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3 episodes with Obayashi
2 episodes with Obayashi
2 episodes with Obayashi
2 episodes with Obayashi
Hosts Mitsuaki Sawano, MD, Kentaro Ejiri, MD, and Nobuhiro Ikemura, MD, welcome Yuki Obayashi, MD, of Leiden University Medical Center, to discuss findings from the STOPDAPT-3 trial. Dr. Obayashi highlights that, among ACS patients—including those with HBR or STEMI—aspirin and clopidogrel monotherapy after 1 month of DAPT resulted in similar rates of ischemic and bleeding events. These results support flexible, patient-centered antiplatelet strategies beyond the acute phase.
Ben and Chris come back around to Japanese cinema with a review of Nobuhiko Obayashi's 1989 film, Beijing Watermelon. While made considering Japan's and China's complicated history and produced coincidentally with the events of Tiananmen Square in 1989, Obayashi bends the rules of cinema once again to make a beautiful and non-political film about community, personal responsibility, and balance. With apparent influence from the likes of both Capra and Ozu, The Searchers discuss the vital nature of the in-between moments and the meaning of "home," a word that may describe Obayashi's oeuvre to a T. Vinegar Syndrome's partner label Kani released Beijing Watermelon in 2024, and it can be found on Blu-ray HERE. If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/
Send us a textBananas! Bananas! Bananas! Al & Siena have prepared a few party favors for this visit to the wild and watermelon-filled haunted houses of HAUSU (1977) x HOUSE ON HAUNTED HILL (1959). Hear the bizarre story of how Spielberg's JAWS inspired Obayashi's comedic horror, learn what Alfred Hitchcock stole from William Castle's marketing campaigns, and uncover the fate of Diabetes Godzilla in this ghostly and ghoulish edition of Splice & Splatter. Splice & Splatter is presented by the Jean Cocteau Cinema in Santa Fe, New Mexico with new episodes out every other Monday!THIS VIDEO IS SPONSORED BY BEASTLY BOOKSSAVE 10% OFF ONLINE WITH CODE SPLICE10 AT CHECKOUT!Hosts: Al LaFleur and Siena Sofia BergtProducer: Warren LangfordTheme Song: Theodore SchaferFollow us on social media at linktr.ee/spliceandsplatterpodEnjoy full length video episodes and behind-the-screams on Youtube!Support the show
Presenters get this wrong. Avoid creating a barrier between yourself and the audience. Presenters are often elevated on a stage or positioned at the front of the room, surrounded by podiums, slides, lighting, and microphones, all of which can inadvertently distance them from their audience. In Japan, standing above a seated audience requires an apology at the start of the speech, as such positioning implies superiority in a hierarchy-conscious society. Similarly, using a commanding voice or overly formal demeanour can create unnecessary separations. Instead, focus on building rapport and connection. To persuade your audience effectively, remove as many barriers as possible. Speak conversationally, as though addressing close friends with whom trust and familiarity have already been established. This approach creates an atmosphere of shared confidences, making the audience feel they are privy to special insights and data. Transition from speaking at your audience to speaking with them. One practical technique is to engage with your audience before the presentation. Arrive early, converse with attendees, and ask about their reasons for attending. Incorporate these interactions into your talk. Mention names and comments from the audience to create a sense of inclusion and intimacy. For example: “Suzuki-san mentioned an interesting point earlier,” or, “Obayashi-san shared new data during our chat before lunch.” Recognizing individuals publicly not only builds connection but also enhances their sense of value. Adjust your tone to be more inclusive and conversational. Speak as though you're chatting over a backyard fence rather than addressing a formal audience. Use gestures to draw people in, such as extending your arm with an open palm or miming an embrace of the entire audience. Maintain eye contact for about six seconds per person to ensure inclusivity without discomfort. Self-disparaging humour can also break down hierarchy. Boris Johnson, for example, uses humour to appear more relatable, despite his elite background. While you shouldn't take yourself too seriously, avoid overdoing it, as excessive self-deprecation can seem insincere or manipulative. To foster connection, shift your mindset to a friendly, informal setting. Include your audience in your presentation, adopt a conversational tone, and use gestures and humour to build rapport. These strategies make your delivery engaging, memorable, and effective.
Bom dia, cinéfilos!No episódio de hoje, o Tiago convidou a Agnes do podcast Bolchecine e o Wilmerson para conversarem sobre os filmes dirigidos pelo Nobuhiko Obayashi, em especial His Motorbike, Her Island, de 1986 e Sada, de 1998.Siga o Podcast Bolchecine no instagram Siga o Wilmerson no instagram e no Letterboxde no BlueskySiga o Cinecluble Paralelas no InstagramSiga o Tiago no Bluesky
A malta com gatos pode ofender-se, dada a forma demoníaca como os felinos são representados em House (1977), mas a verdade é que nos divertimos muito a ver este filme, que andava nas listas de todos há muito tempo. O Chico faz 7 em linha com a sua escolha para PODES TRATAR-ME POR CICLO, trazendo ao baile um filme com sete alcunhas (pelo menos). Um tratado experimental do tio Obayashi, que mete todas as técnicas possíveis nesta majestosa viagem, mas sempre levando o seu trabalho muito a sério. Venham mais gatos demoníacos destes.
Epi #47 Ciudades de proximidad: bienestar al alcance de todos- Alejandro Echeverriwww.alimentosdoria.com/En este episodio de nuestro podcast “Historias Que Nutren”, el urbanista y arquitecto Alejandro Echeverri nos habla sobre las ciudades de proximidad y cómo contribuyen a la calidad de vida de los cudadanos.Alejandro Echeverri, arquitecto y urbanista, cofundador de Urbam, el Centro de Estudios Urbanos y Ambientales de la Universidad EAFIT en Medellín.Echeverri es Loeb Fellow del GSD de la Universidad de Harvard, galardonado con el premio Obayashi 2016 y profesor distinguido en Urbanismo del TEC de Monterrey. Con una amplia experiencia en Colombia, ha desempeñado roles clave en la EDU y otros cargos tanto públicos como privados, trabajando para abordar y proponer soluciones urbanas, ambientales y sociales. Con Alejandro abordaremos temas como:- El concepto de las ciudades de proximidad o ciudades 15 minutos- ¿Cómo articular sector público y privado para lograr las ciudades de proximidad?- Características de las ciudades de proximidad- El rol del ciudadano para construir ciudades de proximidad- Los beneficios de las ciudades de proximidad- El ser humano en el centro- Los proyectos urbanísticos que admira - En qué ciudad le gustaría vivir Doria PresentaHISTORIAS QUE NUTRENDescubre los temas que nutren tu vida a través de historias de personas que aportan a tu bienestar físico, personal, espiritual y profesionalFrecuencia: mensualDuración promedio: 30 minutosMás sobre las ciudades de proximidadLas ciudades de proximidad representan una estrategia renovadora en el desarrollo urbano que busca crear comunidades más sostenibles. Este enfoque, cada vez más importante en la planificación moderna, se basa en que los habitantes puedan acceder a la mayoría de sus necesidades cotidianas caminando o en bicicleta desde sus hogares.De esta forma, las ciudades de proximidad disminuyen la dependencia de los vehículos motorizados, promoviendo una vida más sana y respetuosa con el medio ambiente.El núcleo del concepto de ciudades de proximidad radica en minimizar la huella de carbono y mejorar la calidad de vida. En lugar de diseñar áreas que requieran largos desplazamientos para cumplir con las actividades diarias, este modelo fomenta la creación de vecindarios multifuncionales. Esto implica que servicios esenciales como escuelas, centros de salud, tiendas y espacios de recreación estén situados cerca de las viviendas. Este planteamiento no solo reduce el tiempo y los costos asociados con el transporte, sino que también contribuye a la disminución del tráfico y la contaminación, generando beneficios tanto para el entorno como para la salud de la población.El modelo de ciudades de proximidad también fortalece la cohesión social, al diseñar comunidades en las que las personas pueden interactuar fácilmente y participar en actividades locales. Esto favorece la creación de un tejido social más sólido. Espacios públicos bien diseñados, como parques y plazas, facilitan el encuentro entre vecinos, promoviendo un sentimiento de pertenencia y comunidad. Además, este entorno puede motivar a los residentes a apoyar el comercio local, impulsando una economía más fuerte y diversa a nivel local.Espacios dinámicos y habitables en las ciudades de proximidadDesde la perspectiva arquitectónica y del urbanismo, las ciudades de proximidad pueden requerir un enfoque en la densificación inteligente. En lugar de expandir continuamente las ciudades hacia las afueras, se busca revitalizar y densificar las áreas urbanas ya existentes. Esto puede incluir la renovación de edificios antiguos, la creación de viviendas sobre comercios y la construcción de nuevos desarrollos que maximicen el uso del espacio disponible. La densificación, cuando se gestiona adecuadamente, optimiza el uso del suelo y mejora la eficiencia de los servicios públicos y la infraestructura.HISTORIAS QUE NUTREN es una realización de la marca DoriaProduce www.milpalabras.com.coDoria, Pastas Doria, Historias, Historias Que Nutren, Mil Palabras, Santiago Ríos, Alejandro Echeverri, Ciudades De Proximidad, Ciudades De 15 Minutos, Ciudades Del Futuro, Urbanismo, Arquitectura, Calidad De Vida, Ciudades Inteligentes
Last time we spoke about the Invasion of Saipan, Tinian and Guam. The Japanese mistakenly believed that the Americans were preparing for a decisive battle near New Guinea, not realizing the real target was Saipan. The US assembled a large fleet for Operation Forager, aiming to capture Saipan, Tinian, and Guam, advancing the US strategy to establish strategic airfields to hit Tokyo. Japanese defenses were ill-prepared, with shortages of ammunition and inadequate inland defenses. The Americans hit Saipan with extensive air and naval bombardments, neutralizing Japanese positions, and faced stiff resistance during landings but ultimately secured a beachhead. The 23rd Marines of Colonel Louis Jones, advanced through Charan Kanoa and secured Mount Fina Susu despite significant losses. Heavy artillery pinned them down at the O-1 Line, leading Jones to reposition his forces. Casualties mounted on both sides as American forces fought to secure the beachhead and push inland. This episode is the the Great Marianas Turkey Shoot Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945. Before his death Admiral Yamamoto instilled a sort of mind virus into the Imperial Japanese Navy. To be honest, the virus was a pre war doctrine, laying around ever since perhaps the First-Sino Japanese War of 1894-1895, but Yamamoto certainly focused attention more so upon it. The infamous decisive naval battle. The event that could turn the tide of the war, to bolster Japan's poker hand for peace negotiations. If Japan could simply knock out a enormous sum if not the entire strength the American Pacific fleet, something extremely unrealistic by this point of the war, but if they could, would America not reconsider settling this all up at the peace table? It had been the strategy of not just the IJN but for the Japanese military as a whole. Japan would never be able to win a war of attrition with the US, but they could make them pay so dearly, perhaps the Americans would just sue for peace. This idea consumed Yamamoto, leading to the disaster at the Battle of Midway. After the Guadalcanal Campaign, Japan lost the initiative, they retreated behind an inner perimeter. Henceforth the IJN scoured over the actions of the American navy, looking for any opportunity to unleash their full might down upon a significant American naval force. So many times the American navy eluded them, but here, with the invasion of Saipan, the IJN felt the decisive naval battle had finally come. Admiral Turner and General Smith's American forces had just successfully invaded Saipan, establishing a beachhead with some challenges by June 17. This incited a strong Japanese response, as Admiral Toyoda initiated Operation A-Go, the IJN's strategy for a decisive battle that could potentially win them the war. Following Admiral Koga's Plan Z, Toyoda's A-Go involved Admiral Kakuta's land-based aircraft providing early warning and reconnaissance, aiming to neutralize one third of the enemy carriers before Admiral Ozawa's carriers completed the destruction of the enemy fleet with large-scale daytime air attacks, operating beyond the enemy's aircraft range. Additionally, Toyoda planned a nighttime surface engagement where enemy screening forces would be targeted by massed torpedo attacks. On June 16, at 9:00, the First Mobile Fleet departed the Guimaras and headed to the northeast. At 5:30pm, the Japanese fleet entered the Philippine Sea through the San Bernardino Strait. Admiral Ugaki's battleships Yamato and Musashi were not with the main body, but were proceeding independently through the Philippine Sea with two heavy cruisers, a light cruiser and five destroyers to join with Ozawa. Once into the Philippine Sea, Ozawa headed southeasterly. At about 5:00 on the 16th, Yamato and Musashi joined with the First Mobile Fleet. The Japanese began to refuel which was not completed until 10:00 on the 17th. In response, Admiral Spruance directed Admiral Mitscher's Task Force 58, strengthened by Admiral Lee's battleships and Turner's cruisers and destroyers, to remain positioned west of the Marianas, prepared to counter any IJN attack. On June 16, Mitscher continued strikes against Guam and Tinian. Several Japanese aircraft were destroyed on the ground and in the air, but their airfields remained usable. The following day saw an increase in Japanese air activity. A small strike flown from Truk, five torpedo bombers and one J1N1-S night fighter attacked a transport group east of Saipan at 5:50pm. Three Japanese aircraft were claimed as destroyed, but a torpedo hit the small landing craft LCI-468 that later sank. On June 18th, the Japanese mounted a larger raid, this time from Yap Island. This operation featured 31 Zeros, 17 Judys and two P1Y twin-engined bombers. Combat Air Patrol did not intercept this group before it attacked shipping off the landing beach at Saipan that resulted in damage to an LST. The attack group then encountered the American escort carrier groups and attacked them at dusk. Two escort carriers were nearmissed and Fanshaw Bay was hit by a bomb which penetrated to the hangar deck. The carrier was forced to retire for repairs. As usual, Japanese aviators over-claimed, stating that three or four carriers from Task Force 58 had been hit.Furthermore, Admirals Lockwood and Christie's submarines were tasked with reconnaissance of IJN fleet movements, launching attacks when possible, and rescuing downed aircrews. Since Ozawa's fleet maintained radio silence and operated beyond the reach of American search planes, the only way to track his movements was through submarines, leaving the Americans mostly uninformed until the battle began. Unknown to Ozawa and Toyoda, Mitscher's carrier aircraft had already disabled Kakuta's land-based air power in the area, which significantly weakened a major part of A-Go. Additionally, the Americans, who had acquired Plan Z on April 3, were prepared for the critical carrier battle, although they were hesitant to engage in nighttime combat. Meanwhile, on June 18, the 2nd and 4th Marine Divisions began their attacks at 10:00 a.m. The 4th Marine Division attacked toward the east coast with three regiments abreast: 25th Marines on the right, 24th Marines in the center, and 23rd Marines on the left. The 3rd Battalion, 24th Marines, remained attached to the 23rd Regiment. Good progress was made by the 24th and 25th Marines, although the former sustained an attack at 10:15 by two Japanese tanks which surged to within 350 yards of the front lines. The situation for a while was alarming: American tanks had departed for rear areas to refuel and rearm so that only bazookas were immediately available for anti-tank defense. Though the 24th Marines' Weapons Company was immediately alerted, it arrived too late to participate in the fight. The enemy tanks were finally chased by bazookas and artillery, but not before they had sprayed the area, causing 15 casualties with machine-gun and small cannon fire. A portion of the O-3 line was reached by the 24th and 25th Marines during the day, placing the latter along the coast of Magicienne Bay. This healthy gain severed the island's southern portion, including Nafutan Point, from the remainder of the island. To maintain the momentum of the attack and avoid the long delay of a mopping-up process, the 24th Marines by-passed the southern extremity of a heavily defended cliff line running north and south through its zone of action. However, since the direction of attack for the division would soon Swing north through the by-passed area, it was necessary to secure the cliff line. This mission was assigned to the division reserve, 1st Battalion, 25th Marines. This, the unit's first experience with cleaning cave positions, proved a sIow, unpleasant and dangerous task. Rather than a coordinated move, the task took the form of a series of small, separated actions, each employing groups of four or five men. At 7:30, the 3rd Battalion, 24th Marines, relieved Haas' 1st Battalion on the division's left wing and commenced the move on O-2, which would serve as the line of departure. As will be seen, however, events of the day prevented the regiment from reaching this line. Organizational readjustments within the 23rd Marines included the attachment of the 3rd Battalion's rifle companies and 81mm mortar platoon to Dillon's 2nd Battalion and formation of a composite battalion from the 1st Battalion and the 3rd Battalion Headquarters. The latter unit would support the attack of the other two battalions from positions on Mt. Fina Susu. Machine-gun fire stopped the 23rd Marines' left elements after an advance of 200 to 250 yards. Most of this fire came from a clump of trees to their front, but a definite location of enemy weapons was impossible. Frequent barrages of Japanese mortar fire hampered efforts to spot the enemy, and the attack faltered. At this juncture, Cosgrove's composite battalion was committed on the left of the 3rd Battalion. 24th Marines, in an attempt to retain the impetus, and the attack again moved forward. But the advance was slow. By 5:15, the 23rd Marines had moved to a line about 400 yards short of O-2. Prior to darkness, 23rd Marines' patrols were dispatched to the east. On the right, these patrols reached O-2, but on the left machinegun fire denied movement as far as O-2. Colonel Jones, the 23rd Marines' commander, requested permission from General Schmidt to withdraw to more favorable ground for the night. General Schmidt approved, and the 23rd pulled back to a position about 400 yards east of Lake Susupe, breaking contact with the 2nd Division. The 23rd Marines emerged from the swamps, the 24th Marines reached the base of Hill 500, and the 25th Marines progressed to Magicienne Bay, effectively dividing the island. General Smith's soldiers also captured the Aslito Airfield, with the 165th and 105th Regiments securing Cape Obiam and the area south of the field. This isolated numerous Japanese forces in the north at Nafutan Point. Concurrently, General Saito was shifting his remaining troops to the Garapan-Mount Tapotchau area, facing relentless artillery, naval, and air attacks that left the Japanese in a dire situation. The chief of staff of the 31st Army, General Igeta, drafted a message on the morning of June 18th to the commanding general at Yap Island and the chief of staff in Tokyo. In it he summarized the situation as he saw it and, in the process, revealed how very little he knew of what was taking place. Not that the general was caught in the bog of apathy, nor was he too frightened or lazy to find out what was going on; it was simply impossible for him to penetrate the shroud of obscurity resulting from ruptured communications in the vast area over which the action was taking place. As such, he erroneously reported that the 43rd Division HQ “underwent an enemy attack this morning and the division CO died along with his staff officers.” In another dispatch later in the day, Igeta corrected his error in regard to the division commander's death, reporting that General Saito was “all right, but that his staff officers were wounded.” He also added that “the secret documents in custody of the 31st Army Headquarters… were completely burned at 1830 of 18 June…” Recognizing the desperate circumstances, Prime Minister Tojo sent a fatalistic message to the garrison, despite reinforcements en route. “Have received your honorable Imperial words. By becoming the bulwark of the Pacific with 10000 deaths; we hope to acquire Imperial favor.” Reports indicated that Ozawa's mobile fleet was approaching the Marianas and expected to arrive on June 19. When Spruance finally received the spotting report from Cavalla, this prompted a decision that turned out to be the most important of the battle. Assuming that the report from Cavalla was Ozawa's main force, and assuming it would continue at a speed of 19 knots to the east, Spruance's staff calculated that the Japanese would still be about 500nm from TF 58 at 5:30 on the 18th. This placed the Japanese well out of range of American searches or strikes. The only way to alter this situation was to steam TF 58 to the southwest toward the contact and plan to locate and engage the Japanese during the afternoon of the 18th. Mitscher advised the aggressive option of steaming to the southwest to close the range on Ozawa's force. He wanted to launch afternoon strikes to locate and possibly attack Ozawa and even advocated a nighttime surface engagement. While this offered the possibility of opening the battle on terms set by the Americans, there were several problems with it in Spruance's calculating mind. The first was that TF 58 was not yet concentrated; TGs 58.1 and 58.4 were not due to link up with the other two task groups operating west of Saipan until 1200 on the 18th. If he allowed Mitscher to take off to the west, it would only be with two task groups. Since the Japanese possessed longer-range strike aircraft, this offered Ozawa the chance to attack TF 58 and defeat it piecemeal. As for the prospects of a night engagement, both Spruance and Lee declined that possibility. In response, Spruance adopted a cautious approach, instructing Mitscher to gather his carrier groups and redirect them toward Saipan. In a last effort to change Spruance's mind, Mitscher sent him a message at about 11:30pm and proposed a course change to the west at 1:30am in order to position TF 58 to launch a strike against the Japanese carrier force at 5:00am. At 12:38am on the 19th, Spruance sent a message rejecting the proposal. The die was finally cast for a defensive battle on June 19.Spruance's priority was to safeguard the invasion force rather than eliminate the Japanese fleet. At 6:00am on the 18th, Japanese search floatplanes from the First Mobile Fleet spotted six carriers from TF 58. In the afternoon, seven aircraft from Carrier Division 1 flying out to 420nm spotted TF 58 after its 1200 rendezvous. The first report was issued at 3:14pm and included detection of an American task group with two carriers. A second aircraft sighted a task group with an “unknown number of carriers” at 4:00 and later issued another report at 1710 which identified two task groups, each with two carriers. These were within strike range, but Ozawa elected not to launch an immediate strike since his pilots were so inexperienced in night flying. Nonetheless, Rear-Admiral Obayashi Sueo of the 3rd Carrier Division boldly ordered the launch of 67 aircraft from the carriers Zuiho, Chitose, and Chiyoda, hoping to surprise the Americans. However, when he learned of Ozawa's decision, Obayashi reluctantly called off his strike. Ozawa had correctly assessed that the enemy would hold its position near Saipan, allowing him to maintain his own position without fearing an American attack. With this understanding, he changed course southwest to maintain the distance, while Admiral Kurita's Vanguard Force moved east, and Forces A and B shifted south. At 03:00 on June 19, all three forces turned northeast and increased their speed to 20 knots. Ozawa executed his plan flawlessly, positioning himself to launch significant attacks against the unsuspecting Americans the next morning. His only misstep was breaking radio silence at 20:20 to coordinate the decisive operation with Kakuta, who consistently misrepresented the true condition of his air forces while giving overly optimistic reports of successes by his aviators. As a result, an American station intercepted the transmission and geo-located it accurately. Once the mobile fleet reached strike positions, the Japanese began launching search aircraft, sending 16 floatplanes at 04:45 and another 14 planes about 30 minutes later. Although they lost seven scouts, the Japanese were able to spot the northern elements of Task Force 58 and the picket destroyers deployed ahead by 7:00. Starting at 05:30, Mitscher's combat air patrol engaged Japanese aircraft from Guam, which were unsuccessful in bombing destroyers. At 6:30am, American radar detected Japanese air activity over Guam and four Hellcats were sent to investigate. At 7:20am, these arrived and found themselves in the middle of many Japanese aircraft taking off. More Hellcats rushed in and, beginning at 8:07am for the next hour, there was constant combat over and near Guam. Up to 33 American fighters were involved, and they claimed 30 fighters and five bombers. The Americans claimed to have destroyed 30 aircraft, successfully hindering Kakuta's support for Ozawa's decisive battle. However, with the return of Japanese floatplanes, Ozawa was preparing to launch his first strike, deploying 69 aircraft: 16 Zero fighters, 45 Zeros with bombs and eight Jills with torpedoes at 08:30 under Obayashi's command. Fortunately for the Americans, radar warnings enabled Mitscher to dispatch every available Hellcat for interception. At 10:23am, launching of every available Hellcat from TF 58 began as the force headed east into the wind. The American carriers cleared their decks and all airborne bombers on search and patrol missions were instructed to clear the area. This allowed the fighters to return as necessary to rearm and refuel. The goal was to keep as many fighters in the air as possible to intercept incoming threats. The Hellcats had reached their interception altitudes of between 17,000 and 23,000ft when at 10:35am they spotted the incoming Japanese aircraft identified as two groups of strike aircraft with escorting Zeros on each flank. The first American fighters on the scene were Hellcats from Essex. Lieutenant Commander C. Brewer of Fighter Squadron 15 VF-15 led them. The escorting Japanese fighters did not protect the bombers and the bombers scattered making them easy to pick off. Brewer claimed four aircraft, and his wingman claimed another four. In all, VF-15 pilots claimed 20 Japanese aircraft. Joining the Hellcats from Essex were others from Hornet and Bunker Hill as well as from five light carriers for a total of 50 Hellcats. Altogether, some 25 out of the 69 Japanese aircraft in this raid were accounted for by this initial interception. In return, three Hellcats were lost in combat and a Bunker Hill Hellcat was lost when it ditched on its way back to its carrier. The remaining Japanese aircraft continued their approach but were intercepted by Bunker Hill's Hellcats, which claimed another 16. Only around 28 Japanese planes remained and made minor attacks on Admiral Lee's group. Two targeted battleship South Dakota, with one scoring a direct bomb hit at 10:49, though causing minimal damage. Another narrowly missed heavy cruiser Minneapolis, while another almost missed cruiser Wichita. The Japanese reported losing 42 aircraft: eight fighters, 32 fighter-bombers, and two torpedo bombers. Most had been destroyed by Hellcats, with anti-aircraft gunnery from TG 58.7 accounting for the rest. Meanwhile, Ozawa launched his main strike at 08:56, composed of the 1st Division's best-trained pilots from three fleet carriers. This was a large strike designated Raid II from the three fleet carriers of Carrier Division 1 with the best-trained aviators in the First Mobile Fleet. The raid consisted of 128 aircraft – 48 Zero fighters, 53 Judy dive-bombers and 27 Jills with torpedoes. Launching began at 08:56 but was disrupted when at 09:09 Taiho came under attack by American submarine Albacore. The submarine fired six torpedoes at the fast-moving carrier. A last-second glitch in the boat's fire-control computer made it necessary to fire the six torpedoes by eye. One of Taiho's aircraft saw the torpedoes headed for the ship and dove into one in an effort to save the ship. In spite of this, one of the torpedoes hit the carrier abreast the forward elevator and created a hole which resulted in flooding. The ship's forward elevator, which was raised for the launch, was knocked out of alignment and fell several feet. Within 30 minutes, the elevator space was planked over by damage-control personnel and the launch continued. In addition to the aircraft lost from Taiho, eight other aircraft developed engine trouble and were forced to return. More trouble soon followed. When the attack group flew over the Vanguard Force deployed about 100nm in front of the main carrier force, it was engaged by the Japanese ships. This fire was effective enough to shoot down two more aircraft and damage another eight that were forced to return. This attack and some friendly fire reduced the Japanese force to just 109 aircraft for the largest strike of the day, which was detected by radar. In a swirling action that began at 11:39am, the Hellcats again tore through the Japanese formation. McCampbell claimed three Judys and his wingman two. Other Hellcats joined the fray resulting in about 70 Japanese aircraft being shot down. VF-16 from Lexington claimed 22 Japanese aircraft without a loss; 12 Bunker Hill Hellcats were unable to gain a solid intercept but still claimed five kills, and Hellcats from light carriers Bataan, Monterey and Cabot claimed ten, seven and five, respectively. VF-1 from Yorktown also scored heavily. This still left a number of Japanese aircraft headed for TF 58. Twenty were reported in three groups at 11:45. Most of these made the mistake of attacking the picket destroyers deployed in advance of TG 58.7 or Lee's battleship force itself. Destroyer Stockham reported being under attack for 20 minutes, but again the ship suffered no damage. Around noon, TG 58.7 came under attack. Two torpedo bombers attacked South Dakota with no success, and two more selected Indiana in the center of TG 58.7's formation as their target. One crashed into the waterline of the heavily armored ship but caused little damage. Another Jill went after Iowa, but again missed. Alabama was undamaged by two bombs aimed at her. Potentially more serious was a group of six Judy dive-bombers that escaped the Hellcats and proceeded south until running across TG 58.2. Of this group, four selected carrier Wasp for attack. None scored a hit, but one of the bombs detonated overhead which rained down shrapnel that killed one and wounded 12 crewmen. The other two selected TG 58.2's other fleet carrier, Bunker Hill, for attack at 12:03. They scored two near misses that caused minor fires and other damage, in addition to killing three and wounding 73. Both carriers continued in action. Four of the aircraft were shot down by antiaircraft fire, with the other two landing on Rota and Guam. Finally, six B6N bombers attacked Admiral Reeves' carriers, but their attacks began at 11:57 and were also ineffective, failing to hit any targets. One missed Enterprise, and another three attacked light carrier Princeton, but all three were destroyed by antiaircraft fire.Thus, Ozawa's second strike resulted in a significant loss for the Japanese, with 97 of the 128 aircraft not returning to their carriers. His losses totaled 32 fighters, 42 dive-bombers and 23 Jills. At 5:30, the third group of Japanese scout aircraft took off. This comprised 11 Judys from Shokaku and two Jakes from heavy cruiser Mogami. The aircraft flew 560nm to the east. Two contacts were radioed back to Ozawa. The first, at 9:45, was reported at a position well to the south of TF 58's actual position. The problem resulted from an uncorrected compass deviation on the search aircraft. This contact was designated “15 Ri” by the Japanese. The second contact, designated “3 Ri”, was reported at 10:00. It was of a task force of three carriers and escorts to the north of TF 58's actual position, but may have been of TG 58.4.This third Japanese strike designated Raid III by the Americans was mounted by Carrier Division 2. This effort, from Junyo, Hiyo and Ryuho, comprised 47 aircraft including 15 fighters, 25 Zeros with bombs, and seven Jills with torpedoes. The remaining 20 aircraft saw what they believed to be two battleships but chose to keep searching for carriers. After a failed search, the group eventually attacked the battleships they initially spotted at 12:55 but were intercepted by Hellcats and lost seven aircraft. Nonetheless, the group pressed on and attacked Rear-Admiral William Harrill's carriers at 13:20. The effort was ineffective with one aircraft dropping a bomb 600 yards from Essex. Ozawa's third strike had accomplished nothing, but at least 40 of its 47 aircraft survived to return to their carriers. At 11:00, Ozawa launched his final attack of the day, consisting of 82 aircraft from the carriers Junyo, Hiyo, Ryuho, and Zuikaku of Carrier Division 1. It comprised 30 Zero fighters, ten Zeros with bombs, 27 Vals and nine Judys and six Jills. The planes set off for the new, incorrect southern target and found nothing, causing them to divide into three groups. The largest group of 49 planes headed toward Guam, where the Americans had been periodically discarding their ordnance to neutralize Kakuta's airfields. As Ozawa sent his series of strikes against TF 58, Spruance directed Mitscher to keep a number of Hellcats active over Guam to disrupt any Japanese attempt to mount attacks from there. This reflected Spruance's fear that the Japanese would use Guam as a base for “shuttle bombing” using aircraft from the 1st Mobile Fleet. Before the first Japanese carrier raid, Hellcats encountered airborne Japanese aircraft over Guam. This action continued throughout the day and periodically intensified when TF 58 dive-bombers and Avengers, ordered to the east to steer clear of the air battle, dumped their ordnance on Guam. Before noon, 15 Yorktown and 17 Hornet Helldivers bombed Orote Field on Guam. Another attack was mounted at 13:30 by Dauntlesses from Lexington and Enterprise, nine Avengers from Enterprise and ten Hellcats for escort. The armor-piercing bombs carried by the dive-bombers did little damage, but the Avengers succeeded in cratering the runway. Other attacks continued throughout the afternoon including Hellcats from Bunker Hill strafing Japanese aircraft on the ground and 11 Helldivers from Essex just before 14:00. The price to keep Guam suppressed during the day was steep – six Hellcats and one Helldiver – but the Base Air Force did not support Ozawa's main attack. Back over at the carrier action, Ozawa's first group approaching Guam were picked up by TF 58 radar at 1449hrs. Before long, 27 Hellcats were on the scene. Among these were 12 from light carrier Cowpens, seven from Essex again led by McCampbell, and eight from Hornet. The Hellcats did great execution, shooting down 30 of the 49 Japanese trying to land on Guam. The remaining 19 planes landed but were damaged on the ground and could no longer fly.Another 15 aircraft headed for Rota but changed course to attack Montgomery's group when they sighted it en route. Six aircraft approached Wasp unmolested until 2:23 when they were engaged by antiaircraft fire just as they were dropping their bombs. Adept maneuvering by Wasp thwarted the aircraft, identified as Judys. Another group of divebombers appeared and split up; two went after Bunker Hill, and one after Wasp. All missed, and of the nine attackers, only one escaped. The final 18 aircraft of Raid IV, including the eight from Zuikaku and ten Zeros with bombs, were returning to their carriers when they encountered two American scout groups consisting of Hellcats and Avengers some 200nm west of Guam.This encounter cost the Japanese six aircraft, but they did gain a measure of revenge when at 3:30 the same group of returning Japanese aircraft encountered and shot down two Bunker Hill aircraft on a search mission. Despite these efforts, none of the American ships were hit during this fourth attack, while Ozawa suffered a significant loss of 73 aircraft. The situation worsened when the submarine Cavalla spotted Shokaku recovering aircraft at 11:52 and launched six torpedoes. Three torpedoes hit the carrier's starboard side at 12:22, sparking fires in the hangar and causing the ship to list. Soon, the ship came to a halt and was left behind when Carrier Division 1 moved north. At 1310, the fires on the hangar set off a bomb that set off fumes from the cracked forward fuel tank. Large explosions ensued and it was obvious the carrier was doomed. Shokaku sank at 15:01, resulting in the deaths of 1,272 crew members. The light cruiser Yahagi and destroyers Urakaze, Wakatsuki, and Hatsuzuki rescued Captain Matsubara and 570 men. Additionally, a torpedo hit Taiho, cracking the forward aviation fuel tank and turning the IJN's newest and most heavily protected carrier into a floating bomb. At 3:32pm, a massive explosion hit Taiho, lifting her flight deck and causing damage to her hull that led to the ship sinking. Despite Ozawa's initial desire to stay with the carrier, he and his team were eventually evacuated by a destroyer. However, 660 members of Taiho's crew perished as the ship sank. The transfer to the Haguro, added to the confusion for Ozawa was the fact that he and his staff were jammed into inadequate facilities aboard heavy cruiser Haguro after they were forced to depart from Taiho. Communications were grossly inadequate; Ozawa admitted later that he should have turned over command to Kurita until he could have moved to a ship with adequate command and control facilities. After the final strike aircraft returned, the Japanese turned northwest at 18:08, preparing to refuel the following day before continuing their attack. In their four strikes, the Japanese had launched 373 aircraft; of these 243 were lost. Added to these losses were another 50 from Guam, nine when Shokaku went down, and another 13 from Taiho to bring the total to 315. Some 296 Hellcats had been engaged during the day in combat, and only 14 were lost in combat with another six recorded as operational losses. The lack of sufficient training and experience among Japanese aircrews was evident, as seasoned American pilots compared the battle to “an old-time turkey shoot down home.” As a result of the significant losses inflicted on Japanese aircraft by American forces, the aerial portion of the Battle of the Philippine Sea was known as the Great Marianas Turkey Shoot. In the war upon the land, after an uneventful night, the 2nd Marine Division conducted patrols as Generals Schmidt and Smith focused on securing the rest of southern Saipan. Although the 4th Marine Division's assault was postponed due to their need to disperse a sizable Japanese group near Tsutsuran village, the 27th Division pressed forward in the morning with the 165th Regiment swiftly reaching Magicienne Bay. In contrast, the 105th advanced more slowly through challenging terrain, resulting in a gap between the two regiments and requiring the 165th to extend its lines to maintain contact. Further north, Colonel Jones' 23rd Marines succeeded in advancing close to Hill 500 after intense artillery bombardment, but were compelled to withdraw about 400 yards to protect their vulnerable flank. At this stage, Brigadier-General Arthur Harper's Corps artillery had arrived on the island, offering essential reinforcement to the division's artillery units. By the end of the day, Schmidt's division realigned its regiments and shifted north. The most vicious action of the night occurred in the sector occupied by the 2nd Battalion, 24th Marines. Starting at about 3:50am and lasting until daylight, an enemy force of approximately 75 attacked the Marines with grenades and bayonets. In the close-in fighting that ensued, 11 Marines were wounded, but, in the process, the enemy attack was broken. By daylight, many of the attackers were sprawled forward of the Marines' foxholes, the rest had taken to their heels. Meanwhile, Admiral Mitscher, having retrieved all his aircraft, set a westerly course and increased speed to 23 knots in an attempt to catch up with the enemy. However, on June 20, his usual morning search found no results. The Japanese also maintained radio silence during the day, with no new intelligence obtained by American submarines or PBM flying boats based in Saipan. In the afternoon, a successful search finally established contact, prompting Mitscher to prepare for a bold night strike against an enemy fleet beyond the maximum strike range. Meanwhile, the plan to refuel the 1st Mobile Fleet on June 20 fell through amid confusion, prompting Ozawa to abandon the attempt after noon. He transferred to the Zuikaku and restored communications, discovering the extent of his aircraft losses. Ozawa's hope that he could continue strikes was buoyed by reports from Kakuta that some of Ozawa's aircraft had landed on Guam and the prospects that additional land-based aircraft reinforcements would flow into the area. The only concession he made was to move his next attack until the 21st. However, at 16:45, Ozawa's reconnaissance revealed he had been spotted, so he decided to retreat northwest at 24 knots. Thirty minutes later, when his scout aircraft located Task Force 58, Ozawa opted to initiate a night attack with seven B5Ns and three radar-equipped B6Ns. Meanwhile, Mitscher launched a full deckload from 11 carriers, including 85 Hellcats, 77 dive-bombers, and 54 Avengers. The First Mobile Fleet was not well positioned to meet the attack. The Van Force with most of the heavy escorts and the best antiaircraft capabilities was not the closest formation to the incoming American strike. Each of Ozawa's three groups was headed northwesterly with the Van Force to the south, Carrier Division 2 in the center and Zuikaku to the north. Astern of the carrier groups were the two supply groups composed of six oilers with their escorts, making this the closest group to the Americans. After an uneventful flight, the American aircraft found the 1st Mobile Fleet at 18:40, at the edge of their fuel range after nearly 300 miles. Lacking time for a coordinated attack, the American aircraft easily bypassed the 40 fighters and 28 bombers sent to intercept them and individually targeted the enemy carriers. The veteran carrier Zuikaku was defended by 17 fighters and put up a good fight with heavy antiaircraft fire and adept maneuvering. She avoided the four torpedoes aimed at her from the Hornet Avengers and took only a single direct hit by a 500- pound bomb aft of the island. After departing, the Americans reported the big carrier with heavy fires onboard. However, the damage was not as great as it appeared. The single bomb hit penetrated to the upper hanger deck where a fire started among the remaining aircraft. These were not fueled, so after a few tense moments and an order to abandon ship that was quickly rescinded, the fire was extinguished. Six near misses were recorded, but overall damage was light. Zuikaku, the last surviving carrier from the Pearl Harbor attack force, lived to fight again. Aircraft from Bunker Hill, Monterey, and Cabot attacked the Chiyoda group, which evaded five torpedoes and sustained one bomb hit, surviving to fight another day. The Japanese were organized into three groups, each centered on a light carrier with several escorting battleships or heavy cruisers. The Zuiho and Chitose groups were not attacked, but the Chiyoda group was. The light carrier was the target of over 20 Helldivers and Avengers with bombs, but only a single bomb hit Chiyoda on the flight deck resulting in 20 dead, 30 wounded and two aircraft destroyed. The Avengers from Monterey probably scored the single hit, which caused a fire that was quickly extinguished. Chiyoda successfully dodged five torpedoes from Bunker Hill Avengers and lived to fight another day. Escorting battleship Haruna was hit by a 500-pound bomb that penetrated her stern and flooded the steering compartment. The ship's speed was reduced, and 15 crewmen were killed and 19 wounded. Cruiser Maya endured a near miss that caused flooding. The strike group from Lexington, with support from the Avengers from Enterprise, Yorktown, and Belleau Wood, and the bomb-carrying Hellcats from Hornet and Yorktown, attacked Admiral Jojima's carriers. They inflicted minor damage on Junyo and Ryuho. Most of Lexington's Dauntless dive-bombers selected Junyo for attention. At 7:04, one or two bombs hit the carrier's island, and several near misses created minor flooding. Casualties included 53 dead, but overall damage was light. Light carrier Ryuho was attacked by the five Avengers from Enterprise with bombs at 7;10; eight hits were claimed, but only slight damage was caused by near misses. The carrier also survived attacks from Enterprise Dauntlesses, Avengers from Yorktown five with torpedoes and probably Hellcats from Hornet. Hiyo suffered the most successful attack of the evening. The carrier left the formation to launch two Jills to lay a smoke screen and was caught behind the main body when the American strike arrived. In the opening attack by Dauntlesses from Lexington, one bomb hit the foremast and exploded above the bridge resulting in heavy casualties to bridge personnel. The Japanese reported that another bomb hit the flight deck. However, the group of four Belleau Wood Avengers with torpedoes caused fatal damage. Three conducted an anvil attack, and one torpedo hit the carrier's starboard engine room. This was followed by a dive-bomb attack from six Enterprise Dauntlesses. The single torpedo hit, the only one scored by Avengers during the entire attack, proved fatal to the largely unprotected carrier. Within minutes, the damage created a list. The ship proceeded for a time on its port engine, but then went dead in the water. Just before sunset, at 1917, there was a large explosion amidships that caused a loss of power. The Japanese were convinced that this was the result of a submarine-launched torpedo, but there were no submarines in the area. A fuel-fed conflagration ensued, causing multiple explosions. The fire was beyond being contained, and the order to abandon ship was given. Hiyo sank at 20:32, claiming 247 crew members. The final American counterattack came from Wasp's aircraft, targeting Ozawa's Supply Group to disrupt the withdrawal of the 1st Mobile Fleet by damaging the oilers. Three oilers were damaged, and two were later scuttled. In this series of uncoordinated attacks, the Americans lost 20 aircraft and destroyed 80 Japanese planes; although the results were underwhelming, with only one carrier sunk, they fared better than Ozawa's combined strikes the previous day. At 20:45, American aircraft began returning to their carriers. The distance from the targets to TF 58 was between 240 and 300 miles, so fuel exhaustion was a real danger for many pilots. On a dark night, the returning aircraft began to return to their carriers at 8:45. Mitscher decided to ignore the potential Japanese air and submarine threats and ordered his ships to use extra illumination beyond the normal landing lights on each carrier deck to guide his appreciative aviators home. Any pretense of order was quickly lost and soon aircraft were ordered to land on any deck in sight. Almost half of the returning aircraft landed on the wrong carrier. This hectic scene took over two hours to play out. When the final accounting was complete, aircraft losses were expectedly heavy. The Americans would end up losing a total of 100 pilots and 109 crew members. Meanwhile, Admiral Toyoda ordered Ozawa to disengage from the decisive battle and retreat northwest, with the Japanese fleet successfully evading Mitscher's slow pursuit and reaching Okinawa on the afternoon of June 22. Once more, the Japanese sought a decisive battle but were decisively defeated. By the end, they had lost three carriers sunk, two carriers damaged, 395 carrier aircraft, about 200 land-based aircraft, two oilers, and four other damaged ships, with around 3,000 Japanese fatalities. In contrast, the Americans lost 130 aircraft and 76 aviators, with none of their damaged ships rendered out of service. The Battle of the Philippine Sea, the last carrier-versus-carrier battle of the war, stood out because the most conservative and defensive-minded side emerged victorious. In terms of scale the Great Marianas Turkey Shoot dwarfed the four carrier battles that preceded it. At the Battle of the Coral Sea, the Battle of Midway, the Battle of the Eastern Solomons, and the Battle of Santa Cruz Islands, the largest carrier engagement involved 7 carriers at Midway; by comparison there were 24 carriers at the Great Marianas Turkey Shoot. It was, by a factor of almost 350 percent, the biggest carrier battle in history. Though Mitscher's Combat Air Patrol was not flawless, the combination of inadequate Japanese aircrew training and American radar-directed fighter interception rendered a significant Japanese strike ineffective. Ozawa conducted an intelligent battle, accurately assessing American intentions to launch carrier air strikes that would have been catastrophic to a carrier task force by 1942 standards. Nevertheless, his tools failed him. Despite Ozawa's skilled fleet handling, he lacked the airpower to inflict serious damage on Task Force 58. Admiral Spruance has faced criticism for his cautious approach, which exposed his carriers to attack without a strong chance of striking back at the enemy. Only the significant difference in skill between American and Japanese aviators and some good luck prevented this strategy from failing. Now back over on Saipin, General Watson continued to focus mainly on patrolling, while the 8th Marines worked to secure Hill 500. Colonel Wallace's 2nd Battalion encountered minimal resistance, enabling them to quickly advance to the O-4 Line. Around 09:00, the 25th Marines moved towards Hill 500, subjecting the Japanese to a severe, thundering beating administered by the 4.5-inch rockets. As the Marines charged up the hill through the thinning smoke, artillery shells walked ahead in sturdy escort. Shortly before noon the hill was seized, and mopping up of the cave network began. Compartments at different levels and angles made it possible for the Japanese occupants to retreat from one cave-room to another, and the cleaning out process was a slow one. The price for Hill 500 was not light. Chambers' battalion suffered 49 casualties, nine of whom were killed. Counted Japanese dead numbered 44. Upon examination, it was found that Hill 500 had been well organized for defense but that the positions were not strongly manned. As darkness approached, the Marines dug in to defend their newly won possession. Meanwhile, the 24th Marines also reached the O-4 Line near Tsutsuran, but the 27th Division struggled to push the Japanese forces onto the challenging terrain at Nafutan Point. Additionally, the 106th Regiment arrived on June 20, and Aslito Airfield became operational, putting the security of the Japanese home islands in jeopardy. The following day involved reorganizing, resupplying, mopping-up, and patrolling to prepare for the next day's attack into central Saipan. General Smith's infantry continued their offensive south toward Nafutan Point, making incremental progress through each cave and ravine. At 12:15, while engaged in the Nafutan Point attack, the 27th Division received a change of mission and disposition. NTLF Operation Order 9 dictated less one battalion and one light tank platoon, to assemble northwest of Aslito Airfield in NTLF reserve. Control of the division artillery would pass to the 23rd Corps Artillery. The designated infantry battalion was ordered to “operate in the Garrison Area and mop up remaining enemy detachments, maintain anti-sniper patrols within the Garrison Area and along the coast line to protect installations within its zone of action with particular attention to Aslito Airfield.” At 5:00, after consideration of the NTLForder, Ralph Smith telephoned Holland Smith and urged that a complete regiment be used to clean up Nafutan Point, rather than one battalion. He said that he planned to use the 105th Infantry for the job and that he believed they could finish in a couple of days. Holland Smith agreed to this but specified that one battalion of the 105th must be retained in reserve for possible use elsewhere. For this task, the 2nd Battalion would be selected. This modification was later confirmed in a mailbrief from NTLF which arrived at the 27th Division command post at 8;30, 22 June. Ralph Smith then issued an order to his division, the 105th will hold the present front line facing Nafutan Point, with two battalions on the line and one battalion in regimental reserve. It would relieve elements of 165th now on the front line by . Reorganization of the present front line to be effected not later than 11:00, 22 June and offensive operations against the enemy continued. Reserve battalion will maintain anti-sniper patrols in the vicinity of Aslito Airfield. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The Battle of the Philippines was the last hurrah of the once proud IJN carrier fleet that had humbled the American two and a half years earlier. Admiral Spruance's strategic patience led to a decisive American victory. Japan's carrier threat, which had driven its early wartime expansion, was annihilated in the Great Marianas Turkey Shoot.
Ed Obayashi is the Deputy Sheriff and Policy Advisor for the Modoc County Sheriff's Office. He also serves as a law enforcement advisor for numerous law enforcement agencies, joint powers authorities for law enforcement (insurance funds), and law enforcement advisory organizations. As a licensed attorney, he also serves as the Legal Advisor, General Counsel, and official training advisor related to Use of Force and Police Practices for these entities. He is recognized as a foremost legal and training expert in California, nationally, and internationally in law enforcement matters, particularly in Use of Force and Internal Affairs Investigations issues. He is one of the most in demand legal lecturers in Use of Force and Police Practices for law enforcement legal associations, including the State BAR of California.
Ed Obayashi is the Deputy Sheriff and Policy Advisor for the Modoc County Sheriff's Office. He also serves as a law enforcement advisor for numerous law enforcement agencies, joint powers authorities for law enforcement (insurance funds), and law enforcement advisory organizations. As a licensed attorney, he also serves as the Legal Advisor, General Counsel, and official training advisor related to Use of Force and Police Practices for these entities. He is recognized as a foremost legal and training expert in California, nationally, and internationally in law enforcement matters, particularly in Use of Force and Internal Affairs Investigations issues. He is one of the most in demand legal lecturers in Use of Force and Police Practices for law enforcement legal associations, including the State BAR of California.
"House" is one of the wackiest but complex horror films of all time. It's not your typical psychological horror film, you really need to look past what is presented to you. It has symbolism deals with innocence and the loss of a loved one be it a mother or a lover. Both hurt just as hard and we are shown the permanent shards of it. The film, as experimental as it is, it makes sense. It does actually make sense. The characters show little development but it's granted with a film like this. It would have been a pretty impactful film if the characters overall have depth than just Gorgeous and Auntie. But Gorgeous and Auntie show enough depth to move the story forward through the destruction that the house does. It's merciless and it's meant to be that way. Life is merciless, it can take loved ones away and make you bitter against the world.Three out of four tokes.
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.07.24.550212v1?rss=1 Authors: Hasegawa, Y., Kim, J., Ursini, G., Jouroukhin, Y., Zhu, X., Miyahara, Y., Xiong, F., Madireddy, S., Obayashi, M., Lutz, B., Sawa, A., Brown, S. P., Pletnikov, M. V., Kamiya, A. Abstract: Adolescent cannabis use increases the risk for cognitive impairments and psychiatric disorders. Cannabinoid receptor type 1 (Cnr1) is expressed not only in neurons and astrocytes, but also in microglia, which shape synaptic connections during adolescence. Nonetheless, until now, the role of microglia in mediating the adverse cognitive effects of delta-9-tetrahydrocannabinol (THC), the principal psychoactive constituent of cannabis, has been unexplored. Here, we report that adolescent THC exposure produces microglial apoptosis in the medial prefrontal cortex (mPFC), which was exacerbated in the mouse model of 16p11.2 duplication, a representative copy number variation (CNV) risk factor for psychiatric disorders. These effects are mediated by microglial Cnr1, leading to reduction in the excitability of mPFC pyramidal-tract neurons and deficits in social memory in adulthood. Our findings highlight the importance of microglial Cnr1 to produce the adverse effect of cannabis exposure in genetically vulnerable individuals. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC
Heute gibt es eine neue Folge #faq "Klartext zu deinen Ernährungsfragen" mit Dr. Markus Keller. Hier beantworten wir 5 eurer Ernährungsfragen in nur 5 Minuten. Heute mit den Themen: 01:11 Kann sich eine vegane Ernährung auf Migräne auswirken? Wenn ja, wie? 02:14 Welche positiven Wirkungen haben sekundäre Pflanzenstoffe? 03:16 Wie sollte das Verhältnis von gekochtem/gegarten Gemüse zu rohem sein, um den Mikronährstoffbedarf zu decken? 04:24 Was ist das Problematische an Glutamat? Mythos des China-Restaurant-Syndroms? 05:37 Kann man den Bedarf an Omega-3-Fettsäuren über Leinsamen oder Leinöl decken oder muss es Algenöl sein? Vielen Dank an die Fragensteller*innen! Du hast auch eine Frage? Dann schreib sie uns in die Kommentare. Wir freuen uns! Das Team des IFPE wünscht euch schöne Weihnachtstage!
Japan's Top Business Interviews Podcast By Dale Carnegie Training Tokyo, Japan
Established in 1892, Obayashi Corporation a $5 billion listed enterprise, is one of the top 5 construction companies in Japan. Obayashi has 86 subsidiaries and 26 affiliated companies in Japan, Europe, the Middle East, Asia, Australia and North America.
Are the customs and patterns around alcohol and other drug usage that much different in other places? Juliana, Maria, and Brenda talk about substance use and abuse in their native Brazil. The legal drinking age is different, and so are the consequences. Now in the United States for college, the women compare the culture they were born in with the one they moved to. Other countries and cultures address alcohol and other drug usage differently than in the United States, too. If you or a loved one has a substance use disorder, help is available. Locally, resources can be found at Crisis, 262-657-7188 or 211 Wisconsin: https://211wisconsin.communityos.org. You can also find AA meetings here: https://mtg.area75.org/meetings.html?dist=7 and NA meetings here: https://namilwaukee.org/meetings/
The bumper final epside of 2022! Adam and Ben go through all the Third Window Film releases of the year, from Shin'ya Tsukamoto's HIRUKO THE GOBLIN to Satoshi Miki's ADRIFT IN TOKYO and everything in between from Obayashi to Sogo Ishii. The boys also reveal their favourite films of the year and look ahead at what's coming out from Third Window Films in 2023. Thank you to everyone who listened to the show and shared our stuff this year. We appreciate you! Here's a link to Ben's top 20 of 2022 We look forward to catching up with you again next year!
We are living in unprecedented times and today Adam and Ben are joined by the mighty Tom Mes for an unprecedented third appearance! After initially joining us to discuss Shinya Tsukamoto and then returning to cover the work of Sogo Ishii, Tom is now back on the pod to talk all about Nobuhiko Obayashi, his 80s Kadokawa years, and specially his audio commentary on the upcoming release of His Motorbike, Her Island. His Motorbike, Her Island stars Riki Takeuchi and Kiwako Harada and is a tale of young lovers and their fun filled days of freedom on their motorbikes. Switching between black and white and colour, Obayashi paints a picture of an eternal summer from which they have no desire to escape. You can pre-order His Motorbike, Her Island as part of the upcoming NOBUHIKO OBAYASHI'S 80S KADOKAWA YEARS boxset here - https://shop.terracottadistribution.com/collections/pre-order-before-release/products/nobuhiko-obayashi-s-80s-kadokawa-years-bluray-4-discs Episode 13 could be unlucky for some, and it fact it was for us! A few technical issues and crossed wires hindered the flow a little but fear not, for the next podcast is our big 1st birthday episode and will be a podcast party like no other! We have an incredibly exiting guest lined up and it's going to be an absolute blast!
Bibhrajit Halder, Founder & CEO, SafeAI joined Grayson Brulte on The Road To Autonomy Podcast to discuss autonomous mining and construction operations. The conversation begins with Bibhrajit discussing why in 2017 when the market was full of hype and investment dollars for passenger autonomous vehicles, that he bucked the trend and made the strategic decision to focus on the heavy equipment industry. Bibhrajit's strategic decision is paying dividends today as the global mining industry is a $2 trillion dollar market with accelerating growth thanks in part to the growth of the electric vehicle market. The heavy equipment industry is a key supplier to this market, setting SafeAI up with the perfect scenario for growth, all the while helping to improve safety and increase operational efficiency through autonomy.This industry is also not the most safest industry. This industry also wants to run more efficiently. – Bibhrajit HalderThe largest deployment of heavy equipment autonomous vehicles is located in Australia where there are over 1,000 actively heavy equipment autonomous vehicles in operation today. The thousand autonomous trucks that have been running for seven or eight years, and they have moved about 4 to 5 billion tons of material over 24/7 operations without a single fatal accident. – Bibhrajit HalderMines in Australia are capitalizing on the efficiencies unlocked by autonomy and the positive benefits that this technology has on society. In Western Australia, SafeAI has a partnership with MACA to retrofit 100 heavy equipment trucks for autonomy. While Australia is a booming market for heavy equipment autonomous vehicles, the markets of Chile, Argentina, Brazil, Canada and Japan are emerging markets with growth potential. With autonomy scaling in the mining industry, Grayson compares the mining industry to the agricultural industry and asks Bibhrajit if he sees a global miner making autonomy acquisitions similar to the way John Deere has done to grow their business.If you look at in general, any industry this kind of fundamental technology, there will be consolidation. No doubt about it. There will be consolidation and that consolidation happens naturally as different players come up and show their strengths and weaknesses. – Bibhrajit HalderWhile consolidation will happen at some point in the global mining industry, Bibhrajit is laser focused on serving his customers for the long-term. That is both in the mining industry and the construction industry where SafeAI is actively expanding their business through a partnership with the Obayashi Corporation in Japan.This is the first step of our way to expand autonomous construction in Japan, and we are working hand-in-hand with Obayashi. – Bibhrajit HalderWrapping up the conversation, Bibhrajit explains how autonomy compliments the mining and construction industries.Recorded on Tuesday, August 2, 2022>> Follow The Road To Autonomy on Apple Podcasts>> Follow The Road To Autonomy on TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Subscribe to HYST on Patreon and get two bonus episodes every month! patreon.com/haveyouseenthis/Tim and Jen are overwhelmed by the raw charisma of Jacques from the Seeking Derangments podcast in a truly chaotic episode nominally about the chaotic 1977 film House!Via Senses of Cinema, read a retrospective on Nobuhiko Obayashi's career that also serves as a defense of his filmmaking style.You can see a sampling of Obayashi's commercial work on YouTube. Don't miss the MANDOM spot starring Charles Bronson. Have You Seen This? BONUS episodes See acast.com/privacy for privacy and opt-out information.
The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo, Japan
We often see presenters elevated up on stage or positioned at the front of the room, flanked by or under a screen, and protected from the audience by a rostrum. In Japan standing above your seated audience requires an apology for doing so at the start of the speech. This is a very hierarchy conscious society, so implying your superiority to your audience, through your physical positioning has to be wound back immediately. We add to this feeling by driving the slide deck, playing around with the lighting, using a microphone and speaking in a knowledgeable, commanding voice. All of these devices place a barrier between the speaker and the attendees of the talk. Is that what we want though – a barrier to our audience? If we want the audience to buy what we are selling, we want to have total access to the participants. Believe my statistics, follow my suggestions, take action on my ideas are typical outcomes we want to achieve. Getting people to come with us necessitates persuasion and having appeal. The less barriers between us and them, the better. A useful approach is to speak conversationally with our audience, as if we were all intimates of long standing, where the trust had been built up over the years and where the simpatico is flowing. It also lends itself to sharing information like confidences, that only the specially initiated and conspiratorial are made privy to. We are letting you into special data and insights, that only those in the room can know. This requires a switch from speaking at an audience to speaking with an audience. We call out the names of audience members we know or have just met, to build that feeling of connection between speaker and participants. “Suzuki san and I were chatting a moment ago and she made an interesting observation on the subject”, “I am glad my old friend Tanaka san is with us today, because I consider him a great model for what I am proposing”, “Obayashi san and I were speaking during the networking before lunch and she mentioned that there was some new data on this topic”. As soon as we do this, the people we are referring to feel three meters tall, because their name was mentioned in a positive, supporting way. We also break through the mental barrier between speaker and audience by including the audience members into our speech. The tone we apply moves from oratory to more of a chatting over the backyard fence style. It is much more inclusive, convivial, endearing and conversational. We still pick out key words for emphasis by either putting the power in or pulling it out, we use pattern interrupters like speeding up or slowing down our speaking speed. A conversational monotone is still a sleep inducer. We need to avoid that. We still use gestures and we will increase the frequency of inclusive gestures. What would be an inclusive gesture? The stylised wrapping your arms around your collective audience is a good one, as if you were drawing them in toward you. Pointing to the audience with your arm outstretched and the palm up is a non-threating way of engaging your audience. Pointing fingers at members of your audience is aggressive and not recommended. Our eye contact at six seconds for each person, has enough balance to make it inclusive without it becoming invasive. Talking about ourselves, sometimes in a self disparaging manner, reduces the hierarchy feeling between us and them. UK Prime Minister Boris Johnson is a master of this. He has a very elite background at Eton and Oxford, but makes fun of himself in his public speeches. Some journalists insist the ruffled hair and disheveled clothing are props to better humanise him for consumption by non-elite audiences. Depending on the audience, he sometimes makes a show of being flustered and disorganised for effect. This positions him more effectively as an “everyman” with his audience, rather than as a distant upper class Brahman. Not taking yourself too seriously is always good advice, if you want to connect with your audience no matter how brainy, powerful, superior you may see yourself relative to the assembled punters. Just don't overdo it, because then it becomes sensed as manipulative and fake. A little humour at your own expense goes a long way. Yes we can be serious about our topic, without being distant and standoffish. Getting the balance of gravitas and congeniality is the key and being chatty but highly valuable and informative is the sweet spot. Action Steps Mentally switch the scene to a chat over the backyard fence, rather than in a big five star hotel's ballroom Where possible integrate some of the audience members into your speech to strike that personal connection Make the speaking tone, gestures and eye contact conspiratorial Don't be afraid to make fun of yourself
Dave and Alonso still aren't back into theaters, but these are all movies worth seeing, even if you've never heard of them. Subscribe (and review us) at Apple Podcasts, follow us @linoleumcast on Twitter, Instagram, and Facebook, fry it up in a pan. Join our club, won't you? This episode is brought to you by RogerandChris.com, which offers a collection of distinctive products for the home, all built in the USA. Alonso's new book I'll Be Home for Christmas Movies is on sale now!
A dazzlingly unique cult film directed by Nobuhiko Obayashi, House follows seven teenage girls as they unwittingly enter a realm haunted by the bitter (and voracious) ghost of a woman waiting in vain for her long dead fiancé. That's a fairly basic premise for a haunted house feature, but Obayashi's avant garde instincts collide in kaleidoscopic ways with the movie's homemade special effects, amateur performances, odd musical score, and the studio's insistence that there be nudity. The result is an expressionistic and madcap film that stands alone in the cinematic landscape; it's certainly very different from Jaws (1975), which producers asked Obayashi to imitate when House was in its developmental phase. Ryan is joined by Sylvan and (in his debut episode) Jesse. Ryan's been wanting to record a podcast about House for ages, but he really wanted to do it with someone who'd never seen it before and had no idea what they were in for. Jesse is a big theater geek, so they were very much into the film and they contribute a great deal to the ensuing dialogue. Talking points for this one include House's abrupt tonal shifts, its subtextual cues to World War II, the storytelling's byzantine approach to feminine exploitation, and how Obayashi's background in filming commercials influenced his creative choices for the film. --- Support this podcast: https://anchor.fm/ryan-valentine3/support
As far as Shawn is concerned, September, not October, is the start of spooky season. And to celebrate the occasion, he and John Mills have decided to watch a horror film John has never seen before. That film is Nobuhiko Obayashi's House, and while it's technically classified as a horror film….is it really? Or is it literally every film genre smashed together into one manic super film?Join Shawn and John as they attempt to process this bonkers cult classic and why it may in fact be a legitimate masterpiece. HOSTSShawn EastridgeJohn Mills
As far as Shawn is concerned, September, not October, is the start of spooky season. And to celebrate the occasion, he and John Mills have decided to watch a horror film John has never seen before. That film is Nobuhiko Obayashi's House, and while it's technically classified as a horror film….is it really? Or is it literally every film genre smashed together into one manic super film? Join Shawn and John as they attempt to process this bonkers cult classic and why it may in fact be a legitimate masterpiece. HOSTS Shawn Eastridge John Mills
Oliver is joined by Dr Naonori Kodate, Associate Professor in Social Policy and Director of Research at University College Dublin, who will introduce us to the growing phenomenon of robotics in elder care. In super-aged Japan, robots are becoming more and more common in assisting care staff in a wide range of activities, from heavy-lifting to night-nursing, as the human workforce decreases due to depopulation and strict migration policies. Nao's research indicates robots can be more than tools, providing social contact for a demographic commonly afflicted by loneliness. What's more, as other nations begin to see ageing populations, robots in the care home may soon become the norm. Sources Ide, H., Kodate, N., Suwa, S., Tsujimura, M., Shimamura, A., Ishimaru, M., & Yu, W. (2021). The Ageing ‘Care Crisis' in Japan: Is there a role for robotics-based solutions? International Journal of Care and Caring, 5: 165-171. Obayashi, K., Kodate, N., & Masuyama, S. (2020) Can connected technologies improve sleep quality and safety of older adults and care-givers? An evaluation study of sleep monitors and communicative robots at a residential care home in Japan. Technology in Society, 62. 小舘尚文，生活支援技術の受容をめぐる社会・文化・政策的課題―介護ロボットの社会実装を事例に―, In: 「高齢者を支える技術と社会的課題 科学技術に関する調査プロジェクト報告書」、国立国会図書館 調査及び立法考査局; 2021年3月；pp65-80. National Diet Library, Japan. Image credits [L] Universal Accessibility Ageing Research Centre, Japan [R] Circuits of Care film poster Copyright © 2021 Oliver Moxham, ℗ 2021 Oliver Moxham. May be freely distributed in a classroom setting. --- Send in a voice message: https://anchor.fm/beyond-japan/message
Your House is trying to eat you. What do you do? Do you sit and listen to the new Movies with a Spine while your clock chews you up? Sure, why not!? MwaS talks the Criterion release of the Japanese cult classic House! EMAIL US - movieswithaspine@gmail.com House's Criterion - https://www.criterion.com/films/27523-house Movies with a Spine is three cinephiles discussing the releases of the Criterion Collection. Hosted by Nathaniel Combs, Ryan Hope, and Chris Miele. Edited by Chris Miele. CRITERION'S HOUSE DESCRIPTION - How to describe Nobuhiko Obayashi’s indescribable 1977 movie House (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home and comes face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions, all realized by Obayashi via mattes, animation, and collage effects. Equally absurd and nightmarish, House might have been beamed to Earth from some other planet. Never before available on home video in the United States, it’s one of the most exciting cult discoveries in years. FROM THE CRITERION COLLECTION'S WEBSITE: Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.
Arthouse Drive-In Ep 7: Obayashi's 'House' (1977) by Split Tooth Media
This week, we are diving into our first Japanese film on the podcast -- Obayashi’s campy 70’s classic, “House”! ‘Adventures in Black Cinema’ podcast host Desmond Thorne joins Daniel Shaw and host John Kilberg to dive into this iconic haunted house film. WUSSY Movie Club is a weekly roundtable movie podcast with a Queer lens, featuring themed seasons and special interviews with Queer filmmakers. Every Wednesday, a rotating cast of LGBTQIA+ voices will dish on their favorite films of past and present. Join the club and be a part of the discussion! WUSSY Movie Club is part of the WUSSY Podcast Network, hosted by WUSSY Mag (@wussymag) Produced by Jon Dean @jondeanphoto Podcast Art created by Nick Sheridan @glass.knuckles Podcast Music by DJ Helix @1djhelix Join the WUSSY Movie Club on Instagram https://www.instagram.com/wussymovieclub/ Follow WUSSY Movie Club on Facebook https://www.facebook.com/WussyMovieClub/
Abe walks us through the plethora of editorial, post-production, and camera tricks used by Nobuhiko Obayashi, the director of the Japanese horror comedy, House. From cutting out mattes and placing them directly on the frame, to rotoscoping, to practical effects, to editorial pacing, Obayashi is able to command a tone and humor entirely of his own creation. Abe talks about how the film influenced western directors and how technique and style define every filmmakers’ “voice.” Adam surprisingly did not hate the film, dashing Abe’s hopes for a combative podcast. Features: Adam Ganser: https://twitter.com/therealganz Abe Epperson: https://twitter.com/AbeTheMighty Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans
House is uh...an indescribable film. Avant-garde haunted house horror-comedy, Obayashi's absurdist answer to Jaws is technically innovative, off the wall ridiculous, and a seeming deconstruction of horror archetypes. Also, boring and exhausting (unless you're Chuck Stephens)
Alright CULT members this our second episode of the spooky season and were going on a wild ride through Nobouhiko's Obayashi's 1977 film House starring Kimono Ikegami, Miki Jinbo, and Kumiko Ohba. Our CULT member Mondo brought a Don Knott's classic to the chopping block The Ghost and Mr. Chicken. Is this Alan Rafkin's 1966 film spooky enough for the rest of the CULT to vote in? Listen to find out
In this episode of Chick Flicks, McKenzie and Bridget talk about American masculinity, generational trauma, and teenage girl aesthetics in Jaws and House. Jaws was released in 1975 and directed by a child named Steven Spielberg. It stars a gigantic shark that does not look real enough according to the IMdB review section. House, released two years later in 1977, is a Japanese film directed by Nobuhiko Obayashi. House was partially inspired by Jaws and owes its creativity to Obayashi's pre-teen daughter. Chick Flicks is a film review podcast hosted by McKenzie Chapman and Bridget Hovell. You can follow Chick Flicks on instagram and twitter @chickflickspod and email us at chickflickspodcast@gmail. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
For today's show, we take a look at Nobuhiko Obayashi's House, a bizarre horror classic. Created with input from Obayashi's young daughter, the film juggles bizarre and horrific imagery with extremely goofy setups and asides, creating a dreamlike atmosphere that manages to be both uncanny and hilarious. Content Warning: Strong Language Created by Derek Delago and Jordan Hester Music by Jack Ellis
Zum 20-jährigen Jubiläum bekommt Nippon Connection einen offiziellen Festivalpodcast! Thomas Laufersweiler (SchönerDenken) und Alexander Sobolla (Abspanngucker), die in ihren Podcasts bereits seit vielen Jahren über das Festival berichten, sprechen in vier Episoden mit Mitgliedern des Programmteams über Highlights des Festivals und über einzelne Themenschwerpunkte. In Teil 3 des Nippon Connection Podcasts sprechen Thomas und Alexander mit Sebastian Krehl vom Filmauswahlteam über einen ganz außergewöhnlichen Regisseur: Nobuhiko Obayashi! Sein Film House ist absoluter Kult, es gibt auch nicht viele Filme in denen ein Klavier eine junge Frau auffrisst. Sein finaler Film vor seinem Tod dieses Jahr, Labyrinth of Cinema, ist ein eindringlicher Antikriegsfilm voller visuellem Exzess und eine Liebeserklärung an das Kino vergangener Tage. Beide sind auf der Nippon Connection dieses Jahr zu sehen und über beide spricht Sebastian mit uns. Leider sind nur sehr wenige Filme von Obayashi im Westen vermarktet worden. Sebastian erwähnt einige andere tolle Werke von ihm, geht auf dessen ganz besonderen Stil und die Themen in seinen Werken ein. Dadurch weckt er die Lust noch viel mehr von Obayashi sehen zu wollen. Nippon Connection findet dieses Jahr online statt. Wann? Genau jetzt! Vom 9.-14. Juni 2020 könnt ihr um die 70 Filme online ansehen. Wie das geht und was alles so im Programm ist, erfahrt ihr im Podcast und natürlich auch auf der offiziellen Webseite der Nippon Connection nipponconnection.com. Thomas und seinen tollen Podcast SchönerDenken (mit vielen weiteren Nippon Connection Folgen) findet ihr unter schoener-denken.de.
Evil houses, commercial breaks, and bucking tradition, oh my! Shaun Duke and David Annandale are back at it with a new Totally Pretentious show about Nobuhiko Obayashi's infamous 1977 horror comedy, House / Hausu. Together, they discuss the film's road to production, its unique presentation of horror elements, Obayashi's production relationship with his daughter, and […]
In honor of Nobuhiko Obayashi's passing on April 10, we're discussing HIS MOTORBIKE, HER ISLAND (1986), the director's summery teen romance that does what all good teen movies do: it makes you want to trek the Japanese countryside on a Kawasaki motorcycle. Less outrageous but no less pointed than Obayashi's seminal HAUSU (1977), HIS MOTORBIKE, HER ISLAND is still a showcase for the director's playful awareness of audience and how to surmount the limitations of cinema. Only Obayashi could make a movie about falling for someone so deeply that the differences between seasons, between selves, between fantasy and reality, cease to matter – and then carry that thesis through every element of the film's production. Follow us at @trylovepodcast on Twitter and email us at trylovepodcast@gmail.com to get in touch! Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters.
Bob Turnbull (@TheLogicalMind) returns to the show to discuss Nobuhiko Obayashi's 1977 film House (Hausu). This episode was originally slated to be released in June, however, Obayashi passed away six days after the show was recorded. We are releasing the episode early as a farewell to the prolific filmmaker.
Dan and Bradley welcome Filmmakers Dave Eve's and Martin Kessler on to talk about Nobuhiko Obayashi's wonderful film from 1977 'HOUSE'. We discuss the film and a bit about Obayashi and his other work before Bradley (as usual) runs off the rails and starts talking about 'Combat Shock' and 'Crime Wave'... again! Martin's Twitter Dave's Twitter
We wander the wastes of the Zone, teasing out our feelings on aspirations, desires, love and religion in this extra long episode on the extra long film Stalker!Note: for now, you can find an archive of harder to find Obayashi films here!Send us any email questions and comments about the movies we cover or movies in general to podcast@abnormalmapping.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings:His Motorbike, Her island
On this special, extra manic episode, special guests Lauren and Jonathan join Aaron and Derek to discuss 1977's Japanese horror comedy film "House" (Hausu) directed by Nobuhiko Obayashi. They dig deep into Obayashi's fever dream of a movie sharing fears and interpretations, discussing Japanese imagery, and doing their best to run through the euphoric nightmare-like plot. Fears are shared. Other horror is recommended. There are now four, but will it help them survive the House? Take a trip into the country, and be wary of the cat! Shout outs to Light The Fright Podcast @LightTheFright and Ghosts-n-Heauxs podcast @ghostsnheauxs. We are on PodBean, iTunes, Stitcher, Google Play, and the Podcoin app. Please rate, review, subscribe, and share our show. Our socials are on Facebook and Twitter @WatchIfYouDare
THE Presentations Japan Series by Dale Carnegie Training Tokyo, Japan
The Power Of Conversational Style When Presenting We often see presenters elevated up on stage or positioned at the front of the room, flanked by or under a screen, and protected from the audience by a rostrum. In Japan standing above your seated audience requires an apology for doing so at the start of the speech. This is a very hierarchy conscious society, so implying your superiority to your audience, through your physical positioning has to be wound back immediately. We add to this feeling by driving the slide deck, playing around with the lighting, using a microphone and speaking in a knowledgeable, commanding voice. All of these devices place a barrier between the speaker and the attendees of the talk. Is that what we want though – a barrier to our audience? If we want the audience to buy what we are selling we want to have total access to the participants. Believe my statistics, follow my suggestions, take action on my ideas are typical outcomes we want to achieve. Getting people to come with us necessitates persuasion and having appeal. The less barriers between us and them, the better. A useful approach is to speak conversationally with our audience, as if we were all intimates of long standing, where the trust had been built up over the years and where the simpatico is flowing. It also lends itself to sharing information like confidences, that only the specially initiated and conspiratorial are made privy to. We are letting you into special data and insights, that only those in the room can know. This requires a switch from speaking at an audience to speaking with an audience. We call out the names of audience members we know or have just met, to build that feeling of connection between speaker and participants. “Suzuki san and I were chatting a moment ago and she made an interesting observation on the subject”, “I am glad my old friend Tanaka san is with us today, because I consider him a great model for what I am proposing”, “Obayashi san and I were speaking during the networking before lunch and she mentioned that there was some new data on this topic”. As soon as we do this, the people we are referring to feel three meters tall, because their name was mentioned in a positive, supporting way. We also break through the mental barrier between speaker and audience by including the audience members into our speech. The tone we apply moves from oratory to more of a chatting over the backyard fence style. It is much more inclusive, convivial, endearing and conversational. We still pick out key words for emphasis by either putting the power in or pulling it out, we use pattern interrupters like speeding up or slowing down our speaking speed. A conversational monotone is still a sleep inducer. We need to avoid that. We still use gestures and we will increase the frequency of inclusive gestures. What would be an inclusive gesture? The stylised wrapping your arms around your collective audience is a good one, as if you were drawing them in toward you. Pointing to the audience with your arm outstretched and the palm up is a non-threating way of engaging your audience. Our eye contact at six seconds for each person, has enough balance to make it inclusive without it becoming invasive. Talking about ourselves, sometimes in a self disparaging manner, reduces the hierarchy feeling between us and them. Boris Johnson is master of this. He has a very elite background, but makes fun of himself in his public speeches. Depending on the audience, he sometimes makes a show of being flustered and disorganised for effect. This positions him better as an “everyman” with his audience, rather than a distant upper class elitist. Not taking yourself too seriously is always good advice, if you want to connect with your audience no matter how brainy, powerful, superior you may see yourself relative to the assembled punters. Just don't overdo it, because then it becomes sensed as manipulative and fake. A little humour at your own expense goes a long way. Action Steps Mentally switch the scene to a chat over the backyard fence, rather than in a big five star hotel's ballroom Where possible integrate some of the audience members into your speech to strike that personal connection Make the speaking tone, gestures and eye contact conspiratorial Don't be afraid to make fun of yourself Remember, if you would like any questions you have, answered live by me, then just put in the email header “I am based in…and am interested in joining your live Presentations Q&A” and send that email to me at greg.story@dalecarnegie.com. I am planning to do a Zoom meeting with everyone and we will record it for those who can't make it. Tell me your location because I may do a couple of versions, to best suit your time zone.
Yoshi Obayashi comes back for a second week to share how Illegalmagazine.org is helping influence change the worlds approach to addiction and homelessness.
Yoshi Obayashi and Lahna talk language, addiction, and porn. Lots and lots of porn...
We let our hair down for Halloween and celebrate the oddity that is Ôbayashi's House (1977). Dave and Jessica join Mark and Aaron. We agree that House is the most random and the most bonkers “horror” film in existence. Rather than break it down thematically, we celebrate its weirdness by pointing out the WTF moments and the occasions that make us laugh. Warning: this episode has a lot of profanity. About the film: How to describe Nobuhiko Obayashi's indescribable 1977 movie House (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt's creaky country home and comes 5face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions, all realized by Obayashi via mattes, animation, and collage effects. Equally absurd and nightmarish, House might have been beamed to Earth from some other planet. Never before available on home video in the United States, it's one of the most exciting cult discoveries in years. Buy The Films On Amazon: Episode Links & Notes Special Guests: Dave Eves and Jessica Ramos. You can follow Dave on Twitter. 1:10 – 1:00 – Reflections on our last House episode. 2:50 – Welcome Dave and Jessica! 7:50 – House Criterion Close-Up 10: House and The Shining kogonada's Trick or Truth Episode Credits Mark Hurne: Twitter | Letterboxd Aaron West: Twitter | Blog | Letterboxd Criterion Close-Up: Facebook | Twitter | Email Next time on the podcast: Cronos
Our October horror series concludes with our Halloween episode! Byrd and Matt are joined by Trev (of If It Bleeds We Can Kill it and Days of Future Podcast) to talk about Nobuhiko Obayashi's HOUSE, one of the oddeste genre films in Toho's Showa filmography. Based on a story by his ten year old daughter, Obayashi's film is truly one of the most unique cinematic experiences one could hope to see. HOUSE remains a cult classic to this day due to its carefree childlike spirit and its use of every practical effect in the book. Join us as we discuss how this oddity came to be and why it continues to be a cult favorite the world over. We also touch on Obayashi's aborted "A SPACE GODZILLA" project. But first, we discuss the success of Shin Godzilla in the US, the Power Rangers trailer, and the passing of director Kensho Yamashita.
The Mommy Dome is rarely at a loss for words, but one guest has the special skill to leave us near speechless and he's back. Yoshi Obayashi, the Japanese/Korean/Pornagrapher/Ho expert/Samurai is always up for sharing a story that is honest, in your face, and leave you begging for humanity to better itself. His 3rd visit is no disappointment as we cover his recent exploits at Comic Con, getting prostitutes south of the border, being a loner, Asian shame, and soooooo much more - like erotic optical illusions! Some Mexicans don't look Mexican, mommy!
KABOOM! Guess who stepped in the room? TICAL! or YOSHI! Back with more of that ISH you just can't get enough. Our conversation with Yoshi was so loaded we HAD to split it up into TWO episodes. Here is more of what you came for, part 2 of Yoshi's return with a real "talking to" about prostitution. Get your jeans ready for a brand new belt! SUSHI!
Chang chong ping pong! Guess who's back? It's the great Yoshi! This is by far one of the craziest episodes we've ever done. Yoshi goes deep. Deep into his mind, soul, and past. He shares a lot and it's fantastic, compelling, terrifying, sad and hilarious all at once. What a guest! There's no way we can describe everything we talk about, but here are some key words: Porn, fighting, death, fleeing, kids, blood, hookers. What do you think? Yeah, I thought so. Come back in 2 days for part 2, Geisha Jeans!
David Choe is an American painter, muralist, graffiti artist and graphic novelist from Los Angeles, CA. To learn more about him and his work check out the documentary "Dirty Hands: The Art and Crimes of David Choe" and also on his VICE series "Thumbs UP!" Yoshi Obayashi is a stand-up comedian and host of his own podcast, Yoshi Didn't. David Choe, Yoshi Obayashi, Brian Redban - Date: 01/22/2013
Yoshi Obayashi came back to my apartment after putting change in his meter and we continued our conversation about his job editing porn. It was more based on the things he saw while he was an editor, which includes small children in the offices and slightly less small children having sex on camera before they turned 18.
Yoshi Obayashi came over to my apartment on 2 hours of sleep to tell me about his time editing pornography for Evil Angel. I'm warning you right now, this gets dark. The 2nd part is even darker. Yoshi saw some stuff during his 10 years at that job that shouldn't be told to the world. So of course, that's all I wanted to talk about.
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