American philanthropic private foundation
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43 episodes with The Kresge Foundation
10 episodes with The Kresge Foundation
4 episodes with The Kresge Foundation
2 episodes with The Kresge Foundation
2 episodes with The Kresge Foundation
2 episodes with The Kresge Foundation
2 episodes with The Kresge Foundation
2 episodes with The Kresge Foundation
2 episodes with The Kresge Foundation
For over a century, the Cleveland Foundation and Kresge Foundation have worked to improve the lives of residents and champion equity in Cleveland, Detroit and beyond. Building on their legacies, both organizations are innovating for the future and reshaping the field of place-based philanthropy. The Cleveland Foundation has embarked on a new chapter with its historic move to MidTown/Hough and is focused on growing our region, investing in vibrant neighborhoods and connecting people to prosperity. The Kresge Foundation has expanded its long-standing efforts to increase opportunity across American cities, with a deep focus on its hometown of Detroit.rnrnThis is a bold new era as legacy institutions like the Cleveland and Kresge foundations are thinking about the next 100 years of place-based philanthropy - including how they leverage their purpose and power to advance critical work that will lead to transformational change and more equitable communities.rnrnCleveland Foundation President and CEO Lillian Kuri and Kresge Foundation President and CEO Rip Rapson will be joined by moderator Mark Joseph, PhD, the Leona Bevis/Marguerite Haynam Professor in Community Development at the Jack, Joseph and Morton Mandel School of Applied Social Sciences at Case Western Reserve University.rnrnRapson will also discuss his recently published book "Drawn to Challenge: Stories of Leadership in the Public Interest (with doodles)." These stories show his unique approach to tackling the challenges of cities and the society at large.
I recently had the privilege of sitting down with Cathy Mott for a second conversation on Lessons in Leadership, and let me tell you, it was a game-changer. Initially, we planned to dive into emotional intelligence, but Cathy introduced me to something remarkable—her new app, My Journey Within. This tool is revolutionizing the way leaders and individuals alike engage with their emotions. If you like today's message, here are five ways I can help you grow faster… 1. Join me for our next Peak Performers study group session. Click here to learn more and register: 2. Join the team: https://www.billstorm.com/join-the-team.html 3. 1:1 executive coaching to help you overcome the limiting beliefs, patterns, and habits keeping you from achieving the outcomes you seek in your personal and professional life. 4. Speak at your next event. 5. Conduct a mindset, sales, or leadership training workshop for your team. https://www.billstorm.com/ Cathy Mott is an Author, Executive Coach, Keynote Speaker, facilitator, and trainer who has had the pleasure of working closely with senior leaders for more than 25 years. She is also a certified Social & Emotional Intelligence Coach who has helped hundreds of C-Suite Leaders walk and lead with authenticity. She has worked in various industries, Mercedes Benz Financial, Michigan State University, Trinity Health, Ascension Health, Michigan League of Public Policy, Kresge Foundation, and Carhartt just to name a few. Cathy has hosted a TV show, been featured on CUTV News, CBS and WDIV for her unique approach to Emotional Intelligence. Cathy has written two books, “Shh…Just Listen! Great Things Happen in The Silence.” It is a 30-day Emotional Intelligence Workbook. Cathy is excited to have just written her first children's book entitled, “Welcome to Diver…City! A City of Love and Belonging!” Cathy is currently featured in the February 2020 edition of CEO Magazine as the author of an article entitled, “Authentic Leadership…What Makes it Real?” She also is currently featured in the Minority Business Review Magazine, December 2023 and recognized as a Black Women in Technology due to her cutting-edge app on Emotional Intelligence, “My Journey Within.” Cathy's Contact Info: LinkedIn: linkedin.com/in/cathy-mottmi Website: cwcleadershipdevelopment.com Cathy's App: https://www.cwcleadershipdevelopment.com/app Workbook: cwcleadershipdevelopment.com/emotional-intelligence-workbook/ Work with Cathy: https://www.cwcleadershipdevelopment.com/contact
Host Jeremy C. Park talks with George Abbott, Co-convener of Reimagining the Civic Commons, who highlights the collaboration of national foundations and civic leaders dedicated to revitalizing public spaces in ways that benefit communities and how the initiative has impacted Memphis locally. Reimagining the Civic Commons is an ambitious national initiative demonstrating that strategic investments in public spaces can connect people of all backgrounds. It is a collaboration of The JPB Foundation, the John S. and James L. Knight Foundation, The Kresge Foundation, William Penn Foundation, and local partners.During the interview, George shares how the initiative was launched in 2016 and how Memphis applied and was selected to participate, working with a network of leaders across the public, private, and nonprofit sectors to change how they design, manage, and program urban spaces. He shares some of the ways local projects and efforts have benefited from sharing ideas and best practices with other cities, and how data is being used to drive decision making and activations for the future. Local collaborators include Innovate Memphis, Memphis Parks, Public Libraries, and place-based organizations, including Bloom, The Heights CDC, Memphis River Parks Partnership, and Overton Park Conservancy. George wraps up talking about what makes him excited for 2025 and his encouragement for everyone to enjoy some of the many exciting things taking place this year in the public spaces across the Mid-South.Visit https://civiccommons.us/ to learn more about Reimagining the Civic Commons.
A live one from Detroit with adrienne and Dr. Ayana Elizabeth Johnson who is a marine biologist, policy expert, writer, and teacher working to help create the best possible climate future. Ayana is the host of the podcast, What If We Get It Right? The conversation and moderated by Orlando P. Bailey of Outlier Media. This conversation was hosted by Urban Consulate, supported by the Kresge Foundation. This episode was produced and edited by Nora Saks and Dr. Ayana Elizabeth Johnson with recording help in Detroit from Afrochine. It is also being released on the podcast adrienne co-hosts with her sister, autumn brown, called How to Survive the End of the World. --- TRANSCRIPT --- SUPPORT OUR SHOW! - https://www.patreon.com/Endoftheworldshow --- HTS ESSENTIALS SUPPORT Our Show on Patreon https://www.patreon.com/Endoftheworldshow PEEP us on IG https://www.instagram.com/endoftheworldpc/
Uranium Mining in Northern Saskatchewan: What You Need To Know Part 3―Health Impacts of Uranium Mining on Indigenous Bodies Join host Beverly Andrews, Dr. Dale Dewar, and Professor Douglas Brugge for a deeper dive into information on the human health impacts of uranium mining. Dr. Dale Dewar is a co-author with Florian Oelck of From Hiroshima to Fukushima to You. She is an associate professor in the Department of Family Medicine at the University of Saskatchewan, an active member of the International Committee of the Society of Rural Physicians of Canada, a two-term member of the Canadian Friends Service Committee, and the former Executive Director of Physicians for Global Survival. An anti-nuclear activist since the 1980s, she has published articles and spoken at conferences about nuclear proliferation. Douglas Brugge, Professor & Chair at the Department of Public Health Sciences at the University of Connecticut School of Medicine - Doug Brugge has a Ph.D. in cellular and developmental biology from Harvard University and an MS in industrial hygiene from the Harvard School of Public Health. He is Professor and Chair of the Department of Public Health Sciences at the University of Connecticut School of Medicine. For over a decade, he has directed the Community Assessment of Freeway Exposure and Health, a series of community-based participatory research projects funded by NIEHS, NHLBI, NLM, EPA, HUD and the Kresge Foundation. CAFEH has about 200 publications, including over 50 on traffic-related ultrafine particle pollution and their association with health. He has worked in community collaborations with many neighbourhoods. This podcast episode was edited and produced by Beverly Andrews. This podcast was created from a live-stream webinar previously broadcast on Keepers of the Water's YouTube and Facebook channels on February 27th, 2024
Obama surprises Kresge Foundation guests celebrating centennial at DIA Massive DTE battery storage project aimed at a cleaner-energy future for Michigan Flint golfer Willie Mack III hopes for 'special week' after qualifying for U.S. Open
The Kresge Foundation celebrated its 100th anniversary Tuesday night with a special event at the Detroit Institute of Arts. The highlight of the evening was a conversation between Kresge Foundation President Rip Rapson and a surprise special guest — former President Barack Obama. Plus, Detroit teachers union is looking for a new deal, and more. the highlight of the evening was a conversation between Kresge Foundation President Rip Rapson and a surprise special guest — former President Barack Obama. Do you have a community story we should tell? Let us know in an email at detroiteveningreport@wdet.org.
The following is a conversation between Rip Rapson, President & CEO of The Kresge Foundation, and Denver Frederick, the Host of The Business of Giving. The Kresge Foundation is a private national foundation that seeks to expand opportunities in American cities through grant making and social investing in arts and culture, education, environment, health, human services, and community development. Based in metropolitan Detroit, the foundation is celebrating its centennial anniversary this year. And here to discuss that and more with us is Rip Rapson, the president and CEO of the Kresge Foundation.
Embark on a fascinating exploration of the cinematic journey led by Jhayla Mosley, a talented narrative and commercial director whose roots extend from Nebraska to the vibrant cityscape of Detroit. This episode delves into the remarkable trajectory of Mosley's career, starting from her formative years at the University of Detroit Mercy, where she not only honed her skills but also became a force on the Track Team and engaged with the Black Student Union.Jhayla Mosley's narrative unfolds through her numerous accomplishments, including the prestigious 2022 Gilda Award from The Kresge Foundation. Her journey, marked by projects like the feature film "The Letter" and impactful commercials for major entities such as BET Awards and Netflix's "Family Reunion Season 3," reveals a director deeply committed to portraying the richness and diversity of the Black experience.Beyond her impressive portfolio, Mosley envisions a future where commercial filmmaking becomes more inclusive, especially for minority-owned businesses. Her passion for telling stories that resonate nostalgically while authentically reflecting her community's essence sets her apart as a creative visionary with a profound impact on the cinematic landscape.Join us for an in-depth conversation as we navigate through the artistic landscape crafted by Jhayla Mosley, a self-starter who passionately undertakes projects from inception to distribution. Discover the underlying narratives, challenges faced, and triumphs achieved by this emerging director, as she endeavors to reshape the cinematic narrative, one project at a time.Jhayla Mosley's Instagram: https://www.instagram.com/jhaylaa/Jhayla Mosley's IMDB: https://m.imdb.com/name/nm11096448/Jhayla Mosley's LinkedIn: https://www.linkedin.com/in/jhaylamosley2019Visual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante
This year, the Kresge Foundation re-introduced us to a prolific metro Detroit artist who connected imaginative abstract motion and ideas with stories and images of Latino and Indigenous people. Nora Chapa Mendoza is a self-taught painter who established her career in Detroit. She is the 2024 Kresge Eminent Artist, for her life of achievements on the canvas and in advocacy. GUEST: Nora Chapa Mendoza - painter, educator and activist ___ Looking for more conversations from Stateside? Right this way. If you like what you hear on the pod, consider supporting our work.See omnystudio.com/listener for privacy information.
In this episode of The Measure, Chantel Rush Tebbe, Managing Director of the American Cities Program at the Kresge Foundation, shares insights on navigating power dynamics, the importance of community-driven solutions, and her personal journey shaped by familial experiences, illustrating the complex interplay between place, race, and systems change.
Welcome to the second episode of the Imaginal Cells of the Solidarity Economy: Democratizing Power. This a special series of episodes that we've been sharing over the summer until Cities@Tufts officially resumes for our fourth season in the Fall. Over the course of our lecture series, we've talked a lot about the crucial role that community plays in building alternatives to capitalistic models of access, resource distribution and social equity. We are living through a historic moment where the common crises - from climate change to the erosion of democracy, virulent racism and fascism — are constantly emerging and evolving. It's without blame, and fairly common, to get trapped in a kind of hopelessness that another world is attainable in the face of ever-growing systems of oppression. But we believe two things. Not only that another world is possible, but that it's often already here. We believe that the world that our planet and everyday people need is often within reach, waiting for us to take hold, take root, take action and to re-shape our everyday lives through radical collaboration, collective activism and a world of care. This week we are joined by Hillary Renick, Kristania De Leon, and Naveen Agrawal to hear about different ways that power is being democratized - in finance, in municipal or community governance, and in recognizing traditional ecological knowledge (TEK) for resource management. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistant Deandra Boyle. Roame Jasmin is our producer, Robert Raymond is our audio editor, the graphic recording was illustrated by Anke Dregnet, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
Learn more about the UIA by visiting: Website LinkedIn Twitter YouTube Facebook This week's episode is sponsored by Mainstay, a student retention and engagement tool where you can increase student and staff engagement with the only platform consistently proven to boost engagement, retention, and wellbeing. To learn more about Mainstay, click here. --- Send in a voice message: https://podcasters.spotify.com/pod/show/innovationalliance/message
Urban agriculture has a long and diverse history throughout the world. Its health, social, and economic benefits for communities have been the subject of many studies and advocacy efforts seeking recognition of urban food production as a legitimate use of city space and as “real” agriculture. In the US, the past decade has seen policy support for urban food production expand at multiple scales of governance. At the same time, new forms of high-tech, commercial urban agriculture have emerged, often funded through private investment and venture capital. Understanding the implications of these shifts for racial and economic inequity, within the broader US context of social inequality, is important in designing and implementing more socially just urban agriculture policies. In this talk, Kristin Reynolds discusses recent evolutions in urban agriculture practices and policy, their implications for racial and economic equity, and her current work to inform more socially just urban agriculture policy through her Food and Social Justice Action Research Lab. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Sign up here for our next lecture on October 25th: "How to Fight a Mega-Jai" presented by Maya Singhal. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Deandra Boyle and Muram Bacare. Roame Jasmin is our producer, Robert Raymond is our audio editor, the original portrait of Kristin Reynolds and the graphic recording was illustrated by Anke Dregnet, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
Welcome to the third episode of the Imaginal Cells of the Solidarity Economy: Democratizing Power. This a special series of episodes that we've been sharing over the summer until Cities@Tufts officially resumes for our fourth season in the Fall. We are living through an historic moment where a number of crises-- climate change, growing economic and cultural divide, virulent racism, and the slide toward fascism--are converging. This makes for scary times but also times that are ripe with potential for fundamental system change. As the faith in the status quo is shaken, we're seeing a greater openness to post-capitalist futures such as the solidarity economy. This webinar series on The Imaginal Cells of the Solidarity Economy will showcase the myriad ways that solidarity economy practices are providing models and pathways to build a more cooperative, democratic, equitable, and sustainable world--one in which many worlds fit. This week we are joined by David Cobb, Lydia Lopez, Jyoung Carolyn Park, Kali Akuno, and Petula Hanley to hear about how to use/influence public policy advance individual policies as part of a coherent strategy to democratize the entire economy. The webinar series on The Imaginal Cells of the Solidarity Economy showcases the myriad ways that solidarity economy practices are providing models and pathways to build a more cooperative, democratic, equitable, and sustainable world — one in which many worlds fit. Brought to you by Shareable, Resist & Build's SE Narrative Circle, the U.S. Solidarity Economy Network, and the New Economy Coalition. Don't forget to sign up for the next Cities@Tufts event on October 4th when Kristin Reynolds will present: Urban Agriculture, Racial and Economic Equity: Action Research for Food and Social Justice Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistant Deandra Boyle. Roame Jasmin is our producer, Robert Raymond is our audio editor, the graphic recording was illustrated by Anke Dregnet, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
Carlton Turner understands that when you can't feed yourself the imagination is the first thing to go And if you can't "see" a different future you can't make change. Sipp Culture is about feeding both the body and the mind's eye. BIOCarlton Turner is an artist, agriculturalist, researcher, and co-founder of the Mississippi Center for Cultural Production (Sipp Culture). Sipp Culture uses food and story to support rural community development in his hometown of Utica, Mississippi where his family has been for eight generations. He currently serves on the board of First Peoples Fund, Imagining America, Project South and the National Black Food and Justice Alliance. Carlton is a member of the We Shall Overcome Fund Advisory Committee at the Highlander Center for Research and Education and is the former Executive Director of Alternate ROOTS and is a founding partner of the Intercultural Leadership Institute.Carlton is a current Interdisciplinary Research Fellow with the Robert Woods Johnson Foundation and was named to the Yerba Buena Center for the Arts YBCA100. He is also a former Ford Foundation Art of Change Fellow and former Cultural Policy Fellow at the Creative Placemaking Institute at Arizona State University's Herberger Institute for Design in the Arts.Carlton Turner is also co-founder and co-artistic director, along with his brother Maurice Turner, of the group M.U.G.A.B.E.E. (Men Under Guidance Acting Before Early Extinction). M.U.G.A.B.E.E. is a Mississippi-based performing arts group that blends of jazz, hip-hop, spoken word poetry and soul music together with non-traditional storytelling. His current work is River Sols, a new play being developed in collaboration with Pangea World Theater that explores race, identity, class, faith, and difference across African American and South Asian communities through embodiment of a river.He is also a member of the Rural Wealth Lab at RUPRI (Rural Policy Research Institute) and an advisor to the Kresge Foundation's FreshLo Initiative. In 2018, Carlton was awarded the Sidney Yates Award for Advocacy in the Performing Arts by the Association of Performing Arts Professionals. Carlton has also received the M. Edgar Rosenblum award for outstanding contribution to Ensemble Theater (2011) and the Otto René Castillo Awards for Political Theatre (2015).Notable MentionsSIPP Culture: The Mississippi Center for Cultural Production is an approach and resource for cultivating thriving communities. Based in the rural South, “Sipp Culture” is honoring the history and building the future of our own community of Utica, MS. Sipp Culture supports community development from the ground up through cultural production focused on self-determination and agency designed by us and for us. We believe that history, culture, and food affirm our individual and collective humanity. So, we are strengthening our local food system, advancing health equity, and supporting rural artistic voices – while activating the power of story – all to promote the legacy and vision of our hometown.Octavia Butler: OCTAVIA E. BUTLER was a renowned African American author who received a MacArthur “Genius” Grant and PEN West Lifetime Achievement Award for her body of work. Born in Pasadena in 1947, she was raised by her mother and her grandmother. She was the author of several award-winning novels including PARABLE OF THE SOWER (1993), which was a New York Times Notable Book of the Year, and PARABLE OF THE TALENTS (1995) winner of the Nebula Award for the best science fiction novel published that year. She was acclaimed for her lean prose, strong protagonists, and social observations in stories that range from the distant past to the...
The tour stops in Detroit to highlight how advocates are expanding quality child care and education options for Michigan families; and how they're advancing historic state investments in child care by promoting early childhood education as a public good, not a private benefit. We meet panelists Denise Smith, the implementation director for Hope Starts Here, a coalition and framework to transform early childhood education and services in Detroit; Danielle Atkinson, founder of Mothering Justice, a leadership development and advocacy organization; and State Senator Mallory McMorrow, the Senate Majority Whip who is serving her second term in the Michigan Senate. The three panelists speak with host Gloria Riviera about centering the experiences of mothers of color in the work of improving early childhood education and about the importance of seeing state funding for child care expansion as an investment in Michigan's future. Show Notes Presented by Neighborhood Villages. Neighborhood Villages is a Massachusetts-based systems change non-profit. It envisions a transformed, equitable early childhood education system that lifts up educators and sets every child and family up to thrive. In pursuit of this vision, Neighborhood Villages designs, evaluates, and scales innovative solutions to the biggest challenges faced by early childhood education providers and the children and families who rely on them, and drives policy reform through advocacy, education, and research. This season was made possible with generous support from Imaginable Futures, a global philanthropic investment firm working with partners to build more healthy and equitable systems, so that everyone has the opportunity to learn and realize the future they imagine. Learn more at www.imaginablefutures.com This episode is made possible through the sponsorship and support of the Kresge Foundation. We'd also like to thank the Marygrove Conservancy for hosting our live event in their beautiful space. Check out these resources from today's episode: Visit Mothering Justice to learn about the work of centering the experiences of mothers of color in social change and policymaking. Learn more about Hope Starts Here's work with residents to identify priorities for the city's early childhood development system. Laugh, cry, be outraged, and hear solutions! Join our community: https://www.facebook.com/groups/nooneiscomingtosaveus. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium. Click this link for a list of current sponsors and discount codes for this show and all Lemonada shows: https://lemonadamedia.com/sponsors/. Stay up to date with us on Twitter, Facebook, and Instagram at @LemonadaMedia. For additional resources, information, and a transcript of the episode, visit lemonadamedia.com.See omnystudio.com/listener for privacy information.
“Detroit has a soul… that's the power of it to me. It's very unique and very progressive in so many ways.” – Carmen N'Namdi Detroit is a Phoenix – its fire is lit through human diversity – its ideas and creativity define its possibility and future. This final chapter brings together multiple narratives to spread the wisdom of the “D” far beyond the Motor City… Featuring the voices of: Carmen N'Namdi, Sandra Turner-Handy, Anthony Benavides, Kwaku Osei Bonsu, Pam Esshaki, Abdul ‘Duke' Fakir, Penny Bailer, Shirley Birch, Kirk Mayes, Ayesha Ghazi Edwin, Fatou-Seydi S. Sarr, Rashida Tlaib, Larry Austin, Rev. Larry L. Simmons, Zina Davis, Pamela Good, Bryan C. Barnhill II, John J. George & Charles McGee. – All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Sound Design: Sarah Myles Podcast Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
“Detroit is America. I'll keep fighting for it.” – Rochelle Riley Detroit's unique identity creates opportunities for its residents to reimagine and create a new vision of belonging… built from the ashes of post–industrial decline, its people display a gritty vision of a future sculpted from hard won victories of hustle and resilience. Featuring the voices of: Zina Davis, Carlos Neilbock, Lauren Hood, Eric L. Miller, Ozzie Rivera, jessica Care moore, George N'Namdi & Rochelle Riley. – All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Sound Design: Sarah Myles Podcast Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
“Every human being born is powered. It's a matter of enabling and awakening to your power.” – Rev. Larry L. Simmons Faith is active belief and is manifest in the hope that a better future is possible through collaborative engagement. Listen to Detroiters who are inspired by the spiritual to guide them in delivering purpose to the streets, neighborhoods and communities of the city. Featuring the voices of: Rev. Larry L. Simmons, Maria Anita Salinas, Martin Herman, Lisa Johanon, ShaCha Geronimo, Shaffwan Ahmed & Dawn Dandridge. – All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Sound Design: Sarah Myles Podcast Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
“Big up to everybody in Detroit that's making an impact or trying to make an impact, even the ones we don't see.”– Larry Austin From the sidewalk to the local grocery store everyday people in Detroit create opportunities for us to witness the extraordinary transformation in our societies built by those who just do… accolades, titles & awards don't drive these people… their vision is a society where service is the norm and creating space for others to thrive is the only reward that counts. Featuring the voices of: Matthew Naimi, Michele Marie Oberholtzer, Efe Bes, Bernita Williams Bradley, Dr. Truman Hudson, Mark Wallace, Noura Ballout & Larry Austin. All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Sound Design: Sarah Myles Podcast Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
“Being silent in Detroit is not an option.” – Rashida Tlaib What leads us to acts of service? Purpose can be the foundation of the change we wish to see. In Detroit those who choose to serve and elevate others, advocate for community equity, and inspire action for a better tomorrow define the spaces where significant societal change is created. Featuring the voices of: Rashida Tlaib, Crystal Bernard, Chase L. Cantrell, Misha Stallworth, Shannon Smith & Ayesha Ghazi Edwin. All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Sound Design: Sarah Myles Podcast Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
"Speramus meliora; resurget cineribus"– We hope for better things; it will rise from the ashes – Motto of the City of Detroit Survival is life in Detroit. In the face of multiple challenges the people of the city continue to stand tall. The city's collective resilience is unwavering. The narrative of the city is defined by its north star: self–determination. Featuring the voices of: Bryan C. Barnhill II, Natasha T. Miller, Mary A. ‘Lisa' Franklin, Marsha Battle Philpot / Marsha Music, Deborah Love-Peel, Shamayim ‘Shu' Harris & Terrence West. All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Sound Design: Sarah Myles Podcast Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
“Culture is not complete if you don't have all the components in it. You have to have the dance, the music, the language, the taste, and the feel.” – Fatou–Seydi S. Sarr The human desire to express our ideas through creative practice is one of the bedrocks of the City. Detroit has navigated its many pasts and its most hopeful future through the power of spoken word, jazz, motown and techno, painting, poetry and sculpture – the city is built on a creative freedom that defines its every heartbeat. Featuring the voices of: jessica Care moore, Chazz Miller, Scott Hocking, Tiffany D. Brown, Fatou-Seydi S. Sarr & Marcus Elliot. All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Sound Design: Sarah Myles Podcast Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
Rip Rapson, CEO of the Kresge Foundation, and Richard Florida, urbanist and author of “Rise of the Creative Class,” speak with Crain's Managing Editor Michael Lee about Detroit's advantages and disadvantages in a transforming economy.
“When there's someone in need, there are those that respond.” – Pamela Good Knowledge and education are the roads to self–discovery and understanding a world beyond. In Detroit the challenge to celebrate the written word and build a new landscape of universal literacy takes many forms… in this chapter seasoned campaigners and visionary youth leaders explore the spaces where they seek to have real impact across the city. Featuring the voices of: Pamela Good, Khali Sweeney, Pashon Murray, Elijah Craft, Shanel Adams & Olivia Janise Danielle Wheat. All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Sound Design: Sarah Myles Podcast Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
We have a special series of episodes that we'll be sharing over the next few months between now and when Cities@Tufts officially resumes for our fourth season in the Fall. Over the course of our lecture series, we've talked a lot about the crucial role that community plays in building alternatives to capitalistic models of access, resource distribution and social equity. We are living through a historic moment where the common crises - from climate change to the erosion of democracy, virulent racism and fascism — are constantly emerging and evolving. It's without blame, and fairly common, to get trapped in a kind of hopelessness that another world is attainable in the face of ever-growing systems of oppression. But we believe two things. Not only that another world is possible, but that it's often already here. We believe that the world that our planet and everyday people need is often within reach, waiting for us to take hold, take root, take action and to re-shape our everyday lives through radical collaboration, collective activism and a world of care. This week we are joined by some pretty amazing guests as part of the Imaginal Cells of the Solidarity Economy webinar series, giving us some insight about how post-capitalist models of survival and sustainability are constantly being created by communities all over the country, addressing some of the most critical issues we face everyday — such as housing, childcare, food access and sovereignty. We'll be hearing from Minnie McMahon, of the Dudley St. Neighborhood Initiative, a community-led housing and land trust in Boston. We'll hear from Mindy Barbakoff of Childspace, a worker-owned childcare center in Philadelphia. And we'll also hear from Amaha Selassie of Gem City, a food cooperative in Dayton, Ohio. All Moderated by Steve Dubb of the Nonprofit Quarterly Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistant Deandra Boyle. Roame Jasmin is our producer, Robert Raymond is our audio editor, the graphic recording was illustrated by Anke Dregnet, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
“Our strength is stronger when we work together.” – John J.George Detroit is a city where knowledge of the past fuels today's reimagining – an evolution built from strength and a creative, mobilization of community. In this Chapter, Detroiters focus on their love, understanding, and commitment to the city – a passionate collaboration to create a meaningful future for their children, families and neighborhoods. Featuring the voices of: Jamon Jordan, Hanan Ali Yahya, John J. George, Monica Lewis Patrick & James Feagin. – All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Original Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Executive Producer: Sarah Myles Production Support: Dani Linder Rethink Audio Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
“Community is people watching your rhythm” – Satori Shakoor Detroit: A city of deep history, a people driven by resilience and hustle – experience the city through the diverse voices of its people, understand and immerse yourself in the city's personality through the purpose–driven narratives shared by Detroiters. Featuring the voices of: Satori Shakoor, Giizhigad/Christy Bieber, Adnan Charara, Suzy Villarreal-Garza & Kirk Mayes. – All sound recordings were created in the City of Detroit during the production of the limited edition book i.Detroit – a Human Atlas of an American City, available here. ISBN 978-1-9163668-0-0. The Intersections podcast honors the lives and voices of the 100 Detroiters, listed below, who were nominated by their peers to be included in i.Detroit, whose trust, love and participation created this work. Dedicated to Detroit artist and visionary Charles McGee (1924 – 2021) – Producer: LaToya Cross Narrator: jessica Care moore Original Music: Marcus Elliot, Efe Bes & Brian Eno Funding President: Rip Rapson Funding Partner: Wendy Jackson Executive Producer: Mark Davidoff Recordings in Detroit: Joe Briggs–Price Executive Producer: Sarah Myles Production Support: Dani Linder Rethink Audio Director: Matt Hill Design Director: Jim Sutherland Human Atlas Producer: Camila Pastorelli Human Atlas Creator: Marcus Lyon Support for Intersections and the Human Atlas comes from The Kresge Foundation – working to expand opportunities in America's Cities through grantmaking and social investing. For more information go to kresge.org The 100 i.Detroiters are: Dannah Wilson, Hanan Ali Yahya, Viranel Clerard, Zina Davis, Rashida Tlaib, Ambra Redrick, Natasha T. Miller, Aurelio G. Dorris-Bey, Khali Sweeney, Dwan Dandridge, ShaCha Geronimo ,Veronika Scott, Kwaku Osei-Bonsu, Pashon Murray, Aaron Foley, Michele Oberholtzer, LaKeisha Florence, Mark Wallace, Scott Hocking, Chris Lambert, Chazz Miller, Misha Stallworth, Noah Stephens, Tiffany Brown, Bernita Williams-Bradley, Marcus Elliot, Larry Austin, Matthew Naimi, Chase L. Cantrell, Shamayim ‘SHU' Harris, Zsa Zsa Hubbard, Shannon Smith, Amy Good, Lauren Hood, Kirk Mayes, John J. George, James Feagin, Pamela Esshaki, Satori Shakoor, Cheryl P. Johnson, Efe Bes, Mikel Bresee, Dr. Truman Hudson Jr., Marsha Battle Philpot / Marsha Music, Monica Lewis-Patrick, Jamon Jordan, Larry ‘Gabe' Gabriel, Gary Wozniak, jessica Care moore, Pamela Good, Maria Anita Salinas, Osvaldo ‘Ozzie' Rivera, Alice Thompson, Carlos Nielbock, Dan Carmody, Anthony Benavides, Suzy Villarreal-Garza, Omar Hernandez, Martin Manna, Virgil ‘Al' Taylor, Denise Smith, Jerry Hebron, Rev. Larry L. Simmons, George N'Namdi, Carmen N'Namdi, Penny Bailer, Nora Chapa Mendoza, Crystal Bernard, Phillis Judkins, Martin Herman, Shirley Burch, Charles McGee, Lisa Johanon, Abdul ‘Duke' Kareem Fakir, Lashinda Stair, Giizhigad / Christy Bieber, Adnan Charara, Rochelle Riley, Ayesha Ghazi Edwin, Elijah Craft, Derrick May, Terrence West, Noura Ballout, Cornelius A. Wilson, Fatou–Seydi S. Sarr, Shanel Adams, Arielle Johnson, Mary A. ‘Lisa' Franklin, Jason Wilson, Shaffwan Ahmed, Eric L. Miller, Deborah Love-Peel, Sandra Turner-Handy, James W. Ribbron, Bryan C. Barnhill II, David Massenberg Sr., Consuela Francesca Barber–Lopez, Char'ly Renee Snow, Mayowa ‘Lisa' Reynolds / Mama Mayowa & Olivia Janise Danielle Wheat. © Marcus Lyon 2023
Globally, contemporary cities face seemingly insurmountable challenges such as urban inequality, inadequate infrastructure, climate crisis, and increasingly, threats to democracy. In the face of such challenges, the Dr. Aseem Inam introduces the concept of "co-designing publics" by examining what lies at the potent intersection of the public realm and informal urbanisms. He defines the public realm as interconnected spatial and political networks of public spaces that weave a city together, while informal urbanisms are the transactional conditions of ambiguity that exist between what is acceptable and what is unacceptable in cities. At their intersection are publics, who never simply exist because they are always created. In fact, publics are co-designed [i.e. co-created in inventive and multifarious ways] around common concerns or desire through volitional inquiry and action. He contextualizes these discussions by paying particular attention to the cities of the global south, because place matters in shaping urban thinking and practice. There is an increasing interest in thinking and practicing from cities of the global south rather than just about them. He then describes how these ideas are being further investigated through case studies in cites around the world and articulated through interactive events in the Co-Designing Publics International Research Network. He concludes with thoughts on the profound implications of co-designing publics for radical democracy and transformative urbanisms. In addition to this audio, you can watch the video and read the full transcript of their presentation on Shareable.net – while you're there get caught up on past lectures. This is the last episode of this semester — but don't fear, in the break we'll be sharing a new series focused on The Imaginal Cells of the Solidarity Economy which will showcase the myriad ways that solidarity economy practices are providing models and pathways to build a more cooperative, democratic, equitable, and sustainable world--one in which many worlds fit. This series is co-presented by the Resist & Build's SE Narrative Circle, the U.S. Solidarity Economy Network, the New Economy Coalition, and Shareable — the first event focusing on Community Ownership is happening live on Wednesday, May 17th at 2pm EST. Click here to register for a free ticket. We'll also share the recording of the live event here on this feed — so stay tuned if you miss the event or want to listen to it again. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Deandra Boyle and Caitlin McLennan. Roame Jasmin is our producer, Robert Raymond is our audio editor, the original portrain of Aseem Inaam was illustrated by Caitlin McLennan, the graphic recording was illustrated by Anke Dregnet, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
Distilled into a four-step framework, Results is the much-needed implementation guide for anyone in public service, as well as for leaders and managers in large organizations hamstrung by bureaucracy and politics. With a broad range of examples, Baker, a Republican, and Kadish, a Democrat, show how to move from identifying problems to achieving results in a way that bridges divides instead of exacerbating them. They show how government can be an engine of positive change and an example of effective operation, not just a hopeless bureaucracy. Results is not only about getting things done, but about renewing people's faith in public service. Demonstrating that government can work, is vital to ensuring the future of our democracy. The goal of this book is to demonstrate just that! This talk will invite Steve Kadish and Dr. Kellerman to discuss the book and other relevant insights to collaborative governance and change-making. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Deandra Boyle and Caitlin McLennon. Roame Jasmin is our producer, Robert Raymond is our audio editor, the original portrain of Yasminah Beebeejaun was illustrated by Caitlin McLennan, the graphic recording was illustrated by Anke Dregnet, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
European cities have increasingly highlighted diversity as a marker of their progressive status. A growing field of research argues that “super-diverse” neighborhoods exemplify a normalization of ethnic and racial difference as a positive facet of everyday life. However, contemporary manifestations of urban diversity cannot be disentangled easily from the European colonial legacy that underlies a series of racial and spatial imaginaries. In this talk Yasminah Beebeejaun argues that the claimed reconfiguration of European cities as sites of normative diversity obscures the ongoing epistemological framing of Europe as white. Turning specifically to British cities Professor Beebeejaun will illustrate how colonial racial narratives underpinned postwar urban planning and development and had profound consequences for the racialization of urban space. Professor Beebeejaun argues that the European planning discipline must engage in a much more fuller engagement with its own colonial and racial history in order to reconceptulize what progressive urban diversity might look like. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Deandra Boyle and Caitlin McLennon. Roame Jasmin is our producer, Robert Raymond is our audio editor, the original portrain of Yasminah Beebeejaun was illustrated by Caitlin McLennan, the graphic recording was illustrated by Anke Dregnet, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
Erin Patten graduated from UT Austin with a BBA in Marketing and a BA in Plan II Honors in 2007. She then she worked in the New York City fashion industry at luxury department stores Bergdorf Goodman and Lord & Taylor in fashion styling and marketing roles. Erin also mentored first-generation college students and served on the mentor leadership board of the non-profit organization, America Needs You. Erin graduated with a dual Master's degree in Business Administration and Public Policy from Harvard Business School and Harvard Kennedy School of Government in 2015. She then worked at the Kresge Foundation as a Special Assistant to the CEO focusing on expanding opportunities for low-income populations in Detroit and New Orleans. Her Kresge Fellowship also included a year as acting Director of Ponyride Detroit, a non-profit dedicated to supporting creative and social entrepreneurs. Erin was appointed as the first woman and person of color to the Chair position of the McCombs BBA Alumni Advisory Board in 2016. And was invited to serve as the distinguished alumni speaker for the 2021 BBA Commencement ceremony. In 2017, Erin launched a plant-based hair product collection that was met with rave reviews and featured in Macy's stores. Most recently, Erin aka "Master EL" leads The MetaBusiness World, a metaphysical management consultancy whose mission is to unlock the energetic potential of individuals and the teams they serve to experience a leveling up in consciousness that inspires more successful, creative and socially aware organizations. Connect With Erin Here: Social Media links: IG: @themetabusinessmillennialpodcast @iamerinpatten Register for the 21 DAY MANIFESTATION SUMMIT RECOMMENDED READ OF THE MONTH: Think And Grow Rich Leather Copy Think And Grow Rich Paperback
BIPOC communities are most likely to bear the effects of climate change, but BIPOC-led environmental justice groups are severely underfunded in climate philanthropy. In this episode, Abdul Dosunmu of the Climate Funders Justice Pledge talks about his group's aim to challenge big donors to give more equitably.(PDF transcript)(Active transcript)Text transcript:David RobertsWhether it's suffering the effects of fossil fuel pollution or fighting back against it, black, indigenous, and people of color (BIPOC) are on the front lines of climate change. Yet they are starved for resources. More than a billion dollars a year goes toward climate philanthropy, but of that amount, little more than 1 percent goes to BIPOC-led environmental justice groups.The two-year-old Climate Funders Justice Pledge, run by the Donors of Color Network, is trying to change that. It challenges big donors to a) be more transparent about where their grants are going, and b) within two years of signing the pledge, raise the amount going to BIPOC-led groups to 30 percent.The pledge, featured in a just-released report from Morgan Stanley and the Aspen Institute on how to increase the impact of climate philanthropy, has already led to more than $100 million in annual commitments to BIPOC-led groups.I talked with Abdul Dosunmu, who runs the pledge campaign, about why BIPOC leadership is important to the climate fight, how transparency changes the behavior of foundations, and how to improve the relationship between environmental justice groups and big funders.Alright. Abdul Dosunmu. Welcome to Volts. Thank you so much for coming.Abdul DosunmuThank you so much for having me.David RobertsThis is an interesting topic to me with lots of ins and outs, but let's start with just, I'd like to get a sense of what is the pool of philanthropic money available to climate and environmental organizations? And then how much of that currently is going to EJ groups?Abdul DosunmuThe Morgan Stanley-Aspen report, that we were honored to be part of, and was just released really details a stark challenge in terms of what the author of the report, Randall Kempner, says is both the quantity of climate philanthropy and the quality of climate philanthropy. So, on the quantity side, according to the report, only about 2% of all global philanthropy is focused on climate.David RobertsThat's wild to begin with, honestly.Abdul DosunmuInsanely wild. And what's interesting about that, what's hard to square about that is the fact that if you ask philanthropists how urgent the crisis is, 85% of them say it's extremely urgent. So they're talking one game but walking another game.David RobertsRight.Abdul DosunmuSo, of all global philanthropy, only about 2% is focused on climate. And then of that 2%, only about 1.3% of it is focused on BIPOC-led environmental justice organizations. So if you think about the quantity versus quality framework that Randall has, the Morgan Stanley-Aspen report is really focused on the quantity side of it. The climate funders justice pledge, which I lead, is focused on the quality side of it.David RobertsRight. We'll get to that in just one second. I got a bunch of questions about that, but I just want to in terms of quantity, do we know that 2% that goes to climate related stuff. Do we know what that number is? I don't have any sense of scale at all.David RobertsIs that a billion dollars? A few million?Abdul DosunmuSo our data, and I'm not sure Randall goes into this in the report, but our data is really focused on about 1.3 billion or so of climate funding.David RobertsGot it.Abdul DosunmuSo we're looking at single digit billions. But we also know that in recent years, frankly in recent weeks, that number is steadily escalating as new Climate Funders come onto the scene with last names like Bezos, and Powell, Jobs, and others. And so we really don't have a solid sense of what that new number is.David RobertsRight.Abdul DosunmuBut in terms of the 1.3% number that we focus on at CFJP, we're looking at about 1.34 billion of that which was awarded to National Climate Funders. And of that, only about 1.3% is going to BIPOC-led environmental groups.David RobertsSo that's less than 20 million. Say something in that neighborhood, right?Abdul DosunmuAbsolutely.David RobertsOne other distinction on this is I know that there is giving that gets categorized under EJ activities, which is separate from money actually going to EJ led groups.Abdul DosunmuThat's right. So that's a critical distinction, and you've really just jumped in on the core part of the work that I do. We believe that it's important that EJ work is funded when it is BIPOC-led just as much as it's funded when it's not. And currently what we have is a system where EJ work led by communities of color, conceptualizing communities of color is not funded at the same scale that other work might be funded. And the reality of that is that there are deep consequences because as we often say, the communities that are closest to the problem are closest to the solutions, but they're also the furthest away from the resources.David RobertsSo let's get right into that then. I guess probably a lot of listeners will take this as self-evident, but when you go to big funders, people sitting on big endowments and stuff, and you are trying to make the case that BIPOC-led groups are important to tackling climate change, what's the case? What's the evidence? What do you tell them?Abdul DosunmuWell, we start with a basic concept that says that the climate does not discriminate, people and systems do. And the reason we start there is that we really want to drive them to the data that most of your audience will probably be familiar with around the fact that most frontline communities, the communities that are hit first and worse by the effects of climate change are Black and Brown communities. Most fenceline communities are Black and Brown communities that when it comes to the ways in which this crisis is manifesting itself on the ground and in people's lives, it disproportionately impacts BIPOC communities. So we start there.That if you're actually interested in mitigating the effects of this crisis, by necessity, you would start with BIPOC communities, right? The second piece is if you're actually interested in shifting the systemic landscape that has led to this crisis, you would start with BIPOC communities. And here's what I mean by that. Power differentials in society is what has created the condition for exploitation, extraction, and pollution. It's the power differentials that have created the foundations of this crisis. It's the fact that certain communities have been politically disenfranchised and subjugated and those are also the communities that have been impacted by environmental exploitation and extraction.David RobertsYeah, I feel like this is an important point because sometimes what you hear from, I don't know that they'll say it publicly a lot anymore, but sometimes what you hear in private from climate people is climate is about emissions. And we should attack emissions, right? We should be lowering emissions. And insofar as you are being distracted by other social, like you're mixing your ice cream of peanut butter or whatever, like you're letting your social issues get involved in your emissions issues, you're just going to be less effective at reducing emissions. I think that mindset still has quite a hold on quite a few people.So this point that they're linked is important, I think.Abdul DosunmuYou said. You don't know if people will actually share it publicly. I hear it almost every day.David RobertsSo they still do say it publicly.Abdul DosunmuThey still do say it publicly.David RobertsRight, that there is a sense that you can somehow disconnect the climate crisis from the social and racial inequities that exist in our society, when in fact, the communities that have been the most exploited and the most extracted have been communities that have been denied political voice, right. And they've been BIPOC communities. I often tell the story of a neighborhood in my hometown, Dallas, Texas, called the West Dallas neighborhood. And it's largely Black and Brown, historically has been as a result of housing segregation. And this community was home for 50 years to a lead smelter plant. And this lead smelter plant obviously polluted the environment.Abdul DosunmuIt also poisoned generations of young Black and Brown kids growing up in that community. And it was the political powerlessness of that community, it was the political subjugation of that community that allowed that lead smelter plant to operate with impunity for 50 years. And this is the critical point that we make. It was the rising up of that community. It was the mobilization of that community that ultimately booted that lead smelter plant from the community. And so it's important for us to see that these things are linkedDavid RobertsJust to sort of restate, the whole problem of environmental pollution generally, including climate, is this ability to basically produce waste and impacts that you don't pay for.Abdul DosunmuThat's right.David RobertsBut you can't do that unless there's some community that's disempowered enough that it can't stop you from doing it, right? I mean, the whole setup relies on there being disempowered communities that have no choice but to accept this junk.Abdul DosunmuThat's exactly right. I have a dear friend in the movement, Felicia Davis from HBCU Green Fund, who says we don't just have a climate crisis, we have a power injustice crisis.David RobertsRight. And relatedly, I think, another old piece of conventional wisdom, though, this I think has been changing in recent years. But if you go back I've been doing this for close to 20 years now, and if you go back like 15 years, I think the sort of conventional wisdom was climate is something that educated, affluent, White people worry about because they have the luxury and time to worry about it. And BIPOC communities, vulnerable communities, EJ communities have other things to worry about that are more proximate and more difficult and they don't have time to worry about climate change.And thus those communities are not going to be a big part of a social movement for climate change. And of course, now the data shows that that's wrong, like almost inversely wrong. So what is the level of kind of knowledge and engagement among these communities on the subject of climate change?Abdul DosunmuWell, and this is a key point that I like to make. The first part of that that I would like to deconstruct is this notion that climate is separate from the other issues that impact these communities, right? That in many ways, part of the innovation and the imagination that these communities are bringing to the fight is to recognize the interconnections between climate and housing, climate and labor policy, climate and transportation, right? That they are uniquely positioned to see that climate is connected to a whole range of other systems that decide and define how we live. So that's part of the deconstruction that has to be made.David RobertsAnd you might also say that a White affluent businessman is uniquely positioned to want to not see those interconnections, right? Like there's a lot of incentive not to see them if you benefit from them, basically.Abdul DosunmuRight. There is a desire to focus the fight against the climate crisis on a little intervention here, a little technology here. And the reality is that the crisis is the result of systems that shape how we live. And in order to fight the crisis, we've got to actually change those systems, right? And communities of color are uniquely positioned to be able to understand that and to lead that fight.David RobertsAnd that shows up in the data, and surveys, and polls and stuff. Do you feel like that sentiment, that knowledge is pretty widely dispersed in those communities at this point?Abdul DosunmuOh, absolutely. I think one of the things that we do at CFJP is we actually look at and profile a lot of the movement work that is happening on the ground in communities. And so we're not just talking at a level of theory, we're talking at a level of understanding the movements that are being led by communities of color. So there is a reason that billions of tons of greenhouse gas emissions are disrupted every year by indigenous organizers. There is a reason that it was the BIPOC-led organizations that pushed President Biden on Justice40, and that conceptualized the New Jersey and California environmental justice laws that preceded Justice40.There is a reason that the Climate Justice Alliance, for instance, has had a massive impact on shifting away from extractive energy practices. And so it's important for us to see that we don't need a poll to tell us, all we need to do is look at the work and the organizing that is happening in these communities and see the ways in which it is moving the needle on this conversation.David RobertsYeah, and I'll just say, from my perch, my perspective, like, I remember when the climate bill was being put together back in 2008 and 2009, I don't know if you were unfortunate enough to be in this area when that was happening, but EJ was it wasn't absent, but it was clearly an add on, right? It was like an amendment. It was like a thing you stick on at the end as an afterthought. And it's been remarkable to me just to see, over the years, EJ just becoming much more assertive and having a much bigger place at the table.David RobertsTo the point now that the Democratic, official sort of Democratic Party climate agenda has it right there at the core, and it's included in a lot of these Inflation Reduction Act grants. So it's like night and day in terms of the engagement on both sides. To me, obviously there's a long way to go, but I've seen the change.Abdul DosunmuThat's absolutely right. And that change was led by BIPOC-led organizations. And here's why that's important, right? Obviously, you know this better than I do. We're dealing with a movement that has historically excluded and alienated the voices of People of Color. And there are organizations out there that are doing this work around diversity, equity, and inclusion in the environmental movement, right? And the data has never been good. It's always been bad. And here's the core point that we make. I draw an analogy. One of my favorite football teams, I'm a great Texan, I'm a great Dallasite.So the Dallas Cowboys, what we're doing right now in the climate movement is the equivalent of the Dallas Cowboys finally making it to the Super Bowl but fielding only about a 10th of a team on the field. That's what we're doing right now in the movement. Our best players, our most imaginative players are not on the field because we have historically excluded them.David RobertsLet's talk about that. So the Climate Funders Justice Pledge, what is it specifically? What is it asking of large philanthropies?Abdul DosunmuSo it's pretty simple, which is not to say that they always receive it as such.David RobertsNot easy. Easy and simple are different.Abdul DosunmuEasy and simple are different. But it's pretty simple. It says two things. Number one, it says commit to transparency. So we call on the nation's top climate funders, primarily institutional funders, so we're talking foundations, big foundations to commit to transparency, right? And what that means is we ask them specifically, "how much of your current climate giving is focused on BIPOC-led environmental justice organizations? Not just environmental justice organizations, but BIPOC-led EJ organizations." And we define that very concretely.We say 50% of your board has to be People of Color, 50% of your senior staff has to be People of Color, and you have to have an explicit mission of serving communities of color. So how much in dollar amounts of your current climate giving is going to BIPOC-led environmental justice organizations? That's a transparency component.David RobertsAnd that information is not available today.Abdul DosunmuIt's not easily available. And to be honest with you, most funders have not asked themselves those questions, right?So one of the things that has been a learning journey for us is actually getting feedback from funders that have taken the pledge. And what they tell us is that for them, the most transformative part of it has been the transparency component because they had never actually looked at the data.David RobertsI bet they're not finding out good things, right? They're not pleasantly surprised.Abdul DosunmuNo, they're not. In the main, they are not pleasantly surprised. I mean, the data is what it is, right, nationally. And part of what we wanted to do with this pledge is we wanted to make that data available to communities and movements so that they could actually hold these funders accountable, right? And so that the funders who are committed to environmental justice can hold themselves accountable. So it matters that a Kresge Foundation, for instance, says, "you know what, what has been most imaginative about this for us is that it has forced us to go internal and look at our data."So that matters. And we don't just ask for the data, and hoard it, or put it in a report that we release annually. We actually post that number on our website. So if you go to our website, you can find that number for each of the funders that have taken the pledge. And then we do a whole bunch of media amplification around it because we actually want communities to organize around this data.David RobertsWhat's a typical number, like Kresge or whatever, once they looked, what are they finding?Abdul DosunmuWell, Kresge is actually, they're an anchor pledger of ours, which is great. And I don't want to misquote their number. If I'm remembering correctly, they were under the 30%, probably in the 20s range. And it's important to note that, again, they have had this as a commitment for a very long time. So actually challenging them to, "okay, let's look at the data," has been super helpful for them.David RobertsInteresting. Okay, so transparency is step one.Abdul DosunmuStep one is transparency. And I actually looked at the number. They're actually at 33%. Let me give Kresge their credit, they're at 33%.David RobertsI'm going to guess that's unusually high.Abdul DosunmuThey are one of the leaders in the field, no question about it. It is very high for the pledgers that we have, and they are making continued strides. So the transparency piece is very important because it allows us to have conversations like this one. "Where is this funder? Where is that funder, and how can we hold them accountable to the commitments that many of them have?" Right? So let me just put a pin in this and say after George Floyd, we saw a number of funders make new commitments around environmental justice, around BIPOC communities. And in the couple of years since, we've seen most of those commitments fade into the background, right?And so this has become a tool that communities can use to actually hold funders accountable to what they say they're going to do.David RobertsGot it.Abdul DosunmuAnd then the second component of the pledge is the 30% requirement. So what we say is after you tell us your number, if you're not at 30% and a good number or not, we challenge you to within two years of taking the pledge to get to 30%. So scale your grant making to at least 30% going to BIPOC-led environmental justice organizations over the course of two years.David RobertsCan I ask where 30% came from? I mean, is it just sounds reasonable or is there something more to it than that?Abdul DosunmuYou know, if you look at it, BIPOC communities, about 40% of the population, what we said was 30% seems like a good floor. It is not intended to be a ceiling. And what we hope to see is that over time, that number is far exceeding 30%. But at least as a floor, 30% felt right to the networks of movement organizers and leaders that we pulled together to help develop this campaign.David RobertsAnd so this funders pledge has been going on for how long, and what's the state of play? Are foundations signing on? How much money have you shifted? How long has this been running?Abdul DosunmuSo you're talking to me pretty much on the eve of our two year anniversary. And so we've been around for a couple of years. And to date, twelve of the Top 40 climate funders have taken the pledge.David RobertsInteresting.Abdul Dosunmu32 foundations overall have committed to at least one portion of the pledge. And so some of them will say we'll do transparency, but we're not quite ready to go to 30%.David RobertsRight.Abdul DosunmuAnd we accept that because sunlight is the best disinfectant.David RobertsYeah, I think you're right that transparency is the big piece here. It's like that dream where you wake up in school, and you're naked in school or whatever, all of a sudden everybody can see ... that alone, I think is going to create a lot of push.Abdul DosunmuRight. Nobody wants to be at the bottom of the list, right. Nobody wants to be in single digits when everybody else is in double digits. And the ones who are in double digits, like Kresge, they want to do better, right? They want to get more shine. They want to tell their story, more impactfully. And so we offer the transparency piece not just as stick, but also as carrot to those who are doing well in this fight, and want to help us tell the story, and amplify the mission. And so what we have seen is that there is momentum around the pledge.And we're very proud to say that we have helped to catalyze a new baseline, funding baseline through the pledge for BIPOC-led organizations of around $100 million in the two years that we have been around. But $100 million is really just a drop in the bucket because right now we're seeing, again, as I said earlier, new funders come into the field every single day.David RobertsWell, this was my very next question, is do we have any sense of what sort of dollar figure we would be talking about if this succeeded, if all the big philanthropies signed on, and if all the big philanthropies actually did it? Do we have any idea sort of like, what the ultimate pool of money is?Abdul DosunmuSo I don't have that hard number, but I can tell you that our campaign has a goal, right? An aim of catalyzing $500 million. So if we could get to $500 million, we feel like we would be radically transforming the possibilities for BIPOC-led environmental justice organizations. But that's going to require that we make the transition, the pivot, from what I would call the legacy funders, right? So legacy funders like Pisces, and Kresge, and Schmidt, and Rockefeller Brothers and Hewlett and ... a number of the ... MacArthur, a number of the others that have Heising-Simon's Energy Foundation, Packard Foundation, a number of those that have taken the pledge.We've got to make the transition from just those to now some of these more entrepreneurial startup funders in the space, like a Bezos, like a Waverley Street, like a Sequoia.David RobertsHave you talked to any of them? I mean, I assume you're reaching out. I guess one of the questions I'm sort of curious about is, is there a big difference in culture that you found between these established groups and the new ones coming in?Abdul DosunmuThere is. We are outreaching every day to the new funders. One of the reasons I make the distinction between legacy and entrepreneurial is that when you're a legacy funder, you have deeper roots in communities because you've been funding them for a long time, or at least you've been giving lip service to funding them for a long time, right? And so you're more susceptible to their accountability, right?David RobertsRight.Abdul DosunmuYou're more accountable to them than a new funder who's coming in, who is somebody who's made a bunch of money in tech and just wants to give it away out of a good spirit and a good heart. But there isn't the same level of connectivity there to communities, and so that has been the biggest challenge. And then the other piece of this is when you're an entrepreneur and you've come in right on the heels of having made a lot of money, a lot of money in business, you tend to think you know how to do things.David RobertsWhat? Tech guys?Abdul DosunmuI know, it's a crazy thought, right?David RobertsYeah. I was going to say I don't want to cast aspersions, or use any stereotypes, but when I think about tech-bros fresh off making billions of dollars like sensitivity to racial justice is not what leaps to mind.Abdul DosunmuWell and they may have the sensitivity, some of them, but they also have the kinds of neurosis that come from having made a lot of money and been very successful, and you think you kind of know everything, right? And so oftentimes they will come into the field and say, "here is what I want to do on climate," and it has no relationship to what communities actually are doing and need to do. That's really probably the biggest culture challenge that we face is that it's both the accountability piece, and it's the part of this that understands that, ultimately, this is a learning experience both for the funder and for the broader field. This is not top down, it's bottom up, and the best solutions come from the bottom up.David RobertsAs you've talked to foundations, have you received any straight up kind of disagreement about your goals?Abdul DosunmuWell, we mostly don't get that, right. We mostly get, "well ... we're going to work on ... " That's my impersonation. "We're going to work on it, and we're going to see, and talk to us in six months and ..." that sort of thing. But every now and then you do just hear "no, we're just not going to do it."David RobertsRight.Abdul DosunmuBut generally that doesn't come from a disagreement with the goals or the objectives of the campaign because it's hard to disagree with the goals and objectives of the campaign. It generally comes from a sense of, "you know what, this is just not part of our agenda. This is not what we do, and we're not going to have anybody external to our organization directing our strategy."David RobertsYeah.Abdul DosunmuAnd so that's generally where most of the resistance comes from.David RobertsIf you imagine a huge new flood of money descending on these groups, over the course of the next two or three years, you can imagine ways that that could go poorly. That's a big disruptive thing. And one of the things I was thinking about is when you talk to these small groups, often what they'll tell you they need is just operating expenses. Like they need to be able to pay decent salaries, right? Just to begin with. Trying to run a whole movement on underpaid people is difficult, and they need sort of just like cost of living, cost of operations, operations money.Abdul DosunmuRight.David RobertsAnd what you often find, or what they tell me they run into when they talk to funders is, of course, funders are wealthy, and therefore overestimate their own cleverness, and often have their own ideas about what they want groups to do. So I worry, like, is this going to be the right kind of support? And you can certainly imagine a big new pot of money coming with a bunch of sort of big footed demands about how these groups do things, right? Like, you can imagine big funders trying to sort of dictate the strategies of these groups rather than listening and learning from them.So I don't know how you go about, I mean, I don't know exactly what I want you to say in the switch, but are we confident that this support is going to be the kind of support that these sort of small struggling groups need most?Abdul DosunmuRight. You are really touching on a critical part of this that our campaign is going to be doing more work on. It hasn't been a core part of it thus far because we really see ourselves as the accountability mechanism in the field, but we do think there's an opportunity for us to engage on these questions. So to start, what we really need is a shift in the culture of philanthropy, right? And so part of that shift is a shift in the "philanthropy knows best" mindset. And we've been talking about that. Part of that shift is a shift in the desire of philanthropy to really dictate all of the terms of engagement. And they do that primarily by focusing most of their grant making on program grants.Right.And so you might get a grant to run a specific program, but you're not going to get a grant to actually scale your organizational capacity.David RobertsRight. This is a notorious complaint from nonprofits across the board from time immemorial, right. They're like, we can get a grant to do a specific thing, but we just need, like, printer paper,Abdul DosunmuRight! "We can get a grant to do a specific thing, but we need to hire people to do the thing, and we need to be able to offer them insurance, health insurance, and we need to be able to keep the lights on in the building." And that is a part of this conversation that, again, we have not touched on, but we see there's an opportunity for us to touch on as we continue to move forward. So those are really the two of the areas where there's room for additional intervention. The other thing I'll say is this. It's a bit of a vicious cycle that these groups are in because they don't get the funding, so they can't build the capacity. And because they don't have the capacity, that lack of capacity is used as a pretext to deny them more funding, right?So it's a vicious cycle. And now we're in a moment where there's some $500 billion coming down from the federal government, on climate related resources. And a lot of that is sort of focused on, or earmarked on a climate justice lens. And we're happy about that, right? We fought for that, the movement organized for that. But the concern that we have now is that because of this disparity in funding and private philanthropy, many of the organizations that are BIPOC-led, that are going after these grants won't be able to successfully compete because they've been locked out of the private funding, right?And so a lot of work is being done on the ground, and movements, and organizations to actually try to help organizations build capacity over time to be able to compete for these new dollars that are coming down and to actually be able to fulfill the spirit of Justice40, but we need more funding to do that, and the private funding market is critical.David RobertsYeah. And another thing I've heard from these groups, these are most often pretty small under-resourced groups. And another thing I've heard is that even the process of applying ...Right ...For these things, is burdensome, and difficult, and expensive. Like, if you're a two, or three, or four person operation, it's nothing for a Kresge to sort of send someone out to hear your pitch. But for you to make the pitch is a lot of hours of labor which you can't really well afford. And I've heard from groups where they say, they'll come consult with us and ask us how to do better in their EJ funding and et cetera, et cetera, and we make these elaborate presentations and then they vanish and we never hear from them again.So I just wonder, are there broader ... you could imagine a regime where a big wealthy funder pays some small stipend to a group to offset the cost of consulting, the sort of free consulting they do, or the cost of applying for grants or something like that. And that would just be can you think of are there larger ways that we need to change the relationship between small EJ groups and big funders, beyond just the monetary beyond just giving them money, in terms of just the kind of social aspects and cultural aspects of their interaction? Are there larger reforms we need in that aspect?Abdul DosunmuHow much time do we have?David RobertsI thought you might have something to say about that.Abdul DosunmuRight. I have the privilege of wearing a bunch of hats in my work.David RobertsYeah, I meant to say, I read your LinkedIn page. I had to take a nap halfway through. You're a busy man.Abdul DosunmuI'm a busy man. I do a lot, and I sit across a lot of different buckets, right. And so on the CFJP side of things, obviously, I'm wearing a bit of a philanthropic hat. We don't necessarily consider ourselves philanthropy, but we're not movement. We're somewhere in between, right. But we definitely wear a philanthropic hat. And then in my other work, I actually lead a grassroots voting organization of Black lawyers and law students. And so on one side of my work, I am challenging funders to do more. And then on the other side of my work, I am living every day the ways in which this system is inequitable toward founders of color and leaders of color.And so I see this from both sides. Really, I think the first place to start in this conversation is with a conversation. And so typically the exchange between funder and organization is a one-way conversation, right. It's a one-way street.David RobertsYeah. Speaking of power differentials.Abdul DosunmuExactly. These broader power differentials in society are being replicated in how foundations engage with organizations. "And so you can apply for a grant if we invite you to apply, we want it in this 60-page application format."David RobertsAnd then you get the grant. And like we need a 60-page report every year.Abdul DosunmuThat's right, "we need the 60-page report every year. Oh, and by the way, you probably won't get the grant in time to actually do the work you need to do with it because we're going to take our time delivering the grant to you, and you interface with us and interact with us when we invite you to."David RobertsRight.Abdul DosunmuThat has to change. And so part of the culture change that you're talking about that so many organizations are advocating for, starts with making that one-way conversation, a two-way conversation, and actually listening to organizations on the ground and having those organizations inform your grant making practices, right?So let me go back to Kresge for a minute. One of the other things that they have said to us has been impactful for them is actually the transformation that the pledge has wrought in their grant making practices, in their day to day grant making practices, and how they engage, and how they interact with grantees.David RobertsSo that just means they've been learning by doing, they've been learning by interacting with these groups?Abdul DosunmuThat's right. That's right. Absolutely. And we've heard that from multiple funders. And so really what has to happen is that the funder has to become a learner, right. And that's what we're pushing through this pledge. We're challenging funders to become listeners and learners and actually hear from the organizations on the ground about what needs to change in their grant making practices in order to be more equitable. And a lot of them are making changes. I think that's really where this starts is the conversation, shifting it from one-way to two-way.And one of the things, by the way, that we have tried to do is that a number of these funders have said, "well, how do I actually get this data? How do I actually get the demographic data information? How do we kind of navigate that?" And what we have done is actually provide resources for them, so that when they're seeking out this data, they're not creating more layers of burden on these groups, right? So we have tried to incorporate that even into our own program.Right, so these groups don't have to sort of do another report on our demographic makeup, et cetera, et cetera. So that's a little bit more public. And it also occurs to me I mean, maybe this is even too obvious to point out, but it also occurs to me that it would be nice if these big funders going to these groups were not like 18th century British royals visiting the islands like strangers in a strange land. Like, it might be nice if they were composed if the makeup of the actual big funders changed.Well, there you go. There you go. I mean, you've made exactly one of the critical points, which is that the work that Green 2.0 and so many other organizations are doing to actually change the makeup of these funders is directly connected to our work. Because you're absolutely right. You should not be visiting these communities as though you're visiting from Mars. You should have people on staff in senior positions who are deeply rooted in these communities, that know the work that's happening, that know the challenges facing these organizations and are directly invested in this work, right? Part of what I have seen in the time that I've been doing this work is that there are so many brilliant folks across the country who are directly and deeply invested in this work, and they are the people who have been laboring in obscurity.They are the people who've been laboring without resources. And in order for this system to change, the system of philanthropy to shift, part of what we've got to do is bring those voices from the outside in and make sure that they actually have the ability to transform these funding institutions. And that last point is critical because it is not enough to have People of Color faces in high places if they do not have the ability to actually engineer change.David RobertsI used to work for a nonprofit. The first journalistic organization I worked for, Grist, was a nonprofit. And especially back when I first started, we were very small. There's like four or five of us. So I became intimately familiar with the grind of begging foundations for money. Luckily, I didn't have to do that part for long, but I saw enough of it. And one thing that just struck me immediately and overwhelmingly is that we were an organization that was specifically targeting young people. We wanted to be sort of irreverent, and funny, and just all these kind of things that appeal to young people.But the people we're talking to and begging for money are, to put it bluntly, White boomers. They're older White people who are not necessarily who you'd go to to learn about what the youth of today want out of a journalistic outlet, right? And so I wonder if you have gotten any sense that younger people in general are hipper to this issue than their elders?Abdul DosunmuIn some ways, yes, and in some ways, no, right. And so what's clear is that younger people just generally understand the climate crisis better than their elders. So we start there, right. You have less of a case to make to younger folks about the urgency of this crisis, but I think it's important for us to be clear that when it comes to age, that does not necessarily portend more enlightenment on racial justice issues.David RobertsYes.Abdul DosunmuAgain, I work in sort of the democracy space, and I think there's always this assumption that the younger the electorate gets, the more progressive it's going to get, just because younger people have grown up in more diverse environments. On some level, I think that is true, but I would not want to bet the house on that. And I think we have to continue to be more intentional about cultivating, even among younger people, an understanding of the racial justice implications of this crisis. And so, as a case in point, I was in Miami for the Aspen Climate Conference last week.David RobertsYes.Abdul DosunmuAnd I did a number of panels during the week, and most of the programming had a climate justice angle to it, right. Most of the speakers referenced it. It was rare that you would sit through an hour long panel, and it wouldn't come up.David RobertsRight.Abdul DosunmuBut I'll be honest, there were still rooms that I walked into where I was the only Black person in the room. And I don't want to put any blame on anybody. This is not me trying to do that. This is not about assigning blame. But it is about recognizing that even among the cool, hip kids who are invested in the climate movement, that investment in racial justice still needs to be intentionally and actively cultivated. And we cannot assume that it is going to happen by osmosis.David RobertsRight.Abdul DosunmuOr that it will happen just because younger people are younger people, right.David RobertsJust because the arc of history right.Abdul DosunmuThe arc of history is long, but it bends towards justice. I firmly believe that. But I also believe that we have to bend it.David RobertsYeah, there's a reason it bends towards justice, because all the people are working to bend it, right?Abdul DosunmuAll the people are working to bend it. And so I think there is more consciousness than ever about climate, and there's more consciousness than ever about racial justice, but we still have to do the work to actually translate that consciousness into action.David RobertsWell said. Well said. Thank you. Abdul Dasumo, thank you so much for coming on. This is very illuminating. I'm glad you took the time.Abdul DosunmuThank you so much for having me. Thank you for the platform. It was an honor to be with you.David RobertsThank you for listening to the Volts podcast. It is ad-free, powered entirely by listeners like you. If you value conversations like this, please consider becoming a paid Volts subscriber at volts.wtf. Yes, that's volts.wtf, so that I can continue doing this work. Thank you so much, and I'll see you next time. Get full access to Volts at www.volts.wtf/subscribe
Public spaces are symbolic urban icons. Cities compete with their public spaces, often using them as tools for commodification to attract capital and labor. At the same time, public space is an expansive common social and material realm and the past decades have erased any doubts of the resurgence of public space in its political form. This is a good time to focus our attention on public space. The climate crisis, the systemic social injustices, and the COVID-19 pandemic demand a rethinking of our largest shared territory. Public space has the capacity, at least in part, to address these crises by being envisioned and manifest as a humane space of community, restoration, and emancipation. In this talk, based on his latest book, Vikas Mehta presents a panoramic view of public space: the inherent paradoxes, as well as the immense possibilities and propositions for a more constructive public space. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
On Today's show we explore how communities respond to extreme weather with Rev. Vernon K. Walker. Research has shown, over and over, how communities that are more connected fare much better doing periods of acute disaster. The more robust relationships and networks of solidarity that exist within communities, the more likely they are to weather the figurative and literal storms that are only increasing in frequency and severity with climate change. In other words, one of the best strategies for climate resilience is social resilience. Rev. Vernon K. Walker is the program director for Climate CREW and was originally born and raised in Philadelphia. Rev. Walker attended Penn State University where he earned a Bachelor of Science degree with a major in Organizational Leadership and a minor in Psychology. After graduating from Penn State University, Rev. Walker attended Boston University and earned a Master Degree in Theological Studies with a focus on community engagement. Rev. Walker is currently earning a Master Degree in Public Policy at Tufts University Department of Urban and Environmental Policy and Planning where he is a 2022 Neighborhood Fellow. Rev. Walker is also a recipient of the Robert Schalkenbach Scholarship for his studies. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation.
In this episode, we are joined by Emily Golding, Executive Director of Amplifier, a nonprofit design lab that builds art and media experiments to amplify the most important movements of our times. Together, we explore the Gratitude Blooming theme of Choice, represented by the spring rose. Emily shares her journey of embodying choice, teaching the joy of choice, and leaning into how ideas incubate in young people. She also discusses the concept of time dignity and how it impacts our well-being with a focus on the importance of setting boundaries and saying "no" in order to create space for our "yes." Emily shares her personal story with balancing work and motherhood, and the importance of taking time for ourselves to nurture our well-being. She also explores the challenges faced by the younger generation, including eco-anxiety and the pressure to constantly be "doing," and offers insights into how we can create a more fulfilling and purposeful life. Read more about Emily and her work here:As an Irish/Latina native of the eastside of Los Angeles, Emily is keenly interested in how the stories we tell shape our collective identity. In her 10+ years in the social impact space, she has collaborated with philanthropists, artists, activists, technologists, journalists, and scholars to launch large-scale media, art, theatre, dance, and film projects that expand our notion of public life. To date, Emily has secured over 17 million in funding from over 100 grantors spanning from the Knight Foundation, the Hewlett Foundation, the Kresge Foundation, the National Endowment for the Humanities, the U.S. Department of State, and global brands like Johnson & Johnson, The North Face, and Louis Vuitton for projects across the United States and Latin America. Program partners have included the U.N., the J. Paul Getty Museum, the Guggenheim Museum, Facebook, and ViacomCBS.Emily is the Executive Director of Amplifier, a design lab that amplifies the most important social movements of our times. Prior to Amplifier, Emily spent seven years running the national grantwriting and comms firm Girasol Consulting, and served as a writing professor at Occidental College. She has served as a panelist for the National Endowment for the Arts' Folk and Traditional Arts grants program and spoken about narrative shift and culture change work at Johns Hopkins University, George Washington University, and on ABC and FOX news. Her writings on politics and culture have been published by Zocalo Public Square and by Harvard University and New York University journals. Emily holds a master's degree in Journalism from Georgetown University and an undergraduate degree in Modern Literature from UC Santa Cruz. In her free time, she enjoys hiking, creative writing, vegan nachos, and adventures in revolutionary motherhood!Check out Amplifier's social media toolkit for the Well + Being campaign!We are co-creating the world we want to live in, and we want to hear from you! Share your feedback with this survey (only takes 30 seconds to complete.)If you enjoyed this episode, please take a moment to leave us a 5-star rating and review. Your feedback is valuable to us and helps us grow.You can also share your thoughts and comments by emailing us at hello@gratitudeblooming.com. We love hearing from our listeners.And don't forget to check out our shop at www.gratitudeblooming.com to help us sustain this podcast (our labor of love). Thank you for your continued support. We appreciate you!
In the decades following the Civil War, recently emancipated people created freedom colonies through intentional and tactical design, ensuring refuge from political repression and violence. However, most freedom colonies were founded in ecologically vulnerable landscapes, making them disproportionately susceptible to flooding and other natural disasters in the present day. This talk tracks the history of displacement and dispossession that has led to the destruction, neglect, or dismantling of communities initially designed to protect African Americans from structural racism. Then the author explains how these communities' unique challenges require new planning and design tools to detect the interplay of historical and contemporary conditions contributing to the cultural erasure of African American placemaking. The Texas Freedom Colonies Project Atlas, the platform the author has developed to map and aggregate sociocultural emplaced data about these disappearing landscapes and crowdsources and spatializes intangible heritage on a publicly available map. The Atlas provides a mechanism by which the public can search, add, and view database contents that make visible previously unmapped or undocumented settlements. The Atlas' stories, images, and documents constitute a collective memory of Black placemaking that enables advocates to argue that these historically significant places are worthy of preservation. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
In this Cities@Tufts presentation, we explore Real Estate for Radicals. A near consensus has developed in the US that there is a housing affordability crisis, it has done so while seemingly circumventing a debate about who deserves housing. The UN Declaration on Human Rights is quite clear on this point: housing is a human right and thus all humans deserve housing. This project, Real Estate for Radicals is case study-based research on affordable community-owned housing — co-ops, community land trusts, communes, and squats and their potential to advance housing as a human right. By studying 5 communities and their residents, this presentation will consider the extent to which these urban housing communities advance the principles of equality, liberation, and justice for the residents and the larger community. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
In this Cities@Tufts presentation, we turn the microphone around and interview Cities@Tufts colloquium host, Julian Agyeman. Join us as Julian reflects on the origins of the series, highlights some of the most memorable moments, and underscores the importance of Cities@Tufts as a cutting-edge, indispensable resource. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
Detroit Future City CEO Anika Goss and the Kresge Foundation's Detroit program managing director Wendy Jackson join the show to discuss the recently released "Detroit Reinvestment Index" survey tracking local and national perceptions of Detroit and its economic growth since 2013. Then, ACLU staff attorney Mark Fancher stops by to discuss the Michigan State Police's recent agreement to an expert investigation into data indicating African Americans being stopped at a disproportionately high rate in the state.
This week on Cities@Tufts, Rashad Williams presents "Three Models of Reparative Planning: A Comparative Analysis." In this presentation we explore reparative planning. As cities and states continue to experiment with reparations for the historical legacies of slavery and Jim Crow, an enduring question remains: how should subnational, particularly municipal, reparations be structured? To be sure, any formulation of reparative planning should certainly address the particularities of local context. More generally, though, reparative planning should -- and as this comparative analysis shows can -- address distributive, moral-symbolic, and structural injustices. In this comparative analysis, I discuss three actually existing models of reparative planning, linking each to debates within social and political theory. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
This week on Cities@Tufts, Loretta Lees presents "Planetary Gentrification: Impacts and Futures". In this presentation, we explore the phenomenon of planetary gentrification. What is it? Where in the world has it occurred geography and spatially? When did it occur? What have the impacts been? And critically — what might its future look like? In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
This week on Cities@Tufts, Jennie C. Stephens presents "Diversifying Power: Why We Need Antiracist, Feminist Leadership on Climate and Energy". In this presentation, we explore why climate policies that are transformative require integrating sacred, humanistic dimensions so that society can move beyond the narrow, patriarchal technocratic lens of climate isolationism that continues to dominate and be ineffective. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
What is planetary gentrification and its tangible effects? Has institutionalized white supremacy led to isolationist attempts at addressing our climate crisis? And could reparative urban planning be the key to addressing distributive, structural injustices? These are just a few of the questions we'll be exploring on Season 3 of Cities@Tufts. Here's a short preview of what we have in store this Fall. Our first live event is Wednesday, October 5th featuring a lecture from professor Jennie Stephens titled “Diversifying Power: Why We Need Antiracist, Feminist Leadership on Climate and Energy”. On October 19th, professor Loretta Lees, whose known as the “Queen of Gentrification,” presents “Planetary Gentrification: impacts and futures” Then on November 2nd, professor Rashad Williams presents “Three Models of Reparative Planning: A Comparative Analysis” And our final lecture this Fall will come from professor Yasminah Beebeejaun presenting “Whose diversity? Race, space, and planning” on November 30th. All lectures start at noon EST on Wednesdays and are followed by a discussion moderated by professor Julian Agyeman. Register for free tickets to join us live by visiting www.shareable.net/cities-tufts where you can also get caught up on the first 2 seasons. If you're looking for educational opportunities for your organization, business, or school, these lectures make excellent ‘lunch and learns.' Contact info@shareable.net to bring a group to one or all of these events. And finally, please hit Subscribe and leave a Rating or Review wherever you get your podcasts, it really makes a difference in helping us expand the audience for this show. We look forward to having you join us for Cities@Tufts Season 3. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
In this episode, Emily Kittrell from NISTS chats with Dr. Drew Koch, CEO of the John N. Gardner Institute for Excellence in Higher Education and co-editor of the recent book, The Transfer Experience. Instead of diving into the specifics of any one project, their conversation offers a broad overview of important lessons learned in nearly 25 years of Gardner Institute's transfer-focused work, including the importance of socially just design, evidence-based improvement plans, and finding a community to support and further your transfer advocacy efforts. About Our GuestDr. Andrew “Drew” K. Koch is the Chief Executive Officer for the non-profit John N. Gardner Institute for Excellence in Undergraduate Education, which he joined in 2010. Prior to coming to Gardner Institute, Drew spent nearly 20 years working in both independent and public postsecondary institutions on student enrollment, access, success, accreditation, learning, and completion efforts with an emphasis on first-generation, low-income, and historically underrepresented students. He has served as the principal investigator or co-principal investigator on more than two dozen grant-funded research projects with support coming from sources such as the Bill and Melinda Gates Foundation, ECMC Foundation, GEAR UP, Kresge Foundation, Lilly Endowment, Lumina Foundation, and the National Science Foundation.Learn more about our guest: https://www.jngi.org/drew-koch Connect with Drew on LinkedIn!Connect with the Gardner Institute on Facebook, Twitter, and LinkedIn!ResourcesThe Transfer Experience - a handbook for creating a more equitable and successful postsecondary systemFoundations of Excellence - Transfer Focus - improve transfer-student success and retention through comprehensive, evidence-based, guided self-study, planning, and implementationCurricular Analytics Community - Transfer CohortSocially Just Design in Postsecondary Education SeriesTulsa Higher Education Consortium ECMC's Catalyzing Transfer InitiativeGrowing Inland Achievement College Futures Foundation Grant#NISTS #TransferPride #TransferSuccess #TransferResearch #TransferAdvocacy #TransferChampion #TNTalks #TransferNationKeep talking with Transfer NationIG: @WeAreTransferNationTikTok: @TransferNationTwitter: @TransferPrideFB Group: Transfer NationEmail: WeAreTransferNation@gmail.comTalk soon!Show CreditsHost | Emily KittrellGuest | Dr. Andrew KochProducers | Sam Kaplan, Brandon RodríguezSound Editing | Abraham Urias
Long time listeners might remember the words split property taxes. The idea being - the city of Detroit's tax burden is only second only to New York City. But, I don't know if you've looked around. We don't have the household incomes, the commerce, or the number of people to support that. We were closer to that many decades ago. But no more. So the idea is to change the code to make it so land speculators and others would get punished, and those who are taking care of and improving their land get rewarded. Now that the city of Detroit has a better handle of its finances and we're not immediately after bankruptcy, maybe it's time for the city leaders to look to the future. What could we do different to truly become more resident-friendly and more competitive for businesses of all sizes? What if we could change the system so there were fewer foreclosures and more people stay in their homes? When we talked about this last, it was more theoretical. Now, there's a new report by the Lincoln Institute of Land Policy and commissioned by some local big hitters in Invest Detroit and the Kresge Foundation. That, if you're paying attention, is major local interest in the topic. Nick Allen, an author of the report, joins us to discuss it. If this is your first time meeting the show, don't forget to follow us on Apple Podcasts or wherever you download your favorite shows. If you love what we're doing, consider supporting us at: https://www.buymeacoffee.com/dailydetroit
This week on Cities@Tufts, Quilian Riano presents "Spatial and Political Change". In this presentation, we explore examples of work that look at how spatial games — defined as processes with loose rules for others to interpret and execute as they see fit — can become design tools to broaden the socio-spatial imagination and conversation. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic.
Host Jeremy C. Park talks with Lakethen Mason, Executive Director of Memphis FilmWorks, who shares his experience spearheading a project to get to know hundreds of Mid-South neighbors through engaging conversations, which has culminated into a multi-volume oral narrative collection. "Our Neighbors, Our Stories: in search of common ground" is the first in a three-part book series that chronicles the art, life, history and diverse culture of Memphis. It captures the shared experiences of families, friends, and residents who lived through unprecedented times. The book also assesses the challenges, changes, and revitalization efforts of historic Memphis neighborhoods through the lens of families who call these neighborhoods home. The book is a literary interpretation of 100 of the 300 interviews conducted with support from The Kresge Foundation and The Assisi Foundation of Memphis, Inc. During the interview, Lakethen talks about the process of putting the project together and conducting the interviews, honoring the experiences of our neighbors and finding connection to strengthen our community, important takeaways, and opportunities for the public to join in the effort, including their Book Launch and Honors Ceremony on Thursday, May 19 at the Halloran Center for Performing Arts.Visit www.ourneighborsourstories.org to learn more.
This week on Cities@Tufts, Kyle White and Justin Schott present on The Energy Equity Project. The Energy Equity Project is working to create a framework for measuring equity across energy efficiency and clean energy programs among utilities, state regulatory agencies, and other practitioners, while engaging and centering Black, Brown, and Indigenous communities and frontline communities. An equity measurement framework, set to launch in beta form in 2022, will serve environmental and climate justice advocates, practitioners, regulatory agencies, and utilities to drive more equitable investments and outcomes in energy efficiency, distributed generation and storage (i.e. solar + batteries), demand response, electrification, and electric vehicle infrastructure. The presentation will offer an overview of EEP's work, including the energy equity issues it addresses in urban contexts, and an update on the framework being developed and the stakeholder engagement process. In addition to this audio, you can watch the video and read the full transcript of their conversation on Shareable.net – while you're there get caught up on past lectures. Cities@Tufts Lectures explores the impact of urban planning on our communities and the opportunities to design for greater equity and justice with professor Julian Agyeman and host Tom Llewellyn. Cities@Tufts Lectures is produced by Tufts University and Shareable.net with support from The Kresge Foundation, Barr Foundation and SHIFT Foundation. Lectures are moderated by Professor Julian Agyeman and organized in partnership with research assistants Perri Sheinbaum and Caitlin McLennon. Robert Raymond is our audio editor, Zanetta Jones manages communications, Alison Huff manages operations, and the series is produced and hosted by Tom Llewellyn. “Light Without Dark” by Cultivate Beats is our theme song and Caitlin McLennon created this episode's graphic. UP NEXT: Gaming the System: Role-playing Spatial and Political Change with Quilian Riano April 27, 2022 | 12-1 PM EST Register to join the event
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