Podcasts about Tsukamoto

The Tsukamoto school in Sacramento is a place of triumph.  Some may not know the story behind the name, but when you dig deeper, you...

Send us Fan MailAs we discovered, Shin'ya Tsukamoto is a man of many talents... One of them is bringing this slightly insane vision of metal and man combining to life. We checked out "Tetsuo: The Iron Man".Look at  us on InstagramFollow us on Twitter (or don't we're not really there  - and you probably shouldn't be either. And yeah, we know, the dumb name changed)Hit us up with comments and suggestions at horrorcurious@gmail.comRate! Review! Recommend!

今回のゲストは、イリノイ大学助教でN-ACXISラボを率いていらっしゃる塚本紘康さんです！ 「人類の生存圏を広げる」というミッションのもと、制御工学と制御理論をご専門にされている塚本さん。太陽系の外からものすごいスピードで飛来する恒星間天体にどう接近するか、小惑星などの地球への衝突をどう防ぐかなど、様々なお話をお伺いしました。   未知の要素が多い宇宙ミッションで、不確実性をいかに減らしていくのか。ぜひ聴いてね！

Dans cette deuxième partie de l'entretien, Jean-Baptiste Pellissier, ostéopathe et professeur associé à la Haute École de Santé de Fribourg, explore la complexité du diagnostic ostéopathique et la manière dont il s'enseigne aujourd'hui. À travers des exemples concrets, il oppose les paternes cognitives — ces réflexes de pensée issus de l'expérience — au modèle hypothético-déductif, qui repose sur un raisonnement structuré et conscient. Il évoque la nécessité d'articuler les deux approches pour développer un jugement clinique solide, capable d'intégrer l'incertitude inhérente à toute pratique de soin. Jean-Baptiste décrit aussi l'évolution de l'enseignement en Suisse : l'importance des tests globaux, la co-construction du diagnostic avec le patient, et la valeur du toucher comme outil de dialogue et d'alliance thérapeutique. Enfin, il partage son regard sur la reconnaissance de l'ostéopathie comme profession de santé en Suisse, et sur les responsabilités que cela implique en matière de rigueur, d'éthique et de communication interprofessionnelle. Un épisode profond et nuancé, qui questionne la posture du praticien et la place du doute dans l'acte de soin. Références Peterson, M. C., Holbrook, J. H., Hales, D. V., Smith, N. L. & Staker, L. V. Contributions of the history, physical examination, and laboratory investigation in making medical diagnoses. West. J. Med. 156, 163–5 (1992). Pittet, E., Iglesias, K., Pellissier, J.-B. & Vaucher, P. Les étapes clefs de l'examen physique ostéopathique dans un contexte de lombalgie - Une étude qualitative. Mains Libr. 41, 110–123 (2024). Tsukamoto, T., Ohira, Y., Noda, K., Takada, T. & Ikusaka, M. The contribution of the medical history for the diagnosis of simulated cases by medical students. Int. J. Méd. Educ. 3, 78–82 (2012). Verdon, F. et al. Place de la [b]clinique[/b] en médecine ambulatoire – les enseignements de l'étude TOPIC. Rev. Médicale Suisse 5, 476–480 (2009). Zahnd, E. et al. Douleurs abdominales aiguës en médecine générale. Rev. Médicale Suisse 20, 2048–2052 (2024). Musique : Epic Rock | Alex Grohl (Envato Elements) Soutenez-nous sur Tipeee !

This episode is a conversation between architect and Atelier Bow-Wow-founding-member Momoyo Kiajima and curator Haris Giannouras. It was recorded right after the opening of the exhibition Suturing Together by Atelier Bow-Wow on 12 September 2025. Their discussion focuses on care work in architecture, books and their forms in designing and understanding the build environment, 1980s Japanese comedy shows, Sutemi Horiguchi, and the importance of love in building someone's home. Atelier Bow-Wow Suturing Together 12.9. – 16.11.2025 The exhibition Suturing Together includes a site-specific intervention covering almost the entire right arch of the Secession's foyer, an extended archive showing the studio's practice spanning over the last 30 years, a thatch-seating made using thatch in collaboration with students from Vienna and a poster with detailed essays and an analytical index of Atelier Bow-Wow's past projects. Exploring material networks, supply chains and ad hoc architecture, the term “Suturing” becomes a stand-in for the studio's synergetic approach: piecing together things that have been torn up, forms, communities, histories and memories. This episode was recorded on 12 September 2025 at the Secession. Atelier Bow-Wow, based in Tokyo, was founded in 1992 by Momoyo Kaijima and Yoshiharu Tsukamoto. Yoichi Tamai was appointed partner in 2015. Atelier Bow-Wow is an acclaimed international practice with an extensive portfolio of work as well as exhibitions and publications. The firm's projects range from residential buildings to public spaces and are characterized by a commitment to sustainability, social impact, and an understanding of human behavior in the built environment. Tsukamoto and Kaijima received the RIBA International Fellowship in 2012 and the Wolf Prize in Architecture in 2022. Atelier Bow-Wow is the 2024– 2026 Rothwell Co-Chair at the University of Sydney. Momoyo Kaijima has been serving as professor of architectural behaviorology at ETH, Zurich, since 2017 and vice president of the NPO Cheer Art, where she became president in 2024. She also taught as a visiting professor at the Department of Architecture at the Harvard Graduate School of Design in 2003 and 2016, as well as at the Royal Danish Academy of Fine Arts in 2011–2012, at Rice University in 2014–2015, at Columbia University in 2017, and at the Yale School of Architecture in 2023. In 2018, she was the curator of Japanese pavilion at the 16th International Architecture Exhibition – La Biennale di Venezia. In 2024, she was appointed to the planning and management committee of TOTO Gallery·Ma and made a member of the Berlin Academy of Arts. Haris Giannouras works with artists to make exhibitions, artworks, publications and events. He is currently a curator at the Secession in Vienna. Before that he worked at MUSEUM MMK FÜR MODERNE KUNST in Frankfurt and Museum Abteiberg in Mönchengladbach. Recent projects include work with Studio for Propositional Cinema, Cana Bilir-Meier, Atelier Bow-Wow, Andrea Büttner, Jamie Crewe, Beatrice Gibson, Onyeka Igwe, Eleanor Ivory Weber, Hiwa K, Ghislaine Leung, Lin & Lam, Duane Linklater, Karī Mugo, Fiona Banner aka The Vanity Press, and the Estate of Suzan Pitt. Secession Podcast: Members is a series of conversations featuring members of the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producers: Jeanette Pacher & Bettina Spörr

This week on the pod, we open the Listener Request Ghoul Box and talk depictions of mental health crisis, Tsukamoto's huge range of expression, and the general horrors of existing in a society in 2011's KOTOKO! linktr.ee/swimfans patreon.com/swimfans Theme by Padlock: http://padlock.bandcamp.com/

Let's go deeper into how to actually foster psychological safety in teams—not just what it is, but how to spot it, build it, and fix it.  In this Episode: Dr. Heather Morton, Tom Bradshaw, Dr. Juliette Nelson, Dr. Emi Barresi, Dr. Pamela Maurer, Lee Crowson, Rich Cruz, LindaAnn Rogers, Nic Krueger,   I/O Career Accelerator Course: https://www.seboc.com/job Visit us https://www.seboc.com/ Follow us on LinkedIn: https://bit.ly/sebocLI Join an open-mic event: https://www.seboc.com/events   References: Hoshina, Y., Shikino, K., Yamauchi, Y., Yanagita, Y., Yokokawa, D., Tsukamoto, T., ... & Ikusaka, M. (2021). Does a learner-centered approach using teleconference improve medical students' psychological safety and self-explanation in clinical reasoning conferences? a crossover study. Plos one, 16(7), e0253884.     Smith, E. V. (2025, March 17). Research 2024 - Elizabeth Vahey Smith. Elizabeth Vahey Smith.  https://elizabethvaheysmith.com/research-2024-survey/     Wang, C., & Ning, Y. (2024). The employee's perception of psychological safety: construct dimensions, scale development and validation. BMC psychology, 12(1), 770. 

Ce dimanche on parle d'horreur et de boîte à outils, attention, pétage de boulon....Les films de l'épisode :- 4'22'' Testuo [Shin'ya Tsukamoto]- 26'00'' Hyper Tension (Crank) [Mark Neveldine & Brian Taylor]- 55'15'' Blood Island [Jang Cheol-soo]- 77'27'' Destination Finale 5 [Steven Quale]Et dimanche dernier alors (97'30'') ?- Léo a regardé la série d'animation Common Side Effects de Joseph Bennett & Steve Hely.- Thomas a vu l'exposition "l'âge atomique" au Musée d'Art Moderne de Paris et a kiffé le dernier single de Théodora.- Lola recommande le roman dystopique & féministe de Wendy Delorme, Viendra le temps du feu.- Camille a vu la série documentaire Black Far West, une contre-histoire de l'Ouest de Cécile Denjean sur Arte.⚠️ TW : Attention, cet épisode aborde des sujets sensibles tels que : violences sexuelles et sexistes, violences sexuelles sur mineure, violences conjugales.⚠️ Attention aux spoilers ⚠️Réalisation et musique : Brice ThierionIdentité visuelle : Noah BallulPour nous aider n'hésitez pas à nous suivre @lhorreurdudimanche, à vous abonner et à mettre des étoiles sur Apple Podcasts, Spotify, Deezer, Podcast Addict, ...

Filmspezial Letztes Mal beschlossen Daniel und Michael sich mehr mit den 70ern zu befassen und die Wahl fiel auf William Friedkins Klassiker "Sorcerer" (Atemlos vor Angst, 1977) und dann wurden sofort die 70er verlassen um einen maximal 80er-mäßigen Film zu besprechen: "To Live and Die in L.A." (Leben und Sterben in L.A., 1985, ebenfalls Friedkin). Viel mehr braucht man dazu nicht zu sagen, oder? Außerdem gibt es noch ein paar kleine Schauempfehlungen von Daniel (Mutzenbacher und Glücklich wie Lazzaro) und etwas Tsukamoto und eine Kuriosität von Michael. Podcast herunterladen 00:00:00 Intro 00:12:00 Empfehlungen Tsukamoto Interview 00:42:20 To Live and Die in L.A. 01:51:55 Sorcerer

Jonathan returns in the guest seat to discuss 1989's Japanese experimental sci-fi body horror movie "Tetsuo: The Iron Man" directed, written, produced, and edited by Shinya Tsukamoto in his first first feature length film with Spoop Bois Aaron and Derek. They get into the themes or lack thereof, personal interpretations of what's happening in the movie, and how it assaults the senses. They also talk about Tsukamoto's journey to making this, the brutal experience shooting it, the practicality behind the metal prosthetics, the industrial soundtrack and many many other aspects of the film. Derek's brain will soon be metal. Aaron's future is metal. Jonathan will turn the entire world to rust! Support us on Patreon: https://www.patreon.com/WatchIfYouDare We are on PodBean, Apple Podcasts, Podchaser, Goodpods, Amazon Music, Spotify, iHeartRadio and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Facebook and Twitter @WatchIfYouDare

Mike talks with Peter Tatara and Alexander Fee, programmers from the Japan Cuts Film Festival which runs July 10 - 21, 2024.  Find out more at the website https://japansociety.org/film/japancuts/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike talks with Peter Tatara and Alexander Fee, programmers from the Japan Cuts Film Festival which runs July 10 - 21, 2024.  Find out more at the website https://japansociety.org/film/japancuts/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

This month on Horror Hangover, Ryan and Cass are joined by cinephile Charles, co-host of When Will It End? -- a podcast exploring the beauty & bizarreness behind serialized storytelling in film. Turn your lights off ... or on ... but will either choice save you from these existentialist entries? Silence your phone. Or call a friend? We're covering J-Horror & Tech & prodding into all its dis/connections through the iconic works of Kurosawa's Pulse & Tsukamoto's Tetsuo: The Iron Man.    CLICK IF YOU DARE: Kurosawa delves into what makes ghosts so haunting in this interview with Paul Matthews "The Broken Technology of Ghost Hunting" by Colin Dickey Subscribe to WHEN WILL IT END? podcast here for more of Charles' thoughts on franchises in film    OUR SACRED OFFERINGS GO TO: FeliceY for our logo design Cano Jaguar for our creepy intro. mix Ryan's metallic magic sound effects Walkscares! Twice the dread in twice the time!

Operation Bikini (1963)AIP Production #6315 Jeff and Cheryl suit up for an underwater adventure in Operation Bikini.Directed by Anthony CarrasWritten by John TomerlinProduced by Lou Rusoff and James H. Nicholson with Samuel Z. Arkoff Starring:Tab Hunter as Lieutenant Morgan Hayes Frankie Avalon as Seaman Joseph Malzone Scott Brady as Captain Emmett Carey Jim Backus as First Mate Ed Fennelly Gary Crosby as Seaman Floyd Givens Michael Dante as Lieutenant William Fourtney Jody McCrea as Seaman William Sherman Eva Six as Reiko Aki Aleong as Seaman Ronald Davayo David Landfield as Lieutenant Cale Richard Bakalyan as Seaman Hiller Joe Finnegan as Seaman Morris Vernon Scott as Seaman Fowler Raymond Guth as Seaman Rich Tony Scott as Chief Petty Officer Perez Steve Mitchell as Seaman Nolan Mickey McDermott as Seaman Fairly Wayne Winton as Seaman Patterson Duane Ament as Seaman Kingsley Jody Daniels as Seaman Jones Marc Cavell as Paul Raynum K. Tsukamoto as Kawai Lan Nam Tuttle as Mika Alicia Li as Native Girl #3 Nancy Dusina as Roxanne, Dream Girl Back Home and Judy Lewis as Dream Siren Produced by Alta Vista Productions and American International Pictures. Stream Operation Bikini on YouTube.Follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

William MarxLittératures comparéesCollège de FranceAnnée 2023-2024Conférence - Masanori Tsukamoto : Les recherches sur le rêve chez Valéry, Proust et MyōeIntervenant(s) :Masanori TsukamotoProfesseur à l'Institut des sciences humaines et sociales, université de TokyoRésuméLorsque les Cahiers de Valéry (1957-1961) ont été publiés bien après sa mort, on s'était étonné d'y trouver de nombreuses notes sur le rêve. Les allusions aux rêves, fragmentaires et sporadiques dans son œuvre, semblaient suggérer que l'écrivain avait adopté une attitude plutôt froide à l'égard de ce phénomène et avait même délibérément évité d'y réfléchir. Les notes volumineuses sur le rêve, pleines de développements contradictoires mais dotées d'une persistance inusitée, ont révélé que Valéry était en fait non seulement un explorateur de la théorie des rêves, mais aussi un poète qui cherchait à intégrer la puissance des rêves dans sa poétique. En lisant ses analyses sur le rêve, nous nous rendons compte que dans la première moitié du XXe siècle, il y avait une recherche sur le sommeil et le rêve très différente de celle de Freud. On le constate surtout lorsque l'on compare la recherche valéryenne avec celle menée par Proust. Dans cette conférence, je voudrais mettre en lumière l'enjeu de cet intérêt pour le sommeil et le rêve chez Valéry et Proust. À la fin de l'exposé, j'invoquerai le Journal des rêves de Myōe (1173-1232), moine bouddhiste japonais de l'époque de Kamakura. Son journal des rêves est très lu au Japon et continue à inspirer des romanciers et des psychanalystes. Je citerai Myōe pour relativiser le point de vue établi par la double lecture de Valéry et de Proust.Quel est donc l'enjeu des études de Valéry sur le rêve ? Il consiste non pas à sonder le passé enfoui dans la mémoire, mais à transformer la conception même du présent en y introduisant une forme de conscience radicalement différente de la conscience éveillée. Notons que Valéry a considéré le rêve comme une forme de conscience, et non pas comme une manifestation de l'inconscient. La « conscience sous le sommeil » a pourtant quelque chose d'étrange, parce que, dès le réveil, on ne peut plus la reconstruire telle quelle. Nous ne connaissons le rêve qu'à travers le souvenir et le récit, souvent défigurés et défaillants, qui ne sont pas selon Valéry des moyens fiables pour examiner le phénomène. D'où cette observation constante dans les cahiers : « Le rêve est le phénomène que nous n'observons que pendant son absence. Le verbe rêver n'a presque pas de "présent". » (C, V, 351) Peut-on saisir le rêve dans son état naissant, tout en gardant une conscience lucide ? Est-il possible de construire un rêve en étant éveillé ?

#Japanuary-Spezial #Japanuary und Tsukamoto-re-watch! Es geht um seinen eher ungeliebten Tetsuo - The Bullet Man und warum der eigentlich ziemlich super ist. Ja, wurde schon umfangreich besprochen, aber die alten Folgen hört ja sowieso niemand. Podcast herunterladen

Le 16 janvier dernier, nous avons plongé dans l'univers captivant du trio de rock originaire de Rouen, SERVO, juste avant leur performance à la Boule Noire, à Paris.Rencontrez le cerveau de l'affaire, Arthur (chanteur principal / guitariste), Louis (bassiste) et Hugo (batteur), formant un groupe de rock-psyché-noise à part entière, délivrant une intensité musicale incroyable en live.Dans la première partie de l'épisode, explorez avec nous: Leurs influences psychédéliques, de Brian Johnson, Dead Meadow, Dandy Warhols, aux Black AngelsLa rencontre avec "Grand Gourou" à Rouen qui a influencé le groupe à se formerCe que leur dernier morceau, "Monsters", évoque après avoir exploré l'univers d'"Alien"Les secrets derrière leurs pédales d'effets pour créer un son saturé et maîtriséDans la seconde partie, plongez ensuite dans le monde du live :pourquoi leurs morceaux sont conçus pour du livel'impact des sons sur le public, et si le groupe est prêt pour des slams enflammés dans la foule !On a également abordé leur actualité, leur tournée avec les Slift et Lysistrata, ainsi que les festivals à venir. Ne manquez pas l'opportunité de découvrir SERVO en live !Enfin, soyez prêts à obtenir les réponses à des questions brûlantes comme : "Qu'est-ce qu'un foutu bon concert ?" "Quel message voudriez-vous transmettre à ceux qui viennent vous voir ce soir ?" L'épisode est agrémenté d'extraits de leur concert. Une expérience sonore à ne pas manquer - comme si vous y étiez !Les refs du film japonais : Tetsuo L'Iron Man, Shin'ya Tsukamoto, sorti en 1989.La ref du livre sur la noise. : The Most Beautiful Ugly Sound in the world, à l'écoute de la noise, Livre de Catherine Guesde et Pauline Nadrigny.Les groupes énoncés : Gilla Band, Ellah a thaun, System of a Down, Queens of the Stone Age, Ditz, Metz, Dune Rats, Slift, Lysistrata, Psychotic Monks.Festival Foul Weather au Havre.Credit jingle : My Track SocietyCredits musique live : Servo à la Boule Noire, 16 janvier 24

For a change of pace, the boys review two very different horror shorts -- 80s slasher love-letter, Lake Nowhere, and Shin'ya Tsukamoto's claustrophobic j-horror, Haze.Outro Music: Fozzy - "Judas" Support the Pod Boys on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Felicia is joined by Rolo Tony to discuss John Cassavetes take on a woman trapped by her struggles with mental health, in A Woman Under the Influence (1974). We chat about the concept of motherhood and being wife in the 70s while battling a mental illness. Along with a quote from Cassavetes himself with his take on Mabel, and whether she is feeling the pressures of having Nick for a husband or she is suffering from a mental illness. We also discuss Nick, and where his ‘good intentions' stem from, and how they relate to the way he was raised, and the women in his life. We also have fun chatting about spaghetti, so it wasn't all so heavy. Send us your thoughts on the episode - how do you feel about Cassavetes's take on Mabel? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Rolo Tony here: Twitter: @PoorOldRoloTony Letterboxd: @PoorOldRoloTony YouTube: @PoorOldRoloTony Sources: A Woman Under the Influence: The War at Home | Current | The Criterion Collection A Woman Under the Influence movie review (1974) | Roger Ebert A Woman Under the Influence - John Cassavetes - Oeuvre (spectrumculture.com) The film that changed my life: John Cameron Mitchell | John Cassavetes | The Guardian A Woman Under the Influence Blu-ray - Gena Rowlands (dvdbeaver.com) OUTRO SONG: A Woman Under The Influence Theme by Bo Harwood FILMS MENTIONED: Videodrome (David Cronenberg 1983) Mommie Dearest (Frank Perry 1981) The Swimmer (Frank Perry 1968) Jurassic Park (Steven Spielberg 1993) Ikiru (Akira Kurosawa 1956) My Own Private Idaho (Gus Van Sant 1991) Mean Streets (Martin Scorsese 1973) Alice Doesn't Live Here Anymore (Martin Scorsese 1974) Boxcar Bertha (Martin Scorsese 1972) Tetsuo: The Iron Man (Shin'ya Tsukamoto 1989) 28 Days Later (Danny Boyle 2003) Shadows (John Cassavetes 1959) The Killing of a Chinese Bookie (John Cassavetes 1976) Opening Night (John Cassavetes 1977) Husbands (John Cassavetes 1970) Breaking the Waves (Lars Von Trier 1996) Resurrection (Andrew Semans 2022) Christine (Antonio Campos 2016) Wanda (Barbara Loden 1970) Rachel, Rachel (Paul Newman 1968) Days of Wine and Roses (Blake Edwards 1962)

Pour l'émission de novembre, nous avons décidé de vous parler du corps au cinéma. Plus précisément, on vous présente 4 films: Tetsuo the iron man de Shin'ya Tsukamoto, La quatrième dimension de Zbigniew Rybczynski, Marquis de Henri Xhonneux et Female Trouble de John Waters. On parle évidemment de body horror, mais aussi de salons de coiffure, et de pénis qui parlent, et on vous propose même un petit cours de gym. Avec une interview de Barbara Janicas et Dominique Willoughby, co-organisateurs du Novembre Expérimental. Ils nous parlent de leur programmation Danse de Films, que vous pouvez retrouver au Grand Action, au Reflet Médicis et au Consulat Voltaire du 16 au 30 novembre! Nous avons aussi inclus une création sonore d'Ipek Karan, intitulée La Mémoire du Corps. La liste des films cités: https://boxd.it/q4d0m Soutenez-nous sur PayPal !

Bright on Buddhism Episode 74 - Who is Ananda? What role does he play in the texts? How does this role change over time? Resources: Ambros, Barbara R (27 June 2016), "A Rite of Their Own: Japanese Buddhist Nuns and the Anan kōshiki", Japanese Journal of Religious Studies, 43 (1): 207–50, doi:10.18874/jjrs.43.1.2016.207-250; Buswell, Robert E. Jr.; Lopez, Donald S. Jr. (2013), Princeton Dictionary of Buddhism (PDF), Princeton University Press, ISBN 978-0-691-15786-3, archived (PDF) from the original on 12 June 2018; Filigenzi, Anna (2006), "Ananda and Vajrapāṇi: An Inexplicable Absence and a Mysterious Presence in Gandhāran Art" (PDF), in Brancaccio, Pia; Behrendt, Kurt (eds.), Gandhāran Buddhism: Archaeology, Art, and Texts, University of British Columbia Press, pp. 270–85, ISBN 978-0-7748-1080-7, archived from the original (PDF) on 18 August 2018; Findly, Ellison Banks (September 1992), "Ānanda's Hindrance: Faith (saddhā) in Early Buddhism" (PDF), Journal of Indian Philosophy, 20 (3): 253–73, doi:10.1007/BF00157758, S2CID 169332149, archived from the original (PDF) on 17 September 2018, retrieved 17 September 2018; Findly, Ellison Banks (2003), Dāna: Giving and Getting in Pāli Buddhism, Motilal Banarsidass Publishers, ISBN 9788120819566; Freedman, Michael (June 1977), The Characterization of Ānanda in the Pāli Canon of the Theravāda: A Hagiographic Study (PhD thesis), McMaster University; Gethin, Rupert (2001), The Buddhist Path to Awakening (PDF) (2nd. ed.), Oneworld Publications, ISBN 1-85168-285-6, archived from the original (PDF) on 14 September 2018, retrieved 14 September 2018; Gombrich, R. (2018), Buddhism and Pali, Mud Pie Books, ISBN 978-0-9934770-4-1; Hinüber, O. von (5 November 2007), "The Advent of the First Nuns in Early Buddhism" (PDF), Indogaku Chibettogaku Kenkyū [Journal of Indian and Tibetan Studies], Association for the Study of Indian Philosophy: 222–37, ISSN 1342-7377, archived from the original (PDF) on 10 September 2018, retrieved 10 September 2018; Tsukamoto, K. (1963), "Mahākaśyapa's Precedence to Ānanda in the Rājagṛha Council", Indogaku Bukkyogaku Kenkyu [Journal of Indian and Buddhist Studies], 11 (2): 824–817[sic], doi:10.4259/ibk.11.824, archived from the original on 21 September 2018; Ohnuma, Reiko (December 2006), "Debt to the Mother: A Neglected Aspect of the Founding of the Buddhist Nuns' Order", Journal of the American Academy of Religion, 74 (4): 861–901, doi:10.1093/jaarel/lfl026; Gombrich, Richard (2006), How Buddhism Began: The Conditioned Genesis of the Early Teachings (2nd ed.), Routledge, ISBN 978-0-415-37123-0; Hirakawa, Akira (1993), A History of Indian Buddhism: From Śākyamuni to Early Mahāyāna (PDF), Motilal Banarsidass Publishers, ISBN 9788120809550, archived from the original (PDF) on September 11, 2015 Do you have a question about Buddhism that you'd like us to discuss? Let us know by tweeting to us @BrightBuddhism, emailing us at Bright.On.Buddhism@gmail.com, or joining us on our discord server, Hidden Sangha https://discord.gg/tEwcVpu! Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

TETSUO: THE IRON MAN (1989) Dir. Shinya Tsukamoto with John Wayne Comunale   We're talking Houston's most interesting bathrooms, pervasive erotic breathing and the frame-by-frame humanity within Tetsuo: The Iron Man, Tsukamoto's obsessive production process, endlessly developing interpretations of the film, juvenile show-crashers, insurance policies ruining movies and movies ruining friendships, on-the-road book sales and the convention circuit, the independent artist grindset, meat space vs online audience, the problems with "doing it for the love," writing with audience in mind, meat and potatoes (???), redneck parking, Dungeons & Dragons, and more.  Keep up with John Wayne and cop some books, music, drip, and more at johnwayneisdead.com Full episode and video available in the $5/month tier on patreon.com/agitator

Our October horror series continues as Byrd, Tom, Lux and Kevin discuss Shinya Tsukamoto's cult classic Tetsuo trilogy!  Tsukamoto burst onto the Japanese indie scene with the first film in 1989, cementing him as a master of surrealist outsider cinema, putting his name alongside directors like Sogo Ishii, David Lynch, and David Cronenberg, and also becoming an icon of the emerging Japanese cyberpunk scene.  Tetsuo The Iron Man told the story of a Japanese salaryman slowly transforming into a mass of flesh, steel and raging libido.  1992's The Body Hammer took a less surrealistic approach to the material with a more straightforward narrative about a Japanese man who is tricked into murdering his son and his rage manifests in the form of guns and metal.  2009's The Bullet Man was an attempt to appeal to an American audience, with an English speaking cast and delving into the lore of the Tetsuo cyborg monster.  Although Tsukamoto's films are NOT for the faint of heart, they've managed to be extremely influential on genre cinema the world over.  In addition to the movies, we also discuss Tsukamoto's career, the definition of "cyberpunk," some of his famous fans and collaborators (including Martin Scorsese, Takashi Miike, Nine Inch Nails, and Quentin Tarantino), and how Tsukamoto's themes of destruction, sexuality, and man's merging with technology continue to be thought provoking years after his debut.  Sit back and enjoy the show!  Together, we can turn this world into rust!

Eure zwei Amigos berichten von einem phantastischen Wochenende samt Besuch einer Filmbörse und geben die ein oder andere Empfehlung mit auf den Weg in ein spannendes Wochenende... (00:01:35) TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM (2023) [Kino] (00:15:05) Finnischer Folklore Horrorfilm: THE KNOCKING (2022) [AppleTV, Prime, SKY] (00:21:48) Wir gucken ¡DREI AMIGOS! (1986) unter Freunden [AppleTV, Prime] (00:28:46) Wir erinnern uns mit PREMUTOS (1997) an die Filmfressen-Anfänge (00:31:47) Besuch der Filmbörse Neuss und unsere Filmausbeute (00:34:18) FIRE SYNDROME aka SPONTANIOUS COMBUSTION (1990) von Tobe Hooper [Prime] (00:41:34) Und schon wieder ein Tobe Hooper: MORTUARY (2005) [nur US: Prime, tubi] (00:48:44) Patreon-Pick: HAZE (2005) von Shin'ya Tsukamoto [vimeo] Viel Vergnügen! Wir freuen uns über Unterstützung: Patreon - https://www.patreon.com/filmfressen Paypal - kontakt@filmfressen.de Merch - https://www.shirtee.com/de/catalogsearch/result/?q=filmfressen Feedback und Koop-Anfragen: kontakt@filmfressen.de Filmfressen auf Facebook: https://www.facebook.com/Filmfressen-904074306371921/ Instagram: https://www.instagram.com/filmfressen Letterboxd: https://letterboxd.com/ManuFilmfressen Letterboxd: https://letterboxd.com/PeterFilmfresse

Robert Fletcher Jr. The only child of walnut farmers, was born July 26, 1911 in San Francisco and grew up in Brentwood, graduating from high school in 1929. He then attended the University of California, Davis beginning in 1930 where he earned a degree in agriculture.After college, Fletcher ran a peach orchard in Red Bluff, California, and then became a state shipping point inspector (agriculture inspector). Starting in 1942, Fletcher began working for the Florin Fire Department. Executive Order 9066, by FDR, in 1942 forced relocation of 122,000 Japanese-Americans, most of them citizens, to internment camps, where they were held without charges out of a misguided suspicion that they might be disloyal. In addition to losing their liberty, the Japanese-American internees often lost the homes and businesses that they had to leave behind. In particular, Japanese-American farmers, who had to leave their crops untended.Near Sacramento, many of the Japanese who were relocated were farmers who had worked land around the town of Florin since at least the 1890s. Mr. Fletcher, who was single and in his early 30s at the time, knew many of them through his work inspecting fruit for the government. The farmers regarded him as honest, and he respected their operations.Al Tsukamoto, whose parents arrived in the United States in 1905, approached Mr. Fletcher with a business proposal: would he be willing to manage the farms of two family friends of Mr. Tsukamoto's, and to pay the taxes and mortgages while they were away? In return, he could keep all the profits.Mr. Fletcher and Mr. Tsukamoto had not been close, and Mr. Fletcher had no experience growing the farmers' specialty, flame tokay grapes, but he accepted the offer and soon quit his job.For the next three years he worked a total of 90 acres on three farms — he had also decided to run Mr. Tsukamoto's farm. He worked 18-hour days and lived in the bunkhouse Mr. Tsukamoto had reserved for migrant workers. He paid the bills of all three families — the Tsukamotos, the Okamotos and the Nittas. He kept only half of the profits.But Mr. Fletcher's efforts put him at personal risk, in a community where many viewed the Japanese-Americans with suspicion and resentment, in the wake of Japan's surprise attack on Pearl Harbor. He was reviled as a "Jap lover," and was nearly hit by a rifle shot that someone fired into the Tsukamoto family's barn.Many Japanese-American families lost property while they were in the camps because they could not pay their bills. Most in the Florin area moved elsewhere after the war. When the Tsukamotos returned in 1945, they found that Mr. Fletcher had left them money in the bank and that his new wife, Teresa, had cleaned the Tsukamotos' house in preparation for their return. She had chosen to join her husband in the bunkhouse instead of accepting the Tsukamotos' offer to live in the family's house.“Teresa's response was, ‘It's the Tsukamotos' house,' ” recalled Marielle Tsukamoto, who was 5 when she and her family were sent to the Jerome center. “Few people in history exemplify the best ideals the way that Bob did,” said Tsukamoto's daughter, Marielle “He was honest and hardworking and had integrity. Whenever you asked him about it, he just said, ‘It was the right thing to do.' ”But Fletcher's efforts put him at personal risk, in a community where many viewed the Japanese-Americans with suspicion and resentment, in the wake of Japan's surprise attack on Pearl Harbor. He was reviled as a "Jap lover," and was nearly hit by a rifle shot that someone fired into the Tsukamoto family's barn.“I did know a few of them pretty well and never did agree with the evacuation,” he told The Sacramento Bee in 2010. “They were the same as anybody else. It was obvious they had nothing to do with Pearl Harbor.”After the war, resentment against the Japanese in Florin continued. If Mr. Tsukamoto tried to buy a part at the hardware store only to be told that the part was not in stock, he would ask Mr. Fletcher to buy it for him.The Fletchers bought their own land in Florin after the war and raised hay and cattle. Mr. Fletcher was a volunteer firefighter in Florin for many decades before becoming the paid fire chief. He was also active in historical groups.He was never much for celebrating his role in the war, and he noted that other Florin residents had helped their Japanese neighbors.“I don't know about courage,” he said in 2010 as Florin was preparing to honor him in a ceremony. “It took a devil of a lot of work.”Mr. Fletcher, who was in good health until a recent leg infection, was a reserved man of simple tastes. He drank more than a quart of milk a day and enjoyed spending time with his wife or working.“I did know a few of them pretty well and never agreed with the evacuation,” he told the Sacramento Bee in 2010. “They were the same as anybody else. It was obvious they had nothing to do with Pearl Harbor.”At Fletcher's 100th birthday celebration in 2011, Doris Taketa, who was just 12 when her family was sent off to a camp in Arkansas, recalled how they had viewed him as a hero. "My mother called him God, because only God would do something like that," she said.Mr. Fletcher, who settled in Sacramento as a farmer after the war, also served people in other ways. He spent 20 years as a volunteer firefighter with the Florin Fire Department and retired in 1974 after another 12 years as paid chief. He helped start the Florin Water District in 1959 and was a board member for 50 years.“He never stopped working hard — but not for himself,” said Rick Martinez, a former Florin and Sacramento Metropolitan Fire District chief. “He worked hard to get done whatever needed to be done for others.”His inspirational story is recounted in history books, including “We The People: A Story of Internment in America” by Elizabeth Pinkerton and Mary Tsukamoto, whose family farm he saved.“I don't know about courage,” he said in 2010 as Florin was preparing to honor him in a ceremony. “It took a devil of a lot of work.”Mr. Fletcher, who was in good health until a recent leg infection, was a reserved man of simple tastes. He drank more than a quart of milk a day and enjoyed spending time with his wife or working.FarmHopLife websiteFarmHopLife #20x23projectFarmHopLife LinktreeSources:One , Two , Three , Four , Five , Six , Seven , EightImage credit: Randall Benton/Sacramento Bee

Du super-héros, des relations toxiques et de la grosse machine numérique : il est rare qu'on soit autant en désaccord sur la plupart des films qui composent ce menu de début d'été. Bonne écoute ! Les films du mois (00:58) SPIDER-MAN ACROSS THE SPIDER-VERSE (27:00) THE FLASH (42:56) JEANNE DU BARRY (01:02:09) L'AMOUR ET LES FORÊTS (01:16:06) RENFIELD (01:23:24) FAST X (01:35:15) LA PETITE SIRÈNE (01:48:35) PLAN 75 (01:55:03) OMAR LA FRAISE Les coups de cœur du passé (01:59:55) ASSAUT de John Carpenter (1976) (02:08:55) TETSUO de Shin'ya Tsukamoto (1989) (02:16:45) OFFICE SPACE de Mike Judge (1999)

This month we talk to Swim Deep keyboardist and film journalist extraordinaire James Balmont about our favourite music in Japanese film. We cover the most successful director/composer collaborations, from Takeshi Kitano and Joe Hisaishi to Sogo Ishii and Hiroyuki Onogawa to Shin'ya Tsukamoto and Chu Ishigawa, and loads more! Follow Adam on Twitter, Instagram and Youtube Follow Ben on Twitter and Letterboxd If you enjoy our show then please give us a 5 star rating and review wherever you listen, and be sure to subscribe so you don't miss an episode. As always, thanks for listening x

¿Qué crees que es el diseño universal? ¿A qué crees que se pueda referir este tipo de frase? Hemos hablado del lenguaje universal con la interlingua en episodios anteriores, sin embargo, en esta ocasión queremos enfocarnos en la vida cotidiana y el diseño funcional del entorno. Este episodio es una producción de Su Presencia Radio.

Over a decade after his high-octane cyber-punk metal mutilation fetishism monster debut Tetsuo: The Iron Man (1989), director-producer-writer-cinematographer-editor-star Shinya Tsukamoto truly discovered himself as an artist and filmmaker with the blue-tinted, rain-drenched fever nightmare A Snake of June (2002). His seventh feature film, it follows three characters: a sexually-repressed telephone counselor, her hygiene-obsessed husband and a mysterious, spying interloper who will disrupt and upend their domestic sterilization. Hosts Christopher Funderburg and John Cribbs revisit every monochromatic corner of this beautifully strange film, which is somehow persistently cruel yet deeply empathetic to the three characters who find themselves trapped within the oppressive confines of their urban surroundings. How much of this is a self-critique by Tsukamoto (who also plays the creepy, disembodied voyeur) on the exploitative nature of cinema itself? Is there a safe middleground between cultural subjugation and unrestrained liberation? There's a lot to discuss about this deceptively short masterwork. The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Drew is back to talk the terrifying sea chicken that is Ponyo. With comparisons to Cronenberg, Otomo, and Tsukamoto always in the background, Charles and Drew attempt to make sense this horror by ranking the three awful versions of Ponyo as well as deciding which dad sucks more.Listen to Drew's music on bandcamp and buy their zine online. Hosted on Acast. See acast.com/privacy for more information.

>> VOCÊ JÁ SEGUE O TURBOCAST AQUI? Quando ir longe de mais já não é o bastante, nós vamos ao outro lado do mundo!!.... E por lá encontramos uma brasileira dando aula de drift na terra do DK - donkey kong e do drift king tb. E claro que não poderíamos deixar de falar de um monte de coisa aleatória com ela. Acerta o fuso horário ai e se prepara praquele papo sem pé nem cabeça que só rola aqui mesmo. Bora ouvir e boa sorte! ---------------------------------------------------------------- ENQUANTO ISSO SIGA: instagram.com/turbocastonline twitch.tv/turbocastonline e Turbocastonline no Youtube >> Não esqueça de nos seguir e deixar um like / coração e se não for pedir muito, compartilha ai. --- Support this podcast: https://podcasters.spotify.com/pod/show/turbocast/support

This week, we're pitting two Tsukamoto films against each other: Nightmare Detective and Nightmare Detective 2. What was the GOAT going for here, and did he pull it off? Which attempt was better and why? Can auteurs succeed in the mainstream, or do pop sensibilities not compute in the mind of the experimental artist?  We tackle the first entry on the free episode, and follow up with Tsukamoto's redemption on Agitator Z: patreon.com/agitator On this episode:  Apology tours, David Lynch presents Race Debates at Jiffy Lube, our new court show idea, how to properly raise rich kids, the meritocracy factor of cancellation, Ant Power supplements, Rare Candy, what goes wrong when an auteur attempts a mainstream project, adopting pop sensibilities, did Tsukamoto go color blind?, how to watch the best cut of Nightmare Detective, the beginning of late stage Tsukamoto, our rankings of Tsukamoto's films, why this is the no-guest season of the show, being ride or die, doing the show covered in vomit, major bag alert, and weathering the storm. 

Bright on Buddhism Episode 55 - Who is Mahakasyapa? What role does he play in the texts? How does this role change over time? Resources: Ambros, Barbara R (27 June 2016), "A Rite of Their Own: Japanese Buddhist Nuns and the Anan kōshiki", Japanese Journal of Religious Studies, 43 (1): 207–250, doi:10.18874/jjrs.43.1.2016.207-250; Analayo, B. (2016), The Foundation History of the Nuns' Order (PDF), projekt verlag, ISBN 978-3-89733-387-1; Hirakawa, Akira (1993), A History of Indian Buddhism: From Śākyamuni to Early Mahāyāna, Motilal Banarsidass Publishers, ISBN 9788120809550; Lagirarde, F. (2006), "The Nibbāna of Mahākassapa the Elder", in Lagirarde, F.; Koanantakool, P.C. (eds.), Buddhist Legacies in Mainland Southeast Asia. Mentalities, Interpretations and Practices, Ecole française d'Extrême-Orient and Sirindhorn Anthropology Centre, ISBN 2-85539-655-7; Lee, S.L. (2010), Surviving Nirvana: Death of the Buddha in Chinese Visual Culture, Hong Kong University Press, ISBN 978-962-209-125-2; MacQueen, Graeme (2005) [1981–2], "Inspired Speech in Early Mahāyāna Buddhism", in Williams, Paul (ed.), Buddhism: Critical Concepts in Religious Studies, 3: The Origins and Nature of Mahāyāna Buddhism, Routledge, pp. 312–343, ISBN 0-415-33229-X; Powers, John (2016), "Buddhas and Buddhisms", in Powers, John (ed.), The Buddhist World, Routledge, ISBN 978-0-415-61044-5; Strong, J.S. (2001), The Buddha: A Beginner's Guide, Oneworld Publications, ISBN 978-1-78074-054-6; Strong, J.S. (2007), Relics of the Buddha, Princeton University Press, ISBN 978-0-691-11764-5; Tournier, V. (2014), "Mahākāśyapa, His Lineage, and the Wish for Buddhahood: Reading Anew the Bodhgayā Inscriptions of Mahānāman" (PDF), Indo-Iranian Journal, 57 (1–2): 1–60, doi:10.1163/15728536-05701001; Tsukamoto, K. (1963), "Mahākaśyapa's Precedence to Ānanda in the Rājagṛha Council", Indogaku Bukkyogaku Kenkyu [Journal of Indian and Buddhist Studies], 11 (2): 824–817, doi:10.4259/ibk.11.824 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

The Video Monsters are kicking off our series on modern black-and-white films with a surreal Japanese cult body horror film that inspires awe and disgust in equal measure. So grab your drill bit, wipe that sweat off your brow, and fire up your ankle rockets because it's time to rust this pod into the dust of the universe with our review of Shin'ya Tsukamoto's TETSUO: THE IRON MAN (1989)! If you enjoy this episode, come join the Video Monsters crew on Discord (https://discord.gg/sjyUQg8phB)!! Hangout episodes are live (and unedited!) every Tuesday night starting around 9:30pm EST. Listen and chat along with us in the Discord chat and we'll even give you a shoutout on the episode! Video Monsters is brought to you by the Chattanooga Film Festival and Central Cinema in Knoxville, TN. Follow them on Facebook, Twitter, and Instagram, or online at chattfilmfest.org and centralcinema865.com. Links for each of these can also be found on our pages, so be sure to follow us at videomonsterpod on Facebook, Twitter, and Instagram as well. music for Video Monsters by Evan Simmons

The bumper final epside of 2022! Adam and Ben go through all the Third Window Film releases of the year, from Shin'ya Tsukamoto's HIRUKO THE GOBLIN to Satoshi Miki's ADRIFT IN TOKYO and everything in between from Obayashi to Sogo Ishii. The boys also reveal their favourite films of the year and look ahead at what's coming out from Third Window Films in 2023. Thank you to everyone who listened to the show and shared our stuff this year. We appreciate you! Here's a link to Ben's top 20 of 2022 We look forward to catching up with you again next year!        

This week Gary and Iain review and discuss, Ichi The Killer (2001) by Director, Takashi Miike. Starring, Tadanobu Asano, Nao Ômori and Shin'ya Tsukamoto. For more Off The Shelf Reviews: https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

'Our love can destroy this whole f*cking world!'*TRIGGER WARNING - R*pe, sexual assault, gender/body dysmorphia.*Tetsuo: The Iron Man (鉄男, Tetsuo) (literally Iron Man in Japanese), is a 1989 Japanese cyberpunk body horror film written, produced, edited, and directed by Shinya Tsukamoto. It is shot in the same low-budget, underground-production style as his first two films. The film established Tsukamoto internationally and created his worldwide cult following. It was followed by Tetsuo II: Body Hammer (1992) and Tetsuo: The Bullet Man (2009).A businessman accidentally kills The Metal Fetishist, who gets his revenge by slowly turning the man into a grotesque hybrid of flesh and rusty metal.00:00 Intro17:35 Horror News 39:36 What We've Been Watching48:08 Film Review1:42:55 Film Rating1:46:45 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/horrorhangoutTwitter - https://twitter.com/horror_hangout_Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Amber- https://twitter.com/hornbloodfirehttps://hornbloodfire.com/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.12.01.518660v1?rss=1 Authors: Zhang, Q., Kandasamy, L. C., Tsukamoto, M., Inoue, K., Pires, M. F., Shin, M., Tanaka, M., Nagasawa, Y., Sambuu, T., Itohara, S., Ogawa, S., Young, L. J. Abstract: Oxytocin receptor (OXTR) modulates social behaviors in a species-specific manner. Remarkable inter- and intraspecies variation in brain OXTR distribution are associated with diversity in social behavior. To investigate potential genetic mechanisms underlying the phylogenetic plasticity in brain Oxtr expression and its consequences on social behavior, we constructed BAC transgenic mice harboring the entire prairie vole Oxtr locus with surrounding intergenic regulatory elements. Eight independent volized (pvOxtr) mouse lines were obtained; remarkably, each line displayed a unique pattern of brain expression distinct from mice and prairie voles. Four pvOxtr lines were selected for further investigation. Despite robust differences in brain expression, Oxtr expression in mammary gland was conserved across lines, suggesting that Oxtr expression in brain, but not mammary gland, is highly sensitive to local chromosomal landscape at integration sites. Moreover, different volized mouse lines showed differences in partner preference and maternal behaviors. Our results from this cross-species study suggest that species-specific variation in regulatory elements or distribution of transcription factors are not responsible for species-typical brain Oxtr expression patterns. Thus, transcriptional hypersensitivity to surrounding sequence of brain Oxtr may be a key mechanism to generate diversity in brain OXTR distribution and social behaviors. This inherent evolvability of brain Oxtr expression constitutes a novel transcriptional mechanism to generate variability in neuropeptide receptor distribution which, through natural selection, can generate diversity in adaptive social behaviors while preserving peripheral expression. The volized Oxtr mouse lines are useful for further understanding OXTR regulation and key neural circuits/networks mediating variability in social behaviors. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Ya está Víctor con sus movidas de Tsukamoto, pensaréis. Y, efectivamente, en sus casi 50 minutos de mediometraje, "Haze" es pura desesperación made in Tsukamoto. Cemento, mazazos, tuberías y trozos de cadáver son usados para narrar una historia en la que el propio director sufre lo indecible para escapar de una extraña estructura.

This episode Adam and Ben are joined by a real life doctor... of film. Dr. Jonathan Wroot is the senior lecturer and program leader for film studies at the University of Greenwich, London. He has published several journal articles and book chapters on Asian cinema distribution and specifically on home video formats. Jonathan has most recently published his first monograph entitled "The Paths of Zatoichi - The Global Influence of the Blind Swordsman" and he talks in great depth on the influence that character of Zatoichi had on Japanese cinema, but especially on the Jidaigeki films, or chambara films, or samurai films, or edo-era films, or whatever you want to call them. The boys discuss such Third Window Films releases as TOP KNOT DETECTIVE, UZUMASA LIMELIGHT, THE SUFFERING OF NINKO and Shin'ya Tsukamoto's masterpiece KILLING amongs many other things. The link to pick up any of the films discussed on this episode is https://shop.terracottadistribution.com/collections/third-window-films/   If you would like to check out any of Jonathan Wroot's books you can do so via the following links:   New Blood: Framing 21st Century Horror - https://www.amazon.co.uk/New-Blood-Critical-Approaches-Contemporary-ebook/dp/B08X1M6N75   Cult Media: Repackaged, Re-released and Restored - https://www.amazon.co.uk/Cult-Media-Re-packaged-Re-released-Restored/dp/3319636782   DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption - https://www.amazon.co.uk/DVD-Blu-ray-Beyond-Navigating-Consumption/dp/3319873865   As always, thanks for listening :)  

Tetsuo: The Iron Man was based on a play that Shin'ya Tsukamoto had written, directed, and performed in college. About a Japanese businessman who accidentally kills a mad 'metal fetishist'. He proceeds to hide the corpse, unaware that he's plagued by a curse that turns his flesh into steel. This was our first time watching this impressive body horror masterpiece.   www.garbagedaypodcast.com www.patreon.com/garbagedaypodcast garbagedaypodcast@gmail.com Twitter: @garbagedaycast  

On this episode we bring Zach Langley Chi Chi of the I'm So Popular podcast to talk about 1980's Coin Locker Babies by Ryu Murakami. This one is an all-timer. We talk about: Horror drag, the conciseness of the Japanese language, white space on the page, visceral writing, retarded people who rate this book low for being gross, Murakami's influence on Miike and Tsukamoto, how to make a truly nasty novel through having good characters, businessmen beating off on the subway, voices that can destroy the whole world, flies with human faces, parental neglect, Tokyo as a city at war with the swamp it's built over, unique cultural phenomena, the glamor of mass acts of terror, bullying as a love language, outlets for human violence, art as a cage for violent impulses, homophobia, enjoying freaks, Otessa Moshfegh, and real-life Datura experiences.

[Heads up: the audio quality is not the best in this episode. We sincerely apologize for the inconvenience.] On this week's episode, we're joined by returning furry friend Jules The Nintendo Boy as well as a newcomer named Trace to discuss a little Japanese horror film called Hiruko The Goblin, directed by the innovative Japanese filmmaker Shinya Tsukamoto! Tsukamoto's claim to fame was making a lil' small budget cyberpunk body horror film known as Tetsuo: The Iron Man. After gaining notoriety for making one of the most craziest films in the world, he was able to make his first proper studio film Hiruko The Goblin, which is based on a manga titled Yokai Hunter. How does the film hold up in comparison to Tetsuo? What does Tsukamoto uniquely bring to the table with this film? All will be answered in this episode! Intro music from Hiruko The Goblin Outro music: Estoc - Skrap Yardz Tool (from DJ David Goblin's Ork Muzik 20K) Follow us on Instagram @videotapespodcast for the latest updates on the show! If you like what you hear, please rate and review us on your favorite streaming app and help spread the word by sharing with your friends! Have any thoughts, questions, concerns or recommendations? Please send them to: we.miss.blockbuster@gmail.com --- Send in a voice message: https://anchor.fm/videotapespodcast/message

Comedians Lev Fer and JJ Liberman join Zac Amico for a screening of Tetsuo: The Iron Man(1989), directed by Shin'ya Tsukamoto. In the film, a businessman accidentally kills The Metal Fetishist, who gets his revenge by slowly turning the man into a grotesque hybrid of flesh and rusty metal.Air Date: 05/27/22Support our sponsors!Head to https://www.RockAuto.comfor all your auto-part needs, and let them know you heard about them on Zac Amico's Midnight Spookshow!Visit https://www.MiPod.comand use promo code SPOOK for 10% off your order!Fans over the age of 21, go to https://www.yodelta.com/and use promo code GAS for 25% off your order!The newest 15 episodes are always free, but if you want access to all the archives, watch live, chat live, access to the forums, and get the show five days before it comes out everywhere else - you can subscribe NOW athttp://www.GaSDigitalNetwork.comand use the code ZAC for a 7-Day FREE Trial and save 15% on your subscription to the entire network.Check outhttps://www.PodcastMerch.com/ZAC to get EXCLUSIVE Zac Amico merchandise!FOLLOW THE SHOW!Zac Amico:https://www.instagram.com/zacisnotfunny/https://www.twitter.com/zacisnotfunny/Lev Fer:https://www.instagram.com/levferhttps://www.twitter.com/thelevfershowJJ Liberman:https://www.instagram.com/jjlibermancomedyhttps://www.twitter.com/crayjlibermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

L'histoire du Jane Collective, un groupe clandestin aux États-Unis durant les années 1960 qui pratiquait des avortements illégaux, racontée par la comédienne Gabrielle Côté; une entrevue avec la cinéaste, pianiste et compositrice Kyoka Tsukamoto; et le spécialiste en culture populaire Jean-Michel Berthiaume, qui parle de la mince frontière entre amitié et relation professionnelle chez les Avengers.

Well, it had to happen eventually. Kelby and I review a film neither of us liked. And it's weird because Tetsuo 1 & 2 are masterpieces. So what went wrong? Did Alejandro Jodorowsky break Tsukamoto's brain? Along the way, we talk about satellite sales, color palettes, school shootings, and some of our favorite podcasts. It's the dumbest episode, which is appropriate for the worst movie we've watched so far.

1. 沙特超40头骆驼因整容被踢出选美大赛︱Dozens of Camels Disqualified From Beauty Pageant Over Alleged Botox InjectionsIn an attempt to keep artificially-enhanced camels out of official beauty pageants, Saudi authorities recently disqualified 43 camels over the use of Botox and other cosmetic procedures.因注射肉毒杆菌和使用其他医美手段，43头骆驼近日被沙特官方取消参加一年一度的阿卜杜勒-阿齐兹国王骆驼节选美比赛的资格。 Saudi Arabia's King Abdulaziz Camel Festival is one of the several annual events that features a camel beauty pageant. This sort of competitions is such a big deal that some breeders reportedly resort to Botox injections and other cosmetic touchups to make their animals prettier.阿卜杜勒-阿齐兹国王骆驼节是沙特阿拉伯几个一年一度的骆驼选美活动之一。这类比赛在沙特阿拉伯是大事，据报道，一些饲养者为了让骆驼更漂亮，会给它们注射肉毒杆菌和使用其他医美手段。Using collagen lip fillers, artificially increasing the animals' muscles with hormones, and inflating body parts with rubber bands have all been documented in the past.此外，过去还出现过给骆驼使用胶原蛋白丰唇，用激素让骆驼肌肉更发达，垫橡胶圈来塑造体型的案例。The animals are checked both physically and clinically before the pageant, using X-ray machines and sonar devices. Offenders risk fines as high as 100,000 riyals per camel for procedures like Botox or hormone injections.赛前，组织者会用X光机和声纳设备对骆驼进行身体检查和临床检查。给骆驼注射肉毒杆菌素或激素的违法者可能被处以每头骆驼高达10万沙特里亚尔（约合人民币17万元）的罚款。Camel breeding is big business in the Middle East, and good placing at beauty pageants can have seriously beneficial implications for the owners. And then there is the prize money. This year breeders at the King Abdulaziz Camel Festival are competing for about $66 million.骆驼养殖在中东是一项大生意，在骆驼选美比赛中取得好成绩对饲养者非常有利。同时比赛还设有奖金，今年骆驼节的奖金约为6600万美元（约合人民币4.2亿元）。2. 日本研发出新型口罩 遇新冠病毒能在紫外线下发光︱Japanese scientists are developing face masks that glow under UV light if the wearer has COVID-19A team of Japanese scientists has created a prototype for a mask filter that glows under ultraviolet light and reveals traces of the COVID-19 virus if the wearer is infected.日本的一个科学家团队日前研发出了一款口罩过滤片样品，如果佩戴者感染了新冠病毒，这款口罩就会在紫外线灯照射下发光，提示病毒的存在。Scientists from the Kyoto Prefectural University say that the masks they've made contain an additional filter within its layers. When removed and sprayed with a fluorescent dye containing antibodies, the filter will glow when placed under UV light if traces of the COVID-19 virus are detected.京都府立大学的科学家称，他们制作出的这款口罩内含有一层额外的过滤片。把这层过滤片取出来喷上含有新冠抗体的荧光染料后，如果接触到新冠病毒，这层过滤片就能在紫光灯照射下发光。 Speaking to Japanese news outlet Kyodo News, researcher Yasuhiro Tsukamoto said that he conducted experiments with 32 people infected with COVID-19 over a 10-day timeframe. The researchers found that the masks worn by these 32 testers glowed brightly and showed traces of the COVID-19 virus after being sprayed with the antibody spray and held under a UV light. Tsukamoto's team also noted that the glow faded over time as the patients recovered and their viral load decreased.研究员冢元安弘告诉日本共同社说，他在10天时间内对32名新冠病毒感染者开展了实验。结果发现，32名测试者佩戴过的口罩在喷洒过抗体喷雾后能在紫外灯下发出亮光，表明口罩上有新冠病毒。冢元安弘的团队还指出，随着患者康复，病毒载量降低，口罩发出的光也会减弱。Tsukamoto intends to trial the mask on 150 participants in the team's next round of testing, and hopes to get the green light from the Japanese government to sell the masks in 2022.在研究团队的下一轮测试中，冢元安弘计划让150名参与者试用这种口罩，他希望日本政府能批准这款口罩在2022年上市。3. 推特：未经许可禁止分享个人影像︱Twitter removes images posted without consentTwitter has updated its privacy policy so it can remove images of people that have been posted without their consent, the company said in a blog post. Under its current policy, the social media giant prohibits the publication of people's private information, including addresses, phone numbers, identity documents and medical records.近日，推特更新隐私政策，表明推特官方有权删除未经本人同意发布的人物图片。根据现行政策，推特禁止用户发布他人隐私信息，包括地址、电话号码、身份证件和医疗记录。Now, it says it has added "private media" to the list, because the sharing of such material could be used to "harass, intimidate, and reveal the identities of individuals."现在，推特称已经将“个人影像”加入隐私条款，因为分享这些信息可能被用来“骚扰、恐吓和揭露个人身份”。 Before removing the image or video, Twitter said, it would require a first-person report or a report from an authorized representative to establish whether or not the individual had consented to it being shared.推特表示，在删除私人图像或视频之前，需要当事人举报或授权代表的举报，以确定该个人是否同意共享该图像或视频。Once Twitter establishes the media had been shared without permission, it would then proceed to remove it from the platform, the company said.推特表示，一旦平台确定个人影像的发布未经当事人许可，便会将其从平台上删除。It added the policy changes do not apply when there is public interest at stake, or in an emergency situation.推特补充道，这项新政策不适用于涉及公共利益的情况或紧急情况。pageant英 [ˈpædʒənt]；美[ˈpædʒənt] n. 选美大赛；比拼盛会；游行庆典；大场面riyal 英[rɪ'jɑːl]；美[riː'ɑːl]n. （货币）里亚尔，沙特里亚尔ultraviolet英 [ˌʌltrəˈvaɪələt]；美[ˌʌltrəˈvaɪələt] n. 紫外线；紫外光；紫外线辐射adj. 紫外线的；紫光的(be) at stake英 [æt steɪk]；美[æt steɪk] 濒临险境；危如累卵

“I'm the type of person who, if I don't try something, it's going to eat away at me for years.” - Allison Tsukamoto On this Real Talk, I had the pleasure of speaking with my close friend, extraordinary colleague, and fellow entrepreneur, Allison Tsukamoto. Allison shares about how she started her own company, MediYumm, during the pandemic and what motivated her to take the risk to pursue a passion that gnawed at her. She shares sage advice for listeners who want to actualize their passion project or side hustle, and gives great mental health care tips for go-getters and entrepreneurs. If you know somebody who wants to start, or just started, their own business venture, show them some love and support by sharing this episode of Real Talk with them! With so much love & gratitude, Grace

A creepy, semi-magical being known only as the Metal Fetishist seeks revenge on a salaryman who ran him over while getting a blow job. An experimental art film from Shin'ya Tsukamoto, in the vein of Lynch and Cronenberg, comes a monochrome acid trip into stop-motion fever dreams and bloody body horror. Grab your oil can and mind the dick drill because we're about to be assimilated by Tetsuo: The Iron Man.Support the show (https://www.patreon.com/moviedumpster)

This first installment of our J HORROR series takes us to some weird places. We start with Japanese cultural aesthetics, and by the end are talking about Cyberpunk Dadaist music styles. All the while, we discuss 1977's House, and Shin'ya Tsukamoto's Tetsuo, the Iron Man (1989). Join us at Patreon for this months exclusive episode on GET OUT.