Podcasts about Shinya Tsukamoto

Au sommaire de cette spéciale cinéma asiatique : Retours sur les dernières sorties Carlotta Films, à savoir, La Vengeance de la Sirène (Toshiharu Ikeda, 1984), Life is cheap... but toilet paper is expensive (Wayne Wang, 1989), Ichi The Killer (Takashi Miike, 2001), L'Ombre du feu (Shinya Tsukamoto, 2023) & Full River Red (Zhang Yimou, 2023). Bonne écoute à toutes et tous !

In questo episodio Leo e Sacco vi parlano di:00:00:00 - Inizio puntata00:03:52 - Tetsuo di Shinya Tsukamoto e la retrospettiva di Cat People00:24:02 - Opus di Mark Anthony Green00:36:46 - The Shrouds di David Cronenberg00:53:21 - Letterboxd & News

Victoria and Chelsea sit down with their old master to discuss Martin Scorsese's spiritual drama SILENCE (2016). Plus we talk about MEGALOPOLIS (2024), Ivan Reitman, barrel shaped coffins, and getting torture right in movies. Follow Sam Brown: https://www.instagram.com/thatsambrown/Take A Class: https://sambrownuniversity.com/SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com  SHOP THE SHOW: TEE PUBLIC 

Que 2025 seja um ano de transformação, mas nem tantas. Decidi começar logo o ano com o primeiro podcast (que já tinha gravado ano passado e não tinha publicado), que fala sobre o filme The Substance, de Coralie Fargeat (um nome que, por sinal, eu pronuncio errado em todas as vezes no episódio). Eu gostei do filme, mas não pelos motivos pelos quais a maioria das pessoas gostou - e desgostei de algumas coisinhas que resolvi não falar. Enquanto todos enxergaram uma história sobre dismorfia corporal, eu vi um filme sobre dismorfia corporal e dissociação de personalidade. Elizabeth Sparke e Sue são ao mesmo tempo a mesma pessoa e pessoas distintas, são adversárias e co-dependentes. A relação entre elas se torna a vontade lascívia de atenção (Sue) parasitando a pessoal real (Elizabeth) a ponto de deforma-la. Quanto mais parasita, mais deforma. Muitos mencionaram as referências a Cronenberg, mas eu também percebi referências a Cronenberg e Akira, de Katsuhiro Otomo. E agora, pensando bem, o filme também remete a Tetsuo, de Shinya Tsukamoto, e 964 Pinocchio, de Shozin Fukui — talvez eu devesse ter comentado isso. Quando tentam, mais uma vez, se fundir em uma só, se transformam em uma aberração mal-ajambrada, formada por partes que não deveriam estar onde estão. Texto completo: https://tavernadolugarnenhum.com.br/resenha/a-substancia/

EPISODE #432: Thanks to the Criterion Channel, we finally visit one of the great cult horror films of all time: TETSUO: THE IRON MAN (1989) from writer/director/editor/photographer Shinya Tsukamoto. It's a little bit ULTRA Q and a little bit NEUROMANCER and a whole lot of grotesque confusion. It's great. Go check it out now. We also talk about Anderson's MAGNOLIA (1999) again, SLOW HORSES Season 4 on Apple+, as well as THE SUBSTANCE (2024), Tarsem's THE FALL (2006), Verhoven's TOTAL RECALL (1990), and Miyazaki's HOWL'S MOVING CASTLE (2004). Lots of good stuff from Beyond Fest and others. Cinema is all aroun you, folks! Join the cause at Patreon.com/Quality. Follow the us on Ton Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

New York Now with Yasuko  #59「 森山未來さんと映画『ほかげ』塚本監督」 NYジャパンソサエティで毎年恒例の映画祭「JAPAN CUTS」。2024年のCUT ABOVE 賞を受賞した俳優の森山未來さんと、映画『ほかげ』の塚本晋也監督のお話をお届けします。戦後の絶望の中を生きる片腕の動かない男を演じた森山さん。監督と共に、映画や戦争に対する思い、そして「さくらラジオ独占ミニインタビュー」もお楽しみ頂けます！「ほかげ」公式サイト：https://hokage-movie.com/(インタビュー 聞き手）Yasuko Numata 沼田靖子website： https://www.newyorkyasuko.com/  Instagram: https://www.instagram.com/yasuko_ 

Zach and Rashmi conclude their journey through Japanese Horror Cinema with a leap forward in time to that terrifying new metal world as they deep dive Shinya Tsukamoto's 1989 cult classic, TETSUO: THE IRON MAN! Join them as they get lost in Shinya's whirlpool of madness and the many ways this cyber-punk terror piece has shaped the world of horror and cinema at large. PLUS: A SPECIAL ANNOUNCEMENT!

Jonathan returns in the guest seat to discuss 1989's Japanese experimental sci-fi body horror movie "Tetsuo: The Iron Man" directed, written, produced, and edited by Shinya Tsukamoto in his first first feature length film with Spoop Bois Aaron and Derek. They get into the themes or lack thereof, personal interpretations of what's happening in the movie, and how it assaults the senses. They also talk about Tsukamoto's journey to making this, the brutal experience shooting it, the practicality behind the metal prosthetics, the industrial soundtrack and many many other aspects of the film. Derek's brain will soon be metal. Aaron's future is metal. Jonathan will turn the entire world to rust! Support us on Patreon: https://www.patreon.com/WatchIfYouDare We are on PodBean, Apple Podcasts, Podchaser, Goodpods, Amazon Music, Spotify, iHeartRadio and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Facebook and Twitter @WatchIfYouDare

Strap in for an aural assault because we're checking out Shinya Tsukamoto's Tetsuo: The Iron Man (1989) for its 35th anniversary. C/W: the cat dies. This 67 minute black and white, nearly dialogue-free film is a wild and intense experience. It's also surprisingly queer! From a sexually dissatisfied hetero couple to men checking each other out during sex to M/M assimilation to jizzy fluids, it's not a reach to say the salary man and the metal fetishist are into each other. And that's without even getting into the metal dick drill of it all! References: > Evan Benner. "Finding Radical Queer Pride in ‘Tetsuo: The Iron Man' (1989)." Horror Press > Tom Mes. "Metallic K.O. - Tetsuo: The Iron Man" Iron Man. The Cinema of Shinya Tsukamoto. Fab Press Publications > Mark Player. "Post-Human Nightmares – The World of Japanese Cyberpunk Cinema." Midnight Eye Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada    Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Fright Mic, Liz and Sam plunge into the surreal and nightmarish world of cyberpunk horror as they dissect Shinya Tsukamoto's "Tetsuo: The Iron Man." In this episode, we explore the visceral and mind-bending journey of a man who finds himself consumed by an uncontrollable transformation into a grotesque fusion of flesh and metal.Want more fright-fully good content? Help support small creators like us by heading over to http://patreon.com/frightmicpodcast for just a few dollars a month and you'll get access to tons more episodes and bonus content!Fright Mic is an independent horror podcast. We would love to have you join our Fright Fam by following us on all our socials!MERCH- https://frightmic.creator-spring.com/Facebook- https://www.facebook.com/frightmicghouls/FRIGHT CLUB- https://www.facebook.com/groups/1023194868477050Instagram- https://www.instagram.com/frightmicpodcast/Twitter- https://twitter.com/frightmicpod?lang=enTiktok- https://www.tiktok.com/@frightmicpodcastDiscord- https://discord.com/channels/1121544578999275520/1121544579448045693Join usss……Support the Show.

Author Frank Schildiner returns to the show for the final episode of the season. This time, we discuss Shinya Tsukamoto's serial killer thriller, Nightmare Detective. Though it has some unique ideas and impressive filmmaking, there are some shortcomings that we discuss.Thanks so much for listening to this season of Japan On Film! We're going to go on a hiatus, but we'll be back in a few months with more great discussions about Japanese movies. And if you're interested in being a guest yourself, please visit the website to find out more information.Hosted by Perry ConstantineGuest-Starring Frank SchildinerCheck out Frank's books on Amazon.JapanOnFilm.comThreadsBlueskyInstagramFacebookDiscordWe Made This on TwitterWe Made This Network

#Japanuary-Spezial Der #Japanuary soll ja auch Leute zusammenbringen und so brachte man uns Johannes und Max, um mit Michael und Michael über Shinya Tsukamoto und dessen Samurai-Antikriegsfilm Killing zu sprechen. Dabei geht es auch recht wild durch seine Filmographie und zu anderen relevanten Werken. Großes Chaos! Podcast herunterladen

It's a cyberpunk body-horror story of sex and violence, shot through with the kind of late 1980s indie movie aesthetics that we seriously miss, sitting somewhere between David Lynch and MTV.  Starring Shinya Tsukamoto, Tomorowo Taguchi, and Kei Fujiwara. Written and directed by Shinya Tsukamoto.

Welcome back to Queerdo Babes From the Horror Pod-O-Rama with its goofy but excited host, Murphy. Today is a solo episode about Tetsuo the Iron Man, the non-binary body and abjection through Murphy's eyes. The first episode to first be written out as an essay first and recorded after. Refrences used and looked at for research are listed below thank you for listening Contains spoilers for Tetsuo the Iron Man 1989 Refrences: Iron Man: The Cinema of Shinya Tsukamoto by Tom Mes Metal-Morphosis: Post Industrial Crisis and the Tormented Body in the Tetsuo FIlms By Ian Conrich (Included in Japanese Horror Cinema edited by Jay McRoy) "Assault on the Senses" Film Essasy by Jasper Sharp Shinya Tsukamoto self-cunducted interview for Third Eye Films 2012  Shinya Tsukamoto interview for MidnightEye.com 2011 Shinya Tsukamoto interview with Tom Mes for BFI 2020 Tom Mes film commentary for Arrow Tetsuo release as part of Solid Metal Nightmares Box set "Our Love Will Turn This Whole Fucking World to Rust" -article Perry Ruhland, FilmandFishnet.com Julia Kristeva's Theory of Abjection Follow us on instagram @QueerdoBabesPodorama or email us at WeAreTheQueerdos@gmail.com Artwork by @otaconnor Intro/outro music is The Spook Returns by ROADTOMUSIC

#Japanuary-Spezial Wir beginnen diesen #Japanuary mit einer kleinen Schnellrunde. Ohne Spoiler und viel gerede geht es um Thermae Romae I und II, Fly Me to the Saitama I und 2 und Color Me True von Hideki Takeuchi. Also viele dumme Komödien und einen kitschigen Liebesfilm. Als Kontrast dazu gibt es die Kaidan Horror Classics von Hirokazu Kore-eda, Shinya Tsukamoto, Masayuki Ochiai und Lee Sang-il. Viel Spaß. Podcast herunterladen

Our October horror series continues as Byrd, Tom, Lux and Kevin discuss Shinya Tsukamoto's cult classic Tetsuo trilogy!  Tsukamoto burst onto the Japanese indie scene with the first film in 1989, cementing him as a master of surrealist outsider cinema, putting his name alongside directors like Sogo Ishii, David Lynch, and David Cronenberg, and also becoming an icon of the emerging Japanese cyberpunk scene.  Tetsuo The Iron Man told the story of a Japanese salaryman slowly transforming into a mass of flesh, steel and raging libido.  1992's The Body Hammer took a less surrealistic approach to the material with a more straightforward narrative about a Japanese man who is tricked into murdering his son and his rage manifests in the form of guns and metal.  2009's The Bullet Man was an attempt to appeal to an American audience, with an English speaking cast and delving into the lore of the Tetsuo cyborg monster.  Although Tsukamoto's films are NOT for the faint of heart, they've managed to be extremely influential on genre cinema the world over.  In addition to the movies, we also discuss Tsukamoto's career, the definition of "cyberpunk," some of his famous fans and collaborators (including Martin Scorsese, Takashi Miike, Nine Inch Nails, and Quentin Tarantino), and how Tsukamoto's themes of destruction, sexuality, and man's merging with technology continue to be thought provoking years after his debut.  Sit back and enjoy the show!  Together, we can turn this world into rust!

Hosts Josh and Jamie and special returning guest Trevor Henderson discuss two visually surreal/imaginative, ostensibly "kid-friendly" Japanese body-horror creature features with a double feature of Shinya Tsukamoto's HIRUKO THE GOBLIN (1991) and Hideyuki Hirayama's HAUNTED SCHOOL (1995). Next week's episode is a patron-exclusive bonus episode on THE SEARCHERS (1956) and HARDCORE (1979), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Buy Trevor's book: https://www.scholastic.ca/books/view/scarewaves Intro // 00:00-17:14 HIRUKO THE GOBLIN // 18:27-1:13:52 HAUNTED SCHOOL //1:13:52-2:45:45 Outro // 2:05:52-2:11:20 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

John Cribbs & Christopher Funderburg are back with their rundown of the 2023 Toronto International Film Festival! From the highest highs (The Boy and the Heron) to the lowest lows (Limbo) and the poutine in between, they take a look at the state of cinema as explicated by one of the world's premiere film festivals. They discuss new films by Wim Wenders, Anna Kendrick, Ethan Hawke, Hayao Miyazaki, Errol Morris, Victor Erice, Catherine Breillat, Richard Linklater, Shinya Tsukamoto and so much more - they discuss not just the highlights, but every single goddamn film they saw while in the Queen City! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

The DOtD lads head to a machine shop as we review Shinya Tsukamoto's “Tetsuo: The Iron Man”. We talk through the film's influence and influences, its unique audiovisual presentation, and its fetish for metal (not the genre). Spoilers in the dick drill.Like & Subscribe to keep updated on new episodes!Website: https://www.dotdhorror.com/Facebook: https://www.facebook.com/dontopenthatdoorTwitter: https://twitter.com/DOtDHorror Instagram: https://www.instagram.com/dotdhorror

John Cribbs & Christopher Funderburg return to the Queen City for the 48th annual Toronto International Film Festival to watch all the best in the current world of le cinema. With a line-up seemingly handcrafted to get us excited, we talk our must-see films, wildcards, and the ones we're dreading. Included in this year's slate are new movies by Hayao Miyazaki, Errol Morris Victor Erice, Catherine Breillat, Richard Linklater, Shinya Tsukamoto and more …choosing which titles among the 300+ entries to see is going to be tough. Get psyched! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

A big left turn from the wholesome, super hero antics of 'Superman', we take a gander at Shinya Tsukamoto's cyberpunk classic. Enjoy!

On tonights episode we go straight up Raimi and get in touch with our necrosexual mechaphilia during our Midnight Ritual of Tetsuo: The Iron Man(1989)! Join Rusty Roads, Grannyhouse and anime grunting T-Boo for a story about a metal fetishist who becomes a Japanese Magneto. This upper echelon hidden gem was so much fun to talk about and we'd like to know what you think about it. Watch the film and join The Night Club Discord: https://discord.gg/6djQmznSjA Come visit and pass a good time with us! The Night Club Official Website: https://thenightclub.fireside.fm/ TNC Email: thenightclubpodcast@gmail.com

FAN SERVICE EPISODE!       JDO gets a business call from a bill collector, the city mafia, dumb money bullshit, living close to the bone, decision to steal, Robin Hood of Water, the cost of living has got people feeling down, The Idol, why does everyone hate this show?, what's the criteria for “earning trashiness”?, getting opinions from Twitter, caring about tabloids, engaging with the backstory of art, sublimating the urge to do something with dumb shit, Vikings fans, Shinya Tsukamoto's way of running a movie set, hiding old episodes, Hannibal lovefest, reaching your limits with gore, hating food sex, searching for the secret heart, music video style, agreeing to disagree, the monotone style of Succession, what is bad acting?, turning vocal chords into catgut violin strings, the many emotions of Mads Mikkelsen, Pusher II, Otaku: Database Animals, Beautiful Fighting Girls, and do otaku have a sexuality? PATREON:   Fan service talk, different approaches to possession of work, management vs. embodiment, taking canon into your own hands, otakus as the zoomers of 90s japan, catgirls, a new type of queerness, being gay for your wife, Fire Force, spontaneous combustion, demon kids, big titties, shower rooms as safe zones, are girls bothered by any of this?, shirtless Jason Statham, alpha vs. beta responses, Food Wars, orgasming while eating, camel toe clenching, food hentai, great gifts from the wife, Dandadan, Turbo Granny, father and son chefs, self-editing writers, the alchemy of fun, the spontaneous nature of anime, passively reading hypersexual material, nerds who don't fuck, Basic Instinct, what fantasy readers like, what people get out of art, wabi-sabi, Kima's marker, John Scalzi's Kaiju Preservation Society, red shirts, Joss Whedon style, The Oatmeal, an excerpt from KPS, Twitter hates Scalzi, The Sound and the Fury, not dismissing things you don't care for, talking in memes, fast pacing, beer goggles, writing like Reddit, getting drunk and telling famous authors they suck, the Black Person Name Dictionary, the utility of having characters look at each other, grinning twice, a Snow Crash / Frozen joke, different humor life paths, ass booty writers, readers don't pretend, giving readers a gift, having a nuanced opinion, figuring out why people like dumb shit, fulfilling a purpose, shopping for wives, reverse Christmas, figuring shit out live on the podcast, the urge to destroy art, I Am a Virgo, ordering shit on Amazon, alt-lit as the mumblecore of books, trips to the post office, and wives who put up with us.

Asking John Grant to describe the essence of the record he is working on now, elicits a response that fascinates from the get go. “I'm trying to marry the vibe of Blade Runner with - wait a minute - let me go and get this movie [shows me Tetsu The Iron Man]. I want to blend Sonic Youth with Blade Runner, Evil Dead and Halloween 3”. John was struggling to articulate a few things on the day we met, including the one word essence of this new album project, but I'm going to guess the word that he was looking for was cyberpunk. If you don't know it, Tetsuo: The Iron Man is a 1989 Japanese tokusatsu cyberpunk body horror film created (as in written, produced, edited, and directed) by Shinya Tsukamoto. It's insane and unlike any other movie made then or now. It's an auteur's project and that sums up John Grant better than anything else. The man has a singular vision and for that we can be grateful. We do not want John Grant by way of compromise! And then there is Blade Runner, which I'm guessing you are more familiar with. Ridley Scott's 1982 cult classic is an anchor point for Grant, who is influenced by those sweeping, cosmic valve-synth Vangelis soundscapes that cropped up so fully formed on his last album Boy From Michigan - a high watermark record that John feels is only just finished, yet is already almost two years old. In today's music biz, two years is an awfully long time. But then, making the follow-up to Boy From Michigan is not a trivial undertaking. Creativity in John Grant's particular zone of avant garde pop is not an environment in which you can simply turn up at the office and turn on the tap. His world is not always a well-oiled machine. “Guy Garvey told me that creativity is like a pipeline that you have to keep flowing, even if it's just to flush the shit out before you can get to the good stuff”.I do love it when artists listen to artists. Thing is, it doesn't happen enough. For the time being however, if you cannot wait too long for more from John - good news. Grant's alternative supergroup Creep Show brings a welcome escape from the weight of the world - for him and for us. New album Yawning Abyss is due for release June 2023. Creep Show is a wonderful collaboration. With a name inspired by George A. Romero and Stephen King's 1982 film and novel, Creep Show brings together John Grant with the dark analogue-electro of Wrangler (Stephen Mallinder / Phil Winter  and Benge, the latter producing Grant's 2018 album Love Is Magic). The Creep Show project deserves every bit the success achieved by Gorillaz, in a parallel universe in which all music is judged on listenability. Who could not listen to this man's voice?Support the showGet more related content at: https://www.songsommelier.com/

Over a decade after his high-octane cyber-punk metal mutilation fetishism monster debut Tetsuo: The Iron Man (1989), director-producer-writer-cinematographer-editor-star Shinya Tsukamoto truly discovered himself as an artist and filmmaker with the blue-tinted, rain-drenched fever nightmare A Snake of June (2002). His seventh feature film, it follows three characters: a sexually-repressed telephone counselor, her hygiene-obsessed husband and a mysterious, spying interloper who will disrupt and upend their domestic sterilization. Hosts Christopher Funderburg and John Cribbs revisit every monochromatic corner of this beautifully strange film, which is somehow persistently cruel yet deeply empathetic to the three characters who find themselves trapped within the oppressive confines of their urban surroundings. How much of this is a self-critique by Tsukamoto (who also plays the creepy, disembodied voyeur) on the exploitative nature of cinema itself? Is there a safe middleground between cultural subjugation and unrestrained liberation? There's a lot to discuss about this deceptively short masterwork. The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

On this episode of The Movies Made Us Do It, Durs and Matt discuss Shinya Tsukamoto's Tetsuo: The Iron Man from 1989. Find links to all of our podcasts here: Linktr.ee/dursproductions #ShinyaTsukamoto #TomorowoTaguchi #Tetsuo #filmreview #TetsuoTheIronMan #TheIronMan #鉄男 #MovieReview #FilmPodcast #MoviePodcast #DursProductions #DursProductionsPodcasts

Aproveitando o lançamento de INFINITY POOL, o novo filme do Brandon Cronenberg, Igor e Felipe conversam sobre o anterior filme do jovem autor, lançado em 2020: POSSESSOR! A existência autêntica versus a existência performada, a anatomia e as funções corporais como fonte de abjeção, a longevidade do body horror como um subgênero do terror e da ficcão científica contemporânea, a violência estilizada e a violência clínica, violações (tanto mentais quanto físicas), o papel da tecnologia na invasão da privacidade e as crises de identidade são apenas alguns dos temas tocados neste episódio. — Ficha do filme: Possessor, 2020. Dirigido por Brandon Cronenberg. Elenco: Andrea Riseborough, Christopher Abbott, Jennifer Jason Leigh, Sean Bean, Rossif Sutherland, Tuppence Middleton. 104 minutos. Canadá e Reino Unido. — Outros filmes mencionados no episódio: Antiviral, 2012. Dirigido por Brandon Cronenberg. Akira (アキラ), 1988. Dirigido por Katsuhiro Otomo. Tetsuo: The Iron Man (鉄男), 1989. Dirigido por Shinya Tsukamoto. Society, 1992. Dirigido por Brian Yuzna. — Livro mencionado no episódio: KRISTEVA, Julia. Powers of Horror: An Essay on Abjection, 1980. KING, Stephen. The Shining, 1977. — Ilustração: Felipe Sobreiro Edição e Identidade Visual: Thiago Vergara Músicas usadas no episódio: Música de Introdução: https://www.bensound.com

Join the boys as they travel to Japan to investigate a spooky demon mound. Along the way they encounter squonk the perpetually sad Pennsylvania cryptid, psychic grandmas, back moles with human faces in them, Greg's love of Jerry Maguire, and the effects from eating goblin meat.Trailer: https://www.youtube.com/watch?v=C5CK4WXtJuoIMDB: https://www.imdb.com/title/tt0100991/Like a book club but for dissecting obscure thriller, exploitation, and horror movies. Next movie announced every Wednesday. New episodes every Monday. Follow us on the things:Linktree: https://www.linktr.ee/stabbystabbyInstagram:  @stabbypod  https://www.instagram.com/stabbypod/Letterboxd:   https://boxd.it/dp1ACGet the shirt: https://www.big-other.com/shop/p/stabby-stabby-podcast-tee

Cinema D'Amore is on the black market this week for Shinya Tsukamoto's Bullet Ballet. Hosted by Lexi Covill. Co-Hosted by Justin Morgan and Charles Phillips. Mixing and QA by Blessedupleasant Block Warrior with Music by Daniel Birch and Ben Pegley. Follow us on Facebook and Twitter for the latest updates. Available on Apple Podcasts, Google Podcasts, Spotify, and a dozen other popular platforms. Please subscribe, rate and review us. Every little bit helps, and more importantly, thank you for listening!

On this episode of Talking Terror, for his film pick of the week, The Ghoul of Geek Keith wants to chat about the Iron Man that isn't actually Tony Stark. Nope, this version is a whole lot of wtf. Listen in as your horror hosts with the most chat about 1989's "Tetsuo: The Iron Man" directed by Shinya Tsukamoto. Stay scared people, stay scared! 

WE ARE BACK! Completing the unplanned 'Japan Trifecta' Lucy and Sean discuss queerness, body horror and the savage, posthuman future of 1989 in Shinya Tsukamoto's legendary TETSUO: The Iron Man

This week we're joined by Filmspotting's Josh Larsen— author of Fear Not, an upcoming book taking a faith-based look at horror— to discuss one of our most skin-crawling provocations yet. Shinya Tsukamoto's Tetsuo: The Iron Man is a seminal text of both body horror and Japanese cyberpunk, an experimental horror/superhero film that's as surreal as it is disgusting. We discuss the film's nightmarish merging of technology, violence, and sexuality, the cultural anxieties behind it, and where the two Davids (Lynch and Cronenberg) fit in. You can find more from Josh Larsen at: https://www.larsenonfilm.com/ You can keep up to date on Josh's new book at: https://fuller.tfaforms.net/f/fear-not Or find his film podcast at: https://www.filmspotting.net/ Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at https://www.patreon.com/unwatchables to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod. --- Send in a voice message: https://anchor.fm/unwatchablespod/message

'Our love can destroy this whole f*cking world!'*TRIGGER WARNING - R*pe, sexual assault, gender/body dysmorphia.*Tetsuo: The Iron Man (鉄男, Tetsuo) (literally Iron Man in Japanese), is a 1989 Japanese cyberpunk body horror film written, produced, edited, and directed by Shinya Tsukamoto. It is shot in the same low-budget, underground-production style as his first two films. The film established Tsukamoto internationally and created his worldwide cult following. It was followed by Tetsuo II: Body Hammer (1992) and Tetsuo: The Bullet Man (2009).A businessman accidentally kills The Metal Fetishist, who gets his revenge by slowly turning the man into a grotesque hybrid of flesh and rusty metal.00:00 Intro17:35 Horror News 39:36 What We've Been Watching48:08 Film Review1:42:55 Film Rating1:46:45 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/horrorhangoutTwitter - https://twitter.com/horror_hangout_Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Amber- https://twitter.com/hornbloodfirehttps://hornbloodfire.com/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

This week, we return to Shinya Tsukamoto to discuss camera as metaphor, robot pelvises as metaphor and cosmetics commercials as metaphor in 2002's A SNAKE OF JUNE!   www.swimfanspod.com

Dear friends, we've got some great stuff this week! Shinya Tsukamoto, Agnes Moorehead and dash of planetary chaos. These picks are sure to leave you glowing.

We are living in unprecedented times and today Adam and Ben are joined by the mighty Tom Mes for an unprecedented third appearance!   After initially joining us to discuss Shinya Tsukamoto and then returning to cover the work of Sogo Ishii, Tom is now back on the pod to talk all about Nobuhiko Obayashi, his 80s Kadokawa years, and specially his audio commentary on the upcoming release of His Motorbike, Her Island.   His Motorbike, Her Island stars Riki Takeuchi and Kiwako Harada and is a tale of young lovers and their fun filled days of freedom on their motorbikes.   Switching between black and white and colour, Obayashi paints a picture of  an eternal summer from which they have no desire to escape.   You can pre-order His Motorbike, Her Island as part of the upcoming NOBUHIKO OBAYASHI'S 80S KADOKAWA YEARS boxset here - https://shop.terracottadistribution.com/collections/pre-order-before-release/products/nobuhiko-obayashi-s-80s-kadokawa-years-bluray-4-discs   Episode 13 could be unlucky for some, and it fact it was for us! A few technical issues and crossed wires hindered the flow a little but fear not, for the next podcast is our big 1st birthday episode and will be a podcast party like no other! We have an incredibly exiting guest lined up and it's going to be an absolute blast!     

It's time to kick off a trio of body horror films by returning to the work of Shinya Tsukamoto as the Fried Squirms take on the sequel to the legendary cyberpunk film Tetsuo: The Iron Man. Does Body Hammer live up to it's predecessor? Support our Patreon! www.patreon.com/FriedSquirms Listen to more Fried Squirms at www.friedsquirms.com Check out all earVVyrm podcasts at www.earvvyrm.com Email us at squirmcast@gmail.com

Japanese cyberpunk horror revisited, this time with disintegrating child. Montages of metal nightmare imagery. A fever dream of hatred and self- loathing. A tea kettle made out of a living cat. These things and more await us in this polished sequel to Tetsuo: The Iron Man. Peter and Jacob explore the director Shinya Tsukamoto's dysfunctional father, deciding what final monster form is best, and what Dean Koontz novels are worth reading.  Special thanks to Your City Sleeps for the fine track used in this episode! You can find more of their work here. It is a spicy meatball!https://yourcitysleeps.bandcamp.com  Website: https://gormanongore.buzzsprout.com/Spotify:  https://open.spotify.com/show/7hjbpX0bPx79p0YY9ACvq7Apple podcasts: https://podcasts.apple.com/us/podcast/gorman-on-gore/id1579271619?i=1000530712722Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xODI4OTY0LnJzcw==Email us! gormanongore@protonmail.comTwitter: http://twitter.com/gormanongore https://www.buymeacoffee.com/GormanOnGore

This week on the Talk Without Rhythm Podcast I'm knocking off two more titles from my Unwatched Pile with a Shinya Tsukamoto double-feature of 2004's Vital and 2011's Kotoko. [00:00] INTRO [01:39] CromCast Promo [02:23] RANDOM CONVERSATION [12:28] Vital (2004) [45:23] Kotoko (2011) [01:08:35] FEEDBACK [01:13:23] ENDING MUSIC: Blue Bird by Cocco Buy Vital (2004) Buy Kotoko (2011) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Our very own Joe Cabello is in the sizzling hot seat today talking about TETSUO: THE IRON MAN, a 1989 Japanese cyberpunk body horror film written, produced, edited, and directed by Shinya Tsukamoto. Metal fetishist, anyone? Episode Links: Joe's Patreon Mr. Owl's Website

On this episode, we talk to Brian Allen Carr about 2011's Kotoko, directed by Shinya Tsukamoto. Meth problems, exploding baby heads, relieving anxiety through watching fucked up movies, suicide played for laughs, getting recognized in public, a lack of professionalism, appropriating the border, bike rides through Juarez, dog attacks, audience vs. property, who's allowed to appropriate, Atlanta, Tuna Helper, Drag Queen Story Hour, and changing your opinion on movies.

[Heads up: the audio quality is not the best in this episode. We sincerely apologize for the inconvenience.] On this week's episode, we're joined by returning furry friend Jules The Nintendo Boy as well as a newcomer named Trace to discuss a little Japanese horror film called Hiruko The Goblin, directed by the innovative Japanese filmmaker Shinya Tsukamoto! Tsukamoto's claim to fame was making a lil' small budget cyberpunk body horror film known as Tetsuo: The Iron Man. After gaining notoriety for making one of the most craziest films in the world, he was able to make his first proper studio film Hiruko The Goblin, which is based on a manga titled Yokai Hunter. How does the film hold up in comparison to Tetsuo? What does Tsukamoto uniquely bring to the table with this film? All will be answered in this episode! Intro music from Hiruko The Goblin Outro music: Estoc - Skrap Yardz Tool (from DJ David Goblin's Ork Muzik 20K) Follow us on Instagram @videotapespodcast for the latest updates on the show! If you like what you hear, please rate and review us on your favorite streaming app and help spread the word by sharing with your friends! Have any thoughts, questions, concerns or recommendations? Please send them to: we.miss.blockbuster@gmail.com --- Send in a voice message: https://anchor.fm/videotapespodcast/message

Hello. Its Adam. What a long road it has been. On this episode we come to the end of director Shinya Tsukamoto's TETSUO trilogy. I give my thoughts on the highs and lows of the series and give some pretty obvious recommendations in the "body-horror" genre as well as another chapter-by-chapter book report and more. Enjoy. Topics Discussed: TETSUO: THE BULLET MAN (2009) The Last Testment of Anton Szandor LaVey (book by Boyd Rice) Body horror recommendations and Charlie Sheen and Emilio Estevez movies. --- Send in a voice message: https://anchor.fm/skeletonfactory/message Support this podcast: https://anchor.fm/skeletonfactory/support

Eli Olsberg (Twitter/Letterboxd) visits Kino Nation for a deep dive on two strangely connected films: Ti West's new A24 slasher X and the director of Indecent Proposal's return to the erotic thriller genre starring former lovers Ben Affleck and Ana de Armas Deep Water. Secret lovers, porn, murder, and the crimes of Sam Levinson. It's all here in this mega-sized episode. ReComradations:Eli: [1] the filmography of Shinya Tsukamoto [2] Crash - Charli XCX Evan: Persona, dir. Ingmar Bergman (1966) Rate + review the show on the podcatcher of your choice! Join the Kino Lefter DiscordJoin the Kino Lefter Facebook group "Kino Lefter VIP Cinema Experience"Get access to Primo Lefter, our weekly bonus show on our Patreon for just $3 per month. 

Fahrenheit by Christian Dior (1988) + Koichi Ohata's Genocyber (1993) + Katsushiro Otomo's Akira (1988) + Shinya Tsukamoto's Tetsuo: The Iron Man (1989) with Kelby Losack and J David Osborne of Agitator  To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 03/30/22 S04.147  

Film: Tetsuo The Iron Man (1989) This week, Jared and Dan return to their roots by watching Shinya Tsukamoto's avant-garde narrative with a more seasoned set of eyes. Listen in as they discuss the delightfully disturbing images of metal, flesh, stop-motion animation, and a drill phallus! Subscribe to us on Apple Podcasts and leave us a 5 star review! Please consider joining our Patreon! www.patreon.com/indiefilmreview Twitter: @IndieFilmPod Instagram: @IndieFIlmReviewPod Email: theindiefilmreview@gmail.com  

This month, Donna and Kris get suited up for “Tetsuo: The Iron Man” (1989), a Japanese film about a young salaryman getting bullied by a goth fetishist until they consummate their love and ride away into the sunset on a giant phallus.CONTENT WARNINGS: Body Horror, Mutilation, Vehicular Manslaughter, Implied Sexual Assault, Genital Mutilation, Attempted Suicide, Animal Death, MisophoniaGot questions, comments, stories, or movie suggestions? Hit us with them at info@shtlstpod.com! Don't forget to follow us on Twitter and Instagram @shtlstpod for all your gross movie updates!SHOW NOTES:Watch “Tetsuo: The Iron Man”: Prime, Youtube, Arrow, Google, Apple“Tetsuo: The Iron Man (1989),” IMDB.“Tetsuo: The Iron Man,” Wikipedia.“TSUKAMOTO: THE IRON MAN | The Creation of Tetsuo,” ZettaiJapan!, June 12 2020. “Tetsuo: The Iron Man and the dark side of transhumanism,” Sam Moore, Little White Lies, July 1 2019.Mes, Tom (2005). Iron Man: The Cinema of Shinya Tsukamoto. Surrey, England: FAB Press. ISBN 1-903254-36-1.Noé, Amber (27 November 2019). "Capturing a World in a Crystal Ball: A Conversation with Kei Fujiwara". Mubi. Retrieved 18 January 2020.Mes, Tom; Sharp, Jasper (2005). The Midnight Eye Guide to New Japanese Film. Berkeley, California: Stone Bridge Press. ISBN 1880656892.

Why does art matter? Why does independent cinema matter? Nathan Ludwig, director of the GenreBlast film festival, shares why this wild film has stuck with him and what independent filmmakers can learn from it. Check out Nathan's awesome podcast "The Reel '96". ---- Released in 1989, Tetsuo the Iron Man was directd by Shinya Tsukamoto. It is a body horror fever dream- and a black and white cyberpunk cult classic. A classic salaryman accidentally kills a man called “the metal fetishist” and embarks on a nightmarish journey as he turns into a beast made of metal. In this we have classic robot fights, surreal stop motion and a very very bloody intercourse scene all in 67 minutes. It's incredible, unique and asks the question “when does technology go too far?”

We bring rapper and writer David Simmons on to talk about The Wire, no rules in writing, writing what you know, the origin of the phrase “whole time,” machine fetishism, gun sex, and Alejandro Jodorowksy's meditation room that was so disturbing it freaked out Shinya Tsukamoto and Gaspar Noe. I mention Tiqqun in this episode, so I feel like it's a good idea to point Agitator listeners to the Contain podcast, which is a great source for cool ideas.

Suddenly everything is bloody metal! Sophia and Brad sit down to talk the gruesome transhuman body horror of Shinya Tsukamoto's Tetsuo: The Iron Man, ethical play with telepathic beings, experiencing things through teeth, and more. Find us on social media! Twitter: https://www.twitter.com/monsterfwb Instagram: https://www.instagram.com/monsterfwb Citations: Shinya Tsukamoto book: https://www.amazon.com/IRON-MAN-HC-First-Last/dp/1903254353 Chu Ishikawa Song: https://youtu.be/XyHOrEI4byk Nuit Clothing Atelier: https://www.instagram.com/nuit.clothing.atelier/ Forged In Fire: https://en.wikipedia.org/wiki/Forged_in_Fire_(TV_series) --- Send in a voice message: https://podcasters.spotify.com/pod/show/monsterfwb/message