookshop.org recommendations, and follow us on Instagram, Twitter, TikTok, Facebook, Pinterest.