Podcasts about happy meals

This is Derek Miller, Speaking on Business. In Utah, locally owned businesses play a big role in supporting communities — creating jobs, helping families, and investing back into the state through service, education, and charity. McDonald's Owner and Operator, Christina Sparrer-Baer, joins us with more. Christina Sparrer-Baer: As a McDonald's franchisee here in Utah, I'm proud to serve our community through locally owned and operated restaurants. Being local means creating a welcoming, community-focused experience that goes beyond the meals we serve. Whether you're starting your first job or building a career, you'll gain valuable skills at McDonald's. Through our Archways to Opportunity program, team members receive tuition assistance and support for continued education and career development. When you visit us you can also support our favorite charity Ronald McDonald House. We donate a penny for every Happy Meal and pound of fries sold. You can also round up your order to the nearest dollar to help provide life-changing support for families when they need it most. And of course, we're still the spot for the food you love. With our app, you can access exclusive deals, earn rewards, and try new menu items, including specialty drinks. See you at McDonald's. Derek Miller: From first jobs to community support, businesses like McDonald's play a big role in Utah, helping people grow, stay connected, and feel supported in their day-to-day lives. I'm Derek Miller, with the Salt Lake Chamber, Speaking on Business. Originally aired: 6/1/26

Did Daily Wire really torch $100 million on Bentkey? Marcus Pittman, CEO of LOOR TV, called the collapse of conservative streaming years before it happened - and he is back on the show to explain exactly why conservative entertainment keeps losing. Four years ago Marcus came on with a contrarian pitch that made VCs laugh in his face - Netflix meets Kickstarter, where subscribers decide what gets made. Today he has funded nearly 40 pieces of content for under a million bucks, the same number the venture guys swore would cost over $100 million. He bet against the room and the room was wrong. Here is the mistake that keeps sinking the right. Conservatives build content for the parent and forget the parent is not the consumer - the kid is. McDonald's figured this out with the Happy Meal in the 70s. Chuck E Cheese figured it out. Bentkey never did, ad the bill came due to the tune of nine figures. Then we get into the part nobody on our side wants to hear. Rumble keeps screaming "free speech platform" while quietly admitting they have no Mr. Beast. Microsoft lit $100 million on fire chasing Ninja over to Mixer. The pattern is always the same - buy the big name, wait for the audience to follow, watch it crash. Marcus lays out the open letter he wrote Chris Pavlovsky and the playbook that actually builds an audience from zero. We close on where this is all going - why Gen Z does not care about celebrities, why the next great Christian film might be a Ryan Gosling space movie, and why the human connection that AI can never fake is the whole ballgame. If you build, fund, or just consume content, this one will recalibrate how you think about the entire game. CHAPTERS: 00:00 - The $100M Question Hollywood Won't Answer 01:23 - The Guy Who Called Every Conservative Streaming Flop 03:41 - The Consumer vs. The Purchaser Mistake 05:36 - What the Happy Meal Teaches About Kids' Content 08:03 - How Daily Wire Torched $100 Million on Bentkey 09:52 - VeggieTales Did It Right (A Hammer In Search of a Nail) 11:28 - Build What People Actually Want 12:39 - The Cable TV Playbook Nobody Runs Anymore 15:23 - Is "Project Hail Mary" the Christian Film We've Been Waiting For? 17:46 - The Blind Spot: Nobody Builds For Young Men 18:14 - "There's No Market" Is a Lie (Tesla, Uber, the Wright Brothers) 21:37 - Rumble's Real Problem - Where's Their Mr. Beast? 24:26 - The Open Letter to Chris Pavlovsky 27:40 - The $100M Mixer Disaster 29:45 - Why Gen Z Doesn't Care About Celebrities Anymore 33:23 - The Human Connection AI Can't Fake 36:40 - Where to Find LOOR TV + Final Thoughts Today's Guest - Marcus Pittman / LOOR TV: LOOR.tv (join, or hit the Creator / Investor tabs before logging in): https://www.loor.tv Marcus on X: https://x.com/ImKingGinger LOOR on X: https://x.com/WatchLOOR Marcus's Substack ("Poorly Written"): https://substack.com/@marcuspittman Marcus's Federalist piece, "Project Hail Mary Is The Masculine Christian Film You've Been Waiting For": https://thefederalist.com/2026/04/07/project-hail-mary-is-the-masculine-christian-film-youve-been-waiting-for/ Marcus's first time on the show (Ep. 437, Feb 2022): https://www.briannicholsshow.com/437-fighting-the-culture-with-great-storytelling-with-loortv-ceo-marcus-pittman/ The Brian Nichols Show: Home base (listen + watch everywhere): https://www.briannicholsshow.com Apple Podcasts: https://podcasts.apple.com/us/podcast/the-brian-nichols-show/id1334346967 Rumble: https://rumble.com/c/TheBrianNicholsShow Follow Brian on X: https://www.briannicholsshow.com/twitter (@BNicholsLiberty) Follow Brian on Facebook: https://www.briannicholsshow.com/facebook More from Brian - CX Without the BS: https://podcasts.apple.com/us/podcast/cx-without-the-bs/id1747979147 Listener questions: brian@briannicholsshow.com Today's Sponsor - Cardio Miracle Support your heart health and the show - for 15% off: https://CardioMiracle.com/TBNS Learn more about your ad choices. Visit megaphone.fm/adchoices

Did Daily Wire really torch $100 million on Bentkey? Marcus Pittman, CEO of LOOR TV, called the collapse of conservative streaming years before it happened - and he is back on the show to explain exactly why conservative entertainment keeps losing. Four years ago Marcus came on with a contrarian pitch that made VCs laugh in his face - Netflix meets Kickstarter, where subscribers decide what gets made. Today he has funded nearly 40 pieces of content for under a million bucks, the same number the venture guys swore would cost over $100 million. He bet against the room and the room was wrong. Here is the mistake that keeps sinking the right. Conservatives build content for the parent and forget the parent is not the consumer - the kid is. McDonald's figured this out with the Happy Meal in the 70s. Chuck E Cheese figured it out. Bentkey never did, ad the bill came due to the tune of nine figures. Then we get into the part nobody on our side wants to hear. Rumble keeps screaming "free speech platform" while quietly admitting they have no Mr. Beast. Microsoft lit $100 million on fire chasing Ninja over to Mixer. The pattern is always the same - buy the big name, wait for the audience to follow, watch it crash. Marcus lays out the open letter he wrote Chris Pavlovsky and the playbook that actually builds an audience from zero. We close on where this is all going - why Gen Z does not care about celebrities, why the next great Christian film might be a Ryan Gosling space movie, and why the human connection that AI can never fake is the whole ballgame. If you build, fund, or just consume content, this one will recalibrate how you think about the entire game. CHAPTERS: 00:00 - The $100M Question Hollywood Won't Answer 01:23 - The Guy Who Called Every Conservative Streaming Flop 03:41 - The Consumer vs. The Purchaser Mistake 05:36 - What the Happy Meal Teaches About Kids' Content 08:03 - How Daily Wire Torched $100 Million on Bentkey 09:52 - VeggieTales Did It Right (A Hammer In Search of a Nail) 11:28 - Build What People Actually Want 12:39 - The Cable TV Playbook Nobody Runs Anymore 15:23 - Is "Project Hail Mary" the Christian Film We've Been Waiting For? 17:46 - The Blind Spot: Nobody Builds For Young Men 18:14 - "There's No Market" Is a Lie (Tesla, Uber, the Wright Brothers) 21:37 - Rumble's Real Problem - Where's Their Mr. Beast? 24:26 - The Open Letter to Chris Pavlovsky 27:40 - The $100M Mixer Disaster 29:45 - Why Gen Z Doesn't Care About Celebrities Anymore 33:23 - The Human Connection AI Can't Fake 36:40 - Where to Find LOOR TV + Final Thoughts Today's Guest - Marcus Pittman / LOOR TV: LOOR.tv (join, or hit the Creator / Investor tabs before logging in): https://www.loor.tv Marcus on X: https://x.com/ImKingGinger LOOR on X: https://x.com/WatchLOOR Marcus's Substack ("Poorly Written"): https://substack.com/@marcuspittman Marcus's Federalist piece, "Project Hail Mary Is The Masculine Christian Film You've Been Waiting For": https://thefederalist.com/2026/04/07/project-hail-mary-is-the-masculine-christian-film-youve-been-waiting-for/ Marcus's first time on the show (Ep. 437, Feb 2022): https://www.briannicholsshow.com/437-fighting-the-culture-with-great-storytelling-with-loortv-ceo-marcus-pittman/ The Brian Nichols Show: Home base (listen + watch everywhere): https://www.briannicholsshow.com Apple Podcasts: https://podcasts.apple.com/us/podcast/the-brian-nichols-show/id1334346967 Rumble: https://rumble.com/c/TheBrianNicholsShow Follow Brian on X: https://www.briannicholsshow.com/twitter (@BNicholsLiberty) Follow Brian on Facebook: https://www.briannicholsshow.com/facebook More from Brian - CX Without the BS: https://podcasts.apple.com/us/podcast/cx-without-the-bs/id1747979147 Listener questions: brian@briannicholsshow.com Today's Sponsor - Cardio Miracle Support your heart health and the show - for 15% off: https://CardioMiracle.com/TBNS Learn more about your ad choices. Visit megaphone.fm/adchoices

Did Daily Wire really torch $100 million on Bentkey? Marcus Pittman, CEO of LOOR TV, called the collapse of conservative streaming years before it happened - and he is back on the show to explain exactly why conservative entertainment keeps losing. Four years ago Marcus came on with a contrarian pitch that made VCs laugh in his face - Netflix meets Kickstarter, where subscribers decide what gets made. Today he has funded nearly 40 pieces of content for under a million bucks, the same number the venture guys swore would cost over $100 million. He bet against the room and the room was wrong. Here is the mistake that keeps sinking the right. Conservatives build content for the parent and forget the parent is not the consumer - the kid is. McDonald's figured this out with the Happy Meal in the 70s. Chuck E Cheese figured it out. Bentkey never did, ad the bill came due to the tune of nine figures. Then we get into the part nobody on our side wants to hear. Rumble keeps screaming "free speech platform" while quietly admitting they have no Mr. Beast. Microsoft lit $100 million on fire chasing Ninja over to Mixer. The pattern is always the same - buy the big name, wait for the audience to follow, watch it crash. Marcus lays out the open letter he wrote Chris Pavlovsky and the playbook that actually builds an audience from zero. We close on where this is all going - why Gen Z does not care about celebrities, why the next great Christian film might be a Ryan Gosling space movie, and why the human connection that AI can never fake is the whole ballgame. If you build, fund, or just consume content, this one will recalibrate how you think about the entire game. CHAPTERS: 00:00 - The $100M Question Hollywood Won't Answer 01:23 - The Guy Who Called Every Conservative Streaming Flop 03:41 - The Consumer vs. The Purchaser Mistake 05:36 - What the Happy Meal Teaches About Kids' Content 08:03 - How Daily Wire Torched $100 Million on Bentkey 09:52 - VeggieTales Did It Right (A Hammer In Search of a Nail) 11:28 - Build What People Actually Want 12:39 - The Cable TV Playbook Nobody Runs Anymore 15:23 - Is "Project Hail Mary" the Christian Film We've Been Waiting For? 17:46 - The Blind Spot: Nobody Builds For Young Men 18:14 - "There's No Market" Is a Lie (Tesla, Uber, the Wright Brothers) 21:37 - Rumble's Real Problem - Where's Their Mr. Beast? 24:26 - The Open Letter to Chris Pavlovsky 27:40 - The $100M Mixer Disaster 29:45 - Why Gen Z Doesn't Care About Celebrities Anymore 33:23 - The Human Connection AI Can't Fake 36:40 - Where to Find LOOR TV + Final Thoughts Today's Guest - Marcus Pittman / LOOR TV: LOOR.tv (join, or hit the Creator / Investor tabs before logging in): https://www.loor.tv Marcus on X: https://x.com/ImKingGinger LOOR on X: https://x.com/WatchLOOR Marcus's Substack ("Poorly Written"): https://substack.com/@marcuspittman Marcus's Federalist piece, "Project Hail Mary Is The Masculine Christian Film You've Been Waiting For": https://thefederalist.com/2026/04/07/project-hail-mary-is-the-masculine-christian-film-youve-been-waiting-for/ Marcus's first time on the show (Ep. 437, Feb 2022): https://www.briannicholsshow.com/437-fighting-the-culture-with-great-storytelling-with-loortv-ceo-marcus-pittman/ The Brian Nichols Show: Home base (listen + watch everywhere): https://www.briannicholsshow.com Apple Podcasts: https://podcasts.apple.com/us/podcast/the-brian-nichols-show/id1334346967 Rumble: https://rumble.com/c/TheBrianNicholsShow Follow Brian on X: https://www.briannicholsshow.com/twitter (@BNicholsLiberty) Follow Brian on Facebook: https://www.briannicholsshow.com/facebook More from Brian - CX Without the BS: https://podcasts.apple.com/us/podcast/cx-without-the-bs/id1747979147 Listener questions: brian@briannicholsshow.com Today's Sponsor - Cardio Miracle Support your heart health and the show - for 15% off: https://CardioMiracle.com/TBNS Learn more about your ad choices. Visit megaphone.fm/adchoices

Nike just dropped a shoe straight-up modeled after the blue McDonald's uniform -- the new Dunk Low "McDonald's Blue" features that exact employee shirt shade, yellow accents, name-tag vibes, and even a little golden arches logo stitched on the heel like you're clocking in for a shift. Yeah after years of Happy Meal toys and fry-scented candles they're now selling $150 sneakers that look like the ones the kid at the drive-thru wears so you can flex your fast-food drip while the rest of us wonder why anyone needs official McDonald's kicks when the real ones come free with the job. Watch the podcast episodes on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629 MORE CLOWNFISH TV - Official Merch Store: http://ClownfishMinus.com Facebook - https://facebook.com/ClownfishTV X - https://x.com/ClownfishTVcom Clownfish TV subreddit: https://www.reddit.com/r/ClownfishTVOfficial/ Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #News #Podcast #FYP #Shorts #NikeMcDonalds #McDonaldsShoe #NikeDunkLow #BlueMcDonalds #SneakerDrop #FastFoodFashion #NikeCollab #McDonaldsSneakers Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of HALO Talks, Pete Moore sits down with internationally renowned marketing expert John Dwyer, also known as JD, for a deep dive into proven direct response marketing strategies that deliver real ROI . . . no vague brand-building promises. Hailing from Australia and celebrated for his practical, results-oriented approach, Jack shares stories from his decades-long career, including how a simple contest formula brought hundreds of qualified leads to gyms at a fraction of the usual cost, and why creative incentives like vacation vouchers trump discounting your own services. With anecdotes spanning from licensing Disney characters to orchestrating a bank campaign featuring Jerry Seinfeld, Dwyer reveals the nuts and bolts of incentive-based marketing, the mindset shifts needed to outpace the competition, the power of persistent idea generation, and the importance of a strong call to action. Whether you're running a gym, leading a fitness franchise, or simply want to sharpen your marketing acumen, this episode is packed with insights and actionable takeaways from one of the industry's most persistent and inventive minds. On viral gym incentives, Jack says, "Instead of giving up the first month membership, which of course every gym does, they replace that by saying, join my fitness center and I will give you a free vacation to Disney World, New York, Orlando, call the hotspots, and we give these vacation vouchers to them for $50." Key themes discussed Direct response marketing vs. traditional advertising Incentive-based marketing to drive gym memberships Cost-effective lead generation strategies Using contests and giveaways for engagement Leveraging licensing and brand equity Importance of a strong call to action (CTA) Adapting marketing for small and medium businesses A Few Key Takeaways 1. Direct Response Marketing Over Traditional Branding: John emphasized a fundamental difference between his approach and that of traditional ad agencies: Instead of building brand love in hopes customers will eventually try the product, his strategy is to get people to try the product first so they fall in love with the brand later. Measurability and ROI are central, and "face on the side of a bus" advertising is dismissed for most businesses unless they're global giants like Coca-Cola or Nike (01:04). 2. Leveraging Incentives—"Happy Meal Toys" for Grown-Ups: A key to successful direct response marketing, especially in the fitness sector, is offering incentives unrelated to price discounting. Dwyer discusses "Happy Meal toy" strategies—low-cost incentives (e.g., vacation vouchers) with high-perceived value—that drive response and differentiate offers without eroding core business value (07:24). 3. Facebook Contests for Lead Generation: John shared a proven contest model for gyms and fitness centers: Run Facebook contests where prospects can win a 6- or 12-month membership. The vast majority who don't win remain red-hot leads for follow-up offers. Reported costs per lead are dramatically lower ($1–$5) than those from typical lead generation companies, with much higher volume and exclusivity of leads (04:03). 4. Powerful Call to Action is Critical: Five key elements to effective direct response are: (1) Identify the problem, (2) Aggravate it, (3) Provide a solution, (4) Offer proof (testimonials), and (5) End with a strong call to action (CTA). Dwyer noted most campaigns fail due to a weak CTA, underscoring the importance of an irresistible, incentive-based close (22:15). 5. Borrowing Equity from Big Brands & Trends: A recurring theme with John is "borrowing" the equity of established brands or cultural trends via licensing (e.g., Disney, Ninja Turtles) or celebrity endorsement (e.g., Jerry Seinfeld for a bank's ad campaign). This shortcut to consumer attention and trust can be particularly powerful for smaller enterprises when deployed wisely (13:28). John Dwyer: https://theinstituteofwow.com/about  Integrity Square: https://www.integritysq.com Prospect Wizard: https://www.theprospectwizard.com Promotion Vault: https://www.promotionvault.com HigherDose: https://www.higherdose.com

This week on the Time Blaster Toycast, we're blasting off to Ronald's house & talking HAPPY MEAL TOYS! The TURBO wheel is back and with her she's brought 9 different McDonalds toylines to discuss! So grab your Orange HI-C and find an empty Fry Guy seat at the table, cause we're about to get into it...right after this break! The Time Blaster Toycast is a nostalgic podcast about growing up in the 1980's & 1990's, with a specific focus on action figures, video games, junk food and retro geek stuff. Hosts Keith, Joe & Dave are your weekly tour guides as we travel back in time... when toys were cooler, movies were funnier, times were simpler & life in general was just MORE RAD! Got a question, comment or idea for our show? Want to share a story of your own with us? The Time Blaster Toyline is open 24/7! Leave us a message or shoot over a text message at 313-800-TOYS Follow us on Instagram:  @timeblastertoys @retrojoeknows @mathew_priest

Two news headlines - can you guess which one is from the state of Florida?! See omnystudio.com/listener for privacy information.

McDonald’s Happy Meal toys are pod descriptions now.

Send us Fan MailFast food opinions get personal fast, and we lean all the way into it. We start with the big four chains and rank Wendy's, McDonald's, Burger King, and Arby's based on what actually keeps people coming back: breakfast consistency, app deals, coupons that save your wallet, and whether the food matches the hype. If you care about McDonald's breakfast, Wendy's hit-or-miss streaks, or why Burger King “isn't hitting like it used to,” you'll feel seen.Then we widen the lane into the best fast food burgers conversation. We debate premium picks like Five Guys, talk Wendy's as a reliable burger option, and get into regional fast food legends, including In N Out Burger animal style, Checkers and Rally's, Culver's butter burger, and Whataburger. We also tackle the “are sandwich chains fast food” question, from Jersey Mike's and Subway to Penn Station and the difference between a chain sub and a true local deli sandwich.Nostalgia shows up big with McDonald's play places, Happy Meals, collectible toys, and the nuggets vs burger debate, plus a side quest into pickles that gets surprisingly heated. We finish with modern convenience and how DoorDash changes the whole fast food experience, then close on the only proper finale: milkshakes from McDonald's or Arby's versus a Wendy's Frosty, with a very real reminder that the McDonald's machine may never be working when you need it.Subscribe for more Ride Home Rants, share this with the friend who always orders the same thing, and leave a review with your most controversial fast food take.All music brought to you by former guest of the show SpeedoSubscribe for exclusive content: https://www.buzzsprout.com/1530455/support Buzzsprout - Let's get your podcast launched!Start for FREETactical BrotherhoodThe Tactical Brotherhood is a movement to support America.Dubby EnergyFROM GAMERS TO GYM JUNKIES TO ENTREPRENEURS, OUR PRODUCT IS FOR ANYONE WHO WANTS TO BE BETTER.ShankitgolfOur goal here at Shankitgolf is for everyone to have a great time on and off the golf courseSweet Hands SportsElevate your game with Sweet Hands Sports! Our sports gloves are designed for champions,Buddy's Beard CareBuddy's Beard Care provides premium men's grooming products at an affordable price.Deemed FitBe a part of our movement to instill confidence motivation and a willingness to keep pushing forwardWebb WesternWebb Western is for those who roll up their sleeves and do what it takes to get the job done. Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on all social mediaX: @mikebonocomedyInstagram: @mikebonocomedy@tiktok: @mikebono_comedianFacebook: @mikebonocomedy

True Crime Tuesday presents The Treehouse: How To Rob A Bank/The True Story of Hollywood, The Bank Robber with FBI Agent, Shawn Johnson, and Ex-Convict/Author. Steven Myers! In the gray hues of Seattle, two men, Steven and Scott, are locked in a perilous journey beyond the law's reach. Entangled in a world of bank heists and fleeting loyalties, they chase redemption in a society relentless in pursuit. Amid adrenaline-fueled escapades and moral dilemmas, their kinship deepens, culminating in an unexpected bond. The tale traces their odyssey against the unforgiving backdrop of the law, culminating in the tragic end of Hollywood, a man who lived and died on his own terms, leaving a legacy entwined with the lives he touched.On Today's TCT, FBI Agent, Shawn Johnson and Bank Robbing Accomplice/Author, Steven Myers join the program to tell the story from two different sides of the Hollywood Bank Robber, Scott Scurlock!  We talk to both men about why the crime differed from so many other bank robberies... why Steven feels the crimes were "non-violent", despite the use of guns and threats, What made Scott Spurlock different from other criminals, and impressive feats he accomplished that even astonished law enforcement, and whether Hollywood could have had another life on the right side of the law!Get your copy of "The Treehouse ..." here:  https://bit.ly/433V1EkPLUS: AN ALL-NEW DUMB CRIMES/STUPID CRIMINALS WITH WAYNE D. Check out Wayne D. on social media!Instagram: https://www.instagram.com/heswayned/?hl=enFacebook: https://www.facebook.com/HesWayneD/X; https://x.com/HesWayneDIHeart:  https://thebig98.iheart.com/featured/wayne-and-tay/See the video of the Tampa officer finding the Heineken in a Happy Meal here:  https://www.wfla.com/news/hillsborough-county/video-tampa-officers-find-beer-can-in-happy-meal-during-dui-investigation/amp/For the first time, get ALL NEW TRUE CRIME TUESDAY GEAR!  Represent your favorite true crime podcast in style! There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/Make sure you update your Darkness Radio Apple Apps!and subscribe to the Darkness Radio YouTube page:  https://www.youtube.com/@DRTimDennis#crime #truecrime #truecrimepodcasts #truecrimetuesday #shawnjohnson #fbi #stevenmyers #thetreehouse #thetruestoryofhollywoodthebankrobber #bankrobbery #armedrobbery #drugdealing #policeprocedure #drugsmuggling #murder #hellsangels #crimescene #forensicevidence #vaultrobbery #moneytrackers #explodingdyepacks #prostethicmakeup #seattlewashington #thetreehouse #dumbcrimesstupidcriminals #TimDennis #wayned #nashvillepredators #waynedandtaypodcast #saturdaynighthouseparrty #floridaman #drugcrimes #foodcrimes #stupidcrimes #funnycrimes #pastalegobandit #sexcrimes 

True Crime Tuesday presents The Treehouse: How To Rob A Bank/The True Story of Hollywood, The Bank Robber with FBI Agent, Shawn Johnson, and Ex-Convict/Author. Steven Myers! In the gray hues of Seattle, two men, Steven and Scott, are locked in a perilous journey beyond the law's reach. Entangled in a world of bank heists and fleeting loyalties, they chase redemption in a society relentless in pursuit. Amid adrenaline-fueled escapades and moral dilemmas, their kinship deepens, culminating in an unexpected bond. The tale traces their odyssey against the unforgiving backdrop of the law, culminating in the tragic end of Hollywood, a man who lived and died on his own terms, leaving a legacy entwined with the lives he touched.On Today's TCT, FBI Agent, Shawn Johnson and Bank Robbing Accomplice/Author, Steven Myers join the program to tell the story from two different sides of the Hollywood Bank Robber, Scott Scurlock!  We talk to both men about why the crime differed from so many other bank robberies... why Steven feels the crimes were "non-violent", despite the use of guns and threats, What made Scott Spurlock different from other criminals, and impressive feats he accomplished that even astonished law enforcement, and whether Hollywood could have had another life on the right side of the law!Get your copy of "The Treehouse ..." here:  https://bit.ly/433V1EkPLUS: AN ALL-NEW DUMB CRIMES/STUPID CRIMINALS WITH WAYNE D. Check out Wayne D. on social media!Instagram: https://www.instagram.com/heswayned/?hl=enFacebook: https://www.facebook.com/HesWayneD/X; https://x.com/HesWayneDIHeart:  https://thebig98.iheart.com/featured/wayne-and-tay/See the video of the Tampa officer finding the Heineken in a Happy Meal here:  https://www.wfla.com/news/hillsborough-county/video-tampa-officers-find-beer-can-in-happy-meal-during-dui-investigation/amp/For the first time, get ALL NEW TRUE CRIME TUESDAY GEAR!  Represent your favorite true crime podcast in style! There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/Make sure you update your Darkness Radio Apple Apps!and subscribe to the Darkness Radio YouTube page:  https://www.youtube.com/@DRTimDennis#crime #truecrime #truecrimepodcasts #truecrimetuesday #shawnjohnson #fbi #stevenmyers #thetreehouse #thetruestoryofhollywoodthebankrobber #bankrobbery #armedrobbery #drugdealing #policeprocedure #drugsmuggling #murder #hellsangels #crimescene #forensicevidence #vaultrobbery #moneytrackers #explodingdyepacks #prostethicmakeup #seattlewashington #thetreehouse #dumbcrimesstupidcriminals #TimDennis #wayned #nashvillepredators #waynedandtaypodcast #saturdaynighthouseparrty #floridaman #drugcrimes #foodcrimes #stupidcrimes #funnycrimes #pastalegobandit #sexcrimes 

Officer finds a beer can in a Happy Meal, a Youtuber breaks a record solving Rubiks cube while skydiving, and a tv reporter gets a donation from a view. Is this anything? See omnystudio.com/listener for privacy information.

Joe delivers two headlines - your goal is to figure out which one is from the great state of Florida! See omnystudio.com/listener for privacy information.

Joe delivers two headlines - your goal is to figure out which one is from the great state of Florida!

Officers in Tampa found a can of Heineken in a woman's Happy Meal box in her vehicle during a DUI investigation... Doh!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Turns out a robbery at the 'Half Ass Bar' was basically done half-assed, Tampa police find beer can in 'Happy Meal' during DUI investigation, Palm Coast woman accused of abandoning children at hospital...deputies find 44 animals, squalid conditions at home

Turns out a robbery at the 'Half Ass Bar' was basically done half-assed, Tampa police find beer can in 'Happy Meal' during DUI investigation, Palm Coast woman accused of abandoning children at hospital...deputies find 44 animals, squalid conditions at homeSee omnystudio.com/listener for privacy information.

It was downright chilly yesterday. I had my hood up while picking up dog shit in my backyard. Brrrrrr! Thankfully, warmer temps this weekend with highs in the 70's expected. Started the morning with the Andy Hughes version of "The Thursday Song", and in the news today, the death of Ted Turner….a Wisconsin woman is accused of defrauding Medicaid for over $2 million…the United States is monitoring several passengers who were on the hantavirus cruise ship…the Epstein suicide note is released…Tanner Horner gets sentenced…and the Pope gets hung up on! In sports, the Brewers beat the Cardinals yesterday…a look at last night's NBA & NHL Playoff scores along with tonight's schedule…the Bucks introduced their new head coach yesterday and talked about the future of Giannis with the team…and the Kentucky Derby winner will NOT be running in the Preakness. We talked about what's on TV today/tonight and what we've been watching. Had another "Karen of the Day". This one was REALLY annoying. Like nails on a chalkboard! A tow truck driver in Canada recently rescued a moose that had become trapped in a frozen lake…a couple of pet goats helped save their owner's life after a tornado…and a 4 year-old is credited with saving her grandmother's life after she fell & became disoriented. Elsewhere in sports, Brendan Sorsby's alleged betting activity is being investigated by a bunch of organizations, and the NFL appears to be close to signing a new CBA with their referees. It's Hypothetical Thursday, and Brian's question for Jean was: "You discover that your wonderful one-year-old child is, because of a mix-up at the hospital, not yours. What would you do? Would you want to exchange the child to try to correct the mistake?" Jean's question for Brian was: "Would you rather win $50,000 or let your best friend win $500,000" Office Cora joined us just after 8am to talk about her recent trip to Nashville! She also let us know what she's up to this weekend in the 715. And in today's edition of "Bad News with Happy Music", we had stories about a #FloridaWoman who got busted for DUI after officers found a beer can in her Happy Meal cup, a man found out that his mother's dead body was being used for bomb testing, a couple of women in Missouri robbed their father's bar, a Delta passenger couldn't find anyone to help him at the customer service desk, so he took matters into his own hands, and a woman in Kentucky allegedly gave a toddler a tattoo.See omnystudio.com/listener for privacy information.

In Dumb Ass News, Chaz and AJ had audio of a police seach, uncovering alcohol in a Happy Meal bag. Plus, a Tribe member shared a story about drinking out of a colostomy bag. (0:00) After two days of rants, Chaz and AJ realized Long Island might have had the answer all along. Turns out speed cameras have successfully been removed after a giant, public backlash. (6:15)Chaz and AJ immediately loved this crossing guard, who is going viral for his interview with the local news in Philadelphia after a car accident. The stolen truck flipped into a playground, he saved a child, and then spoke to cameras while eating an ice cream cone the entire time. (18:06) Live Nation's Jimmy Koplik was on with Chaz and AJ to talk about the Rolling Stones and Paul McCartney releasing new music, while some recently announced tours have been canceled. (25:52)

See omnystudio.com/listener for privacy information.

We're talking the KPop Demon Hunters x McDonalds meal crossover in this week's bonus mini episode of (Not So) Live from Asteroid G. Netflix's hit animated film now has an adult Happy Meal crossover with the Mickey D's and both Mikes just so happened to grab the meal to see how it was. We dunk the sauces, sample the fries, and give our full thoughts. Come join the discussion.

Trente-septième épisode de Vanishing Point, le podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies.Piloté par Mad, Ben et Franck.Les films abordés dans cet épisode :00:01:24 : Skip générique (on juge pas promis)00:04:50 : The Invitation, Karyn Kusama (2015)01:57:17 : Salé Sucré, Ang Lee (1994)04:28:18 : BLINDTEST : Mayonnaise, Smashing Pumpkins04:36:50 : Le cuisinier, le voleur, sa femme et son amant, Peter Greenaway (1989)Les réponses au blindtest précédent (Épisode 36 - All aboard the Vanishing Express) sur Coming to L.A. (OST de They Live, John Carpenter)Le train, Strangers on a train, Le poulpe, Narrow Margin, Il était une fois dans l'Ouest, Stand by me, 007 Bons baisers de Russie, UnstoppablePour participer au blindtest, nous contacter, nous exprimer votre avis sur les films ou notre podcast, ou juste nous faire un coucou : podcast.vanishingpoint@gmail.comRejoignez-nous sur les réseaux sociaux :BLUESKY : https://bsky.app/profile/vpointpodcast.bsky.socialDISCORD : https://discord.gg/mDgZZd6CzjFACEBOOK : https://www.facebook.com/podcast.vanishingpointINSTAGRAM : https://www.instagram.com/vanishingpoint_podcast/TWITTER/X : https://twitter.com/vpoint_podcastEt sur votre plateforme de podcasts préférée ! Abonnez-vous

Send us Fan MailIn this episode, Andrea and Ryan explore the history of the Happy Meal!We discuss how it started, how it evolved, and how toy promotions helped turn it into a cultural phenomenon. From iconic collectibles to clever marketing strategies, this is a nostalgic and insightful look at one of the most recognizable kids' meals of all time.Follow us @grownasskidsclub

Are we going back to Hawkins? Also, what was your favorite Happy Meal toy? We talk about a study that shows when you vote, you live longer, Alex Cora getting fired, and lots more!

Plus - LEGO Shrek, Donkey, & Puss in Boots is now available to preorder on the LEGO Store; Stranger Things: Tales From '85 and McDonald's are teaming up for a Happy Meal toy; Kellogg's is bringing back toys in its cereal boxes Learn more about your ad choices. Visit podcastchoices.com/adchoices

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

McDonald's killed Batman. Then Warner Brothers buried him in neon. After Batman Returns traumatized parents and Christian groups, McDonald's panicked and pulled their Happy Meal deal. Warner Brothers, terrified of losing fast food merchandising money, forced a course correction that gave us Batman Forever—a neon-soaked, toyetic mess that abandoned Tim Burton's gothic vision for Joel Schumacher's campy, pun-filled nightmare. In this 10th anniversary episode of the Cinema Psychos Show, hosts Cottington and John Wooliscroft do a full Batman Forever fix and Batman Forever review—ranting about everything from the nipple suit to Jim Carrey's Riddler (Ace Ventura in green spandex) and Tommy Lee Jones sleepwalking as Two-Face. But they don't just roast it. They pitch alternate Batman 3 sequels: one that continues the Burton-verse with Catwoman and Billy Dee Williams as Harvey Dent, and one that keeps Robin but replaces the camp with Scarecrow as the real psychological threat. They also debate the legendary Schumacher cut, expose the Batman Returns McDonald's controversy, and explain why Batman Forever—not Batman & Robin—started the franchise's death spiral. If you're a Batman fan, a 90s kid drowning in nostalgia, or just love cult film analysis with a comedic, rant-heavy edge, this episode is your Batman Forever alternate version. CHAPTERS: McDonald's Killed Batman [00:00] Podcast Introduction and 10-Year Anniversary Celebration [00:38] Reflecting on the evolution of the podcast [03:37] Audience Appreciation and Fan Stories [04:52] Setting Up to Fix Batman Forever [06:39] Personal Batman History and Childhood Obsession [08:13] Batman Production History and Merchandising Deals [15:14] First Fix Ideas: Director Choices and Constraints [21:25] Brian's Radical Third Film Pitch: Duality and Two-Face [34:03] John's Detailed Batman Forever Rehab Pitch [50:01] Why Batman Forever Failed and Legacy Discussion [01:28:31] Final Thoughts and Closing [01:54:04] Follow The Cinema Psychos Show on Socials ❤️‍

Send us Fan MailRewind to 2 – 8 April 2006 — when reality TV got self-aware, club tracks got questionable and the weather channel was basically a thriller series

This finale is open late, and so are Jack and Ronald!! A midnight booty call brings us to climax. Will true feelings be revealed at last? Will we find out more about the custody arrangement for Jack Jr.? There's only one way to find out.Get wet and wild with us in our free, private FB group—The Fanny Pack—OR—if you're extra horny and want more ridiculous content, join our Patreon.

Email your ⁠⁠⁠⁠⁠⁠questions to the podcast here⁠⁠⁠⁠⁠⁠. Nintendo is putting their little flower friends in everything lately, and honestly—we're here for it.This week on Nintendo Pow Block, ⁠⁠⁠⁠⁠Edward Varnell⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Corey Dirrig⁠⁠⁠⁠⁠ break down the latest wave of Mario news, including new features coming to Super Mario Bros. Wonder Nintendo Switch 2 Edition + Meetup in Bellabel Park, a fresh lineup of McDonald's Happy Meal toys, and a wild surprise: Pikmin joining the cast of the upcoming Super Mario Galaxy Movie alongside Wart, Mouser, and R.O.B. the Robot.They also dive into the surprise release dates for Kena: Bridge of Spirits and Shenmue III, plus a trio of THQ Nordic's Switch 2 updates—Epic Mickey Rebrushed, Destroy All Humans!, and Destroy All Humans! 2. And of course, they react to the brand-new teaser trailer for Sonic the Hedgehog 4.All this and more on Nintendo Pow Block.Support the podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Patreon here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Check out ⁠⁠⁠⁠⁠⁠⁠our podcast merch here⁠⁠⁠⁠⁠⁠⁠.Join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Boss Rush Network Community Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow Nintendo Pow Block on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X/Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Thank you for supporting Nintendo Pow Block! If you're listening on podcast platforms, leave us a five-star rating and a review. If you're watching on YouTube, subscribe, like, comment, and hit the bell so you never miss an episode. Your support means the world—see you next time on Nintendo Pow Block!

Episode 978 of Radio Free Cybertron is here — Brian, Matt, Don, Rob, and Diecast dig into the vintage auction result that broke the internet (and maybe someone's bank accounts), then pivot to TakaraTomy's pricey Overgear Ironhide and Blackout, the Transformers x U.S. Soccer crossover figure nobody asked for, but some of us are buying anyway. Plus: Burger King is doing Transformers kids meal toys, and Brian — owner of a complete 1985 McDonald's Happy Meal set AND a Checker's Rhinox— is not playing around about it.

Episode 978 of Radio Free Cybertron is here — Brian, Matt, Don, Rob, and Diecast dig into the vintage auction result that broke the internet (and maybe someone's bank accounts), then pivot to TakaraTomy's pricey Overgear Ironhide and Blackout, the Transformers x U.S. Soccer crossover figure nobody asked for, but some of us are buying anyway. Plus: Burger King is doing Transformers kids meal toys, and Brian — owner of a complete 1985 McDonald's Happy Meal set AND a Checker's Rhinox— is not playing around about it.

USE CODE 'STREAM7' FOR A FREE WEEK OF ADULT TIME!This week, host Bree Mills is joined by Coco Lovelock! The two waste no time during their first meeting, diving head first into the influences of Coco's unique upbringing. Coco dishes on hooking up with her boyfriend's dad, her passion for pushing the envelope, and creating *THAT* piece of art. Tune in to hear all things breaking the typecast, giving head for Happy Meals & Labubus, being a p*ss sommelier, and SO MUCH MORE! Coco Lovelock: https://www.instagram.com/cocolovelockx/Bree Mills: https://www.instagram.com/thebreemills/ The Adult Time Podcast: https://bemyfan.com/TheAdultTimePodcastABOUT ADULT TIME:Adult Time is a digital subscription platform for a new era of adult entertainment. We are a brand built by people who believe in a future where mature audiences can safely, securely, and proudly have a place in their lineup for premium adult content. In addition to our addictive programming, Adult Time is dedicated to creating a personalized content experience for all our viewers with 400+ channels, 60,000 episodes, and VR and interactive toy integration.

Noem defends $220 million ad campaign amid lawmaker scrutiny // investigation finds decades of sexual abuse among Catholic priests in Rhode Island // The terrible McDonald's CEO Video // SCENARIOS! 

DAMIONBroadcom CEO Pay Soars to $205.3 Million After AI-Fueled Rally. WHO DO YOU BLAME?The workers: “The median of the annual total compensation of all our employees is $378,281. Therefore, the Ratio calculated in accordance with Item 402(u) of Regulation S-K is 543 to 1.”Board chair Henry Samueli: completely non-independent.Owns $27B of Broadcom stockDirector Since: 2016. Chairman of the Board since 2018. served as Chief Technical Officer (2016-2018)co-founded Broadcom Corporation in 1991 and held several executive leadership positions at Broadcom Corporation until its acquisition by Broadcom Inc.Compensation Committee chair Harry L. You337,162,605 against votes at 2025 AGMThe other 8 directors combined: 252,626,537Annoyingly preoccupied:Current RolesChairman: Rain Enhancement Technologies Holdco, Inc.Executive Chairman: Berto Acquisition Corp. (2025 – Present)Interim CEO: dMY Squared Technology Group, Inc. (2025 – Present)CFO: dMY Squared Technology Group, Inc. (2022 – Present)Chairman: dMY Squared Technology Group, Inc.Past Roles (Operating Companies)Vice Chairman: GTY Technology (2019 – 2022)Director: IonQ, Inc. (2021 – 2025)Director: Coupang, Inc. (2021 – 2023)Director: Genius Sports Limited (2021 – 2022)Director: Rush Street Interactive, Inc. (2019 – 2022)Director: Korn/Ferry International (2005 – 2016)Past Roles (SPACs)Co-CEO: dMY Squared Technology Group, Inc. (2022 – 2023)Director: Coliseum Acquisition Corp. (2023 – 2024)Director: dMY Technology Group, Inc. VI (2021 – 2023)Director: dMY Technology Group, Inc. II (2020 – 2021)Director: dMY Technology Group, Inc. IV (2020 – 2021)CEO Hock E. TanMcDonald's CEO awkwardly samples his company's new burger in viral videoThe disgusting food at McDonald'sHyper-Salinity: Contains up to 75% of daily sodium in one meal, causing immediate "salt bloat" and dehydration.Low Moisture: High salt and thin patties "mummify" the meat, preventing natural decay and creating a "plastic" texture.Dough Conditioners: Buns use enzymes and monoglycerides to stay unnaturally soft and shelf-stable for weeks.Insulin Spikes: Added sugars (dextrose/HFCS) in the buns trigger rapid blood sugar crashes and lethargy.Industrial Additives: Use of sodium citrate (for plastic-like cheese melt) and antifoaming agents (in frying oils).Flash-Freezing: Destroys meat cell structures, resulting in a gray, rubbery texture rather than a juicy sear.The McDonald's attack on societyThe "Bliss Point": Engineered ratios of salt/sugar/fat that override the brain's "full" signal, feeling predatory rather than nourishing.The Uncanny Valley: Extreme consistency makes the food feel "fake" or "soulless" compared to artisanal, imperfect meals.Industrial Stigma: Global face of factory farming, mass land use, and high methane emissions.Disposable Culture: The lack of dining ritual (eating fast in a car/bag) leads to a psychological "guilt" or "grossness" post-consumption.Commodity Perception: Ultra-low pricing subconsciously signals "low quality" or "trash" ingredients to the brain.The controversial stain of CEO Chris Kempczinski"Failed Parents" Texts (2021): Leaked texts to Chicago's Mayor blaming the parents of Jaslyn Adams (7) and Adam Toledo (13) for their shooting deaths, stating they "failed those kids."The "Numbers Don't Matter" Remark: Reportedly told Black executives "numbers don't matter" when confronted with the decline of Black leadership from 42 to 7 executives.$10B Byron Allen Settlement (2025): Settled a massive racial stereotyping lawsuit regarding the company's refusal to contract with Black-owned media.VP "Purge" Allegations: Lawsuits from high-ranking female executives alleging a "war against the African American community" via demotions and ad-spend cuts.Peaster Retaliation Case: Allegations that Kempczinski "shunned" his Head of Security for challenging his "racist" texts during a company town hall.The "Franchisee Gap": Confirmed a $400,000 annual cash-flow deficit between Black-owned and White-owned franchises.Enforcement Loophole: Revealed that "Global Brand Standards" are largely unenforceable suggestions for the 95% of restaurants owned by franchisees.DEI Backsliding: Criticized for quietly removing DEI goals from executive bonus structures shortly after the audit concluded."Tough Love" Comments (2026): Blasted for "corporate gaslighting" after telling workers "nobody cares about your career as much as you do.""Broke Customer" Blame: Attributed declining sales to "low-income/broke" consumers while simultaneously defending aggressive menu price hikes.Predatory Pricing Tactics: Leaked internal documents showed teams targeting "budget-constrained" families with high-margin "add-on" items.Extreme Pay Inequality: Scrutiny over an $18–$20M compensation package, creating a 1,200:1 pay ratio compared to median workers.Franchisee Revolts: Intense friction over $70M in new tech fees and the 2025 cut of $100M in subsidies for worker tuition and Happy Meals.Cultural Legacy: Ongoing criticism for failing to dismantle the "boys' club" atmosphere inherited from predecessor Steve Easterbrook.Lead Independent Director Miles D. WhiteDirector since 2009.What was really behind Jack Dorsey laying off nearly half of Block's staff? CEO cited AI advances in cutting 4,000 workers, but a weak crypto market and declining stock price may also be at play. WHO DO YOU BLAME?Co-founder and CEO and Chair Jack Dorsey: 46% influence/41% voting powerIt is also the Board's duty to oversee senior management in the competent and ethical operation of the Company … ensure that the Company is committed to business excellence, ethical and honest conduct, and the highest levels of integrity.”Gender Diversity: The benchmark we reference for gender diversity is 50% representation for women.Board is 30% with 5% influenceLeadership is 27%Co-founder and director James McKelvey: 35% influence/10% voting powerThe Classified board structureThe Class B shares worth 10 votes (co-founders control 99.6% of these shares, Dorsey with 80%)Would have lost management vote on 2025 Equity Incentive Plan769,264,245:171,645,010… 171,343,335:171,645,010Jay-ZGEO Group leadership transitionOn February 6, 2026, J. David Donahue, the Company's Chief Executive Officer, provided notice to The GEO Group, Inc. (“GEO” or the “Company”) of his retirement effective February 28, 2026 (the “Separation Date”).(i) $104,167 per month commencing on March 1, 2026 and continuing through February 28, 2028 in accordance with the terms of the Consultant Agreement(ii) health insurance premiums for himself and any covered dependents for up to twenty-four (24) months(iii) the outstanding unvested stock options and restricted stock previously granted to Mr. Donahue will continue to vestOn February 9, 2026, George C. Zoley, GEO's founder and Executive Chairman, was appointed Chief Executive Officer effective March 1, 2026$1.2M/200%/300%Days after Trump's 2024 reelection—which private prison companies funded to the tune of over $1 million—Zoley hailed the “unprecedented opportunity” of the incoming administration's mass deportation campaign.“The GEO Group was built for this unique moment in our company's [and] country's history, and the opportunity that it will bring,” he beamed.George C. Zoley founded GEO in 1984; was appointed Executive Chairman on July 1, 2021; served as CEO from the time the Company went public in 1994 through June 2021; served as Chairman since May 2002; served as Vice Chair from January 1997 to May 2002. Prior to 1994, he served as President and Director from the Company's incorporation in 1988Feb 2026: completed a US$92.45 million share buybackWHO DO YOU BLAME?The GEO Group Emperor: George C. Zoley 84% influence!founded GEO in 1984; Chair (2002-2021); Executive Chair (2021-present); CEO (1994-2021); Vice Chair (1997-2002). Prior to 1994, Director (1988-)3% stock ownerThe Trump bromance:Days after Trump's 2024 reelection—which private prison companies funded to the tune of over $1 million—Zoley hailed the “unprecedented opportunity” of the incoming administration's mass deportation campaign: “The GEO Group was built for this unique moment in our company's [and] country's history, and the opportunity that it will bring,” he beamed.Pam Bondi: The current Attorney General was a former lobbyist for The GEO GroupA GEO Group subsidiary, GEO Acquisition II Inc., donated $1 million to a pro-Trump Super PAC. Additionally, the company contributed $500,000 to the 2025 inaugural committee—double what it gave for the 2017 inaugurationThe economic opportunism of private prisons with ICE contracts2/13/26: Private prison company GEO Group on Thursday reported a company record of $254 million in profit last year—a roughly 700% increase over 2024—driven by asset sales and contracts with the Trump administration to build several new US Immigration and Customs Enforcement detention facilities across the US.The top 4 sleepy institutional investors (34%)Blackrock 13.8% Vanguard 9.5% Wolf Hill Capital Management 5.5% FMR 5.0%The CEO clown car after June 2021 meant to keep Zoley powerfulJose Gordo (1/1/21-12/31/23); was also directorBrian Evans (1/1/24-12/31/24); was not directorJ. David Donahue CEO (1/1/25-2/28/26); was not directorThe intentionally incompetent Compensation Committee in charge of succession planning2025 proxy: Jack Brewer (Chairman), Thomas C. Bartzokis, Scott Kernan, Terry MayotteBrewer is former NFL playerBartzokis is cardiologistKernan is Agency Secretary of the California Department of Corrections and RehabilitationMayotte has stepped down2024 proxy: Terry Mayotte (Chairman), Thomas C. Bartzokis, Scott Kernan, Andrew Shapiro2023 proxy: Terry Mayotte (Chairman), Anne N. Foreman, Andrew Shapiro2022 proxy: Richard H. Glanton (Chairman), Anne N. Foreman, Terry Mayotte2021 proxy: Richard H. Glanton (Chairman), Jose Gordo, Duane Helkowski, Guido Van HauwermeirenGEO Group's weird lack of transparency: maybe the only public website or investors website i've ever seen that does not list management or board membershttps://www.geogroup.com/about-us/management_team/Page not found :(Sam Altman Is Realizing He Made a Gigantic Mistake"Opportunistic and sloppy."OpenAI CEO Sam Altman is continuing his apology tour, conceding OpenAI "shouldn't have rushed" its Department of Defense deal.OpenAI CEO Sam Altman went into full damage control mode over the weekend. A day before the United States attacked Iran, the embattled CEO announced that the company had signed a new agreement with the Pentagon over how its AI models could be used — and the blowback is clearly impacting the company's bottom line, because Altman is sounding deeply defensive.Many users saw the military terms move as an attempt to swoop in and yank a multibillion-dollar government contract from the clutches of its rival, Anthropic. Last week, Anthropic's CEO Dario Amodei refused to give in to the Department of Defense's demands, drawing a line in the sand and insisting that its AI models may not be used for autonomous killing machines or mass surveillance of Americans, a decision lauded by many users of its chatbot Claude.WHO DO YOU BLAME?Sam AltmanWAR WITH IRANA “business”-”man” (baby) running the country used to transaction approach to everything, including trading young girls with Epstein, leads the US into war with Iran for speculative and imaginary reasons - WHO DO YOU BLAME??Founder fetish (President/CEO!)Sycophantic boards (Congress!)Investors (Voters!)China! (China!)

IT'S TIME TO WATCH THE MUPPETS! This week we watched The Muppet Show special. Distracted rants include but are not limited to D'ORC #1, allergies, Jennifer Saunders, it's a musical, Steve Whitmire, Sea shanties, Tim Curry, Hook, Happy Meal toys, and much more!"The Muppets set sail in search of treasure, with Jim Hawkins and Long John Silver."Follow us:tiktok.com/@ittwtmInstagram.com/ittwtm

Recorded before a live Facebook (and YouTube) audience, Will, Kat and Jon discuss the following topics:0:00 - Introduction5:50 - New York's Longest-Running Play is also it's “worst”13:50 - Bigfoot! The Musical was spotted on Broadway19:00 - The Cure Wins their first Grammys25:00 - Does Steven Spielberg deserve his Grammy?28:50 - McDonald's has brought back an iconic 80s Happy Meal toy38:00 - The first Happy Meal movie tie-in was Star Trek44:40 - What happened to the Klingons look?53:50 - How 1984 changed Super Bowl commercials forever1:03:40 - Wrap Up and Thank YouFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snowRead our new book Totally Bogus (But True) Tales from the 1980s!

Tras el reciente lanzamiento del Happy Meal de Friends, Sol y George se sentaron un ratito a recordar momentos memorables de la serie, sus episodios favoritos y los personajes con los que más se identificaron. Busca tu café, siéntate como si estuvieras en Central Perk y disfruta de este recorrido por la serie favorita de los GenX. 

Episode Description “Would you push Alan Alda in front of a bus if it meant saving Dick Van Dyke?” That's just one of the wild, thought-provoking questions that kick off this episode of The Sandy Show!

This week on Radio Free Cybertron, the spotlight lands on Missing Link Grimlock and whether its size, features, and price make it the Dinobots fans have been waiting for. We also take a look at McDonald's latest Changeables-style Transformers, revisiting a fast-food classic with modern flair. Along the way, Brian catches up on recent pickups, sharing impressions on what's landed, what's impressed, and what maybe should've stayed in the box.

This week on Radio Free Cybertron, the spotlight lands on Missing Link Grimlock and whether its size, features, and price make it the Dinobots fans have been waiting for. We also take a look at McDonald's latest Changeables-style Transformers, revisiting a fast-food classic with modern flair. Along the way, Brian catches up on recent pickups, sharing impressions on what's landed, what's impressed, and what maybe should've stayed in the box.

In this episode, Dad explains Gen Z slang like Rizz, NPC Energy, and Mid in a classic Back In My Day rant. If you are confused by modern logic, this Dad Explains Gen Z slang breakdown is for you. Welcome back to the Stay Outta My Fridge Podcast! Today, Beard Laws dives deep into the "Dad Life" struggles. We're breaking down why Gen Z Slang makes zero sense, why music used to have actual intros, and the tragedy of modern Happy Meal toys. Plus, we discuss the unwritten rules of the household—including the "Sacred Thermostat" and why every dad has that one specific fork. [Episode Highlights] Dad Explains Gen Z Slang: What is Rizz? Is it just confidence? NPC Energy: Why do we call people NPCs now? Back In My Day: Why parenting, music, and food were better in the 90s. Dad Logic: The rules of the thermostat and the fridge. [Sponsors & Deals] SQUATCH JUICE: The best way to hydrate and focus. Use code BEARDLAWS to save! [Insert Link to Squatch Juice] LIVE BEARDED: The best beard products I've ever used. Use code BEARDLAWS to save! [Insert Link to LiveBearded.com] [Stay Connected] Subscribe to the Beard Laws Network: https://youtube.com/beardlaws Follow on Instagram: [Insert Link] #DadExplainsGenZSlang #BackInMyDay #BeardLaws #GenZSlang #DadLife #Podcast #Rizz #NPCenergy About the Beard Laws Network The Beard Laws Network delivers weekly shows covering parenting humor, family comedy, sports culture, true crime, conspiracies, and strange real-life stories. New episodes every week. Watch More: ️ Beard Laws Network Shorts: https://www.youtube.com/@BeardLawsNetwork/shorts ️ Main Beard Laws Channel: https://www.youtube.com/@BeardLaws Follow on Socials: TikTok • Instagram • Facebook https://linktr.ee/beardlaws Like, comment, and share — it helps the channel grow more than you think. Chapters 00:00 Introduction: Back in My Day 03:14 TikTok Slang and Modern Communication 06:33 Parenting in the Modern World 08:14 The Evolution of Music 11:12 Kids' Meals: Then and Now 13:04 Homemade vs. Fast Food 17:03 School Fundraisers: A Lost Art 18:50 Things No One Warns You About as a Dad 21:32 Snacks: Community Property? 23:55 Couches and Comfort 25:15 The Fridge: A Source of Hope 27:33 Conclusion: Embracing the Chaos of Modern Life Friends of the show: Live Bearded - https://livebearded.com Yellow Leaf Hammocks - https://www.yellowleafhammocks.com/products/the-vista Shinesty - https://shinesty.com/?ref=beardlaws Want your fridge roasted? Share your weirdest item in the comments for a future Fridge Detective segment! Like, share, and subscribe to join the Stay Outta My Fridge community! Your support helps us grow! Stay curious with Beard Laws Studio—Stay Outta My Fridge: Your go-to for family entertainment! Listen to Full Episodes & Clips ➜ Beard Laws Network Shorts: https://www.youtube.com/@BeardLawsNetwork/shorts ➜ Main Beard Laws Channel: https://www.youtube.com/@BeardLaws Follow on Socials TikTok, Instagram, Facebook, and more → https://linktr.ee/beardlaws Support the Show Like, comment, and share this episode — it helps the Network grow a TON! If you enjoyed this episode, please subscribe and leave a 5-star review on your favorite podcast app! It's the best way to help our family show reach more people.This has been The Stay Outta My Fridge Podcast, your source for family comedy, snack reviews, and '90s nostalgia.Find us on social media The Stay Outta My Fridge Podcast is a part of the Bleav Network. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

McDonald's post-pandemic prices aren't the only things that are ballooning in size. Their food is too. They're introducing even bigger burgers... likely at a premium price. But hey, Changeables -- those Transformers knockoffs from the 80s and 90s -- are coming back to Happy Meals. So there's THAT.Watch the podcast episodes on YouTube and all major podcast hosts including Spotify.CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles.Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/On YouTube - https://www.youtube.com/c/ClownfishTVOn Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvgOn Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Murphy is in trouble for something he said on the show. Find out who called him about it.Your Morning Pick Me Up just after 7am.Are Pokémon Happy Meals coming? The Food Dude lets us know. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fresh off the long Thanksgiving weekend, Jim and Lauren crawl out from under their leftover Pilgrim sandwiches to talk about Zootopia 2 absolutely owning the holiday box office, how that might shape Disney's sequel strategy, and the must-have merch that is already slithering into the parks. They also dig into McDonald's massive 70th anniversary Happy Meal promotion, Disney's official holiday book guide, and a couple of doorstop tomes that are now living in the Hersey household. In the back half, Jim takes Lauren on a whirlwind tour through nearly 80 years of Disney's talking-animal history - from Song of the South all the way to Judy Hopps and Nick Wilde. NEWS • Zootopia 2's Thanksgiving opening pulls in a projected 156 million dollars domestically and around 400 million dollars overseas in just five days - more than half a billion total and one of the biggest Thanksgiving hauls ever. • How those numbers stack up against Wicked for Good and last year's Moana 2, plus why Universal probably is not panicking while it waits for the inevitable Wicked sing-along edition and a newly announced Galinda prequel novel. • The debut of Gary the Snake - a gloriously weird Zootopia 2 sipper at Disneyland - and Jim's crusade to track down Nog the snow seal pup plush that was gifted to Disney Television Animation staffers. • McDonald's 70th celebration Happy Meal, featuring 70 different Disney, Pixar, Marvel, Star Wars, and classic character toys with two figures per box - plus online grumbling over who made the cut (hello, Clarabelle) and who suspiciously did not (sorry, Cinderella). • Disney Parks Blog's holiday book guide, from deep-dive art and history titles like the X Atencio tribute and John Landau's memoir to Moana's “What if she stole the heart?” Twisted Tale, kid-friendly atlases, scratch-n-sniff adventures, and the giant Holiday Magic at the Disney Parks and Bring the Magic Home books currently threatening Lauren's fingernails. FEATURE • A crash course in Disney's history with anthropomorphized animals - starting with the animated sequences in 1946's Song of the South and why so many artists remembered that era as their happiest time at the studio after returning from World War II. • The rise and fall of the abandoned Chanticleer project, the “Roy's Boys” money feud with Walt, and how that detour accidentally sent Mark Davis to Imagineering where he helped create icons like Pirates of the Caribbean and Haunted Mansion. • How The Aristocats, Robin Hood, and even The Jungle Book paved the way for modern animal worlds - including the infamous animation recycling in Robin Hood's “Phony King of England” sequence that sharp-eyed fans still spot today. • The long development path from the shelved spy thriller Savage Seas, starring Jack Savage, to the fully realized animal metropolis of Zootopia - including John Lasseter's notes, Jared Bush's CIA family background, and the last-minute decision to swap Nick Wilde out for Judy Hopps as the true lead. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Lauren Hersey - IG: @lauren_hersey_ | X: @laurenhersey2 FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode of I Want That Too is brought to you by our friends at UnlockedMagic.com - the same trusted team behind the DVC Rental Store and DVC Resale Market. If you are planning a trip to Central Florida to visit Walt Disney World or Universal Orlando, the Unlocked Magic crew has some of the best deals on tickets, so do yourself a favor and use UnlockedMagic.com to make your next vacation just a little more magical. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Shapiro, Matt Walsh, and Michael Knowles break down the National Guard shooting and the dangerous reminder it gives the country about Biden's disastrous immigrations admissions policies. Who got in, who is still out there, and what needs to happen next. Plus, the escalating tensions between the United States and Venezuela. The wartime crime accusations surrounding Pete Hegseth and more tonight. - - - Today's Sponsors: PreBorn! - Help save babies from abortion and donate today at https://preborn.com/FIRE or dial #250 and say keyword ‘BABY'   American Financing - Visit http://www.AmericanFinancing.net/FriendlyFire or call (866) 891-3262 today! NMLS 182334, https://nmlsconsumeraccess.org Balance of Nature - Go to https://balanceofnature.com/pages/podcasters to get a FREE Variety Snack Pack plus a FREE Preferred Customer membership with your first set of Balance of Nature supplements.  Kalshi - Visit https://kalshi.com/friendlyfire to see live prediction markets and sign up today to trade on the outcomes that matter most to you. - - - 50% off DailyWire+ annual memberships will not return for another year so don't miss this deal! Join now at https://dailywire.com/cyberweek - - - Privacy Policy: https://www.dailywire.com/privacy Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Disneyland After Dark events announced for 2026, a chance to see a new documentary before the general public, Dick Van Dyke is turning 100, D23 2026 member gifts announced, mobile order changes at the resort, purchasing tickets might become less predictable, we finish our conversation with Paul Briggs, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Disneyland After Dark is coming back for 2026, with a new nite, along with some returning popular nites. New for 2026 will be Disneyland After Dark 70 Years of Favorites, which Disney describes as “weaving together the best of Disneyland happenings, including nods to favorite musical moments, shows, and characters.” Returning nites include Sweetheart's Nite, Disney Channel Nite, Star Wars Nite, and Pride Nite. Sweetheart's Nite will take place on 9 nights from late January to February 17th, with a new “Celebrate Love Cavalcade” and “Once Upon a Dream – A Musical Journey Through the Disney Songbook” featuring live singers and Disney royalty that ends with a ball underneath the stars. 70 Years of Favorites will take place on March 3rd and 5th, and feature swing dancing at Royal Theatre in Fantasyland, a Videopolis Dance Party at Tomorrowland Terrace, line dancing at The Golden Horseshoe, sentimental photo opportunities, and characters from days gone by. Tickets for both these events go on sale for Magic Key holders on December 9th, with general ticket sales starting on December 11th. Disney Channel Nite will take place on April 12th, 14th, and 16th, Star Wars Nite will span 4 dates on April 28th, April 30th, May 4th, and May 6th. Finally, Pride Nite will happen on June 16th and June 18th. - https://disneyparksblog.com/dlr/dates-and-details-for-disneyland-after-dark-events/ https://www.micechat.com/427679-disneyland-news-holiday-hights-lows-pricing-woes-talking-tree/ Leslie Iwerks has a new documentary on Disneyland coming out named Disneyland Handcrafted. The documentary will premiere for general audiences on Disney+ later this winter, but D23 members can see it early in January! Tickets to the event include a conversation with Leslie Iwerks and other Disney Company people prior to the screening, a screening of Disneyland Handcrafted in the main theater on the Disney Studios Lot, an after-screening reception with light snacks and refreshments, and a commemorative event credential. To get tickets, visit the link in the show notes. Tickets go on sale December 5th. - https://www.laughingplace.com/disney-parks/d23-premiere-disneyland-handcrafted-documentary/ Disney Legend Dick Van Dyke will be turning 100 in December! Fans are organizing a Dick Van Dyke 100th Birthday Fan Meetup at Disneyland on December 21st. Guests can dress up to honor the legend, with a group photo at 11am at Sleeping Beauty Castle, a group ride on King Arthur's Carousel at 11:30, lunch at Jolly Holiday at noon, and the Pearly Band at 1pm. - https://www.instagram.com/p/DRP3jSuknT6/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== D23, the Official Disney Fan Club, has announced the member gifts for 2026. Members at the D23 Gold Choice or Complete plan will receive the 2026 membership kit, plus their choice of exclusive D23 premium items. These items include a Sorcerer's Apprentice Mickey Mouse Collector Statue, Loungefly x Disney Oswald Backpack & Ears Bundle, RSVLTS x Disney Shirt, or D23 Gold Member 10-Piece Pin Box Set. D23 Memberships are available as Gold Member Essential, which for $49.99/year gets the membership kit only, Gold Member Choice at $119.99/year gets the membership kit and one premium item, or the Gold Member Complete at $329.99/year, which gets the membership kit and all four premium items. - https://d23.com/d23-in-2026-epic-events-outstanding-offerings-and-memorable-moments-to-come/ Mobile order has expanded over the last few years to a lot of locations at the Disneyland Resort. This past week, locations were removed from the service. Disney's Wonderful World of Sweets in Downtown Disney, Pooh Corner, and Candy Palace and Candy Kitchen in Disneyland, Bing Bong's Sweets, and Trolley Treats in Disney California Adventure are no longer using the system. - https://www.disneyfoodblog.com/2025/11/22/news-mobile-order-removed-from-some-locations-on-disneyland-app/ Buying tickets to the Disneyland Resort might start to look more like booking tickets on an airline in the coming years. Dynamic pricing, or the ability for Disney to change the pricing depending on several factors throughout the day, week, or year, is already in place at Disneyland Paris, and according to Disney Chief Financial Officer Hugh Johnston, might be coming to the US parks. Ultimately, this will remove flat-rate pricing for specific days, and go to a range of prices for a day, which can vary based on attendance and weather, to name a few. - https://www.laughingplace.com/disney-parks/disney-parks-dynamic-pricing-coming-to-domestic-parks/ As the expansion to Avenger's Campus continues, Walt Disney Imagineering has shared a behind-the-scenes look at the recent progress, which includes the canopy connecting Avenger's Infinity Defense and Stark Flight Lab being assembled. There is still no official opening date for these additions, but progress is moving quickly. - https://www.disneyfoodblog.com/2025/11/20/new-behind-the-scenes-look-at-disneys-avengers-campus-expansion/ Weeklyteers who like Disneyland and McDonald's Happy Meals are in for a treat! To continue the 70th anniversary celebration of Disneyland, the two giants are partnering to offer 70 Happy Meal toys starting on December 2nd. Two toys will be provided in each Happy Meal and should run through January 12th. The toys feature figures from Disney Animation, Pixar, Marvel, and Star Wars. A couple of parks specific toys are the Hatbox Ghost, and Sleeping Beauty Castle in regular and gold variations. - https://www.laughingplace.com/disney-parks/disneyland-70th-happy-meal-toys/ Walt Disney Imagineering is helping communities rebuild after the devastating fires that burned through the region earlier this year. $5 million dollars are being allocated to Altadena's Charles White Park, which will feature a new community center, and an enhanced playground. Enhancements will include play areas inspired by Altadena's Deodar Cedar pinecones, a splash pad, bridges, boulders, slides, swings… and what looks like a grove of giant clovers which might be from the old Bug's Land. - https://www.micechat.com/427679-disneyland-news-holiday-hights-lows-pricing-woes-talking-tree/ Olaf coming to Disneyland Paris and Hong Kong Disneyland. - https://www.youtube.com/watch?v=EoPN02bmzrE https://www.instagram.com/reel/DRcmtaHChvF/?igsh=MXN2d2t1aHBiaGxw SnackChat: Disney Recipe Ideas for Thanksgiving Leftovers - https://disneyparksblog.com/disney-experiences/disney-eats-thanksgiving-leftovers-recipes-from-disney-parks/ Lunch coming to River Belle Terrace - https://www.laughingplace.com/disney-parks/disneyland-river-belle-terrace-adds-lunch/ TriviaLand: Pirates of the Caribbean ride through - https://youtu.be/SakgAjh6xc4?si=FsCigo3y89B7dePE Discussion Topic: Director, Animator, and Tiki Enthusiast Paul Briggs - https://instagram.com/paul_briggs_tiki https://archive.org/details/the-illusion-of-life-disney-animation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, Tarryn & Mari TOUCHUP on big hair, 90’s glam, and the many lives of the incomparable Trisha Yearwood. From her DIY beauty days to writing every song on her new album The Mirror, Trisha brings stories, honesty, and plenty of surprises. She shares her skincare secrets (spoiler: Dove soap and witch hazel), gets real about body image and self-forgiveness, and even addresses the question: has she had any work done?